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#profit-taking
kedreeva · 3 months
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There's some dude (derogatory) on FB who is PISSED people are pricing their farm fresh eggs at $2 and $3 a dozen instead of $4+, saying it's "disrespectful" and "undignified" and "I'm trying to feed my kids" like Sir, you are on a Facebook group page bitching about your neighbors egg prices because your pet chickens aren't earning you a living wage and you think it's your neighbors' fault, you do not have a leg to stand on here wrt dignity.
Also half the answers are like "I give them to friends and family free" or "I donate them to food banks" or "I'm making them affordable to folks who might not otherwise be able to get them now that they're so expensive in the store" and "if you think you're going to turn a profit keeping backyard chickens you have been wildly misled" and so on, and so forth, and I'm so living for it.
and I can tell you right now, he did NOT like my answer of "if you're trying to feed your kids, I hear eggs are edible."
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rocknews · 29 days
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Sensex and Nifty Retreat After Scaling New Heights: A Market Update
In a day marked by historic highs and subsequent profit-taking, the Indian stock market witnessed a slight dip as both the Sensex and Nifty settled lower after hitting record peaks earlier in the session.
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The BSE Sensex, comprising top 30 stocks, edged down by 58.80 points or 0.08 per cent to settle at 74,683.70. Earlier in the day, it had surged to an all-time high of 75,124.28, breaching the significant 75,000-mark for the first time ever. Similarly, the NSE Nifty saw a decline of 23.55 points or 0.10 per cent, closing at 22,642.75 after touching a fresh peak of 22,768.40.
The market saw profit-booking activities particularly in stocks like Titan, Reliance Industries, Asian Paints, and others, which weighed on the indices. Conversely, companies like ICICI Bank, Infosys, and Bajaj Finserv contributed to the gains.
While Asian markets showed mixed trends, with Tokyo, Shanghai, and Hong Kong ending positively and Seoul closing lower, European markets traded mostly in the red. Wall Street had a mixed session the previous day.
The slight retreat in the Indian market was attributed to profit-booking at higher levels, with investors also eyeing the upcoming US inflation data which could impact future rate cuts by the US Federal Reserve. Recent better-than-expected US economic data has raised concerns about a potential change in rate cut expectations for the year.
Foreign Institutional Investors (FIIs) were observed offloading equities worth Rs 684.68 crore on Monday, according to exchange data. Meanwhile, global oil benchmark Brent crude climbed slightly to USD 90.54 a barrel.
Despite today’s minor pullback, the overall sentiment remains positive, with the BSE benchmark settling at a new closing peak of 74,742.50 on Monday and the NSE Nifty also closing higher at 22,666.30.
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basechop · 2 months
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Stellar Gains in BOME Pre-Sale: Key Insights and Success Stories
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Unleashing the Power of Solana: BOME Pre-Sale Triumph Cryptocurrency enthusiasts witnessed a remarkable feat as a participant in the BOME pre-sale converted 421 SOL into a staggering $30.6 million in just 3 days. Unveiling the Winning Strategies in BOME Pre-Sale The wallet sundayfunday.sol emerged as a dominant figure in the pre-sale of the new Solana meme coin, Book of Meme. Just 3 days ago, it invested 421 SOL, approximately $72,000, and in return received a whopping 1.43 billion BOME, now valued around $30.6 million. Profiting from Strategic Moves Today, it secured partial profits by selling 190 million BOME for 19,646 SOL, worth about $3.66 million, maintaining ownership of 1.24 billion Book of Meme tokens. Diverse Success Stories in BOME Pre-Sale Another trader sent 102 SOL to the BOME creator's address, receiving 347 million tokens, subsequently selling them for a 340-fold profit of $6.58 million. Varied Outcomes in the Market However, not all market participants had the same fortune. Shatter.sol spent 50 SOL to purchase 170,250 BOME, parting with them after 14 hours, earning approximately $130,000. Presently, the value of the tokens they sold exceeds $3.5 million. Read the full article
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secondbeatsongs · 1 year
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for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal
before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"
and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"
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imperceiveable · 2 months
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idk is this anything?
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saturngalore · 4 months
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jesus please take away curseforge from simmers i beg
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vampirictranssexual · 9 months
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Okay, serious discussion about s5e7 of wwdits. I have a lot of mixed feelings about it. The creatures fell into the uncanny valley, why did they choose the donut lady as a plot for nadja when it could've been with the guide, etc. HOWEVER, what I do appreciate about this episode is the meta commentary on how Nandor's culture is simultaneously erased in history classes and then mocked by museums. His culture, his writings, his garments.. almost everything about his history is completely misrepresented by the museum and all of his artifacts were stolen. He literally sees a pair of his underwear on display! He is looked at as an object, a relic of the past. The museum portays him as being unintelligent and frowns upon his writings. And that's based on their narrow understanding of him, Al Q, and his culture. The historians do not know Nandor of course, but they view him through a lense that chooses to only see him and his culture as unintelligent, subhuman even- because why else would someone write something like this? Or wear something like this? Or use weapons like this? It reminds me of those TV shows that theorize the pyramids were made by aliens. Because how else could the Egyptians have been capable of creating the pyramids? Surely they can't be intelligent enough! *eye roll*
Idk someone could probably use better words to communicate what I'm trying to say here, but I wanted to bring it to the table anyway. Oh, also Colin becomes the center of attention by acting like the stereotypical white professor who is more focused on feeding their ego than actually educating his pupils. And this ends up in Nandor being pushed out of the conversation. A literal metaphor for how whiteness obscures and diminishes other cultures and immigrant communities. Of course Colin did that just to feed off of the students. Because then he ends up replacing the museum display with a more accurate representation of Nandor (albeit for comedic effect). And then by taking back his horsie necklace. But.. everyone listened to Colin! And ignored Nandor! Lots to think about in terms of erasure, white washing, forced assimilation, how museums profit off of stolen artifacts and skewing history, etc.
Nandor is an immigrant to Staten island and he was forced to assimilate. Imagine how he must feel when he sees all these stolen artifacts in the museum, and plaques that inaccurately portray his culture and history. And people gawking at the clothes and weapons he proudly wore/still wears. This is a reality for many native and immigrant communities here in America and abroad. Being forced to view your culture, your way of life through the lense of the oppressor.
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leolaroot · 9 months
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star trek fans specifically are crazy for that. you say "im not really comfortable watching tos because of the way captain kirk interacts with women" and 900000 people come crawling oit of the woodwork to say UM ACTUALLY kirk is a GENTLEMAN FEMINIST who is ALWAYS NICE and VERY BISEXUAL! and the only people who think he acts like that are the DUMB PIG CHAUVINIST MEN who think kirk is LIKE THEM! okay im actually referring to how he constantly grabs at women esp when they're unhappy and physically restrains them. or the weird sexually charged comments he makes. or his persistent assumption of all women as available and simple things to be acquired or controlled. and sometimes they lobby back with the "well Its Made In The Sixties so of course its Dated but its still PROGRESSIVE!" okay well its so dated that im not comfortable. i cant just say to myself "oh well it was another time" and immediately become blind to whats happening before my eyes.
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boygirlswag · 1 month
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modern au laios would 100% be a zookeeper. i feel like they'd start him with mucking out the monkey pits but hes so good with kids that they eventually just let him do shows and demonstrations. actually where's the dungeon meshi we bought a zoo au
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antimony-ore · 9 months
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Someone should propose a bill requiring websites to disclose if an employer has accessed their employees social media, or requiring companies to disclose if and when they do.
I'm tired of MY social media being screened because my name is unique and easy to google search, when my medical history is not something I need to disclose and my social media is not legally recognized as a public record/not something they have a legal right to access
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too-many-blorbos · 3 months
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Figuring out Witcher lore is so hard. You ask a question and there will be three different contradictory answers spread over the book series, and you never know which one is actually the truth because Geralt is a freaking LIAR and cannot be trusted to give exposition.
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doriandrifting · 6 months
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We really don’t give Noah Schnapp enough props for his acting abilities. It must take a lot of work to play such a kind and compassionate character when you’re actually a massive piece of shit.
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twilight-deviant · 20 days
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Watcher fans sure are entitled and a little insane, ngl. "No one is going to sign up for your service! We're all poor! You've made the worst decision, and you'll be back in no time!" Saying this directly to the creators really reminds you of how low the respect for people you don't personally know has gone. I miss the forth wall between creator and audience.
I get and fully understand not having the money to support them, but... Watcher does have fans with money. A lot of them actually. They have merch sales. Their live tour sells out most venues. They have thousands of supporters on Patreon, where the cheapest tier is $5. They're able to gauge the rough finances of their staunchest supporters; that's how they landed on the subscription price. Yes, this move will reduce their viewership in sheer numbers, but to say all of their fans are broke and none will follow/support is factually incorrect.
It may not be a decision everyone agrees with, but severing the limitations of advertisers and youtube in favor of artistic freedom is a good thing. Yes, even if it comes with a loss of revenue. They understand that risk.
Also, I'm begging people to stop treating this like "another Netflix" or something and instead look at it as, "I am supporting a creator I like, similar to Patreon." They literally said in the video that they don't care if you share accounts. Get five friends, and you'll pay $1/mo.
I hate feeling compelled to rant in favor of their decision because I have my own reservations about whether it's the best move. However, I know it's not a choice they made lightly, and I like to think they understand that they'll need to branch out like crazy to entice subscribers.
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kanansdume · 1 month
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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viccharine · 9 months
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do you guys ever listen to a band so much that you end up making fake merch for it?
(reblogs greatly appreciated!!!!)
close ups and commentary under the cut!
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about the poster itself: do you guys know how hard it is to make art for a band that hasn’t been active in 13 years? the answer is HARD (yes, i probably could done research and looked for old interviews for inspiration but who has time for that)
—> the icons related to “take a vacation!” are inspired by lyrics from the song “take a vacation!” (haha, did you see what I did there?) specifically, the lines “we’ll leave the waves at the ocean” and “we’ll leave the sand in a suitcase”
—> the Jon Walker and Ryan Ross icons are taken directly from the album cover (it took ten years off my life trying to figure out how to get them on here w/ the color palette—graphic design may be my passion but I never said i was GOOD at it)
—> the heart imagery comes from the fact that the band’s called “the young VEINS”—although it annoys me IMMENSELY that i technically drew more arteries than veins in the icons (my anatomy teacher would be so disappointed, but alas, anatomical accuracy had to be sacrificed to make it. yknow. look nice)
—> i did hand-lettering for all the text except for everything that’s in Helvetica (i did THAT in canva). the art program i use has a basically unusable text tool so I was forced to draw all of it, so I choose to believe that the reason why it doesn’t look. the best. is because of the caffeine shakes
some extra commentary: am I the only one who’s genuinely REALLY bad at listening to music? i don’t really get into bands as much as i just find songs that sound nice—to illustrate the extent of this issue: i did NOT know that Brendon Urie was a part of Panic! At the Disco. I’m not even kidding, I thought the artist who made Death of a Bachelor and the artist who made A Fever You Can’t Sweat Out were completely different and just. didn’t bother to check if I was right.
also, I’m not the type of person to be interested in band lore???? I rarely know the names of band members if even I’ve listened to the band for years (I really couldn’t care less in most situations)
case in point, i did not know who the FUCK Ryan Ross was!!! i knew he was in p!atd but that’s literally about it—before a couple of days ago if you asked to me pick out either Ryan Ross or Jon Walker from a line up I would not be able to get even CLOSE
anyway, my friend/manager is really into band lore, so I basically got a crash-course in all things “early to late 2000s emo band” and subsequently found out about the Young Veins (i was also extremely disappointed when I found out they only had one album and hadn’t been active in over a decade) THEN I realized that decade old, inactive bands don’t usually have merch, so I made my own! “merch” used lightly—i don’t think this is actually fit to sell lol
anyway that’s all k thanks byeee :D!! (and go stream the young veins!!)
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fauxfickle · 4 months
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I've been thinking a bit about animatronicswarehouse, Aaron Fetcher, and the ethics of putting rare or lost media behind a paywall. Last month, animatronicwarehouse launched a subscription service in which for $30 a month you can receive rare prints of CEI characters and shows. This is quite similar to Aaron Fetcher's premium video service where for $65 you have access to private videos of Aaron's current projects, old CEI show footage, stories, or just general updates. Aaron's service is pretty notorious for being needlessly complex for subscribers and easy for "thieves" to just screen record.
What really gets me though is the wealth of lost/rare footage sitting there collecting dust. Many of the digitized films from CEI's earliest shows sit behind a paywall. I wouldn't be as frustrated if premium subscribers received videos a month or two earlier than people watching the main channel to make both parties happy, however it seems that many won't be released for quite some time, will only have very short samples posted to lure more people to the premium service, or worst case, not seen at all.
Back to animatronicwarehouse. I'm concerned that this new service will become very similar to Aaron's service, albeit much less bloated. AW already knows Aaron, I mean, they did a good amount of work together to create one of, if not THE best RAE shows. They seem close and I'm worried that he'll start taking cues from Aaron. Yesterday he announced that he's selling posters of rare, high quality images of CEI shows that are presented as a must-have collector's item. Now, I don't really have a problem with this. My and other people's complaints start with the price. Most posters cost $120 with the most expensive costing $195 for a poster of the RAE that looks extremely similar to one that can easily be found on showbizpizza.com. You can also buy a $150 picture of the Hard Luck Bears that can be found online as well.
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AW's Poster vs Photo posted by Hourly Rock a-fire Explosion (@HourlyRock) on twitter
As an advocate for archiving all forms of media for future generations, I cringe a little every time I see a rare photo with a huge watermark and blur on it or footage cut off and interrupted with a plug for a subscription service. It feels exploitive to make profit off the rarity of something, especially in a fandom where most people weren't alive when these early animatronics were up and running and can only recapture that magic through photos and video. Part of the reason animatronics are still popular is because new generations can look back at them or find current operating ones. I've seen people in YouTube comment sections from countries that never had Showbiz Pizzas or Chuck E. Cheese and yet they can enjoy it because videos and photos allow them to interact and enjoy these things. If we put the past behind a paywall, what will we have to discuss in the future?
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