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emptymasks · 3 months

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i got to see hadestown on the west end and all i have to say is AAAA. i liked the original broadway cast so much i didn't think anything else could compare to me, but omg they were all amazing and maybe it's a bias from seeing it live vs seeing broadway through recordings, but i actually enjoyed them so much more. i think what helped is i felt a lot more for donal's orpheus, whereas reeve's never managed to really put at my heartstrings.

okayokay what i have to list out loved (going to try and go through the show chronologically):

la barrie's hermes using no titles and they/them pronouns. the lyrics were changed to reflect this eg "excuse me, hermes" instead of "mister hermes" at the beginning of 'wait for me', and "feathers on their feet" instead of "feathers on his feet" in 'road to hell'.

the cast keeping their own accents. it's not often in uk theatre to hear british regional accents, even if the actor has or had that accent. so hearing a nothern accent from eurydice was aaaa. as a northerner it made me really happy. i'm not sure if that's grace's real accent or not but aa it just made .

donál keeping his irish accent too. and the chemistry between his orpheus and grace's eurydice was adorable.

hermes slowly kissing persephone hand during 'our lady of the underground'.

PERSEPHONE didn't think I could love anyone more than grey but omg. i've never loved "our lady of the underground" but I do now, the way gloria performed it and this one long belting note she did while bending over crazy far backwards aaa. and at one point while dancing she acted like she'd gone too hard and pulled her back and got stuck, but then very smoothly went into leaning down towards the audience and singing directly at people in the front rows.

wasn't 100% sold on hades at first since his voice isn't as deep as what I'm used too (used to listening to page as hades), but after "i conduct the electric city" and the lights went out and when they came back on there was a single silly spotlight on hades was stood leaning against the door checking his nails all sultry like. his acting was so different from what I'm used too, more energetic and more... playful? i'm not sure if that's the right word but i can't think of anything else. and less cold and stern than page but I ended up really enjoying him. i've got two very different versions of hades i love now.

new lyrics in epic three, "what has become of the heart of that man" has been replaced with new lyrics. i think "man with his arms outreached" has reverted back to pre-broadway "man with his hat in his hands" but i'll be honest me memory of what the new lyrics are is not great.

i cried when hades and persephone danced. both of them were crying. and when they finished dancing he sobbed and crumpled into her arms and she stroked his head and back and held him the whole time orpheus and eurydice sang "promises"

hades breaking it down during the dance, doing silly dance moves and making persphone laugh, and then she joins in and does his silly dance moves with him 10/10 people supporting their partners silly dance moves.

hades "i don't know" answer to if orpheus and eurydice can go... i'm used to patrick page's grave, defeated "i don't know" and here instead you could really see the inner conflict and he was holding hands with persephone and when he said it she angrily let go of his hand and he had his little "his kiss the riot" freak out.

orpheus and hades handshake during the wait for me reprise aaaa

#hadestown #hadestown london #hadestown west end #hadestown hades #hadestown persephone #hadestown orpheus #hadsetown eurydice #orpheus #euridyce #hades #persephone #hermes #hadestown hermes #mytext #mine #hadestown uk

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thisismeracing · 8 months

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The phantom of miscommunication | LH44

― Pairing: Lewis Hamilton x black!plussize!reader (she/her) ― Word count: 1.8k ― Warnings: not proofread; suggestive content; angst with a happy ending; mentions of an argument. Minors DNI! ― Summary: Dating a professional athlete is hard, and it’s even harder when you are famous too, and your schedules just keep crashing. how will their love beat their insecurities? ― A/n: I took forever to finish this request, but I hope the waiting was worth it and I did the request justice 🤍.

⁕ Based on this request. ⁕ my masterlist and my taglist ⁕ you can support my writing by reblogging, and leaving a comment (don’t forget to follow me if you like the piece)

You often hear about loving someone being easy and natural, a fall that you would pray the other catch you from. Turns out, as Yn discovered with Lewis, it feels natural, and she’s sure he’ll be there to catch her if she falls, but easy? Love wasn’t that easy. Or life was hard with it.

That’s at least how it feels for her while she finishes getting ready for the last performance of her Broadway play. Alone. She’s ditching her favorite dress because it reminds her of Lewis and how he would look smug whenever she wore it because she would need his help to zip her up. Lewis loved being needed. Not in a selfish way, but in a way that meant he loved to be helpful to those he cherished. Loved to hear their joyful tones while they thanked him, or the warm arms around his body, and in her case, the cold lips against his.

Lewis loved loudly.

Maybe that’s why they ended up fighting that last week. Because if he loved being helpful and seeing others happy, how could he not cancel a meeting to watch her finish the play she spent months traveling around overseas?

Yn loved silently.

It was as if she liked to feel him slide beside her in bed at night, rather than hear the noise of the door closing, and knowing he would be there. The silence that led to the moment was deeply appreciated by her. And her love somehow worked similarly. She wouldn’t ask more than twice for something she wanted, something important, something someone who loves her should know. To her, it was enough her dad showed up, he didn’t need to tell her she did a great job, no words of affirmation or bouquet of flowers and gifts whatsoever. Just their presence. And that was what Yn was expecting from Lewis: his presence.

She felt a tear slide down her cheek and she quickly wiped it before grabbing her bag and keys and leaving her house, making her way to one of her favorite cafes. There was something so unique, it mundane on finishing her tour home. Just minutes away from the house she shared with Lewis. A quick walk to her favorite café. The view of a grey, yet very beautiful London being her company.

Yn goes about her day doing most things on the automatic mode. Sometimes, she would think about how she always dreamt of this day when she was just younger. Starting on Broadway as a black girl was a hard task, that, in her case, was two times harder because she was also a plus-size actress. Some of the producers would reduce her to her weight, her skin tone, or just about anything, but her talent. She had to prove herself over and over until she finally became a phenomenon in the country and then, years ahead, she started to have a significant international impact. That’s when she met Lewis. She had traced most of her career, she had a name, and so did he, and maybe that was the first thing that brought them closer: the fact that it seemed as if everyone was attentively watching over them not because they wanted to appreciate the work they put on, but because they needed them to do something wrong, anything wrong, just so this wrongdoing could be talked about more than the rights.

It was hard.

And having Lewis there to share this burden made it a bit lighter.

Having him there to love her, and recognize her more than anyone ever would, was heartwarming. Being someone else’s first pick felt amazing. And though the ups and downs of their careers existed, they always faced it together. Just like they shared their victories together too. That’s why it felt so wrong not having him on her Musical ending show. He shared the struggles of her waking up early, and going late to bed just so she could grab each emotion needed, and memorize all the lines. She was the leading actress. The main start. Yet, she missed having him be illuminated by her light.

Truth is, Yn felt sad without Lewis, not that her happiness depended on him showing up, but they had created those small traditions. He would always be on the final stops of her shows. She would always make it to his most expected races.

As the saying goes, a dream you dream by yourself is just a dream, but a shared one is a reality. It’s hard to create a reality while in a long-distance, or mostly long-distance, relationship. You gotta be ten times more attentive and understanding. So when Lewis told her he had to make it to an interview before preparing for his race weekend without even waiting for her response, it did not feel like an understanding relationship, he, for the first time, did not seem attentive. And that hurt.

“But, love, why can’t you reschedule your interview for Friday after free practice? Or maybe even Saturday after qualy?” Yn asked, a pout on her lips, while Lewis was finishing packing his suitcase.

He sighed, “You know very well the rush after those two, Yn.”

Fair enough, “Well, then do it online! That way you could do it right before my play, and then come to the Teather after. It’s not that far from our house, you sure can make it.” She was full of solutions, to a problem that felt like Lewis himself created.

When his eyes found hers, determination written all over it, he didn’t even have to open his lips and tell her an audible “no”, she already knew, so she tried to practice healthy communication. “Look, Lew, it’s just that this is our last stop and they were okay with it being in London when most of the time it happens somewhere in the USA. You know how this city is important to me, and this play, it’s just- I can’t help but feel like you’ve been lacking in terms of support lately.”

The British finally stopped packing, dropping his shirt inside the suitcase, and leaving with a quick glance towards Yn, mumbling how he didn’t want to fight.

“But I want you to fight with me. Fight for me!” She trailed behind him, stopping at the entrance of the kitchen.

“Well, the world doesn’t revolve around you, Yn!” he snapped, and before he could apologize or backtrack she nodded, leaving the room. Love should never feel forced. She shouldn’t have to ask for it.

The door slammed behind her as she made her way to the Teather to bury her head in work, sweat the hurt away, dance, and sing until the energy made her feel comfort.

“Yn?” one of her colleagues asked, snapping Yn out of her memories. “They’re calling us for one last rehearsal before the show.”

She nodded and glanced at her phone, hoping to see a message, either an apology or a good luck one, anything that showed that he remembered, but there was nothing. Her shoulders slumped lightly and she made her way to the stage, the audience still deserved the best ending show, she deserved the best ending show.

So that was exactly what happened: Yn shined along with the whole crew. They sang, danced, smiled, and even cried after the curtains opened to an outstanding ovation from the audience. That’s when Yn’s eyes found his, right on the front row, a bouquet of flowers on his seat, one of his shy grins, while he stood clapping the most beautiful performance he had ever seen Yn deliver.

Lewis was there.

Lewis wasn’t in an interview on the other side of the world.

He was standing there.

Smiling.

Clapping.

Proudly watching.

And when her lips quirked up slightly he nodded as if knowing they still had to talk, but for now, he took the right decision.

When the curtains closed again and Yn made the walk to her dressing room, she wasn’t surprised to find Lewis there, “hey,” she said, closing the door behind her and staying glued to the wooden.

“Hi, sweetheart,” Lewis started. “Look, I’m-”

“Can we save all the headaches and solutions for when we get home?” She suggested, still a bit breathless from the play. “That is if you’re coming home tonight. Or are you flying to do the interview late?”

There was a sad smile on Lewis's plush lips, “I’m home, with you.”

A breath of fresh air got into Lewis’ lungs when he noticed her shoulders relax with the news. She was relieved he would be home. She was happy to have him around. It wasn’t too late.

“And I agree on saving the deep talk to when we get home, but I want to say I’m sorry I made you feel like I didn’t support you or love you enough to reschedule and work my way around my things. You’re my treasure, love. And I’ve been lacking lately, I’ve been stressed, and with my head all over the place, but I’ll get better. I promise,” and a Hamilton promise would always come true. You could count on that.

Yn bit her lips, trying to hold back the tears, but they fell around her face like waterfalls just the same, and Lewis was in front of her in the blink of an eye, fingers brushing the wet splotches, lips kissing her delicate skin.

“I’m sorry, I am so so sorry,” he whispered painly.

“I was so terrified we were about to get on a dead-end road. That you would stop showing up for my plays, and-”

“Sweetheart, breathe,” he held her face between his soft palms and Yn tried to even her breath with his. “I’m here, I’m always going to be here. You have my endless support and undying love, you can count on that.” He was a runner, one of the fastest drivers on the grid, but he could never run away from her and what she made him feel. What he could do was beat the phantom of miscommunication to the finishing line, get there first, say he’s sorry before it’s too late, and work so that this ghost won’t ever bother their relationship again.

Yn nodded, gulping a bit more of air, and finally crashing her body on his in a tight hug. Lewis kissed her hair and found her lips with his, tasting their own tears and love. Yn mumbled how sorry she was for not being patient enough, and Lewis shook his head, kissing her again.

“I’m the sorry one, and I’m gonna make it up to it,” he explained.

Yn arched her brows, looking into his honey eyes, “I know just the way you can express how sorry you are,” she smirked, undoing the bow for her white dress and making it cascade around her ankles.

And Lewis did exactly that.

He whispered apologies and love promises in her ear, the sound of a symphony with her body banging against the door. That was their private play. Their favorite one.

― ⋆🪩 VOICEMAIL: Hiii!! I hope you guys liked it! I hope your Friday is amazing! Don't forget to reblog and leave me a comment if you can, it means a lot and it usually inspires me to write more *mwah*

taglist: @sachaa-ff @mickslover @iloveyou3000morgan @mishaandthebrits @crimeshowjunkie @fdl305 @saintslewis @scorpiobleue @carojasmin2204 @chaoticevilbakugo @wondergirl101ks @smiithys @shhhchriss @f1kota @lunnnix @karmabyfernando @crashingwavesofeuphoria @schumacheer @callsign-scully @dearxcherry @p8dris @peachiicherries @elliegrey2803 @he6rtshaker @therealcap @mehrmonga @the-depressed-fellow @soph1644 @cixrosie @darleneslane @buckybarnessweetheart @nichmeddar

⁕ my masterlist and my taglist

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flagbridge · 5 months

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I Saw the Phantom Proshot at the NYPL

Happy 36th birthday to Phantom's first preview on Broadway! I was going to save this post for the actual 36th, but I figure all of us need some more Phantom Broadway "original" content since the official Insta accounts are reminding us today that Phantom is no longer (though it should be) on Broadway. I'm going to post about what I saw, and I'll follow up on January 26 with all my answers!

Some time ago, @or-what-you-will and I went to the NYPL's Theater on Film and Tape Archive, and viewed the archival pro shot of the Original Broadway Cast of Phantom of the Opera, filmed live on May 25, 1988. There is only one copy, and its purpose is artistic preservation (not commercial distribution--the library owns it). It was kept under lock and key during the show's run. All information about how to access the archive is on the website. I can't really tell you anything more besides what's out there because it will become identifying. You get set up in a room with monitors and can pause and rewind, although you can't touch the media.

This was not my first TOFT proshot, but it was the best-filmed. Some, there's a single camera just parked, or there's some generation loss because of when the tape was transferred to digital. This had absolutely vivid colors, a multi-camera shot, and brilliant and clear soundboard audio. I heard lyrics I have never heard (especially during Notes when everyone is singing over one another), the sound balancing was so good. It was as transformative as seeing it live.

These are all the notes we took while there (apologize if they can seem disjointed) More below the cut.

ACT 1 NOTES:

-Multicam shot

-amazing audio (soundboard), vivid colors

-Raoul/Barton is crying in his voice during the auction

-there’s a “voice” that sounds like a woman singing with the overture (maybe a theramin?) We jumped in shock at this. We've never heard this before, not even on soundboard.

-Sarah Brightman comes on stage during the Hannibal rehearsal, moving across the stage with Meg during “Rome not Roma”--so she dances in the front row during the Hannibal ballet

-Hannibal ballet then has 10 dancers and since Christine is in the whole thing, there is slightly different choreo

-there’s a synth under Meg’s “he’s there, the phantom of the opera”

-Firmin lights a cigarette and Andre (Future Phantom Cris Groenendaal) stops him right before “Think of Me’ which makes the “Defense de Fumer” on the back of the curtain make even more sense

-Think of Me Gala skirt is not as full (but of note, Carlotta’s Elissa costume is much more ornate than we have now or even at the end of Broadway)

-Raoul sings slightly different notes in Think of Me. Steve Barton goes down a few notes on “young and innocent” (it’s not belted) and is clearly wistful.

-The think of me cadenza is absolutely effortless

-The “Bravi, Bravi” is haunting and perfectly sound balanced!

-Meg can actually sing and the Angel of Music harmonies work

-Raoul (Steve Barton) is nervous before going into the dressing room. He taps his fingers on the banister and takes a deep breath before going in

-He’s also nervous inside the dressing room–you can see him going from seeing an old friend to suddenly having feelings, being attracted to her. When he’s standing behind her he has a slight moment when he nearly touches a lock of her hair.

-Raoul is wearing a ring on his right hand (signet?)

-Steve Barton says MY Little Lotte

-Christine (Brightman) is excited about meeting the Angel of music and has a wanting and longing in “Enter at LAST master” (in a way that Lily Kerhoas does now and we haven’t had many Christines who do this)

-The picture is VERY CLEAR and NO WASHOUT when we see Michael Crawford appear in the mirror for Phantom’s entrance. You see everything

-When the door opens for Raoul to the dressing room after they go through the mirror, it opens slowly (vs banging open). It’s the same tempo that Phantom moves to take Christine through the mirror

-1925 Phantom silhouette vibes at the first “sing for me”

-Not a particularly aggressive cape twirl, but def a twirl.

-They get VERY close on “turn your face away”, almost kiss (like, Russians, Panaro/Joseph close)

- he has a nice portcullis sprawl but she does not press against him, there is visible space between them the entire time

-”Caress” and “hear it, feel it” are explicitly seductive, the former in how it’s sung, the latter because he self-caresses on “feel it”

-the “Touch me” in touch me/trust me is half sung/half spoken order, she strokes her hand over the mask and he does not pull away

-He does have a little panic when she faints and he covers her with the cloak. He’s holding her hair when he sings to her there

-At the unmasking, MC holds for a brief moment before covering his face with his hand so the audience gets a peek of the deformity (before “damn you”)

-Vixen not viper

-Crawls on knees, not stomach. We get…lots of crying and whimpering

-Christine sees his face a lot during this sequence. MC lowers his hand as soon as he’s on her side of the stage from “secretly dreams of beauty” to “Oh Christine”, when he turns away–but she is looking at him the entire time. MC is angled right by a mirror shard so we can see a bit of the deformity reflected back

-Right before “come we must return”, MC is about to cup her face with both his hands before changing his mind–she starts to reach for him as well.

-His Mandarin robe is much longer than we have now (ankle length vs calf length)

-This Giry has witch vibes

-Steve Barton is playing eager puppy Raoul and it shows even though he looks older (Barton was 35 at the time)

-The sound balancing is so good that you can hear lines you don’t normally hear during Notes 1 and Prima Donna–including the Managers thinking that Christine has just been off with Raoul all night.

-Sarah Brightman does a different pose on the bed as the pageboy during Il Muto. She crosses her legs vs putting her hands on her hips.

-Firmin yells “the role of Christine Daae” to the proscenium, clearly directed at Phantom

-Barton Raoul’s “There is no Phantom of the Opera” comes off more as “Christine this is just some dude” vs “he doesn’t exist at all.”

-Raoul loves Christine so much. He strokes her hair gently to comfort her right before “No more talk of darkness”--his eyes are soft and he’s genuinely caring and concerned (vs trying to be a hero)

-”All I ask is for one love one lifetime”--different lyrics, she does it twice (This is on soundboards from the time)

-Raoul puts his face to Christine’s hands at the proposal.

-Christine is clearly kissing his cheek right next to his mouth during the kiss (the final lair kiss is a real kiss)

-Christine’s “I must go” is not as playful as we often see it later. She really is trying to go.

-Raoul is nervous at “Christine, I love you”--he lowers his head for a moment worried that he said something wrong. He’s excited when she replies “order your fine horses”

-AIAOY Reprise: Michael Crawford is partially slumped over the angel, he’s holding hands with it to the audience’s right, and arm is slumped over on the left. We get a lot of anguished weeping, and little distressed moans as Christine and Raoul sing, there is rocking and head shaking and then covering his ears. It’s a HUGE difference then when he stands up fully for “You will curse” (he does this again during final lair between “unfeeling scrap of clothing” and “pity comes too late)

-He also roars before standing

-The Phantom laugh/cackle continues well into the chandelier drop into intermission at the light cut out for about 15 seconds.

Act II

-Carlotta masquerade costume has no mesh in the skirt–it’s much more of a see-through skeleton crinoline, so the feature is the purple tights

-Not surprising since Sarah Brightman is a dancer, but Christine does the proper choreography during Masquerade--she's the center of attention. Barton also does quite a bit of dancing.

-There’s an organ (almost like a circus organ) underlying the finale during masquerade

-Red Death double doesn’t run down the stairs, he stays at the top

-Giry/Raoul exchange after masquerade–both holding the lantern and super closeup

-Reyer is clearly gay–coded. Some voice and hand gestures during Sitzprobe

-Wishing–only one “help me say goodbye” (when did the second one get added?)

-”Far-reaching” gaze, Wandering Child is a duet

-Piangi says “conquest” is assured (at some point, this became “congress”)

-Michael Crawford imitates Piangi until “past the point…”

-Sarah as Christine is listening intently to Phantom’s voice and immediately noticed something is off–she doesn’t figure it out right away but she notices something. She is suspicious the entire time. It's not clear when she knows for certain.

-Christine never flees from him, during the first caresses, he hovers over her body, she turns to kiss him, he turns away, her hand lingers on her back, before she gets up to sing her solo part away from the table

-Michael Crawford’s hands are in in his crotch when Christine’s singing on the other side of the stage (“you have come here”)--he’s moving his palms in his lap the whole time, his hands are shaking, we only get glimpses of him, most of this part it’s focused on her

-There is none of the arm waving circling while their hands are held, she takes his hands, he switches his grip to hold one of hers, and they keep them on him

-She figures it out when she reaches down–she’s holding his hands above him and she pushes her left (our right) hand down and he pulls and she notices something–we can only see to his upper waist but her hand disappears and her expression changes, it’s implied he has an erection

-she doesn’t ever feel the mask, either accidentally or on purpose

-She doesn’t actually ever try to escape. It’s not the current West End or the past blocking–but more accurate in that she is aware of the situation and plays along. She keeps going with the blocking

-they both get up and keep singing, neither drags the other to the centre, they move together and keep singing

-The last “return”--he sings it at the unhooding, she doesn’t

-”Say you’ll share with me”--he is really pleading and almost crying on “say you want me”

-The managers don’t come out to try to usher her offstage, she doesn’t signal to them to stay

-When Phantom gives her the ring, she takes it, but doesn’t put it on–she just holds it

-He doesn’t scream at the unmasking, he just looks shocked and sad

-Ratcatcher order is different–it’s after Raoul and Giry’s first lines, that’s the indication that Giry needs to turn around, Giry screams

-Phantom is crying at “flesh” and through “unfeeling scrap of clothing”, he’s also hunched over through this sequence, and then stands to his full height at “Pity comes too late.”

-Phantom makes a big show of raising the portcullis, hands fully raised

-Raoul swats at Erik with one hand (the other is still on the noose) when Phantom grabs Christine on “start a new life”

-Phantom is probably the “minimum” amount of rough as we see Phantoms be with Christine in this sequence, as in, he’s definitely scary and menacing but he’s not harming her. He does grab her and spin her around on “start a new life with me.” There are a few wrist grabs (which is book accurate). He’s realizing more that his plan is absolutely crumbling. We get some shots of him on the organ looking panicked.

-Phantom makes a low growling noise before “you try my patience”, which is delivered quickly and almost casually. It is not menacing as some later Phantoms do.

-”Pitiful creature”..MC’s hand is subtly shaking by his side

-The kiss: the 1st one MC stands with “claw hands” at his side, on the second one, the “claw hands” start shaking

-MC hunches over after he burns the noose

-He stands over the monkey, conducting it with one hand, he is mimicking the symbol clashes, he doesn’t touch it or cover its face

-When Christine returns the ring, his hand shakes as he takes it, he’s hunched over again.

-She does seem conflicted about leaving, but she doesn’t press her hand back around his, she holds out the ring and his hand shakes as she takes it. She doesn’t linger very long.

-He says a second “I love you” after she’s gone.

-He’s about to say it a third time, he says “I love…” and then see the veil, and grabs it and screams into it, and then turns and sees the boat leaving

-He sobs and keens a lot

-Raoul bends in the boat to caress Christine’s face on “say the word”)--this is halfway across the stage as opposed to during the stage right exit.

-Deliberately cracks voice on the "can" in “you alone can make”

-MC Cradling the veil like a baby at the very end

SEND ME YOUR QUESTIONS! You can put it in comments, reblogs, AMA or DM's. I will answer all of them on January 26!

#phantom of the opera #poto #poto broadway #original poto #michael crawford #sarah brightman #steve barton #cris groenendaal #the phantom #christine daae #raoul de chagny #alw phantom #proshot #toft archive #YOU GUYS I SAW THE PHANTOM BROADWAY PROSHOT #POTO Broadway never should have closed

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au-roulette · 4 days

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Happy June!

To celebrate the fact that we are now officially one month away from the start of AU Roulette, have a post detailing the 36 AUs included in this year's challenge -- or don't, if you'd rather be surprised.

This year's AUs have been curated to be intentionally broad, in the hopes that they will encourage unique takes on each prompt and the creativity of the authors participating. You are welcome to write anything that falls under the umbrella of your assigned AUs, whether it's an original universe, a fusion inspired by another fandom, or something else entirely.

(What's AU Roulette, some of you might be asking? An explanation can be found here, along with the link to sign-up!)

Without further ado -- the AU list, under a cut:

Roleswap - Maybe you want to switch two characters' places, do a class-swap for a D&D fandom, try your hand at an age-swap fic, or you have another idea.

Superhero -- Invent an original universe or do a fusion with one of the many popular big-screen superhero stories. Play it straight and give your favorite characters cool powers, or try a deconstruction of the genre. With great AUs comes great responsibility

Gothic Horror -- Castles. Ghosts. Vampires. Drama. Love that conquers Death. Take your inspiration from classic literature or a newer entry in the genre, like The Locked Tomb books. But be sure to make things spooky.

Post-Apocalypse -- Will the world end in fire or in ice? Or maybe economic collapse, war, zombies, or one of many other options? You write what happens next!

Fairy-Tale -- Pick a classic tale from the Grimms, Hans Christian Andersen, Asbjørnsen & Moe, Charles Perrault, or another favorite author to inspire your AU, try out a more modern re-telling, or use fairy-tale elements to craft your own story.

High Seas -- Including but not limited to Pirate AUs and other Age of Sail adventures. Try out something more historical, or throw in as many fantasy elements as you'd like -- or a bit of both.

Time Travel -- For fixing mistakes, making things worse, or time loops. Or maybe you want to write a fusion inspired by a piece of popular time travel media, like Doctor Who.

Western -- Another AU where writers are free to do their history research or to lean into more outlandish genre conventions. Cowboys, cowgirls, and cowpokes all welcome, of course.

Mythology -- Write a story inspired by your favorite myths and legends, from a whole host of different cultures. Or maybe you'd like to try your hand at writing some epic poetry?

Coffee Shop -- A classic everyone knows and has strong feelings about. Play it straight or add a twist, whichever suits your fancy! After all, no one said where the coffee shop has to be...

College/Academia -- Are the characters in your AU students? Professors? Weary adjuncts? Throwing hands at a conference? Some mix of the above?

Theater -- Put those characters on Broadway or cast them in a disaster of a community theater production. Or a school play! All that really matters is the show must go on.

Ghost/Cryptid Hunters -- Maybe you want to write a story starring the next Scooby-Doo crew, or maybe there really is something strange in the neighborhood. Or maybe it'll never be clear what really happened -- it's your choice!

Secret Agent -- Code words, code names, you name it. Write a story about spies, cryptographers, or any other clandestine operators. Take inspiration from history or from James Bond. Just don't spill your secrets too soon.

Detective -- Whether you're writing the world's greatest detective or someone who just can't get a clue, play up the mystery! Use a classic locale like 221B Baker Street or invent your own.

Cyberpunk -- Time to write cyborg identity crises and fight the machine (literally)! Take inspiration from classic media like Neuromancer or Blade Runner or make a totally new cyberpunk universe of your own creation.

High Fantasy -- Elves and dwarves and gnomes, oh my! This AU could encompass everything from Middle Earth to D&D AUs to your favorite high fantasy books you read over and over as a kid. Or maybe you have your own spell to weave.

Band/Musicians -- Whether you decide to make the characters in your AU famous pop stars, part of an orchestra, students at a conservatory, jamming together in their garage, or otherwise musically-inclined, have fun with it!

Reporter/Journalist -- For everything from local anchors and newspaper staff to big-league investigative reporters. Write characters who'll do anything to get a scoop or with a strong sense of justice -- it's your call!

Cosmic Horror -- You don't have to love Lovecraft to get creative with this AU. Make characters comprehend the incomprehensible, send them messages from beyond the stars, and get a little creepy.

Heist -- Will you write a story about master thieves? Vigilantes righting some wrong? What's being stolen and why? Try a Leverage AU or a caper of your own making.

Space Opera -- The genre encompassing works like The Expanse, Imperial Radch, Mass Effect, and Star Wars, brimming with galactic empires, alien species, and chivalric adventures. Write a fusion set in the universe of your favorite work in the genre, or invent a new one!

Sports/Athletics -- Pick a sport, any sport -- whether a team game like hockey, an individual one like archery, a paired one like figure skating, or something a little unconventional, like roller derby or HEMA. Then it's ready, set, write!

Historical Era -- An AU type absolutely bursting with potential, from medieval romances to 1920s Prohibition AUs, to ones inspired by historical fiction like Les Miserables. Whatever era of history strikes your fancy, you can write it.

Road Trip -- Pack your favorite characters in a car and don't forget the snacks. Or maybe the spaceship, or something else if you're feeling adventurous. Where are they headed and why? Only you know the answer!

Space Exploration -- Whether you want to write modern-day astronauts, a futuristic Star Trek AU, or something inspired by the space race, the sky isn't even the limit with this AU.

Urban Fantasy -- For all your modern-with-magic settings. Write an AU inspired by something like Teen Wolf, Artemis Fowl, Buffy the Vampire Slayer, or much of Neil Gaiman's oeuvre, or invent your own world where witches and websites coexist.

Museum/Archives -- Have the characters in your AU working in the exhibits or behind the scenes, down in the collections or even as archaeologists or paleontologists. What secrets are waiting to be unearthed there?

Hospital -- A surprisingly flexible AU option -- are the characters working there, or the victims of some unfortunate accident? Or maybe it's a bit of both. Take it wherever you feel like.

Camping/Wilderness Survival -- Could be anything from a fun summer camp or camping trip to a nightmare survival scenario. Write everyone having s'mores around the campfire or something inspired by media like Yellowjackets, where they might be having... something else.

Steampunk -- A fantastic opportunity to get creative with your worldbuilding. Try your hand at some alternate history, or invent a world of airships and other flying machines of your very own.

Shapeshifter -- Can the characters in this AU turn into anything they want? Or maybe they're more limited, like selkies -- even unable to control their shapeshifting at all (can I get an "awoo" from the werewolf fans?)

Classic Literature -- An AU somewhat more dependent on fusion ideas, but still very flexible! Pick a favorite classic book or play and let it inspire your writing!

Dystopian -- Create your own awful society or let a favorite piece of media guide you, like writing a Hunger Games AU. Will the characters break the cycle, or end up trapped in it?

Renaissance Faire -- A recipe for chaos. Write a bunch or faire-goers or have the characters in your AU working at the faire! Adventures await.

Scientist/Mad Science -- Write characters as normal biologists, physicists, and chemists, the next Frankenstein, or as hapless experiments themselves!

#au roulette 2024 #fanfic #fanfiction #fanfic writing #fic challenge

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datshitrandom · 22 days

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Darren Criss and Helen J. Shen will lead new broadway musical Maybe Happy Ending this fall | Direction by Michael Arden | Opening Night on October 17 at the Belasco Theatre

May 14, 2024 | 🎥 via MHE | 📸 via Helen & Michael

#darren criss #helen j shen #michael arden #maybe happy ending #maybe happy ending bway #mhe announcement #🎼🤖❤️#broadway #musical theatre #musical theater kid #d is returning to broadway #as a robot in love #can't wait #please do not repost

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jaylienpotter · 6 months

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15 questions, 15 people

Thx for the tag @marauders-everything2

Starting a new post, it was too long. Slightly modified some questions.

1. Are you named after anyone?

Nope.

2. When was the last time you cried?

Don't remember, probably yesterday.

3. Do you want to have kids?

No thanks :)

4. What sports do/have you played?

My parents tried putting me in a bunch of shit when I was younger so I've done: swimming (for some years, still not great at it lol), surfing (quit after like 2 months), kizomba dance (hated it), another type of dance, contemporary dance (I liked it but the place closed), and we went skiing several times (which I love). If horseriding counts, I did that for a year. Currently not doing any.

5. Do you use sarcasm?

Yeah, sometimes. But I'm also quite direct and straightforward. Only "straight" I am.

6. What's the first thing you notice about someone?

Their fashion style. I love going up to strangers to compliment their outfits!

7. What's your eye colour?

Dark brown.

8. Movies with sad or happy endings?

I love movies with uncertain, ambiguous endings, in which the meaning is up for debate (like Inception).

9. What talents do you have?

Fast at absorbing information (sometimes), hypercreativity, great at bullshitting in academic tests/essays, good at making accents and voices, ummm... Can't remember more.

10. Where would you like to live?

New Zealand. It's pretty and one of the least problematic English-speaking countries (wanna live somewhere where English is the official language).

11. What are your hobbies?

Writing fanfiction and original stories (more like my passion), playing The Sims 4, drawing digitally (haven't in a while though), singing?

12. Do you have any pets?

My parents have 3 dogs (no breed) and koi fish. I want a cat :')

13. How tall are you?

165 cm or 5'5" for the Americans.

14. Favourite subject in school?

At college. Don't really like any of my current classes. Ig English C1.2 because we studied the Broadway play Hamilton. Although I haven't learned anything new.

15. What is your dream job?

Writer/author, would also like to do voice acting. Maybe a psychologist too, haven't decided if I'll take a second college degree.

No pressure tags: @siriuslystarbucks @starsandmoonys @whoopsiesnodaisies @star4daisy @starchaser-lily @half-cold-coffee @cazzythefrogking @starsarestories @my-beloved-fandoms @my-castles-crumbling @reggiecantswimm @artbyace @literallytoogaytofunction @rosemelodyshah @theres-an-endless-starry-sky

#tag game #get to know the blogger #get to know me

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d-criss-news · 13 hours

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See an exclusive first look at Darren Criss’ return to Broadway in Maybe Happy Ending

The "Glee" actor stars as a Helperbot named Oliver, opposite Helen J. Shen making their Broadway debut as Claire.

There’s nothing new about an awkward meet-cute turning into a love story… But what if that love story is between two robots?

That’s the question posed by Maybe Happy Ending, a new musical coming to Broadway this fall, starring Emmy-winning Glee and The Assassination of Gianni Versace: American Crime Story actor Darren Criss. The show also marks the Broadway debut of Helen J. Shen (The Lonely Few) and Dez Duron (The Voice). Featuring a book by Will Aronson and Hue Park, with music by Aronson and lyrics by Park, Maybe Happy Ending is helmed by Tony Award winner Michael Arden (Parade, Once on This Island), with scenic design by Dane Laffrey (A Christmas Carol).

Ahead of its debut, Entertainment Weekly has your exclusive first listen to the show, with a music video of Criss and Chen’s emotional duet, "When You’re in Love.”

Darren Criss and Helen J. Shen in "Maybe Happy Ending". MAYBE HAPPY ENDING THE MUSICAL/YOUTUBE

The musical — a big hit in its native South Korea, winning six 2016 Korean Musical Awards and the Richard Rodgers Production Award for the English-language version — made its American debut at Atlanta’s Alliance theater in 2019. Now the show is coming to the Great White Way with Criss and Shen as Oliver and Claire, two outcast HelperBots whose initial awkward encounter evolves into an unexpected relationship.

“There's a real pathos that kind of snuck up on me with these two,” Criss told EW of the HelperBot romance. “You think, 'Oh, cute, like androids falling in love, that sounds sweet.' But there's a lot more to that when you start to examine what it is to not only love something or someone, but the inexorable, unavoidable back end of love, which is loss.” Oliver is living the simple life of an outdated HelperBot when the story begins, tending to plants and listening to jazz in his one-bedroom apartment on the outskirts of Seoul. Then Claire comes by to borrow a charger, and changes everything. The video finds the HelperBots united by emotion, yet far apart as they process the swirling feelings of being in love for the first time. “When you’re in love, you’re never satisfied,” they lament. “The thing you want is always out of reach.”

By the end, they’re piecing together both the joys and painful realities of their newfound feelings. They sing, “Now I’m hoping that you feel all the things I feel / Wishing that you want me to sit beside you /Wanting now to learn all the things you are / Waiting for a chance to invite you in my heart.” If the prospect of seeing two bots find love isn’t enticing enough, Criss jokes that empathizing with the characters will at least give audiences a leg up in the AI apocalypse. “If there's any incentive to come see the show — other than a wonderful theatrical experience with a lot of beautiful universal themes and all that great stuff and fantastic music, and hopefully good performances — if not that, it's at least to soften the punishment and wrath of the AI takeover,” he laughed. Maybe Happy Ending begins previews at the Belasco Theatre on Wednesday, September 18. Tickets will go on sale to the general public beginning on Thursday, June 6 at 10AM.

Watch the "When You're In Love" music video above and read more of Criss' thoughts on the HelperBot romance below.

ENTERTAINMENT WEEKLY: Can you start by telling me a little bit about Oliver and what's at the core of this character for you? Well, I'll tell you what, this is the first time I'm ever really doing any kind of talking about a show that I haven't had much familiarity with yet. And I'm not saying that to avoid talking about it so much as to highlight the unique nature of my involvement in this show because, at least if we're talking about the theater, specifically Broadway Theater, every show that I've ever done came with something of a legacy and was a show that I would have been very familiar with, and I think audiences at large, for the most part would've had a history with it.

How to Succeed in Business Without Really Trying was my Broadway debut, massively popular, classic Broadway show, people knew it. Second one was, Hedwig and the Angry Inch, I grew up as a teenager loving that show. And then the revival of American Buffalo, that's now a standard contemporary American classic and studied that in drama school and yada yada yada. So when talking about the show, I had a really good handle because the show had lived with me for most of my life. [Maybe Happy Ending] is a brand new show, which is wildly exciting. But I have yet to figure out that answer. I can tell you what his core is on paper, which is that Oliver is a Helperbot, something like a hundred years in the future where our technology helpers — in the way that we have our Alexas, and our Siris, and our digital systems, and our smart assistants — have evolved into more humanoid representations. He is a Model 3 in the world of Model 5's and is very much outdated, and kind of running the last of his powered up life in the world that we're watching him and coming to grips with the things that left him behind.

We got a little taste of it in the music video, but what do you think it is about the Oliver and Claire relationship that people will respond to? Or what did you respond to? There's nothing like being able to look at ourselves by looking through the eyes of things that aren't us. I find the most I'm ever moved about the human experience comes from animated films where you have non-human characters trying to figure out human emotions. It's a really great way for audiences to subconsciously look at their own experience objectively. It's funny that it takes inhuman characters to examine humanity in a way that feels somehow accessible. If you see yourself up there, it maybe hits too close to home. But you might think about it a little differently if you're suddenly looking at things through the objective lens of a true outsider — be it a cartoon fox or a mermaid wanting to be human.

So having said that, this is a story about two HelperBots, two robots “falling in love." Of course, they're not human, so they can't physically, literally intimately actually fall in love, but they have to sort of figure out what that means by way of how they've experienced human beings themselves, by cues they've gotten from their own owners and from the world around them. And when you start examining things like love, things like loss through the eyes of non-humanoid things that are trying to computationally analyze and synthesize those things, you sort of start to look at them in a different way. There are many things about the show — the premise was very interesting, and I think the design is exquisite, it's a wonderful theatrical experience. Getting to work with a longtime friend, Michael Arden is such a joy, and there's so many things about that that make this appealing to me. And of course the music is fun, and it's cute, and funny, and charming. But there's a real pathos that kind of snuck up on me with these two. You think, 'Oh, cute, like androids falling in love, that sounds sweet.' But there's a lot more to that when you start to examine what it is to not only love something or someone, but the inexorable, unavoidable back end of love, which is loss. And how do we deal with that? How and why do human beings willingly enter this contract if we know that on the other side of it, there is something that will hurt and that can hurt because love does come with loss, whether it's loss of self, loss of wholeness.

And this show really shows a really beautiful balance of these beings trying to suss out thousands of years of human meditation — of all the hundred thousand songs and poems and stories that have tried to help us understand this balance of love and loss, and the highs and the lows of it are pretty profound. er. In “When You’re In Love” there's the sentiment that being in love is the loneliest you can be. Is that something that you immediately connected with, or was that surprising?

I think that song's very interesting because it's them putting the pieces together. Many lines in the song that talk about how being loved does just constantly leave you with a sense of longing. Which I think goes back into the main thesis, which is love in many ways is loss. They kind of coexist in this yin-yang. It's just one's much more fun and more accessible to talk about, but they kind of come hand in hand. Again, the systematic exploration of all of the ones and zeros of what love is — it's a lot of ones, but it is also a lot of zeros, and one of those things is being lonely and the feeling of not being whole without a certain thing. Which I think is a really good connector to what this show talks about, which is the function of the things in our life that we lose. It is funny that we are getting closer and closer to the realities of what this show presents and suggests. The idea that Siri could be a person in a hundred years isn't absurd, it's not a crazy idea. Even talking about things like robots or artificial intelligence, it's an immediate thing that is part of the cultural fabric and a continual discussion about how and where and why it's going to be part of our life.

But even without talking about those sort of more sci-fi leaning things, technology is in many ways, like people in our life. I mean, people treat their phones like babies. We have attachments to our phones and the way that we need them in our lives and the way we care for them and the reliance we have on them. And the idea of shelf life and things being outdated, we're pretty comfortable with. It's more comprehensible with tech and objects. But it's funny that we have this cognitive dissonance between that and the idea of things being outdated and out of its prime is harder to grasp and a harder pill to swallow with people, and it's a harder journey to go on with people. But what happens when our objects become closer in likeness and experience to people? How are we going to wrap our brains around that and how will they wrap their brains or their programming around that? And how will they feel? Will they feel at all? How will they feel about their impermanence as it relates to ours and vice versa? So there's a lot of really, really nice questions being asked in this show.

Are you finding that it's changing your relationship to Siri and Alexa and your technology? As of now, absolutely not. Well, maybe in the future. Maybe. I'll bite my tongue… In a few years, who knows? She's listening. I'll be nice to you Siri, I promise. As long as you're nice to me when you decide to take over the planet. Well, after you've played a Helperbot, you've got an in. Hopefully that'll soften the AI takeover, they'll let us loose. If there's any incentive to come see the show — other than a wonderful theatrical experience with a lot of beautiful universal themes and all that great stuff and fantastic music, and hopefully good performances — if not that, it's at least to soften the punishment and wrath of the AI takeover. This interview has been edited and condensed for clarity.

#darren criss #helen j shen #entertainment weekly #maybe happy ending bway #maybe happy ending #press #video #photos #june 2024

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lfghughes · 11 months

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Can I request going to the NHL awards with Jack and like matching I just want something cute and fluffy with them celebrating

a/n: but remember when i jinxed his win guys. this is my redemption post

This was your first time at the NHL awards and your first time on a red carpet in general. Before coming here you were definitely nervous but you weren’t going to give up your plus one spot that Jack had offered to you. As you looked at your boyfriend, a small smile spread on your lips at his suit that he was wearing. “I was ready to fight you if I saw you in a tshirt for this.” You teased which caused him to roll his eyes at you. “You’re never going to let me live down the all star red carpet are you?”

You quickly shook your head, maybe if you had gone with him to that you could have convinced him to at least have worn a nice button up. Once you were both ready you met up with his parents and immediately Ellen started gushing as she took in the two of you. “Look at my two babies.” A smile grew on your lips at her words and how easily she had accepted you into the family. “I’m so happy you’re wearing a suit and not a tshirt.” She pointed out which caused you to laugh. Glad everyone was on the same page as you.

At the red carpet it was exactly how you had pictured it. Cameras were everywhere, Jack was being stopped pretty regularly to get interviewed and to sign things. Every once in a while you would get into a photo with him but mostly you stuck near his parents. You would be lying if you said you weren’t in complete awe of your boyfriend and the way he acted like a natural even though you knew he wasn’t a fan of interviews. “I want to get a photo of you two, go stand with him.” Ellen ushered you forward and you did exactly as she asked.

“Mom, should we do an awkward prom pose?” Jack teased as Ellen snapped away on her phone. When she got her pictures, you went back to her to see the photos she had gotten. “Babe, look” Jack got your attention and you couldn’t help but laugh as he pretended like he was snapping photos of you on an imaginary camera. “You’re such a dork.” You shook your head as you watched him go up to the next interview. During this one they had asked what made him a gentleman and his response about holding the door open made you laugh.

“That’s your son.” You pointed out to Ellen who was shaking her head at her son. “He sure is.” You were glad to get inside into the ac and to finally be able to sit. “I can’t wait for us to go celebrate on broadway after.” Jack whispered to you as he sank down into his seat next to you. You were definitely looking forward to that too but first you wanted to see Jack win his award. Except well when it came around to it, he hadn’t won. Your hand went to his leg, giving him a reassuring squeeze as he shrugged. “It’s okay.” But you could tell he was a little bummed about it.

The rest of the night felt like it dragged a little but this was still an experience you would do all over again. When the night came to an end, Jack and some of his friends still wanted to go out and you definitely weren’t going to turn down a night out in Nashville. “Alright, you kids be safe. Okay?” Ellen warned the both of you. “Of course mom, we will.” He told her, giving her a hug goodnight. “Also baby, I’m proud of you always.” Your heart grew ten sizes as you watched your boyfriend with his mom before he came over to you. “I’m proud of you too and you are my favorite gentleman.”

#jack hughes blurb #jack hughes imagine #jack hughes x reader #jack hughes

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