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#my babey boy
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I’m so hyperfixated on DREAMWILD I even made an OC
his name is Gub, he’s a somnosprite like Goutha but he’s just a lil babey the knight found out in the dangerous wilds.
I love him so much..
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thereaderinsertlady · 2 years
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KRBAY/HNK Head Canons (Marx)
Marx is introduced in the pilot arc for the KRBAY/HNK revival. (Which is an adaptation of Milky Way Wishes from Kirby: Super Star) After we get a recap of Tiff (or someone else) telling the story from the predecessor anime, (And I know I'm gonna be lazy by copying Earthbouds' idea, but I'm gonna do it anyways) Because either Cappy Town is still in ruins after Fight to the Finish, or The Sun & The Moon are fighting, (like in Super Star) a mysterious jester shows up. The jester introduces himself as Marx and claims that an ancient machine that could grant wishes called the galactic NOVA can help them out of their situation. But there was a catch being that they had to find the Fountian of Dreams to find it. After hearing about this Kirby, Tiff, Tuff, Rick, Kine, Coo, Lololo, & Lalala decide to help Marx find the NOVA so they could make Cappy Town back to Normal/Stop the Sun & Moon from fighting. Meanwhile, King Dedede and Escargoon hear that galactic NOVA can grant wishes, so both of them decide to chase Kirby, Tiff, Tuff Marx & the others so they can try and steal their wish when galactic nova appear. (That wish is to would have been either A) bring NeMeNe back from the dead & have to pay a lot less for monsters or B) Dedede wasting the wish on food or something else stupid when they should have picked the A) option) After some bickering between Kirby & Pals and Tripple D & Goonie, a plot twist happens, MARX IS A FRIKEN TRADOR, and was using Kirby & pals to do his dirty work. (In the beginning of the final episode of the arc is shown that Marx got possessed by a certain dark foe, so it was all really Marx's idea) Then after that twist, Marx uses his power to launch the heroes into space, laughing as, like in the game, ordered the ancient clock to ram and destroy planet popstar. Marx transforms and disappears, meanwhile, the fountain of dream on planet popstar granted the starship so Kirby and his friends can stop nova and Marx. Then after the gang went to the Fountain of Dreams of Couse a big battle with NOVA & then Marx ensues. Unlike the game, when Marx is defeated, it's the same animation and scream from Super Smash Bros. Ultimate. Then the certain dark foe within him (Dark Matter) Comes out of him and then the team has to battle it. The real Marx is weak and unable to help Kirby & co. After a big battle, The Dark Matter explodes when impacting on nova, the destruction of the evil shadow eye thing allowed the Sun and Moon to return back to normal. As they got back, King Dedede was upset that they didn't get their wish, but hired Marx to be the royal gesture. The starship returns to the Fountain of Dream as Kirby and his friends watched Marx perform his practical jokes as they laugh, as Cappy Town is still being rebuilt & almost finished as well. (Also, Meta Knight, Sword Knight, Blade Knight, Knuckle Joe, & Silica & the other knights from Fight to the Finish try to stop Kirby & co because they knew what Marx (Dark Matter) was gonna do. They also help in the battle)
Marx surprisingly isn't aware that he is trying to take over Popstar. WHY? Because he is being possessed by a certain Dark foe.
Marx has glasses like in the Japanese manual for Super Star (SHOWN RIGHT HERE)
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4. Marx was a monster from NeMeEe. He always hated that company, because (since he was actually on of the more powerful monsters there) they would always lock him in a very small room/cage for many hours. Marx always hated that feeling, so when the advents from Fight to the Finish happened, he and a bunch of other monsters decided to escape using an escape pod when they had the chance.
5. Marx is still a prankster/trickster like his game counterpart implies. Often taking the side of Dedede & Escargoon in episodes, annoying Meta on a few occasions & constantly rivaling Tuff at pranking people. Also, like what his game counterpart implies, he likes to eat a lot. So much so that in an episode he has an eating contest with Kirby and come pretty close to tying. There are also other episodes where Marx is shown to eat a lot like in the Gormont Race adaptation episode.
👀
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sfv-funnies · 2 years
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lonewhumper · 2 years
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Does Asa have any tattoos or distinct scars? Birthmarks?
He has a few now 💀 He has a few otherwise too. A few that will be specifically mentioned 😌 and something else for later...
No tattoos though! But! His little freckles over his cheeks and nosey 🥰
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batknot · 2 years
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i love giving pathetic men pet names
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regalityandcoffee · 7 months
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ANYWAY, it's Charlie Day babes.
I hope.
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i have a Scene - a Plot if you will - that backs this as context. y'all are gonna have to trust me on this one <3 or read the tags...
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#the song is 'in your eyes' by peter gabriel#boombox serenade lets GO!!!#in my mind immediately after this the others came over to say hi (or in sallys case tell him off)#and at first howdy's like 'oh ofc wallys there that makes sense. sally too? strange but alright'#then eddie appears and ohhhh boy its Jealousy Central Babey and howdy's train just pulled into the station#scribble salad#laughingstock#welcome home#barnaby x howdy#howdy x barnaby#OK CONTEXT I PROMISED CONTEXT#so in my mind howdy is an oblivious dumbass when it comes to his own romantic feelings.#he's so in love with barnaby (its very obvious) but Doesnt Realize It. despite being a god tier flirty fruity motherfucker#so when barnaby - thinking theyre on the same page - confesses#howdy's all like 'ohhh um. gee barn im flattered truly but - i just dont like you like that'#yk breaking barnaby's heart right down the middle#so barnaby shuts himself in his home and wally is hovering. yk Worried#and eddie - who's been helping barnaby come to terms w/ his own feelings & gauge if howdy feels the same - asks sally to check in for him#& sally goes over and Immediately involves herself. she takes personal offense on barnaby's behalf#also she lives for the drama and wants every juice detail Hot Off The Press#so while howdy is having a lil crisis as he slowly realizes Oh My Fucking God I DO Love Barnaby Like That-#barnaby / sally / wally / (eventually) eddie are all having a sleepover where they just play card games and chat#a good ol bitch n' stitch night#and howdy shows up to try and talk to barns (obvs in my head he doesnt have a boombox he just Knocks)#only to get RE-RE-RE-REJECTEDDDDDD!!!! thats how it feels you wormy mf!#bc barnaby is a) having a girls night & b) needs to emotionally prepare for That conversation#aaaaand THATS the context <3
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smokbeast · 5 months
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finally..unhinged sun real…
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laylakeating · 28 days
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PERCY JACKSON AND THE OLYMPIANS APPRECIATION WEEK DAY ONE | favourite character → Percy Jackson [insp]
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wulfhalls · 2 months
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paul atreides character statement
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stevebabey · 1 year
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you thought it would be all sweetness??? nooo u got to have a little miscommunication angst before anyone gets any hickies. but they will. in time >:) part one. part two. this is a part three :)
Steve blames it all on the clock.
That stupid cuckoo clock on the wall of the Munson trailer. It's an absolute horror of interior design that would make Steve’s mom shiver if she ever laid eyes on it. It’s probably why Eddie loves it — and the god-awful cuckoo! noise it makes when it goes off.
Because the moment Eddie utters that delightful question, asking for a hickie, the nerve of him, Steve loves it — and Steve is more than ready to oblige him — the stupid clock goes off.
It gives them both a fright, Steve more than Eddie. He gives a whole-body twitch that shifts them both, his head snapping to the wall, a breath forced out of his lungs at the sight of the mustard-coloured bird. Shit. Stupid fuckin’ clock, Steve thinks.
But it seems to break the trance over the room. The sweet tension of their shared closeness is sucked out of the room in an instant. Steve is suddenly aware of the time the popping out bird is announcing. It’s late. Far later than Steve intended to stay over, especially considering work tomorrow.
Without meaning to, the prickle under Steve’s skin rolls through his body. It steals away the comfort that he usually feels with Eddie, tenseness filling his body. Steve hates it — hates how he can’t stop himself from tensing up beneath Eddie.
Eddie notices. He's quick to to retract himself from Steve, pushing up and back, giving Steve his space. He sits beside Steve on the couch, still close. Not close enough to touch.
It helps. The rigidness of Steve's body relaxes just a bit but Steve doesn’t want that. He wants Eddie back on him. Wants his hands gripping Steve’s side. His breath fanning over Steve’s face, cheeks cherry red and pupils blown wide. Steve doesn’t say any of that and he sure is shit isn't brave enough to ask for it.
Instead, he croaks, “It’s late.”
Steve reluctantly pushes himself up from his slumped position, eyes already searching for his scattered shoes. He misses the way Eddie’s face falls, the way he tries to tug his hair in front of his face to hide the hurt. It takes another second to school his expression.
Steve hears a cough and then Eddie agrees with a murmur. “Yeah, sure.”
The words ache. No part of Steve is relieved to have Eddie agree with him. He’s not sure what he wanted; for Eddie to egg him to stay just a little while longer? To prove that their kisses hadn’t been a heat of the moment impulsivity? There's nothing to prove they weren't.
No, it was Steve who said he had to go. It is late. But then again maybe, Eddie wanted him to leave. But, no— Eddie just asked for a hickie, he wouldn’t—
“Don’t you have work early tomorrow?” Steve’s spiral cuts short at Eddie’s voice, tinged with… irritation?
O-kay. Now Steve’s not sure what to think. What had been the source of immense joy because Steve had asked for a kiss and Eddie said yes is suddenly… tilted.
The beginnings of embarrassment begin to cling to Steve like a thick fog. He’s done it again. Been overly eager. Asked for too much, too soon— fuck, that had been Eddie’s first kiss too.
“Yeah,” Steve replies, standing and shoving his foot into the one shoe he can find. He spies the other one under the table and wiggles it out with his toe. He can’t find in it to look at Eddie, not just yet. “Yeah, uh, I should get going.”
It’s all wrong. Steve shouldn’t be leaving — not on these terms. Not when he can’t look at Eddie for fear of what he’ll find. Regret? Steve’s not sure if he could face Eddie again, not if there’s even a trace of it on his face. It would feel like Halloween all over again, a bludgeon on Steve’s too-soft heart. It’ll crumble, he just knows it.
Steve wants to stay. He really wants to. He wants to ask for another kiss, ask for a dozen more kisses. Wants to give the hickie Eddie asked so nicely for and receive one back; matching love bites, like a gentler version of their matching twisted scars adorning their sides.
But he’s always asking for more. Steve always needs more. It’s greedy. It’s embarrassing how much he wants it, how he’s already gotten patient touches from Eddie but it’s not enough. Eddie had sounded a pinch annoyed — even aggravated at Steve.
It doesn't cross his mind that it might be for any other reason. Really, Steve thinks he’s doing Eddie a favour.
“Um,” Steve clears his throat, takes the wobble out of his words. Nods to himself and chances a glimpse at Eddie. The older is staring down at his lap, locks of hair trapped between twitchy fingers. They should talk about it. Steve’s not brave enough to risk his heart tonight.
“Well, g’night.” He says quietly, letting himself out the trailer door. He closes it behind him gently, shoes tapping against the stairs on the way down. It feels wrong, it feels wrong — but it would be selfish to turn back.
He repeats the sentiment over and over, raspy whispers beneath his breath as he climbs into his car. It would be selfish. The engine turns over and he hesitates for just a moment, hoping to catch a silhouette in the kitchen window. It’s empty. Of course, it’s empty.
Of course, Eddie is not chancing for a glance at him on his way out because Steve just asked for more and more and more, and he took Eddie’s first kiss and then— He whispers it to himself again. It would be selfish to turn back.
When he thinks about it on the drive home, Steve’s sure it all comes back to that stupid fucking clock.
-
Eddie stares in the mirror.
He’s not sure why he was so convinced there would be some radical change in him upon popping his make-out cherry but… well, here he was. Staring in the mirror like he had this morning. Except 10 hours earlier, he had been unkissed.
Tonight, the difference shows. His lips are rosier than usual, a swell to them given by hasty sweet kisses. It’s the only evidence of his spit-sharing moment of passion with Steve on the couch. The rosy colour is already beginning to fade.
Eddie sinks his teeth in. He doesn’t want the only physical proof that he even got to kiss Steve to be gone so soon. Even if that fact seems terribly bitter now.
“What the shit did you do, Munson?” He murmurs to himself in the tiny bathroom mirror.
It’s got toothpaste specks splayed across it. Eddie stares past them. Stares into his own face, reading every change in his features as emotions inside him churn. It’s heading for a distraught expression, the upturn of his brows and quiver in his lips giving him away. He always was a crier. Eddie really wishes he wasn’t.
“Idiot!” He pairs the word with a bang on the wall beside the mirror, frustration leaking out. The toothbrush on the sink shudders in its cup with a clink.
Eddie hates the welling in his eyes. He hates that he ruined the first fuckin’ good thing to happen to him in this town. Loathes that he drives away the first person who actually knows him and still wants to kiss him.
Well, wanted to kiss him.
Eddie’s pretty sure Steve scampering out of the trailer is more than a big enough sign. It’s a blazingly bright neon sign — light up words that say ‘This was a mistake!’
Except, it hadn’t felt at all like a mistake to Eddie. It had felt wonderful, better than anything he had thought, the soft curve of Steve’s lips, the grip on his hands on Eddie’s face, the heat in his face, the— Eddie growls, wiping his hand down his face to shake the thoughts. Too good to be true was what it was.
It’s because of what he said. Of what he asked for. It had to be that. But— but Steve had looked eager and almost excited and then the stupid clock had gone off, scaring the shit out of them both. Maybe it was then that Eddie’s words had sunk in and Steve realised what he’d gotten into— and who he’d gotten into it with.
“You had to ask for more, huh?” Eddie scolds himself angrily, wiping his cheeks harshly when a tear streaks free. Another follows, just as fast. Eddie wipes roughly at his face to clear them. Doesn’t care about the streaks of red he leaves on his cheeks. Another trembling reprimand comes out. “You just had to push it, huh? You fuckin’ idiot.”
Eddie can’t stand his reflection anymore. He tears his gaze away as he spins and heads straight for his room.
The button on his stereo is sticky and it takes a few forceful clicks to turn it on, but when he does, he cranks it. It’s loud enough he’ll surely wake some neighbours. Eddie can’t find it in him to care, not even when the neighbours dog starts off with its incessant barking. Anything to stop hearing himself cry.
-
“Something’s up with Eddie.” is the first thing Robin says when she comes in the front door.
Steve’s mid-yawn when she does, a result of a night of tossing and turning, and he somehow manages a strange choke at her words. In a haste to shut his mouth, he chomps on his fingers covering his mouth — then hisses, pulling it away from his face. He ignores Robin’s perplexed expression, shoving the hand deep in his pocket. His ears feel a tad hotter.
“What? Why? What makes you think that?” Steve asks the questions in rapid succession. Very chill, he chides himself. At this rate, Robin would have him all figured out 10 minutes into their shift.
And it’s not like— well, Robin’s advice is usually great. A bit cut-throat, sure. She doesn’t have a problem trodding on his feelings on her way to tell him the hard truth. Usually, it’s fine. Steve could probably do with a bit of ego-bruising.
Today, he’s… It’s different. That’s what Steve tells himself. This thing with Eddie, he wants to fix it himself. And with too much meddling from Robin’s advice, even if it was with the best intentions, might mix things up too much. It’s hard enough keeping his half-baked apology that’s been brewing since last night in proper order in his mind.
Thankfully, Robin doesn’t comment on his odd demeanor. She just bustles into the back room — there are a couple sounds of her dumping her stuff. When she comes back out the front, she’s fixing her Family Video vest. It looks perfectly straight to Steve.
He checks his own — it’s sitting askew, part of the collar flipped over. He hastily fixes it, running his hands down the front to smooth it a bit.
“Just,” Robin starts, talking as she sits in front of the computer, beginning to take a crack at the admin she managed. She likes doing things as she talks, Steve knows. Helps keep her from letting words run away from her.
Steve’s thankful for it now because she isn’t looking at him when she says, “I think he might have had a bad nightmare last night, or something of that sort. I don’t know. Maybe I’m way off — you know how I am with trying to read people, Steve. I’m not good at it! But when I saw him, he just seemed…”
Robin seems to take an extra moment to deliberate her word choice. Steve’s really glad she’s still facing the computer so she can’t see the myriad of emotions that show on his face.
“…Off.” is the word she decides on.
Which means bad. Steve feels like he’s swallowed a stone. It sinks deep into his stomach. It burns, sour and scorned, twisting up his gut. It means Eddie is bad — it means disappointment, means he regretted it. That Steve had been right; that he’d been too eager, too soon. Too much.
Right. Of course, this happens again. Really, Steve had brought it on himself by asking for so much. It had been one thing to ask for a hug — who actually has to do that? — and then to expect he might get Eddie to kiss him too? What a overstep. Christ, he's an idiot.
“That’s not…” He hears himself say, still lost in his thoughts. It's only when Robin turns on the stool, brows raised, that Steve realises he hasn’t finished his sentence. “Good. That’s not good. To hear.”
Steve turns and starts shuffling around the films on the returns cart, picking them up at random. He stares at a copy of ‘The Princess Bride’ in his hands, a new release, and forces out a causal question.
“What made you think that?” He asks, shoving the film into an empty slot, like he was arranging them. He’s relieved when Robin’s clicking on the keyboard resumes, along with a dramatic sigh.
“I don’t know. I don’t know if I can be trusted to read anyone’s emotions correctly at any given time, honestly. Remember that old lady? I thought she was being sweet that whole time and then you told me she was being rude! And I couldn’t even tell…”
Robin’s ramble is comforting and helpful to Steve in a way he didn’t know they could be. He presses the cart out, finally getting a move on with it, but delivers a quick nod to Robin when she’s looking to let her know he’s still tuned in. He listens to her get distracted by another topic and leaves Eddie’s name in the dust. It’s a silent relief.
It’s a task to multi-task, listening and devising a plan, but Steve has all shift to find the balance. It’s sometime between finishing re-stocking the action section and starting the romance that Steve decides he should apologise. He should go over today and apologise.
Eddie’s a big boy but Steve’s fairly certain now, if he regretted it, Eddie had probably felt obliged to kiss him back. Probably hadn’t minded the first kiss but- but— Something sticks in his brain; it was Eddie’s first kiss.
It makes Steve feel worse. It doesn’t matter, really, Steve should say sorry for all of it. God, he’s such an idiot.
By the time he’s clocked out, it’s all set in place. He’s got a dozen different apologies running in a loop in his head, reciting the words in time with his anxious tapping on the steering wheel. It’s not a long drive out to Forest Hills Trailer Park. The drive is well-known now. Steve tries hard not to wallow in what he might be losing today. What he lost because he’d been too greedy with want.
The sight of a brown van parked roadside yanks him from his thoughts. Eddie’s van. Steve’s stomach turns, nerves gnawing faster. He slows, trying to catch eye of the other boy as he rolls to a stop behind the van. The sun is beginning to dip closer to the horizon, the temperature going with it.
At the same time, they see each other; Eddie’s head popping around the raised hood to see who had stopped, right as Steve pops his door. Eddie retreats in an instant. Steve's chest grows a bit tighter.
Gravel crunches underfoot as Steve takes a few wary steps closer. It doesn’t take more than a couple before Eddie calls out. He doesn’t bother poking his head out again.
“Go away, Steve.”
Steve swallows thickly. Yeah, okay, he deserves that. He deserves probably worse than that. But more importantly than that, Eddie deserves to hear this. And Steve... needs to not lose Eddie.
“Can I… can we talk?” Steve asks, taking a couple steps closer. A car whizzes by on the road, hidden from Steve's view behind the van. He still keeps his distance, hovering. His hands clench nervously at his sides. Steve shoves them deep in his jean pockets, wiping the sweat off them as he goes.
“What part of ‘Go away’ isn’t clear enough for you?” Eddie snarks back. He still doesn't stick his head out, still won’t look at Steve. It stings.
“I know, I’m sorry,” Steve starts, another instinctive step forward taken. “I-I just, I shouldn’t have left like I did last night. I wanted to apologise.”
There’s a clattering from behind the hood like Eddie’s dropped a tool. He swears. Steve wants to take another step, wants to see Eddie — wants to read every emotion and apologise for causing any of the ugly ones.
“Well, apology accepted,” Eddie responds. There’s a bite in his words. His next words are grumblier, quieter. “And message fuckin’ received.”
What? “What’s that supposed to mean?”
“That—” Finally, Eddie steps away from the van, rounding the hood to march up to Steve. His arms cross over his chest, a wrinkle set between his brows that pull his face into a glare. Robin was right; he is off. This isn’t normal Eddie. Fuck, Steve had fucked up bad.
“That means message received, Steve.” Eddie seethes. He uncrosses his arms to gesture wildly. Steve misses the wobble in his bottom lip. “Message received loud and clear! I get it!”
And all Steve wants to ask is: get what? He doesn’t ask that. He should know what. That would be an idiotic question, would make Eddie more irritated. Lord knows, Steve has been enough of a fool in the last day. So, he doesn’t ask.
“Look, I just…” Steve starts, words a bit weak. They die in his throat as he tries to recall a single apology he had practiced all day and comes up empty. “I’m just- I just wanted—look, I’m sorry I took your first kiss!”
It’s not exactly what he means to say, but Steve certainly is sorry for it. Eddie’s expression wavers, some anger slipping away. Confusion takes its place.
“What?” Eddie says with a tone of bafflement. “What are you talking about?”
“And I’m sorry I kept… kept asking for more.” Steve continues on, pulling on the thread inside him, connected to the terrible stone he swallowed earlier. He tugs it. Hopes pulling it will unravel the guilt sitting heavy in his stomach.
Steve scrunches his eyes shut and rubs the bridge of his nose. “I know, okay? I know that I can be a lot.” He sighs and drops his hands.
“But I didn’t mean to… shit,” He wrenches his eyes open. Eddie’s a bit wide-eyed now, brown eyes watching him intently. Steve doesn’t know what expression he’s wearing, can’t tell if it’s good or worse. He continues, soft words scraping out his throat.
“I didn’t mean to be like that with you.”
Eddie searches Steve’s face, eyes darting and wild. He licks his lips. His hands are in motion, fingers twisting rings, quick and fast. It’s a nervous action.
“What do you mean by ‘like that?’” Eddie asks, voice gentler. It's lost its snarl from before.
Steve blinks, a scrape of teeth worrying his bottom lip. He murmurs his admittance lowly, just one word, “Selfish.”
Eddie doesn’t try to hide his surprise; it ripples across his face in a wave. Confusion melts away into something closer to, Steve hopes desperately, relief. Steve can feel his own heart thudding hard inside his chest — can feel the beat it skips when Eddie steps closer.
“Steve?” Eddie says, sounding unlike himself. Steve’s never heard his voice that small. He nods, wordlessly. Eddie searches his face once more — wide brown eyes scanning and devouring. Steve can’t help but do the same.
He drinks in the details of Eddie’s face; the soft scruff along his top lip, the darkness of his lashes and the way they kiss in the corner that Steve adores. The pink of his lips. The familiar ache to kiss Eddie surges up within him, still as violent and strong as it had been the night before.
Steve should really stop looking at Eddie’s lips. He’s supposed to be apologising. He drags his eyes up and meets Eddie’s gaze full-on, prepared for whatever he might say. Except, he’s not expecting him at all to say;
“Can I... try this again?” It comes out a ragged breath, Eddie's scared eyes conveying the weight behind his words.
And this time Steve doesn't even need to ask what because he knows. Because Eddie's hands are reaching up and holding either side of Steve's face so gently. Steve can't recall a time he's ever been held so softly. His own hands come up slowly, draping around Eddie's wrists to hold them, to keep them there.
Eddie's thumb traces. It draws a sweet line of that familiar fire beneath Steve's skin along til it's settled on Steve's bottom lip, resting. The blood under Eddie's thumb thrums, gloriously warm, aching with want. Yes. Steve thinks. Yes, yes, yes.
"Yes, please." Steve breathes, so sincere the words comes out as a kiss against Eddie's thumb.
So, Eddie kisses him.
now with a part four !
tags below! sry if i tagged u and u didn't want it just tagging everyone who replied <3 @they-reap-what-we-sow @impeachy @anaibis @resident-gay-bitch @ediewentmissing @newtstabber @original-cypher @invisibleflame812 @hunterbow04 @leather-and-freckles @dracoswifeandlokispet @foolofentirelytoomanyfandoms @lfaewrites @sundead @call-me-big-eyes @the-redthread @goblinmanifesto @etaka @bishopextractions @ketterfuck @persephone13 @beckkthewreck @maya-custodios-dionach @autumnal-dawn @yourstrulyjoko @gleefully-macabre @princess-eddie @savory-babby
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hum--hallelujah · 2 days
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Take This to Your Grave is the debut studio album by American rock band Fall Out Boy, released on May 6, 2003, by Fueled by Ramen. [...] Take This to Your Grave is often regarded as one of the greatest pop-punk albums of all time. In 2017, Rolling Stone placed the album at number 5 on their list of the "50 Greatest Pop-Punk Albums".[1]
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dizzybevvie · 4 months
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Kh1 riku i miss u
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mokeonn · 2 months
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Eusthenopteron in hats
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screebyy · 5 months
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[boy problems by carly rae jepsen plays in the distance]
i. really enjoyed the radio message this week
ID: a 2 panel comic featuring Crow and Petra Venj from Destiny. Panel 1: Crow is sitting cross-legged on a purple couch. He is wearing a black t-shirt with a white bird on it, in the same pattern as his in-game cloak, and dark gray shorts. There is a reddish-purple blanket draped around his shoulders. He is holding a tub of chocolate ice cream in his left hand and is lifting a spoonful of ice cream to his mouth with his right hand. He is crying and has a comically sad expression as he looks up at his ghost Glint, who is floating to the left and looks sad. Crow says: "What if Jolyon doesn't want to talk to me though? What if he doesn't like me anymore? Wah." There are multiple frowny faces surrounding him in speech bubbles. Panel 2: A black cellphone has been thrown from off screen and hit Crow in the face with a "bonk" sound effect. Crow is in the middle of tumbling over on the couch from the impact, spilling his ice cream. Glint looks alarmed. A cartoonish cutout of Petra's face is shouting angrily from off-screen: "Just call him, idiot. And stop eating all my ice cream."
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YANDERE FARMER BOY: INTRODUCTION
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× cw: general yandere stuff; getting lost; large families; implied scary relative; stalking; manipulation; murder; cannibalism
× note: kenji my beloved
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⌗ A country bumpkin who just moved to the big city with his father, mother, four sisters, three brothers, grandparents, other grandparents, uncle, aunt, six cousins, dog, cats and cow. His family isn’t big at all, it’s normal sized! Your family is just pretty small, you know?
⌗ He was lost, wandering in the busy streets when you found him. He looked so pitiful and innocent: who in their right mind wouldn’t stop to help him? In the end, you directed him back to the apartment block he lived in with his family. (They brought up the entire floor.)
⌗ His family was so thankful they gave you their home grown watermelons - they’re super delish, and completely natural, unlike those supermarket fruits with nasty preservatives. 
⌗ From then on, you keep seeing this farmer boy everywhere! The park, the mall, the shopping centre, even in your neighbourhood! He must have a terrible sense of direction, huh? Either that, or he’s stalking you. 
⌗ But that can’t be it! Who’d think that? He’s a sweet summer child, with not a single mean bone in his body. Sure, he may be a little naïve, but he’s an honest and compassionate person. He treats everyone he meets with kindness and respect, and gains a lot of friends as a result. In fact, he’s already quite popular with the local community!
⌗ You think that after four months he’s pretty used to the city, but he still insists on you visiting him at his apartment - his siblings miss you! (So does he.) Everywhere you go, he’s right behind. You’re going to buy some groceries? What a coincidence: he’s been sent on some errands as well! Visiting the post office? He’s free right now, so he’ll accompany you!
⌗ If you ever try to excuse yourself from his clutches, he’ll attempt to guilt trip you into staying. His grandparents have been waiting to see you for a week already! His grandma even made your favourite snacks - won’t you visit? If that doesn’t work, he’ll resort to sticking to you like glue. It’s okay if you don’t know he’s there. He’s just protecting you, okay?
⌗ He loves to spend time with you, because you’re the person who noticed him and helped him! Everyone else ignored him because he looked poor, but you didn’t care about any of that! You’re such a blessing! He’ll be sure to treasure you forever and ever.
“Hehe, thanks so much, [Name]! You’re always so nice to me! I’ll be sure to repay you in every way I can.”
⌗ He may be from the country, but he’s no fool. He comes off as naïve, but that’s because he believes that he should only retaliate when the other person hits first. That way, it’s self defence!
⌗ Humans are scum. Of course, the only exception is his family and you, whom he loves with all his heart! He'll be overjoyed if you’d become part of his precious family too!
⌗ If anyone bothers you or even looks at you wrong, he’s already onto them. He may not be able to really read the room, but he still knows when someone holds hostile feelings or thoughts. After all, he knows plenty about hostility. The villagers were full of that hateful feeling when they drove out his family. That’s why they came to the city, y’know? But it’s not all bad; he met you!
⌗ Humans are like cows. They’re fat, and they make a lot of noise. They’re also quite dumb. Whenever a cow misbehaved in his old village, he would just give them a hearty slap. If that didn’t work, he’d knock them out. And if the cow continually made trouble, it became dinner’s beef. There are lots of similarities between cows and humans, actually!
⌗ Don’t worry if the beef patty tastes a little tough or gamey. Him and his mother assure you that it was just a really active cow. It mooed a lot, and ran around everywhere too! It was too bad the cow was getting too big, and too expensive to feed… Indeed, what a shame. 
⌗ His family can’t wait for you to move in with them! You practically sleep over with him everyday, why don’t you just stay there permanently? He’s a very (abnormally) strong boy, he can help you move all your things into an empty apartment! They have an empty unit anyway: it’s perfect for you to live in with him! 
⌗ His younger siblings are absolutely in love with you - each and everyone of his siblings claim that they’ll marry you when they grow up, but he’s quick to scoop you up in his arms and proclaim himself as your future husband! Wouldn’t that be a dream come through? Oh no, now the cousins are here too! They’re all clamouring for your hand in marriage! In the commotion, he whisks you away to kiss you feverishly (he’s jealous).
⌗ His parents live in the first unit with his youngest brother, and his brothers and sisters live in their respective apartment units. His uncle and auntie have their own apartment, as do his cousins and their two units. His grandparents have a unit, and his other grandparents have one too! With you and your lovely farmer boy sharing a unit, that makes nine units in total!
⌗ But wait, doesn’t this apartment complex have ten units per floor? As long as you don’t inquisitively ask about unit ten at the end of the hall, or the rotting stench that seems to waft from it, everything will be fine and dandy! You don’t need to know about the family’s extra beef stash.
“You make me super happy, [Name], and I’d love to spend the rest of our lives together. You’re always helping me, so I’ll make sure to repay that a thousand times over. Imma make you so happy, you’ll never wanna leave me!”
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