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#melro talks
sanctus-pyri · 4 months
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thinking about how even if he didn't die in ketterdam, nina was always going to lose matthias. she's a powerful corporalki, he's otkazat'sya. one day she would wake up and he'd be gone, and in one or two hundred years she'd still be there.
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litcest · 2 years
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The Tragedy of the Street of Flowers, by Eça de Queirós
A Tragédia da Rua das Flores (‘The Tragedy of the Street of Flowers’), was written by Eça de Queirós, who is one of the, if not the, greatest Portuguese writers. As such, it felt downright criminal to read the English edition of the novel, when my first language is Portuguese itself. The novel has an interesting background, as it was only published after the copyright expired in 1980, a hundred years after it was written in 1887. It’s theorized to be an earlier version of The Maias, the one with the sibling incest, or of Cousin Bazilio, the one with cousin incest. Oh, I almost forgot o say, but this on is the one with mother-son incest. (Why is that when Eça de Queirós writes 3 incest novels he is considered one of the most celebrated Portuguese writers, but when I do, I ‘need to stop uploading this kind filth to AO3′?).
One evening as the whole high society of Lisbon is gathered at the opera watching Blue Beard, the beautiful unknown woman with blonde hair walks in, causing everyone to start whispering about her, wondering whether she is the princess. The men as impressed and all try to get a better look at her, including Vítor da Silva, a charming 23 years old  Bachelor of Laws, and his friend Dâmaso Mavião. Luckily for him, Dâmaso has a friend who knows the woman, and introduces them. The woman is not the princess, but rather Madame Genoveva de Molineux, a Portuguese woman who is the widow of a French nobleman. They talk and she invites him to visit her in her hotel the next day. Vítor momentarily interacts with Genoveva while Dâmaso tries to get a cab, and is smitten with her. After that, Dâmaso and Vítor go get dinner together, staying out until early in the morning.
That night, Vítor has strange dreams in which he met Genoveva, but before they could touch, Sir Galahad, from the Knights of the Round Table stopped them and said: “I’m strong because I am pure: I’m searching for the Holy Grail and will destroy all shameful lovers”; in the other dream, he sees his father holding a braid of a woman’s black hair. These dreams may seem random now, but they serve as foreshadow the revelations at the end of the book.
At breakfast, Uncle Timóteo notices that he looks tired and guesses that Vítor has fallen in love. When inquired, the uncle proceeds to talk about the only woman he had ever loved: Joaquina dos Melros, Vítor’s mom, who Vítor believes to have died shortly after his birth.
“’Oh no, I promised I'd be in the office by eleven!' said Vítor. He got up and stretched. ‘Well, I've certainly learned a few things this morning. There's so much I don't know about our family.’  And after lighting another cigarette, he went out, adjusting the buckle at the back of his waistcoat, while Timóteo, slumped in his armchair, was muttering: ‘Yes, there's a lot you don't know.’”
Vítor leaves and alone, Timóteo reminisces about how his unrequited love, Joaquina, had married his brother, Pedro, when he had been away, and left right after giving birth to Vítor. Pedro becomes disgusted to his wife, who had taken his name and now was Joaquina da Ega, and therefore changes his and Vítor’s last name to ‘da Silva’, and makes everyone promise to tell Vítor that Joaquina had died. When Timóteo is inquired by a man working for Lord Lovaine about the whereabouts of Pedro da Ega, he lies that Pedro and his child had died in Luanda.
One day, Timóteo runs into Mme. Molineux, wearing an gorgeous outfit and a hat with a a veil and flowers. He sees her kicking a child out of her way and confronts her about her, but she dismisses him, calling him crazy. As she leaves, Timóteo is left with the feeling that he has seen her before. At her house, Genoveva throws a fit over having been insulted for kicking a child and drinks lots of gin (this is to say, she is not portrayed as a likable character). She admires her beauty and the that, despite being 39, she stills looks very young, for she has taken great care of her skin.
If I am mentioning their ages way too much, it to emphasize the approximated 16 years age gap between Genoveva and Vítor; 16 years, which also happened to be the age Joaquina has when she gave birth to Vítor: she was 14 when she rejected Timóteo and shortly after she married Pedro, making her around 14 1/2. One and half years after the wedding, when Vítor was two months old, she had ‘died’ - ergo, she was around 16 when she gave birth. (The author was smart, even if we didn’t already knew the ending, we could go piecing things together by picking up the clues he left.)
Genoveva has been conning man out of money for her whole adulthood, and her newest victim is Dâmaso, who keeps giving her money in exchange of her affection, and is deeply in love with her. As to not damage her reputation, he tells his friends that she is a rich lady, even showing alleged gifts from her, when, in actuality, he himself had bought those things. Dâmaso wants to show her off in public, but she keep giving excuses to avoid it. Finally, she relents and allows Dâmaso to introduce her to Vítor, who she had noticed that first night on the theatre and couldn’t stop thinking of ever since. It’s also revealed that, like some of the opera goers had speculated, she’s not naturally blonde.
“I swear I've never felt like this about any man. I don't even know what I want from him... I want to run away with him, go somewhere where no one will see us, I want to devour him, kill him, bite him. He's so handsome, so sweet. He's such a love. And yet, there's something else... He actually looks like me!”
Here we leave Mme. Molineux’s perspective and go back to Vítor, who, during all this time, has been hearing from Dâmaso how much Genoveva loves him, and therefore has grown jealous and bitter about their affair. However, he eagerly accepts the invitation to Genoveva's soirée. At the party, she declares to be most pleased to meet him, as she had been waiting to meet him properly ever since seeing him at the opera. The two talk, much to Dâmaso’s dislike. They go to Genovena’s bedroom, where she gifts him a red camellia, which he promises to keep for ever.
“Vítor stared at her, enchanted. The proximity of her flesh drew him the way a magnet draws iron; he felt like touching the splendid flesh of her breast, to trace its curve with one fingertip, just to know how it felt. She was brightly lit by two lamps placed on a nearby table, which revealed the pure, soft lines of her chin and her nose, which the light caressed with adorable delicacy.”
These two were hit by a strong case of GSA...
The days after the soirée, Vítor wanders Lisbon hoping to run into Genoveva, but he has no such luck. He finally decides to visit her in her house, where he finds her a little bit ill.
Vítor returns to the house to confess his love for Genoveva, who rejects him but says that they can be friends. She asks about the camellia, and he tells her he has kept it. Vítor goes to another friend of his, a painter called Camilo Gorjão and hires him to paint Genoveva.
Vítor goes to Genoveva’s house once again, but she’s out and he finds only Dâmaso, who gets jealous, causing the two friends to be at odds. Vítor finally meets Genoveva at her place and tells her about the painting he wants done. She laughs at the idea at first, but agrees to be painted. They keep chatting about how similar they are. It comes the time that Dâmaso usually visits and she tells Vítor to go away, and he replies, like a little child, that if he goes, he won’t return, to which she says she’s fine with. He kisses her on the forehead and leaves. When alone, Genoveva confesses to her maid that: “my heart tells me this will end badly.”
The next time Vítor goes to visit, Genovena is out with Dâmaso, and Vítor talks to her English handmaid, Miss Sarah, and gets mad at Genovena, who he now considers to be a whore and wants nothing with. He then moves on to another girl, Aninhas.
He’s ready to move on, but Camilo can’t stop thinking about painting the portrait of Mme. Molineux and Vítor decides that he’s actually still in love with her and will use the portrait as na excuse to get close to her. He returns to Genoveva’s house to arrange the details, but Dâmaso, who is there, says that Camilo is a terrible painter, but Vítor does wins and convinces Genoveva to let Camilo go there the following day. This causes Dâmoso to get mad and she kicks him out of her house. Now alone, Genoveva thinks about Vítor and how much the loves him.
“She loved him with all the vehemence her soul could muster and with every desire in her body; she felt herself capable of serving him as devotedly as a sister of charity or as unstintingly as a mother, but she also wanted to devour him with caresses, as wildly as a bacchante and as shamelessly as a whore.”
(Italics by me. I mean, is it even foreshadowing now? It’s basically spelled out! Oh, how I wish I could read this book not knowing they were mother and son.)
Vítor goes to dinner with two friends, who tell him a lot about Genoveva, including that she lied about her family and age and that she had many lovers. Once more, Vítor returns to his hatred of Genoveva. Meanwhile, Dâmaso and Genoveva get back together, and he moves her to the Street of Flowers.
Camilo bails on Vítor and doesn’t show up for the painting session. They re-schedule for the following day. When they finally show up, Miss Sarah tells them that they are moving houses and that Genoveva is out of town with Dâmaso, this time in Sintra.
(This book does be going in circles, right?)
However, he does snoops around the house, and another of the maids shows him a box that Genoveva keeps, with a lavanda that Vítor had gift her and some gloves he had lost while there, convincing Vítor that she really loves him. He decided to go after her and goes to Sintra. Dâmaso welcomes him in the house, suspecting nothing.
Genoveva sings a sad lullaby and Vítor tells that his mom died when he was very young, so he didn’t grow up with lullabies. He adds that his died in Africa not much later. That night, he once again dreams with his father and Genoveva together, and the father tries to keep Vítor away from her.
Genoveva gives Vítor a letter for him to read in Lisbon, and he decides to leave Sintra. The letter is basically a love letter, with some weird peculiarities, that show me that by now, the author threw the subtlety out of the window and decided to make it very obvious what’s going on.
“If you only knew what I felt when you said that your mother had died. I'll be your mother. That is partly how I feel towards you, dear, adored Vítor.
[...]
I would be your Mama, but a Mama deliriously in love with her baby, who would devour him with kisses and spend nights of wild, unrestrained passion with him.”
When she returns to Lisbon, Vítor goes to the Street of Flowers to visit her and they kiss passionately. These meetings become an recurring thing, with Vítor visiting every day. She reveals to him that she has taken Dâmaso as a lover so she can pay her debt and have enough money to run away with Vìtor, but Vítor’s patience is running thin, specially when he finds out that Dâmaso isn’t the only lover she has. They fight one night when she visits him, but then the reconcile. 
Mme. Molineux throws another party, to which Vítor is once again invited. (It doesn’t really matters, but a side character in this party is called João da Maia, which the same last name as the family from The Maias, but no João is mentioned as being part of the family in that book. Maybe another branch?) During the party, Genoveva makes fun of Dâmaso, who gets mad at her. When he goes talk to her about it the next days, she refuses the open the door, and, the day after that, she leaves him a note telling that they are no longer involved. Dâmaso gets furious, both with Genoveva and Vítor, whom he blames for being dumped. He runs into Vítor at the club and they get into a fight, which is stopped by another gentleman, and the two resolve to have a duel. Vítor invites João da Maia to be his second, who goes talk to Dâmaso. To avoid the fight, Dâmaso publishes a written apology on the newspaper. 
Genoveva gets ready to leave Lisbon and Vítor isn’t sure if he wants to leave Uncle Timóteo behind, but in the end, he agrees on going with her. However, something I didn’t mention in this recap comes back to bite Vítor: Genoveva discovers that he had cheated on her with Camilo’s wife when they were making the arrangements for the portrait. She gets furious but Vítor calms her down by saying it was only once, which he swears on his mother’s grave. Oh, the irony. Then, he asks her to marry him.
Timóteo forbids the wedding when he discovers Genoveva was a prostitute. However, Vítor convinces him to go talk to Genoveva, because he really loves her and wants to be with her.
Timóteo goes meet Genoveva, and she seems to recognize him but she can’t tell exactly from where. He feels the same way about her. She tries to convince him to let her and Vítor be together, and decides to tell him the truth about her life, hoping he will take pity on her. As she begins, she tells that she had run away from her first husband: Pedro da Ega. Timóteo freezes at the name and then exclaims that Vítor is Vítor da Ega, her son! And he is Timóteo da Ega, who had once loved her. Genoveva becomes panicked and collapses on the floor. Timóteo goes back home, but Vítor is at a bar.
Vítor decides to check how things went and goes to the Street of Flowers, where he finds Genoveva dead. In shock, Vítor falls and hits his head, becoming severely injured. Genoveva’s death is given as a suicide. Timóteo decides to keep the secret and doesn’t tells Vítor about Genoveva being his mother. Vítor recovers from his injury but grieves profoundly, knowing that he’ll forever love Genoveva.
Honestly, I didn’t like that Vítor doesn’t discovers the truth. I’m not surprised with the tragic ending, there’s “tragedy” in the title, after all. There are many similarities with The Maias, which was written after Tragedy, but published first (as, like I mentioned, Tragedy was just a unpublished draft when Queirós died, being published post-mortem). When I write my review of The Maias, I’ll further explain the parallels between them.
I think that he was inspired by Oedipus Rex. Man meets woman, they fall in love, she turns out to be his mom, she kills herself? Sounds like Oedipus.
Also, like I said, Vítor and Genoveva are clearly a case of what nowadays we call genetic sexual attraction. They fall in love so intensely and so quickly, in a away that neither had felt for anyone else before. It’s a shame we had such a sad ending, although it was already expected. 
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lavendersails · 2 years
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The name talk on the dash is making me think, and João has always been João (well... Johannes, then Joham, then João), but he got his middle name Luís thanks to being a menace really good warrior in the Reconquista, and was nicknamed melro (blackbird) for his habit of singing and never shutting up when the other knights would like to sleep. Eventually it got mistaken for his surname as Melo and he just rolled with it.
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ritaloveslove · 6 years
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For the animal tag i think you are very easy to talk to!(๑>ᴗ
Thank you!! Arctic foxes are adorable so I assume you are too!!! (⌒▽⌒)☆
I live in the city, so I’m not that used to seeing foxes - I wish I saw them tho :( I think the animals I see the most during my walks are tiny birds, the ones I see the most well in portuguese their name is melro. But there are too many birds for me to know the name of. 
Oh coyotes can be scary!!! Are the 2 foxes cute? ɾ⚈▿⚈ɹ
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Chapter XXV: (EXT) Battle in the North (Pt I)
“At first light, Celeborn, Haldir, Rúmil and Orophin left for Lothlórien with the escorts chosen for them. Fëaluin stood with me as we watched them disappear beneath the forest brush before us.
“I grow tired of war, Fëaluin,” I said. “I do not think I can fight another battle.”
“You can and you will,” he said. “This war is unlike any we have seen or will see again. There is not a creature in this world that must bear arms against this evil.”
“It seems I lost my father and Melros not more than a day ago,” I said. “Now Legolas is out there somewhere doing what I must do once more. If I can fall in his place, then at least I will find some peace.”
“You will not fall,” he said. “You are not destined to fall.”
“How do you know this, Fëaluin,” I asked.
“My father told me that when you were born, Oropher said that his son would be the last great elven king in all of Arda.”
“Father said many things,” I answered. “Most of which while he had a bit too much miruvor to drink.”
“You are still here, are you not?”
“But for how long, Fëaluin,” I asked.
Soon Aranduil approached me and lifted his arms to me. I picked him up. He had just awoken and still in his nightclothes.
“Yes, Aranduil,” I asked. “What can I do for you?”
“Hold me, please,” he yawned.
Fëaluin laughed.
“Your great grandson seems to take after his other great grandfather.”
“Which one,” I asked. “Elranduil or Nimlos?”
“Must you ask, Thranduil,” he asked smiling.
We made our way into the palace just as Aradúlin came to me. I handed Aranduil to her.
“He seemed to have wandered away from the others this morning,” she said. 
“He is rather anxious this morning with all this talk of war.”
“How would he know of such things,” I asked.
“He wanders everywhere with Nenduîl and Tárimë. Where you go they will follow.”
This news disturbed me for I did not wish them to worry more than I knew they already had.
“Where are they now, Aradúlin,” I asked.
“I believe Linurial said they were in your chambers,” she answered.
“Yes,” Aranduil said. “They are in there. Nana, I am hungry.”
“Of course,” she said. She bowed and went her way with her son.
“I need to have a word with Nenduîl and Tárimë,” I said.
“Plenty, I would say,” Fëaluin said. He took his leave to my study and I went to my chambers.
I found Nenduîl and Tárimë resting in my bed—just waking for the morning. I sat beside Nenduîl on the bed as he slowly sat upright. “Nenduîl, have you been listening when you should not,” I asked as Tárimë sat up.
“Yes, Ada,” he said. “I want to know why you are leaving.”
“I am not leaving,” I said. “Not for some time. You should not listen on others without permission.”
“Why are you going away,” Tárimë asked. “Are you going away forever?”
“No, Tárimë,” I said. “I will return. But I must protect you, your sisters and everyone in Mirkwood from danger. You must not worry about such things.”
“Why not,” Nenduîl asked. “What if you die and never come back?”
“I do not know this nor do you,” I said. “You cannot worry about such things. I am here now.”
“You have to come back,” Nenduîl said. “Who will take care of us if you are gone?”
“I will take care of you,” I said. “I will return to you.”
“You promise you will, Ada,” Tárimë asked, crawling across the bed to embrace me.
“I once made a promise to return a long time ago and I kept it,” I said. “So I will make the same promise to you. I will return to you.”
“Then you will,” Nenduîl said. “You always keep your promises.”
“I try to keep them as I can,” I said.
As he embraced me, I thought as far as I could remember on all things I had promised to do. Each time I had kept my word and I wondered how I was able to do so. Then I realized how much I loved every one of them and would have done anything for them. Love had kept me from despair through many tragedies to keep my word. I knew I would again return home.
“You two must promise me something in return,” I said.
“Yes,” Tárimë asked.
“You must stop listening on whatever I say to others,” I said. “It is not for you to hear.”
“Then why do you say it so loud,” Nenduîl asked. “Sometimes we can hear you in the hall.”
I heard soft laugh come from no where.
“I will try better to speak softly if you promise to keep your ear from the door.”
“Yes, Ada,” they said sadly.
I heard the soft laughter once more and it was hard not to laugh in return.
“Now, it is time for you to eat,” I said. Go on. Aranduil is already in the dining hall I am sure.”
They quickly jumped off the bed and ran out the door.
“Êlúriel, you may come out now.”
She walked from behind her divider—a wide smile upon her face.
“I told you were loud,” she said as Elranduil peeked in. She kissed my cheek before walking out as he came in.
“I am not loud,” I shouted at her as her laughter reverberated through the hall.
“I hear Aranduil came to you this morning,” Elranduil said sitting beside me. 
“What did he say to you?”
“Hold me, please,” I answered.
“Oh,” he answered. “You realize he gets that from you. You were always doing that.”
“I beg your pardon,” I asked. “I never did such a thing.”
“You would always have to be held by Nimeithel every chance you could find—even in audience. But you eventually grew out of it once you were married.”
I looked at him crossly for a time before taking a pillow to his head.
“Well it is true,” he said, taking a pillow and hitting me back.
As we were partaking in a childish game, we hardly noticed Eldôr and Fëaluin standing inside the doorframe watching us.
“I was just having a word with Thranduil, Father,” Elranduil said hitting me one last time.
“I can see that, son,” Eldôr said. “Have you finished or would you care to continue your conversation?”
“No,” he said. “I have said all that was needed to be said.”
I hit him once more before putting down the pillow.
“Mirkwood’s greatest king,” Fëaluin said smiling.
**** **** **** ****
I stared at my armor for what seemed a lifetime as I sat alone in the familiar workshop of the smiths. It was my third and my last suit I would wear into battle. I could see years of wars in its reflection. I remembered the fallen and the blood-soaked fields where they fell. 
All things tragic and all things beautiful seemed to happen the day before no matter how long it had been. When you remember them, they are more than memory—they are reminders of why we continue to live. They are the hopes we hold onto for better days before us. They keep us from dying even when that is all we want to do.
“How do you like it,” I heard Tatháron ask. “It should fit you well.”
“It resembles my father’s,” I answered. “The one he died in during the War of the Last Alliance.”
“It was commissioned by your father for you when you became king,” he said. “My father created it. After Oropher was killed he made me and my mother swear never to allow you to see it. But it was Eldôr that asked me to bring it forward for you after Celeborn left.”
“Why,” I asked.
“Your mother asked him to do so if there came another great battle,” he said.
“Well, should I die, I should fall as my father, then.”
“You will not fall,” he said. “You are a great warrior.”
“Great warriors fall, Tatháron,” I said. “I have seen it happen time and again.”
“True, but not you,” he said.
He went from the room and returned with a mail of mithril.
“No,” I said. “Give it to Tarthôn.”
“He already has his own,” he said smiling. “All the princes have their own. I wish for my grandson to return as well.”
“Of course,” I smiled. “Elendôr.”
“Tárwen held me to my word to watch over Ninyáre and her sons before she left with Mîráre for Aman. At least one of them has gone to them.”
I could not tell him that Êlenuil was in Mithlond so I smiled and nodded.
“I will not ask how you came by so much mithril,” I said. “Know that I am grateful for it.”
I rose to leave to return to my study.
“When you return from battle,” Tatháron began, “What will you do?”
“I will not leave this world,” I said. “Not until I know what has become of Legolas. Only then will I decide.”
I walked out of the foundry into the falling night. It was cool but the warmth of spring begun to emerge. It was night such as this long ago that after emerging from the caves, I met with Êlúriel before going to battle.
As I thought about her—wandering through the gardens in her flowing white dress her hair carrying the breeze gently beneath the night sky, I made my way toward my palace. It was quiet except for the creatures of the night lamenting the stars. From a distance I could see someone waiting at the gates.
When I grew closer, I realized it was Nimlos sitting upon the stone railing looking down into the river waters.
“Why are you out this evening,” I asked as I approached him. “I would think you would be with Sildúriel.”
“She is with Aruilos,” he said. “This will be his first battle. I cannot blame her concern. I worry as well. Perhaps even more. He is my only son.”
“I know how you must feel,” I said. “One son is out in the world and the other will join yours in battle.”
“My daughter would join him if it were not for Aranduil,” he said. “We both know how difficult Ëariâth can be.”
“She loves Tarthôn,” I said. “I could not ask for a better wife for my son.”
“I know you are thinking about more than your sons,” he said.
“Yes,” I said. “I am worried about Isílriel. She is as stubborn as her mother. That is not a secret easily kept.”
“True, Thranduil,”  he answered. “She is reminds me of Êlúriel’s mother Annariel. Born fighters, this clan.”
I laughed remembering my little Isilya eagerly watching her brothers practicing with their bows and always wanting to join them. Then my thoughts drifted to Êlúriel.
“Before we went to Dagorlad, I promised Êlúriel I would return to her,” I said. “I kept my word but I what if I cannot keep my word this time?”
“You always keep your word,” Nimlos said. “I have always liked that about you.” I smiled remembering when we first met.
“Besides,” I said. “If I did not keep my word Êlúriel would scold me for it and would never allow me to forget.”
Nimlos laughed.
“She inherited that from her mother, I am afraid. Poor Uncle. Whenever he had words with his wife, everyone could tell by the look on his face. I find it rather amusing to see that same look on Aramoth’s face after he has words with my sister.”
“It must run in your family,” I said laughing. “She may be young, but Tárimë is quite adept at it as well.”
We laughed together for a moment. I began to feel like myself for a moment. “Ada,” a voice said.
We turned to see Nenduîl running toward us. He leapt into my arms and embraced me.
“Why are you out this late,” I asked “Is your sister sleeping?”
“Yes, Ada,” he said. “I was looking for you.”
“You have found me, Nenduîl,” I said. “Shall I take you to bed?”
“Look, Thranduil,” Nimlos said.
I looked to see Arawë and Aldáros coming toward us frantically. Still winded, they bowed before me.
“Your Majesty,” Arawë began. “Randumîr sent word that a horde of glamhoth march this way and will arrive by morning.”
“What else did he say,” I asked.
“One horde attacked the borders of Lothlórien not long after Lord Celeborn returned,” Aldáros said. Another attack they will endure tomorrow.”
Nimlos and I looked at one another concerned.
“Follow Nimlos into the palace,” I commanded. “I must do something first.
Nimlos, call after Fëaluin and will come to you in my study.”
They bowed and all of them made their way into the palace.
“Will you fight tomorrow, Ada,” Nenduîl asked.
“Yes, Nenduîl,” I said carrying him toward the main gates. “I will fight tomorrow.”
“Will you win,” he asked as I entered the palace and walked toward his chambers.
“Yes,” I said. “I would not worry but you and your sister must stay inside the palace. Give me your word.”
He nodded as his chamber doors were opened and I tucked him into bed. I looked upon him for a moment then kissed his forehead. 
“Sleep,” I said. “I will see you when I return.”
He nodded and drifted off. I went to Tárimë and kissed her as she slept. As I was leaving, I heard a voice.
“I will be here when you come back,” Tárimë whispered. “I promise, Ada.” I turned and smiled then quickly left to prepare for battle. On my way down the hall, I was met by Êlúriel.
“Go on, my love,” she said softly. “I will see you upon your return.”  
I kissed her.
“Do not leave the palace,” I commanded. “Give me your word.”
“I will remain in the palace,” she said, smiling. “I give my word.”
I kissed her again and quickly made my way down the hall.”––TKWR:BII The Saga of Thranduil (EXT. VER.) by J. Marie Miller 12-20-17
Images: ©2012, 2013, 2014. Warner Brothers Pictures. The Hobbit: The Unexpected Journey, The Hobbit: Desolation of Smaug, The Hobbit: Battle of the Five Armies. All Rights Reserved.
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brentpawson-blog · 4 years
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Look at this old piece of iron. That’s going to be a fun project! My owner tried to talk him into selling that to us. Wasn’t going to happen. #melroe #skidsteer #antiqueskidloader #oldiebutgoodie @bobcatcompany #bobcat #seattle #olympia https://www.instagram.com/p/B5DvHU2pvei/?igshid=157jz8o36080i
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kayfinally · 4 years
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Know any upbeat sad songs?
Time - Rexx Life Raj
White Wine - Dutch Melros
Games on Your Phone - 24kGoldn
Talk - Khalid ft. Disclosure
Power Trip - J. Cole ft. Miguel (not super upbeat but still good)
Just Friends - Darius Gray
Just Like You - Emotional Oranges
Next to You - Becky G ft. Digital Farm Animals & Rvssian
Summer at 7 - Russ
Gone Girl - Iann Dior ft Trippie Redd
All I Want is You - Miguel ft. J. Cole
Better - Khalid
Sundays - Emotional Oranges
All of Me - Big Gigantic ft. Logic & Rozes
Miss Me? - DVSN
Throwaway - SG Lewis ft. Clairo
Imported - Jessie Reyez ft. 6lack
Prescriptions - Lilbootycall ft. GoldLink
Zai Zai - Kalin White
Miss You - Cashmere Cat ft. Tory Lanez & Major Lazer
Man Down - Rihanna
Nightlife - Daydream Masi
Monsoon - Tokio Hotel
Kiss it Better - Rihanna
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sanctus-pyri · 4 months
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kaz brekker
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sanctus-pyri · 1 month
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you want to lose your virginity before college? the thing that killed jackie taylor?
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sanctus-pyri · 3 months
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ppl who draw 13 in dresses... i genuinely need to know your thought process. IN WHAT SITUATION WOULD SHE WEAR A DRESS
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sanctus-pyri · 3 months
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jarchivist be like: i lied. i don't actually like sex. put your clothes back on. make your statement, face your fear, bitch.
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sanctus-pyri · 2 months
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another week another tmagp episode to look forward to
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sanctus-pyri · 13 days
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nina zenik should've been at the pink pony club
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sanctus-pyri · 2 months
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69 days left until iwtv s2
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sanctus-pyri · 2 months
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i hope gary russell had a heart attack when he found out about twissy
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sanctus-pyri · 1 month
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rip lestat de lioncourt you would've loved jennifer's body
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