#ngl im angry. the music of the mandalorian and the book of boba fett seemed to paint a great future for star wars music

[samaspic31]

Theory : anti-spoiler culture ruined the soundtrack of the kenobi series

I relistened to the series' soundtrack last week and the thing most noticeable about it is.... how unremarkable it is. Aside from the main theme john Williams composed, can you remember or sing anything from it? Aside from few good parts here and there, the impression I have is very generic, bland, and definitely void of the trademarks that make a good, memorable star wars soundtrack in my opinion.

Now I'm not one to hang on established themes if new, equally good ones are introduced; the mandalorian is my favourite star wars music, it proved it was possible. That wasn't the case here. And the kenobi series is, let's be real, mainly an appeal to nostalgia of the prequel movies. The mandalorian made new themes for new characters; and used the force theme for Luke's appearance, because it would feel like it's missing if it didn't. kenobi was almost exclusively legacy characters, some of them with firmly established musical themes. Leia has a theme since A new hope. The series also repeated instances from the prequels that had distinct musical associations: order 66 had the march on the jedi temple, anakin's betrayal, and the obiwan - anakin duel was characterized by battle of the heroes and duel of the fates (whose absence is made more frustrating by its use for the trailer. I don't think it was unreasonable for us to expect in to be used in the series when the promo was done with it).

Leia's theme is not used at all, despite the fact it had come to represent even alderaan itself in tcw's soundtrack. It makes no sense not to use it. They used it for baby leia meeting breha, it was created for her 19yo self, why wouldn't it be relevant to her 10yo self ? Besides, the emperor's theme is also left unused despite being long established in both trilogies. The imperial march is used once, and while I don't mean to swing back and argue they should have used it as much as rebels did, I do think it was too little and felt missing in the village scene on mapuzo

Again I would not be complaining if the music we got was so great that it made me forget what it didn't include. I don't want star wars to become a repetitive loop of rehashing and never any new theme, only callbacks. I do feel those themes should be used, sparsely, when relevant, when telling the story of the characters they represent. And especially in flashbacks. And the "replacement" we were given instead is, frankly, mediocre. I can't help but feel a void listening to it, because if you are reusing so much of the prequels both narratively and emotionally... why leave out such a huge part of what made us feel this way? Why cut the wings off your most emotional scenes by not reminding us musically what it's connected to ?

If you have to make me watch order 66 one hundred times, make it good. I have qualms with tcw s7, but I can't say Victory and death wasn't efficient, fitting, and as good a track as revenge of the sith's order 66 music. And it's just my opinion, but kenobi's take didn't live up to the challenge.

Ok, rant over. Why did this happen tho ? Why wouldn't they use the established themes? This is just my theory, obviously I don't work at Lucasfilm, but my guess is : the composer didn't know who she was writing for, she couldn't know what to use when. They wanted to keep the importance of leia's role a secret at all costs and make it a big reveal, as was when the vader - obiwan confrontations would take place, and the emperor cameo. I wouldn't be surprised if it was kept from even the composer. Favloni kept Luke's cameo secret from as many people as possible, telling basically anyone but mark that it'd be plo koon, and the only reason we did get the force theme in my opinion was that it did not give away it was specifically luke but any jedi. That specific brand of bland soundtrack mediocrity reminds me of what happens with the mcu when composers don't know neither what characters nor the details of the scenes they're writing for, in opposition with the Black Panther soundtrack where ludwig Goransson was informed.

It betrays such a disdain for composers that Disney is fully choosing to sacrifice quality, retaining relevant and vital information, to exclude artists from key aspects of the projects they hired them to be a part of, stifling their abilities to give us good music, and all out of fear of leaks that they cannot stop from happening anyways. Word got out of Luke's cameo, word got out of leia's involvement. Total lack of spoilers is impossible to achieve, and striving for it is hindering the very art it claims to protect the enjoyment of. Besides, a good plot should be able to withstand spoilers, and the whole spoiler circus seems very much a way to manufacture hype by signaling to people that they should want to find out before anyone else. But I digress. My point is that the lack of involvement of the composers make for some very forgettable scores and it's a damn shame

#sam speaks #long post #ngl im angry. the music of the mandalorian and the book of boba fett seemed to paint a great future for star wars music #and the mediocrity of the kenobi soundtrack is very frustrating #especially when the inclusion of a few themes would have gone a long way to make it better #star wars #kenobi #kenobi series #obi wan kenobi #obi-wan #obi wan #obi wan spoilers #kenobi spoilers #idk if there's still a point tagging that but just in case #darth vader #leia organa #princess leia #star wars prequels #sw prequels #i hope i make sense. anyways. this is mostly me screaming in the void cause ive been mad about it for 3 days and i need to formulate it #fucking hope it doesn't become a trend. I'll be listening to the andor series carefully #sam has opinions on stuff that doesn't matter episode 2992727199 #i think too much about star wars music #anyways gonna go listen to best modern star wars movie soundtrack aka rogue one