tbh i’m not really a meta person but i’m a bioethicist by training and i thought this could be interesting to discuss
i think n and m’s routes both have this underlying, unexplored discussion of bodily autonomy (which is what vampirism is all about when you’re a bioethicist. i am not just here for the sexy fangs, i am here for the ethical questions that will give u a headache!)
and their experiences diverge and parallel and form this complete picture of what it means to be and have a body and it would be really fascinating to see a love triangle route for them because of it
m’s route, with its focus on the conflict between physical and emotional intimacy (putting aside, for a second, the shallowness of the separation between the two, because to be physically intimate with someone takes just as much bravery as sharing your feelings with them, actually), has to place an emphasis on the consent aspect of bodily autonomy, where choices you make about your body require your complete understanding and allowance, free from undue pressure
n’s route has a preoccupation with their vampirism. there’s this psychological concept called moral injury, where you feel like you’ve done something (or acquiesced to something, or allowed something) that is deeply against your morals/values/life, and your moral injury can become a disorder. it’s similar to ptsd (and often walks hand in hand with it), and people who experience moral injury feel intense shame or guilt about it. i think maybe n becoming a vampire caused them some fictional equivalent of a moral injury, especially considering the circumstances in which they were turned
so n’s route approaches the question of bodily autonomy from the opposite side, when you have no choice but to consent (which is really common with disability, where you have to do things you don’t want to do because you do want to live) because to not consent would be death
does that make sense?
it’s like. m’s route is about what you do with a body. n’s route is about what you do to a body
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I’m not gonna lie, I just don’t see what people are hating about Artrem’s characterization in the second anniversary. I thought it was pretty true to form.
My only real beef is that it felt shorter and off theme compared to the other 3 cards which is a huge shame and feels gross considering it’s such a momentous canon card.
BUT
Artem in the 2nd anniversary doesn’t feel super out of character.
He’s putting off engagement because he feels paralyzed by the act of telling Rosa what he feels/wants because he doesn’t know how to convey his feelings or propose in a way that matches his own expectations.
He’s being distant and aloof as a result, and Rosa is doing what she does best and hyper analyzing his behavior with wrong conclusions (that reflect more on outward situations than internal, since Artem still isn’t great at being open up about that stuff unlike Vyn who knows how to communicate well but withholds as a concerted choice, for example).
All of his background cards see him bobbing and weaving not just how Neil and his parents have affected him in front of Rosa, but also when Rosa or anyone else hurts his feelings/comes to a wrong conclusion about him/his intentions, with fleeting exceptions.
Master of deflecting further questions or the topic at hand with (mostly work) segues.
He’s still being cheered on and brought to reality by his work big sis Celestine, who is so invested in Artem and Rosa that she views it as a cherry on top to see them engaged after her wedding. Which is so lovely. And very in character for her—she loves to see the fruits of her labor happen front and center and now she can hold this memory close not just in regards to her wedding but in regards to Artem and Rosa, who she cherishes. Especially Artem! (Also the fact that Mr. Rodriguez is so on board….busy body power couple)
This in particular is where I feel people are just beefing to beef. Celestine has ALWAYS meddled. And this feels very in character for her to guide Artem where he needs to go in a way she likes. She does it in almost every card she’s in!
And he is still struggling with his abandonment issues from Neil being gone and his parents not being around as much. He feels SO hard for Rosa and in a moment of high emotion and still a bit tipsy off alcohol he makes possessive comments which is also not out of character.
To me, it’s Artem feeling comfortable and going to the next step physically (and emotionally) by REALLY admitting that he’s insecure and his fears are manifesting as possessiveness ie YEARNING for Rosa and for more with her. He feels secure with Rosa. And he fears losing her just like he’s lost others. And he wants it to feel real. He doesn’t want to lose her to a case (Neil) or a career (his mother and father) or anything else!
He wants to feel like it isn’t a dream. He wants it to be solid, fully grounded in reality, in a way a lot of his personal relationships never get to be. No one could know about NXX and the full extent of his relationship with Neil (or the other members). He actively hid who his mother is and by extension who he is to her. Despite his relationships with Celestine and Rosa, he feels leagues away from his co-workers at large.
He wants people to KNOW that he has a truly personal relationship. He doesn’t want to for others or himself to see a large distance between himself and Rosa—like they’re strangers attached by business (like others in his life have been). Rosa is his partner, in all senses of the word.
Not just that, but it’s been a full year since Artem and Rosa started dating. In what world is it out of character for them to be familiar with intimacy. I kept seeing a lot of people saying Artem was too sexual and all he did was hold her and kiss her which he’s done……a lot, probably. They’ve been dating a year by now! The ending implies what we see is something they’ve done before but Artem would like to go farther. And Rosa is all for that but has never heard him say that before now! Because the repressed guy has been giving her repression.
Is the expectation truly that Artem’s first time making out and feeling up Rosa is this card? For real?
I have no idea what future cards will bring and I’m not interested in knowing until I can pull them in Global, but personally it feels like frustration toward future events is bleeding onto this card. Because what was presented does not feel disconnected from Artem’s side story, cards, or characterization as a whole.
There was just less time allowed to expand on what was presented which I agree is not ideal or even acceptable, especially for the 2nd anniversary. It should have been on par with the 1st in that regard, full stop.
But acting like this card pulled away from his established characterization in other cards in a huge way feels disingenuous. It did not! It was just rushed which I HATE SO MUCH. Like Rosa and Artem felt like they had the least time actually interacting within these 2nd anni cards!
And among these 2nd anni cards a big theme was family. Artem’s parents are certainly not dead so their exclusion from this proposal warranted at least some form of explanation. ESPECIALLY since his mother is someone Rosa knows and thinks fondly of and it certainly would have been interesting to see Celestine and Artem’s mother interact together.
His card lacked time to explore what he was feeling and cohesion to the 2nd anni theme, for sure. Which is really sad considering he is one of my favorite NXX guys. Like there are criticisms for sure but mine are more toward the structure of the card
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I’m still shock, how can Fyodor be dead? He wasn't my favorite character but he was charismatic. I really can’t believe it
Dude, I don't believe it cuz in the beginning episodes in the play, I saw somewhere that its probably fyodor who was hung on that cross, and Christianity is his whole THING.
Also fukuchi mentioned specifically 500 people being sacrificed?? (Which if jouno is apart of that I'm PISSED I want him back. Where is Jouno?) which might mean something specific
So I think he's going to be resurrected, quite possibly with the power of the book. If there is a "cult" around him (which I think is the case - the V is probably different than what Fukuchi was doing with his world peace thing) then they might bring him back. Also we still have sigma and nikolai - sigma can probably tell us about fyodor cause I know he isn't dead. The mystery WILL unravel around him eventually
And nikolai will either chase after him and use him to bring him back OR will do it himself. OR MAYBE !!! Nikolai will do something else. He's 100% a wild card (who should be arrested but obviously that isn't a top priority rn)
Fyodor's story isn't over just yet - even if he's dead, I think there's a lot more to be said about him story wise at the very least which means more content (I'm holding out hope at least. Like cmon no way he'd die and be thrown out like that nuh uh)
He's too integral to a lot of characters story, so he should be heard about at least !!
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anyone wanna get emotional about collaborative art with me?
[Mirage 19 Story: E&L, Layout: Eastman, Pencils: Jim Lawson, Inks: Laird, Letters: Steve Lavigne]
ID from alt: Cropped section of the page annotations by Laird, (relevant) text: Page 18 is also the beginning of what I think of as "Brick hell" - Jim drew so many panels with hundreds of bricks in them, and I felt obliged to ink them all in. That was a LOT of bricks." Left is a panel showing Raph running down a curving brick tunnel, the wall is drawn with individual bricks, uncountable amounts of lines that illustrate the curvature.
If not, enjoy brick hell instead (I'll leave, just a doozy of a brick hell image at the end)
(this issue has beautiful layout paneling, which little snippets of could never replicate. great one to check out. imho)
come one come all to the worst barn party of the decade...
[IDS AND ALTS THE SAME]
ID: Jones family barn interior. Mike and Don speaking to Raph (off panel). Mike, in an open gesture: Life is good here... It's given us time to heal, to accept what's happened. Leo's needed this time, too--. Don, by his work table, no mask, wearing an apron. More neutral: We're not the guardians of society, Raphael... we never were. END
ID: Three panels, Raph pushing Leo around, yelling at him. The background moves from uninked, to midtone, to dark tone, as they both get more angry. Raph: No-- You're hiding out here... scared to face facts... And you're dragging all of us down with you! Fun and games are over, Chump... Look at yourself! END
ID: Two panels, Raph looks down to a wooden sword Leo (off panel) has held up in his way. He looks at it, unimpressed. Then looks up, pissed off and says only "Mistake." END
1. Three panels, Leo in the forground, just his leg seen. Raph on the floor against a wall. He whips his chin, saying "You were always good, Leo...". Close up, spit hangs from his mouth, continues "... One of the best..." He stands and finishes "...Which makes life here even more of a crime."
2. Four panels, Leo has Raph in a choke hold, holding him from behind, they are on the floor. Sweaty and teeth grit with exhertion. Leo says "--Do you hear me?!" Raph starts throwing punches to Leo's head, just above his own. As each one land we close in on Leo's face. END
Well. Thats great. Ill eat my own heart out how abouts.
AND ANYWAY. My favourite favourite effect.
ID: 1. Four panels, Leo, Mike and Don, run along a roof top, grab some fire escapes, and make their way to street level, skirting the edge of a street lamp's glow. The entire set is pen inked normally, and washed completely with the mid tone, save the small circle around the lamp, glowing white.
2. Large panel. Raph, 3 point lands, kicking up dust in the center of a spot lit section of sewer. The tail ends of a hood he wears trail up with the motion. Very little double-tone is used on the page, instead the shadow is communicated by increased hatch lines still following the shapes of every object in shot. END
ID: Raph sits in the tattered remains of the turtles lair, his brothers shadowed in the foreground. Raph, not very warmly says "Welcome Home." END
Okay okay. cry forever and every. please for the love of god. read comics. now. more brick hell
ID: Three panels, showing the entrance of a sewer tunnel into a larger area, closed and open pipes along the wall. The shot holds empty for two panels, then with the inclusion of Raph jumping out the exit in the third. If you are to look carefully. You can tell, though the scenery remains the same, in each, the intricate pen inked brick work and shadows have been done three separate times. END
LIKE. I KNOW ITS TRADITIONAL MEDIUM COMICS. But sir.... SIR? Another annotations from Laird specifically. Have mentioned using the copier to place certain things in backgrounds.... i just.... SIR?
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