#ooc/ enjoy

[doodleplus]

Do not separate!

#one piece #one piece fanart #sanji #monkey d luffy #roronoa zoro #zosan #black leg sanji #monkey d. luffy #zoro #one piece sanji #one piece luffy #one piece zoro #wrote this with aspec luffy aspec zoro and z/s in mind but idc which of these three you tag together #ill just be glad you enjoyed my wildly ooc comic lolol. oh and the 3d2y tattoo is on there bc i thought luffy would keep it

[ruporas]

kisses of affirmation (ID in alt)

#vashwood #vash the stampede #nicholas d wolfwood #trigun #trigun maximum #ruporas art #oughrhhhh finally posting this here..... Very Romancey very Cutesy Very what do you call it... Indulging #for the longest time i debated on whether to post this comic at all on my socials - for some reason this was almost the limit to how far i #could push a romantic alternative that cusps ooc-ness for vw but then i ultimately decided its Fine. i couldv made it much more unbearable. #someone on twit qrt this with “vash is such a loser” which means i havent lost my way completely yet so its ok #(sidenote) script is a bit old !! bc this was meant to be a part two to an old comic..! the first kiss comic from feb #it branched off quite a bit that listing this as an actual part two would be kind of awkward now - but that was the initial intention #anyway. please enjoy! #long post

[cordyce]

ao’nung is frustrated.

at least, that’s what you’ve deduced from watching him sharpen his knife for the past ten minutes straight. if he keeps going, it might get as thin as a wish bone; threatening to snap at the slightest bit of pressure. as much as you’d find amusement in the sight of that, you’d rather not be in the crossfire when it happens.

“what’s got you caught in its net?” you ask, finally, as you drop the gear you’ve been mending while ao’nung simmers.

“funny,” he mutters, but mirth is not something found in his tone. another scrape, another grating. he does not look over at you.

“i know. i’m the funniest person alive. you should be grateful you have the opportunity to bask in my presence.”

it’s a ploy—a tease. like waving fresh bait in front of a young ilu but never tossing it into the water for them to eat. your tactic with ao’nung is always the same. push and pull and prod just enough that he bites back with less venom and more demure. because sarcasm is better than spite, in all regards.

except now, he doesn’t take it. now, he simply keeps his head tucked down, his lips pressed in a hard line. whittling at his knife and spouting invisible steam out of his ears.

you stand up, make your way over to him and bend slightly at the waist to slide your hands along his sloped shoulders. his muscles go taut—just a bit—at the initial contact of your palms, but relax a second later. not to their resting state, no, but leaving the field of caught off guard at the very least. you hum, lean down further as you dip your hands over his clavicles, across the upper half of his sternum.

“what is wrong, ao‘nung?” its sincere, this time. your question. because despite the dynamic between the two of you, you really do care—jokes and jabs aside.

this silence is different. you can tell by the twitch of his ears that he’s thinking; mulling something over on his tongue before he decides whether to spit it out or swallow it down. you can never guess which one it will be, not with him. he acts on whims, never strategy. there is no speculating his next move, so you simply don’t try to.

“there has been talk among the reef.” it’s all he says; all he gives. such a shell of a man, forcing you to pry open his jaws to reach the pearl within.

it is good that you’ve always been so skilled with your hands.

“there is always talk among the reef,” you chuckle, begin to fiddle with the necklace that’s strung around his neck. hooking your chin over the top of his head, you look down to watch as he grinds his knife once again. “you know they like to keep their minds busy with silly things.”

“it isn’t a silly thing.”

“oh? then tell me, what is so dire that it could have the great ao’nung this tense, hm?”

his hands falter for the first time, a pause in his rhythmic grazing. your brows furrow at that, create a hairline crease in the middle that only smooths out as he resumes his motions. scrape, scrape, scrape again. it’s like he’s doing it in sync with his heart. if you shifted your hand over just a tad, you suppose you could test that theory.

“it is talk of you.”

quiet. a mere grumble under his breath. if you were not leaned over him like this you would not have even heard him. such an odd twinge to his tone; laced with something you can’t quite decipher. can’t quite pick up on. it isn’t necessarily anger, but something flirting along the lines of it.

“me? don’t tell me you have went around spreading rumors that i am possessed by eywa’s evil sister again. i thought you stopped that when we were kids.” you laugh through it, because the jagged edges of his timbre are making your fingers itch. “you’re going to ruin my reputation.”

he scoffs. condescending, dismissive. normally you’d take that as a good sign; a call back to his regular grating demeanor. at this specific moment, however, you find annoyance in it.

“your reputation is fine,” he tilts, gives a particularly harsh press of his knife that makes you think this just might be the time where it snaps. miraculously, it doesn’t. “so completely fine.”

“then what could they possibly find reason to speak of me for?” you press, rubbing your thumb over the cord of his necklace, twisting it around your fingers. “i have not caused any trouble lately. haven’t set fire to any maruis. why, there’s nothing that i can think of that could possibly warrant—“

“they speak of your lack of mate.”

his hands are working harder, less refined. jaw clenching, deltoids growing stiff below you. it’s all starting to air itself out, his jaws have cracked open just enough that you can finally see the pretty pink pearl that rests on the bed of his tongue. but it is not enough, not yet.

“then all they speak is the truth,” you shrug over him, keep your gaze locked on his movements. you want to be sure, before you jump to the assumptions that are creating hurdles in your mind. “there is no harm in speaking of public knowledge.”

“they—“ he hitches, twists his face up like his next words are sour on his tastebuds, “they are voicing their thoughts on potentials for you. they think.. rotxo is the best option.”

“oh, yes. rotxo would be a fine potential mate.”

and, ah. there it is. the coup de grace.

ao’nung snaps his head around towards you so fast you hardly have time to lean back to avoid getting smacked in the chin by his skull. there’s a fissure between his brows, his eyes have widened past the aggravated slits they were before. his mouth is cracked open in disbelief, of the fact that you agreed with him or another matter, you aren’t sure. either way, it is clear now what has been getting under the heir’s skin.

he's jealous. and you can't help but find that the slightest bit amusing. it's not often you have ao'nung in the palm of your hand like this; akin to a bug squirming under the pad of your thumb with no clear route of escape. you think you can play this up, just a little.

"you do not think that," he states, like he needs to speak it into existence. like if he says it then it will ring true, change your mind.

(he doesn't need to change your mind, but he doesn't need to know that right now).

"why would i not?" you hum, tip your head like you're truly contemplating it. "he is sweet. has a tender heart. and he is always so quick to help me. he doesn't even complain. i think taking him as a mate would be a good decision."

"the only thing good about rotxo is his hair," ao'nung spouts, rolls his eyes at you as his face fills up with indignation. "stupid, pretty boy goody two shoes."

"oh, you're right! and he's nice to look at," you agree, nod your head right along with it, "how could i forget?"

his cheek dips; he's sucking it in between his teeth. you've really done it, you think. setting him off has never been so easy. sure, it’s never too hard to get him riled up in the middle of a bickering match. but like this? aggravated over, what, exactly? the thought of you with someone else?

maybe you’re enjoying this a bit too much.

“he is not your type.” a bold proclamation, ao’nung spits out. grasping for straws; searching blindly. “you would not go well with him.”

“i think he is my type, actually,” you dispute, and he’s stopped all his movements now. knife long forgotten as he seethes over every word you speak. “kind. loyal. good morals. easy on the eyes. yes, definitely my type. that checks off the list.”

he purses his lips, knots up his brows. “that cannot be the list.”

“no?” you peruse, play into him. he makes this too easy, really. “what do you think is on the list, then? moody? messy? long hair? a tendency to be mouthy? being the chief’s son?”

that earns you a shove off of him; a click for him to realize you’ve been fucking with him this entire time. biting back your shit eating grin would be impossible so you don’t even try to. nor do you stop the laughter that bubbles out of you as he goes back to his knife work and curses you under his breath.

you reach for him again except this time you walk around until you’re in front of him. one hand on his shoulder, you lean down to shove the knife and sharpener out of his hands and plop yourself right into the slot his crossed legs have made. his gaze is narrowed at you, his lips jutted. you simply smile—innocent, sweet—as you slide your hands around to cup the nape of his neck.

“i don’t think rotxo could handle me,” you murmur, sickeningly saccharine in such a direct contrast from seconds before. ao’nung doesn’t budge. “and the good ones are always so boring. if he was my mate, when would i ever get the chance to get up to trouble?”

“you are trouble,” ao’nung scoffs; acting annoyed, fed up. but his hands give him away as they meet the dimples of your lower back, as they slide up your spine to hold you secure so you don’t fall backwards.

his facade of pretending to not care has never been too full proof. there’s been cracks in that glass since day one.

“your trouble,” you grin. your fingers begin to draw circles along the back of his neck, tease at his hairline. “you made me this way, you know.”

“i made you nothing,” he rebuts. “you are the one who always comes up with the pesky ideas that get us scolded.”

“ah, you’re right,” you agree with a faux sigh. “humor and brains. i guess i’m the funniest and smartest person alive. truly, you should be honored.”

ao’nung rolls his eyes, peels his hands off of you. “forget ability, i do not wish to handle you now. rotxo can have you, for all i care.”

“oh?” you quirk, begin to stand up. “should i go see what he is up to—“

“sit,” ao’nung orders before you can rise no more than a few inches off of his lap; hands gripping your waist to tug you back down. the playfulness drains from his eyes, that annoyance—jealousy—flashes across sea foam irises for just a moment. “you are not funny.”

you bite the edge of your lip, making your grin turn slanted. he is so fun to tease, to toss around. his palms are warm on the dip of your waist. sliding your hands further back, you skim your finger along the side of the braid encasing his queue. faint, light. he tries to hide the shiver it causes but you pick up on it regardless. and that only makes you grin wider.

“they will speak of me until i choose a mate,” you hum as you lean closer to him, minimize the distance between your faces. “rotxo is not the only name that will be paired with mine. they all like to place their bets, you know.”

“their bets are stupid,” ao’nung mutters; gruff and rumbling out of his chest as his attention flickers, falters, the closer you get.

being this close is nothing new. being this touchy is nothing new, either. but it’s almost like your skin is buzzing, your energies feeding off one another in the moment that sends you tumbling into a smug streak. or maybe, that’s just the power ao’nung holds over you and you’re scared to admit it.

“you only think they’re stupid because your name is being outnumbered in the betting pool.” maybe that’s a little mean, but it’s fun. your fingertips are heavier now, more directed as you trace the divots of his braid with one hand and gauge the rise and fall of his chest with the other. “if you were winning, would they be stupid then?”

“i am winning,” ao’nung conveys, so sure and lacking any sense of doubt in the slightest; a variance from a few moments before. and that, well, that actually makes you falter—for just a second.

“and how do you figure that?” you mumble out the question into the minute slot between the two of you. bated and breathy.

ao’nung hooks an arm around your waist, his other hand sliding up to grip the hinge of your jaw. not harsh, not rough, but firm. cradling you carefully but securely; solidly. your breath hitches, your fingers pause on their skimming across his queue encasing.

“because i am the only one who gets to do this,” he says. blunt and honest and certain as he closes the gap severing you.

he kisses you full and deep and warm. he kisses you like he has not eaten in days and you are the one thing that can sate his hunger. he kisses you like the ocean kisses the shore; yearning and all consuming, and rushing back once more as soon as their lips must part.

and he does; chase your lips as you pull back to catch your breath. places one, two, three pecks there before he deems it a safe retreat. his eyes are lidded, but no longer from frustration. that signature crooked, haughty smirk of his is curved into his pale lips. and instead of smacking it off, you’re considering how many more kisses it would take to wipe it away.

“oh yeah,” he chuckles, lips brushing over yours as he’s already leaning in again. “so winning.”

and you can’t help but agree.

likes & reblogs appreciated !

#i love him your honor #this is probably like. wildly ooc #LMAO #but pls enjoy it anyways bc he’s sooooooo >.< #ugh he’s babygirl fr !!! #ao’nung x reader #aonung x reader #ao’nung x you #aonung x you #ao’nung drabble #aonung drabble #avatar x reader #atwow x reader #atwow ao'nung

[lavenderleahy]

Buck scans the reception venue, eyes finally landing on Tommy. He's is sitting at an otherwise empty table in the back of the venue, sipping on punch and staring off in the distance. As Buck jogs over to him, Tommy notices him and his eyes lift with the hint of a smile. Buck slides into the chair nearest to him, hunching over earnestly.

"Tommy, hey. I'm so sorry. I did not mean to ditch you for half the wedding."

"Hey it's all good," Tommy shrugs. "You've got your priorities. Maddie needed you. No one could've predicted the chaos of the day."

"Yes," Buck responds, placing a hand on Tommy's. "But I'm still sorry. I'd do anything for Maddie, but it still wasn't okay to desert you."

Tommy mirrors Buck's movements and places his other hand on top of his. Smiles gently. "Evan. I can hold my own at a wedding. I promise."

Buck glances down, then looks up at Tommy, smiling shyly. "It's just... it's only our second date and I've fucked up both of them."

Tommy laughs. A real, pleasant laugh. It makes butterflies dance in Buck's stomach.

"You've done nothing of the sort, Evan," Tommy responds. "Sure, everything with you is.... unexpected. But I like it."

Now the butterflies are doing somersaults. "Yeah?"

Tommy smiles and squeezes his hand reassuringly. "Yeah."

Buck beams. God, he's so nervous. Tommy makes him nervous. He still can't believe Tommy has given him another chance after their train wreck of a first date. He'd been thinking about the wedding for days beforehand, just wanting everything to go perfectly. Needless to say, it had not gone perfectly. Not even close.

But here Tommy still was, smiling at him, holding his hand, forgiving him anyways. He hadn't left in the chaos. He-

"You're staring." Tommy's voice interrupts his train of thought. He raises his eyebrows. "Like what you see?"

Fuck, Tommy's so confident. Of course he's confident. He's cool, and he's loyal, and he's willing to take risks, and he has a cleft, and - Buck can't stop himself. He reaches his hand up and gently grasps Tommy by the chin, his thumb on that dimple and his four fingers brushing against the stubble near his neck.

"I'm gonna kiss you now," he says, breathless.

Tommy doesn't say anything, just nods solemnly.

Buck leans in and closes the gap, brushing his lips against Tommy's. Immediately, there's electricity buzzing between them and he deepens the kiss. Their noses and foreheads are pressed against each other, their lips dancing in unison, and there's nothing, nothing that Buck would rather be doing right now. His right hand snakes around Tommy's neck and he pulls him in closer, impossibly closer. The kiss is perfect. Tommy is perfect. He never wants this kiss to end.

But Tommy pulls back, ending the kiss far, far too early. His face his flushed and Buck is proud to notice that he might be a little breathless, too. He stands up, and Buck's eyes follow him, wide and wondering.

"C'mon," Tommy says, offering a hand to Buck where he remains in the chair.

Buck puts his hand in Tommy's but he can't move. His mind is still reeling from the kiss. He wants to kiss Tommy again.

"You said you needed someone to dance with, right?"

This shakes Buck out of his stupor, and he laughs. "Yeah, I did," he says, rising to his feet. He lets his eyes meet Tommy's and steps forward into his space. "Let's dance."

#bucktommy #911 abc #911 speculation #evan buckley #tommy kinard #i was just thinking of the potential dynamics of tommy being buck's wedding date #and this is what happened #hope u enjoy tumblr #:) #im sorry if anything is ooc cause i'm very new to the fandom #i'm just really enjoying these boys and theor journey :')

[psymachine]

hear me out: you, me, dennis, and god all know he looks good in lingerie, but maybe he's a little bit unsure what mac "the problem is you're into all that early 80s glam rock femme shit; definitely had masc4masc in his grindr profile" mcdonald will think of it

#macdennis #macdennis fanart #still probably ooc but i don't care lol #this was mostly just an early bday/christmas present to myself but hopefully you can enjoy it as well~ #the time for lingerie dennis has finally come #the softest i've drawn them so far lol #the headcanon is that dennis just springs shit that he wants on mac instead of talking about it #that way if it backfires he can blame it all on mac being an idiot #but not this time reynolds------ #i have a very confident victoria torturing mac comic in the works to make up for this don't worry #rob can pry mac calling him “den” out of my cold dead little paws #machinegoods #suggestive

[scribz-ag24]

i feel emotional over these two.

#pmd2 #my art #actaeonshipping #futuretrioshipping #grovyle #dusknoir #chatot #celebi #future trio #toying the ooc line with dusknoir so i can make him look as smitten as possible #anyways what if dusknoir cant really feel touch like hugs and kisses but he loves them bc of what the gesture means #that celebi and grovyle perform those acts with him even if he is a ghost and doesnt have the warmth of living pokémon #i dont have headcanons i have ideas i enjoy for a full day and are ready to change any day

[g0nta-g0kuhara]

I realized two nights ago that I don't think ive ever heard Gonta swear. So. So

#definitely ooc but i dont care i thought it was funny #gonta gokuhara #kaito momota #drv3 #danganronpa v3 #danganronpa #pluto's creations #feat. implied domestic kaigonta becausei have too much power #in reality i think gonta would be much gentler about it but #but its late and i cant articulate myself so you get trash. enjoy #thrills chills queues

[siixkiing]

Someone has probably already done these with the Sun Wukong and Macaque, but Tem asked me to draw them and I couldn't resist. They are angy monkeys, hear them hiss

#Loss of Powers | {OOC} #Just Doodling | Mun Menu {Mun's Art} #Lego Monkie Kid #LMK #Six-Eared Macaque #Macaque #Liu'er Mihou #Sun Wukong #Monkey King #LMK Sun Wukong #Lego Monkie Kid Sun Wukong #LMK Six Eared Macaque #LMK Macaque #Lego Monkie Kid Macaque #Lego Monkie Kid Six Eared Macaque #The Great Sage Equal To Heaven | Visage {Sun Wukong} #Shadow Of The Warrior | Visage {Macaque} #Been a hot minute since I posted any artwork here XD #Hope you all enjoy~ #I might post more later; I do have some LMK artwork I am working on after all ;3 #Also; encase you need to know...yes you are allowed to reblog this #My artwork is always rebloggable less stated otherwise U3U

[saeist]

"i need you to trust me... okay?"

rin rubs your exposed skin in a circular motion with the pad of his thumbs. rin is not really good with words and he knows that. instead, he resorts with actions. just like they all say, actions speak louder than words.

you can feel the sincerity in his voice as he tries to calm you down. with a deep breath, you slowly opened your eyes. big mistake

"RIN!" you exclaimed, closing your eyes shut, hiding your face on his neck as another jump scare pops up on the screen. rin bursts out laughing and loops his arms around your waist.

you huffed really loudly, you pry his hands off of you as you get up and stomp away from his bed

"okay, okay. i'm sorry" rin wipes a tear from his eye from laughing too much.

"no, fuck you rin"

"y/n" rin whines, arms wide open as if he was inviting you in his arms. you shake your head no and sat on his vanity desk. pulling out your own phone to watch something else that wasn't scary

you hear shuffling from behind and next thing you know rin has thrown you over his shoulders.

"PUT ME DOWN, ITOSHI!" you demand, pounding on his back with your fists. to which rin feels like he was being given a massage. (bitch)

"i'm an itoshi now hm?"

"isn't that your name, doofus?" you rolled your eyes

"no it's not, it's rin"

"you can't be fucking serious right now"

"oh, i'm definitely not fucking serious right now" rin counters, sending you over the edge once again. rin laughs at your as he carries your ass (like a sack of potatoes) back to his bed where you two can continue watching this horror movie that rin graciously picked for movie night

#IS THIS OOC RIN I CANT TELLLLLL #anyway enjoy rin drabble bc im sick of writing for sae! #< JK #blue lock imagines #blue lock x reader #bllk imagines #bllk x reader #rin imagines #rin x reader #rin itoshi imagines #rin itoshi x reader

[naturecalls111]

Me, consuming any other media ever: how can I make this about zosan

#nc111 talks #zosan #this is about me playing fe3h for the eighteen billionth time and finding little delusional concepts in sylvix that makes me go #'nod nod nod that's so zosan of them so true' #like objectively it really isn't zosan of them at all but sometimes I see it between the lines and I'm like oh zosan sunglasses emoji #if you dare me i can even find the lawlu in sylvix im so talented #I'm not even kidding if someone made a game out of turning things into zosan i would never lose #i had an ant infestation in my bathroom the other day and I made it about zosan #my brother was like WE HAVE BIGGER ISSUES THAN YOUR YAOI RIGHT NOW #like........ there is no bigger issue than my yaoi at any given moment.....ever.......... #whispers although I have to admit I enjoy the sylvix dynamic more than i do the zosa- *gets shot* #im so sorry there's just only so much bickering i can take before i'm like *smacks ship* I NEED YOU TO BE MORE BLATANTLY KIND TO EACH OTHER #In a way that doesn't feel so teeth-gritty or. well. OOC. LOL #Anyone who likes sylvix AND zosan will know what i mean I'm not going to explain it. iykyk #WAIT LMAO IM NOT DONE. EDIT: #when my first boyfriend broke up with me i was a melodramatic little shit about it #had a diary that i would like pour my heart into and the other day i came across it #and it's really telling that my first thought was “omg.... so zosan-” LIKE GIRL GET A GRIP YOU ARE DETACHING FROM REALITY #all for zosan CRIES ALL FOR ZOSAN...

[teddybeartoji]

thinking about burying your face into shoko's chest when the scary movie is getting a litte too scary during the usual sashisu get-together. suguru is acting all calm, (you know his heartbeat is racing, though. he's not as cool as he thinks) surpressing a little smirk while satoru is clutching onto his sweater for his dear life.

shoko isn't focused on the boys, nor is she focused on the tv screen that's filled with blood and guts – your scrunched up face being way more intriguing. she's trying to be smooth, trying to just catch a proper glimpse of you but it's hard without making a fuss. she needs to turn her head and she knows that's gonna get your attention; she doesn't want that. she wants to look at you without you looking back. she wants to study you and your face, you and you expressions, you and your birthmarks and you and your scars. she can't do that if you're staring up at her. she can't study you like that - she'll get distracted.

but c'mon, you're right there – one hand on her stomach, holding yourself up a little while the other is lost somewhere between your bodies. she has to look at you.

and she does. from what she can see, your face is in fact all scrunched up and it is in fact as adorable as she'd thought it'd be. your eyebrows are furrowed, eyes screwed shut as the screaming and yelling continues booming from the tv. your bottom lip is a little jutted out; shoko's lips twitch. so do her fingers.

her one hand is securely holding wine glass while the other... has somehow found its way to your back. for comfort, she thinks to herself. she didn't even realize it was there. instinct, she thinks to herself.

she leans back a mere inch, eager to see more of your pained face but that's when your eyes open; staring right back at her, you feel small. you feel flustered. she has that effect on you. the fingers on your back have now found a lock of hair, twirling the ends between her fingers; surely tainting you with the faint tobacco smell. you don't care.

"scared?" she whispers. her lips move so smoothly, the dark hue of them inviting you in. maroon; the mixture of her own lipstick and the wine - you wonder how she'd taste.

"maybe..." you whisper back. she hums quietly, trying not to attract attention from the boys a few feet away.

"aw..."

it's hard not to burn at her words, her small coo.

"what about you, hm?" you hum back and she can feel it; feel it start from the back of your throat and make its way through your body and then through hers. you're so close. "your heart is beating pretty fast. you sure you're not scared?"

...

it's not often you, or anybody else for that matter, is able to catch her off-guard. this is... new.

she just blinks down at you a few times, her pretty eyelashes fluttering against her soft pale skin. her lips part, yet nothing comes out. for about twenty seconds, it's just you and her. no blood, no gore, no tv, no boys, no noise, no nothing - only her eyes and your eyes. when your own lips quirk up, ready to bark out a tease at her - satoru screams, pulling your attention from her.

while suguru is muffling trying to muffle satoru's awful noises by slapping a palm in front of his mouth and you're trying to keep your laughter from bubbling up - shoko is still staring at you.

#i love women #mwah to you all #this is a bit ooc i think #idk this just came to me so i had to write it down #she isn't as cool as she thinks either #smhhhh shoko u have a crush just admit it #anyway enjoy this silly little thing hehe #shoko #wtf mickey can write #shoko ieiri #shoko ieiri x reader #shoko ieiri drabble #shoko ieiri fanfic #shoko ieiri fluff #jjk shoko #jjk fluff #jjk drabble #jujutsu kaisen fluff #jjk x reader #jjk x gn!reader

[cordyce]

BY YOUR HANDS ALONE

neteyam sully x gn!reader

notes: this is silly & overtly fluffy & all over the place if i am completely honest rn. neteyam is a little flustered & probably ooc. sorry :’)

"there you are."

"here i am," you mirror back instantly, hardly sparing a glance up at the far too familiar voice as your fingers continue to work at chopping up some vegetables. it's a busy day—a momentous day. there is no time to waste.

"let me help," neteyam offers, already making moves to steal your knife from you as he steps to your side.

but you weave it away from his grasp, nudge him back with your shoulder and point the knife at him as you address him. "aht, don't think so," you differ, then continue your slicing. "besides, don't you have your own tasks to get to, mr. mighty warrior?"

days like this require a lot of preparation; everyone chipping in and doing their part so that it all gets done and runs smoothly. if even one person slacks off, it could cause a rift in sanctified plans. and that simply wouldn’t do. no, it would not.

"i have completed all of them, actually," he retorts, but he shrivels when you narrow your eyes up at him. "okay, almost all of them."

you scoff, let your pupils meet your sockets with a roll as you pry the truth out of him. of course, one of the most important days of the year and it is now that neteyam chooses to have an irresponsible whim. you aren’t sure what you’re gonna do with him.

"your mother will have your tail if she finds one thing out of place for tonight, you know this." it isn't necessarily a warning, but there is some tip-off in your tone. "you must get everything done."

neteyam hums, leans his hip against the raised wood that you are using as a makeshift counter. he says nothing, simply watches you. takes into account how you dice up the vegetables in front of you diligently before sliding them to the side with your knife and moving onto the next ones. his stare is driving you crazy—no one works well under pressure, after all.

it causes you to have a slight blunder; a misstep. you cut a pattern a tad too fast and send a slice of root tumbling towards the ground. neteyam's instincts are superb, quick, and he catches it before it hits the dirt. mumbling a thank you under your breath as he places it back on the tray, you find the heir before you still not making a move to speak.

you aren't sure why it unnerves you so.

"what do you have left to complete?" it's not the question you want to ask, but 'what the hell do you keep staring at?' doesn't sound quite as nice. so you settle on it.

you take a pause, a breath, to turn to him. throughout the years you have seen the eldest sully child wear many expressions. ones tainted by smiles, irritation, pride, devotion—but this one has you tipping your head in the most peculiar way.

because timidness is not something you think you've ever seen don the strong features of neteyam sully.

he carries himself with such an air of confidence; shoulders pressed back and chin held high—not arrogant, but undaunted. he does not shift gaze unless he is avoiding scoldings and he does not suck in his cheek unless he is fighting frustration. so, you wonder, what could possibly have his face contorted in such a reticent manner. if you did not know any better, you’d almost call his demeanor a rendition of shy. but that seems rather uncharacteristic of him, doesn’t it?

"ah—are you sure you don't need help with that?" he's deflecting, brushing off your inquiry like he hasn't heard it. and you can't decide whether you find that amusing or concerning.

he's making way for your knife again and you twist your arm to hold it out of his reach behind you. you eye him carefully, flit your gaze all around him to pick up on anything that you can that would explain his behavior.

"tell me." it's not an order, you aren't demanding, but neteyam nods his head like he's respondent of such.

"my father told me i needed a, uhm," he stutters, licks his lips, like he's tripping over his own tongue. and it's undeniable the way you see his ears twitch. "for the celebration tonight. i need a.."

"a what, neteyam?" you press, cock your brow up at him. you don't think you've ever seen him like this. never witnessed him so.. "you need a what?"

"a.. date."

so fidgety.

"a date?" you repeat with widening eyes.

"no, no not a—not a date really but i need someone for the—“

"the staining ceremony.” you finish for him, continue his sentence because with all his blubbering you aren’t sure he’ll ever spit it out.

he nods curtly.

the celebration tonight is for all the young warriors who have proved themselves throughout the calendar year as being strong willed and great protectors of the clan. neteyam, of course, is one of them. has been since he earned the right to be titled as such. so perhaps it should have clicked in your head that he’d be searching for a partner for the staining ceremony portion of the night.

but a part of you—if you’re being completely honest with yourself—just figured he had one already. events like this take weeks of planning; most warriors find their artisan a fortnight in advance. because it cannot just be anyone.

the partner one chooses for the staining ceremony must be someone with whom they feel a connection. some of the older warriors choose their mates. some of the youngest choose their mother or father. some settle for siblings. others, in brazen acts of outstretched hands, choose a mate unbonded; one who they harbor feelings for but have yet to seal such in the eyes of Eywa.

you cannot lie and say you had not pondered over who neteyam’s choice would be. a part of you thought he would pick kiri—they have always been so close and she has been his partner for such ceremony before. but, you are not deaf to the murmurs of your village, you are not ignorant of what has been passed from mouth to ear of all that will listen. there have been other… prospects who have been suggested to neteyam for this special commemoration.

your name has not been among them.

“well,” you continue, tear your eyes away from him and get back to the task at hand. there is no need to dwell on such things and fall behind. you have just one more batch of greens after this to prepare then you will be done and can walk away from all this. “if you’re here to ask my opinion on who your choice should be, i’m not sure i will prove to be much help.”

a shut down; a cut off. you’d like this conversation to be over as soon as possible because it’s making your fingers itch. you’re offering him a gateway to close the topic off.

but he doesn’t seem to get the memo.

“no,” he chuckles, now, and you can tell he’s shaking his head out of the corner of your eye. it’s breathy; like he’s punched it out of his chest and finally broken past the barrier of whatever flusteredness had him trapped before. “that’s not why i came to find you.”

“if it’s to convince kiri to sacrifice herself to do it for you again this year, i’m not game for that either.” you don’t understand why his laughter leaves you agitated, why this whole situation has caused an odd twisting in your gut.

“that won’t be necessary,” he disputes, “i do not need kiri to be my partner this year.”

your fingers fumble, your slicing stutters. “oh?” and you want to kick yourself for how your voice hitches. you clear your throat, bite the corner of your lip that neteyam can’t see. “convince some other poor soul to do it for you? is it zuy’nik? i know she presented you a kill from her hunt recently.”

neteyam hums. “no. i have not chosen zuy’nik.”

you grip your knife harder, focus carefully on the blade as you chop down on a bundle of leaves. your throat is dry, your heart is thundering. you feel silly.

“sënuul, then?” you question, do your best to sound as disinterested as possible even though your chest is burning to know who could be lucky enough to have been picked by the heir himself. “i hear many young warriors wish for her. they say she has delicate hands.”

your hands—in contrast—have grown tense; your chops near erratic. being this worked up over a man who is not your mate seems so futile, so nonsensical. if your mother were here to see you now she’d call you childish.

but is it so childish to want things your heart yearns for?

“while that may be true,” neteyam agrees with the sentiment, and that makes your stomach lurch, “it is not sënuul either.”

“then who is it? who could you possibly—“

a hand covering yours has you cutting yourself off. neteyam’s palm melds over your knuckles; stops your unsafe cutting and stills your wrist’s movements. before you can even bring yourself to look at him, calloused fingers are hooking around your chin. swiveling your head around, you have no choice but to meet his gaze. and it is not averting, not twinkling with tepidness like it was before. you think, for a moment, that’s because he’s passed the feeling onto you.

“i do not wish for any other partner in this clan.” and his voice does not waver, does not stumble, now. you swallow as you listen. “i came here to ask if you would do me the honors, for tonight.”

your tongue feels like cotton; the fuzz of it floating to your brain to make everything go static. this is.. not what you had expected.

you had expected to follow neytiri’s orders for preparing the food for the meals that would be shared. you had expected to dress yourself in the ceremonial clothing and jewelry you keep for these special occasions. you had expected to stand around the edges of the circle during the opening dance, serve food to the elders, and sit with a content tight smile as you watched kiri declare neteyam’s war paint for the third year in a row before the true celebration began.

you had not expected yourself to be standing face to face with neteyam, ears twitching embarrassingly sporadic, as he asks you to join him in one of the most intimate and important events of a warrior’s life.

and you suppose you can use that element of surprise as the reason why you find yourself a tad bit speechless while you nod dumbly. a wide grin cracks across his face, curves up his cheeks as he lets out another breathy laugh.

“thank you,” he murmurs, and he still hasn’t let go of your chin. “i was worried i would not get the chance to ask you in time. i was pushing it, but i tried to get all my other duties done as fast as i could.”

now that, the mention of time, finally knocks you out of your little lovesick trance.

“hey, wait,” you huff, shove at his chest lightly with your free hand. “you should have asked me sooner! i should have already had your stain pattern planned out, and—and now i have to go get all of your paints and i didn’t factor in the time for that. you’re terrible!”

“ah, i’m not terrible. i am sure you can just wing it,” he waves off, simpers like this is funny.

“wing it?” you gape at him. because he genuinely cannot be serious. “this will be your war paint pattern for the rest of the year. if it’s bad then you will be stuck with it. you want me just to wing that?!”

“why not? i have faith in you, i’ve put myself into your hands.” and it’s meant to playful, you know this, but the way he’s looking at you proves his words hold their full weight regardless. “don’t be mad at me.”

“oh, i’m mad,” you retort, brush him away as you get back to slicing because now you really do not have the time for distractions. “i cannot believe you have waited until last minute.”

“would you like me to ask someone else?” he queries, and you whip your head over to level him with a glare. “i mean, i am sure sënuul would be honored to be the partner of the future olo’eyktan.”

“you know, i liked you better when you were sputtering and nervous,” you spit back, retract your attention once again. “terrible. truly terrible.”

“ah, do not be mad at me,” he levels again, “what can i do to have you forgive me?”

“nothing. you will never be forgiven.” with no hesitation, but also no malice. your bite holds no venom, and your cheeks are still warm. such hypocrisy you spew.

“nothing?” he questions, and you don’t even have to see his face to know he is smiling. there he is again; the neteyam who holds his chin up high and taunts his brother into mindless games to prove his worth. you admire this neteyam; love this neteyam.

this neteyam grabs your face and tugs you forward before you can think of another mindless rebuttal to spout.

the kiss is light but fervent, and if you were a poetic person you might just say that his lips taste like future promises you already intend to keep. the fight drains from your body and you find no urge to bring it back. this neteyam seems to know how to quell you, how to dispel your frustration and wipe away your grievances like fogged up glass. so easy, so effortlessly.

he pulls away languidly, breath puffing against your lips. "forgive me?" he asks again, and you find yourself nodding before he even finishes the question.

he turns your head to peck your cheek then drops his hands to finally successfully steal the knife still held in yours. you tip your head, blinking through the daze to inquire what he's doing.

"i can finish that, you know."

"i know," he answers, then flashes you a crooked grin that has your stomach twisting in a way far different than before. "but don't you think you should start planning how you want to trail your hands over me?"

and, oh. part of you wants to hit him for that. but part of you wants to tug him in by the neckpiece he dons and get him to shut up by an alternative method.

as you reach forward to run your hand ever so heedlessly up his chest, a faux illusion of planning your mapping, you think you might just settle on the latter.

likes & reblogs appreciated !

#this is for my sweet matcha first and foremost <3 i hope u like it ! #also i TOTALLY made up this entire celebration thing LMAO #i jus thought it was a cool idea and super cute sooo #also. i rlly hope u don’t think neteyam is too ooc bc he is a bit. flustered here #BUT SJDHDN AHHH ENJOY #neteyam x you #neteyam x na'vi!reader #neteyam x reader #neteyam sully x reader #neteyam drabble #neteyam fluff #avatar x reader #atwow x reader #atwow fluff #avatar fluff #neteyam sully fluff

[armoricaroyalty]

Film Grammar for Simmers

What is film grammar?

"Film grammar" refers the unstated "rules" of editing used in movies and TV. Different types of shots have different associations and are used by editors to convey different types of information to the audience. Many of these principles were first described in the early 20th century by Soviet directors, but they're used consistently across genre, medium, and even language: Bollywood musicals, English period dramas, Korean horror movies, and American action blockbusters all use many of the same techniques.

Because these rules are so universal, virtually everyone has some internalized understanding of them. Even if they can’t name the different types of shots or explain how editors use images to construct meaning, the average person can tell when the “rules” are being broken. If you’ve ever thought a movie or episode of TV was confusing without being able to say why, there’s a good chance that there was something off with the editing.

Learning and applying the basics of film grammar can give your story a slicker and more-polished feel, without having to download shaders or spend hours in photoshop. It also has the bonus of enhancing readability by allowing your audience to use their knowledge of film and TV to understand what's happening in your story. You can use it to call attention to significant plot details and avoid introducing confusion through unclear visual language.

Best of all, it doesn't cost a dime.

The basics: types of shots

Shots are the basic building block of film. In Sims storytelling, a single shot is analogous to a single screenshot. In film, different types of shots are distinguished by the position of the camera relative to the subject. There are three big categories of shots, with some variation: long shots (LS), medium shots (MS), and close-ups (CU). This diagram, created by Daniel Chandler and hosted on visual-memory.co.uk illustrates the difference:

Source: The 'Grammar' of Television and Film, Daniel Chandler, visual-memory.co.uk. Link.

In film, scenes typically progress through the different types of shots in sequence: long shot, medium shot, close-up. When a new scene begins and the characters arrive in a new location, we typically begin with a wide establishing shot of the building’s exterior to show the audience where the scene will be taking place. Next comes a long shot of an interior space, which tells the where the characters are positioned relative to one another. The next shot is a medium shot of the characters conversing, and then finally, a close-up as the conversation reaches its emotional or informational climax. Insert shots are used judiciously throughout to establish themes or offer visual exposition.

Here's another visual guide to the different types of shots, illustrated with stills from Disney animated films.

This guide is almost 2,000 words long! To save your dash, I've put the meat of it under the cut.

Long shot and extreme long shots

A long shot (sometimes also called a wide shot) is one where the entire subject (usually a building, person, or group of people) is visible within the frame. The camera is positioned far away from the subject, prioritizing the details of the background over the details of the subject.

One of the most common uses of long shots and extreme long shots are establishing shots. An establishing shot is the first shot in a scene, and it sets the tone for the scene and is intended to give the viewer the information they’ll need to follow the scene: where a scene is taking place, who is in the scene, and where they are positioned in relation to one another. Without an establishing shot, a scene can feel ungrounded or “floaty.” Readers will have a harder time understanding what’s happening in the scene because on some level, they’ll be trying to puzzle out the answers to the who and where questions, distracting them from the most important questions: what is happening and why?

(I actually like to start my scenes with two establishing shots: an environmental shot focusing on the scenery, and then a second shot that establishes the characters and their position within the space.)

Long shots and extreme long shots have other uses, as well. Because the subject is small relative to their surroundings, they have an impersonal effect which can be used for comedy or tragedy.

In Fargo (1996) uses an extreme long shot to visually illustrate the main character’s sense of defeat after failing to secure funding for a business deal.The shot begins with a car in an empty parking lot, and then we see the protagonist make his way up from the bottom of the frame. He is alone in the shot, he is small, and the camera is positioned above him, looking down from a god-like perspective. All of these factors work together to convey his emotional state: he’s small, he’s alone, and in this moment, we are literally looking down on him. This shot effectively conveys how powerless he feels without any dialogue or even showing his face.

The same impersonal effect can also be used for comic purposes. If a character says something stupid or fails to impress other characters, cutting directly from a close-up to a long shot has a visual effect akin to chirping crickets. In this instance, a long shot serves as a visual “wait, what?” and invites the audience to laugh at the character rather than with them.

Medium Shots

Medium shots are “neutral” in filmmaking. Long shots and close-ups convey special meaning in their choice to focus on either the subject or the background, but a medium shot is balanced, giving equal focus to the character and their surroundings. In a medium shot, the character takes up 50% of the frame. They’re typically depicted from the waist-up and the audience can see both their face and hands, allowing the audience to see the character's facial expression and read their body-language, both important for interpreting meaning.

In most movies and TV shows, medium shots are the bread and butter of dialogue-heavy scenes, with close-ups, long shots, and inserts used for punctuation and emphasis. If you’re closely following the conventions of filmmaking, most of your dialogue scenes will be medium shots following the convention of shot-reverse shot:

To keep long conversations from feeling too visually monotonous, consider staging the scene as a walk-and-talk. Having two characters move through a space can add a lot of dynamism and visual interest to a scene that might otherwise feel boring or stiff.

Close Ups

Close-ups are close shots of a character’s face. The camera is positioned relatively near to the subject, showing just their head and shoulders. In a close-up, we don’t see any details of the background or the expressions of other characters.

In film, close-ups are used for emphasis. If a character is experiencing a strong emotion or delivering an important line of dialogue, a close-up underscores the importance of the moment by inviting the audience to focus only on the character and their emotion.

Close-ups don’t necessarily need to focus on the speaker. If the important thing about a line of dialogue is another character’s reaction to it, a close-up of the reaction is more effective than a close-up of the delivery.

One of the most iconic shots in Parasite (2019) is of the protagonist driving his employer around while she sits in the backseat, speaking on the phone. Even though she’s the one speaking, the details of her conversation matter less than the protagonist’s reaction to it. While she chatters obliviously in the background, we focus on the protagonist’s disgruntled, resentful response to her thoughtless words and behavior.

In my opinion, Simblr really overuses close-ups in dialogue. A lot of conversation scenes are framed entirely in close-ups, which has the same effect of highlighting an entire page in a textbook. The reader can’t actually tell what information is important, because the visuals are screaming that everything is important. Overusing close-ups also cuts the viewer off from the character’s body language and prevents them from learning anything about the character via their surroundings.

For example, a scene set in someone’s bedroom is a great opportunity for some subtle characterization—is it tidy or messy? what kind of decor have they chosen? do they have a gaming computer, a guitar, an overflowing bookshelf?—but if the author chooses to use only close-ups, we lose out on a chance to get to know the character via indirect means.

Inserts

An insert shot is when a shot of something other than a character’s face is inserted into a scene. Often, inserts are close-ups of a character’s hands or an object in the background. Insert shots can also be used to show us what a character is looking at or focusing on.

In rom-com The Prince & Me (2004) (see? I don’t just watch crime dramas…) the male lead is in an important meeting. We see him pick up a pen, look down at the papers in front of him, and apparently begin taking notes, but then we cut to an insert shot of his information packet. He’s doodling pictures of sports cars and is entirely disengaged from the conversation. Every other shot in the scene is an establishing shot or a medium shot or a close-up of someone speaking, but this insert gives us insight into the lead’s state of mind: he doesn’t want to be there and he isn’t paying attention.

Insert shots are, in my opinion, also used ineffectively on Simblr. A good insert gives us extra insight into what a character is thinking or focusing on, but a poorly-used insert feels…unfocused. A good insert might focus on pill bottles on a character’s desk to suggest a chemical dependency, on a family picture to suggest duty and loyalty, on a clock to suggest a time constraint, on a pile of dirty laundry or unanswered letters to suggest a character is struggling to keep up with their responsibilities. An ineffective insert shot might focus on the flowers in the background because they’re pretty, on a character’s hands because it seems artsy, on the place settings on a dining table because you spent forever placing each one individually and you’ll be damned if they don’t make it into the scene. These things might be lovely and they might break up a monotonous conversation and they might represent a lot of time and effort, but if they don’t contribute any meaning to a scene, consider cutting or repurposing them.

I want to emphasize: insert shots aren’t bad, but they should be carefully chosen to ensure they’re enhancing the meaning of the scene. Haphazard insert shots are distracting and can interfere with your reader’s ability to understand what is happening and why.

Putting it all together

One of the most basic principles of film theory is the Kuleshov effect, the idea that meaning in film comes from the interaction of two shots in sequence, and not from any single shot by itself. In the prototypical example, cutting from a close-up of a person’s neutral expression to a bowl of soup, children playing, or soldiers in a field suggests hunger, worry, or fear, respectively.

The Kuleshov effect is the essence of visual storytelling in a medium like Simblr. You can elevate your storytelling by thinking not only about each individual shot, but about the way they’ll interact and flow into one another.

Mastering the basics of film grammar is a great (free!) way to take your storytelling to the next level. To learn more, you can find tons of guides and explainers about film grammar for free online, and your local library doubtless has books that explain the same principles and offers additional analysis.

Happy simming!

#armorica tips #armorica ooc #i finally got off my ass to finish this guide which i started back in August right before I got extremely sick and ended up in the hospital #anyway....hope you enjoyed this post which was a veiled excuse for me to complain about how people overuse close-ups and inserts #and i can't tell what's happening in their stories ;fdsklsjadf;laksdf #Youtube

[whitherwanderer]

Pride Backlighting Tutorial

A few people have shown interest in replicating the pride backlighting I did, so hey, here’s a quick tutorial below the cut.

Enjoy, and happy Pride Month. 🏳️‍🌈

STEP 1 — SETUP

First thing you’ll want to do is find a suitably dark background to bounce the light off of. I use the White Screen housing item dyed Soot Black, available from the Housing Merchant or Apartment Merchant in any of the housing zones for 3000 gil.

I line up 2-3 of them for coverage, but one will do if you're trying to be frugal.

If you don’t have an apartment or an FC room to use, try asking friends, FC mates, or even folks you share a Discord server with. You might even find someone who already has a studio space set up and is willing to let you use it!

Lighting in your studio space should be 0 (though you might have success at 1 as well), so make sure to adjust that or ask the studio owner if they can make that change before you start posing.

STEP 2 — GPOSE

Position your character(s) just a little ways back from the edge of the screen. You want some space between them and the screen so that the lighting can float there without casting a weird circle on the wall.

Hop into /gpose and bump up the “Manual brightness adjustment” to about 120 or whatever level allows you to see your character well enough to pose them. Pose to your heart's content.

STEP 3 — LIGHTS

Here’s the fun part. In the Light tab of the Gpose menu, switch all of your Light sources to Type 1, which has the shortest falloff radius (meaning it doesn't reach as far as Type 2 or 3). I also set all of my lights to one strong color to differentiate them while I worked on lighting—red, green, and blue, all maxed out at 255 (for now).

Swing your camera (still on all default settings) around to your character’s back and up above their head a little ways. This is where Light 1 (red) will go.

Now pan your camera down at about mid-back height and set Light 2 (green) there.

Pan your camera down one last time until you have a nice shot of your character’s butt and set Light 3 (blue).

Spin your camera back around and enjoy this nice little macaw-colored gradient.

STEP 4 — CAMERA

Set your camera angle.

The way FFIXV’s lighting works is partially dependent on how much light is in a shot. It will adjust a lot like your eyes do when you’re entering a dark room from a bright room, or vice versa. Your zoom level and camera angle are going to directly affect the lighting, so set this before you start messing with light strength and color. Sometimes this means weaker lighting will actually light your character better.

I ended up bringing my lights down to around ~160 and boosted the "Manual brightness adjustment" up quite a bit to get lighting I was happier with.

For a straightforward vertical shot, I like to have my Field of View (FOV) at 200 and of course my rotation is set to 90. Zoom in or out as needed. Remember to save your camera angle if you plan to pan around and fix things!

STEP 5 — COLOR

Make it ~queer~.

Take your flag of choice and pick out 2-3 “main” hues. Generally these will be the strongest hues in the flag, if not the only ones. Some flags, like the Pride/Progress/Intersex-Inclusive flag itself, are difficult to replicate for the sheer number of colors that are in it. You can loosely represent a rainbow with some adjustment to the RGB colors, if you’re determined to have a whole rainbow in there.

Shader Note: I recommend picking a shader preset that doesn’t mess too much with color so that colors are represented correctly. You may need to adjust light strength and “Manual brightness adjustment” to be compatible with your preset of choice. Bloom will also heavily affect the way your colors are showing up, so you may need to tone down the bloom FX or toggle it off entirely. This all depends on your preset, however.

If you’re not into RGB math, here are some cheat sheets! Not every flag is represented here of course, but I tried to cover as many colors as I could so that you could grab a color from another flag as needed! Please note that colors will need some adjustment for your own screenshot, presets, and preferences.

And that’s it, y’all! 🏳️‍🌈

(Open this image up in a new tab for more detail.)

These were taken using a heavily customized shader for that nice glowy effect.

#ffxiv #ffxiv screenshots #[ ooc ] #[ tutorials ] #i didn't actually have a tutorial tag but #now i do #enjoy ❤️

[two-wizards-in-a-trench-coat]

the more i think about it, the more "miles and phoenix pining for each other, wondering 'is he into men? and if so, is he even ... into me? 🥺' doesnt make sense. let me finish breakfast and i'll elaborate

#aa #wrightworth #narumitsu #btw just to clarify this is NOT to shit on ppl who make shit of them like this 👍 i very much enjoy that type of content. ooc who ooc is my #wife #this is chess dimention logic superpowa going on

[batlovestomarry]

for the longest time i’ve wondered why and how people hate on this tom (from the half-blood prince) and i was thinking more on that a little today.

because have you even WATCHED the scenes he’s in? his voice? perfect. his mannerisms? absolutely chilling. he nails the role of a teenage tom, he’s creepy and unnerving and fits his character to a t.

and then i was pondering the things that people might not like about him, and i came to the conclusion that perhaps he’s too unsettling.

then i got rid of that previous thought because people who enjoy tom’s character have to be okay with some frightening behavior.

the only reason i can see why people who are tom riddle “enthusiasts” don’t like this tom’s general eerie-ness is that they don’t actually like tom riddle for tom riddle and only see him as this suave and sexy bad boy who is obviously only manipulative in a hot way.

the moment tom riddle isn’t a character they can blatantly sexualize (which isn’t a problem in itself but it’s necessary to the point i’m attempting to make) because he’s suddenly become too “weird” and “scary” (aka his CANON characterization) people freak out and act like this tom riddle portrayal is horrible and bad because, what do you mean their completely made up view of him where he isn’t seductive and suave and attractively toxic and is instead a clinical psychopath is the real deal????

this whole mischaracterization of tom is also why people are so quick to love tom riddle but not voldemort, who is the exact same person. yes, tom riddle could be and certainly was suave and charming when the situation needed it, but the point is that it was a ruse. it wasn’t his true self. voldemort is, above all, devoid of empathy, and it baffles me that people are surprised when he acts like it.

all in all, i absolutely ADORE the tom above and i think the hate on him (which i’ve mostly seen coming from tiktok, no surprise there) is unnecessary and forced. he’s the perfect tom riddle.

#this sorta turned into a rant but the two topics certainly are connected #this doesn’t mean i don’t enjoy ooc tom!! i dont Care if people mess around with his characterization #I’m all for allowing fiction to be just that : fiction #but the issue is when people hate on actors for being true to their character and switching up on a character when they’re not the idealized #version they had of them in their head #tom riddle #tom marvolo riddle #tmr #Voldemort #hp #Harry potter