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#olivia|interaction.
lilacwiine · 4 months
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open to woman/enby. muse: olivia warren. 25 years old. lesbian. she/her. only fans creator. plot: hey you’ve had a rough day so let’s get in our PJs and watch a cute movie together and cuddle bUT IT’S TOTALLY PLATONIC ALRIGHT.
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with a rather hopeful grin on her lips, olivia barrels into the apartment she hadn’t even been invited to. in moments her shoes are kicked off as she juggles trying to get out of her coat while holding the bag of things she’d brought along with her. most of them being of the snack-food variety. “okay, so. i know you said you were having a bad day and that probably means you want to wallow in peace, but i can’t allow it. i’m here now. like it or not,” she announces, hesitating for a little moment following her words. “you like it… right?”
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stbot · 11 months
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til death do us part: think pink!
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serrangelic-art · 1 year
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the bestiessss
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meanpersonaart · 2 years
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Sombra's and Sigma's relationship in OW2 be like:
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kitkatdoodlez · 4 months
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Watched She’s the Man today
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shroom-gloom · 1 year
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some low quality doodles for party talks i found interesting :D
also if anyone wants to send in some termina requests u can! >B)
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spirit-meets-the-b0ne · 2 months
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In the middle of my HotD rewatch
The gyroscope of interpretation on this show has been at the forefront of my rewatch along with now having read some of the script and read/watched cast interviews.
This one inference made by Olivia Cooke (via Sarah Hess) has plagued me for the first few episodes.
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Now, now I know these waters are really muddy what with a few obvious conceptual things: "isn't this queer baiting" "if it wasn't it wouldn't be good sapphic representation anyway" "this is an actors interpretation" blah blah blah. I'm not arguing any of that.
Just that Olivia's head canon held against this scene hits SO MUCH HARDER
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Because I gotta say MY GOD imagine how that strikes Alicent if at some point her mother caught them together. Before they even really knew what they were doing (objectively to the tune of they were 13/14 not fully clear on platonic/romantic love) her mother impressed upon them it was wrong. When they denied and in some way or another Alicent/Rhaenyra saying "she never touched me." Only for Alicent to hear it echoed back to her years later like this... Knowing that even in her naïveté she would recognize the truth. That Alicent’s mother, naturally, kept this contained. Which honestly plays more to truly making Alicent more complex by the way she saw what “scandal” her mother covered up for her only for her to act out some perversion of this with Aegon when she’s a mother. A learned behavior twisted in the worst way, because that's what she knew.
Listen I fully understand that this show is NOT taking this angle even though there seems to be a huge division between what some writers and actors are playing to and the editors at HBO imaginably being like "what's all this gay shit?" BUT
I think it's part of what this show missed about TRAGEDY and I mean come on you want drama???? These girlies were ready to hand it to you on a silver plater! In this context I needed:
Rhaenyra being devastated by the news that Alicent was going to be marrying her father. The sheer heartbreak of “this can’t be happening” and knowing she would have lost Alicent to a husband but not THIS. Show her with Syrax, confiding in her dragon because now she has no other friend to talk to - I’m just saying if they were going with the context of “Fire & Blood itself is an unreliable narrator and only shows certain people’s views” - then a scene like this disrupts nothing. Tell me how when they prayed together and Alicent told her to "kneel with me" that part of Rhaenyra prayed for that world where they flew off on dragon back and ate cake.
Alicent being devastated - having her heart torn in two, crying behind every closed door knowing she was going to break the heart of her best friend. The deleted scene does give a peak of that being the case - but again it could/should have been included. Show me Alicent begging Rhaenyra to forgive her and desperately saying she loves her. I think one of the things that Team Green argues the most could have been explored by this avenue, Alicent is a victim of her marriage - it would be inherently more compelling if in the process she is also losing the closest thing to a "first love" she had. Show me Alicent at her desk writing letters to Rhae once a week and then ceremoniously burning them in the braziers. Alicent leaning more into religion as a means of getting out from under her repressed desires and past actions.
Show me both women struggling in their adulthood to even remember why they held "such childhood affections" for each other. Knock the fucking wind out of me with a line like, "the worst part of it all was that they only ever wanted to love each other."
To me one of the worst parts of this production (of which there's a few) has got to be this was the apex of completely missed opportunities to explore. In the premise of "going by unreliable sources" their queerness would be suppressed information. I even think it plays into the dynamic between Rhae-Alicent-Criston in a kind of "Jennifer's Body" way where Rhae was really only interested in him as the object of Alicent's desires which I believe is made a little clearer in the books. A kind of "see this could have been us if you didn't marry my bag-of-bones father" for Rhaenyra who clearly had no aversion to consorts.
I'm sorry to go on this rant, and yes I KNOW - the counter arguments for many of these points. I would even argue some of them further such as the sapphic representation not being invalidated simply because both women do end up with men in the source material. If this was the case then why was "Portrait of a Lady on Fire" received so well? This at the very least to say if they made Alicent and Rhaenyra explicitly queer it would still be less controversial than what the queer men on that show got … Still its not even to say "it's a better way" to explore more of Rhaenyra and Alicent's characters but its at least A WAY to do it. More than we got. Surely both sides could agree on that.
Sorry, now I'm just being pedantic. As a queer woman naturally I have a bias but I still think this was objectively a missed opportunity to explore. Both girl's back stories could have been enriched and tbh a lot of HOTD fans I know also had the same complaint that the time skip came in too early. I think it also makes things less likely to be so divisive between TG and TB when you look at the central pillars of this conflict. You can truly grieve for Alicent and Rhaenyra and what they lost already while on the verge of losing it all. Anyway, I gotta go cry about my divorced lesbian war wives.
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orowyrm · 2 years
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good evening sigmoira enjoyers. i come bearing jokes based on a silly conversation i had with my friends a little while back that has been living rentfree in my head for a week
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gutstours · 2 months
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OLIVIA RODRIGO reacting to the crowd! (x)
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allegras-sunflower · 5 days
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I'd like to add Olivia rodrigo to the stolen by swift list. Obviously the get him back fiasco but her Grammy dress was suuuuper telling. Olivia has said that she wears long gloves as an homage to Jennifer in Jennifer's body. Taylor's Grammy outfit was a near exact ripoff of jennifers finale prom ensemble. It had to be deliberate there's no way she picked that dress with those gloves and those accessories and didn't have her in mind. It was definitely a 2 for 1: stealing Olivia's look and her style inspiration at the same time. Bonus! Jennifers body is on of those unhinged good for her movies so it fit in with her newest romanticizing asylums personality.
I mean, considering she also stole looks from Sabrina Carpenter and Gracie Abrams, I would not be surprised at all...
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I'm starting to think the Peter Pan TS references in her songs is actually herself.
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itspileofgoodthings · 3 months
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I read a thing about how teachers hit decision fatigue by the end of the day because they’re making so many decisions minute to minute and it really helped put some things into words!
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lilacwiine · 2 years
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open to w/enby, based on ‘sole survivor’ from the post in the source but tldr: olivia has slowly been taking out every other member of our muse’s friendship group purely to get closer to them.
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“do you... are you scared?” olivia asked seemingly out of the blue, picking up a handful of popcorn to place individual pieces into her mouth. given that the rest of their friends were out of the picture and all they had was one another, staying together over the weekend ‘just made sense’. it had been her suggestion, of course. a way to get them alone. “you ever think there’s a reason no one has come for you?” 
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lonely-night · 4 months
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elementary/svu crossover [pt.9]
“You know, if you need anything-” “What I need right now is a consulting detective to help me nail this bastard, not a counselor to hold my hand like you used to do for Sherlock.” “...” “... Joan, I'm sorry, that was out of line.”
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toastydumpster · 1 year
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“i’ll keep you grounded”
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rudnitskaia · 4 months
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It circled around in my head for a while already, but now I rewatched and it suddenly hit me. Rocky and Mau together have very strong vibes of Olivia Hussey and Leonard Whiting from the time period of Zeffirelli's Romeo and Juliet. Just look at 'em and tell me they do not.
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elialys · 1 month
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JACKSONVILLE ANGST TIIIIIIME 😈😇 Maybe I enjoyed writing this chapter a little too much 😌
Story summary: An early season 2 P/O AU in which Peter and Olivia cross ‘that line’ a bit sooner than they do on the show. Goes (slightly) off canon after 2x05 Dream Logic. This is a slow burn, but with smooches. Follows most of season 2's storyline, although it starts deviating as their relationship changes.
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There is something…off about that building. Olivia knows it the moment she finds herself staring at its mismatched façade, soon confirmed by the horrific sight inside, most people within the structure having fused together. It goes beyond that, though. The very air feels wrong. She can’t quite explain it at first, only sense it, every hair on her body standing straight while her palms become clammy with cold sweat, instinctively on edge; triggered. And then, Walter puts it into words. “We are standing in two buildings. One of which comes from the alternate universe.” This is a glimpse of what is to come, if Newton carries on with his plans. Universes colliding, the laws of physics breaking, people dying, their entire world collapsing. A familiar claw tightens around Olivia’s chest at this realization, fueling the dread and guilt she’s been living with ever since she remembered her encounter with William Bell—too late, always too late. She was pulled to that other universe for it, nearly died as a result. And yet, months later, she’s still playing catch up, unable to put an end to Newton’s scheme, their enemy always two steps ahead, forcing her to be purely reactive, all the while knowing this is just the beginning of the atrocities. She’s queasy at the thought of how she spent her evening, so utterly oblivious to the disaster about to unfold in this place, too distracted by her personal life to think about the universal conflict going on—one she failed to prevent. While she was busy letting herself be consumed by Peter, Newton was here, in New York, wreaking havoc. Rationally, she knows there’s nothing she could have done to prevent it. Except that she could have, should have. She should have stopped him weeks ago, when she’d already chosen Peter over the war, the man’s smirk haunting her, as do his words. Now I know how weak you are.
READ MORE ON AO3
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