to attempt to categorize aziraphale & crowley's actions into the simple dichotomies of 'correct' and 'wrong' or 'good' and 'bad' is to employ the exact same fallacy that the show warns of. throughout season two we see aziraphale struggle with morals and their ambiguity, no matter crowley's assertion (and demonstration) that there is no true 'good', no true 'evil'- that the lines are not only blurred but frankly non-existent- aziraphale can't move past the principles he was raised on. good actions are good (inherent to angels, inherent to heaven), evil actions are evil (inherent to demons, inherent to hell). aziraphale's decision to try to 'fix' heaven is the perfect representation of the reality of the universe. he believes it to be a simply good decision, something angels do and heaven is all about (he'll get heaven back to normal! back to being good!) but the reality of his decision is so much murkier than that. it isn't that aziraphale did something bad or evil, nor is it that he did something correct or good, he did something that, like many things in the universe, embodies both.
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I love starting to listen/watch things that were released over 10 years ago. Its like showing up to a party the next day and the house is deserted because they left to go to a different house and now I can look through whats all left behind and have a single person party before moving on and trying to catch up
Anyways Cecil Palmer is a little weirdo (affectionate)
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what if ranboo and wilbur team together again and its pink parrots
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we're having sex and you pull out at the end to discover your cock is entirely gone, dissolved (ive digested it like a pitcher plant). bye!
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they should invent a being in your twenties in which you do not feel your life is unsalvageable and ruined
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My wife: Are you making a list of fonts?
Me: No, worse. I'm replicating the titles of video games but it's the fonts that they're in
My wife: What does that mean
Me: This
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i don't really like when people say dungeon meshi is accidentally good autistic representation, because while i understand not wanting to make conclusions without explicit confirmation from the author, there's always the weird assumption that non-western authors somehow don't know about things like neurodivergency/queerness/etc. (on top of the assumptions that east asian authors are somehow more naive or oblivious to "western" social issues).
given that dungeon meshi started being published in 2014, it's not really a "work belonging to its times"��it's as contemporary as any other media we discuss on this site, which means it should be fair to assume it engages with contemporary topics (and at the very least, you shouldn't say that the representation is accidental with so much confidence)
but anyways, the chapter "perfect communication" in ryoko kui's "terrarium in a drawer" is some of the most straightforward autistic representation I've seen, and from now on I'm going to assume that laios's character writing is absolutely intentional in that regard:
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I just think that 'animals are living intelligent creatures that have feelings and deserve to be respected' and 'when done properly farming is beneficial to both people and animals and there's nothing wrong with raising and killing animals for food, clothing, and other products' are concepts that very much can and should coexist
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if there's anything i've learned from the current state of social media it's that this is one of the worst possible notifications you can receive upon opening an app
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Funny things I found out playing with language setting in Netflix while looking episode 15:
Chilchuck's scream sounds HAUNTED in brazilian portuguese. Give it a try if you can.
(You can hear it here)
In spanish dub, Senshi says: "tocó mis senos de hombre", which means "he touched my man boobs" in Spanish. And I think that's the best dub line one so far.
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