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germanpostwarmodern · 8 months
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House Hofer (1979-81) in Liestal, Switzerland, by Michael Alder
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knkanzapaint · 1 year
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"Hull Zero Three", Ink on sticky note, feb 2023
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drdamiang · 2 months
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IN TRUTH
IN TRUTH
in truth
we must
despite all its
articulations
obfuscations
poetry is
a species of denial
exposing and hiding from
what we
know
but refuse to see
many times have I confessed
to
and debated this
consulting my Muse
best at
providing unique
analysis
as to why these words
never say
what I wish
they would say
reveal what
I pray they might
reveal
just play that game
of signs
that is ultimately, me
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kasiabobula · 10 months
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archoptical · 4 months
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mart-singer · 7 months
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TCX02-23, mixed media on cut canvas, 9.8 x 9.1 x 0.8 inches. TCX02-23, technique mixte sur toile coupée, 25 x 23 x 2 cm.
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🥕 Little "first page" of a short story
I hope it makes sense. If not, I hope, at least, the writing is yummy.
"Could you even try to be any slower?” Tremor drawls slowly in his creaky voice. The Wasted jumps at the sudden noise.
Mutt rolls his eyes, growls back tauntingly through gritted fangs, “Could you?”
“Shut up, you lot. Let’s get a move on, already. I’m famished.” The Wendigo’s dark eye sockets, gaping holes in his skull, seem to gleam with impatience.
“Yeah, yeah, whatever. You’re always starving, Glutton, we know.” The snide chuckles are quickly silenced by the annoyed gnashing of teeth.
A hard tug on the locked doors, the rattling of metal echoing through the empty streets, and they are set briskly on their separate ways. Glutton and Tremor will be in the draughty, bleak dormitories by sundown. Mutt huffs at the thought, doesn’t watch them go.
He grumbles silently, I am not paid enough for my job, then snickers: I am hardly paid. The glittering gold that is spread so abundantly amongst Workers seems priceless, and it is. Everyone dies in death for it, but it is simply meaningless. That’s funny. Priceless. Price-less. How ironic. He chuckles to himself.
A nervous noise from somewhere behind Mutt does not startle him. There is nothing to care for in life: nothing to love, and thus nothing to fear. Annoyance churns alone inside him, then becomes amusement.
“Come along, bud. Ready to die?” Mutt turns, flicks his ear, motions for the Wasted to follow. The vague memory of an introduction surfaces briefly; he waves it away. The Wasted’s name is unimportant. Next sunrise, Mutt will be standing in the same place, uttering the same words.
The Wasted pauses, swallows, and tries to joke, “I- I think I’ve already done that, sir.”
Mutt barks loudly. “You funny thing,” he howls, “quit joking. Jokes aren’t for you lot. You still care.”
The Wasted fails to utter the strength to protest, and trudges behind Mutt, thinking there is nothing more to lose. Funny thing, Mutt remarks silently, quite funny, and so wrong. Just like all the others.
Mutt leads the Wasted through the affluent neighbourhood. Mutt had visited the dead before, in their bright, colourful, horrible world. The size of the houses on some unassuming hilltop had possibly been even larger than those he walked by now. He rolls his eyes at the memory: silly people. They even call themselves ‘alive’. I do not understand.
“These are sweet houses,” the Wasted remarks timidly. Mutt shrugs.
“They are.” His bland reply.
“Who could ever afford to live here?”
Mutt chuckles, mutters knowingly, “no one. No one ever affords it, funny thing. It is given to them freely.”
“How?” Even now, Greed is crawling through the Wasted’s words. Tremor would laugh so much they’d cause an earthquake, when I tell them this.
“So many questions.” Mutt laughs. “It is for those with small noses.” The Wasted reaches a hand up to its face wondrously.
“That’s hardly fair. People with, I dunno, big noses, I guess, didn’t choose to have them!”
Mutt needs not reply; they arrive at the Doorway, which is hardly a doorway at all, but simply the yawning mouth of a cave, whose inside is infinitely dark. The Wasted shivers.
“So.. this is it?”
“You seem unimpressed. What do you stall for? You may go back to ‘life’, now, like you lot have worked so hard for.”
“Yes, but..” The Wasted trails off, Mutt talking over his dawdling words. The Wasted thinks what all Wasteds think: why? Why live? What’s it worth? Mutt has heard too much of it.
“Go. You asked for this. You can come visit us anytime, though I wouldn’t care.” Impatient, he snaps at the pathetic Wasted, and the wretched thing flees into the cave.
He calls out after the Wasted, “You’ll soon find that our “death”, as you call it, is simply your “life”, with less lies.”
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seakclauswinkler · 2 years
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Something I don’t understand #greatworksofart #abstractstructure #finearts #abstrakterexpressionismus #visualart #futurism #sciencefictionart #greatpainting #entstehungsprozess #creativeprocess #letter #typographic #metropolis #postmodernist #biomech #realism #paint #mech #modernartist #contemporarypaintings #artadvisor #SEAK #ClausWinkler #SEAKClausWinkler #greatartwork #sciencefiction #spacejam #spaceship #mecha #artcurator (hier: Randolins St. Moritz) https://www.instagram.com/p/CheeQzJIimV/?igshid=NGJjMDIxMWI=
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yellow-yarrow · 4 months
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have you perhaps a list of readings you would recommend to understand better disco elysium/sacred and terrible air? i wouldn't know where to start and your posts are interesting so worth trying to ask :)
aw thank you! Well, I feel like I’m not really that well-read, and the order I read philosophy/history/etc is all over the place lol
If I had to recommend some reading, there is this essay about the pale, that I think is essential to understanding Elysium. :
https://ghelgheli.substack.com/p/introductory-entroponetics
as for books, I would say Capitalist Realism by Mark Fisher could be a good starting point. And I think it would be worth to read something about these topics:
neoliberalism, capitalism
communism - marxism, history of socialist countries
russian nihilism
christianity - dispensationalism
The devs have said that they were influenced by Hegel, Marx, Slavoj Žižek, Lenin, & they also said they used to be anarchists so I would say reading some anarchist text could be interesting too if you want to really dive into it (idk, Emma Goldmann for example)
You can find a lot of these writings on these websites:
https://www.marxists.org/
https://theanarchistlibrary.org
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ruindunburnit · 23 days
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Hate to say it, but Disney's Wish is a very important lesson in how referential humour and intertextuality is fine, but not a substitute for a half-baked storyline. It had positives and a vision for what it wanted to do, but it's so clear to me that it would rather sacrifice the story for making those references in honour of Disney's centenary, and that is a damn crying shame.
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germanpostwarmodern · 2 years
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Building of the Workers’ Cooperative “De Volharding” (1927-28) in Den Haag, the Netherlands, by Jan Buijs
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knkanzapaint · 1 year
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'SMASH OR PASS'
Ink and Colored Pencil on Sticky Note, Feb 9, 2023
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drdamiang · 3 months
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IN THEORY
IN THEORY
words
words
words
put horizontally
put vertically
are what he tells the President
he is reading
and what is the difference
between a prince and
a pauper and
a prince and a
president
at the end of the day?
you
Oh let me travel to
the end of my leash, reach
the end
of my tether
sojourn in Paris, lounge
on the left bank
become
eternal student
many a brilliant idea imported
along with appertifs
and expressos
as I chart my way
developing the system
to conquer
limitation, figure out
what is
different
a system so open and
yet subtle
it can pre-
determine every nuance
eveb as it crosses the page idly
as any other text
word word word
text
(nothing we believe ever
outside a text)
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kasiabobula · 10 months
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hometoursandotherstuff · 11 months
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The Realty description is says that this is a mid-century modern home. It’s not b/c it was built in 1982, which is characterized by postmodernism style architecture that includes asymmetrical shapes. It’s in Sedona, Arizona, has 3bd  4ba & is listed for $1.3M.
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Two large double front doors flanked by beautiful stained glass windows that reflect the outdoor scenery.
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There’s a door to the living room from the garden. 
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I like the contrast of the black beams against the lighter wood. This home looks more contemporary than MCM. 
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It has a modern rustic red brick fireplace and some partial dividing walls.
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In a small nook off the living room put a small desk. 
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A door to the patio from the kitchen. The kitchen is so large that a dining room table can fit in here. 
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You can see in the large kitchen how the element of asymmetrical shapes comes into play in the architectural style. 
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The main bd ahs a door to the yard. This house has a lot of glass doors. 
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The main en-suite.
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This is an interesting fireplace- it’s double-sided so you can see it in the bath.
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This looks like a guest room that sleeps 4 to 8.
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Very big garage that is currently being used as a game room. 
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Patio outside the kitchen.
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There isn’t a pool, but there’s a hot tub.
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The home is on a corner lot in a scenic community.
https://www.redfin.com/AZ/Sedona/110-Sage-Dr-86336/home/116863546
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mart-singer · 9 months
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TCX01-23, mixed media on cut canvas, 7.1 x 5.9 x 0.5 inches. TCX01-23, technique mixte sur toile coupée, 18 x 15 x 1,3 cm.
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