#mine: saludos amigos | Explore Tumblr Posts and Blogs

sweet-caress-of-twilight · 5 months

Text

Going off of one of my previous reblogs, i attempted to make a list of where in the world every Disney Animated Canon movie takes place

Antarctica:

Pablo the Cold-Blooded Penguin (The Three Caballeros) (Pablo starts out living in the South Pole and then he goes to Chile, Peru, and Ecuador)

Africa

The Lion King

Tarzan

Asia

Aladdin is set in a mishmash of Middle Eastern countries. It was supposed to be in Iraq, but because of the Persian Gulf War, Disney said no, so it takes place in the fictional country of Agrabah, which is inspired by Baghdad in Iraq.

Raya and the Last Dragon is set in a mishmash of Southeast Asian countries, but takes the most inspiration from Vietnam

China: Mulan

India: The Jungle Book

Europe

England: The Wind in the Willows (The Adventures of Ichabod and Mr. Toad), Alice in Wonderland, Peter Pan, 101 Dalmatians, The Sword in the Stone, Robin Hood, Winnie the Pooh, The Great Mouse Detective

France: Cinderella, Sleeping Beauty, The Aristocats, Beauty and the Beast, The Hunchback of Notre Dame

Germany: Snow White, Tangled

Greece: The Pastoral Symphony (Fantasia), Hercules

Italy: Pinocchio

Norway: Frozen (Arendelle is heavily inspired by Norway)

Russia: Peter and the Wolf (Make Mine Music)

Spain: Wish (Rosas is inspired by Spain and located off the Iberian Peninsula)

Turkey: Pomp and Circumstance (Fantasia 2000) is about Noah's Ark, and many people believe that the ark landed at Mount Ararat in present-day Turkey

Ukraine: Night on Bald Mountain/Ave Maria (Fantasia) (the real Bald Mountain is Mount Triglaf, near Kyiv in Ukraine)

Wales: The Black Cauldron

North America

Mexico:

Las Posadas

Mexico: Pátzcuaro, Veracruz and Acapulco

You Belong to My Heart/Donald's Surreal Reverie (all from The Three Caballeros)

United States:

Different towns in Massachusetts and California have claimed to be the Mudville that Casey at the Bat (Make Mine Music) takes place in, but the author of the original poem said it has no basis in fact.

The Legend of Johnny Appleseed (Melody Time) - the real Johnny Appleseed (real name John Chapman) planted apple trees in Pennsylvania, Ohio, Indiana, Illinois, Ontario, and West Virginia

Lady and the Tramp could take place somewhere in New England

The Fox and the Hound looks like it takes place in Appalachia, so maybe Pennsylvania or Virginia

Home on the Range is somewhere in the Old West

Bolt takes place across America: starts out in California, the title character ends up in New York, visits Ohio, and is back to California by the end

Alaska: Brother Bear

California: Wreck it Ralph (Ralph Breaks the Internet reveals that Litwak's Arcade is in California), Big Hero 6

Florida: Dumbo

Hawaii: Lilo and Stitch

Louisiana: Blue Bayou (Make Mine Music), most of The Rescuers, The Princess and the Frog

Maine: Bambi (the forest was based on Maine and the animators traveled to Maine for reference)

New York: Johnny Fedora and Alice Blue Bonnet, The Whale Who Wanted to Sing at the Met (Make Mine Music) (the Metropolitan Opera is in NYC), Little Toot (Melody Time), The Legend of Sleepy Hollow (The Adventures of Ichabod and Mr. Toad) (the real Sleepy Hollow is in New York), The Rescuers (the Rescue Aid Society headquarters is in NYC), Oliver and Company, Rhapsody in Blue (Fantasia 2000)

Texas: Pecos Bill (Melody Time)

Virginia: Pocahontas

Washington, DC: Atlantis: The Lost Empire (Milo works at the Smithsonian

Oceania

The Rescuers Down Under: Australia

Moana: Polynesia

Pangaea

The Rite of Spring (Fantasia)

Dinosaur

South America

Argentina: Pedro, El Gaucho Goofy (Saludos Amigos)

Bolivia: Lake Titicaca (Saludos Amigos)

Brazil: Aquarela do Brasil (Saludos Amigos), Baia (The Three Caballeros), Blame It on the Samba (Melody Time),

Chile: Pedro (Saludos Amigos) (The title character delivers the mail in the Andes, between Santiago, Chile, and Mendoza, Argentina), Pablo the Cold-Blooded Penguin (The Three Caballeros)

Colombia: Encanto

Ecuador: Pablo the Cold-Blooded Penguin (The Three Caballeros) (Pablo goes to the Galapagos Islands, which is an archipelago in Ecuador)

Peru: Lake Titicaca (Saludos Amigos) (the lake is at the border between Peru and Bolivia), Pablo the Cold-Blooded Penguin (The Three Caballeros), The Emperor's New Groove

Uruguay: The Flying Gauchito (The Three Caballeros)

Unknown/does not take place in our world

Any of the package film segments not mentioned here

The Little Mermaid seems like it takes place in the Mediterranean Sea, but it could also take place in the Caribbean, which would explain Sebastian's accent

Fantasia 2000: "Pines of Rome" is set in the Arctic, so it could be anywhere from Canada to Alaska to Finland to Russia

Most of Atlantis: the Lost Empire, since the city of Atlantis is completely made up

Treasure Planet

Chicken Little

Meet the Robinsons

Zootopia

Strange World

37 notes · View notes

disney-is-mylife · 1 year

Text

I 1000% expect this poll to get barely ANY votes lmao, but who knows? ¯\_(ツ)_/¯

For a little frame of reference, I'll include a list of the sequences from Make Mine Music onward, so that way those familiar with the sequences can still vote, if they wish ^^"

Make Mine Music:

The Martins and the Coys

Blue Bayou

All the Cats Join In

Without You

Casey at the Bat

Two Silhouettes

Peter and the Wolf

After You've Gone

Johnnie Fedora and Alice Bluebonnet

The Whale Who Wanted to Sing at the Met

Fun and Fancy Free:

Bongo (narrated by Dinah Shore in original; narrated by Jiminey Cricket in the VHS standalone short)

Mickey and the Beanstalk (narrated by Edgar Bergen and his puppets, Charlie McCarthy and Mortimer Snerd, in original; narrated by Professor Ludwig VonDrake in VHS standalone short)

Melody Time:

Once Upon a Wintertime

Bumble Boogie

The Legend of Johnny Appleseed

Little Toot

Trees

Blame It On the Samba

Pecos Bill

The Adventures of Ichabod and Mr. Toad

The Wind in the Willows

The Legend of Sleepy Hollow (aka, the Headless Horseman)

#Starling polls #Disney Film Era Polls #Disney #Disney Package Films #Disney Wartime Era #Saludos Amigos #The Three Caballeros #Make Mine Music #Fun and Fancy Free #Melody Time #The Adventures of Ichabod and Mr. Toad #original post #100+ votes #20 notes

43 notes · View notes

disneylover-101 · 1 year

Photo

#saludos amigos #Disney #saludos amigos edit #disneyedit #disneydaily #disneyfilms #disneyfeverdaily #animationdaily #wartime era #edits #mine

54 notes · View notes

disneyismyescape · 2 years

Photo

Every Disney Movie in Six Screencaps #6 ♡ Saludos Amigos (1942)

#disneyedit #disney #saludos amigos #saludosamigosedit #wdas #mine #6 screencaps

98 notes · View notes

inbarfink · 3 months

Text

#Saludos Amigos #The Three Caballeros #Make Mine Music #Fun and Fancy Free #Melody Time #The Adventures of Ichabod and Mr. Toad #disney #disney movies #disney animation #walt disney #three caballeros #three cabarellos #the adventures of ichabod and mr toad #ichabod and mr. toad #tumblr polls #poll time #my polls #random polls #polls

5 notes · View notes

rotoscopers · 2 years

Photo

Animation Addicts Podcast #260: Disney Canon Tier Ranking- The Wartime Era | Rotoscopers

#Disney #fun and fancy free #Make Mine Music #melody time #Saludos Amigos #the adventures of ichabod and mr. toad #The Three Caballeros #Animation Addicts Podcast #Episode Archive #Podcasts #The Latest Animation News

0 notes

joshuasumter · 8 months

Text

You're not going to believe this! The Disney 100-year Anniversary crossover short, Once Upon A Studio, is coming! 100 years of stories, 100 years of magic, 100 years of Disney! It's like Disney's House of Mouse all over again, with a hint of Night at the Museum. I've been waiting for this all my life, I'm so excited! (Also gets you and some people hoping for a House of Mouse revival/reboot on Disney+, or maybe a mini-series inspired by this short) Featuring 543 characters from over 85 Disney films and shorts, the following list features those that are only from Walt Disney Productions (1937–1985), Walt Disney Feature Animation Studios (1986–2007), and Walt Disney Animation Studios (2007-present).

Films

Snow White and the Seven Dwarfs

Pinocchio

Fantasia

The Reluctant Dragon

Dumbo

Bambi

Saludos Amigos

Victory Through the Air

The Three Caballeros

Make Mine Music

Song of the South

Fun and Fancy Free

Melody Time

So Dear to My Heart

The Adventures of Ichabod and Mr. Toad

Cinderella (1-3)

Alice in Wonderland

Peter Pan (1-2)

Lady and the Tramp (1-2)

Sleeping Beauty

101 Dalmatians (1-2)

The Sword in the Stone

Mary Poppins

The Jungle Book (1-2)

The Aristocats

Bedknobs and Broomsticks

Robin Hood

The Many Adventures of Winnie the Pooh

The Rescuers

Pete's Dragon

The Fox and the Hound (1-2)

The Black Cauldron

The Great Mouse Detective

Oliver & Company

The Little Mermaid (1-3)

The Rescuers: Down Under

Beauty and the Beast (1-3)

Aladdin (1-3)

The Lion King (1-3)

Pocahontas (1-2)

The Hunchback of Notre Dame (1-2)

Hercules

Mulan (1-2)

Tarzan (1-2, Tarzan & Jane)

Fantasia 2000

Dinosaur

The Emperor's New Groove (1-2: Kronk's New Groove)

Atlantis: The Lost Empire (1-2: Milo's Return)

Lilo & Stitch (1-2: Stitch has a Glitch)

Treasure Planet

Brother Bear (1-2)

Home of the Range

Chicken Little

Meet the Robinsons

Bolt

The Princess and the Frog

Tangled

Winnie the Pooh

Wreck-It Ralph

Frozen

Big Hero 6

Zootopia

Moana

Ralph Breaks the Internet

Frozen 2

Raya and the Last Dragon

Encanto

Strange World

Wish

Shorts

Oswald the Lucky Rabbit in "Trolley Troubles"

Mickey Mouse in "Steamboat Willie"

Silly Symphony (Three Pigs, Big Bad Wolf)

Donald Duck

Goofy

Pluto

Figaro

Chip n' Dale

Adventures in Music

Humphrey the Bear

John Henry (Disney's American Legends)

Ballad of Nessie

Paperman

Ben and Me (1953)

Toot, Whistle, Plunk and Boom (1953)

Lambert the Sleepish Lion (1952)

*Roger Rabbit, made by Richard Williams's studio in England, and Enchanted, made by Tony Baxter, will not appear in this short because they don't belong to WDAS. 69 + 16 = 85!

#once upon a studio #disney #disney 100 #disney 100 years of wonder #once upon a studio disney #disney once upon a studio

59 notes · View notes

kylesvariouslistsandstuff · 3 months

Text

The Weird History of Western Animated Movie Sequels

This is a rewrite of sorts of a history post I did on theatrical animated movie sequels in the West (largely the U.S.) a few years ago, and how weird it is... How we went from a handful of sequels over the course of three decades to an *explosion* in them... I'll collect all this fun stuff in a timeline of sorts.

(This list will mainly focus on traditional sequels, not so much films sharing similar themes and FANTASIA being planned as an ever-updating anthology w/ every re-release had it done well initially. And also, theatrical sequels. With the exception of movies re-routed to streaming because of COVID-19. That sorta thing, ya know?)

Late 1930s-Mid 1940s: Walt Disney and his studio entertain the idea of sequels to SNOW WHITE AND THE SEVEN DWARFS and BAMBI, titled SNOW WHITE RETURNS and BAMBI'S CHILDREN. Nothing comes of them. If FANTASIA is to be successful, Walt's plan for the film is to update it every couple of years, taking some segments out and replacing them with new ones. And repeating that once more. FANTASIA bombs at the box office upon general wide release in early 1942, so the plans fall through. A feature film BONGO is developed at the beginning of the decade, and at one point it is suggested to be set in the same universe as DUMBO and would feature characters from that film. BONGO eventually became a much pared-down segment of the package film FUN & FANCY FREE in 1947.

1942-1944: Disney and their distributor RKO Radio Pictures release two anthology "package" features, SALUDOS AMIGOS and THE THREE CABALLEROS. During World War II, Nazi influence began to take shape in Central and South America. American filmmakers, including Walt Disney and a select team of his artists, traveled south in part of a larger government strategy to strengthen goodwill between the U.S. and Central/South America. SALUDOS and CABALLEROS are thus "goodwill" pictures, formed up of multiple segments themed around those territories. Both of them feature Donald Duck and Jose Carioca. Because of this, CABALLEROS could be viewed as a "sequel" of sorts to SALUDOS.

April 1946: Disney and their distributor RKO premiere MAKE MINE MUSIC, an anthology of musical segments not dissimilar to FANTASIA. The picture goes into general release in August.

May 1948: Disney and RKO release MELODY TIME, another musical anthology film. The film notably features both Donald Duck and Jose Carioca in a segment called 'Blame It On the Samba', reprising their roles from SALUDOS AMIGOS and THE THREE CABALLEROS. The Aracuan Bird from CABALLEROS also appears during this segment. Like MAKE MINE MUSIC, these two films can be seen as an extension of the FANTASIA concept, and MELODY TIME could be seen as a sequel of sorts of MAKE MINE MUSIC. The Disney company never considered any of these films to be "sequels", at least in a more traditional sense.

We have a long gap here because Walt Disney Productions was the only animation studio in America that was making feature films, and there were plenty of times where they could've ceased doing just that. Couple that with Walt's general hesitance to make sequels, and thus there weren't any animated feature sequels made from the 1950s to the end of the 1960s... Other animation studios in America had attempted to make features, but never got past a small number of them. The Fleischer studio made both GULLIVER'S TRAVELS and MR. BUG GOES TO TOWN in 1939 and 1941 respectively, and their studio was shuttered shortly after BUG's quiet and brief general release rollout in early 1942. The UPA tried their hand at animated features, but only got around to making two, 1001 ARABIAN NIGHTS and GAY PURR-EE.

By the 1960s, more animation studios were making feature-length productions, such as Hanna-Barbera and Rankin/Bass. By 1970, there was at least one new movie from an American house every two-or-so years. A good chunk of them were also based on hit TV shows or well-known properties. Hanna-Barbera did features based on THE YOGI BEAR SHOW and THE FLINTSTONES, there was also a PEANUTS-based movie called A BOY NAMED CHARLIE BROWN. Ralph Bakshi shook up the animation world with his adult independent feature FRITZ THE CAT in early 1972.

A BOY NAMED CHARLIE BROWN and FRITZ THE CAT would be the first American animated movie sequels to get theatrical sequels...

August 1972: PEANUTS movie SNOOPY COME HOME!, a follow-up to A BOY NAMED CHARLIE BROWN involving much of the same key crew (such as director Bill Melendez and producer Lee Mendelson), is released by National General Pictures to poor box office.

June 1974: THE NINE LIVES OF FRITZ THE CAT, a sequel to Ralph Bakshi's FRITZ THE CAT that didn't involve Bakshi, is released by American International Pictures and doesn't repeat the success of the first movie.

August 1977: RACE FOR YOUR LIFE, CHARLIE BROWN is released by Paramount, and doesn't make much of a mark at the box office.

Late 1970s: Despite the success of Ralph Bakshi's rotoscoped THE LORD OF THE RINGS in the fall of 1978, a follow-up is considered but does not materialize due to funding issues.

May 1980: BON VOYAGE, CHARLIE BROWN (AND DON'T COME BACK!!) is released by Paramount to weak box office.

1984-86: After much turmoil, the Disney enterprise sees a major corporate shakeup. Outsider executives Michael Eisner and Frank Wells become CEO and President of the newly-christened The Walt Disney Company, respectively. Upending the old tradition of not making feature sequels, Michael Eisner and the new executives ask the staff of the animation studio what their highest grossing feature was to date. When revealed that it was THE RESCUERS, a sequel to the film is greenlit.

March 1986: A fast-tracked sequel to 1985's THE CARE BEARS MOVIE is released, and only makes a fraction of what the first film - a minor hit in its own right - took in.

August 1987: A third Care Bears movie, THE CARE BEARS ADVENTURES IN WONDERLAND, is released to equally unremarkable box office.

1988-89: Following the record-breaking, game-changing success of ex-Disney animator Don Bluth's Steven Spielberg-produced AN AMERICAN TAIL in 1986, a sequel is put in development, with Bluth initially tapped to helm. Bluth later broke ties with Spielberg over creative differences, and following the runaway success of WHO FRAMED ROGER RABBIT, Steven Spielberg would set up a new animation studio called Amblimation. They took over the film.

November 1990: THE RESCUERS DOWN UNDER is released to mixed critical reception and weak box office. Within weeks of release, Disney chairman Jeffrey Katzenberg has all the marketing for the film pulled.

May 1991: Computer animation studio Pixar enters a feature film deal with The Walt Disney Company. This three-picture deal, which would later be expanded, stipulates that NO sequels be pitched. Every film pitched by Pixar for this contract is to be an ORIGINAL film, for the sole purpose of introducing new worlds/characters for the company's theme parks and consumer products divisions.

November 1991: Universal releases AN AMERICAN TAIL: FIEVEL GOES WEST, the same weekend as Disney's BEAUTY AND THE BEAST. The film flops at the box office.

Mid 1991-Early 1992: Walt Disney Home Video initially refuses, at Roy E. Disney's behest, to release FANTASIA on video formats following its 1990 theatrical re-release. Michael Eisner makes a deal with Roy: Release FANTASIA on video, and a follow-up to FANTASIA will be greenlit. FANTASIA is released in November and pulled by January 1992, selling a record-breaking 14 million units. FANTASIA CONTINUED is greenlit.

Mid 1994: Following the success of THE RETURN OF JAFAR, which was essentially an hour-long direct-to-video pilot for the ALADDIN TV series, Disney Feature Animation does not pursue making sequels to their animated features. The only exception being FANTASIA CONTINUED, which is Roy E. Disney's pet project. All other sequels are to be outsourced productions, and are produced exclusively for the home video market.

March 1996: A sequel to Don Bluth's ALL DOGS GO TO HEAVEN, which didn't involve Bluth much like FIEVEL GOES WEST didn't, is released to poor box office.

Early-Mid 1996: Following the success of Pixar's debut feature, TOY STORY, Disney immediately commissions a direct-to-video sequel that is to be made by "B-team" of sorts at a satellite studio, while work on A BUG'S LIFE takes place at Pixar's main building in Point Richmond. (This was before they moved to Emeryville.)

July 1997: Legacy Releasing released a sequel to THE SWAN PRINCESS, titled THE SWAN PRINCESS: ESCAPE FROM CASTLE MOUNTAIN, to virtually nonexistent box office grosses.

February 1998: TOY STORY 2 is changed from direct-to-video project to theatrical feature film, though it will not count as part of Pixar's then extended film deal with The Walt Disney Company. That very contract mandated that all of Pixar's productions be original features, or else they wll NOT count as part of the deal. Pixar and the Disney company also enter a gentleman's agreement, in that Disney will not push sequels to Pixar films *without* Pixar's permission.

Early 1999: TOY STORY 2 is taken over by the staff at the main Pixar building due to concerns over the quality of the story. The film is significantly revised, with the release date mere months away.

November 1999: TOY STORY 2 is released, and becomes the first animated movie sequel to outgross its predecessor at the box office. Despite the film's success, and despite the considerable stress the production was, Michael Eisner refuses to count it as part of the deal. Pixar owner Steve Jobs strongly feels that TOY STORY 2 should count.

January 2000: On New Year's Day of the new millennium, Roy E. Disney's FANTASIA follow-up FANTASIA 2000 goes into IMAX-exclusive release after a world premiere the previous month.

February 2000: Disney makes the unorthodox decision to release THE TIGGER MOVIE in theaters, a production made by the satellite units that otherwise would've gone straight to video. The film is a financial success.

June 2000: FANTASIA 2000 goes into general release. The film does not recoup its costs at the box office, and is generally a dud with audiences.

Around Early-To-Mid 2000: Despite the contractual agita over TOY STORY 2, Pixar is keen to do a TOY STORY 3. However, it is not greenlit by Disney.

November 2000: Paramount releases a sequel to their Nickelodeon-based hit from 1998, THE RUGRATS MOVIE. While RUGRATS IN PARIS does not make as much money as the first movie, it is still a financial success.

Early-To-Mid 2001: DreamWorks, who are about to release SHREK, are already at work on a sequel. When SHREK defies its pre-release odds and becomes a box office smash upon its May release, the sequel goes full-steam ahead. Unlike Disney Animation, whose sequels are farmed-out straight-to-video endeavors, and unlike Pixar who can't make another sequel per their contract with Disney, DreamWorks has none of this baggage and goes right ahead with a SHREK sequel.

February 2002: Disney releases another satellite production, PETER PAN sequel RETURN TO NEVER LAND, theatrically. The film is a box office success.

June 2002: Following the success of the Blue Sky production ICE AGE, released by 20th Century Fox, work is already underway on a sequel. Much like DreamWorks, they too don't have the baggage Disney Animation and Pixar have concerning sequels.

February 2003: Disney releases satellite production THE JUNGLE BOOK 2 theatrically, another financial success.

March 2003: Disney releases satellite production PIGLET'S BIG MOVIE to theaters. Costing double that of RETURN TO NEVER LAND and JUNGLE BOOK 2, the film is a box office flop.

July 2003: RUGRATS GO WILD, the third RUGRATS movie and something of a sequel to THE WILD THORNBERRYS MOVIE, is released by Paramount to poor box office.

Early-To-Mid 2004: Friction develops between The Walt Disney Company and Pixar, making a split between the two seem likely. Per the contract, Disney has first rights to the studio's animated movies that made up the extended film deal. (Everything from TOY STORY to a then-forthcoming THE INCREDIBLES and CARS) If Pixar were to break off from the Disney company, Disney could feasibly make sequels to their films without them involved... And Michael Eisner took full advantage, going back on the gentleman's agreement between the two parties. Disney launches Circle 7 Animation, a CG studio meant to make these Pixar-less sequels. Work commences on TOY STORY 3, MONSTERS, INC. 2: LOST IN SCARADISE, and FINDING NEMO 2. It's largely a hardball tactic to get Pixar to renegotiate and extend their film deal.

May 2004: DreamWorks releases SHREK 2 to record-breaking box office... This is where the game is truly changed... DreamWorks has three more SHREK movies lined up (the first of which aiming for a summer 2006 release), in addition to a direct-to-video prequel about the film's breakout character Puss In Boots.

February 2005: Disney releases one last satellite production to theaters, POOH'S HEFFALUMP MOVIE. Costing half of what PIGLET'S BIG MOVIE cost, it does alright at the box office.

Mid-To-Late 2005: DreamWorks sees another box office success in MADAGASCAR, and greenlights a sequel. This makes it the second ever DreamWorks movie to get a theatrical sequel. (Oddly, SHARK TALE from the year before, despite being a box office success and Oscar nominee, doesn't get a sequel.)

September 2005: After a campaign ran from the outside by Roy E. Disney, Michael Eisner resigns as the CEO of The Walt Disney Company. His successor, Bob Iger, seeks to renegotiate fairly with Pixar. Pixar's final film for the original contract, CARS, is less than a year away from release.

January 2006: In a historic move, The Walt Disney Company announces a $7.4 billion acquisition of Pixar.

March 2006: 20th Century Fox releases ICE AGE: THE MELTDOWN to great box office. Another film is on the way.

Early-To-Mid 2006: Following the announcement of Disney's purchase of Pixar, Pixar regains control of sequel production. Circle 7 Animation is shut down, and Pixar immediately begins work on *their* TOY STORY 3 for a 2009 release. Since a MONSTERS, INC. sequel and a FINDING NEMO sequel got to the script stage, Pixar eventually has to make their sequels to override those. A MONSTERS, INC. follow-up quietly begins development around this time as well. In addition to all of this, Pixar head John Lasseter takes over Disneytoon Studios and shuts down all traditionally-animated direct-to-video Disney sequels. This indicates that a future Walt Disney Feature Animation production, now named Walt Disney Animation Studios, will get a theatrical sequel if it's a box office success.

November 2006: HAPPY FEET, released by Warner Bros., is the biggest of the non-Disney/Pixar/DreamWorks/Blue Sky movies of the year and up until that point. Makes a big splash. Sequel likely.

May 2007: SHREK THE THIRD opens and is another blockbuster for DreamWorks.

January 2008: A rather unorthodox development, Big Idea makes a theatrical sequel to JONAH: A VEGGIETALES MOVIE, with THE PIRATES WHO DON'T DO ANYTHING. Universal distributes. It flops upon release.

April 2008: Two years into The Walt Disney Company's ownership of Pixar, a massive movie slate with Disney Animation, Pixar, and Disneytoon productions is unveiled. The game plan is the first announcement of a CARS sequel. This makes CARS the second-ever Pixar film to get a sequel. At the time, this movie is penciled in for a summer 2012 debut. TOY STORY 3 has also moved back a year, to 2010.

Mid-To-Late 2008: DreamWorks sees a new breakout hit with KUNG FU PANDA in the summer, and a sequel success with MADAGASCAR: ESCAPE 2 AFRICA.

July 2009: ICE AGE: DAWN OF THE DINOSAURS is released by 20th Century Fox, and scores excellently at the box office.

September 2009: Three features in, relative newcomer Sony Pictures Animation scores a good-sized hit with CLOUDY WITH A CHANCE OF MEATBALLS. A sequel is planned thereafter...

So now... We see where it all waxes... With that, we'll just look at things year by year...

2010: TOY STORY 3 is released and becomes the highest grossing animated feature of all-time. Earlier in the year, Pixar confirms that they are in production of a MONSTERS, INC. follow-up. DreamWorks sees another breakout hit with HOW TO TRAIN YOUR DRAGON, a sequel is also imminent. Newcomer Illumination scores big with DESPICABLE ME, a sequel is also inevitable. DreamWorks scores another hit with SHREK FOREVER AFTER.

2011: It's a sequel/franchise film explosion, kinda unprecedented in feature animation up until this point... KUNG FU PANDA 2, CARS 2, and PUSS IN BOOTS all come out this year and make big money. Disney Animation makes a 2D animated WINNIE THE POOH, but it is sadly a box office bomb. HAPPY FEET TWO, from Warner Bros., also bombs. HOODWINKED TOO! HOOD VS. EVIL is belatedly released this year, it is also a money-loser. New films make a splash and are to get sequels.

2012: Two sequels this year, the highly successful MADAGASCAR 3: EUROPE'S MOST WANTED and ICE AGE: CONTINENTAL DRIFT. Disney Animation, after years of misses and mulligans (TANGLED didn't really make much of a profit theatrically, but was a very popular film), notably scores a profitable hit with WRECK-IT RALPH, a sequel slowly begins development.

2013: Plenty of follow-ups here, with MONSTERS UNIVERSITY, DESPICABLE ME 2, THE SMURFS 2, CLOUDY WITH A CHANCE OF MEATBALLS 2, and CARS spin-off PLANES (produced at Disneytoon and not Pixar). The majority of them do pretty good at the box office, some of them *very* good. DESPICABLE ME 2 is named by Universal as their most profitable film ever released, to date.

2014: This year saw the releases of RIO 2, HOW TO TRAIN YOUR DRAGON 2 and PLANES: FIRE & RESCUE. MADAGASCAR spin-off PENGUINS OF MADAGASCAR is deemed a disappointment by DreamWorks, leading to company-wide ramifications.

2015: DESPICABLE ME spin-off MINIONS debuts and is a rare animated feature to cross a billion worldwide, with only TOY STORY 3 and FROZEN having previously done that. Elsewhere, HOTEL TRANSYLVANIA 2 and THE SPONGEBOB MOVIE: SPONGE OUT OF WATER - a belated sequel to THE SPONGEBOB SQUAREPANTS MOVIE from 2004 - are released and also do well. Notably, Disney Animation announces FROZEN II this year. The first of the post-Eisner animated features to get a follow-up announced, though the WRECK-IT RALPH sequel - announced a year later - opened before it.

2016: KUNG FU PANDA 3, FINDING DORY, and ICE AGE: COLLISION COURSE are released this year. The fifth ICE AGE movie does fine, but not well enough to lead to a sixth film. A CG remake of Disney's 1967 THE JUNGLE BOOK - with a single real-life actor - is released this year to massive box office.

2017: THE LEGO BATMAN MOVIE, spin-off of 2014's THE LEGO MOVIE, debuts this year and does well. The other LEGO spin-off, THE LEGO NINJAGO MOVIE, doesn't. Elsewhere, CARS 3 does okay at the box office, DESPICABLE ME 3 breaks the billion, and Sony reboots the Smurfs movies with an all-animated film SMURFS: THE LOST VILLAGE. They deem the film a box office disappointment. THE NUT JOB 2: NUTTY BY NATURE, a sequel to the 2014 ToonBox-produced movie, debuts to muted numbers.

2018: Big year for sequels: Billion-dollar smash INCREDIBLES 2, big hits HOTEL TRANSYLVANIA 3 and RALPH BREAKS THE INTERNET, and... Belated flop sequel to 2011's GNOMEO & JULIET, SHERLOCK GNOMES.

2019: Two Disney smashes in TOY STORY 4, the 99.99% CGI LION KING remake, and FROZEN II, though Universal's THE SECRET LIFE OF PETS 2 doesn't make half of what the breakout 2016 original made. HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD does fine, while THE ANGRY BIRDS MOVIE 2 and THE LEGO MOVIE 2: THE SECOND PART underperform.

2020: COVID-19 impacts the theatrical market, re-routing many films to streaming. TROLLS WORLD TOUR and THE CROODS: A NEW AGE debut this year, ditto a U.S. release of Aardman's first-ever movie sequel, FARMAGEDDON: A SHAUN THE SHEEP MOVIE. A third SPONGEBOB movie, SPONGE ON THE RUN, rolls out internationally before a quiet U.S. debut in the next year.

2021: The theatrical market slowly crawls back upon the unrolling of COVID-19 vaccines. Sequels this year include THE BOSS BABY: FAMILY BUSINESS, THE ADDAMS FAMILY 2, SING 2, and the unusual SPIRIT: UNTAMED: A follow-up to a TV series that was a follow-up to a flop DreamWorks movie.

2022: HOTEL TRANSYLVANIA: TRANSFORMANIA, TOY STORY spin-off LIGHTYEAR, MINIONS: THE RISE OF GRU, and PUSS IN BOOTS: THE LAST WISH make up this year, as we all know.

Last year: SPIDER-MAN: ACROSS THE SPIDER-VERSE, PAW PATROL: THE MIGHTY MOVIE, TROLLS BAND TOGETHER, and - notably - straight-to-streaming Aardman sequel CHICKEN RUN: DAWN OF THE NUGGET that still was theatrical-caliber.

This year: KUNG FU PANDA 4, INSIDE OUT 2, DESPICABLE ME 4, MOANA 2, and MUFASA: THE LION KING incoming...

On the horizon: SPIDER-MAN: BEYOND THE SPIDER-VERSE, A new WALLACE & GROMIT feature, ZOOTOPIA 2, THE SPONGEBOB MOVIE: THE SEARCH FOR SQUAREPANTS, TOY STORY 5, FROZEN III, THE BOSS BABY 3, SHREK 5, a third LEGO MOVIE, THE SEA BEAST 2, SECRET LIFE OF PETS 3, SING 3, a PEANUTS MOVIE sequel, a MUTANT MAYHEM sequel, and probably many more I'm forgetting at the moment...

Basically, the major cracks in the dam were TOY STORY 2, SHREK 2, and ICE AGE 2... Making sequels to animated movies was for a long time not ideal, getting an animated feature out period was at one point a gamble. (Still is, but not like it was many decades ago.) But yeah, a lot was at play for a while and then after it all blew up... Yeah, that's why there are so many of them.

7 notes · View notes

owlsong74 · 7 months

Text

Inspired by the poll I reblogged earlier featuring more modern obscure movies. The options are ordered roughly from most obscure to least obscure.

(*Yes, several of these feature live-action segments, and So Dear to My Heart is majority live-action, but I'm going off the wikipedia list, which includes it. I was debating whether to include Reluctant Dragon, and decided to follow a semi-impartial source.)

For reference there's a list of which shorts belong to which package film under the cut.

The Reluctant Dragon

Framing Device: Robert Benchley goes to the Disney Studios

The Reluctant Dragon

How to Ride a Horse

Casey Jr. sound demo

Donald Duck explains animation

Baby Weems storyboard

Make Mine Music

The Martins and the Coys

Blue Bayou

All the Cats Join In

Without You

Two Silhouettes

Peter and the Wolf

After You've Gone

Johnnie Fedora and Alice Bluebonnet

The Whale Who Wanted to Sing at the Met

Melody Time

Once Upon a Wintertime

Bumble Boogie

The Legend of Johnny Appleseed

Little Toot

Trees

Blame it on the Samba

Pecos Bill

Fun and Fancy Free

Framing device: Hollywood party with Jiminy Cricket, Luanna Patten, Charlie McCarthy, Mortier Snerd, and Edgar Bergen.

Bongo

Mickey and the Beanstalk

Saludos Amigos

Framing device: Disney artists visit South America for inspiration

First appearance of José Carioca

Lake Titicaca

Pedro

El Gaucho Goofy

Aquarela do Brasil

The Three Caballeros

Framing Device: it's Donald Duck's birthday and he's opening gifts.

First appearance of the Aracuan Bird and Panchito Pistoles

The Cold-Blooded Penguin

The Flying Gauchito

Baía

Las Posadas

Mexico: Pátzcuaro, Veracruz and Acapulco

"You Belong to my Heart," aka Donald's acid trip

#disney #polls

16 notes · View notes

volleypearlfan · 7 months

Text

once upon a studio but awesome

Panchito and Jose are there

The Mad Hatter and King Candy quip about how similar their voices are (hi guys Peter Griffin here to explain the joke. Mad Hatter was voiced by Ed Wynn and King Candy's voice is an impression of Ed Wynn. Candy was voiced by Alan Tudyk, who voices Hatter in the short)

On that note, more voice actor related jokes, like how Pooh, Kaa, and Cheshire Cat all have the same voice (Sterling Holloway)

Someone, anyone, gets to punch out Frollo

Peter and the Wolf (Make Mine Music) characters show up

Johnny Appleseed (Melody Time) shows up

(they acknowledged none of the package films except for Ichabod and Mr. Toad and Fun and Fancy Free (saw the golden harp girl there) 💀

now I loved the short, don't get me wrong, I'm just sick of the three caballeros erasure 😤

EDIT: I was wrong, Jose and Panchito ARE in the movie, in the group picture at the end, along with Johnny Fedora, Alice Blue Bonnet, Casey, Pedro, and that ice-skating couple

53 notes · View notes

themattress · 5 months

Text

Eras of a Franchise:

The Origins Era (1923 - 1942)

The studio is founded and creates theatrical shorts (series like Alice Comedies, Oswald the Lucky Rabbit, and Mickey Mouse) until pioneering the fully-animated theatrical movie.

Movies released in this era: Snow White and the Seven Dwarfs Pinocchio Fantasia Dumbo Bambi

The Wartime Era (1943 - 1949)

Funds are diverted to aiding the country during World War II, so the movies created during this era are just normal animated shorts packaged together to fill at least an hour runtime.

Movies released in this era: Saludos Amigos The Three Caballeros Make Mine Music Fun and Fancy Free Melody Time The Adventures of Ichabod and Mr. Toad

The Rebound Era (1950 - 1969)

Traditional animated movies make a comeback, to varying degrees of financial success but all to high degrees of quality. The era ends shortly after Walt Disney's death in 1966.

Movies released in this era: Cinderella Alice in Wonderland Peter Pan Lady and the Tramp Sleeping Beauty 101 Dalmatians The Sword in the Stone The Jungle Book

The Declining Era (1970 - 1988)

Without Walt, the company's leadership becomes aimless, and Disney becomes pigeonholed as a frivolous studio that makes funny cartoon animal movies for children. After reaching a nadir in 1985, things gradually begin to shape up due to a skilled new leadership quadrate.

Movies released in this era: The Aristocats Robin Hood The Many Adventures of Winnie the Pooh The Rescuers The Fox and the Hound The Black Cauldron The Great Mouse Detective Oliver and Company

The Renaissance Era (1989 - 1999)

A decade in which Disney movies were arguably bigger than ever, being critical and/or box office smashes, and the majority of the movies being musicals. Tragically, the leadership quadrate was broken halfway through, which ultimately brought about the era's end.

Movies released in this era: The Little Mermaid The Rescuers Down Under Beauty and the Beast Aladdin The Nightmare Before Christmas* The Lion King Pocahontas The Hunchback of Notre Dame Hercules Mulan Tarzan

The Experimental Era (2000 - 2007/2008)

A time when Disney moved away from their musical formula and put out radically different films. Unfortunately, the studio was often undermined by corporate decisions, now almost exclusively managed by Michael Eisner, leading to the majority of these movies flopping.

Movies released in this era: Fantasia 2000 Dinosaur The Emperor's New Groove Atlantis the Lost Empire Lilo & Stitch Treasure Planet Brother Bear Home on the Range Chicken Little Meet the Robinsons

The Revival Era (2008/2009 - 2019)

With Eisner gone and his replacement Bob Iger bringing aboard Pixar's John Lasseter as the head of the studio, Disney begins putting out high-quality movies that are critically and/or financially successful at a regular pace, including its biggest hits ever Frozen and Frozen II.

Movies released in this era: Bolt** The Princess and the Frog Tangled Winnie the Pooh Wreck-It Ralph Frozen Big Hero 6 Zootopia Moana Ralph Breaks the Internet Frozen II

The Current Era (2020 - Present)

Disney is experiencing some....technical difficulties right now. Repair time unknown.

Movies released in this era: Raya and the Last Dragon Encanto Strange World Wish

*The Nightmare Before Christmas was put in development to be part of the Disney Animated Canon. However, studio leadership ultimately backed out of this plan and had it released via Touchstone Pictures instead since its stop-motion animation was deemed too different from the other movies' hand-drawn animation. Which is funny since otherwise it being a musical makes it fits more than The Rescuers Down Under, more of a Declining Era holdover, does.

**Debate persists whether Bolt should be considered the end of the Experimental Era or the start of the Revival Era, as while it was the first movie overseen by John Lasseter and was a critical and box office success, it also lacked the staying power within the company brand (sequels, spin-offs, merchandise, etc.) that The Princess and the Frog and onward did.

#Eras of a Franchise #Disney #Analysis

9 notes · View notes

thealmightyemprex · 6 months

Text

Favorite Scene From each Walt Era Disney film part 2

Saludos Amigos-Meeting Jose Carioca

youtube

Three Caballeros-Title song

youtube

Make Mine Music -All the Cats Join In

youtube

Fun and Fancy Free -Donald goes crazy

youtube

Melody Time-Johnny Appleseeds heavenly mission (Couldnt find a clip)

ADventures of Ichabod and Mr Toad -Headless Horseman song

youtube

@ariel-seagull-wings @amalthea9 @makingboneboy @princesssarisa @the-blue-fairie @themousefromfantasyland @theancientvaleofsoulmaking

#Youtube

7 notes · View notes

disney-is-mylife · 11 months

Note

Your list of Disney genres sounds very interesting

I'M SO GLAD YOU ASKED

(fair warning: I am Bad at Making Graphs, so I'm literally gonna just type out the lists. Hopefully, it'll make some sense shbdgvdf)

OKAY SO

The 61 (so far) of the Walt Disney Animation Studios feature films can be split into 5 major categories:

Animals (20 films)

Princess (14 films)

General Fantasy (11 films)

Sci-Fi (8 films)

Package (8 films)

~~~~~

Tier 1 - Package:

We start the list with the film that encapsulates several genres, but with an emphasis on music:

Fantasia (1940)

Fantasia 2000 (1999/2000)

Then, we morph into more story features, with music still being the focus:

Make Mine Music (1946)

Melody Time (1948)

and then it becomes more "proper" feature-length, only split into two:

Fun & Fancy Free (1947)

The Adventures of Ichabod and Mr. Toad (1949)

and finally, a bit of a wild card, but we delve into "societies" and fully bipedal anthropomorphic characters with Donald, José, and later, Panchito:

Saludos Amigos (1943)

The Three Caballeros (1945)

From there, we drop down to our biggest category:

~~~~~

Tier 2 - Animals:

There are 20 Disney films that are solidly Animal films, which makes up a THIRD of Disney's line-up. The three major sub-categories are:

Animal Society

Domesticated/Trained Animals

Wild Animals

Jumping down The Three Caballeros in Tier 1, we start with movies with a fully Animal Society, with zero humans:

Zootopia (2016)

Chicken Little (2005)

Robin Hood (1973)

then it blends more into human society, but with a still distinct hidden animal society that wears clothes and walk like humans:

The Great Mouse Detective (1986)

The Rescuers (1977)

The Rescuers Down Under (1990)

We then go into the Domesticated Animal category, with The Aristocats as the "bridge," since it features animals that wear clothes and play instruments lol:

The Aristocats (1970)

101 Dalmatians (1961)

Lady and the Tramp (1955)

Oliver & Company (1988)

Bolt (2008)

Home on the Range (2004)

Dumbo (1941)

The Fox and the Hound (1981)

The last one is another "bridge," this time to Wild Animals, which is split more or less evenly between "with humans" and "no humans":

Brother Bear (2003)

Tarzan (1999)

The Jungle Book (1967)

Bambi (1942)

The Lion King (1994)

Dinosaur (2000)

Now, let's go back to Brother Bear and drop down to:

~~~~~

Tier 3 - General Fantasy

This category is bit harder to split, but in essence:

Children's Lit

NOT Children's Lit (lol)

Okay, so, let me go down the list to see if it makes sense:

With Brother Bear as our drop-down from Tier 2, we start our list with mythological settings (the "NOT Children's Lit," if you will), starting with another arrogant youth who is unwittingly transformed into an animal, then classic mythology:

The Emperor's New Groove (2000)

Hercules (1997)

Which then leads to more "grounded" fantasy, but still fairly "mature" audiences:

Encanto (2021)

The Hunchback of Notre Dame (1996)

and then deeper into medieval style...

The Black Cauldron (1985)

The Sword in the Stone (1963)

except now, with Sword in the Stone as the "bridge," we're officially in "Children's Lit" territory, with a focus on British Lit:

Pinocchio (1940)

Alice in Wonderland (1951)

Peter Pan (1953)

slowly becoming more and more dreamlike, until we reach the "wonderful world of make-believe" with our friends in the Hundred Acre Wood:

The Many Adventures of Winnie the Pooh (1977)

Winnie the Pooh (2011)

Now, let's go back to the start of this tier, Emperor's New Groove, and drop-down to another "royal turned into an animal for a lesson" with....

~~~~~

Tier 4 -Princess:

Okay, first context: I know there's some debate on which Princess films "count," but for this list's sake, here are the ones I'm counting:

Snow White and the Seven Dwarfs (1937)

Cinderella (1950)

Sleeping Beauty (1959)

The Little Mermaid (1989)

Beauty and the Beast (1991)

Aladdin (1992)

Pocahontas (1995)

Mulan (1998)

The Princess and the Frog (2009)

Tangled (2010)

Frozen (2013)

Moana (2016)

Frozen 2 (2019)

Raya and the Last Dragon (2020)

(Remember, this is ONLY including WDAS, so Brave doesn't count here. Moving on.)

Of the fourteen films, there are four sub-categories:

Prince/Princess (3)

Prince/Peasant Girl (3)

Princess/Peasant Boy (technically 4, counting Frozen 2)

Technically Not a Princess (4)

Now, that said, how do these categories work with my "drop-down" point from Emperor's New Groove? Well, we start with Prince/Peasant Girl first with:

The Princess and the Frog

Beauty and the Beast

Cinderella

All three had direct enchantment lead to their romances, to varying degrees, starting with genuine transformations to merely a magic dress and coach. But naturally, so did others, which takes us to our Prince/Princess pairings, starting with the OG:

Snow White and the Seven Dwarfs

Sleeping Beauty

The Little Mermaid

Now, we switch things up and go to the "Technically Not a Princess" category, jumping off the ocean theme to:

Moana

Raya and the Last Dragon

Mulan

Pocahontas

leading lastly to Princess/Peasant Boy:

Aladdin

Tangled

Frozen

Frozen 2

And as it so happens, the Frozen films are the only "official" princesses who turn into queens..... which drops-down into a largely forgotten film with another Disney princess-turned-queen:

~~~~~

Tier 5 - Sci-Fi

Atlantis: The Lost Empire (2001)

from there, we travels to other worlds, with some familiarity of our world,

Strange World (2022)

Treasure Planet (2002)

Lilo & Stitch (2002)

to our futuristic worlds,

Meet the Robinsons (2007)

Big Hero 6 (2014)

and finally, a "hidden" world within our own:

Wreck-It Ralph (2012)

Ralph Breaks the Internet (2018)

~~~~~

So! There you have it! I wish I had graph making skills to make this easier to understand lol ^^"

#Star answers #Starling ramblings #anon #Disney #Walt Disney Animation Studios #Disney animation #Disney movies #Disnerd #Disnerd issues #this is what keeps me up at night lmao #you get me going on Disney films and I will literally NOT STOP #20 notes

33 notes · View notes