i cannot for the life of me remember who made that post with the headcanon about the black family losing a lot of their wealth.
but i've been thinking about it a lot. and in england from early to mid 1900s, the aristocracy changed fundamentally as a class, they lost a lot of their previous held power as well as a lot of their money. and because of this, they either had to get a job (the aristocracy is the leisure class. they don't work), which means leaving behind the traditions of your class and your family in order to modernise and keep your money/power, or they could sell off their large estates/lands/artworks in order to keep tradition of the aristocracy as much as they could, but it meant losing a lot of money/power.
there's this quote describing this change in the aristocracy actually- "less power, more prestige". in staying with the traditions of old money, they lose the power they had in government/economy/whatever, but gain lots of admiration and respect from society- like they still have honour and integrity despite losing their money and power, which then becomes their primary tool in still being seen as an influential family.
and with the black family being known as "the noble and most ancient house of black", that definitely could show they chose that pathway. they're clinging onto their lineage of nobility in a time when the aristocracy as a class and the idea of high society is very much falling apart. and unlike quite a lot of these families, they don't modernise but instead keep their heads high and very much make it known that they are nobility and an ancient family, and have no intentions of disrupting this and losing the meaning of what being an aristocrat and a noble used to mean.
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I was cooking just now and i had a realisation about spn & my mom told me that i am overthinking it like 2 sentences in. While i was making her pancakes. Anyway i'm fucking fuming so this is a post now.
Supernatural could have been an amazing critique of the american dream, and it's so close to actually being that. Only if it didn't lose track of itself over the 15 years it was airing.
Sam and Dean, and hunters in general, don't get to have the american dream. They don't get to have an education, a family, white picket fence suburban house, ect. (That is something that is actually said out loud!!! They long to have normal lives. Who's overthinking what here??) this is because of the way they were raised, the things they have seen, and all of the things that want them dead constantly.
They know what lies on the other side of the american dream, they know all of the ways that it fails people, and this follows them home whenever they try to settle down.
A lot of these threats are based on figures from religion (demons, angels, ect.) Which is fitting because American christianity is fucking vicious against anything it hates. Being part of a group of people that is hated by christians makes people's life hell. Actively resisting the conservative fundamentalist ideology that the usa was built on? Oh boy.
This is also part of why the people reading certain characters as queer are so fucking right. Making them part of an actually marginalised group instead of using Hunters as a stand-in for one would have delivered this message much better.
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*disclaimer: will this actually decide my fate? who knows, but it's fun to do it anyways.
option one: eight years ago, helena yang died, taking cian byrne with her and ending the horror. the red revolution won, and the doomsday prophecy was fulfilled. in the new commonwealth, all magic users are created equal, and people no longer have to suffer under the previous reign of terror.
but everything is not what it seems. there is a coffin in the woods that should never be opened. the white wraiths, a terrorist organization, haunt the streets, and a mysterious assassin called the magician eludes capture. and in the corners of the city, the rot slowly creeps back in...
in which helena yang was the chosen one, cian byrne was the antichrist, and when they died, they left legacies behind that have yet to be filled. alice yang, helena's younger sister, has made it her mission to hunt down the elusive magician, while kellan st. trinita grapples with being handed a legacy he doesn't know what to do with. and in the woods, someone wakes up...
my baby for the past couple of months. i'm 16k into a draft (and 26k into the planning doc lol), but i ran out of ordered plot so it's at a bit of a standstill despite the numerous ideas bouncing around in my head. definitely want to work on it, but it has a ton going on with character threads and plots, etc etc.
option two: in a world where the earth, sky, and sea were created from the bodies of gods in a sort of sacrifice-creation-by-dismemberment cosmogony, the 'hearts,' the power sources of the gods, are lost. whoever finds them will possess unimaginable power. the search for the sea goddess', nisa's, heart has led to a surge of piracy in the past decades - in a world where you become a pirate or live under them, many turn to the sea for better options and opportunities.
for arete, the quest for nisa's heart is not what she wants, but rather her destiny. daughter of a famous pirate captain, arete's skin bears a map that will lead her to the heart - if she can make it out to sea first. saved as a child by akane and her mother, then separated from akane later when pirates attack their village, the two promise to find one another. they travel different but parallel paths as akane struggles to survive and become the strongest warrior, and arete strives to find the pefect crew to become the strongest on the seas and free herself from her cursed destiny.
currently worldbuilding on this one, and there's sooo many interesting elements that i really like (and that are too hard to explain in a little summary so sorry if it reads confusing). the first little bit would be sort of a precursor to the actual story, taking place in the five-six years akane and arete are living together up until their violent separation. the present timeline would begin six years later, when arete starts to actually build her crew.
option three: set in a futuristic world where sensors - those born with certain enhanced senses - exist. saing knows who killed her brother, but with no body ever found, there is nothing she can do about it. her search for justice brings her to the seedy underground, where a vigilante assassin who goes by the name of foxglove is said to exact revenge for those who can convince them.
however, when one of the suspected culprits behind her brother's death - noe, the head of sca (sensor control agency) - falls into a coma before she or foxglove can get to him, the situation becomes more complicated. pilar, the successor to noe's position and his protegee, becomes embroiled in the mystery surrounding the man she considers her savior, and in the hunt for foxglove.
still very much planning this one, but it's been an idea in my head for a while, i just haven't had time to dedicate to it. there's so much i like about it, and a lot of scenes jumbled together, plus the basis for the plot is pretty much there. again, there's a lot more going on than i can succinctly explain in two paragraphs (this was my first time trying to summarize it), but basically there's human experimentation (always a hallmark of my wips i know), children who never escape the cycle of abuse, class differences, characters making bad decisions, and some really complicated relationships (hurt people hurt people and then help them hurt other people or something like that...)
option four: i work on all four at once and the only thing i draft completely are my history papers (the most unproductive option, because if i don't focus on one i won't really make serious headway into any of them. but in all honesty i'll be thinking about all of them during the month anyways so?)
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