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#okay I'm nervous about this one
thebramblewood · 6 months
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Julia Zhao in The Mystery of the Copperdale Creep
Previous / Next
Julia's Playlist: 1 / 2 / 3 / 4
Location and music overlays by @pxltown
Julia: [lowers headphones] Double scoop of strawberry, please.
Elli: Dude, have you even read past the headlines? There's no way that thing's human!
Guy: Yes, I can read, and it doesn't sound like any animal I've ever heard of.
Elli: What is it then, some sort of eldritch creature of the dark?
Alma: Does it matter? The lesson, burnouts, is stop getting high as fuck in the woods at night.
Elli: Well, then where are we supposed to do it?
Julia: What the heck are you guys talking about?
Alma: Oh, hey, Jules!
Guy: We figured you were too cool for us lowly pier-dwellers.
Elli: Yeah, now that you're a style icon and all. [snickers]
Julia: Shut up! I'm never going to live that down, am I?
Elli, Guy, and Alma in unison: NOOOOOPE.
Julia: It was an online exclusive. Hardly anyone even saw it!
Alma: Your Social Bunny follower count says otherwise.
Julia: Whatever. So are the tourists making Sasquatch claims again?
Elli: Aren't they always?
Alma: It's the terminal brain rot, I fear.
Guy: Joke about the out-of-towners all you want, but I take the word of locals like gospel.
Alma: Especially when it's your druggie friends rambling about their bad trips.
Guy: It's not just them, okay? It's in the papers! Something is attacking people in the woods after dark. It comes from out of
nowhere. All anyone recalls is being tackled by a flying black blur then pinned to the ground with inhuman force and fucking pierced
by needle-sharp teeth. This thing takes enough blood to leave them just barely alive, and the crazy part is it seems sorry after, like it just can't help itself. It dumps them by the roadside where they'll be seen
so they don’t bleed out. They call it the Copperdale Creep.
Julia: [scoffs in disbelief] This town is nuts. And you guys have been watching too many scary movies.
Guy: If you don't believe me, just check the front page of the Courier!
Elli: Skate solo at your own peril, Jules!
Alma: It's broad daylight, cowards. She'll be fine.
-
Julia: Banjo, we’d better run inside before the Copperdale Creep snatches us up! Wait till Helena gets a load of this, huh, boy?
[knocking vigorously] Helena, open up! You'll never believe what I just heard. There’s some sort of violent maniac on the loose!
Banjo: [scratching and whining]
Julia: Helena, are you okay? [wiggles doorknob] You've been locked in there since last night.
Banjo: [aggressive barking]
Julia: Can't you hear how much Banjo wants to see you? Helena?...
Helena: Go away, Julia!
Julia: But-
Helena: Leave me alone. I'm fine.
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tunastime · 2 months
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A Minute in the Morning
so I started playing pokemon legends arceus. crumples to the ground. (2762 words)
In a hazy, rusty morning light, Ingo wakes up.
It’s a slow start—like his office computer, taking a whole ten minutes to finish booting, enough to stir sugar into his morning coffee and dissect his breakfast sandwich into parts. It feels like it takes just about that much time for Ingo to become aware of where he’s lying, which is in bed. Which is not where he fell asleep to begin with, which means that someone lifted him to bed and tucked him in. Which was rather sweet. Because he’s burrowed into the covers like a happy drilbur, keeping the cold from his fingers and toes and nose. He finally blinks his eyes open, and it’s sunrise that fills his room. Not his room. Scratch that. Emmet’s room. No wonder the blankets are so much lighter than he remembers them being. Nevertheless. Happy drilbur. He weasels a little more into the pillow. From either side of him, something moves. It’s slight, if there, but as he cranes his neck, slow and careful, he can see a dark head of hair on one side, and silver-white on the other. 
Ingo’s heart swells a fraction too big and too warm for his chest as he sighs out.
Elesa and Emmet haven’t woken up yet, which is a plus. If he were to move too much and move them he might lose the warmth from either side. Elesa’s shoulder rests against the crest of his back, and Emmet’s holding onto his elbow with one hand. The grip is loose at best, but the warmth, both from shoulder to spine and hand to elbow, seeps through him.
It’s blurry. Just everything. It kind of mushes together in his brain, like jam. Or maybe jelly. It doesn’t really matter. If he thinks too hard, his stomach starts to twist in knots, and he’d rather not feel sick while he’s trying to enjoy his morning. He remembers falling asleep while the television played the night prior—nighttime skits and commercials he filtered out until Emmet’s shoulder became the comfiest thing. He supposes that sometime between that point, and the point which he’s just woken up, Elesa came in, and at some other point, he was carted off to bed. It’s nice, though. The blankets make just enough weight over him to soothe ache and anxiety, and it’s warm, and he’s mostly thinking about how nice a cup of coffee sounds right now. Maybe a latte. Something warm. He shuts his eyes again.
The light is surprisingly yellower when he wakes up again. There’s still a warm weight on both sides of him, but it feels different than before. It stretches over him, too, more than just the weighted blanket that’s been added on top of him. He peeks an eye open to find Eelektross slumped over him, his large head curled near Ingo’s shoulder and his similarly large eyes shut as he snores. Ingo snorts, trying to shift to his back with the weight over him, without waking Eelektross. He does after a moment, settling once again, only for Eelektross to huff and fix one, tired eye on his face. Ingo smiles, just a little.
Wriggling a hand free, he pats Eelektross’ forehead, a path well pet and well loved.
“Good morning, you gigantic eel.”
Eelektross trills, nuzzling into Ingo’s hand.
“Mm, yes,” Ingo says. “I’m sure that definitely did not alert Emmet that I am awake, meaning I can’t fake any more sleep. Thank you Eelektross.”
The eel gives a happy sniff.
Ingo snorts.
Typical.
The door cracks open a moment later, the wide eyes of his brother peeking through. He raises his eyebrows, looking over Ingo and Eelektross still in bed. It comes with a little head tilt, something Ingo knows is indicative of an Emmet with a question.
“Sleep well?” he asks. Ingo nods.
“I think so,” he says. “I didn’t realize I’d be carried to bed when I fell asleep.”
“Ah!” Emmet says, eyebrows raising. “I made sure you stayed asleep when we carried you in. You’re a very deep sleeper when you want to be.”
It’s getting better, the gaps in his memory. It’s not enough to trust himself to start his duties as a Subway Boss again, but it's enough to have a few doctor’s appointments and to speak with police and his boss and their coworkers. He’s remembered their pokemon, which is why Eelektross didn’t startle him. And he’s remembered enough for him to fall asleep on Emmet’s shoulder with no care in the world. Enough for life to begin to settle from the chaos. Today is Tuesday, which means Emmet has the day off, and Ingo can tell, even as he reaches to wipe sleep from his eyes, that Emmet is still in his pajamas. He opens the door a little wider, leaning against the doorframe. 
“Ah,” Ingo echoes. “Was it Elesa’s idea to sleep in your room rather than my own?”
“It was,” Emmet concedes, smiling. “But I am Emmet, and I make a very good pillow.”
“You are Emmet and you are a very clingy sleeper,” Ingo says, letting his eyes shut again. Emmet makes a startled noise.
“Go-Go, don’t fall asleep again,” he yaps. “Your breakfast will get cold.”
Slowly, Ingo opens one eye, looking at his brother in the doorway. Eelektross snuffs into his shoulder, wriggling off of him. He grunts as the eel’s weight shifts off, leaving him free, but cooler.
“What’s for breakfast?” he says, watching Eelektross wriggle off the bed and toward Emmet. Emmet opens the door a bit further, takes a step back, and hefts the eel into his arms, knees bending with the weight. Ingo watches Emmet giggle to himself, shifting Eelektross in his arms to better wrap around his neck and arms, weight heavy against him. Clearly.
“Pancakes,” Emmet huffs. He’s still smiling, something almost infectious.
“Alright,” Ingo sighs.
“I also cut some fruit.”
“I’m getting up,” Ingo grumbles, rolling onto his side before he peels himself up and into a sit.
“I think Elesa left her nice coffee creamer, also.”
“I’m already up, Em,” Ingo snorts, trying not to laugh. “You don’t have to convince me.”
Emmet laughs again.
“Just adding!” he says cheerily, wobbling off toward the living room. In the open doorway, Ingo can see the sprawl of their living room and kitchen, lit by yellow daylight. Ingo sighs, stretching his arms above his head, twisting around. When the room settles, he stands, and he realizes that the room is warm around him. Emmet must’ve turned the heat on, and it must actually be working. He hums as he combs his hair back, wandering into the bathroom to wash his face.
When he finally makes it to the kitchen table, Emmet is sitting at the table, scrolling on his x-transceiver. He’s changed into a cream-colored, high collared sweater, his hair held back with a small headband. Eelektross is lying across the couch, head resting on the arm. There’s a plate of pancakes sitting in front of Ingo’s seat at the table, and a half-eaten plate in front of Emmet. He looks up as Ingo sits, raising his eyebrows.
“Good morning,” Emmet says. He nudges a cup of coffee toward Ingo. It’s a light brown color—likely the way that Ingo likes it. It helps they like their plain coffee the same way. If it were any other type of coffee, Ingo’s certain there would be some big disagreement—type of milk and way of prep and iced versus hot. But Ingo takes a long sip of hot coffee and nearly sighs in relief. Whatever fancy creamer Elesa buys really does make a plain cup of coffee so much better. He sits, nudging Emmet with his foot under the table.
“What are you reading?” he asks, gesturing with his fork to Emmet’s phone. Emmet holds it up.
“Article on a new electric rail system in Galar.” 
Ingo tilts his head, nodding along.
“Interesting. Any good?”
“Very efficient,” Emmet says, nodding along. He eventually pulls back, setting his phone face down on the table and returning to his pancakes. He takes a large bite, and through it, says:
“Maybe Gear Station should get some upgrades.”
Ingo snorts.
“We’re already quite efficient,” he says. “Do you think our trains could be quicker? Easier to board?”
Emmet shrugs.
“Wishful thinking. They’re already automatically driven, so there isn’t much more, but maybe longer cars to hold more passengers. Our trains are quite small.”
“Sounds expensive,” Ingo says, drinking his coffee. He pulls apart his stack of pancakes, poking at them with his fork.
“Maybe they’ve already got an upgrade in the works,” Emmet says. “It’s been a while since we’ve had an all-staff meeting. Perhaps we should inform the director.”
“Especially since I’ve returned and have about three years to catch up on, mm?”
Emmet smiles. It’s a bit tight, though. Ingo glances away, biting into his tongue. Should’ve kept that thought to himself.
“Maybe you’re right,” he says. “Though I promise you that not much has changed in the last three years.”
Ingo hums. He believes it, that nothing much has shifted. It’s hard to say, obviously, considering he wasn’t there to see it for himself, but his brother was never the type to lie without a reason, and this certainly didn’t have a good one. He takes a large bite of pancake and finds them still warm. It’s a quiet breakfast, between pancakes and coffee and Galvantula sleeping underneath the table. Emmet eventually finishes his food, shoveling large bites of pancake into his mouth as quickly as he can. Ingo watches him swallow with surprising difficulty, reaching for his cup of coffee. It takes a moment for Ingo to stomach the rest of his pancakes. Having this much food is a luxury he had not often afforded a month prior. His stomach still wasn’t used to it.
“Where is Elesa?” Ingo asks after a beat. Emmet talks through a mouthful of pancake and strawberry and maple syrup. 
“Mm, she had four battle appointments today, but she’ll be back around. Probably before two.”
Emmet is the first to finish, setting all his dishes together as he stands. He moves around Ingo as Ingo finishes, collecting dishes and setting everything in the sink. As Ingo stands to pass him his plate, he asks:
“Did you have a plan today?
“Mm?” Emmet hums. “No, not particularly. Why? Is there something you wanted to do?”
Ingo frowns, face pulling.
“Well,” he starts. “I was thinking—”
“Ah,” Emmet interjects. “Your first mistake—”
“I was thinking,” Ingo continues, narrowing his eyes. “That it might be a good idea for us to visit Elesa. I need to ask her for a new coat.”
“Mm!” Emmet startles, turning toward him. His face brightens. “That’s right! You do need a new coat. Good thing she’ll be over later, mm?”
Ingo nods. He fetches his coffee mug, pouring another cup of black coffee to balance the sweetened dregs. He leans back against the counter right as Emmet goes to hand him a dish to put away. They work in tandem for a moment, pausing as Ingo works to finish his coffee.
It’s a slow morning, 8:45am, and Ingo gazes back at his bed with longing.
It’s just. When’s the last time he had such a good sleep, right? On a bed that soft? He’d gotten so used to tatami mats and the grass and canvas laid out on the ground and here was a bed, with thick fluffy blankets and several large pillows and another person taking up space. It was very—stop it, Ingo—it’s comfortable. He hands Emmet his coffee mug.
“Ingo,” Emmet says.
Ingo hums. His eyes have drifted to the couch. Maybe standing is a little hard today. He should sit, shouldn’t he?
“Is my brother still up there?” Emmet asks, tapping Ingo’s head. Ingo startles as he does, turning to him.
“I would hope so,” he says. “Otherwise I don’t know where I’d be.”
“Not here, obviously” Emmet says. He finishes rinsing Ingo’s mug, setting it top down on the drying mat. “Though I’m not entirely sure you’re all there right now, are you?”
“Trying,” Ingo hums. “Too much going on.”
Emmet hums, a bit of a laugh showing through.
“You look like you’re about to fall over.”
“I won’t,” Ingo promises.
“I don’t believe you,” Emmet says, shutting off the sink. The clean dishes sit on the rack, dripping water. Emmet wipes his hands with a dish towel. “You know, you should be resting if your engine isn’t working at full capacity. Rest is very important”
“Can’t be a well oiled machine with nowhere to go,” Ingo says, folding his arms. “I don’t understand why I don’t have the energy to move anymore.”
“Does the why matter?” Emmet asks. He’s leaning against the counter now, a mirror to Ingo, like he often was to Emmet. It was a natural progression—one following after the other, a mirror, a shadow, a doppleganger.
“It matters a little,” Ingo shrugs. “It matters to me. It gives me a reason.”
“Your reason is that you’ve gone through a lot,” Emmet says, pushing away from the counter. He scoops up his x-transceiver from the table, moving around it and through the apartment as he talks. “Your reason is that your body is playing catch-up with the world around you.”
“Maybe,” Ingo huffs.
“I am Emmet,” says his brother. “I am tired. I don’t sleep well. Do you think it’s my fault that I’m tired and don’t sleep well?”
Ingo grits his teeth. He hates this part—ever since they were little, Emmet would flip this hypocritical card, showing Ingo exactly how stupid he was sounding. It was good, for the most part, because Emmet was right and next time Emmet did the same thing, Ingo could follow suit with that card. But it was so annoying watching it now, watching Emmet throw open the blinds and shimmy open the window for the fire escape. A tinged-cool spring breeze filters in through the open window, tossing the curtains aside. Emmet keeps moving as Ingo thinks, the gears in his head turning slowly, still dulled with sleep. 
“No,” Ingo says shortly, watching Emmet rearrange coasters on the coffee table, setting game controllers back into their docks. “I don’t think anything is your fault.”
“Well now you are just flattering me, Go-Go.”
“Don’t say that flattery never got anyone anywhere,” Ingo says, pointing at him, waving his finger. Emmet laughs.
“My point is,” he says, gesturing to the couch. “You’re allowed to rest. We can figure out the steps from there, right? Even if we’re sitting on the couch to do it.”
Ingo sighs, chewing on the inside of his cheek.
“Even if I fall asleep?”
Emmet nods, still smiling a little.
“I will wake you if you do.”
Ingo huffs out a laugh, feeling the edges of his mouth quirk up. As Emmet sits on the soft, corduroy couch, Ingo feels himself pulled forward, as if recalled, to sit beside him. He brings his knees up as he settles into his familiar spot between the back and arm of the couch. 
“Do you promise you’ll shake me awake?” Ingo says, leaning his head against the back of the couch. Emmet scrunches his nose.
“Yes,” he says, knocking his knuckles into Ingo’s knee. “I do. But I’m going to watch Alakazam! so you can think without my talking.”
Ingo nods. The television hums to life quietly in the background.
Emmet always watches Alakazam! at 9am. At least, when he can catch it. Ingo watches the last few minutes of the previous game show, something quiet and low despite the flash of colors and excited spread of energy. As the show starts, he watches Emmet’s face shift, that serious pull to his mouth and the furrow of his eyebrows that Ingo only sees when they’re battling. To see that spark again, not knowing how long it’s been gone, turns a question in Ingo’s mind.
“Emmet,” he says.
“Yes, I am Emmet,” Emmet says. “You are Ingo. What do you need?”
“I think I've got an idea of what I want to do today.”
Emmet turns his head a bit, looking at Ingo mostly out of the corner of his eye. His eyes flick back and forth between Ingo’s face and the television, waiting for his program to start.
“Mm?” Emmet asks. Ingo smiles a bit, a laugh stuck behind his teeth.
He sees the glint in Emmet’s eye before he even asks his question.
“What about a pokemon battle?”
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sysig · 1 month
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DAX is just so expressive ♥ (Patreon)
#My art#SCII#Helix#DAX#Lol#Have I mentioned I love him lately#As if I ever stop talking about how much I love any of them lol#Okay but genuinely these were really nice as warmups they were really easy to just knock out one by one#He's very expressive as Dexter! *handwaves about human neurochemistry and expressions* lol#I had to make his Neutral look extra dead inside to make up for the rest haha#Funnily enough I have actually been watching a series of streams of like VAs and visual artists and writers and stuff#And they are constantly uptalking 2D talksprites as mood-setters for dialogue#So it was really fun to make these with that in the back of my head like ''Yeah! :D They /are/ good at that!''#Very cool expressive medium :D#See if you can spot the first drafts for a few of these :3c#I'll give you a hint: Scared and Sad(? Regretful ig lol) were from some posted doodles#His grumpy one was also a doodle but I didn't post it so it doesn't count lol#Oh yeah and and a lot of these had little accessories like the fear bursts and the little sigh bubble lol I just...forgot them here lol#They're there in spirit please feel the grump lines and sweat drops in your heart <3#I had a heck of a time trying to keep his face consistent with different angles lol aren't VUX nervous to move their necks me#Just gotta actually get into 3D modeling properly smh#I keep finding myself wanting to make more now that this set's done but I'm not sure what expressions! Confused? Focused? He's so subdued#Oooh he'd suit an expression meme wouldn't he <3 Now there's an idea#Might even open an ask game for that if I can find a good one :3c Hehehe
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plusultraetc · 17 days
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423 spoilers in the tags <3
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running-in-the-dark · 1 month
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it's been a month since we moved into the new apartment -
I'm so stressed. everything is stressful. we're still not done building the kitchen but it's getting there (slowly). mostly we just need to wait until we get a couple parts that weren't in stock when we ordered the rest. I'm hoping it'll be done by next weekend.
some of it is very frustrating with my brain specifically. I'm so bothered by all the tiny little things that no one else would even notice - like, some of the handles on the drawers are very slightly crooked (as in, less than a millimeter higher on one side) - but for me it's so obvious that it's impossible to ignore. my husband didn't even know what I meant when I pointed it out to him. there's also been a few slightly bigger issues, but we've solved them now (I think).
my eye has been twitching for like three to four weeks. not all the time obviously, but every few minutes. it's very, very annoying.
we still have no new info about when we'll have internet finally. it could take a while still.
on Monday a guy has to replace something in the electric roller shutters in one room - but we don't know which one yet. so either I'll have to let him into my room (awful, uncomfortable, will have to tidy up tomorrow so he could even get to the window), or I'll have to get both our cats into their carrier if it's the one in my husband's room (awful, difficult, one of them doesn't like that so he'll be scared and I'll feel bad).
also on Monday the electrician will install our stove (if he has time). then we're getting two ikea deliveries. and I've got an appointment with my (new) GP because I need a prescription, and I'm very (verrry) nervous about it.
I miss watching TV. I miss tumblr and YouTube and messaging my friends whenever I want and sending them photos all the time. I miss order and structure and (some level of) routine. I miss using real cutlery (we still haven't found ours lol).
when I was finally starting to get used to the noises in this place, the family above us moved in with their baby that cries all the time very very loudly and most of the time right above my room. so now everything is different again and I'm not adjusting well and once again I can't sleep.
but, I've listened to 14 audiobooks since we moved! that's been nice. it was the same way when we moved the last time (just over a year ago..). my favourite by far was The Thursday Murder Club. I've got the other ones in the series but I'm trying not to listen to them too quickly, so I'm gonna listen to three other books first (one is done already, so I should get there on Monday or Tuesday hopefully).
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riftwalker-limbro · 1 year
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warframe getting-to-know-you ask game
rules & recommendations
(like any other regular old ask game but since i haven't seen any for this fandom yet it can't hurt to recap rq)
if you reblog this, your ask box is fair game - make sure it's open
if you want to participate, make sure people can easily find the list of characters you want questions about - either by tagging them on your reblog of this post or having a character post easily findable on your blog
send an ask to a participating blog by referencing this ask game & the number(s) of the questions and which character(s) you want to know things about. people also sometimes just repeat the whole sentence for ease of reference or if they want to change/clarify a word about the question
if you reblog this from someone else it is polite to send them an ask from the game but not mandatory
be nice :))))
if someone asks you about your blorbos you have full rights to go ham blorbo-longposting
if you are getting less asks than you wanted, you have full permission to use this list as solo blorbo posting inspiration material
actual questions
(i'm gonna use numbers because i'm good with the windows emoji keyboard but Not That Good)
general questions
What is your character's pre-bullshit backstory? (if they're a warframe: before they became a warframe; operator/drifter: before the void jump)
What is your character's favourite weapon/way to fight?
What is this character's favourite colour?
Does this character have any pets?
What are their likes/dislikes?
What is their personality like? Are they different with friends or strangers? How?
What is your favourite thing about this character?
Do they have any hobbies?
for operators/drifters
9. Do they keep in contact with old classmates/friends/other Tenno? What is their connection? 10. What is their specific style of Transference like? 11. Are they comfortable jumping out of their Warframe and showing their own bodies to others? Why (not)? 12. What focus school are they in, if any? For any specific reason?
for warframes
13. Why/under which circumstances did they get turned into a Warframe? 14. How (not) okay are they with being a Warframe? 15. Do they have anything that still ties them back to their days as human?
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plulp · 9 months
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HIIII everybody good morning ❤️ i now have 50 followers (more than 50 now) and i hope that i don't get any more or else i'll have to block everyone (just kidding. i wouldn't do that.)
but now that we're all here if you have a dol pc you want me to draw PLEASE send it to me through asks i'll try to draw as many as i physically can because i think it's funny and i'm going to regret this later
just send in:
- your pc (IMAGE!!!)
- info about them maybe? (i want to know everyone in detail. i love you all. let's all get married)
- and you can ask for a dol character too if you want (my designs because i literally do not know anyone else's i'm sorry i don't look at fan art often anymore but if you have a specific design i can do that too)
and that's it!!
thank you all so much for being so kind to me and i appreciate it a lot :) everything means a lot to me and i'm glad you all like my art
if you don't want to see these asks please block the tag #spulpal <- !!!!!!!!!!!!!!
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thebewilderer · 6 days
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stephen king is a really really REALLY good author and I'll die on this fucking hill
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setitoffvevo · 7 months
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Happy Halloween, I Wrote a Thing
Some characters belong to me, and some belong to @magax-destroyer
It's in a doc because this beast is 9K+ characters long lmao
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oceandiagonale · 2 years
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it’s   it’s pride month and I’m Considering Them so here’s some soft stuff and a meme redraw that made me laugh dkjsfhkjsdf
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onhoude · 11 months
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In the spirit of this beautiful meme post and an earlier short post of mine on Mu Qing that was my metaphorical big toe into the cold waters of this topic, I just wanted to say that I enjoy that Jiang Cheng, Mu Qing and Liu Qingge are non-partnered and may be assumed to have never been with anyone in the past.
I don't mean this in an I-hate-the-ships, or an I-hate-headcanons-about-this, kind of way, so please don't project that opinion onto me, thank you.
While I am especially reserved about commenting on Liu Qingge and his stance on partners because I don't know enough about his motivations, though his main interests appear in martial pursuits and upholding filial bonds and loyalty, or how other Peak Lords generally deal with it, I do like to fumble around a bit more with Jiang Cheng and Mu Qing's situation.
For Jiang Cheng, he isn't necessarily against marrying. In fact, he might actually end up marrying out of convenience for the sake of rearing an heir. It's simply that, and I genuinely mean this in the most neutral way possible, he is incompatible with what he would consider an ideal partner: proper and hard-working, but not outshining him, and kind to Jin Ling. Realistically, that won't happen with the state of the Cultivation World as it stands and how high Jiang Cheng's standards for 'proper/hard-working' as well as how thin the line is between that and still not outshining him in one or more ways, especially with his brisk attitude.
The chances of finding a meek partner who's still willing to deal with that and not eventually resent him for it are slim to none. I read somewhere are previous blind dates of his have blacklisted him? I can't find the source though. You'd end up with a relationship similar to Jiang Fengmian and Yu Ziyuan. This is something he will have to navigate on his own. It might mean the traditional path of proper succession that he was always meant to uphold isn't something he should strive for. In any and all cases, it's a compelling part of him I love to play around with safely from behind reinforced glass.
For Mu Qing, his cultivation and the results of his work are too important to risk for something he would consider far less valuable. As a man who views overcoming his standing and low birth and rising to the top as of the utmost highest of importance, he likely thought that the cultivating path of abstinence is both dignified and genuinely somewhat convenient.
Not only is abstinence an admirable aim to have for a cultivator that aims for spiritual enlightenment, compared to gods who have ascended on merits of their martial abilities or more grounded abilities surrounding civility, but it also keeps his status safe from potential scandals. Any rumours of escapades or wails of broken hearts are irrefutably baseless. There are no descendants that could potentially compromise or implement him either, for example.
But aside from those two reasons, with abstinence Mu Qing denies himself any indulgence even if he doesn't necessarily have to anymore. It's a means of control that may or may not come easy to him, but one he maintains steadily for centuries and definitely serves a purpose to who he is as a person. Though, yes, it lies parallel but is not necessarily linked with Mu Qing's lack of personability and some of his social ineptitude, which is something he struggles with throughout the entire story, I disagree it is an absolute reflection of his flaws and must be corrected, or grace forbids a 'damage that needs healing.' I think it's too ingrained in his personality and motivations to dismiss it as a bad choice for him.
It boils down to that I love their complex situations when it comes to not partnering with anyone, with Mu Qing and Liu Qingge (as cultivators without the ambition to uphold a lineage) most likely to never wed at all.
I'll reiterate that I'm not criticising ships or headcanons. I simply personally prefer that they could be attracted to someone and choose not to act on it because their priorities lie elsewhere, be it in battle, martial pursuits, ambition, or otherwise.
I love that it presents a struggle without it being a detriment to their lives. I love that romance or partnering isn't a focus in their arcs or lives. I love that it's something that can be complicated but not the wrong thing for them. I love that, while they have their faults, it's not that part of them that would need introspection and more so the circumstances and their relationships outside of romance or relationships.
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baejax-the-great · 1 year
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Foes' gifts
Ajax is twitchy as they make their way into Pat’s condo building. He’d been acting weird all week, first regaling Tecmessa with tales of Pat’s new “guest” and waggling his eyebrows as he told her she’d get a kick out of meeting him, then borrowing a copy of the Iliad of all things, peppering her with questions about ancient history that she’s barely thought about in years, and finally, these past two days, doing a complete one eighty by going completely silent on the topic all together and suggesting that she probably doesn’t want to meet this guy at all.
Pat’s sick, though, sick enough that he needs help, so they’re both here, and Tecmessa is going to meet this stranger. Ajax grips her hand.
Nothing could have prepared her for the man standing in Pat’s doorway. He is like a fairytale come to life: not a prince meant to kiss a princess, but maybe the woodcutter with his ax. Maybe the big, bad wolf. He blurs at the edges. Tecmessa is used to tall men—she married the tallest she’s ever met—but this man somehow looms with the few extra inches he’s got on her.
He’s completely incongruent with their surroundings, Pat’s old condo building with the ugly yellow lighting in the hallways and his ancient welcome mat that was here when he moved in and the dings in the doorframe from Ajax being careless carrying in his furniture back then. He looks like he should be on a movie set. He looks like he carries his own lighting with him.
Ajax gives her hand a squeeze and she realizes she is gripping it so hard all the blood must have left his fingers.
Read the rest here | Or start from the beginning
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crimeronan · 1 year
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god nothing comforts me like that "i'm a therapist for uber-rich people and they really are all as miserable as the succession characters" article. every time i'm in unspeakable amounts of pain i just think about the number of billionaires who miserably helplessly pathetically shuffle through each unhappy day desperately dissatisfied and praying they'll someday gather up the courage to put a gun in their mouth. and it brings me SO much calm and peace and joy. 🥺💕🙏
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finnlongman · 7 months
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In the past two weeks I've been asked to review a book that is completely outside of my area of expertise, and to act as a second reader for an article that, while slightly more related to my interests, is nevertheless probably beyond my ability to evaluate.
I am <1 month into my PhD and people are already treating me like a Real Academic. Why? Do they not know I'm baby?
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seahydra · 10 months
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Something malicious is brewing
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cowardlychimera · 1 year
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Chimera I'm staring at u w my autistic eyes please share your theories w me
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I love love Yume Nikki and Omori parallels I once read someone's comment saying "Black Space is a love letter written to Yume Nikki," which is so true to me!!!!! AGHH
ah okay!! fair warning though that this might just be me getting excited over a cool idea lol and might be wrong
okay so: 2 things I noticed that seem similar in both. windows and doors.
when someone hears the word daydreamer, the first thing they think of might be someone staring out a window, right?
and we know Madotsuki and Sunny both prefer their dreams over reality. so windows = inaction. observing, going with the flow.
this fits I think, since in omori, what's one very important window?
this.
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Mari says Sunny's seen this before, when he almost drowned. he almost drowned because he gave in. he didn't believe he could do anything, so he didn't.
don't have much for yume nikki about windows tbh though, just that from what I remember Madotsuki's name might refer to windows (if there's anything I don't know of/forgot please share!)
okay now doors!! doors definitely tie these 2 games together! doors = action. choosing to do something instead of just letting things happen
Madotsuki refuses to open her door. she refuses to make the choice to leave, seeming to prefer her dreams over reality. Sunny can do the same. the front door that Kel knocks on, it's Sunny's last chance to fix things. he gets to choose.
and in white space and Madotsuki's dream room? they can leave whenever they want to, through a door! same thing with nexus/door room/whatever you wanna call it and black space! they get to choose what doors to open. they get to choose whether or not they want to accept reality. and even more in omori, the door to Basil's bedroom and his hospital room. he doesn't have to open those doors. whether he faces reality and tries to fix things is up to him. and the door to the roof too! once he walks through the door, he can't go back. he already made his choice.
and sliding glass doors? I'm not 100% about these yet, but sliding glass doors could represent a choice they might want to make, but are hesitant to for whatever reason. they're like a combination of windows and doors! in omori, they're shown in both reality and black space/after finding the photo where Sunny pushed Mari. they're Sunny's want and choice to face reality and accept it, attempting to fix things. but in yume nikki? Madotsuki wants to escape. there's 2 events (I've only triggered one of these 2 so far, so info on one might be incorrect!) where Madotsuki can fly away, and unfortunately fall, the witch event and the spaceship + spaceship event. one has her flying through the clouds, and falling from the sky, while the other has her flying through the stars, also falling from the sky (if you manage to trigger the event, that is). Madotsuki wants to fly away. the sliding door could represent her want, and her choice to escape reality.
okay okay I'm almost done lmao hang in there
now, closets! (once again, I haven't explored any closet stuff in yume nikki yet lol so I might be wrong about stuff) first, in omori! it's obvious Sunny doesn't want to acknowledge the closet is broken violin is hidden in, going far enough for it to even disappear for him! the closet represents something he's hiding. there is a phrase, "skeleton in the closet", that refers to a secret someone wants to hide. so this theory fits the closet in omori! it might also fit the closets found in yume nikki.
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Madotsuki doesn't want to find herself.
(also final thing: these things probably do represent more than just this. this is just stuff I noticed seems connected to both games so far! also also I haven't finished yume nikki yet lol so once again feel free to correct me if anything's wrong)
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