off topic - let’s talk about gaylena 👀
selena gomez is one of taylor’s oldest and bestest friends and given that she is in the 22 liner notes, a huge part of taylor’s life, and maybe fruity herself it seems like possibly we don’t talk about her here at the blog enough!
i don’t want to do a timeline of selena and taylor’s friendship - you can read more about that here, but they met back in the day when they were both dating jonas brothers and to me this idea of finding a real friendship in the midst of these contrived promances is pretty adorable.
ofc most of y’all think taylor is a fruit basket but i think there’s a good chance that selena is too! i’m not saying she is for sure but y’all know me. i’’m here to make a compelling case that everyone and their dog is gay so let’s gooooo!
Part I - At least one fake rs!
Selena “dated” Taylor Lautner in 2009 and he’s definitely gay. Of course, that doesn’t mean she is, it could just be PR, but y’all know I gotta note everything! We stan our fruity bffs dating the same gays 😍
Part II - Selena x cara delevingne
i feel like there’s a chance they met through taylor but everyone in that squad adjacent circle knows one another. cara dated michelle rodriguez for the first half of 2014 and then got with annie clark in March 2015 but it feels like it’s possible something has gone on between her and Selena from summer 2014 - early 2015? ...maybe something casual on and off a bit?
August 2014 - Steamy pics surface in Saint-Tropez, France
Selena and and a freshly single Cara vacation together in part to celebrate Selena’s 22nd birthday.
They party together and look cozy!
Pictures such as this surface and spark rumors around the two:
Selena apparently loves the rumors and gushes about being shipped with Cara.
Quote:
You say Selena drag queens were the true measure of success for you. But isn’t it true that you’re not truly famous until you’ve been the subject of a gay rumor? And last year, the tabloids had a field day with photos of you and Cara Delevingne.
I’ve made it!
How did you react to those rumors?
Honestly, I loved it. I didn’t mind it. Especially because they weren’t talking about other people in my life for once, which was wonderful. Honestly, though, she’s incredible and very open and she just makes me open. She’s so fun and she’s just extremely adventurous, and sometimes I just want that in my life, so I didn’t mind it. I loved it.
Notice she doesn’t deny them? Now of course she could just be being cool, if she freaked out about it that might be even weirder but hey, it’s still kind of interesting.
Then she admits to questioning her sexuality???
Have you ever questioned your sexuality?
Oh, I think everybody does, no matter who they are. I do, yeah, of course. Absolutely. I think it’s healthy to gain a perspective on who you are deep down, question yourself and challenge yourself; it’s important to do that.
(Selena btw, this is cool and all, but not everybody questions their sexuality, maybe you’re just gay 👀)
November 1 - LACMA Art + Film Gala
they even left the event together 👀
and they hung out earlier that day as well:
They were seen the next day partying for Kendall Jenner’s bday singing to her:
a few weeks later Cara tweets Selena’s lyrics!
In December 2014 they are travelling together in texas:
in january 2015 they get cozy at the golden globes together!
and they leave together again:
January 19th/20th a bunch of gay nonsense happens
They post this gay shit with matching shoes and linked fingers:
then they say this to one another:
Enty says they were hooking up!
then we don’t get any more content that i can find for about six months! perhaps they had a fling from summer 2014-jan 2015 and then it ends, Cara gets with Annie in March? Then after half a year apart Selena and Cara resume a friendly relationship? Perhaps! Selena is seen with Justin a bit off and on during this time but this was in their Style/Heat Death Era imo (tbh i probably shouldn’t give a hetty pairing including Justin that designation 🤢but y’all get what I’m saying - it’s fully possible Selena was hooking up with both of them!
Now I’m not super familiar with Selena’s discography so y’all lmk if I’m missing anything major - lyric wise that point to her not being straight.
Selena’s album Revival that comes out after this relationship has a few songs with some vibes, even though I get the feeling a lot of it is probably about Justin, allow me to reach. The title track could be translated as someone coming to terms with their sexuality (among other things):
I feel like I've awakened lately
The chains around me are finally breaking
I've been under self-restoration
I've become my own salvation
Showing up, no more hiding, hiding
The light inside me is bursting, shining
It's my, my, my time to butterfly
Good for you, imo, is too sexy to be about a man even if it’s not super queer lyrically it’s a vibe ok?
Me & My Girls might be a bestie anthem a la 22 (oh wait, no 22 was gay too) but I mean...could be about a girl gang of lesbians too!
And if we want it, we take it
If we need money, we make it
Nobody knows if we fake it
You like to watch while we shake it
I know we're making you thirsty
You want us all in the worst way
But you don't understand
I don't need a man
Quinn Fabray indeed!
Nobody feels probably like a retrospective on Justin 🙄but...there is a hint of sapphic craving in there! Saying this particular lover loves them differently than everyone is a bit 👀 plus this stanza:
No oxygen, can barely breathe
My darkest sin, you've raised release
And it's all because of you, all because of you
And I don't know what it is, but you've pulled me in
No one compares, could ever begin
To love me like you do
And I wouldn't want them to
Is Perfect about some bitch Justin started dating? Probably but bear with me here this song is actually pretty fucking gay. Gay enough that I’m gonna add it to one of my gay playlists. Could this song actually be about Cara moving on to Annie?
Ooh, and I bet she has it all
Bet she's beautiful like you, like you
And I bet she's got that touch
Makes you fall in love, like you, like you
I can taste her lipstick and see her laying across your chest
I can feel the distance every time you remember her fingertips
Maybe I should be more like her
Maybe I should be more like her
I can taste her lipstick, it's like I'm kissing her, too
And she's perfect
And she's perfect
Part III - Selena x Julia Michaels
Julia Michaels is a singer/songwriter known for her song Issues. I don’t know her sexuality but she at the least has gay vibes! It seems they met around this time perhaps because Julia wrote on Revival.
They have a friendly enough friendship for a few years, liking one another’s posts on IG from time to time, posing for a photo a time or two and then they seem to get swept up into this very intense friendship in 2019. They write some music together and Julia goes whole hog in promoting the shoe brand Selena is hawking this time 😭
2019 - The Superior Sapphic Jelena Timeline:
It starts, for some reason with a lot of shoe promotion:
chill, chill
more shoes
but more gayness?
this homo shit
ok...
Then we go into the REALLY GAY NOVEMBER OF 2019:
Then they perform together:
And...actually kiss...on the mouth on stage???
Sure it’s just a peck but still...if that were a guy people would say they were dating.
Somehow kissing on the mouth isn’t the gayest thing these girls do over this period because these fucking dykes got matching tattoos. I’ve read enough Larry blogs to know this actually means they’re secretly married. All jokes aside this is fruity behavior.
From their IG stories:
Selena gets Julia a very nice christmas gift:
Covid sets in and content drops off but god damn! It’s possible they just had an intense friendship but if a man and a woman collabed on music together, kissed in public, and got matching tattoos everyone would say they were dating!
Selena, as far as I can find, didn’t have any public boyfriends around this time so who are some of these love songs about?
Rare comes out in January 2020 and perhaps has some gayish songs?
Don’t tell me why but boyfriend lowkey, has a gay vibe. Don’t ask me to explain it but it’s just the musicality of it.
Crowded Room could be a love song for Julia? (or by Julia for Selena, since they’re collaborators?)
Baby, it's just me and you
Baby, it's just me and you
Just us two
Even in a crowded room
Baby, it's just me and you, yeah
These are general gay vibes, our secret moments in a crowded room tease
It started polite, out on thin ice
'Til you came over to break it
I threw you a line and you were mine
It would have started out polite between them, since they worked together for years before whatever 2019 was happened. And throwing someone a line first of all makes Selena sound like the aggressor but also “throwing someone a line” could be a reference to writing songs together.
Yeah, I was afraid, but you made it safe
I guess that is our combination
Said you feel lost, well, so do I
So won't you call me in the morning?
I think that you should call me in the morning
If you feel the same, 'cause
Lots of people are afraid at the beginning of a gay rs. Treacherous tease 👀
In summation!
Selena does gay stuff like fantasizing ab kissing other women in her music, getting very touchy with famous dykes on vacay, hangs out with Taylor Swift, has chronic mental health issues, dated a jonas brother and a twilight gay, has admitted to questioning her sexuality, and loves being shipped with women. Is she gay? I don’t know! But all she’s missing from her celesbian bingo card is a suspiciously intense friendship with a Glee Cast member!
What do you guys think? Selena fruity or just weird?
Edit to add: so apparently I missed an entire ship and Selena supposedly acted really gay all the time with her backup dancer Charity Baroni. Exposing SMG has posted a lot about all that.
Also Selena has been cast in a gay role!
edit to add: @bisluthq went and found this for me - julia is indeed a fruit queen
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Always Falling Down, part I
This was part of a rarepair gift exchange. mricj and I got matched because sometimes u CAN manifest what u want for urself~~~
This is Rosawatts for sure, but also very poly, very id-ficcy and very long (just under 7k....).
with a small part 2 pending because WE BUILT THIS SHIP WE SAIL IT HOWEVER WE WANT
oh and a playlist (click plz~)
PS: the plotbunny emerged from "i thought you (loved me)" by livj707. One of my top 10 TTM fics and the rest of them are in there too!
AO3
FF.net
or keep reading
(Part II here)
~~~~~
~We hold on to the good times and the right now and the long nights~
Can you hear when I say "I have never felt this way"? (I can't see you and me and her without each other)
Roxie
You were 8 or 9 when you realized that you responded to people’s emotions in an unusual way. Your mom’s anger made you feel like there was a small fire in your belly, no matter the amount or what the anger was directed at. Her joy when hummingbirds visited the garden you both made to attract them made you feel invincible. When she felt sad, everything looked gray.
So what, you thought. She was your mother; of course you’d be attuned to her mood. The same with the rest of your family. But there was a slight wrinkle in that logic— you sensed the emotions of your friends at school, and that affected you similarly, if with less intensity.
Soon after realizing that, though, came the realization that even friends of friends, even complete strangers, had emotional signals that you picked up without trying. You brought this up with one of your dad’s sisters (one of your favorite family members, were you ever pressed to admit it), because you couldn’t quite stomach having your mom worry about you. You were pretty sure what happened to you wasn’t normal.
Your aunt introduced you to the term empath, said her wife had the same ability that you did. She taught you ways to handle the side effects (as she put it), how to channel and control it, to some extent. Even with this, though, things got more complicated as you grew older. People’s emotions got louder.
The maelstrom this caused in you was nigh unbearable and (luckily?) manifested itself as stereotypical moody teenage behavior, when you weren’t wrestling with the attendant physical ailments. That led you to what’s turned out to be a lifelong interest in astronomy and stargazing. Or more accurately, it increased your at-the-time budding interest exponentially. Others’ emotions couldn’t sink their hooks into you, not when your mind was buried in a book or when you were alone outside on a clear warm night. Stargazing served as meditation, too, and slowly you gained a better grasp on this whole empath thing.
That was how you met Neil. He lived in another school district; somehow both of you claimed a little park in town as a prime stargazing spot. He said his gramps took him gazing every summer, and Neil found he wanted to do it more often than that. You didn’t know much about him besides that and some shows and video games he was into, but that was hardly a deterrent to your talking a blue streak in the rare times when both of you were done watching the sky. You talked about your hobbies, how school went, how your little brother was doing, what music you were obsessing over. You told him everything except your biggest secret, and even though he didn’t always acknowledge it all, you could feel he took it all in. He was the first person who had ever done that.
Then he moved away with hardly a goodbye, and that was that. You remember feeling hurt and sad for longer than a day, maybe a week or two, but time has worn away the memories of how you felt. College, of course, was the next big chapter in your life, when your present-day reputation for being bubbly and carefree developed. That had always been with you; college life simply made you turn it up to eleven, a coping mechanism of sorts in navigating the world as an empath.
Strange how the peace you found back then has led you right back to that feelings maelstrom, into the difficulty of parsing what belongs to you and what doesn’t.
You didn’t see Neil until you got to SigCorp, at which point all the moments he was in your periphery during training slapped you across the face, along with hazy childhood memories.
“You’re Roxie, right?”
And all the years without him collapsed together. Maybe you didn’t see much of each other, but your friendship still easily restarted, helped along by your shared sphere of work.
You’d say he’s your best friend, if you were asked.
Meeting Eva was a different kind of slap.
You could count the number of crushes you had on one hand, your relationships on six fingers. You hadn’t felt love yet.
You fell fast and hard for Eva. Then you got back up, and cut that off quicker than breathing, because no way would someone as cool, collected and straight-laced as her would ever be interested in you. (Plus, you had no idea if she was queer and that’s not something to ask someone you just met.)
And then there was Neil.
The two of them had capital-h History, obvious from the moment you saw them together. If anyone knew how much time you spend thinking about your friends’ relationship, the effort you put into trying to push them together, how much time recently you’ve invested in worry (especially over Eva, but Neil too) you’d get therapist recommendations at the very least—
It’s not just wishful thinking. Your empathy gives you a sixth sense as to which people are meant for each other, and/or are dealing with feelings towards each other (which also gave you a leg up in office gossip). And Neil and Eva fit so well; that’s why they were paired together, why you convinced Rob they should be a team, despite how much you liked working with her. Not that he needed convincing. That’s how obvious their compatibility was. And yes, this was despite their bickering (and Neil’s pranks on his partner).
What drew you to Rob, as a colleague and as a person, and helped you decide to permanently partner with him, is how quiet his emotions are. He’s hardly unfeeling, despite what others (like Neil) might say. No, it’s just that his emotions are blissfully subtle. Sometimes when you feel them flare up it’s like a gift.
His emotions toward you aren’t subtle, not these days. And sometimes you feel terrible for relying on him as much as you do. But that’s another thing.
Eva
The cases that go wrong from the beginning are always easier on you than the ones that go wrong when you’re so close to closing them out. Talking to loved ones afterwards is the common denominator, the same intensity of pain no matter what went wrong when. But you’ve grown used to that pain, used to letting it glance off your skin because this is your job, and perfection is impossible.
You thought you had, anyway. The case you failed barely twenty minutes ago, the one from which you’re walking to the car with Neil now, found a chink in your armor. A stupid rookie-level mistake that both of you believed you’d fixed came back to bite you; you almost didn’t log out of the machine before your client flatlined. You owned up to it, the client’s brother took a swing at Neil and tried at you, and the only reason you’re both out of there alive is the brother’s wife calming him down.
There’s still paperwork to finish. You did the bare minimum before getting the hell away from that place. And Neil has one whopper of a black eye that he’s too bullheaded to do anything about, because he had a spare pair of glasses and that makes everything just fine.
In the car, the practically-visible wall between you and Neil is even more unbearable given the post-case mood, and it makes you feel sick. This is far from the first case you’ve failed, with or without him. Hell, it’s not even the first case involving bodily harm directed at either of you. It still feels like the last straw. But you’re not going to quit, you tell yourself. Someone has to keep fighting.
Neil may have stopped trying, but there’s nothing stopping you from fighting enough for you both.
Robert
For the most part, you’re an analytical person. You’re able to compartmentalize your thoughts from your emotions, and often able to see past others' emotions to what might be eliciting them. And that’s why your work at Sigmund fits you so well, why you chose memory traversal over being a tech, as much as machines in general and Sigmund’s in specific interest you.
Your personality and Roxie’s make you an excellent team. Even though her default mode is happy-go-lucky, you’ve been partners long enough to know that she’s the kind of person who can feel everything, all at once, and weather it. That talent must have always been there, under the surface; it’s probably what drew you to her in the first place.
Being able to compartmentalize, however, only gets you so far. You’re hardly immune to base emotions, yours or others’. You get frustrated when you know something is wrong, someone’s having a problem, and that your clear-headed distance from the situation isn’t helping fix it.
Watts and Rosalene, one of your best teams, one of the best you’ve ever seen since you joined Sigmund, have been backsliding for some time. Their ratio of completed cases to failed ones is still good (and they’ve had some brilliant successes), but their previous case was a failure and the mood leading up to their next one is not promising, to say the least. They’ve had innumerable rough patches, no question, but even you can tell there’s a good bit of the personal getting muddled with the professional in this patch. You’re in the unenviable position of having to monitor them, getting closer to explaining to the higher-ups why they are still viable.
Viable. What a cold word. Makes you clammy to think of it in reference to your colleagues. Your almost-friends. It’s... bothersome, to see them fracturing, or whatever less-ominous thing might be happening.
On top of that, there’s something off about Roxie. A dimming of her natural light. The only other time that’s happened is when her brother got sick; he’d been in dire straits before he recovered, and the recovery had been hard.
You know this because Roxie told you. You seem to be good at listening. If only you weren’t abysmal at asking. Not that Watts— Neil— would divulge anything, and Rosalene— Eva— seems even less likely to.
You’d ask Roxie but with her, you’re terrified of not knowing what to say.
Neil
You could’ve decked that guy. Definitely could have. For once it isn’t braggadocio— the things he said about you and Eva made you see red. He telegraphed really badly too, so you could sidestep him (he was like two feet taller than you and you aren’t a total idiot), but taking a swing at Eva?! Good thing the guy’s wife stepped in or things would’ve gotten even more fucked. Because of you and for you.
Of course, with the adrenaline gone, your mutual antisocial...ness, toward each other (what? You can’t word when you’re tired) rushes in to fill the vacuum. It’s frigid out too, which is great. And your face kind of—
“Ah, fuck me,” you mutter as your piece-of-crap company car decides to break down in the middle of an empty road.
Eva sighs epically. Her breath clouds. “Shit.”
Ha, she legit swore.
Your momentary amusement is bulldozed by the inconvenient need to talk. The second you’re alone alone with her, in lulls before or after cases, in downtime at the office, the words bubble up in your throat, more insistent every time. And every time you try to open your mouth, they disappear. It’s been like this for weeks, ever since The Incident.
She found the not-from-Sigmund company letter. She found the (other) pills. Unlocked door or not, you haven’t forgiven her for the breach of privacy. She hasn’t forgiven you for keeping (those kinds of) secrets from her. And here you are now.
You don’t know how much more you can take.
Eva speaks before you can get your voice working. “I’m calling Roxie.”
“How?” Flipping open your phone, you glare at it. “No reception out here.”
“We passed a payphone on the way here. Shouldn’t be more than a 5 minute walk.”
You just gape at her while she bundles up in her scarf and hood. “It’s minus fifty!”
Her eyes meet yours for half a second. “Don’t exaggerate, Neil. Not tonight.”
And, predictably useless, you watch her get out of the car and start walking, snowflakes shining around her in the dimming headlights.
Roxie
One of the things about being an empath is, it’s easier to tell when someone’s romantically interested in you. (Too bad there’s no one-night-stand-interest sensor.) That feeling has a certain color to it, distinguishing it from friendship or dislike. And it’s the reason why you haven’t dated much. Every time you’ve felt it, it’s been like a flipped switch, a lightning bolt, leaving you unprepared and uncomfortable every time. Sometimes it’s been because you don’t return their feelings, sometimes because you need a few days to adjust to the idea. Even with one of the ones you liked back (a post-college roommate, because you may be an empath but that doesn’t exempt you from so-called clichés), it petered out eventually when you didn’t fit together anymore.
With Rob, it’s different. So subtle you don’t realize right away. And so soft it’s easy to lean into and pretend you don’t quite know how he feels, keep your already intimate friendship separate from that other kind of intimacy.
You like him. Want to like him as more than a friend, the way he likes you. If you could only let go of your ridiculous double crush.
There’s only so much room a heart should have, anyway.
Eva
The incongruity of using payphones hits whenever you have to use one, which thankfully is extremely rare. You’ve learned the hard way to keep a small stash of quarters within easy reach on cases, whether they’re located in the boonies or not. Even with gloves on, your hands are so cold that there’s a lot of fumbling involved in getting them into the machine, more fumbling while you pull up Roxie’s contact info on your phone. Not that you need to; you’ve got it memorized. She’s picked you up more than once.
It hits you square between the eyes this time, so you can’t ignore it: Roxie’s been like emotional glue, from back when you were a greenhorn changing partners every couple of weeks to now. She was the constant for you back then, and then became your tech specialist for a hefty amount of cases until you got paired with Neil. She’s patched things up several times when you wanted to strangle him, by talking you down, or being a mediator, or just listening to you rant. And since tonight is turning into one giant negative thought spiral, you get stuck on how much emotional support you’ve taken from her without giving anything back, alike or different. After this, well, you have to come up with something. A restaurant gift card? Ice cream from that new place down the road from yours? Why is food the only thing you can think of? True, food has meaning, but you sh—
“Hello?”
“Roxie. It’s me. Eva.”
“Hey! What’s up?”
“Hope I didn’t wake you,” you say on automatic. Nope, she’s probably—
“Nah, binging a few Shadow Junction episodes before hitting the hay,” she replies with a giggle.
Over this line, the brief silence is crackly. “I need a favor. Our car died on us…”
“Oh my god wait, you just finished a case!” There’s some scuffling and a small thump; when she speaks again her voice is closer. She must have taken you off speaker. “Where are you? I’ll pick you up ASAP.”
You give her a handful of landmarks, the compass direction. With the dark, the gathering snow, your barely-held-back exhaustion, you're starting to think you might be back in the simulation.
Your hands hurt. At least they still have feeling.
“There’s a storm coming, isn't there? Are you okay?”
“Tired. Cold. But, yeah, okay.”
“Hey, Eva?” Hearing your name wakes you up a little; the weight in Roxie’s tone wakes you up more. “I’ll call a tow for you on the way, but do me a favor and don’t hang up.”
“Sure,” you whisper.
She chatters about the latest plot developments on Shadow Junction for a few minutes; you feel like you're absorbing some of the energy in her voice. Then she says, “I’m getting on the highway now,” and then she says, slightly more subdued, “Do you want to tell me about your case?”
Nope. “It went badly, that’s all.”
More crackly silence. Then: “I know I’m repeating myself, Eva, but… are you okay?”
I’m fine.
I’ll be fine when I’m back home.
I’m used to this. It’s fine.
You say, “I think I’m losing Neil.”
The metal of the phone booth bites into your hand even through the glove. “I… found some things I shouldn’t have.” Roxie can keep secrets, contrary to her reputation. This one shouldn’t be her burden, and so you don’t share what you found. “He’s been conflicted about what we do for a while. I think he might be trying to leave Sigmund. And that’s his prerogative, but I just—”
You trained together, joined Sigmund together, starting planning to join Sigmund together. It’s been an enormous part of both your lives, and now you’ve been a team almost as long as your dream to be a part of this company existed. If Neil walks away, what will you have left?
Roxie. Robert. The McMillans. Eddie, Lisa, Logan. You won’t be alone, and you still have your purpose to guide you. But...
You were so certain you’d see that purpose through with Neil at your side, you don’t see how it would possibly be the same. How you could be the same. Sure puts a dent in your faith that you’re your own person.
You can’t simply ask him to stay. Some small irrational part of your brain thinks bringing up the subject at all will make it come to pass. And those pills. If he does leave, if Sigmund is part of his will too, what if—
You wipe at your wet cheeks and nose. “He’s my partner. I need to fix this, and I don’t— I don’t fucking know how.”
Your voice doesn’t sound nearly as broken as you feel.
Robert
It’s another night of Roxie on your couch, eating takeout from your favorite place and watching a movie together. Neither of you have defined your relationship. You’re fine with that, and you think she is too. And yet...
“Roxanne, I—” You love her, have for a long time now. But you’ve seen how she looks at Eva, and at Neil, and you know she doesn’t have room for you right now, don’t know if she ever will.
You had a chance. You realized your feelings for her well before she fell in love with them (or at least before she began to show signs). The obstacles were too many: she’s half your age, you work together but are sort-of kind-of boss and subordinate. All true. All excuses, too, because you weren’t brave (stupid) enough to take that chance.
But she’s come to you for comfort, and you aren’t an asshole; you won’t deny her that because she has a different measure of your relationship. You love her. You would care for her even without that.
Then she kisses you, and she says, “I’m sorry,” and curls up against you.
Roxie
You’re making a mistake, and you don’t care.
You needed that kiss. It soothed these pangs, this hollowness that’s grown over the past few weeks from whatever is going on between Eva and Neil. And the way Rob’s emotions have started to swirl feels dangerous. Addictive. You want more of that, the power to make his emotions dance with one touch.
It’s getting harder to ignore the voice calling you an awful person.
“I’m sorry,” you mumble into his chest. “I know, in every rule book ever made, that I’m leading you on. But I’m not trying to! I’m so sorry. I…” You swallow, sudden clarity hurting your throat. “I think I want to be with you. But, Neil and Eva…”
Saying their names brings fog back over you, reddened by wine. “I can’t explain it,” you whisper, arms around his shoulders. “I can’t... decide.”
You can’t give Rob what he deserves, what you finally know you want to give him, if you can’t make your mind up.
“We’ll figure it out.”
Despite the uncertainty you can practically taste, it feels like a promise. He holds you tighter, and you let yourself sink into him.
Neil
You’re tired, exhausted, and that makes your brain go all overdramatic, but even with that you’re pretty sure this is the shittiest night of your life. You can’t talk to Eva, and she won’t talk to you, and now you’re stuck in the middle of nowhere trying not to freeze to death, watching her freeze to death while she waits for Roxie to rescue both of you from freezing to death. The least you could do is stand by Eva and suffer with her. Then again, maybe she’d rather turn into an Evasicle in peace right now.
You resent how much this case haunts you. You resent even more your inability to walk away from Sigmund and from Eva. They wouldn’t care, but she (probably) would. Does. You wish that didn’t matter so much to you. It shouldn’t anymore, after what she did. The one time you don’t lock your office door. Like a goddamn house of cards. If she’d told you right after instead of sitting on it for a few days, making you wonder what the hell was wrong with her…
You’re such a hypocrite, with all the secrets you’ve kept and keep.
Everything feels gray. Heavy. Tunnel vision, maybe, from the cold and your lack of sleep. Stepping out into the wind chill would probably help you stay awake at this point, except you’re not so far gone as to actually follow through on that.
Eva’s left the phone booth and is standing in the snow, hood blown off from the wind, and she’s too bullheaded to pull it back up. You stare at her hair streaming out, your eyes grow blurry from snowflakes, and your thoughts drift back to distant nights spent with a talkative girl who shared your love of stars.
Roxie
You’re up late at home, watching the Shadow Junction episodes in your queue, when Eva calls you, voice tinny over a payphone. You can’t sense emotions tangibly without being in person, but her and Neil’s voices have a similar effect on you regardless, by now.
You talk with her until you’re on the road.
Something’s wrong besides their dead car, and Eva reveals the tip of the iceberg. You’re relieved. Your instinct hasn’t yet devolved into paranoia.
“He’s my partner. I need to fix this, and I don’t— I don’t fucking know how.”
The turnoff to where they are is coming up. “I can’t imagine how that must feel,” you say into your head mic. A white (gray?) lie. Her pain is making it hard for you to breathe. “But I’m getting you back to the office, and we’ll go from there. One step at a time. Okay?”
“Yeah. Okay.”
You call the tow place as soon as you end her call. After that, things blur together until your car meets theirs.
The snow hasn’t stuck; it’s the light, fluffy kind that would be nice in another time and place. You can see Eva and Neil hunkered down in their seats.
You can’t get out of your car fast enough.
Eva’s first to get out once you reach them. She hugs you, and, yeah, you could probably die happy now. You’re such a mess.
“Thank god for you, Rox. Seriously.”
You’re such a mess. Neil’s relief nearly makes your knees crumple with its warmth, but there are... layers to it. Those layers and the ever-present knot of worry in your stomach keep you alert. Besides, it’s not (won’t ever be) the time or place to let them know everything you’re feeling. So you smile past your shivers and wave off his comment. “No problem. Of course I’ll bail you guys out of this weather!” Then you force your offer of a ride back out of lungs tightened with the fear that they’ll know what lies behind it. “Brought you some cider. Blankets too. To thaw you out for the paperwork, y’know.”
They accept. Of course they do; they don’t have a choice. If either of them suspect anything they aren’t showing it and dear god you are so overthinking this. “Tow truck should be here any minute, if you don’t mind waiting a bit longer.”
“You have heat in your car. That’s all I care about,” says Neil, and Eva says, “A few minutes more doesn’t matter.”
Then she puts her hand on his elbow as they walk the short way to your car, and all your stupid mushy probably-touch-starved brain can think is, there’s hope.
They settle in the back instead of splitting up over the passenger seat, and dumb hope unfurls further in your chest. You waste no time in unfolding blankets and handing them each a thermos. Eva acknowledges with a grateful smile, and you pretend not to notice how Neil flinches when you drape the blanket over him. You ignore the flashing burn when your hands meet their bodies, ignore how fast your heart is beating.
You have a plan, even though it’s a selfish one.
Eva
Roxie still believes her bright shiny mask is impenetrable, but you know her better than she thinks you do; something is worrying her. A lot. And here she is, practically saving both of your lives, and trying to hide it so you don’t feel any worse—
You’re faced with the sudden urge to kiss her.
She’s been a shoulder to lean on, a friend, a good friend. Why did this feeling burst through now? Did the weight of what you and Neil failed to do, the weight of what you know and what he’s not telling you, crack and cause this shift?
(What would she think if you tried?)
You push the urge away, but feel it beaming through when you take your first sip of cider.
Maybe in another life.
Robert
Roxie’s on the verge of breaking, and you can’t do one thing to help.
She stands by you, thermos in hand, while she waits for Eva and Neil to tie up some legalities and gather what they need. At this hour, the offices are silent to the point of suffocation. Having these three around is reminiscent of oxygen. Even so:
"I was really scared, you know?" she says, smiling, eyes painfully bright. "All I knew was I had to get them. So I did. They’ve been dealing with something tough and I couldn't ask them even though I wanted to and they were nearly hypothermic, Rob!" The noise that comes out of her is a shrill mockery of laughter. "So after they're done here, we're going back to my place. All of us. I don't want them to sleep alone. I'll hogtie Neil if I have to, I swear to god.”
There’s nothing you can say, so you just nod. And then you realize: there is something you can do.
You want Roxie to yourself, of course; most one-sided relationships are likely that selfish. You want her to be happy even more than that. So you excuse yourself to the bathroom, and then double back to the offices and poke through Eva’s ajar door, knocking on the jamb.
They’re both in there, which makes it easier for you. Neil’s already got a file folder stuffed with papers in his arms (which he nearly drops upon seeing you). You also notice the overnight bag next to him, and that Eva’s looking over hers.
(Of course. The weekend’s coming up. You should get your bag too.) That’ll make it easier for Roxie.
You’re also worried about them, so this isn’t only for Roxie’s sake. Eva looks like a shell of herself, and Neil’s posture seems to indicate he’s in pain.
“What’s up, Bob?” Neil plops the file folder into his bag. “We taking too long or something?”
You shake your head. “Take the time you need. I heard from Roxie tonight’s case didn't end well, so I thought I should check in.”
“We’re as all right as we can be,” Eva says, zipping up her bag. “And anyway, we’re done here.”
She stops when you don’t move from the doorway.
“She’s really worried about you two. I don’t know any details, but… go easy on her. She means well even when she’s overbearing.”
You turn and head back to the lobby, feeling overheated.
Neil
Roxie seems like a supernova in the frozen night (and if you weren’t half-frozen you'd be slapping yourself for your dumb metaphorical thoughts), and that light is enough, combined with Eva’s presence, to propel you into Roxie’s car.
You flinch because, somehow, her brief touch feels like it unlocks all your secrets. Ridiculous, because Eva got there first and you really hardly know Roxie.
The paperwork is second nature. You and Eva go to your respective offices; you squint as if that’ll make your handwriting look any less blurry (okay, guess your glasses need cleaning); at the last second you grab your overnight bag, and instead of heading back to the lobby you gravitate to Eva’s office and stand there like a dumbass while she finishes up.
You thump your bag on the floor. “Hey.”
“Hey,” she says without turning around.
You busy yourself with organizing your papers. But every so often you glance at her, and when you see she’s going through her overnight bag the urge to ask if she wants to stay at your place, or if you can stay at hers, is overpowering. Don’t ask, don’t— “Do you—”
There’s a knock, and of all people Rob’s standing there, as if tonight isn’t freaky enough. Still. Saved by the Bobert bell.
What he says, along with the sheer incongruity of his presence, knocks you out of your numbness for a few minutes. “Jeez,” you say once he leaves as fast as he came by, “he’s really got it bad for her, doesn’t he?”
A barely-heard whisper in your mind hisses, You should know.
She’s wearing an indecipherable expression. “I suppose so.”
It all makes slightly more sense when you get back to the lobby. Before you or Eva can open your mouths, Roxie’s talking.
“It’s been a really bad night for you two. I’ve been there, you don’t have to tell me anything, and... I won’t ask. But I’ve got a spare room and a couch at my place and you should take advantage of that for the night. I’ve already convinced Rob, and I won’t bother any of you, a-a-and I really think it’s for the best so, so please…”
As exposed as you’re feeling, you can see the appeal of staying at her place. It’s closer than yours, and yeah, okay, your brain cannot handle the logistics of dropping off and heading home. Besides, it’s pretty uncomfortable how upset she seems (even if it’s just about her sinking ship, har), and if this makes her feel better, well. You don’t know what’s going on, feel like you haven’t for hours, but you’re with people you know and who know you, even though they don’t know everything. There’s something to be said for having friends in the same line of work.
This rift between you and Eva hurts far more than you can admit to yourself, never mind anyone else. And even though Roxanne and Rob have no idea what’s happened, happening, between you two, them being with you feels like a bulwark holding back any further damage.
Maybe they might even help fix what’s broken.
Roxie could, maybesomehowsomeway. She seems like that kind of person, the kind who wants to fix people’s issues and is good at it, though who the hell knows where you got that impression. She’s standing closer, an arm’s length— a fact you only realize when she reaches up and takes off your glasses.
Roxie
You didn’t notice how close you’d gotten to Neil and Eva while you were talking, or that you’d been moving at all, until a shadow near Neil’s eyebrow catches your attention. At that instant, your accidental proximity doesn’t matter. Your heart stops for a split second. “Neil, your eye!”
“What about my—”
You remove his glasses. Eva gasps, like it’s A Bad Thing you just did (and okay, you can’t remember ever seeing his eyes before), and you can even sense Rob standing protectively close behind you. “Holy schnikes, Neil!” His right eye is nearly swollen shut, the bruise radiating nearly to his temple on that side and nearly across his nose on the other. “What happened?”
A tidal wave of guilt from Eva makes the room wobble, but Rob catches you.
“Sorry, more tired than I thought,” you say to their combined are you okays. Your nervous smile lands on Rob, who doesn’t look convinced. Still, he helps you upright silently.
Neil squints at you with his good eye. “What do you mean ‘what happened?’”
How can he not know? “It’s totally black??” You look from Neil to Eva and back, panic surfacing slowly. “It’s barely open??? Doesn’t it hurt?????”
Eva sighs, pulls a hand mirror from her bag, and holds it in front of him.
A pause.
“Huh,” he finally says. “Guess that explains why it’s a little harder to see.”
“Our client’s brother punched him.” Eva rubs at the bridge of her nose.
“He did not—”
“He said he was fine, but I thought he was just shrugging it off. I didn’t know he didn’t know! Don’t you remember your glasses broke?”
“He was huge! I dodged him easy! I…” Neil digs through his pockets indignantly for a few moments, then stops. “I don’t have my spare pair. Which… means that those…”
“Are your spare pair,” you finish gently, handing them back to him. “Neil, I think you might have a concussion.”
“Well, shit,” he says, at the same time Eva says, “That’s what I’m worried about.”
“That settles it.” You step back a couple paces, reluctantly. “You’re definitely coming back with me. I have ice and I have some bruise cream that’s pure magic, I swear.”
Neil huffs. “I already said I would.”
“You only thought it because I didn’t hear you.” You eke out a grin. “I’m not a mind-reader, you know!”
“Okay, well, this is my official yes let’s crash at your pad agreement.”
“Heard and acknowledged!”
Putting her bag over her shoulder, Eva says, “Then let’s go,” and leads the way to the elevators.
She and Neil take the backseat again, leaving Rob to sit in the passenger seat. Now that you’ve executed your plan, you seem to have lost whatever energy you had left.
The silence that falls, though, feels comforting instead of stifling.
~~~
The first step through your front door pulls a deep sigh out of you. Rob, Eva, and Neil’s various flavors of tension decrease slightly.
“I’m just gonna… stop for a minute.” So saying, Neil plops onto the floor in front of your stupid-huge couch.
“Sit wherever you like,” you say as you go to the kitchen for an ice pack.
You’re glad you turned the room into something slightly more presentable, even when you weren’t expecting three people to come by— cleaned up junky desserts from the coffee table, put pillows back, et cetera. You wrap a hand towel around the ice pack and bring it back to Neil, telling him to use light pressure. “I’ll go get the supplies.”
As soon as you flick on your bathroom light and see yourself in the mirror, your throat tightens with the need to cry. A few gasping sobs come out of you but, “Okay okay okay,” you whimper, clutching the sink rim, they’re here, you got them, you’ve made them safe now. “Get it together. Snap the hell out of it. You’ve got a job to do.”
You gather everything you think you need and then go back over it: disposable gloves, the arnica bruise cream, antiseptic wipes, washcloth, cup of warm water, 8-hour painkiller/swelling reducer. Then you splash off and dry your face, finagle all of it into your arms, and get back out there.
Neil’s made it onto your couch, probably because Eva’s sitting there now. She’s on his left. There’s space for you between them.
You’re friends. Colleagues. You’ve all been through highs and lows working at Sigmund, in parallel with each other. They can’t read your mind.
You unload your supplies onto the coffee table and take the seat.
Eva lets out a breath.
“Sorry for grabbing your glasses,” you say to Neil as you put on the gloves.
“Eh. Extenuating circumstances.” He shrugs. Takes them off. “‘Kay, do your worst.”
“I’ll be as careful as I can. First, these.” You hold up the wipe pack. “Your skin’s not broken so it shouldn’t sting, but I’ll make sure any excess is gone anyway. Oh—” You grab the pain pills. “Take these first, actually. I can get you water.”
“I have my own… water,” he mumbles, digging through his bag and retrieving a bottle. “Thanks.”
Once he’s taken the pills, you run the wipe all around the bruise, holding your breath while you dab at his closed eye. “Don’t move.” You wet the washcloth then and apply that, making sure no residue stays to get into his eye. That would suck.
“Okay, move if you need to. Magic cream’s the last thing!” You hold it up with a flourish. “Never had to use it on something this, uh,” you fumble for the word, “extensive, but I promise it’ll help.”
“Who died and made you Florence Nightingale?” he said with a chuckle.
You pause in the middle of daubing cream on your finger. “Who?”
“It’s an old reference. Really old. Like, my gramps knew the history, that’s how old.”
“Early 20th century nurse, I believe,” Rob says in a musing tone. “Founded the profession.”
“You’re almost as old as him, so you don’t count.”
“She opened the first nursing school, too,” says Eva.
“And you’re a nerd so you also don’t count.”
“She sounds pretty cool,” you say quietly; you’re close to Neil’s face again, applying the cream from the outside of the bruise in. “Glad someone’s remembering her, still.”
You don’t even notice the silence fall, you’re concentrating so hard.
Neil holds his breath this time when you put the tiniest amount of cream on and around his eyelids, using the barest pressure to rub it in and still wincing in his place.
You’re very close to him. Your hand tingles. Whatever’s charging the atmosphere is impossible to analyze.
“Um. All done.” You pull your hand away, look away, throw the glove into the little trash can under the table.
“Rox?”
You look back at him and try to breathe evenly.
“Just… thanks. For all this. And…” He leans forward to catch Eva’s gaze. “...sorry I got my head bashed in and forgot about it.”
“We should get that checked out tomorrow.” Her voice is worn, but her eyes are soft.
Your worry changes form in that instant, from low-key constancy in your veins to the choking kind of worry that comes from realizing you love them, are in love with them, your best friends who are in love with each other and either don’t know or can’t admit it. They certainly don’t have the room to accept your feelings.
You’ve known this for long enough; it’s hardly a revelation. But something about tonight has crystallized your feelings, made them impossible to bury. Now you know the origin of the physical ache that’s been dogging you for weeks, to the point of becoming a second skin, and you desperately wish you could do anything to ease Neil and Eva’s pain as much for yourself as for them. You just squeeze Neil’s hand, pretend Eva taking yours doesn’t stop your heart, and stare at Robert who graciously doesn’t stare back.
You nod, because you don’t trust your voice. But then you speak anyway. “We’re a team. Mismatched as we may be. We gotta stick together, you know?”
Looking at them both, you see Eva smile, and even Neil has a tiny flash of one when he says, “The four musketeers, or something?”
“Close enough.” Robert, soft, as he eases onto the couch next to Eva.
“No, exactly. One for all, and…” You swallow, looking at Neil, wishing so hard for Eva’s sake. “And all for one.”
Your hands left Eva’s and Neil’s to settle on the couch minutes ago, but now, almost synchronized, their hands cover yours again.
Every ounce of tension rushes out of you, in spite of the fact that your brain is in red alert mode, your heart’s beating fast enough it hurts, and heat’s flashing through you from head to toe.
Maybe one day you’ll tell Neil and Eva everything you feel. Maybe one day you’ll share your biggest secret with all three of them. But for now, all that matters is that you’re all together, safe for tonight, warm and dry. All that matters is the others’ emotions are blending into a shared, soft calm, that you’re almost, just about, being held by them. All that matters is that you all have each other.
For once in a long while, your mind is quiet.
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Made You A Mixtape: September 2015
@simba-lyons
Happy Three Year Anniversary to Simber!!!!! To celebrate, the following playlist is the first playlist that Berlioz made Simba. Yes, that’s right, I have tried to recreate what it would have been here, which means that these songs reflect three criteria:
1. They came out in 2015 or before 2015 and would be on Berlioz’s radar
2. They remind Berlioz of Simba, and so they are mostly cheerful and a bit funky and are Big Sounds
3. Lowkey Berlioz is in love with Simba and these songs are telling him if he would just PAY ATTENTION. This is most obvious in the fact that Ber put two of his fave songs ever on this playlist-- Eskimo Kiss and Wood. They are both on this like massive playlist that he gives people for like Songs That Sound Like Ber’s Soul so yes!
So this is not a ship soundtrack as much as it is a Simba Soundtrack or a Simba-as-he-sounds-to-Berlioz-in-September Soundtrack. <333 The following descriptions are all basically incoherent, so I apologize.
Out of the Blue- Prides
Hear you come, my heart's only drummer
I've been holding out for your symphony
The air in my lungs is like thunder
And I can't fight what you've made of me.
This is a Big Sound Song and a good way to open the mixtape in Berlioz’s opinion. He’d talk to Simba about the scratchy guitar that rumbles under like thunder, those drums, and that persistent, driving synth. And when he’s talking about those sounds, what he’s really saying is basically what the lyrics are saying honestly, like-- this song “text paints” very well, as in, it uses a storm metaphor for a lot of it and builds a storm with its instrumentation by creating a very heavy sonic atmosphere, like with all those layers and booming drums-- wow i really do sound probably how Berlioz sounded when really what he was saying is “You’re like thunder to me” and that’s really romantic and super embarrassing
Shut Up And Dance- Walk the Moon
A backless dress and some beat up sneaks
My discotheque Juliet, teenage dream
I felt it in my chest since she looked at me
I knew we were bound to be together
Bound to be together
GOD this CHEESY 80s dance guitar powerhouse of a jam!! I feel like i don’t even need to describe how this is such a Simba song in every single way and why Berlioz would think of Simba at once. But yeah, I mean: the sheer joy of it, not to mention that honestly Simba is the discotheque juliet teenage dream in this song who is grabbing Berlioz and telling him to dance. But yeah, I mean it’s so over the top in like every single way. Like Simba.
On the Regular- Shamir
Hi, hi, howdy, howdy, hi, hi!
While everyone is minus, you could call me multiply
Just so you know, yes, yes, I'm that guy
You could get five fingers and I'm not waving "hi"
Guess I'm never-ending, you could call me pi
But really, how long till the world realize?
Kay so Shamir is a HELLA Simba artist and this song has a lot of these kooky sound samples that Berlioz really loves, especially when it comes to Simba. I want to say that tapping noise is a cowbell? Super fun and funky. And of course, lyrics wise, this song is brimming with confidence and attitude which is definitely how Berlioz saw Simba at first. (He still sees that, but of course this song I think, more than others, really reflects the beginnings of their relationship because obviously Ber knew nothing about the drinking and depression etc.) So yeah, Berlioz literally thinks Simba’s “regular” is this cool, funky, ridiculous guy and including this on the song would be conveying that impression, while also being like “Hey Simba, you should check out Shamir if you don’t know him because his sound is You.”
Oh Girl You’re the Devil - Mika
And I said follow me
Whoever you want to be
Don't care where you where you go
As long as you stay with me
This is another song along the same lines of “On the Regular”-- very groovy, playful, with some fun quirky sounds and structures that just evoke Simba musically more so than lyrical content. But it’s definitely a song that Berlioz would think Simba would like and find fun to dance to/sing along to. And I mean honestly: this entire album is Simba. Me and Berlioz really struggled with which song to put on here. In addition, this was one of Mika’s more personal albums when it came to his sexuality and including Mika on here and probably writing “Please listen to all of No Place in Heaven” in the margins of the notes included with this playlist was Berlioz subtly talking about his own sexuality to Simba.
Bite Down- Bastille/HAIM
You’ve got your claws buried deep
Bite down, bite down into me
Bite down, bite down into me
You better sink your teeth before I disappear
Bite down, bite down into me
Ah yes, another “I’m very into you please make out with my face” subliminal message (is it subliminal?? Is it?) Here’s why this is a Simba song-- because its carnal and aggressive and Big. I do body rolls during the pre-chorus anyone else just me?? And the shifts from chorus to verse to post-chorus is so jarring, it just grabs your attention and keeps your attention, which is probably what Berlioz would point out to Simba. And that’s a very Simba thing too, at least a Simba thing according to Berlioz. Also, I personally love the irony considering this song foreshadows the back and forth that Simber will go through in the winter.
Love Me Anyway-The Mowglis
Oh, you know I love you
But no, I am not a saint
Oh, I make stupid mistakes
But you love me anyway
Oh, I forgot your birthday
And yeah, I show up late
Oh, I'll get it right someday
'Cause you love me anyway
So The Mowglis are a very Berlioz band and this album was probably something Berlioz was definitely listening to. The sing-a-long chorusy stuff is VERY Simba-sound as well as the lyrical content just being so very Simba. I like to think that even though Ber and Simba were very much getting to know each other, this chorus still makes a lot of sense since Simba would show up late and forget all these little things-- but obviously, he has such a big heart and always came across as so sincere to Berlioz. It’s a song Berlioz would maybe learn how to play on guitar and think to himself “Hey I bet Simba would really like this song!”
Eskimo Kiss- the Kooks
Oh lonely bones
I'm coming through the sun
And our lives have just begun
Oh lonely bones
I'm coming through the sun
And our lives have just begun
As I mentioned above this is literally the biggest fucking tell that Berlioz has a big ol fat crush on Simba. This is one of his favorite songs, ever. This was not even a little bit new, it came out in 2011, and yet Berlioz listened to this song and to lyrics like “She's like a rose without a thorn/She's like the sunflower/That never looks back at the sun” and his first thought was “Simba.” He’d probably say some bullshit about how he just liked the lyrics because they were nice and it seemed like the kinda cheerful thing Simba would like. But it was bullshit and what he was really saying was lets please eskimo kiss under the bar rn because you make me feel both sunshiny like this first half of the song and achey and tender like this second part of the song, so, like, how i imagine how love feels like. That was the inner monologue there. And really, the shift in this song from the upbeat jangly acoustic to that tender part emulates Simba’s two sides, because he is very capable of being a gentle honeybun sweetie pie.
Smile - The Royal Concept
I've got to dress sharp, you know I will
Give you what it takes cause I'm not
Gonna be outdone
By those beautiful fakes
In your halo, there's gotta be gold
I've got you waitin' on
I'll step on a grenade so you
Can see I'm the bomb
And here we are back at that interesting mix of Berlioz finding some funky songs for Simba but also songs that speak to Berlioz’s perception of Simba’s characters in subtle ways/songs that Ber really wants Simba to be into so they can talk about it! So musically wise, you’ve got a lot of the same elements as previous songs here, lots of powerful guitar and some layered vocals and a pretty groovy tempo. Basically this is an alt rock song that makes you want to dance, and that’s the perfect place where Songs-that-sound-like-Simba live (there aren’t a lot of straight pop songs on this mix as you might have noticed.) But then of course, it’s all about this guy trying to go out of his way to make a girl smile (he “carries sorrow” and will “step on a grenade” for her etc) and if that isn’t the most Simba thing. What i like is this is one of those lowkey sad songs that sounds super upbeat and happy too-- which is also a Simba thing, and I like to think Ber would pick up on those vibes. He’d definitely notice Simba trying to make others happy. And I mean.................. who else was making Berlioz smile............
Shine- Years and Years
I was biting my tongue
I was trying to hide
(Ooh oh oh oh, ooh oh oh ooh)
I'll forget what I've done
I'll be redefined
Okay, I admit: this song is really not about Simba at all, this one is Berlioz trying to tell Simba he likes him by putting this song on this mixtape and look I am not responsible for Simba not getting that.
Okay but more seriously: shine/sun/light etc are all motifs that reoccur for Berlioz when it comes to Simba, and have for Simber in general. Years and Years debuted the summer before Ber met Simba and was, again, this openly queer artist who Berlioz was definitely listening to a lot of, so it makes a lot of since that he’d go into their album and put a song on there, hoping Simba would get into them so they’d have this kind of shared connection. He picked Shine because of all the songs, Shine is the most optimistic and romantic, so naturally he thought: Simba. And again, there’s this lowkey thread of Berlioz using music to address his sexuality without actually talking about it.
By My Side- Great Good Fine Ok
Baby when I come to get you I'm all I find
Every time I go to come back to see it's not my time
Any time you think something is on my mind
I'll tell you when it's all about you, I need you by my side
So Great Good Fine Ok is like the contemporary BeeGees, and their velvety falsetto and solid dance beats were Berlioz’s Jam in 2015. Seriously, go back and look, I reblogged all their stuff. ANYWAY, so this song really hits all three of the criteria as I talked about above-- this is a band that Berlioz was SUPER excited about and he wanted Simba to like. Sound-wise, totally upbeat and those trumpets in the end!!! scream Simba, which was basically what Berlioz said to him. He’s always associated brass with Simba, that’s just like, a general known fact. He said “The ending with the trumpets really reminded me of you.” And the translation for that is “Please be my boyfriend.” And of course lyrically, this is about someone pining over another… and that’s really not a Simba mood but it is a Ber one.
Indian Summer- Jai Wolf
It would not be a Berlioz mixtape without at least one instrumental song or something. And this one! This one! If you noticed, Berlioz organized this playlist so it shifted toward more techno/dance music in the second half and part of that was to BUILD to this song right here, his musical climax if you will. Everything about this song screams Simba to him and I honestly do not have a developed enough vocabulary for music to talk about how that works. Maybe it’s just the scope of the song-- and that it has that very BIG scope and it goes from soft, chime-like sounds to exploding outward in these huuuge moments that are Cinematic as heck. It’s beautiful and soft while also powerful and strong (and that’s simba for u, those four things). It sounds like adventure, like starlight, like camping? And he thinks Simba would like all those things and was probalby like “Oh he’ll like running to this song.”
man anyone having serious simba feelings at this point just me or
Wood- Rostam
Sunlight on your eyelids
You were sleeping
Ah ah, ah ah ah
Sunlight on your back
You were dreaming
And following a climax, you must have your falling action and resolution. Berlioz decided to end softly and tenderly with another one of his all time favorites, therefore revealing that he associates Simba with all of his favourite sounds-- all the plucky violin and bongo drum and flute. Plus, it describes sleeping with your lover. That’s it. That’s the whole song. And that’s what Berlioz wants: cat naps in the sun with his sunshine boy.
He wouldn’t have said that obviously, he would have been like, this “cool percussion bro.”
But we all know what he meant.
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