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#now i only do it with the digital art haha
redbootsindoriath · 2 years
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I will miss you a lot come September! You have some of my very favorite Children of Húrin content
-@outofangband
Wow, I can't tell you how valued this made me feel.  I hope I'll be back eventually because getting feedback on my art and comics and character designs has been so rewarding and I love making things that other people love because then everybody wins.
Since I didn’t alreadyhave a drawing ready to post today and I only had a few hours to come up with something, I decided to redraw a photo I had from last week.  It’s been a while since I did any digital art, so a slightly modified photo study seemed like a good way to get back into practice.
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bigbrainbiology · 1 year
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Her reaction was too cute not to redraw!! <3
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sludgeguzzler · 7 months
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i was gonna do design in college and i needed to do really well on some exams so i was really really nervous, but then i fell in love with archival science or however you call it in english and the minimum grade i need in the university i want is *checks notes* -82. so. safe to say im a little mlr confident now
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luvsavos · 3 months
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life kicks me in the ribs yet again: more than likely i won't be able to get all the money i need in time for the alatreon model, so. got excited for nothing :)
#mar.txt#vent? i guess?#again:girlhelp:#i need $120.25 still and of course i didnt get a job in time because why would things go my way and even if i do a bunch around the house#the money is due the day before my dad gets paid so that won't work#im panicking sort of to the point of being kind of nauseous from it haha#turning to art comms from my friends out of desperation but i don't think i'll get enough to cover the last bit of cost#not to mention the issue of my phone absolutely fucking sucks ass so i can't do digital art until i get a new one so any comms i DO have/get#will have to wait until i get a new phone for me to finish them and i know that's kind of A Problem which is why i'm only asking close#friends who i know won't be bothered by the idea of paying upfront then having to wait a little while for the finished product#though at least i can get the paper basic sketch done,since i draw the basic thing on paper then do more detail and whatnot digitally#idk if any of my moots wouldn't be bothered by that. i can promise i will get the full things done once i get a new phone. i'm just really#fucking desperate rn lmao god i fucking hate everything#i need to just. stop letting myself feel the emotion of excitement over Anything in the future. because when i do it always,ALWAYS goes#wrong. youd think id learn by now but no apparently im just too fucking stupid to#anyways. ill draw humanoids and i can try my absolute damndest at mh monsters even though i kind of struggle with anything but malzeno#practice makes perfect right? hahahahahaaa. fuck me.#not to be concerning on main but if this were me a few years ago i think at this point i'd be genuinely considering offing myself because i#am SO fucking tired of literally everything possible going wrong and even the things that are SUPPOSED to bring me some comfort or happiness#among the ocean of everything else ALSO going wrong#obviously the more money that could be tossed my way the better but hell i'll even do just paper sketch comms for a lower price i am#genuinely desperate because i really REALLY just want this ONE fucking thing to go right for me. god. just One thing.#alternatively if anyone wants to just. Give Me money. idk id feel bad about getting money without giving something in return but if anyone#WANTS to do that theyre free to as well. idk just dm me for my paypal if that or a shitty probably time-delayed comm sounds like smthn youd#be interested in??? even tho who am i kidding lmfao nobody will,that would be too good and i'm obviously just not fucking allowed to have#good things huh#ugh. sorry for the vent post Again. i swear we'll return to the usually scheduled funnyman stuff and ocposting. eventually. :/
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gb-patch · 4 months
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GB Patch Games: 2024 Intentions
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[Adorable guest art by @dreamtydraw]
Welcome to 2024, everybody 🥳️
This is the year of Our Life: Now & Forever (and 2025 will be too, but let's not get ahead of ourselves that much). After a good five odd years of making Our Life: Beginnings & Always content, it's amazing to look ahead and see only the progress that will be done on this new game. Qiu and Tamarack are the center of the GB Patch Games universe now. But even though I'm not creating any new OL1 scenes, there may still be some exciting developments for the existing stuff. Cove hasn't been forgotten.
💚❤️️💙
If you want to know about what will be accomplished specifically in January, you can read that HERE. Now here's the entire year's goals-
Honestly, 2024 is gonna be the most basic year in a very long time, haha. There's not gonna be major launches of new DLCs, or a full game going live, or any bonus Moments. It's simply making progress on OL: N&F. That's pretty normal for game development. It's just not something we've had to go through since 2019. But we're hunkering down for the long haul on this one.
Specifically, Step 1 will be fully completed in 2024 and I'll make as much headway into Step 2 as possible. There will be two updates to the public demo, one probably in May and another sometime in Fall/Third Quarter 2024. Those will focus on Step 1 scenes still. I can't guarantee we'll be able to rework the Step 2 part of the demo with new content this year. As it is, the content was made to be a demo preview. A lot is gonna change for the complete version.
And that's about it for our main game. I appreciate all of you who decide to follow along with the process.
Beyond that, the Our Life: Beginnings & Always digital artbook is going to become available through Steam and Itch.io in early 2024! Maybe not January, but ideally no later than February.
Finger's crossed, we will also launch Our Life: Beginnings & Always for Mac on Steam and make it available for Androids through the Google Playstore. I can't state it with confidence, since there's constantly been roadblocks/issues with those, aha.
My final little note for this coming year is that, potentially, there could be more information coming out about the game that's going into production after OL2, "Project W".
▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾▴ ▾ ▴
And that's what you can look forward to. Every year I'm amazed I can continue to do this as my fulltime job. I'm always wondering when that will end, but I'd be lying if I said I could see that point. The support GB Patch Games has gotten, and still gets each day, is more than enough to for it to continue for the rest of OL2's development.
I'm pretty confident in assuming that when that game does launch it's going to be successful enough for Project W to go into full production. It's a truly wonderful thing. Thank you so much for being here. We'll do our best with the time and attention you've given us.
Happy New Year 🥰️
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the-phantom-peach · 10 months
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how did you get so good at a anatomy? like what practices helped you improve the most if you remember?
-from a new artist desperately in need of help
This is the first I’ve heard a comment on my anatomy, especially as someone who hasn’t quite grasped the whole thing haha. But I’m happy I’ve reached a point where it’s considered good. Bodies are hard and they suck but here’s some stuff I do/used to do to help.
1) Don’t avoid it. You can’t, it’s impossible. After years of only drawing 2/3 facing busts as soon as I forced myself to start drawing full bodies, I was able to create more interesting compositions and expressions. Even if it looks awful, you have to keep working at it. I myself can’t figure out a lot of poses and have to work around what I dislike.
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2) Study in parts. When I did anatomy studies I always focused on one or two parts at a time. For example, I spent a lot of time studying legs and made a bunch of art that either required or focused on legs. Same went for faces, hips, and even clothes. Eventually it becomes habit and I could switch to a new part.
3) Reference. Reference. Reference. Unless you have the most vivid imagination and can put mind to canvas, please use a reference. I still use references for poses I think I can draw just in case there is a more sensible or more interesting way of depicting it. This also precedes the idea of tracing. It’s a bit controversial, but I promise you tracing is more common in the art industry than you think. It’s about muscle memory and visualization more than just “copying” a piece of work. I started art traditionally so could never use tracing to practice, but if you use digital I highly recommend tracing as way to practice anatomy. However it’s only really useful if you do it with intent, studying how all parts connect to the trunk (torso).
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4) Lastly, it’s ok to start with a simple artstyle at first! It’s totally cool to build upon the basics instead of running straight toward hyperrealism. Plus it’s cute!
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That’s all I have for now since I’m still trying to figure it out myself, but I hope this kinda helps!
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sanshofox · 9 months
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Artists getting sad after the „who’s the artist, what’s your age“ trend thing on socials. They see many of them being a very young age with already good skills.
Here my try for words of comfort: consider the differences when you grew up and how the younger gens grew up. Nowadays there‘s easier access to tools, gadgets and knowledge with faster paced society.
With better developed internet you can find all kinds of references, tutorials, brushes and whatnot to help you developing your skills or to get a better understanding of how each skill works (if traditional, crafting, digital and more). And now you have all kinds of places to share your stuff on and be part of a community that share the same interest for art and even can give feedback. Artists now using the internet as a platform to earn money and showing their how-to’s. What I would have given as a kid and teen to have that through a „simple mouse click“.
I remember back then when not every household had internet and even if, it wasn’t stable nor fast. You only had a few sites to visit, that you knew were save to go on, and even less sites when it came to art. I remember one german art site and years later on deviantart (and both were in their very toxic era back then. Very closed off at times and tutorials being seen like a „do not reveal the secret to it“ magic trick kinda vibe).
It was hard to find out about stuff because we didn‘t have that global connectivity and marketing etc that exists now to discover things.
And also being „limited“ as a kid and teen on what you could use. Nothing that was right at hand was digital. So you couldn’t experiment with media types for example. So no vast library on tools that imitate all kinds of things, i.e. brushes in procreate. Everything needed to be made traditionally with what you had. I remember I had two of those how to draw anime artbooks (and back then it were two out of very few options actually), pencils and a few copics. You had to make the most of it.
Photoshop you had to use by mouse and was veeery costly (one software CD cost over 2k). I think wacom tablets weren’t a thing until my late teens?? 🤔
And please don’t take this as a rant, I am actually feeling rather nostalgic about it. Those how to draw anime books were hilarious when I think about them now haha. I think I still might have one?? 👀 And I still have those very first copic markers 🥰
It doesn’t matter how you started or what age you are comapred to others. That you keep on making art is what counts. Skill needs to be developed, but passion and creativity/imagination comes from yourself. Skill isn’t what keeps you on doing it, but the love for it is.
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38sr · 11 months
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Hi! I really love the way you color, and I was wondering If you could make a tutorial about it, I of course completely understand if you Can't/don't want to do it thanks in advance If you decided to do it and have a good day/night.
Hello hello! Ooooh, a color tutorial! I've never done one before so I'm not sure if I'll be any good at it haha. But I don't mind sharing my thinking process when it comes to coloring my works. So when it comes to color, I very much have a traditional painter's approach since that's how I learned color in art college. My painting professor never allowed us to use black or white paint, we could only use other colors to create darker colors or new colors altogether. And you're probably thinking, "What the hell? That's insane." And I wouldn't blame you haha. But this approach helped me a lot to not rely on tints (colors mixed with white) and shades (colors mixed with black) when I color. For the most part, I purely thinking about value and hues when I'm coloring.
Finding the right values:
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So for this drawing, I did two different takes (one with direct harsh lighting and one without). The reason why I'm showing this is because when it comes to color it's very important that your values aren't clashing with each other. When I started out, all my coloring felt flat because I was using colors with the same values so there was little to no depth. A lot of people don't realize this but color does have value!
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If we put the primary colors on greyscale, you notice how each color has its own value. Blue tends to be a dark value, red has a mid to dark value , and yellow is a much lighter value. This is why if you ever look at my work, the color I use for shadows lean into blue/purple tones. You can also have warm shadows since red does have a deeper value compared to yellow. But these values are when the primary colors are at the highest saturation. What would happen if we knocked down the saturation levels?
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The values start to become more similar. Since we're not always using the most saturated colors, it's important to understand the values behind the colors you'll use. Once you unlock that, you can pretty much do whatever you want with color haha. That's why I hardly ever use black or white in my digital art when mixing (also I don't mix color with a brush, I just pick from the color wheel which might be insane).
While it's not wrong to use white or black to create darker/lighter colors, color in real life doesn't always act that way. Shadows and highlights can have color. For myself, letting go of white and black has opened a world of color combinations that I didn't think of before taking my first ever traditional painting class. Now, I can freely pick colors and experiment with palettes since I've blocked out what values I need (like the image below).
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Even if I'm using blending modes like in the next image, I'm always thinking about making clear value separations. If I can't understand the image in black and white, then I'll have a hard time seeing it in color.
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And when you get very comfortable, you can start placing characters in different color environments and match them (which essentially is the job of a color designer in TV animation).
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The right image is the official color palette for my character which already uses a lot of blue/purple for the shadows. But on the left side, she's in a night-time environment so I leaned even more into the cool colors to the point that the white T-shirt is actually a very very light purple/pink color haha.
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Or like this example where the left drawing gives a more sunset/golden hour lighting while the right one is more blue hour/night time lighting. But you can read the colors clearly 'cause the values are clear to begin with. While that wasn't really a tutorial this is pretty much my thought process when I'm coloring my digital works. ^^; I very much do follow an academic approach to color theory but even then I think it's okay to break the rules. As long as you have understanding of colors' value, I think you'll be able to unlock any color style you want! I hope that answered your question and was helpful!
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pierogish · 3 months
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your art is so wonderful! its so expressive and colorful and joyful and never overworked. your compositions also really blow my mind! if youve ever recorded any timelapses or if you ever would like to elaborate on your process ever, i would love to see it + would pay money to. have a good day!
Hi! I apologize that it took me so long to get to this ask! Thank you so much for this incredible and kind compliment!! :') <3 I enjoy having fun with compositions and everything else and I'm glad you like what comes out of it!
Thank you for being interested in process! I haven't been answering for so long because I couldn't come up with a good answer... I have never recorded any timelapses and don't intend to in the nearest future. Also every time the process looks differently, haha..
But I compiled potentially interesting pictures (for free) - under cut :)
one fun thing I do quite often is that I begin something on paper and then complete digitally. Doodling in textbooks and sketchbooks was the beginning of many stuff
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This Seri process is one of my favorites, he was born from leftover green food coloring that I splashed and smeared over pages. Then I begin my favorite game of searching for shapes and letting them "grow" naturally from what there is.. if that makes sense.
From those little monsters that were born during classes then appeared compositions, because having some starting point is helpful to me, even if it gets completely lost eventually.
I don't have a scan and use the imperfection of phone pics for my advantage, sometimes it creates additional texture or interesting colors after little bit of editing.
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This one took longer than most of other works. (dont go after me for unrealistic architecture)
I was struggling to come up with compostition for the cathedral so again beginning with a doodle of a random arch helped. and in the end there's an infinite "yeah now it's finally done" *spends a couple of hours more*. on screenshot these are all versions I thought would be final and I sent them to look at on my phone and immediately went to fix something else :P
Beginning from a detail isn't a classic way to build a composition, and usually it's reasonable to start from defining big shapes, and that's what I do often. There are just different approaches of creating compostitions that I like using. Starting from a piece and shaping the rest from there helps me find something I maybe wouldn't have thought of doing otherwise. But it's very important to always hold a big picture in mind of course! After looking at a piece of doodle for a while, I have an approximate picture in mind of how I want to use it.
With digital doodles I usually do lineart immediately without sketching it first, then I can edit or erase it or blend with colors. Have fun and be yourself is the only rule
thank you again <3 I hope it was helpful!
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habken · 11 months
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hi Habs! :D i love your art and have seen ppl say they want to eat it and i would also like to partake lol. have you ever explained your methods of doing digital art? i love traditional but i would like to branch out into digital. i've tried different applications like krita, sketchbook, and sketch.io but i don't really vibe with them (if that makes sense). any tips?
Hello ! Haha thank you ! Totally get what you mean about vibes, I’ve used a few different programs, and I like paint tool sai and clip studio paint the most, and mostly use csp now !
Took me a long time to get into digital art, and the biggest breakthrough I had was that I didn’t have to do line art lol, now I only do it when necessary and 99% of my stuff is cleaned up sketches. Changing my process completely changed how I felt about my art for the better. It keeps my work dynamic, and also lessens feeling of the sketch looking better than the linework!
Generally my process is sketch, duplicate the layer and clean it (sometimes put the old layer on a low opacity so I can make sure I’m staying true to the sketch, so it’s like lineart with extra steps lol) then I block in one colour under the lines, either make a new layer with a clipping mask, or lock the opacity and colour on that layer.
For colouring, I usually use a single layer, I put down messy flats and shadows then clean it up and render it, add highlights and funky details and then I’m done. I’ve explained my colouring process here before, and I have a time lapse that shows my sketching/colouring process here.
I have shaky hands, so a lot of my brushes have stabilization turned up, usually I set it at 15 on csp brushes idk how that translates to other programs though.
For my sketches/clean up, I like using brushes that have little to no variation in brush size, and have varying density or opacity. Not for everyone but I like how it makes my work look and I end up liking my stuff a lot more like that. Usually I keep my sketches at the start really light and build up pressure as I clean
In general, I think the best thing to do is try a whole bunch of methods and figure out what works and what doesn’t! Lots of people have very different processes, so looking at how other artists work and trying out how they do stuff for yourself can be great for learning! Good luck with digital art!
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8um8le · 9 months
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I just love love your AU for Sun and Moon, seriously the story and art is so good ;-;;;
Anyways I wanted to know what your art journey looked like? Did you go to art school, or did you just watch tutorials? How do you practice? What's your general process?
I just really want to be able to make backgrounds and character designs/poses like you do!! Your art style is very satisfying, especially with the flat colors. I hope your week is awesome :D
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WahhHHh that’s so sweeet!!! <333 happy to know you’re liking both the art and story wahhh <33 😭💕
Rant about journey n process or whatever under the cut!
Well, I’ve never been to art school yet, It’s all been self-taught :pp. I’ve been drawing as a little hobby ever since I could remember but only started to get into it when I started high school. I’ve only ever practiced with traditional art when it comes to my art journey as a whole, only started digital art when I turned 18, which explains my lack of knowledge of shading, and my somewhat clean lines.
Hmm practice? For me, art is very emotionally powered haha! So I like to draw things that make me happy, to make drawing a more calming experience. Though it’s good to challenge yourself every now and then, just make sure to have fun in between the work.
Process? Fnhnvdknf I’m not just a messy artist, I am also a messy individual, so art is basically almost a representation of my mental state. I love drawing goofy funny distorted in the middle of more detailed doodles, exaggerated cartoony expression are my fav <33
I draw when I’m happy, sad, stressed, angry, which affects the outcome of the drawing. Sometimes I’ll completely hate my art, sometimes I think it’s the funniest, I guess just like emotions our art can’t be “perfect” to us.
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lutiaslayton · 9 months
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I'm pretty sure that nobody asked, but I shall answer nonetheless. To all fans who don’t own the book, you may have been a bit curious as to what I meant when I said that the only way to access the letter was to "rip apart" the guidebook. And if you look at the scan post's reblogs, there are a few happy owners of the guidebook who, despite having it in hand, never were able to look at the letter properly because they were too afraid of damaging their book.
Rightfully so. Very, very rightfully so.
Have a best-off of my reactions when I got to it:
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Anyway as you know, I eventually succeeded well enough to give you all high-quality scans earlier today! (it just took me a long while to get the scans, transcript and translation done, that’s why the screenshots date back to May even though the scans were only done this week.)
I even got to do the same to the entire book and all of its 128 pages, in fact. As I mentioned in the last post, it's just that editing the scans is going to take a little while, and I'm not yet sure how the scans will be shared. Perhaps (because I don’t want to push it) I'll only share a fan-translated version—aka, the scans except the Japanese text was edited out and directly replaced with an English translation. We'll see.
...How is my guidebook doing now, you ask? Uhhhhh...
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...fine. Good as new.
I am not that interested in collecting merch—not nearly as much as I am in getting digital preservation of the content and in making the lore accessible to the fandom. Sacrificing this book was for a good cause, and the bonus is that this makes it easier for me to read (the binding made me a bit frustrated due to how it sometimes made it a bit hard for me to appreciate fully the art that was too little too close to the middle of the double-page).
The reasons why the ED novel didn’t get the same treatment is because only a dozen pages out of the 200 are worth scanning, and I'm lazy. I wasn’t going to de-spine another book just for ten pages that were already present on my transcript web page haha.
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bluravenite · 11 months
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Hey I know I'm a total stranger but I follow you and I think your art is really cool! I wanted to ask what brush is best on Procreate? New to digital art and I'm trying to make art of my own characters. Taking a lot of inspo from you!!
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I am of the firm belief that most basic brushes are real good!! I came from clip studio so i was mainly used to charcoal/pastel feeling pencils, as well as REALLY smooth/textured inking brushes and LOTS of opacity, which i think has changed but you can still see the influence??
I am also an avid hater of procreate brush settings which is why I sorta chose to modify most of my basic brushes!!
Mainly i usually pick two brushes per drawing... Sometimes I'm not feeling the same sketch brush so i tend to switch between script, Sean sketcher, hb pencil, and peppermint!
For inking i tend to do script or gesinski ink but i recently inked zephyr with the marker brush!! It was so fun!! I also sometimes ink/clean up with my sketch brushes, it can be faster.
I started using peppermint and spectra because of @purlty though i have kept spectra as a texture brush rather than for coloring :D i like it a lot
My brushes really aren't special but i have the odd habit of changing EVERY setting until i find one i enjoy so I'm going to link my brush set below!!
Make sure if you want all the brushes in Raven's set, you only download that file, and additionally you will need to download HB pencil block, and Script Sketch, to have all of my brushes, but otherwise you can pick and choose which you want!
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There's also some resources on how to modify brushes/import them and some REAL good tips and tricks i have found to make the program more usable, however!! It's a learning curve and it will only get easier with time, I've been using procreate as my main program for a year now and I still sometimes have to go back to clip studio or traditional art to be able to get a grasp haha!!!
↓ ↓ ↓ !!
youtube
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These videos are A LOT OF INFORMATION but will likely help you get a good grasp of BASIC procreate functions! My suggestion is, don't take everything to heart, because you actually won't use a lot of the things they show, just stick with what you understood and are interested in using!! You don't have to master it right away :D
Most importantly i am very happy to be able to help you with this, even if you are just a stranger, so am I! And when i started with art programs and digital art I had to spend YEARS trying to figure out how to be like the artists i looked up to without being able to buy so many of the cool brushes and expensive software, so anything i can do to help, even if it's just sharing my already modified basic brushes so that you don't have to fidget with all the settings!! I'm more than happy to do!! And i really hope this helps you and anyone else who might need em!
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akolnoix · 4 months
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I love your art sm!!!!!! Do you have any drawing tips / process examples?
thank you!
i don't take many progress pics, so here's a timelapse just for you.
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i'm almost entirely self-taught (and in a very uneven manner lol) so i can't offer much in the way of technical skills. so i'll just say a few of the things i'm glad to have learned over the years. (largely wrt digital art)
-if you really dislike a step in the process, there's a good chance you can decide to just... not do it. hate doing lineart? you can just neaten up your sketch a bit, or go completely lineless. hate coloring? switch to black and white. hate shading? just don't do it.
you'll draw a lot more if you enjoy it, and in the future you'll probably get in the mood to try again at something you used to hate, and re-evaluate, so you're not missing out.
like for a while i drew almost entirely in black+white because i hated coloring, and then i played theresia: dear emile and was hit with the inspiration to work with color again, and i've continued to do so ever since.
on the other hand, i've been doing digital art almost exclusively for like 10 years now. occasionally i'll be in the mood to draw with an actual pencil again, so i do it. and my decision is reaffirmed haha
-the scope of your character drawing will truly unlock the moment you realize there is no fundamental difference between drawing men and women, only specific features that differ on a person by person basis
-most programs will let you use any brush as an eraser (or "draw with clear"), it's a lifesaver for using heavily textured brushes
-use pureref for your reference images. idk how i worked without it for so long.
-fall in love with drawing noses. they're one of the most distinctive parts of the face, and so many people just default to one or two types!!
-sketch on a grey canvas, instead of a white one. spare your eyes the strain
-the artists who actually went to school are right, you really should use references. they making everything so much easier AND you improve your skills. win win scenario
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katealpha · 4 months
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Commission from the absolutely astounding Little Polka!
www.deviantart.com/littlepolka
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Judy Hopps thought she’d struck gold when she got to join the ZPD as a rabbit. In a way, she did. But just being able to feel useful took a lot of struggle against even her own fellow officers to get even a modicum of respect. But she powered forward until she single-handedly (with a little help of a certain fox) solved the city’s biggest case, twice. Judy found herself going from zero to hero over the course of months. While she found herself making a few mistakes after that, she made up for them and kept moving forward. However, it would soon dawn upon Judy that that “keeping moving forward and never quit” mentality may not apply to everything. In this case, her blossoming romance between herself and Nick Wilde; the fox who had helped her become the best bunny one could be.
And now, he helped her become the biggest!
‘This is impossible’. Judy had been repeating that phrase in her head for the past several months since she learned she was pregnant after a rather pleasurable night with Nick. By all accounts, it was. Bunnies and Foxes couldn’t have offspring. That’s what Zoogle had told her, as well as common sense. I moose and a polar bear couldn’t conceive. Just like a lion and a zebra couldn’t. But here Judy was, waddling slowly down the hallway of the ZPD. Her bloated belly strained against her thankfully stretchy uniform that had been tailored just for her. She was big, even for her kind in this stage of pregnancy. When she felt them move, she knew that these weren’t bunnies growing in her belly. Something…bigger. Something taking more from their father. Nick himself was halfway mortified at what he’d done to his favorite dumb bunny. She had to constantly reassure that silly fox that everything would be okay. Most likely, at least. There were concerns for her wellbeing come labor. Just shared in these concerns, but decided not to trouble herself about it. Bigger or not, they were babies that didn’t ask to be the way they are. Besides, she had a job to do!
In her right paw was a steaming cup of coffee that was going to one Officer Wolford. This had been her job since she reported her pregnancy to Chief Bogo, who was just as dumbfounded as the mother-to-be herself. To her dismay, Judy was put on desk duty until after the little ones were born. It wouldn’t be too long. Just a few months. But everyone could tell from looking at the big bellied bunny by the way she waddled around, offering to get coffee and donuts for everyone that she was itching to get back out there. But for now, just leave it to Judy to type up reports, flyers, and whatever else they need. Eventually, Judy’s pregnancy was noticed by the media. It was as inevitable as her babies growing within her. When she was arranged for an interview, she took it and told her city that she still had no plans of slowing down.
“My doctors are still trying to figure out how it happened. Their best guess is that Nick’s got some mutated gene that worked its magic in me.” She said with a scoff as she rubbed her paw over her stretched stomach. “It’s been an…interesting few months. Being a mom isn’t something I expected to have thrust onto me so soon, and the future still isn’t certain…but for now, I’m not going anywhere! I might be huge with these kids that I’m not even certain are bunnies or foxes in there, but I have no intentions of stepping down from serving this fair city in any little way I can. I REALLY don’t know when to quit..haha!” She chuckled and shrugged, only for her belly to visibly move on camera. It made her wrap her paws around it, looking flushed at her interviewer and smiling before the camera cut off.
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nikoisme · 5 months
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Heyo!!! :D Some questions for you!
What are some of your fave parts of the Iliad and Odyssey? And then do you have a favorite by Euripides?
How long have you been drawing?
Since your "lovable little bastard" is a lil calico, does she have any neat patches/spots that are cute? Example, Teddy has a big stripe that curves across her neck, so I like imagining her having "necklace" haha. Does your lil lady have any spots that are cutely shaped? 🥺
(Good luck in school! :D Know I'm rooting for you!)
hello hello :DD this is a much needed break from studying oh god thank you.
For The Iliad,, BOOK 6, THE HECTOR, ANDROMACHE AND ASTYANAX SCENE. Book 10 also slaps obviously, night raid my beloved. The laments over Hector in book 24 too :')) It never fails to make me cry. But there's a tiny little specific part of The Iliad that is my absolute favorite - when Menelaus tells Antilochus that Patroclus was killed:
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Idk man it feels so real and raw and hngngng. And Antilochus my man.
Now for The Odyssey i'm basic af but it's the reunion wih Telemachus, Penelope and Laertes :') hits right in the feels. The marriage bed story. The orchard. God fuck. Also the several little moments when Telemachus and Odysseus just,, exchange knowing smiles or glances with each other (when Odysseus is disguised as a beggar). It's just so neat i don't know why. Telemachus doesn't even know Odysseus and Odysseus doesn't know who his son is (yet!!), but they just kind of clicked together (when it came to scheming and plotting ofc. It's in their genes).
Tbh I haven't read too much of Euripides, I have quite a few plays sitting on my bookshelf waiting to be read. So i should probably, yknow, do that hahaa. But my favorite so far is Iphigenia at Aulis! It's just so heartbreaking and tragic and painful and ahdbagshjj. mannn.
I started drawing since I could hold a colored pencil lmaoo. i just did it sometimes as a kid, i liked it and was seen as the "art kid" in school (now that I think of it, I was actually more the "a pleasure to have in class" kid,, but hey i was the one people ran to during art projects lmaoo). It was 2020 when I really wanted to get into it - especially digital art, since I've been drawing on my phone and the family computer with a mouse in godforsaken Gimp up to that point - and I got my first drawing tablet the same year! Funnily enough I started drawing humans about... 1,5 years ago?? I was actually, lo and behold, a warrior cats artist for a few years :'DD
NOW. SHE HAS SO MANY SPOTS THAT I ABSOLUTELY ADORE. For example, all her paws are white - but only one is black with a single white toe:
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And she has some incredible markings on her face if i can say so myself:
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Especially since the orange marking goes in a straight line across her face, it's so neat. And her fluffy white neck/throat marking :D
And thank you for school AGJSJSDHHH. I have my last test on Monday so I should be finally free next week! The worst tests are over now, thankfully. This is hell :')
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