Presenting glamourous Hollywood prince Mingyu
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Village: Resident Evil ramblings
(Some spoilers)
Ethan Winters is a goddamn idiot.
I say this without a shred of nostalgia; I first encountered him in RE7 and feel less than nostalgic towards the guy. RE7 without the benefit of the former entrants was a FPS horror and pretty good. Though you couldn’t escape that the characters you remembered were the Baker family and Mia; Ethan was a walking camera with a gun and some very simplistic emotional responses (fear, rescue wife, escape, swear occasionally). Having now run through the whole sequence of games, Ethan stands out starkly as the blandest and least interesting protagonist the series ever produced. He is possibly worse than Piers.
Village updates Ethan’s personality. A bit. Well. Not really. Still got that fear, still got the swearing. Still got a mind to escape. But rather than rescue his wife, it’s about rescuing his daughter. I mean; Mia was gunned down and shot a further 9000 times by infuriating series stalwart Chris Redfield a little under ten minutes into the game proper. Not that Ethan really comes to terms with the trauma. By minute fifteen of the game the van you’ve been shoved in by Chris (who doesn’t shoot you for no reason he feels like explaining) has crashed and Ethan’s daughter is missing. Mourning Mia doesn’t actually enter into Ethan’s thought process.
Goddamn idiot.
Not to say that life with Mia was exactly picturesque; a few years after RE7 the couple are now somewhere nebulous in Eastern Europe in a very lovely house with a distressing number of empty wine bottles in the kitchen. A happy marriage this does not seem to be given Mia doesn’t want to get into the events of RE7 anymore, but Ethan does – but also failing to understand that the cover-up of the incident might be why no one is talking much about the whole mess in Louisiana and that bringing it up both distresses and angers Mia.
But; the inciting incident has occurred and we’re propelled into our new scenario. Ethan; once again fish out of water, and its not like we have a choice. This is not to say Village does not repeat the same narrative trick of changing POV character, but there is both less of that, and the Half-Life-style regimented first person view jarringly completely goes out the window in the last quarter. It was less than consistent at points, but sparingly when occasionally and jarringly camera angles shifted to depict an introduction. But the game is also perfectly happy to render whole FPS sequences with gun visible and everything as it plays out a story beat, so... I don’t know?
Fortunately Ethan’s environment and the setting are much more interesting. The unnamed Village is a satisfying knot of tangled streets, locked doors and environmental obstacles. Enemies don’t respawn per se, but additional enemies are added on subsequent visits to the effective hub of the game. There’s livestock to kill and give the Duke – the merchant playing a similar role to the pirate-like guy from RE4. Duke’s an entertaining character (some have objected to his physical and hugely overweight depiction); chatty and far more knowing than he will let on. He has a dangling thread come the end so perhaps will reappear elsewhere. He’ll sort the gun upgrades, supplies, let you sell treasure and point you towards your next destinations.
Which is just as well as the human population of the village dies out somewhere between the first and second hour. No one left and any futile attempts to save people end in almost hilariously disastrous tragedies (no Ethan, don’t go higher in a building that is on fire). Leaving you with Lycans, zombies and gargoyles to fend off. Occasionally there’s some bigger foes on the level of the Executioner from RE5 but nothing on the level of the Tyrants. That kind of thing is left to the Village Lords.
The villagers – before they all die – have a curiously unfamiliar religion and praise a figure known as Mother Miranda. She reportedly kept the village safe, but something has changed and now the Lycans run amok and without restraint. Not hard to pin that the reason for the change is Rose’s arrival (or could it be Ethan? COULD IT? No. Man is a goddamn idiot).
The only door out of the village you can open is to Castle Dimitrescu and... It feels unnecessary to even get into what awaits. Given fandom have been so noisy about the tall lady and her vampiric daughters since the first trailer. She is so very, very tall.
The castle is the first mode of Village. Possibly closest to RE7; Dimitrescu’s daughters are vulnerable based on certain environmental details (read the notes!) but otherwise should be fled from. Dimitrescu herself is invulnerable to everything bar one weapon and you need to work at getting that, so she needs to be fled from. Otherwise, explore the castle, find treasure. Sneak. Solve puzzles. It all looks suitably gorgeous and you get multiple chances to see if as you loop through the rooms and unlock more doors. The Village macro mechanics wrought as micro here. There’s a canny hint at a late reveal in the blunt utility of in-game mechanics to be had too.
But – really should have been obvious given their prominence in the trailer – given Castle Dimitrescu is the first level, it means we must say goodbye to the very Tall Lady with knife hands and move onto someone else.
In between levels, we get the first reinforcement of a tease from the trailer; the symbol of the Umbrella corporation. Its engraved into a location called the Ceremony Site. Its daubed on a cave wall as high as the Tall Lady. Its on the strange structure you insert the yellow flasks each Village Lord guards. And it means... almost nothing.
RE's meta-plot has always been a mess and everyone’s favorite pharmaceutical company hasn’t been so active for a while, so the idea that we might be getting into some interesting weirdness with them again is oh so appealing. And yet – I was disappointed. Despite the repeated glimpses of the familiar white and red logo, the connection ultimately comes down to one letter I found at about 7/8s of the way through. Oswell Spencer – founder of the company – visited the Village years ago and saw the cave painting and adopted it as his logo.
Oh. That’s... underwhelming.
The same letter does at least prod at wiring Village’s latter reveals into the formation of the company along with tying in some parts of RE5 but if you thought this would be the company or the family dynasty origins or anything like that, you are in for a disappointment. It’s a tease and one that goes nowhere and does little. Oh we might now see how Spencer got into the whole inadvertent zombie making mess but its not a factor in the plot of this game nor does it really change the stakes of the previous. Perhaps I should be glad it’s so frivolous given other retcons in certain other franchises, but it feels so suspect to have drawn the attention and then shuffle the implications out the side-door.
At least the other village lords have their own appeals. The second level is RE once again stealing PT (the PS4 demo to announce Silent Hills) given Konami outright don’t care about it anymore. Stripped of your guns and inventory, it’s a claustrophobic puzzle level requiring you to hide with mechanics familiar to both Evil Within and Alien Isolation. That same loop of rooms as you seek out puzzle solutions and hide from a staggeringly distressing malevolent entity.
The third is combat light until the final confrontation; the fight staged in a flooded village – oh and Chris who still doesn’t shoot you but refuses to explain anything. And the fourth cheats. Heisenberg is thoroughly entertaining and grabs two levels for his own; an assault on a stronghold and his horrible cyborg factory outside of town. He has Magneto metal powers. Heisenberg is the camp villain to outdo the other camp villains. He’s having fun, he kinda likes Ethan and is oddly on his side. He found time to put together massive signposts to direct Ethan onto the last two levels (a good thing too given his lack of sense).
But both levels are lacking. The Stronghold is a relentless firefight against hoards of mook enemies; the factory is overly long and maze-like. I am as tired as Ethan when he exclaims “What more?”
And after Heisenberg is dealt with; the long, convoluted lurches to the ending. First person goes out the window. The game dabbles in characters toying with your understanding of what was going on but in a strangely limited way and completely ignoring the other implications of the reveal. Suddenly you mow down more and more enemies than ever before, bullets scarcely a concern. The final reveals of who/what/where/how come through. Not exactly explicable for what’s on-screen, but the effort’s been made to tie Village’s overt supernatural tendencies back into a world setup in RE. Its not magic and those are not truly werewolves.
And the villain’s motivation is! Hugely disappointing. Connected as it is to the Umbrella letter, you might hope for something completely out there, but its unsatisfying and feels pretty sexist too. Or at least lacking in imagination to an astonishing degree and yet here we are.
The game feels sloppiest as the final boss fight arrives flitting between characters without the shaky but workable character hand-offs RE7 deployed. Back in first person mode to talk to Duke one last time before engaging in.... a relatively simple boss fight. All the boss fights have been pretty easy – there’s nothing on the level of RE6’s sometimes horrendous contextual fights, or the annoying two-player RE5, nor the demanded accuracy of hitting specific weak-points as in RE7. And I don’t mind that.
Unload all your weapons and keep your health up.
And victory. There are fix-it fics already, but really, I don’t see the point in trying to fix the issue these people have. There’s an obvious setup for a game past this one with a strange throw-away reveal in the end-sequence (whither RE9, Revelations 3 or something else there are no clues as yet). There’s a spoiler for the sting given the end-credits lists a character who didn’t appear in the main game. The sting itself might wind up drawing on the sting from Revelations 2.
Village is not RE at its best, but is at least more in the spirit of goofy, campy nonsense than 7. It at least is more at home with playing with the trappings of horror while not actually trying to be outright scary. As with 7, the villains are more interesting and more memorable than the good guys. And – as I found out after completing the game – we were robbed of Ada Wong dressed up like a Bloodborne character somewhere in the game. And that I think is the biggest shame of all this.
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Clone Wars Episode 3
Shadow of Malevolence
Okay I have to admit I did not look at the episodes title before giving my review at the end of episode two
Which was in fact “Rising malevolence,” in which I noted
hesitance towards the seemingly
unfinished project and
uncertainty
To
whether
it
would
be
finished
or
not
or
if
this
was
just
a
standalone
episode
with
a
semi
inconclusive
ending
Given
that
‘Ambush’
Seemed
to
be
a
self-contained
story
Well
I
got
my
answer
When
I
checked
the
next
episode
title
for
my
‘next’
segment
So
this
is
going
to
be
a
seralized
Built up
Thing
Alright
Point I was actually going to
start with
Was theorization
About
this
episode’s
plot
Seeing
as
how
wildly
different
they
are
Despite
focusing
on
Jedi
Masters
And
if
that
meant
that
we’re
going
to
be
seeing
Mace
Windu
this
episode
How this would mix with the scene
I’m interested
in
Now
on
with
the
episode
[Logo]
“Easy is the path to wisdom for
those not blinded by ego,”
This one is complicated....
On one hand,
Yes, the path to accountability
“Wisdom”
Is
easy
for
those
not
set
against
it
On the other hand,
“easy,”
the
path
of
accountability
Is
not,
It
takes
noticeable
effort
but...
You’ll have
fun
doing
it
Blue
Narrator
“A deadly weapon
Unleashed,”
Deadly, only if you are Plo Koon
Approach space weapon
From
It’s obvious space firing
point
and
Have no one
approaching
a different angles
Aka don’t use Jedi
Council logic
This really is the Jedi
Council
propaganda station
Ooh
The Separatists’
Ship
Is
called
malevolence
probably
would’ve
known
that
(Had
The
Jump
Cuts
Not
Given
Me
Sea
Sick-
Ness)
My
B
Nvm
Name
makes
perfect
sense
(Thought
it
meant
Malevolence
As
in
the
overall
feeling,
Makes
sense...)
Unopposed
Again
Jedi
enablers
After
A
‘Daring’
rescue
The
only
thing
daring
was
Which
Enabler
To
Take
Orders
From
(That
Was
My
Fav orite
Part)
Sky walker
Prepares
HaHAHAHAHAHA
You’d think
they’d
let
him
prepare
anything
(Also
teenagers
can’t
prepare)
Thought;
I’m really
Gonna
Like
Seeing
Anakin
In
This
Episode
(They
Specifically
Mention
Him)
They
managed
to
write
Pretty
Realistic
And
Consist
ent
Child
Characters
(With
Little
Bumps)
Last
Time
Around
And
I’d
really
like
to
see
them
continue
that
consistency
with
(maybe)
some
(slight)
bettering
“Droid
Commander,”
Oh, who
could that
be...
“ General grievous,”
Sweet
[Flighters Landing]
Omnious
Oh it’s our ‘good’ guys
“Strike Force,”
They’re sending a teenager
“ As the bulk of our Fleets are
engaged on the front line,”
You are the sacrificial sleep!
Also I love how the super weapon
isn’t even a priority
Like oh yeah that going off
in it’s
own
little
isolated
corner
What must the rest of the
galaxy look like?
“ We’ll
be
on
our
own,”
Plo
Koon
is
just
here
to
babysit
(And
find
out
who
gave
Skywalker
those
orders)
“ prepare
our
attack
strategy,”
“ Thank you
admiral,”
Okay
first
line
from
Skywalker
Can’t
tell
anything
yet
Sound
ed
a
bit
sleepy
(?)
Pretty
Okay
Not
exactly
monotonous
But
functional
The
angle
they
are
holding
on
his
face
though...
Bit weird
“And general
grievous,”
Odd
Softening...
of voice
And...
facial..
features...
Whispering
to
each
other
“ Ha,
the
head
clanker,”
Okay
other
adult
“ Skywalker’s
getting
ambitious,”
No the Council just really wants to throw
teenage bodies at it
To see what happens...
We destroy general grievous
and the ship will fall with him
No
That’s not how ships
work
This isn’t ties his
life force
(That we
know!)
“ just point us to where that
metal head is
Sir,”
Everyone’s✨
prepared
to
die!
Yeah!
“Alright, men settle down”
The fact that they actually
listen to him
on this
“ this is an important mission,”
That’s why they
assigned it to a teenager
Also, War
There is no
important
in it
Battle
over
someone’s
grievances
(And
a
lack
of
accountability)
“ we destroy
grievous
we can bring
the war
to a quicker end,”
THAT’S NICE PROPAGANDA
YOU GOT THERE!
Anakin!
“Skywalker...”
(I swear if he complements him)
“ this is an
aggressive
plan,”
Thanks,
my
handler
came
up
with
it!
“ are you sure your
squadron
can complete this mission?”
I don’t know you assigned them
“Let’s ask them, Matchstick,”
That’s too much emotion
“ you
sure
our boys
can
pull
it
off,”
Little too much emotion
“Yes, Sir!”
Like that
but much less emotion
“There hasn’t been a mission
shadow squadron
couldn’t
complete!”
Which Plo
Koon should know
Having their
service records
“That’s right, minimal casualties,”
Some asshole
still died
In this petty war
“ Maximum
efficiency,”
Maximum
pettiness!
Sir!
“That’s
us,”
We’re enablers!
“ I admire your confidence
pi-”
But?
“Even so, minimum casualties may be enough to prevent you from breaking
Grievous’s
defenses,”
‘ You don’t throw your troops willy-nilly into harm’s way
boring,’ - General Plo, probably
‘Master Plo is right,”
“Ahsoka” orders
“ it’s bound to be
well protected,”
Ok, here we’ve got a role reversal this time -
it’s Anakin being over emotional - with
Ahsoka being on point
Interesting
But
still
worth
criticizing
Children don’t talk like that
“ Master Skywalker
seems to inspire
great confidence,”
Still
focusing
on
Plo
And his
re assumption
of
authority
over
Ahsoka
So
so
far
We’ve got Ahsoka taking
orders from
Plo
And Anakin under
Chancellors’ control
(Possibly till
the end of
the series) though
with Obi-Wan
showing
possibilities
of
a
second
contender
And
Plo
showing
vested
interest
(Though
unlikely)
Considering we don’t know how much time each Jedi spent with Anakin and it’s generally assumed
Obi-Wan
spent
the
most
time
around
him
Until the Chancellor
Just keeping track
You could say
that someone gave
Anakin orders obey the
Chancellor
But there’s no hesitation
when
he
orders
Anakin
Like
with
Obi-Wan
Making
me
think
these
two
are
neck
and
neck...
just
keeping
track
to
see
who’s
screwing
over
who
In this power dynamic
“ he does lead by example,”
Little
risky
there
Still leaning in
on
the
monotonious
Ship leading out out Red sparks
You could homie?!
Like that thing is sparking!!
That can’t be alright!
Ship is a fecking
safety hazard
Before it even left the dock!
Oh, wait that’s fire
My bad
They are not good homie
Point taken
Also your strategy is to
back up in live fire
Ship literally puts
herself
in all of the live fire
What kinda-
Is that supposed to be reassuring
* General
grievous
coughing*
you good-
Possible
assassination
target ?
“-escort”
Pretty
Sure
that
was a decoy ship
They
just
stood
around
and
let
you
shoot
them
Like pretty sure they weren’t even trying
I didn’t even see any escape pods this time around
The last transport is fleeing
General
Or pretending to?
Would’ve been nice to see that
Never mind
there it is
They
won’t
get
far
Just
kind
of
floating
like
that
Like
are
their
engines
even
on
Charge
the
plasma
rollers
“ They’re
moving
to
attack
position
sir?”
Which
is
what?
We’ve
never
actually
seen
this
weapon’s
firing
to
action
compared
to
the
rest
of
the
ship
Either
getting
just
a
close-up
of
the
firing
port
Or
the
ship
running
away
from
it
Never
this
thing’s
direct
area
of
effect
(Probably because the Jedi
never think
to
go
either
left
or
right,)
And
it’s
painted
as
a
sort
of
‘end
all
be
all
weapon,’
(Despite
every
time
we’ve
seen
it’s
effect,
there
being
a
clear
radius
A logic sin more than a storytelling one
And
farther
proves
my
resolve
that
Anakin
was
sent
on
a
baby
mission
With
enhanced
importance
put
on
it
“Are
we
clear
to
make
the
jump
to
hyperspace?
Took
Anakin
like
five
seconds
But
at
least
it
establishes
that
these
guys
are
more
accountable
than
Plo
(and
likely
the
Jedi
Council)
Fire
ion
weapon
Oh hey Count Dooku is there in
holographic form
Neat
Did
say
he
had
to
be
somewhere
else
so that makes sense
Also oh no
they’re at the same exact place
Skywalker was
And can be rescued very
easily!
(Even if
not!)
We’ve
lost
all
power
Surprise,
surprise
Very
light
shooting
Well
they
died
of
their
own
stupidity
(If
they
didn’t
get
an
escape
pod)
Boy
this
is
a
lot
more
fun
when
they
aren’t
shooting
back
- said every
Narc ever
“ I still
can’t
seem
to
hit
anything,”
Dude...
Grievous
Hits
A
Robot
Dude
you
program
med
them
Don’t
abuse
your
Roomba?!
Just
don’t
be
a
dick
“ Grievous,”
Oh
he
actually
has
more
lines
in
this
“ Those battle droids are expensive,”
Hmm,
And a bit of a personality
Good for him
When we saw him
last time he didn’t really
say
or do
much
Except for the last scene
where he emoted
kinda scared
Of course how
power levels are bullshit
Especially
for
humans
But
that
was
chilling
“The
Jedi
are
never
so
harsh
with
their-”
A little moment of
things
Also possibly teasing Grievous due to the
last time we saw them,
Dooku had threatened to report Grievous
to Sidious and we opened up
with
that
coughing line
(is it supposed to be
laughing? I can’t
really tell
and sorry
if I’m
jumping to
incorrect
conclusions
with
That-)
“Clones,”
- With their child soldiers -
Or I guess soldiers
(Based on their
reaction)
Then, again
Positive grooming
Is still
grooming
And Anakin
gets a fair bit of both
(Verbally
speaking)
The care these Jedi
show for their
Troops
Hahaha - ha
Like if they had been shown to be
remotely accountable
Like still breaking the toxicity
rule
And looking back
And referring to them
Too many
Unwarranted
Times
Causing
distress
Okay
But here it is not the Jedi’s treatment that has gotten
the better
It’s Grievous’s treatment...
that has gotten worse
He brought the standards are lower
so that the Jedi seem nice
Which is a pretty hard thing to do
Those enabling
assholes
“A weakness we shall continue to exploit,”
Yeah, toxicity!
Screw being nice to people
Or even a smallest sense of accountability!
Honestly, I’m kind of pleased
This is the first time we’ve seen them plan any sort of
malicious attack
Up to this point it’s been I want to screw up
Yoda’s day, and I want
to do
it,
now
Juveniles
shenanigans
This
is
the
first
time
we’ve
ever
seen
them
have
an
actual
plan
And
I
Hope
they
get
a
scale
of
escalation
Going
from
Whoopy
cushions
to
War
Really earning that enabling insult I’ve been throwing at
Yodi and
all the other
Jedi
“ I
have
the
coordinates
for
a
new
target,”
What??
You’re
in
war!
They
know
and
are
planning
to
mess
your
shit
up
Still I like the fact they are
in fact
planning
to
mess
something
up
Good
Job
“ The
Republics...”
Oh
cool
a
base
(medical)
“Secret”
Okay...
“Outer Rim”
Okay!
“Medical
station...”
Wait, no
you can’t do it that-
there’s people on there!
Seriously
1 to 10
Went from let’s go to blow the Jedi, to let’s go screw up medically ill people
Real quick....
I mean I guess it matters who’s on there...
“ it’s unprotected,”
“ 60,000 wounded
clones,”
Oh,
well they did agree for
War
On one hand
it’s pretty clear with my stance is on death vs accountability
On the other,
Enablers
Well....
Looks like we’re not getting that
scale
of
escalation
today
Still
I
do
like
how
they
set
it
up
And...
the
consistency
they
have
going
The
more
consistent
a
villain
is
the
more
fun
and
terrifying
they
are
I’m also assuming all those clones in the introduction are going to die from tragic means
Fully irony
Possibly
with
one
dude
left
to
enjoy
it
A mark on their casualty
record...
We will do them a favor
That eye twitch
Like
are you sure about this,
dude?
🔹Welcome to enabling ✨
“ Misery”
This job is misery...
“ There would be no place for the Jedi to send
their wounded,”
Except where they send their
non-clone wounded
Like
we’re skipping right
to
Bombing
And destruction
Of hospitals
(This being apparently
the only one
in the entire
galaxy,”
No
one
else
knowing
first
aid
Or
not
willing
to
enable
this
bullshit
During a war...
“And they will die,”
Geez
I was just joking about no one knowing
any first aid
That’s what we’re going with
OK
harsh
geez
Guess to the bombing of a hospital...
“ it will be my pleasure, my Lord”
Will it though?
I feel very confident leaving the ship under your command
General
Do you though?
Like that’s a nice
complement
But do you?
“General!”
Shit’s
gone wrong
Hey, there ware those
escape pads...
Several minute.....after everyone else
Supposedly got blown up
What ship....
Oh wait is that ship they just got electri.......
Did they just get blown up.....?
Like
you’re still
telling me
They don’t have
any sort of
Back up
power source
for this
now?
WHOO
-O
Jedi
Council
With leaders
this bad
who needs enemies
/j
“ Target get those escape pods,”
Those escape pods
should be
well out of
sight
“ I have a
reputation to uphold?”
Didn’t you lose them last time?
Like I know pride
Oh - back these guys
I suppose
Then again I suppose we didn’t need that
Since
it was just showing how ruthless
this guy was
And our ‘brave’....
totally not gonna die through tragic means
* as well as
Ironic
Soldiers
‘Lol’
Aawwwwww
It’s
adorable!
(The Worrying
since the other guy
has
the expert
of tech
on
their
side
Easy
To
Hack)
The
only
acceptable
Garbage
Friend
: )
“lol”
It’s
Very
Cute
And
R2-
D2
Nice
Which
one’s
mine?
Wouldn’t you
know?
“ You’re
with
me,”
“ you’ll
be
my
gunner,”
Both
of
them
now
have
too
much...
emotion
[Ahsoka
turned
back]
This
is
either
going
to
be
OK
or
very
bad
Asoka turns around with a pretty surprised frozen reaction
ERRR
“ What? I need someone to watch my back,”
That, Just no
Bad line
read...
“Broadside could do that.....”
That, just no
The clanky animation
The enthusiasm
The
Voice
It is just really isn’t working together
Which is a
shame
Because child characters does can generally be excused for their
stiff actions
But...not here
Bad
This really isn’t working
Just
No-
Ack-
Skip- - -
“ you
don’t
like
my
flying,”
There is just so much wrong with
this...
......
Well
I needed a break
The switch to Skywalker
To
The Admiral?
The last episode it was the introductionary Cut scene that did me in, this time I get the feeling it’s going to be the
character
interactions
(Specifically
Skywalker and
Ahsoka’s)
Conversations
Like it’s not the most
Egregious
example
Just a
little too
much
emotion
But then
it ramps
it up
And the
dialogue
And the Anim-
(-Ack-)
That
scene
just
does
not
work
Now hopefully contin
-uing
At a much slower pace-
The Admiral
-Ack-
The acting
Is not getting
better
Might have to
skip
this episode
At least
the Asoka
parts
(Ashame)
“only general grievous
would go out the clones
that can’t fight back,”
Why?
Are you talking like a Narc pretending to be a baby with the
pursued lips
Doing that
faked pouting
‘thing’?
TRAIN WRECK!
I’m skipping
Up to 17:03
Plo looks strict
That’s
All
I can deal with
in that whole
conversation
(Sorry)
On wards;
Oh, a cool looking space station!
And cool looking aliens
And a strangely
smooth sounding
voice
“Transports,”
It is not
possible
To Evacuate all the wounded
in time
Well get the
Jedi Council
Have them play
Distraction
Or just straight
kick those guys back
Just because it can take a while doesn’t mean you consign everyone to death
Also hear that - if they still manage to get everyone on the ship there’s no place for them to go
Oh, so well I’m totally buying
That the Jedi Council pull something
out of their ass
Like ‘we do’
I’m just noting
that
This mission was
doomed
from the start
Everyone
was
doomed
to
die
Completely
of
their
own
accord
Human
beings
can
lift
mountains
when
stressed
enough
Can’t
tell
me
any
of
this
nonsense
happens
on
accident
Playing
Death
tag
with
bullets
Especially
from
Mister
no
mistakes
“You
must
try,”
Yeah
Doctor
Who
is
fully
prepared
to
let
people
who
played
Death
tag
die
Like
they
admittedly
signed
up
for
it
You know
in the movie
I jokingly called
this guy
COMs
Guy
But now that really is
starting to come true
Like;
Does he have nothing
better to do?
Then
moderate the
Coms?
Like
up
to
this
point
it made sense
Obi- wan
was
trying
to
communicate
with
Anakin
Makes
sense
that
his
guy
would pick up
But
why
here?
Like Aniken’s
launching an
assault
On Grievous’s
ship
his admiral
should
be
busy
As
the
rest
of
his
crew
And
an
in
superior
or
someone
further
down
the
chain
of
command
should
be
handling
that
“You
won’t
stand
a
chance
against
their
battleship,”
And
I’m
not
putting
faith
in
my
child
soldier
superior
Obi-Wan
Got
caught
snitching
“ I
only
just
received
word,”
Because
the
COM‘s
officer
was
busy
Jumping
the
chain
of
command
“ we’re
sending
troops
to
help
you
and
I’m
on
my
way,”
This is why we don’t skip over things
Admiral
(And maybe this is
brought up)
Thank
you
master
Jedi
“ If they reach us in time,”
“Do you really think they can stop that thing?”
If they assume some level of accountability
Yes
I’m sorry a better way of putting it was responsibility
It’s still tox responsibility
But
using
their
brains
Initiative
Tox initiative
is
what
I’m thinking
about
So that negative outlook
isn’t helping
“It is our only hope”
No...
Not really
There’s-
Ships
Are
all
of
these
supposed
to
be
medical
ships?
Person
Ad
mir
al
Launch
The
Fighters
?
I’m honestly surprised
that the council forces
managed to be organized enough
To fly
in
formation
I hope
you know
what you’re doing
Anakin
‘ I hope you’re following
my orders’
Well if I don’t I won’t be around to hear the
I told you so
The emotion
Needs to be lower
“ that’s
reassuring,”
The fact that he’s suddenly developed
unchildlike behavior?
Not.. too bad
Not movie bad
But edging too close for my comfort
Not tox
levels yet
Take your shortcut
And I’ll take the long
route
You know
this could’ve been a great moment
To contrast
Obi-Wan
and
the
chancellor’s
ordering
style
Specifically
The
comment
“Take
your
shortcuts,”
And
the
possible
betrayal
Of
the
chancellor
lead
up
“But
you
better
be
there
before
I
arrive,”
Or
what?
Probably
just
trying
to
find
out
who
ordered
Anakin
“i’ll
be
there
Obi
-
wan
“R2
-
Ooie”
Oh
yeah
let’s
put
the
apprentice
in
the
most
exposed
part
Great
idea
whoever
gave
those
Orders
“Cut
the
chatter
Ahsoka,”
Hey
that
line
worked!
Fighter
escort
ready
Wait
why??
Wasn’t
his
troops
injured?
Shouldn’t
he
be
helping
with
the
evacuation?
You
know
having
a
personal
connection?
Also
connecting
back
to
Anakin’s
troops?
(Going off the offensive defensive theme)
Seriously,
what
happened,
back
in
that
meeting
that
made
this
the
plan
“This
is
Admiral
(U-Lot-in)
?”
Now
he’s
on
command
“ Good
hunting
sir,”
“ Okay, boys,”
Too
much
personality
“ Drinks
are
on
me,”
Great
just
don’t
fly
into
the
one
major
weapon
Or
stand
around
doing
nothing
Aka
don’t
be
Plo
Koon
Like
I
love
how
they
just
side
eye
ing
this
bas
tard
like
“it’s”
“Going”
“to”
“be”
“so”
“easy”
Mean
while
Plo
Koon
is
like,
:|
Like
you
die
next
(Dude watched as a unit died
you can’t tell me he isn’t planning on getting them in front of that the
plasma cannon)
“I can already taste it”
Eat
shit
Plo
Koon
Then again this is a squad with a minimum casualty rate
So they are clearly the Mom friends
In this pile
of enabling
Ship
Less
emphasis
on
the
shark
design
As
anyone
else
(Also, forgot earlier:
Tragic irony)
Including
the
ship’s
location
“ What’s taking so long,”
“ I want to be there,”
“ Before too many wounded clones
escape,”
That’s
something
a hero says
“Sorry,
Sir,”
What
a
polite
droid
A
large
nebula
“They
told
me
this
ship
was
fast,”
Dude
you’ve
been
on
this
ship,
you
know
how
fast
it
is
Also
it’s
HUGE
Or
Supposed
to
be
Common
sense
dictates
it’s
not
going
to
be
as
fast
as
a
speeder
Ooh
Setting
The
Scene
Navigate
through
shortcut...
“ We’ll
be
alright,”
You
tell
anyone
else
about
this?
“ A
nebula
can
be
very
unpredictable,”
So,
why
are
you
here?
Clearly
you
knew
the
plan
“ I
would
advise
caution,”
“Don’t worry master Jedi we can hold our
own,”
“We’ll hold your
hand,”
“Right
Shadow
Squadron?”
Aww, that’s nice
“Copy
that,”
Re-assurance
Over
Con
Fid
Ence
“Does
any
one
care-”
SHUT-
I’m
Sorry
But
This
is
Reach
-ing
Movie
Levels
Of
Toxic
Children
Writ
ing
Child-
ren
Aren’t
Devel
-Op
-ed
Enough
To
Be
Male-cious
Never
Mind
This!
Bad
Writ
ing
“Of
course
we
care
snips,”
That’s-
not
how
children
talk
Think
I
Might’ve-
“We’re
Still
Going
Through
That
Ne
bul
-a-”
[That
line
is
so
creepy]
New timestamp:
9:24
Entering
the
nebula
seems
pretty
well
done
and
I
can’t
wait
to
see
more
of
Back
to
the
station
Weirdly
Designed
Shuttles
(Looking
a
�� bit
more
beat
up
Than
they
actually
are
Due to the logo and
insignia
Placement)
The evacuation is proceeding slowly
ma’am
How?!
Like we are led to believe that they were shuffling
out patients
at that rate
But how??
Even
if
all
the
patients
were
dragging
their
feet
I
don’t
think
it
would
go
this
slowly
And
these
are
soldiers
Standard
don’t slouch-
Stereotype
Some of them
can clearly move
right?
(Otherwise
what kind of
heckin
hospital
is
this?)
Those
emergency
vehicles
to
be
moving
in
and
out
a
lot
faster
(This
is
a
bunch
of
systematic
paperwork
designed
to
kill
you,
slowly
speed,”
Also only two
-four
evac
Vehicles
That’s
Titanic
levels
of
bad
planning
In general
I don’t really call
Logic
storytelling
Sins
but
I’m
struggling
to
come
up
with
any
explanation
of
why
things
would
go
that
slow
and
it’s
bordering
on
the
author
literally
forcing
everyone
into
their
rooms
The author isn’t playing sad music and trying to make us feel sad about these obviously preventable cas.
But
still
I
honestly
hope
the
storytelling
gets
better
(and
smarter)
Slightly
“We
have
to
move
the
patients
in
stable
condition
first”
You
weren’t
already
doing
that?!
Also
no
you
move
the
patients
in
the
most
vulnerable
condition
first
because
they
are
less
likely
to
survive
You
can
get
the
people
in
the
most
stable
condition
to
help
you
And
if
shit
does
hit
the
fan
and
the
ship
does
reach
the
station
most
likely
to
survive
(And
continue
increased
speed
rate)
This
isn’t
(Disease)
triage
system
lady
They can’t catch a
cannon ball
to the face
because they’re
around
a
person
who
was
ALSO?! HELLO?!
Shouldn’t there be idk ALARMS
going off??
Like I know you don’t want to alarm the patients but Idk this seems like the occasion
* I don’t know if this place even has a working
sprinkler system
Like everyone’s about to die and
everyone’s just chill with it
Everyone’s just
accepted death
.....
Like there are steps there
and we see
none of them
IDK, this one just
seems the most
unrealistic and
hard
to
buy
“ The more critically injured will
have to wait”
For what?
A cannonball to the face?
“But what about the bacta tanks?
Many of those men
Can’t be moved at all,”
???
Okay,
That’s really
stupid
Like
beyond
stupid
Even
life support
can
be
moved
They been at war for how long?
This medical station
is a
fecking
nightmare
A
straight
up
trainwreck
No
wonder
the
transportation
is
taking
so
long
And
(The
Cap
Ab
L
e)
people
in
the
hospital
aren’t
flee
ing
There
aren’t
any
“I know Commander,”
I made it that way
By not putting any time
or resources into researching
movable
Bacta
tanks
As the hospital’s head
Should be fired
- cheapest excuse
for non existent
tension
ever
Close up
-Ewwww
“Guide
the patients that can be moved onto
transports,”
Again
what were you doing
before
“ At once, Madame,”
In the next 3000 years
No urgency
Whatsoever
[Inside the Nebula]
Dusty
Nice
“ The soup
is thick,”
So...
“ can you see anything,”
Don’t look away!
“ just keep your eyes on my thruster
Shadow 2,”
Did- you not give them instructions -
on how to navigate the thing
What if you get
lost-?
“The scanners are useless,”
You typed it once, on your ship
Also-
No other to navigate
“this is old fashion flying,”
Anakin has gone full boomer
“You have to feel your way through to stay on course,”
Asoka’s face
Sums up
my emotions
Annaaaakin have you been hitting the shrooms?
Like the tone of voice
And the animation
Something in that nebulae
is driving Anakin a little loopy...
Can’t even blame drugs
It’s just un
...canny valley
Creeps me
the fuck out
“- Ahsoka,
clear your mind,”
Ok,
Master
Plo
and
Anakin
are
now
out
of
it
Clones,
you
want
to
speak
up
and
stop
the
shroom
trip
“Youngling”
Gross
“I can’t see anything
at all,”
“I always know
where I’m going,”
That one clone has the force confirmed?
“ Yeah, where’s that
Broadside?”
Called out
“I’m going to blow up that
battleship,”
Fair point
“A Clear a path if ever there was one,
Yet you somehow missed
Ohh, blue
I really like blue
The slower move to the
back of the ship is nice
too
More
acceptable
red
“ We
have
one
para sec,”
Oh
so
they’re
getting
closer
Hospital might be 3/4 done
3/4′s
being
the
amount
left
Casualties with this attack
They’re already wounded
And the hospital
has probably
already
done
that
“ There’s
an
incoming
transmission
from
Count
Dooku,”
You
mean
he
left?!
“ General
grievous,”
Stiff
“ I have a received information from
Lord
Sidious,”
Yeah
how
did
that
-conversation-
go?
“ The
republic
has
launched
a
small
strike
team,”
When was this information was this
information
received?
Also, they sent the teenager
And
probably
got lost
in a
nebula
“ To
attack
the
male
volence,”
To
attack
the
car
“ Our
ship
is
unstoppable,”
No
they’re
just
stupid
Also;
Weren’t
you
just
bitching
about
it
five
seconds
ago
“Skywalker
is
leading
the
mission,”
Again;
the
teenager
He
can
follow
orders
And
nothing
else
“ Do
not
underestimate
him,”
He
might
be
given
orders
by
someone
with
slight
bit
more
accountability
* Or
toxic
initiative
“Ha
if
anything
Count,”
“It
is
Skywalker
who
underestimate
this
ship,”
You
really
like
this
ship
don’t
you
And
It’s
power
Again, ship
Back
to
the
dust
cloud
“So
sky
guy
how
do
you
know
about
this
shortcut?”
Don’t
like
the
way
it
was
asked
But
still
a
valid
question
It’s
an
old
smuggler’s
route
Aight
Pilots
used
to
talk
about
it
on
Tattooine
Fair
But also
did they say
‘tell everyone’
right
after?
Or was that the Jedi?
“ smugglers’ route
that makes me feel better,”
HaHA
�� So funny...
“ AlMorrow run,”
“Al Morrow Run?!”
*Slightly panicked*
Plo
you
know
this
shit
was
going
down
“I
think
I’m
picking
up
a
contact,”
I ThOuGhT the SCaNnErs
DIDN’T WoRk
“ Skywalker
listen
to
me,”
Listen
to
the
guy
that
got
his
fleet
killed
* 3/4
but
still
We
need
to
turn
around
You
can
turn
around
General
Every
one
else
is
High
on
Mur
der
“ if
we’re
going
to
catch
grievous,”
Another
Contact
“ this
one’s
much
larger,”
Still,
just
smugglers
“Is
the
nesting
route,
~~~
~~~”
Again
they’re
just
smugglers
Another
Sounds
Oh
it’s
just
an
animal
that’s
fine
Taking
evasive
action
Why?
You’re
made
of
metal
it’s
made
out
of
flesh
Also
not
the
least
bit
threatening
at
all
Also
cute
visual
* R2- D2
beeping*
Those
Gasovers
are
huge
Yep
sure
are
Don’t
shoot
or
they’ll
panic
Thank you,
Mister-
I-
want
to-
turn-
back-
because
of
completely
harmless
animals
Also the smugglers picked a pretty very scenic route
“I’m
about
to
panic,”
Completely
irrationally
“There’s so many of
them!”
Don’t
sound
so
panicked
Aww
How did you
miss that?
You can
stop in
space
mate
“ I’m
hit!”
“i’m an idiot!”
Pull
it
together
match
stick
A
Valid
criticism
Also
Ha
matchstick
is
on
fire!
“ I’m
okay
I
got
it,”
By
doing
absolutely
nothing
These
things
are
going
to
make
a
meal
out
of
us
* SHut
up
Ahsoka
Always
lineup
behind
me
Why?
Oh
evasive
maneuvers
*smack*
Dude...
that was your own fault
Hurry,
they will not follow us
beyond the nebula
Dude,
stop having a phobia about it
These are just
space
whales
That one looks
hungry
Nah it’s just smiling
at you!
Seriously
Asoka
is trying
to start
an
international
incident
Plo
Koon
is
not
happy
“We’re
coming
out
of
it,”
Seriously,
does
everyone
have
a
fear
of
the
space
whales
Out
they
come
“ let’s
hope
your
shortcut
pays
off,”
Oh
yeah
cause
they
were
just
going
to
let
the
troops
die
Or
Obi-Wan
is
We’re
not
far
behind
Grievous
now
Oh
yeah
he’s
still
in
blue
This
Could’ve
worked
Oh, no wait
It’s Obi
won
“ 50%
of
patients
evacuated,”
How?!
“That’s
not
good
enough,”
Again,
how
did
they
even
manage
that?!
“ They’ll
never
be
finished...”
Hey
you
wanna
know
why?!
“ General
skywalker
still
has
a
chance
to
catch
Grievous,”
Because
you’ve
done
absolutely
nothing
Except
comment
“ If
he
does
we
have
to
be
ready,”
What!?
“Yes
Sir,”
I
already
knew
this
Back
to
space
Every
-one
form
att
ing
Plo
Koon
looking
out
his
window
Dude
on
fire
What
is
the
Damage
To
Your
Ship?
He
already
said
his
stabilizer
was
out
This is just highlighting
that he’s a
dead
man
At this point
Designated
weak
link
“Just
a
scratch
Sir,”
Not
when
you
were
yelling
about
it
two
seconds
ago
“ Don’t
take
any
more
un
necess
ary
risks,”
Are you gonna stop
and fix his shit
or you just gonna
constantly
rem him out
for it?
“ if
we
lose
even
a
single
ship,”
Weren’t you just advocating for
eugenics a few
moments ago?
The mission
is that
much
closer
to
failure
Wow you assumed authority
is really putting the pressure
on these guys
Also...
“ Understood
Master Plo,”
You’re a failure
But we didn’t lose any ships
And I didn’t
“ Sir, another contact
“ I thought
those things,”
Seriously
not everything is
space whales
Not following us
coming out of
hyper-space
The Whales??!
A ship
Oh that’s interesting
too
I like the Sharks vs
whales
Design
They
got
going
here
I
hope
they
use
them
against
General
grievous
To
show
the
problems
with
harming
innocence
And
a
great
metaphor
for
accountability
“The
malevolence,”
Here
we
go
Time to kick
ass
Wait
Okay
Why didn’t we see the station behind our
heroes?
Why were they in open
space?
Why aren’t they shown in front of General Grievous
in this shot
Is that’s supposed to be them?
“ A squadron of a Republic fighters are
approaching,”
Oh so they’re there
somewhere
“Skywalker,”
Teenager
Launch fighters
and
actually bring
the ship
around
That’s
actually
a
smart
move
“ There are several
medical transports
surrounding
the
station,”
Dude
you’re involved in combat right now
why would you relay that information?
Also
hey mate
you really want to screw with the
station?
Turn
the
power
off
There
they
are
Intense
death
music
Target
the
transports
first
Who
has
no
emergency
engine,
boost
or
backup
power
supply
I want
every
single
ship
destroyed
Yeah you really need to a heavier
ship
If you were planning to
play things this close
Instead of distracting
them
With the
Station
(And transp
orts,)
Clearly out of fire
range
“Roger, Roger,”
Would’ve been clever
if
one of the droids
screwed up
As revenge
for killing
The earlier
droid
Showing
Grievous
getting
screwed
over
by
his
own
petard
Well
They shot the
ambulance
Those
Apparently can’t do
hyperdrive
I love that guy’s
reaction
Like
Well
we’re
dead
Surprised
they
don’t
have
emergency
power
on
board
Given
that
reaction
“This
is
too
easy,”
Yeah
it
is
even
for
orders
Slow
Order
-s
We’ve got fighters coming in
Very
slow
ly
Like
a
video
game
“ Charge
the
ion
cannon,”
But
sir
our
fighters
will
be
caught
in
the
blast
Back to that theme of
don’t abuse your.
in -
superiors
Fire
at
my
command
The
dangers
of
assumed
authority
And
the
lack
of
taking
initiative
[Also
a
bit
about
humans
ability
to
do
so
And
echo
chambers
“ your
fancy
flying
is
making
it
difficult,”
They’re
robots;
are
program
med
to
be
unpredicta
ble
and
organiz
ed
You���re
just
a bad
shot
“Fire,”
Well
don’t
just
dodge
“Make
towards
the
edge
of
the
ray,”
Oh
so
we’re
actually
going
acknowledge
That
And that
Plo
Koon
is
just
an
idiot
Give
it
everything
you’ve
got
Why
“ shadow
2
your
speed
is
dropping,”
Oy!
Stop
distracting
him!
Assu
-med
Autho
rity
“What’s
W
-rong,”
I mean
isn’t that the same dude
that got his stabilizer
taken out?
Isn’t a
question
what’s
wrong
Nothing, sir,
just trying to
keep it together,”
Voice says
liar
You
can
keep
it
Match
stick
*Spark
They put so much pressure on him
he exploded
Seriously all that thing does is
turn your power off
Someone
could’ve
covered
him
Took
Him
Back
As
there
are
no
fi
ghters-
Oh
great
took
someone
else
with
him
Who
Couldn’t
Dodge
Also,
whoa,
whoa,
whoa
wait
how
can
you
drop
in
altitude
In SPACE?!
Like
Foul play
On
Storytelling!
You
cannot
change
the
laws
of
physics
for
a
cool
set
piece
Especially when several other scenes
(even
plots)
depended
on
it
working!
It’s not immediate
(Or bad
Enough)
To warrant
A
“Tox!”
That’s
the
fate
they
avoided
“Shadow
Squad
ron,”
This
is not the time
for a
quiet moment
That
should be a two minutes
are you there
Call
In
(When they realize
they aren’t being shot
at)
And that’s it
(No Asoka
knowing the answers
because why)
“Tag”
Poor
dude
Needs
to
learn
to
dodge
Also
just not gonna verify that from anyone else
are we
“It looks like Skywalker has failed,”
Again
Teenager
Also hey he lost
two guys
Mission
failure
And Obi-Wan
the adult
responsible
for this
mess
Nowhere
to be
seen
Didn’t
he
give
Skywalker
an
ultimatum
to
be
there
before
he
was?
Shouldn’t he be arriving at the same time as
Grievous?
He lost almost half
his ships
He had like
Five
“We should go,”
Oh yeah
never mind the
unconscious patients
that are only in that
circumstance
because
you didn’t-
“ I will stay,”
POINTLESS!
Back to fighting
Good
“ Stay
on
course,”
Ok
guys
you
know
what
to
do
Do
the
exact
opposite
of
what
Plo
Koon
orders
you
to
do
He
lost
his
whole
fleet
All
deflectors
double
front
How do they not already know
this?
“Master,”
What?!
Why
would
you
just
randomly
say
his
name?
“ We
need
a
new
plan,”.
WHO
MADE
HER
Chief
Strategist??
One bullet
shot
nearby;
“ we
need
a
new
plan,”
“ we
can
make
it
Ahsoka,”
Question
ing
your
authority?
“ let
them
come,”
They
can
just
bomb
the
shit
out
of
you
“Prepare
the
ion
cannon,”
When
they’re
on
top
of
your
ship
“First
we
will
destroy
the
medical
station,”
Should’ve.
done
that
a
bit
of
time
ago
Still
works
But
wouldn’t
that
just
manage
to
turn
their
power
off
“ and
we
will
finish
off
Skywalker,”
Again
he
lost
two
ships
Everyone’s
ready
to
pro-
claim
him
dead
Plo
Koon
Must
Be
A
Ghost
-Fleet
“I
have
a
bad
feeling
about
this”
Boss
gave
an
order
to
attack
a
hospital
Somehow
still
not
exactly
closer
to
the
ship
Bad
Aim
“We’re
too
close
loosen
up,”
Who
made
you
Leader
Whelp
“Ion
Cannon,
ready,”
“They’re
targeting
us,”
They’ve been targeting you this
Whole time
No surprise
Alarms
should
be
blaring
[Tumblr Refresh]
[Giving up an almost complete mission for an idea that might just barely work is a bad idea
Ahsoka is not commander
There is no way that should’ve
worked
Ahsoka
gets
unjust
credit
“Three Republic ships,”
Oh, goodie
Did Obi-Wan...
Rainbow
explosion
Obi-Wan
literally
waited
for
the
last
possible
moment
There’s no way he could’ve been that
slow
Anakin
do you copy
How the
heck
Congratulations
it looks like
your mission
was a
success,”
Without
your help
And beyond any logic
Partially
But Grievous
is still alive
How
do
you??
The
battle
was
pretty
rough
on
my
men
You
haven’t
said
bullshit
Ahsoka.
has
been
answering
all
the
questions
We’re
heading
for
the
medical
station,”
No
one
got
that
badly
injured
“We’ll
take
it
from
here”
Hope so
Since
Anakin
is
supposed
to
be
a
child
And
his
ass
would’ve
gotten
kicked!
[Obi-Wan... don’t let Grievous
Go]
Back
Here
again
“ you didn’t do so bad yourself”
Screen
writers
killed
off
a
character
with
selective
physics
so
he’s
happy
“Ah, excuse me?”
You
did
nothing
this
entire
time
“ My
suggestion
to
change
the
plan,”
Com
pletely
Irrational
ly
“ From a
certain point of
view,”
Don’t get
snippy
You have no reason to be
snippy
Blah, blah
Wrapping things up...
Cheap
That’s how I would describe this episode quality
Not referring to actual production value
(Though the Asoka and
Anakin scenes have a noticeable drop
in quality)
Nearly
earning
a
logic sin
Of “tox”
I normally don’t criticize
aesthetic
choices
Given that this is a
war movie
(Based off one
at least)
And unsatisfactory
end
ing
s
Are
par
for
the
course
I really
think it could’ve
done better
in
terms
of
satisfactory
Setting
up
a
lot
of
plot
points
that
could’ve
came
into
play
[General
Grievous’s
requirement
to
chase
things
down
to
protect
his
reputation...)
]
Most notably
How
ever
That it seem to be trying to make me to eat every compliment I had given to it’s prodecessor
[Seeming more like an apology for everything the previous episode than an actual finished product
- Plo Koon getting an actual successful role
The characterization of the child characters was
worse
The tension
was
worse
off....
Nearly
earning
that
logic
sin
from
me
Excluding the increased intelligence from the villains
Which I did like
I hope to see things
get better
Continuing on...
0 notes
Sex Gradus
"All right, Christ, I'm coming!" Athena begrudgingly got out of bed, though she took the topmost blanket with her, wrapping it around her shoulders like a cape. Whoever was at the door would just have to deal with seeing her in her pajamas; after about 22:00, she got dressed for nobody and nothing. The apocalypse could happen and she'd show up wearing a onesie; she simply couldn't be bothered.
She padded over to the door blearily, rubbing at sleep-clouded eyes. It was probably a package she'd ordered when she was drunk and decided to go on an online shopping spree. Those were always exciting, though they threatened to get her evicted for not paying rent when she spent her entire paycheck on whatever she thought looked good at 4 AM when she was wasted.
To her surprise, there was no package or envelope waiting for her. Another loud, frantic knock sounded, followed by a panicked voice. "Athena? Athena, let me in!"
"Carina?" Athena opened the door, blinking. "What the hell?" She looked like someone had decided to practice painting using her face as a canvas. Makeup swatches in very pale shades dotted her neck, and she wore foundation that was much too light to match her skin with fluorescent red lipstick that belonged on an underground meretrix more than it belonged on a Scientia. Somebody had tried to braid her hair, but her severe, shoulder-length haircut was too short for it to work, so the half-braided tendrils fell limply next to her ears. Her entire body, from head to toe, was covered in glitter.
Athena blinked. "You look like an eight year old's arts-and-craft project gone wrong."
"Yeah, I know. I know. I—" She cut herself off. "You know what? That doesn't matter. I have to talk to you. Right now."
Athena sucked in some air. "Are you in trouble? Wait, am I in trouble?"
"Maybe."
"Shit. If they ask who I am, you don't know me!" Athena didn't think they'd actually go after her for her comments, but that was foolish in retrospect—they could go after her for whatever they wanted. The Magistratum could be chasing her for any number of reasons, actually, ranging from underage drinking to movie pirating to saying things she wasn't supposed to about Alestra and her family.
"No, the police aren't after you or me or anyone, yet," Carina said, reading Athena's mind. She took a deep breath to calm herself and sat down at the edge of the messy, unmade bed, wearing an anxious expression.
"Okay." Athena felt a surge of relief, though her heart still pounded in her chest. If the police weren't involved, she was fine… probably. Now that she thought about it, Carina had a tendency to get like this. She'd done something similar last year when they took their calculus final; she came to Athena's room, panicking, at about two AM, stressing about how she'd fail and crash and burn. She took the test the next day and passed with a 98, while Athena, who hadn't even bothered to study, slid by with a 66 and a lot of notes written stealthily on her hand. Knowing Carina, this anxiety was probably because of something equally as dumb.
But she'd also just spoken with royalty earlier that day, so it was also not out of the question that she'd received bad news.
"What did Cipher want?" Athena asked, preparing herself for the worst, but expecting something mind-numbingly dull.
Carina bit her lip. "Not here. There could be bugs." "Bugs? Who would bug a Scientia's quarters?" Athena scoffed. "I'm definitely not that important." "We might be more important than you think we are."
Athena narrowed her eyes. "What's that supposed to mean?"
"Just… don't trust this place. Don't trust any place where someone could possibly hide something."
"Okay, well, if there are cameras here, you're acting super shady and that's bound to raise some red flags," Athena said. "But if it'll make you feel better to go someplace else…" She was half-hoping that Carina would feel guilty about dragging her out of bed and rescind her plead to leave the apartment, but there was no such luck.
"Yes. Yes, it would." Beads of sweat rose around Carina's hairline.
Athena was surprised at that. Ordinarily, Carina was polite almost to a fault; if she was making someone get up in the middle of the night to go galavanting around all Eleutheria, there had to be a damn good reason for it. And if that reason involved the royal family—which it probably did, seeing as Carina spent all day at their oversized mansion—Athena didn't want to miss it.
"Hold on," she said, kicking off her slippers to put on more sensible sneakers. She could only find one sock, so she disregarded the thought of wearing them and figured that she'd just deal with the blisters later. "I know where we can go." "Do you, uh, want to change first?" Carina asked, eyeing Athena's stained pajamas. They were covered in the visages of the titular characters from Freep and Wuggle, a children's show featuring adorable talking aliens who taught young Scientias about the wonders and horrors of science. Athena had started watching it again semi-ironically, but she'd quickly found herself unable to stop quoting Freep's soliloquies about the nature of entropy, and her enjoyment of the show had gone from ironic to dead serious.
"You're the one who looks like a little kid who had way too much fun playing in Mommy's makeup bag, and you're asking me to change?" she asked, partially because Carina really did look that stupid, and partially she could pry Freep and Wuggle from Athena's cold, dead hands.
"Fair enough." Carina sighed. "Then let's go, quickly. It's important."
It was late enough that the lobby was almost deserted, save for occasional smatterings of nightshift workers and busied staff. A few young girls who'd clearly snuck out of the educational facility on level 361 stood in the corner, giggling and whispering; they scrambled off when Athena and Carina passed. Athena smiled at them, remembering how it felt to sneak away when she was that young—exciting, adventurous, bold. Now it was just routine.
"Okay," she said, "first, we gotta get to that creepy abandoned biologics lab a little ways down from the blood pharm on level 228 of the Trinity lab building. It's pretty dangerous there, so we're gonna have to go fast." Carina's eyes widened.
"Dangerous?"
"Yeah, there are all sorts of horrible diseases there that nobody ever thought to clean up. Don't worry too much about it, though—I've been there a bunch of times, and I only got anthrax twice."
"Anthrax?!"
"It's treatable with phage therapy, whatever that is," Athena shrugged. "Anyway, the cameras there don't work too great, since everyone's been too scared to go in and replace them since the Ebola breached containment. But I don't really want to stick around there, because bleeding out of my face holes doesn't sound fun." \
"I… I don't even want to know," Carina said, shaking her head.
"Then we have to take a different elevator all the way down to level…" She counted quickly on her fingers. "31, 30, 29, 28… 21. We have to go down to level 21. You'll see."
"That's really dangerous," Carina said shakily.
"We'll be fine. Kalyn showed me the way around."
"Okay, but do you trust Kalyn?"
"Listen, do you want to get someplace without cameras or not?" Athena asked. "Because you sure as hell won't find anywhere that's totally safe up here. Sure, the lower levels are risky, but isn't it riskier if we just stay up here and just hope and pray that nobody's watching?"
"Fine," Carina conceded. "Can't we at least wear, I don't know, masks or something? This seems—"
"Come on." Athena grabbed her arm and practically dragged her into the elevator. She stopped protesting momentarily, her features turning from irritated to worried again. Athena's heart skipped a beat. She knew she shouldn't be taking advantage of her friend's stress, but at the same time, the anticipation was impossible to ignore. If this turned out to be big, this could be her golden ticket into power and importance.
She barely breathed as she ran through the abandoned lab, primarily because she didn't want to catch super-anthrax, but also because she wanted to hear what Carina had to say so badly she found it difficult to focus on anything else. Seconds dragged on like minutes; running at top speed wasn't fast enough. By the time they piled into the dingy old elevator on the lowermost floor of the ancient complex and began plummeting down to the surface of the Earth, Athena felt like she'd burst at the seams from the stress of waiting. It took all her strength to put a finger to her lips and say "no, not yet!" when Carina opened her glittery, lip-glossy mouth.
The whole carriage shook as they sank towards the Underground, sending a rush of adrenaline through Athena's entire body and turning Carina's face a sickly green. They landed at an awkward angle in between two floors, exactly where Athena had expected. She kicked the door open—she wasn't very strong, but it was extremely corroded—and jumped out, a fall of about five feet. Carina followed hesitantly.
"This way." Athena pointed to a doorway half-covered by boxes and bright yellow tape. An illegible sign written in ancient English hung on the doorway, held to the wood with faded silvery-gray adhesive strips.
The interior of the building was a maze. It had been a functioning office once, then a historical display, then the decrepit mess it was now, a ruin smattered with crumbled walls and gaping holes where bombs had hit. It was a relic of a war that had happened a long time ago, something about the country of Arcadia; Athena hadn't paid enough attention in history class to remember the specifics. It was hallowed and hollow, burned down and burnt out, and that was all that mattered.
Through a passageway half-blocked by shards of broken glass and crushed metal pipes was the target. It was a tight squeeze, though both Scientias were short. Carina breathed sharp, claustrophobic breaths as she dodged sharp pieces of shrapnel that nobody had ever bothered to clear away after the facility was shut down. Athena remained steadfast, eyes on the reward of finally getting Carina to spill the beans.
"All right," she said, emerging from the capillary-sized passage into a larger, hollowed out space. "We're here."
"Where's here?" Carina demanded, looking afraid. She stared at the sparkling lights that surrounded them—they were cocooned in a swathe of blinking electrodes and exposed electronics, most of which were entirely nonfunctional.
"Kalyn and I found it one day when we were exploring," Athena explained. "These are the bombed-out remains of a supercomputer from like an eon ago. It was called Timotheus."
"The Timothy Davis supercomputer?" Carina asked, eyes wide. Of course she knows what that is, Athena thought. Nerd.
"Yeah, whatever you want to call it," Athena shrugged. "Anyway, Kalyn swears to me that it's totally safe in here. I don't think the government even knows this place still exists. They'd have torn it down years ago if they knew. So…." Carina opened her mouth and shut it again.
"Come on," Athena whined. "I'm dying!"
"Okay," she said, "but you have to swear not to tell anyone. It doesn't matter if what I tell you is right or not, it could get us both killed if someone found out that I knew and I told you."
"Damn, this must be pretty important." Athena tried to sound chill, but inside she was quivering.
"So all that elaborate stuff was just, well, Aleskynn being Aleskynn," Carina began. "You know how she is—well, you've never met her, but she acts exactly like how you'd expect a princess with all the money in the world and absolutely no responsibilities to act. Like–"
"Like a spoiled brat."
"Yeah. I mean, she has some redeeming qualities, but—okay, wait, I'm gonna ramble again." Carina took another steadying breath. "So, we were talking, and she kind of offhandedly mentioned that everyone in the royal court hates Acidalia. And apparently she's not exaggerating; they really, really, really dislike her, to the point where most if not all of them want her dead."
Athena was, admittedly, slightly surprised by that. "Really? Most people I know don't hate her, even if they don't love her, either. She's better than her mother, supposedly."
"Well, according to Aleskynn, they absolutely detest her. I don't know if you knew this, but she's not legitimate—at least not in the purest sense of the word. She has a claim to the throne under the Code, but it breaks tradition, and they do not like that. And she's also half-Martian."
"I did know that." Athena thought back to a few months ago when someone had called her a tinfoil hatter because she'd made a comment about it. Screw you, Maevyx from Biologics, she thought. I'll show you.
"But that's not all of it," Carina continued. "Aleskynn also said that nearly every noble house is planning to kill her at some point—"
"Aren't they always threatening to kill each other?"
"Yes, but this is different. Since when has Generalis gotten along with Vulgaris and Communia? Agrestis hates every other noble house in the court, yet somehow they're in agreement with everyone else about hating a Cipher, but just this one specific Cipher. That sounds weird, doesn't it?" Athena nodded, feeling gears turn in her head. Truth be told, she didn't know half as much about the intricacies of the court as Carina did; she always envisioned herself among the nouveau-riche rather than with the stuffy old-money aristocrats someday. But if any of the (admittedly terrible) fantasy films she'd seen were right, it was rare for every noble house to suddenly agree with each other. That just didn't happen when people were constantly grappling for power.
"That's very weird," Athena said. "And suspicious."
"So I sort of, kind of mentioned that to Aleskynn—how strange it is, I mean. And she all but admitted that nearly everyone with the court is working with the Novagenetica."
"What." Athena said it flatly, like it wasn't a question.
"And they're going to assassinate Acidalia sometime this week," Carina added, her voice dropping to a whisper. "House Generalis—the same house that pulled a gun on her at the coronation—says she'll be dead in two days."
"Wait, you mean there's an actual plot to assassinate her right now?" Athena asked, eyes wide. "And Aleskynn told you about this, like it was nothing?!"
"Not just a plot to kill her, a plot to do it and pin it on someone else, just like they did with that soldier boy. And I was very much not supposed to tell you about anything. I'm still questioning whether telling you was even a good idea, but I figured you're the only person I know who has some ability to help me."
"That's fair. For all my shortcomings, I am pretty well-connected." Athena smirked. She felt like a side character in a cyberpunk movie, like a badass hacker the protagonist would just happen to come across after receiving a tip from a shady guy in a bar. She knew absolutely nothing whatsoever about hacking—she could barely make her laptop run a simple word processor—but it was still a nice feeling, so she relished it as much as possible. "Did she tell you anything else?"
Carina shook her head. "I don't think she honestly knew much else. I mean, she's Aleskynn Cipher, she's not well-known for being perceptive and shady."
"Ain't that the truth." Athena recalled an interview of Aleskynn that she'd read in a gossip magazine once. They kept asking her about political issues and her sister's ascent to the throne, and she'd responded with nonsense every time. It was like when Athena was a little kid and she answered every science question with some bullshit about photosynthesis—she had no idea what it meant, but it sounded like sufficiently big word. The whole interview was like that, but Aleskynn used words like "antidisestablishmentarialism" instead.
"She did, however, tell me that she'd make me a royal advisor if—when—she took the throne, though," Carina added. "I'm not sure if she'd ever actually do that, or if her mother would let her."
"A bunch of Nova maniacs letting a Scientia into a position of power?" Athena asked, suspicious. "Something tells me that wouldn't happen."
"Something tells me you're right," Carina agreed. "I don't think she really realizes the consequences of what they're planning on doing. Talking to her is like talking to someone who's lived in a bubble their whole life. She was going on and on about how great it would be when she became the Imperatrix, but had no idea what she'd actually do once the crown was hers. She literally told me 'well, that's what advisors are for, isn't it?' As far as assassinating her older sister... she acts like it's totally normal and consequence-free."
"Wow, either she's a total sociopath or they had a really shitty relationship." Athena said.
"I think it's the second one... well, I don't know if I'd define it as shitty. More like nonexistent. Aleskynn thinks Acidalia is a 'Martian whore,' and I don't know what Acidalia thinks of her because I've never seen them interact with each other."
"Well, if someone called me a Martian whore, I probably wouldn't want to talk to her, either." Athena suddenly felt bad for the Imperatrix—both because seemingly everyone wanted her dead, and because growing up with someone as annoying as Aleskynn Cipher sounded horrific.
Carina sighed. "I suppose that's besides the point now, though. All I know is that they're going to kill Acidalia, and they're going to do it soon. And that means seven more years of Alestra—"
"Yikes."
"And then Aleskynn will be on the throne with her for God knows how long," Carina finished. "And even though I don't hate Aleskynn, she would be an awful empress."
"Agreed." Athena didn't know Acidalia whatsoever, but she had to be better than her mother or her sister—not that the bar was set very high. Still, having a semi-competent Imperatrix was far better than having a bunch of Nova fascists and one stupid tween at the helm of the solar system's biggest empire. There had to be some way to stop her from dying.
Athena racked her brain for a solution. It was as simple as letting Acidalia know somehow what her family was planning—if she knew the lengths they were willing to go to get her out of the line of succession, she might be able to get the hell out of there before someone put a bullet through her brain. But how on Terra could they just talk to the Imperatrix Ceasarina of Eleutheria like that? Athena didn't really know how royalty really worked, but she was pretty sure Acidalia-Planitia Cipher didn't just have a phone number or email address to send a warning to.
She thought briefly of direct messaging her on social media, then immediately dismissed that as a stupid idea. Acidalia probably got trillions of messages a day—she would never notice anything Athena sent. Besides, she probably didn't even manage her own accounts.
No, it would have to be someone close to her—someone who could walk up to her and be listened to. A noblewoman, probably, or some insanely high-ranking soldier or police chief. Even then, they'd have to be friendly with her. Otherwise she'd be wary of listening to them—if so many people truly wanted her dead, she wouldn't be willing to take what a stranger told her at face value. (That is, if she had an IQ higher than 4, which Athena somewhat doubted, seeing as she was related to Aleskynn.)
But who was high-ranking, had direct access to the palace, and had a friendly relationship with Acidalia Cipher? Athena couldn't think of anyone, especially not anyone she knew.
"I don't know what we're supposed to do," Carina confessed, looking lost. "I don't even know why I told you. It's not like we can change anything."
"No, I'll come up with something." Athena suddenly remembered a concept she'd learned in a communications class they'd made her take in eighth year. She'd thought it was so stupid at the time—why would an Astrophysica need a communications class? But they had told her one useful thing—the theory of six degrees of separation. No one person was really separated from another; the world was a network. If person A was trying to reach person B, there was a virtually guaranteed chance that A knew someone who knew someone who knew someone and so on, all the way until someone knew someone who knew person B. If you knew the right people, you could reach anyone in a relatively small amount of steps.
But who were the right people?
Athena thought of the most important people she knew. Most of them were work bosses, people who only slightly higher ranking than she was. She knew Carina, who knew Aleskynn, who knew Acidalia, but there was no way she could go that route when Aleskynn was actively trying to kill her own sister.
But, outside of the normal chain of command, there were other ways to gain power. They were less legitimate, less common, and less legal, but those pathways still existed. And Athena knew Kalyn, whose mother was supposedly a leader in some criminal enterprise. If she truly was as powerful as Kalyn made her sound, she'd probably made bribes with some wealthy Magistratum, who probably knew politicians, who knew more politicians... and the chain continued, all the way until someone knew the highest-ranking politician ever.
"Okay," Athena said. "This is a long shot, but I have a plan."
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Have you ever done a soulmate au? If so could you do one for Frank Castle? Maybe the reader is a vigilante like Frank? 😊✨✨✨
Gun in the Face of Destiny – Frank Castle xreader.
Author’s Note: I hadn’t done a soulmate AUbefore. I actually had to look up what it was. Interesting concept. I’ll tryit.
Firefights were… well, you wouldn’t say theywere fun, but they certainly were a good alternative to a zumba class when itcame to getting your heart rate up.
Maybe laughing from behind the metal table youwere hiding behind wasn’t exactly subtle. Probably would have been wiser tokeep your mouth shut. You poked your head out from behind the table and tookvague aim at the two guys shooting at you. They had better guns than you. Youhad better luck than them. You heard the bullets ricochet and then a shout ofpain.
Gotcha, you thought.
You glanced back over your shoulder at theterrified kitchen staff huddled behind you. A total of five of them, not asingle word of English spoken between them. Your two semesters at NYU and onefailed Spanish class didn’t exactly prepare you for this situation.
But they made a damn good Ropa Vieja.
You were sort of hoping that the pair of 8mmswould’ve been sufficient tonight. The fact that you’d packed a backup .22 inyour back pocket was inconsequential – a .22 wasn’t going to take these idiotsout.
There was a deafening bang from the oppositeend of the galley kitchen that made everyone jump.
“Keep your head down!” a deep voice echoed.
Fair enough. You ducked back down behind yourupturned table and mimed “keep down” to your Cuban friends. Some things must’vebeen universal; they all nodded and managed to get lower to the floor.
Keep your head down. There was something vaguely familiar about that phrase.
Bullets flew overhead. Big ones. Whoever thisguy was had even better guns than your opponents. Sure, you’d think with yourconnections you’d be able to get your hands on better firepower than the twohandguns you’d toted along tonight. A skinny daughter of a local mob boss thatliked to go out looking for a fight ought to have better protection than ametal prep table and a pair of handguns.
But what was the fun in playing fair?
You shrugged at the cooks behind you. Theygawked back, apparently flabbergasted by your casual response to being shot at.
The fiasco at the other end of the kitchendidn’t last long. Whoever was taking out these dudes was a pro. When therepeated cracks of automatic weaponry came to an end, you popped your head backup to see what the damage was.
You hoped the Cuban cooks had hazmat suitsstored somewhere.
“Overkill much?” you called to the onlyremaining standing figure.
He was dressed head to toe in black, standingwith his back to you. From this angle you couldn’t identify the exact weapon hewas carrying, but it was big. Your stomach tightened, once again regretting openingyour big mouth as he turned slowly to look at you.
That’s when you saw the skull painted acrosshis chest. The Punisher. Shit.
Well, great. Panicking, you hid again, turningto the kitchen staff and waving your hands to get their attention.
“Get out! Get out!” you hissed, waving towardthe door frantically.
They seemed to get the message and, one at atime, began to crawl in the direction of the back door. When the heavy, bootedfootsteps behind you stopped, however, the five of them looked up, theirexpressions horrified.
You looked up, directly into his face.
“What’d you say?” he asked, his nose wrinklingslightly as he scowled down at you.
“I said, ‘overkill much?’” you answeredthoughtlessly.
His expression went from a scowl of annoyanceto a slightly disturbed frown, like those two words were bizarrely significant.You couldn’t imagine why. Nothing that ever came out of your smart mouth waswhat you’d consider significant.
“What’re you doing in here?” he finally said,his voice still tantalizingly wary.
“Um… trying to stop a robbery?” you saidhonestly, “Though you kind of took care of the stopping part for me.”
Hegawked at you for a moment longer, the offered you a hand. You took it,puzzled, and allowed him to pull you to your feet. On the way up you caughtsight of the mark across your wrist.
Keep your head down.
There it was, scrawled across your wrist inuntidy writing that’d you’d never anywhere beside that spot on your wrist. Youdidn’t remember ever not having it. Your mother had explained that it was thefirst words your soul mate would say to you. Hers had faded after she’d met youdad, but you’d still been able to read it when you were little. “Excuse me,miss. Is this yours?” You remembered it so clearly. You’d wondered all yourlife why your soul mate would open with “Keep your head down.”
This situation really wasn’t clearing that up.
He didn’t let your hand go when you were onyour feet, instead opting to awkwardly shake it.
“I’m Frank,” he said, still looking a bitstunned.
“[Your name],” you answered letting thehandshake carry on for far past the point of convention.
Apparently he realized how long this handshaking business was going on and released you hand hastily. You just stared athim, unable to think of anything to say. He tugged at his jacket, pulling upthe sleeve to reveal his right wrist.
Overkill much? You recognized your own loopy penmanship.
“Huh,” was all you could say.
Your staring at each other was interrupted byscrambling and Spanish babbling in the background. The cooks had stood,evidently under the impression that the violence had come to and end, anddiscovered the mess of human remains at the opposite end of the kitchen. Youcouldn’t understand a word of it, but their tone suggested that they were lessthan thrilled with the discovery.
“We’d probably get out of here,” you said toFrank, “Before the cops show up.
“Oh. Yeah,” he said, visibly shaking himself.
You grabbed your guns from the floor and thepair of you dashed out the backdoor just as the sound of sirens echoed from thefront of the building.
“You wanna hit the roof?” he offered.
“Yeah, I guess. My apartment isn’t far fromhere.”
The climb up a nearby fire escape was stilluncomfortable. He followed you as you leapt from roof to roof, surprisinglyquiet for his size. He wasn’t particularly talkative, which you appreciated,since you were trying to work through this startling development.
You’d only kind of believed the whole soul matething in the first place. You knew it happened, but some people never foundtheir matching person. And with such an oddly specific phrase across yourwrist, you’d assumed you’d be one of those people.
You hadn’t expected this.
You considered yourself a B-class vigilante.You didn’t have powers, didn’t have any particular special skills. You’dlearned to fight coming up in a mafia family, sure, but mostly you’d just beentrying to help out where you could. You’d been trying to make up for some ofthe horrible things your father and brothers did every day.
You’d been alone for a long time. There’d beenboys occasionally, particularly when you were younger, but few of them werecomfortable with the variable bloodshed that surrounded you. You’d sort ofgiven up on human companionship in favor of a good fight.
Reaching the roof of your apartment, you poppedopen one of the glass panels and climbed down onto a ladder that was proppedagainst the skylight. Once upon a time, your apartment had belonged to a verywealthy man with a very large obsession with exotic plants. The currentlandlord had converted the building into a series of rather quirky apartments.Since he owed your father more money than you cared to think about, you’dgotten the spacious former-greenhouse.
Your feet hit the floor of the loft and youlooked up to see Frank calmly following you down the ladder. You watched him,admiring the easy movement of his body.
The Punisher. Jesus Christ. You reflexivelyrubbed at the mark on your wrist.
Once he was all the way down, you took theladder in hand and use it to poke the open glass panel, causing it to snap backshut. You then paced to the wall and picked the light switch.
“Excuse the mess,” you said casually, headingfor the spiral staircase that led to the lower level.
The sound of the skylight closing had eliciteda loud bark from downstairs. The barking only increased in volume as you camedown the stairs.
“Hey, Peaches,” you said to the boxer mix asshe met you at the bottom of the stairs.
Peaches had been your exclusive companion sinceyou’d found her a year ago. She’d been a tiny, crying little creature thatsomeone had left in a trash can. She’d had her eyes closed still when you foundher. It’d taken several trips to the vet, more puppy milk replacer than you couldcalculate, and a rather shamefully taken loan from your father for the expensesto save her, but you’d do it all againfor the dog. Now a little over a year old, she was still a gangly puppy with abit more growing to do, but she was strong and sleek and considerably moreaffectionate than you thought you deserved. You were maybe a bit too lenientwith the “no jumping” rule, and let her stand on her hind legs to lick yourface. It was good to have someone that was happy you were home.
Frank was circling the spiral staircase as youand your dog had your nightly reunion. At the sight of the strange man,Peaches’ hair went up on the back of her neck. She gave a deep, warning growlas he approached.
“Easy, pup,” Frank said.
“Peaches!” you scolded.
The dog looked at you questioningly, and thensniffed Frank’s outstretched hand curiously. Apparently deciding that he hadn’tyet merited losing any fingers, she gave him a mistrustful look before trottingback to her food bowl in the kitchen. You followed her, flicking on the lightsof the lower level of your apartment.
“Like I said, excuse the mess,” you muttered.
What you were referring to were the paintings.At every vertical surface, and several of the horizontal ones, canvases ofvarying sizes and states of completeness were leaning, laying flat, or hanging.Your paints were scattered haphazardly across the floor. The cacophony of colorwas reflected back in the glass that made up the entire western wall of theapartment.
“Did you paint all of these?” Frank asked,taking in the sight.
“Most of them,” you called back, your headburied in a cupboard in the kitchen, searching for a can of dog food forPeaches.
“They’re amazing,” he muttered.
You looked over your shoulder to watch him forminute. He’d stopped in front of one of your closer-to-finished pieces.Variations on a theme by Van Gogh. The canvas was mostly back, with red andbrown swirls of paint. You’d been aiming for some kind of expression of what aparticularly nasty night on New York’s streets looked like, whilesimultaneously trying to filter it through what you’d imagined yourschizophrenic idol would have seen.
“They’re alright,” you commented.
You lapsed into a comfortable silence as youdished out Peaches’s dinner and Frank took a seat on the sofa, gazing around atthe paintings. After making sure her water bowl was full, you reached up intothe cupboard and pulled out a couple of k-cups.
“Coffee?” you asked, “Hope you don’t mindblack. I don’t keep cream in the place.”
Frank smirked at you.
“Smartest thing you’ve said all night,” hesaid.
You nodded and, once it was brewed, brought himthe first cup of coffee. You watched him carefully as he took a sip, his nosewrinkling slightly. He kept his eyes on you, tracking your movements as youbrewed a second cup for yourself, then cross the room and sank into the chairacross from him.
“So now what?” you asked, cupping your handsaround the mug of steaming liquid.
Frank shrugged, taking another sip from his ownmug.
“I don’t know. Are you actually expecting tobase a relationship off a few words carved into our wrists?”
“No,” you said quickly, staring down into yourcoffee.
You glanced up at him. He was really ratherhandsome, in a way you’d never considered. Not pretty at all, but there was acertain strength in his face. Strong features, not without scarring. His darkeyes were fixing you with an intense stare powerful enough to make even yousquirm. Usually being the focus of someone’s attention didn’t bother you. Butnot everyone was Frank Castle.
“Maybe,” you mumbled.
You heard him sigh.
“Sweetheart, you don’t deserve this,” he said.
“What do you mean?” you asked.
“Me,” he said simply, “You deserve someonewhole. Someone not so fucked up.”
You gazed at him blankly for a moment, then putyour coffee on the end table and stood up in front of him. You pulled the edgeof your shirt off, showing him the still-healing slice just above your lefthip. Then you turned to show him the scar across the right side of your neck,then the dappled burn scars that stretched from your right shoulder to your midback. There were more, in places you weren’t ready for him to see.
“Do you know why I do this? Why I go out everynight and let someone beat the shit out of me?”
“Because you want to help people?” he guessed.
You shook your head.
“Nah. I wish I was that selfless,” youcommented.
He frowned at you. You sighed.
“I’m doing this because when they land a punchon me, at least I’m feeling something. Look, soul mate you might be, but youneed to be at least a level four friend to unlock my tragic backstory. Let’sjust say I didn’t grow up in a situation where I was around of lot of…nurturingpeople. I guess I didn’t learn to feel things like a normal person. And now…”you sighed, “Pain is a feeling. I can’t even say it’s a feeling I like. It’sjust a feeling.”
Frank looked at you, his eyes a bit empty.
“So,” you finished, “I wouldn’t say anybodydeserves this either.”
He shook his head at you.
“There’s no way to talk you out of this, isthere?”
You flopped down into the couch next to him.
“Look, I’m not asking for forever. I’m justsaying,” you held up your wrist, showing him where the words marked your skin, “Maybewe should give this a chance. Maybe we should just see if this isn’t purelyrandom chance. Maybe it’s more than mathematics. How will we know if we don’ttry?”
“And if it doesn’t work out?”
You smirked, leaning over to reclaim your coffeecup.
“Then you seem just as likely to put a gun inthe face of destiny and pull the trigger. But I know I’m miserable and you don’tlook like you’ve been having the time of your life lately either.”
He looked at you skeptically, then raised hismug in what appeared to be a toast.
“To destiny?” he offered.
You smiled and clinked your ceramic mug to his.
“To destiny.”
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Bite the Bullet (one-shot)
Look. Look.
We all make choices sometimes.
And somtimes those choices lead to the realization that you might just like Megatron with red minibots.
Anyway, shout out to @canonmorelikecanyounot (18+ blog) because this is entirely her fault for her tags about Megatron flirting with Cliffjumper while in gun mode.
And man was it fun to write some v indulgent smut while also getting to play around with g1 silliness.
Title: Bite the Bullet
Series: G1
Ship: Megatron/Cliffjumper
Rating/warnings: Explicit for not so safe or sane gun play, one of the characters being in their alt-mode, technically dubcon since Megatron is a prisoner (but he’s v into it), annnd yeah. It’s gun fucking and Megatron is the gun.
For a refresher course on what exactly Megatron is like as a gun, here’s the main cartoon ref I used and the real life inspiration for his alt-mode.
“So you’re that type of mech, hm?”
Cliffjumper’s frown deepened and he barely turned his helm to glare over his shoulder.
However, he quickly found it was difficult to know where to point his glare when the enemy was stuck in his alt-mode. If he was a car it would be easy, and Cliffjumper had some idea of where to look at a flight-mode. He wasn’t dumb.
But it was a harder call when the leader of the Decepticons was a gun.
The muzzle maybe? But it was turned away from him since Megatron was laid out on the prison berth parallel to the cell barrier. The scope would have been his next guess, but it was also aimed at the wall. All Cliffjumper could see was the butt of the gun and the trigger and all along the bottom edge of the barrel.
Slag though, Cliffjumper almost didn’t mind since it gave him the excuse to drag his optics along the full length of the gun.
No, not gun. Not just a gun.
Megatron.
“What’s that supposed to mean?”
The minibot kept expecting the gun to move, to at least twitch or roll, anything. He couldn’t fully comprehend the fact that anyone could have an alt-mode that completely lacked mobility.
But Megatron just continued to lay there in the exact same spot as when Optimus placed him there the day before.
“I should think it’s obvious, Autobot,” Megatron replied, his tone amused. Cliffjumper’s hands fisted at his sides and his frown tightened.
“And what’s that supposed to mean?!”
Megatron’s laugh grated on his audials.
“You like my form, don’t you?”
His spark felt as if it had stopped cold in his chest. Cliffjumper gaped at the Decepticon before squaring his shoulders and pinching his lips tight. His head turned away sharply to look at the wall.
“I have no idea what you’re talking about, so can it, rust bucket.”
“I think you do.”
“I said can it!”
“Your friend wasn’t subtle,” Megatron continued, unperturbed, and Cliffjumper felt his face heat up. No, he supposed Bumblebee’s “Behave” with a wink when they had switched off was pretty obvious. It wasn’t exactly something he was shy about admitting to normally – they all had their kinks, some so specific that his seemed mild in comparison – but Cliffjumper wished now he had kept his big mouth shut.
He was gonna get Bumblebee back after this. Maybe a good right hook to the noggin—
“You want to frag me, don’t you, little Autobot?”
Shame sparked across Cliffjumper’s circuits as he felt his array warm and his interface protocols online in a hurry.
“Sh-shut up!”
“You do,” Megatron said, dragging the last vowel out mockingly. Cliffjumper’s engine growled, even as his face burned. “No need to be ashamed. You’re hardly the first, and you won’t be the last. I am well constructed after all, and you will not find a more destructive weapon to hold in your hands.”
Cliffjumper gritted his dentae. He shouldn’t rise to the bait, he knew that, but he hated the feeling of unspoken words on his glossa.
“So you’re a nice gun. So what? What would I want with you anyway?” Cliffjumper spat out.
The gun hummed with obvious delight.
“Oh, I’m sure you’re well aware. It’s quite something to hold such power in your hands, to touch and perhaps to even taste that strength, isn’t it?” Cliffjumper’s fingers twitched and his mouth watered and his spark pulsed quickly in his chest. “And I know you’ll agree that to have destruction at your fingertips and taunt fate with it pressed to your frame can bring about a rush like none other.” His plating shifted and, slowly, spread out so that the growing heat could leak out without needing to turn on his cooling fans. “And while you may be small, Autobot, you won’t have any trouble taking my barrel inside you, will you?”
With the clamping together of his thighs, Cliffjumper’s valve throbbed behind his panel.
Frag.
“I’m not stupid, and I’m sure as slag not suicidal, so why don’t you--”
“But you are interested.”
Cliffjumper turned on his heel to glower at the Megatron again, his arms crossed over his chest. “Not in having you blow me up from the inside out!”
The gun cackled and Cliffjumper’s plating flared irritably.
“Is that all that holds you back? Then rest easy,” Megatron insisted casually. “In this form, while I am much more powerful, I am otherwise in most every other way the same as any other gun. And I assume you know how to safely indulge yourself, hm?”
Cliffjumper ground his dentae until he could swear he tasted sparks on his glossa. It didn’t help to fight the burning heat flooding his face or to ignore the distinct sensation of lubricant slicking his valve.
“You honestly think I’ll believe you can’t pull your own trigger?”
Primus, it was so weird to have this conversation when Megatron didn’t move at all. His voice was all that Cliffjumper had to go off of.
Did that immobility really go that far?
“Why else do you think I would let my lieutenants have the pleasure?”
A shiver raced down Cliffjumper’s spine at the thought of that very pleasure, to squeeze that trigger and feel that recoil for himself, because it – he – had to have a nasty kick. Frag, he would give anything to feel that for himself.
“And—and what do you get out of this?”
“Relief from the processor-rusting boredom of not only being a prisoner, but unable to move at that,” Megatron explained as if it were the most obvious thing in the world. However, his voice took on something too much like a purr when he continued, “And it’s not every day I find such an appreciative audience. I would very much enjoy having an adorable little Autobot like yourself lapping at my muzzle.”
If Cliffjumper didn’t know better, he’d think his face was melting off from how boiling hot it felt.
His hands were clenched so tight he was scrapping paint off his palms.
“Better yet would be the desperate clenching of your valve as you come undone around my barrel.”
Cliffjumper managed to keep the whine from escaping his vocalizer.
However, he lost the battle with his interface array as his panel opened with an audible shlick.
“Shut up!” he spat when Megatron began to snicker, and despite himself, Cliffjumper reached up to offline the cell barrier.
Compared with the rest of the hefty weapon, Megatron’s stock seemed nearly delicate. Thin and round and long, the only interruption to its sleekness was the lip where one half could slide into the other to collapse the stock.
And that lip caught on Cliffjumper’s anterior node as he rocked his hips along the slick length, trapping the stock between his valve lips to rub himself against. A grunt escaped his open mouth and his hold on the grip tightened.
“Sensitive, aren’t you?”
“And you never shut up, do you?!” Cliffjumper complained as he pressed the stock harder against himself. Finding a position had been awkward, but finally the Autobot had settled for straddling the stock and leaning over the rest of the gun so the muzzle faced away from him. One hand braced against the berth while the other was wrapped around the grip of the gun, fingers stroking and squeezing the unyielding metal as best he could while holding the rest of the gun to his frame, slowly warming it with how hot his frame was in comparison.
Another roll of his hips had Cliffjumper’s node catching on the stock’s lip again and he groaned as he repeated the motion yet again.
“Yet you persist. Am I that that irresistible, Autobot?”
Cliffjumper hated how the taunting only had his hips bucking harder.
“Arrogant glitch!”
But there was no denying the fact that Cliffjumper couldn’t take his optics off the length of the gun. The weight of Megatron in his hand grounded him while the beautifully maintained chrome caught and held his attention as it glittered and shimmered with his every movement. His forefinger stroked the trigger guard longingly while he leaned further forward, following the lines of the barrel as he got close enough that it wouldn’t take any effort at all to close his lips around the side of the long cylinder.
His hot ex-vent fogged the sleek metal.
Cliffjumper licked his lips before gritting his teeth.
“Go on then. Why not take a little taste?”
As much as the minibot wanted to argue, the fact was he wanted that taste badly. Cliffjumper told himself that surely just one lick wouldn’t be so bad. Just along the side, nothing dangerous, just a taste.
One small stroke with the tip of his glossa though only made the cloying hunger in Cliffjumper’s spark worse, made the chasm of need that much deeper, and a whine was out of his mouth before he could stop it. Megatron tasted like cleaner and ions and smoke, and Cliffjumper opened his mouth wide to flatten his whole glossa around the curve of the barrel, dragging along the completely unmarred surface, letting his senses be consumed by the heady taste. It only strengthened the closer his glossa lapped towards the muzzle.
“Take what you want.”
Impulse beat out self-preservation. Cliffjumper had to tilt his chassis, letting his forehelm rest on the berth and his hips tilt up so that he could shift the angle of the gun. Within a few moments he managed to get it just right so the stock was still pressed hard against his valve but the muzzle was aimed right at his face.
And that managed to give him pause for a second as the realization of just how stupid this whole thing was hit him.
Unfortunately, it also set his face aflame and lubricant dripped freely along the stock.
Cliffjumper opened his mouth and shifted the gun -- Megatron -- until the muzzle was between his lips and his glossa could plunge into the interior of the barrel.
The taste was caustic and burned his glossa and his proccessor swam in the overwhelming rush of arousal.
His hips jerked down hard on the stock captured between his valve lips, his anterior node finding the stock’s lip again to grind back and forth across, and his calipers clenched on nothing as overload took Cliffjumper by surprise. Cliffjumper clamped his thighs together as a moaned curse tumbled out of his mouth, muffled around Megatron’s barrel.
“What a good little Autobot,” Megatron purred from between Cliffjumper’s legs, and the minibot hated how it prompted another throbbing wave of pleasure through his array.
Cliffjumper was quick to lift his helm up and away and spit out a “Frag you” as he pushed up onto his knees. Megatron’s barrel had lines of his oral fluid streaked across it, his hammer and scope had splatters of transfluid across them, and his stock was absolutely soaked, drips of lubricant falling from the length to pool on the berth. Cliffjumper’s frame shuddered at the mess he had left all over the gorgeous gun and the burning taste of danger on his glossa. A low simmering heat reignited in his array before it could even fully cycle down from the overload.
“I’d much rather frag you.”
Cliffjumper licked his lips and his calipers cycled opened in preparation for what it already knew he would let it have.
Megatron had been aimed right at his helm and hadn’t pulled his trigger.
Maybe couldn’t.
"Fine. Why the frag not?"
It was on his back, servo around Megatron's barrel as he pressed the muzzle in past the soaked rim of his valve, staring down at the Decepticon's gorgeous alt-mode as he pierced himself on it, that Cliffjumper finally noticed the way the scope glinted at him. It was slight, easy to miss.
"Can you see outta that thing?"
"Perhaps," Megatron answered, his tone amused as it had been the whole time, but there was something deeper to it now, gravelly in a way that put even his usual voice to shame. "Would that stop you?"
The edge of the muzzle grated along Cliffjumper's valve walls as he pulled it deeper, just on the edge of pain, and it pulled a moan from his lips.
"If your talking didn't, then I dunno why you think that would."
Megatron chuckled and the scope lens flickered again.
That was one question answered at least.
Not that it mattered really. Not when Cliffjumper had the long, unyielding length of Megatron's barrel pushing in, bit by bit, stretching him so gloriously.
Once Cliffjumper had as much of it as he dared press into his frame, he carefully pulled and pushed the gun, slowly thrusting it into himself.
"F-frag--hah!"
"Is that really all you can take, Autobot?"
Cliffjumper grit his dentae and offlined his optics, wondering if he couldn't just ignore Megatron as he took his pleasure. But only a few seconds passed before he gazed down the length of his body again, watched the way the Megatron’s barrel disappeared past his stretched rim. The most powerful gun Cliffjumper had ever held in his hands, and his throbbing valve was enveloping it in wet heat. Each time he dragged it out, the way his lubricant shone on the black metal was too gorgeous to not watch glitter.
"Come now. Let me fill you completely.”
Cliffjumper’s hips jerked and his hands pushed before he could even think to argue.
Inner calipers gave way and Cliffjumper threw his head back with a shout as the muzzle kissed the very back of his valve. His outer most calipers cycled down as the edge of the muzzle was engulfed, settling snuggly around the thinner barrel and holding the entirety of the muzzle inside his frame.
Keeping Megatron trapped in his fluttering valve as Cliffjumper overloaded around him.
Cliffjumper arched his back as he whimpered, defenseless against the raw pleasure assaulting his sensornet as he shuddered.
“Mmm. Very nice.”
“Get melted,” Cliffjumper muttered breathlessly, internally embarrassed by how little fight was actually in his voice. In fact, he sounded well fragged, static hissing around the edges. It was with trembling hands that Cliffjumper carefully pulled the gun from his abused valve, pausing when aftershocks would have him clenching around the muzzle again.
Once free, Cliffjumper set Megatron down on the berth next to him, parallel to his frame, and then offlined his optics to give himself a moment to come down from the charged high. His valve felt empty but satiated.
“You made such a spectacular spectacle that I suppose you deserve something as a reward, don’t you agree?”
Cliffjumper onlined one optic and turned his head to glower at Megatron.
“I got what I wanted.”
“True. But I imagine that this will only sweeten the memory.”
Before Cliffjumper could think of anything to say to that, Megatron’s alt-form started to hum in a way that had nothing to do with a vocalizer. Cliffjumpers sensory systems were blinded by bright light and a deafening blast. The shock was enough to have his frame moving instantly, jumping and pushing himself off the berth to roll onto the floor with a yelp.
When Cliffjumper managed to reboot his optics and online them, it was to see the gun falling from where it had slammed against the wall from recoil, clattering to the floor.
And when Megatron’s form finally settled, it was with the muzzle nearly aimed at Cliffjumper.
The minibot stared, mouth agape, legs splayed open and frozen in place while his spark thundered in his chest.
“You—you—!”
“I never actually said I couldn’t pull my own trigger,” Megatron supplied, his tone smug, clearly pleased with himself.
And, despite himself – despite the spark-chilling realization that he had placed his life at Megatron’s mercy for an overload – Cliffjumper’s frame shuddered and his valve throbbed.
That damned scope flickered again, watching him.
Frag. Frag, frag, frag.
“You really are a fragged up little Autobot, aren’t you?”
Megatron was teasing him, and worst still, it nearly sounded like praise as well.
Cliffjumper’s face burned and outrage flooded his systems.
With an audible snap his panels closed and Cliffjumper scrambled to his feet, his engine growling threateningly.
“I outta throw you in a smelter myself, you no good slag-sucking decepti-creep!”
Megatron cackled as Cliffjumper berated him, occasionally slipping into genuine laughter when Cliffjumper demanded he stop laughing because he was being serious, slaggit!
Worst still was that Cliffjumper couldn’t just leave. He was the guard on duty, so he couldn’t leave Megatron alone down here, and he definitely couldn’t leave all of the sticky evidence of his activities with the Decepticon prisoner behind for anyone to find. Cliffjumper was pretty sure he would rather take a bullet to the processor than have to face Optimus if his leader knew what he had done.
Cliffjumper was stuck with the mouthy Decepticon for the rest of his shift.
So if he got a little enjoyment out of thoroughly cleaning Megatron’s gun form from his muzzle down to the end of his stock while cursing him out, well, Cliffjumper deserved something for his trouble.
“Soundwave.”
His lieutenant didn’t so much as look at him, busy with decrypting the code that held Megatron trapped in his alt-form. There was no doubt in Megatron’s processor though that he was listening. If ever there was a mech capable of multitasking efficiently, it was Soundwave.
After all, he had managed to keep Starscream distracted while sending Ravage to slip into the Autobot base, rescuing Megatron before the Autobots could even come to a consensus on what to do with their prisoner.
“What’s the name of that red minibot?”
This time Soundwave’s head did swivel to face Megatron’s scope.
“Cassette’s designation is--”
“No, no, not Rumble.” Megatron paused for a moment when Soundwave continued to stare at him. “Or whichever one painted himself red this week. I mean an Autobot.”
Soundwave’s head tilted.
“Three Aubobot minibots feature red paint.”
“The one with horns then.”
“Two Autobot minibots fit that description.”
Megatron growled. “The trigger happy one then!”
Soundwave’s head straightened as he nodded and said, “Minibot’s designation is Cliffjumper.”
“Cliffjumper, hm? A fitting name.” Megatron watched as Soundwave returned his full focus on the code that would soon free him again.
He couldn’t help a quiet chuckle to himself.
A fitting name indeed, and one Megatron would be sure to remember.
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Ask Anything, Your Tech Questions Answered
Bench Bleed Blues
Randy Flick; via CarCraft.com: In just about every article concerning swapping out a brake master cylinder, we are told to bench-bleed the unit before installing it (for obvious reasons). It has always been my practice to bolt the master cylinder in place—leaving the brake lines unattached—attach the bleeder lines, and use the brake pedal to pump and bleed the cylinder. This always seemed easier than wrestling the unit while it’s in a vice and possibly spilling brake fluid when I transfer it to the firewall. Is there really any difference in my method versus bleeding the unit on the bench, or have I been doing it wrong for 50-plus years?
Steve Magnante: Good question, Randy. I’ve also taken to mounting the brake master cylinder to the car and rigging temporary shorty lines from the pressure ports back into the reservoir. As long as care is exercised and paint-friendly synthetic fluid is used, it gets the job done. However, this doesn’t answer your core question as to why bench-bleeding has been recommended for decades. I think there are a few answers. First, before the mid-1950s, most American cars had their brake master cylinders mounted beneath the floorboard—not on the firewall, where access is much easier. This underfloor master-cylinder mounting was a result of evolving vehicle architecture that placed the brake (and clutch when applicable) pedals on pivots mounted under the floor. If you see any older car with a brake pedal jutting up from the floorboard, you can bet the master cylinder is mounted under the car. Service isn’t fun.
As vehicle designers sought lower body profiles in the 1950s, they needed to squash cowl height. Once the cowl height was reduced an inch or 3, the hoodline, beltline, and roofline could follow suit. To compress the cowl height, designers turned to so-called suspended brake and clutch pedals that worked from pivots mounted under the dash. This opened the door to relocation of the brake master cylinder to the engine side of the firewall, where a simple rod could be used to meet the brake pedal in the car. The groundbreaking 1955 Chevy’s low profile was enabled, thanks to a switch from 1954’s through-floor brake pedal and undercar master cylinder to a suspended brake pedal and underhood master cylinder. By 1955, most Chrysler and Ford models had also made a similar switch, though many Rambler/American Motors and Studebaker offerings stuck with old-fashioned, through-the-floor brake pedals into the early 1960s.
If we focus on those pre-1955 cars with their awkward, hard-to-access, underfloor brake master cylinders, bench-bleeding prior to installation was virtually mandatory. Doing the job from under the car was far more difficult. And remembering that vehicle repair and maintenance regimens go back to the day after the first automobile was sold, by the mid-1950s more than a half century of momentum existed. Mechanics with years of experience of pre-bleeding master cylinders on the bench stuck to the process even after the 1955 revolution took hold. So did the factory service manuals, likely as a fool-proofing.
While modern master cylinders are a virtually perfected art, once in a while, a blooper unit gets through quality control. If a single lip seal is installed on the piston backward or if a drilled passage isn’t complete, the master cylinder will malfunction. The process of bench-bleeding ensures closer, hands-on contact than in-car bleeding, and if a problem exists, remedy is quicker than if it is bolted to the firewall.
So I’d venture to say manufacturers are making the end user the last line of quality control by urging them to bench-bleed before final installation.
Finally, not every vehicle places the master cylinder in the expected horizontal position, where air-bubble chasing via bleeding is most easily accomplished. Take a close look at many rear-wheel-drive GM cars of the 1960s through 1980s, especially those with power brake boosters. The master cylinder is mounted at a 17-degree angle with the front end positioned higher than the tail. Likely done to scoot the booster assembly up and away from the engine’s driver-side valve cover, the non-horizontal orientation renders a certain percentage of the reservoir empty since a wedge-shaped air void is created when the cover is secured in place. Does this non-horizontal mounting complicate in-car bleeding? It shouldn’t, but psychologically it’s an oddity and, in some situations, could help hide reluctant air bubbles.
To sum it all up, if done with care, in-car master cylinder pre-bleeding is just as effective as bench-bleeding. However, in that rare instance when a manufacturing flaw renders the unit inoperative, isn’t it better to discover this fact before you’ve expended the time and effort to mount it?
This 1954 Plymouth Savoy brake master cylinder is typical of the old-fashioned mounting scheme. Once bolted to the frame under the driver-side floor panel, access is nil. Bench-bleeding is a must. In 1955, Plymouth switched to a modern, firewall-mounted master cylinder. The circular hole in the floor is where you add brake fluid. A metal snap-in cap seals the floor after service.
Hot Rat
Glenn Hiller; Haddam, CT: I’ve been following your writing since the late-1980s and hope you get this question about my 1969 Chevelle. It has a standard 454 crate motor upgraded to 10:1, 292 hydraulic-cam, cast-iron, rectangle-port heads, long-tube headers, 3-inch pipes, loose converter, 4.11 rear, HEI ignition, and runs 11.40s in stock trim. I’ve owned the car for more than 25 years, so I have an intimate mechanical relationship regarding everything. After roughly 10 years of running since complete rebuild, the radiator core separated from the tank. I brought the radiator to the local radiator shop, and they rebuilt it with a four-row core and the same copper tanks. It was much heavier after I got it back. After a complete flush of the radiator, heater core, block, and so on, I installed the new radiator. A quick glimpse in the GM Performance Parts catalog shows water pump No. 12484890. I could not locate this water pump locally, so I picked up a standard cast-iron water pump. After installing all components—including a Mr. Gasket high-flow, 185-degree thermostat—the car runs perfectly, but instead of running hot at idle and cooler while driving, it now runs cool at idle (185) and hotter on highway (210+). The fan is a direct drive with wide, flexible blades. The car would previously climb to 215+ at idle. Any thoughts on what happened?
Steve Magnante: Hey, Glenn, thanks for being a loyal magazine customer. You’re part of the devoted core that’s keeping paper alive. Though it feels like I’ve been writing since the late-1980s, my very first nationally published magazine article appeared in the July 1992 issue of Chrysler Power. It was a one-page review of the old IMC 1:25-scale Dodge L700 plastic truck model kit from 1969. My Car Craft debut was in the April 1994 issue and took the form of a two-page color feature story on Denver Nuggets NBA basketball star Tom Hammonds III’s 7-second street Camaro.
Enough about me. Your Chevelle is really cranking! Low-11s with a stock-displacement 454, 10:1 compression, and 4.11 cogs is very good. The reversal of cooling tendencies—from too hot at idle to too hot while cruising—is a puzzler. Have you tried reinstalling the water pump that was in the car before the radiator was rebuilt? And why did you change it in the first place? And what triggered your thinking that you needed the GM water pump (PN 12484890)?
Working from these clues, let’s break it down.
The PN you sought (and couldn’t find) is a cast-iron, long-style unit of the type often included on Chevrolet Performance (nee GM Performance Parts/GMPP) 454 and 502 crate engines. Clearly, you’re hip to the whole long/short pump housing situation or you’d never have been able to assemble the engine to learn it now runs hotter.
Since you don’t specify exactly which “standard cast-iron water pump” you substituted for it, I’m going to bet you accidentally got a reverse-rotation unit from the parts man. The reverse-rotation pumps came into being when GM went to serpentine accessory drive architecture on production vehicles in the late-1980s. Due to the double-sided drive capability of the serpentine belt and pulleys, the water-pump rotation was reversed and a specific impeller-vane design was applied to pump the coolant properly.
By contrast, the classic V-belt, pulley-drive water pumps turn the pump impeller clockwise (as viewed looking at the front of the engine). Both pumps are made with long and short housings and will bolt to the front of the block without obvious signs of trouble. But if you run a reverse-rotation pump with a V-belt, the high-speed efficiency of the impeller will be poor and coolant flow will be degraded. Down low at idle and low rpm, the error won’t be obvious, especially now with your increased-efficiency radiator helping to mask it. But get it spinning and making power on the open road and the reduced coolant volume and speed won’t allow the radiator to do its job.
I’m betting you accidentally bought and installed a reverse-flow water pump. Take an hour or two and swap the unit for one of the many pump offerings seen in catalogs from Chevy Performance, Summit, Edelbrock, Jegs, and others. Just remember to stay away from pumps sold for serpentine-belt applications (I’m assuming your traditional-themed Chevelle uses a V-belt).
While you’re at it, make sure the suction side of your radiator hose has a non-ferrous, anti-collapse coil inside it. Better yet, source a molded hose with integral stiffening construction. I’ve written about it here before, but without support, pump flow at high engine speed can collapse the suction hose and greatly reduce flow. Since it only happens during high rpm and the hose quickly returns to shape, this can be a frustrating hide-and-seek overheating problem. Enjoy your big-block Chevelle and thanks for reading Car Craft for all these many years!
Gaseous Gas
Amy Ping; via CarCraft.com: I have a 1972 Nova that I bought back in 1985. It came stock with a 350ci and three-speed standard shift on the floor. I installed a Muncie shortly after I bought it. I rebuilt the 350 with flat-top pistons, Dart heads, Crane 0.480-lift cam, Torker II intake, and 650 double-pumper Holley carb. I used to have an electric fuel pump and now have a stock-type pump on it. Now when the engine gets up near around 200 degrees after sitting in traffic, it acts like it’s running out of gas. I have put a 1-inch spacer between the carb and intake and rebuilt the carb. This did not help much, if any. I always run 93-octane pump gas. Do you or any of the readers know what’s causing this and how to remedy it? Thanks for any help you can give me.
Steve Magnante: Before we get to your fuel-delivery problem, let’s take a moment to admire your Nova. When your car was built in 1972, the muscle-car scene was rapidly dying up. Thanks to changes in consumer demand, an energy crisis, and government/insurance crackdowns on younger drivers and factory performance offerings, Chevelle SS output tumbled from more than 62,000 in 1970 (all of which were big-blocks) to 24,946 in 1972 (now with the anemic 307 two-barrel as standard SS power). Camaro output was down by 36 percent in 1972 (versus 1971) and the SS396 option was in its final year with only 970 big-block Camaros built.
By contrast, the 1972 Nova was a huge success and Chevrolet bean counters enjoyed total sales of 349,733 cars, of which 260,215 were two-door coupes like yours. So why did Nova sales soar into the stratosphere—1972 output marked a 79.5-percent gain over 1971—while Chevelle and Camaro nose-dived?
The answer lies in Nova’s ability to trick curious insurance adjusters into thinking it was a humble economy model. While the basic 250-cube six-popper was pretty tame, any V8-powered Nova was capable of decent performance. In particular, the 350 small-block in your car served as a great jumping-off point for bolt-on enhancements, as you’ve demonstrated. But it’s the three-speed stick that sets your Nova apart. Though you’ve swapped it out for a better four-gear Muncie, whoever ordered your car new was probably working his or her way around the option sheet in efforts to stay below the radar—and insurance surcharges for the four-speed and Nova SS package (of which 12,309 were built nonetheless). What I’m saying is that your 350, three-speed Nova was an early insurance blockade runner, a wolf in sheep’s clothing.
So why isn’t yours getting fuel when hot? Well, from the symptoms you describe, it sounds like you’ve got a classic case of vapor lock. You see, when gasoline is exposed to localized heat in the fuel system, it can begin to vaporize and transform from a liquid into a gas. Since the mechanical fuel pump bolted to your engine was designed to move gasoline in its liquid state, not in its less-dense gaseous state, flow from the fuel tank to the carburetor’s float bowls ceases because of these hot spots.
The carb spacer is a step in the right direction, but rather than a spacer (which adds plenum volume), you really want a carburetor heat isolator. These can be made of hard wood, plastic, and other materials, but their duty is to help prevent heat from soaking its way from the intake manifold to the carburetor. The cooler temperature might be helpful in keeping the gasoline in a consistent liquid state.
However, I think your trouble is located before the carburetor. Check for any places where the metal fuel line is close to a heat source like a header tube or muffler case. If so, reroute the line away from heat. Insulation is also available to keep the metal fuel lines separated from heat, and you might also consider a good, old-fashioned cool can. Either homemade from a large metal can with a coil of fuel line inside and packed in ice or a premade unit from the aftermarket, cool cans have a long history of solving vapor-lock hassles.
As for the mechanical pump, that’s OK, but why did you remove the electric pump that was previously in place? Electric pumps are another defense against vapor lock because they help to keep the fuel column moving and reduce the time it is in contact with any existing hot spots. You don’t need a huge pump for your application, just a simple unit with a built-in regulator set for something like 4 to 6 psi. Bigger pumps are OK, but often force the need for a pressure regulator to tame their flow from 9-ish psi (unregulated) to lower levels.
Your mention of using nothing lower than 93-octane gasoline is good for those flat-top pistons (and probable 10:1 squeeze), but has little bearing on vapor lock. The fuel formulation, not octane rating, is at the core of vapor-lock issues. And with certain parts of the country forced into using ethanol-spiked fuel, the vapor-lock problem escalates because of alky’s lower vaporization temperature threshold. Grab a carb isolator, reroute those fuel lines, wrap a bit of insulation on critical areas, and run an electric pump and you ought to see a noticeable improvement.
More Info
Summit Racing; (800) 230-3030; SummitRacing.com
Baked Brakes
Steve Magnante: This isn’t a reader-supplied item, but during a recent visit to Strange Engineering, I learned something of importance to users of carbon brake rotors. When doing maintenance, never ever spray aerosol brake cleaner on the rotors or pads to remove stains. It turns out these carbon-based rotors absorb foreign substances like a sponge and can become polluted. The best plan is to work as cleanly as you possibly can to avoid the need for cleaning in the first place.
If you do get contaminants on the rotors and they become polluted, are they scrap? No way, just strip them bare of all non-carbon components and bake them in the oven at 500 degrees until they don’t stink anymore. Did I say stink? Oh yeah—during the heat cycle, any oil, fingerprints, brake fluid, grease, and so on is going to cook off and create nasty fumes.
Once the stinking stops (usually 30 minutes to an hour), you’ll know the rotors are as clean as they can be. Don’t worry about harming the rotors with heat. The oven’s 500 degrees is nothing compared to the 1,200-plus degrees they’ll face in normal service. And as for the brake pads, they’re also made of carbon and can be oven-cleaned along with the rotors. Now you know.
Certain late-model Corvettes are offered with carbon-ceramic brake rotors. Though not as absorbent as straight up carbon-carbon rotors, they can also be decontaminated in an electric oven.
More Info
Strange Engineering; (847) 663-1701; StrangeEngineering.com
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