Richard Roundtree (July 9, 1942 – October 24, 2023) was an American actor, noted as being "the first black action hero" for his portrayal of private detective John Shaft in the 1971 film Shaft, and its four sequels, released between 1972 and 2019. For his performance in the original film, Roundtree was nominated for the Golden Globe Award for New Star of the Year – Actor in 1972.
Born July 9, 1942, in New Rochelle, New York, to John Roundtree and Kathryn Watkins, Roundtree attended New Rochelle High School; graduating in 1961. During high school, Roundtree played for the school's undefeated and nationally ranked football team. Following high school, Roundtree attended Southern Illinois University in Carbondale, Illinois. Roundtree dropped out of college in 1963 to begin his acting career.
Roundtree began his professional career around 1963. Roundtree began modeling in the Ebony Fashion Fair after being scouted by Eunice W. Johnson. After his modeling success with the Fashion Fair, Roundtree began modeling for such products as Johnson Products' Duke hair grease and Salem cigarettes. In 1967, Roundtree joined the Negro Ensemble Company. His first role while a part of the company was portraying boxing legend Jack Johnson in the company's production of The Great White Hope. According to J. E. Franklin, he acted in the Off-Off-Broadway production of her play Mau Mau Room, by the Negro Ensemble Company Workshop Festival, at St. Mark's Playhouse in 1969, directed by Shauneille Perry.
Roundtree was a leading man in early 1970s blaxploitation films, his best-known role being detective John Shaft in the action movie, Shaft (1971) and its sequels, Shaft's Big Score! (1972) and Shaft in Africa (1973). Roundtree also appeared opposite Laurence Olivier and Ben Gazzara in Inchon (1981). On television, he played the slave Sam Bennett in the 1977 television series Roots and Dr. Daniel Reubens on Generations from 1989 to 1991. He played another private detective in 1984's City Heat opposite Clint Eastwood and Burt Reynolds. Although Roundtree worked throughout the 1990s, many of his films were not well-received, but he found success elsewhere in stage plays.
During that period, however, he reemerged on the small screen as a cultural icon. On September 19, 1991, Roundtree appeared in an episode of Beverly Hills, 90210 with Vivica A. Fox. The episode was "Ashes to Ashes", Roundtree playing Robinson Ashe Jr. Roundtree appeared in David Fincher's critically acclaimed 1995 movie Seven, and in the 2000 Shaft, again as John Shaft, with Samuel L. Jackson playing the title character, who is described as the original Shaft's nephew. Roundtree guest-starred in several episodes of the first season of Desperate Housewives as an amoral private detective. He also appeared in 1997's George of the Jungle and played a high-school vice-principal in the 2005 movie, Brick. His voice was utilized as the title character in the hit PlayStation game Akuji the Heartless, where Akuji must battle his way out of the depths of Hell at the bidding of the Baron.
In 1997–1998, Roundtree had a leading role as Phil Thomas in the short-lived Fox ensemble drama, 413 Hope St. He portrayed Booker T. Washington in the 1999 television movie Having Our Say: The Delany Sisters' First 100 Years.
Beginning in 2005, Roundtree appeared in the television series The Closer as Colonel D. B. Walter, U.S.M.C. (retired), the father of a sniper, and in Heroes as Simone's terminally ill father, Charles Deveaux. Next, Roundtree appeared as Eddie's father-in-law in episodes of Lincoln Heights. Roundtree then had a supporting role in the 2008 Speed Racer film as a racer-turned-commentator who is an icon and hero to Speed. He also appeared in the two-parter in Knight Rider (2008) as the father of FBI Agent Carrie Ravai, and co-starred as the father of the lead character on Being Mary Jane, which has aired on BET since 2013.
In 2019, Roundtree co-starred in the comedy film film What Men Want, and returned to the role of John Shaft in Shaft, a sequel to the 2000 film, opposite Samuel L. Jackson and Jessie Usher, who portray John Shaft II and John Shaft III, respectively. This time, Roundtree's character was described as Jackson's character's father, while acknowledging that Roundtree had pretended to be Jackson's Shaft's uncle in the 2000 movie. He also starred in the movie, Family Reunion in 2019.
Roundtree was married and divorced twice and had five children. His first marriage was to Mary Jane Grant, whom he married on November 27, 1963. Roundtree and Grant had two children before divorcing in December 1973. He dated actress and TV personality Cathy Lee Crosby shortly thereafter. Roundtree later married Karen M. Ciernia in September 1980; together they had three children. Roundtree and Ciernia divorced in 1998. Roundtree was diagnosed with breast cancer in 1993 and underwent a double mastectomy and chemotherapy.
Roundtree died of pancreatic cancer at his Los Angeles home on October 24, 2023, at the age of 81.
My deepest condolences to his family and friends. 🙏🏾❤️🕊
There’s a lot we BJU alumni don’t know about Sarah Roberta Oliver.
We called her “Miss Sarah,” in the girls’ dorms. That was an old Southern way of both showing affection and reduced status for people of color.
We told each other that she cared for Bob Jones III when he was young, but there’s no evidence of that.
She did work at the Greenville Army Air base in 1945.
According to the Greenville phone book, she was working at BJU as a “maid” from 1949 onward.
In 1956, the phone book lists her as a “cook” for BJU.
We women who lived in the dorms in the 1980s remember her living in an apartment on the first floor of Gaston down at the far end nearest the rest of campus.
Her dad, John Oliver, did work for Furman University in 1930.
She was John and Ethel’s oldest child, and her siblings are as follows:
John Alex Oliver Jr.
James Alfred Oliver
Jacob Oliver
William Barton Oliver
Mary Elizabeth Oliver
Eugene R. Oliver
Bennie Oliver
Robert Oliver
She also had a daughter, Ethel Elizabeth Oliver, who was born in 1943, when she was 20. Ethel died in 1975 of “general sepsis” at age 32 because she was immunocompromised due to a kidney transplant. She was married with four children at the time.
Notice that Ethel Oliver Riley did not know who her father was.
But after all that, after working at BJU from 1949 forward, after we all remember her sitting at the desk in Gaston or calling “man on the hall” at necessary moments....
Bob Jones University didn’t actually commemorate Sarah Oliver’s employment in the yearbook until 1994.
This is Bob Jones University, folks. We saw it up close. The evidence is everywhere.
Ms. Sarah Roberta Oliver, 98, of Greenville, South Carolina, passed on Wednesday, March 9, 2022, at St. Francis Women's Hospital. She was the daughter of the late John A. and Ethel Emma Oliver.
She was the last surviving member of her immediate family. Preceded in death, daughter, Ethel Elizabeth Oliver Riley.
Surviving are four grandchildren: Frederick D. (Pam) Oliver of Asheville, NC, Patrice L. Riley-McMahan, of Simpsonville, SC, Patrick B. Riley, and Jeanine D. Riley both of Greenville, SC; six great-grandchildren; ten great-great-grandchildren; and a host of other relatives and friends.
Funeral Service: Sunday, March 20, 2022, 2:00pm at Mt. View Baptist Church with interment in Resthaven Memorial Gardens.
Published by Watkins, Garrett & Woods Mortuary Inc. on Mar. 10, 2022.
A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater.
Credits: TheMovieDb.
Film Cast:
Jack Cunningham: Ben Affleck
Dan: Al Madrigal
Beth: Michaela Watkins
Angela: Janina Gavankar
Doc: Glynn Turman
Marcus Parrish: Melvin Gregg
Brandon Durrett: Brandon Wilson
Kenny Dawes: Will Ropp
Sam Garcia: Fernando Luis Vega
Chubbs Hendricks: Charles Lott, Jr.
Bobby Freeze: Ben Irving
Devon Childress: da’Vinchi
Father Edward Devine: John Aylward
Russ: T.K. Carter
Diane: Rachael Carpani
Kurt: Todd Stashwick
Anne: Nancy Linehan Charles
Gerry Norris: Dan Lauria
Sal: Chris Bruno
Coach Lombardo: Matthew Glave
Matty (Bartender): Jeremy Ratchford
Susan Norris: Jayne Taini
Father Mark Whelan: Jeremy Radin
Ryan: Nico David
Sarah: Emelia Golfieri
Sarah: Layla Golfieri
Miguel: Sal Velez Jr.
Sofia: Yeniffer Behrens
Sully – Ref #2: Eric Tate
Doctor: Christine Horn
Construction Worker #1: Josh Latzer
Construction Worker #2: Manny Streetz
David: Justice Alan
Liquor Store Owner: Jay Abdo
Lead Referee: Joshua Hubbard
Burly Man: James P. Harkins
Employee: Mike G.
Betty: April Adams
Haley: Chieko Hidaka
Student: Bronwen O’Connor
Student: Charlotte Evelyn Williams
Student: Kayla Diaz
Trinity Coach: Doc Jacobs
Gale: Marlene Forte
Ken: Shay Roundtree
Pat: Chad Mountain
Summit Coach: Sandy Fletcher
Opposing Coach: Noah Ballou
Female Friend – Nancy: Cynthia Rose Hall
Referee: Calvin Barber
Fish Scale Operator: Dino Lauro
Bishop Bench Player: Roman Mathis
Bishop Bench Player: Herbert Morales
Bishop Bench Player: Mateo Ortiz
Bishop Bench Player: Tyler O’Malley
Ethan (uncredited): Tom Archdeacon
Basketball Player 7 (uncredited): Brian Nuesi
Denise (uncredited): Edelyn Okano
Cheerleader (uncredited): Carly Schneider
Mike Ball Boy (uncredited): Caleb Thomas
Eric (uncredited): Hayes MacArthur
Basketball Player: Alexander Tassopoulos
Birthday Party Guest (uncredited): Mason Blomberg
Film Crew:
Producer: Gavin O’Connor
Producer: Jennifer Todd
Producer: Gordon Gray
Sound Mixer: Steven A. Morrow
Producer: Ravi D. Mehta
Set Decoration Buyer: Ellen Dorros
Boom Operator: Craig Dollinger
Utility Sound: Bryan Mendoza
Art Direction: Bradley Rubin
Costume Design: Cindy Evans
Director of Photography: Eduard Grau
Editor: David Rosenbloom
Executive Producer: Brad Ingelsby
Executive Producer: Mark Ciardi
Unit Production Manager: Bob Dohrmann
Executive Producer: Kevin McCormick
Executive Producer: Aaron L. Gilbert
Executive Producer: Jason Cloth
Executive Producer: Kaitlyn Taaffe Cronholm
Executive Producer: Madison Ainley
Production Design: Keith P. Cunningham
Casting: Wendy O’Brien
Co-Producer: Brittany Hapner
Original Music Composer: Rob Simonsen
Music Supervisor: Gabe Hilfer
Unit Production Manager: Victor Ho
Second Assistant Director: Kevin Lum
First Assistant Director: Jamie Marshall
Visual Effects Supervisor: Bruce Jones
Set Decoration: Douglas A. Mowat
Set Designer: Paul Sonski
Assistant Art Director: Linia Marie Hardy
Assistant Art Director: Brittany Bradford
Graphic Designer: Stephanie Charbonneau
Graphic Designer: Andrew Campbell
Art Department Coordinator: Michael LaCorte
Leadman: Fred Haft
Set Decoration Buyer: Jane Madden
Stunt Coordinator: Tom McComas
Stunts: Oliver Keller
Stunts: Courtney Farnsworth
Stunts: Allan Graf
Stunts: Craigory Glen Hunter
Stunts: Lauren Shaw
Stunts: B R Lamar
Stunts: David Rowden II
Property Master: J.P. Jones
Assistant Property Master: Rick Chavez
Script Supervisor: Steve Gehrke
“A” Camera Operator: Peter Rosenfeld
Still Photographer: Richard Foreman Jr.
“B” Camera Operator: Michael Merriman
First Assistant “A” Camera: Stephen MacDougall
Second Assistant “A” Camera: Jordan Pellegrini
First Assistant “B” Camera: Jesse Cain
Second Assistant “B” Camera: Seth A. Peschansky
Digital Imaging Technician: Jesse Tyler
Music Editor: Curt Sobel
Assistant Editor: Anna Rottke
First Assistant Editor: Joe Rosenbloom
Soun...
Tumblr limits posts to 100 links, thus the necessity of splitting of the Guests page into parts. It is inconvenient, yes. Click here for a list of all parts.
Alphabetical by last name, unless they don't have a surname, in which case, good luck.
Looking for the host? Try the Taylor Tomlinson tag.
Is a name misspelled? Link broken? Dear god, please tell me.
Please note: “kill” choices are (usually) not tagged. Therefore the links below may not be inclusive of every guest’s appearance on After Midnight.
Below is a selection of films available on YouTube. As I try to update this list as regularly as possible (for this is a lenghthy process), please refer to the original post for the newest version.
IMPORTANT NOTE: Apparently, Tumblr restricts the number of links you can have all on one post. Therefore, this list is divided into two parts. You can access part one by clicking on the link below:
PART I HERE.
For a visual reference of all the movies available, click here.
Titles are alphabetized by director, and organized by year of release.
Orphée (1950), Jean Cocteau
The Mother and the Whore (1973), Jean Eustache
My Little Loves (1974), Jean Eustache
La Chienne (1931), Jean Renoir
The Southerner (1945), Jean Renoir
The River (1951), Jean Renoir
The Golden Coach (1952), Jean Renoir
À Propos de Nice (1930), Jean Vigo
Zéro de Conduite (1933), Jean Vigo
Vivre Sa Vie (1962), Jean-Luc Godard
Masculin Féminin (1966), Jean-Luc Godard
Chronicle of Anna Magdanela Bach (1968), Jean-Marie Straub and Danièle Huillet
Class Relations (1984), Jean-Marie Straub and Danièle Huillet
Antigone (1992), Jean-Marie Straub and Danièle Huillet
Two Men in Manhattan (1959), Jean-Pierre Melville
Le Deuxième Souffle (1966), Jean-Pierre Melville
Down by Law (1986), Jim Jarmusch
My Left Foot: The Story of Christy Brown (1989), Jim Sheridan
Hovering Over the Water (1986), João César Monteiro
God’s Comedy (1995), João César Monteiro
Vai e Vem (2003), João César Monteiro
Underworld (1927), Josef von Sternberg
The Docks of New York (1928), Josef von Sternberg
Faces (1968), John Cassavetes
Minnie and Moskowitz (1971), John Cassavetes
Opening Night (1977), John Cassavetes
Just One Kid (1974), John Goldschmidt
King of Jazz (1930), Joh Murray Anderson
Song of Avignon (1998), Jonas Mekas
As I Was Moving Ahead Ocasionally I Saw Glimpses of Beauty (2000), Jonas Mekas
The Act of Killing (2012), Joshua Oppenheimer
…À Valparaíso (1963), Joris Ivens
Birds, Orphans and Fools (1969), Juraj Jakubisko
Sisters of the Gion (1936), Kenji Mizoguchi
The Story of the Last Chrisanthemum (1939), Kenji Mizoguchi
A Geisha (1953), Kenji Mizoguchi
Ugetsu (1953), Kenji Mizoguchi
Sansho the Bailiff (1954), Kenji Mizoguchi
Street of Shame (1956), Kenji Mizoguchi
Duel in the Sun (1946), King Vidor
Fires on the Plain (1959), Kon Ichikawa
The Ascent (1977), Larisa Shepitko
Dancer in the Dark (2000), Lars von Trier
The Upturned Glass (1947), Lawrence Huntington
Hamlet (1948), Lawrence Olivier
The Blue Light (1932), Leni Riefenstahl
Mädchen in Uniform (1931), Leontine Sagan
Rain (1932), Lewis Milestone
The Strange Love of Martha Ivers (1946), Lewis Milestone
This Sporting Life (1963), Lindsay Anderson
if…. (1968), Lindsay Anderson
Au Revoir, Les Enfants (1987), Louis Malle
Jew Süss (1934), Lothar Mendes
La Terra Trema (1948), Luchino Visconti
Beautiful (1951), Luchino Visconti
The Leopard (1963), Luchino Visconti
Sandra (1965), Luchino Visconti
The Sunday Woman (1975), Luigi Comencini
L’Âge d’Or (1930), Luis Buñuel
Nazarin (1959), Luis Buñuel
Black Orpheus (1959), Marcel Camus
Limite (1931), Mário Peixoto
Spring on Zarechnaya Street (1956), Marlen Khutsiyev and Feliks Mironer
Vermilion Souls (2007), Masaki Iwana
La Haine (1995), Mathieu Kassovitz
Meshes of the Afternoon (1943), Maya Deren
Caught (1949), Max Ophüls
The Reckless Moment (1949), Max Ophüls
Black Narcissus (1947), Michael Powell and Emeric Pressburger
Gone to Earth (1950), Michael Powell and Emeric Pressburger
Gente del Po (1947), Michelangelo Antonioni
Il Grido (1957), Michelangelo Antonioni
L’Avventura (1960), Michelangelo Antonioni
La Notte (1961), Michelangelo Antonioni
Red Desert (1964), Michelangelo Antonioni
Zabriskie Point (1970), Michelangelo Antonioni
The Passenger (1975), Michelangelo Antonioni
Women of Ryazan (1927), Olga Preobrazhenskaya and Ivan Pravov
The Stranger (1946), Orson Welles
Black Girl (1966), Ousmane Sembène
Punishment Park (1971), Peter Watkins
Mamma Roma (1962), Pier Paolo Pasolini
World on a Wire (1973), Rainer Werner Fassbinder
Martha (1974), Rainer Werner Fassbinder
Chinese Roulette (1976), Rainer Werner Fassbinder
City of Pirates (1983), Raúl Ruiz
Time Regained (1999), Raúl Ruiz
Lucrezia Borgia (1922), Richard Oswald
Strangers When We Meet (1960), Richard Quine
Framed (1947), Richard Wallace
Mouchette (1967), Robert Bresson
Four Nights of a Dreamer (1971), Robert Bresson
The Cabinet of Dr. Caligari (1920), Robert Wiene
Rome, Open City (1945), Roberto Rossellini
Paisà (1946), Roberto Rossellini
Germany, Year Zero (1948), Roberto Rossellini
The Flowers of St. Francis (1950), Roberto Rossellini
Europa ’51 (1952), Roberto Rossellini
Journey to Italy (1954), Roberto Rossellini
Repulsion (1965), Roman Polanski
Cul-de-sac (1966), Roman Polanski
Songs from the Second Floor (2000), Roy Andersson
You, the Living (2007), Roy Andersson
Two (1965), Satyajit Ray
Battleship Potemkin (1925), Sergei M. Eisenstein
The Color of Pomegranates (1968), Sergej Parajanov
Shozo, a Cat and Two Women (1956), Shirō Toyoda
A Day at the Beach (1972), Simon Hesera
Royal Wedding (1951), Stanley Donen
It’s Always Fair Weather (1955), Stanley Donen
Indiscreet (1958), Stanley Donen
Charade (1963), Stanley Donen
The Haircut (1982), Tamar Simon Hoffs
A Page of Madness (1926), Teinosuke Kinugasa
Badlands (1973), Terrence Malick
The Entertainer (1960), Tony Richardson
Daisies (1966), Věra Chytilová
The Outlaw and His Wife (1918), Victor Sjöstrom
Shoeshine (1946), Vittorio de Sica
Bicyle Thieves (1948), Vittorio de Sica
Umberto D. (1952), Vittorio de Sica
State Fair (1946), Walter Lang
Berlin: Symphony of a Great City (1927), Walter Ruttmann
The Last Stage (1948), Wanda Jakubowska
Land of Silence and Darkness (1971), Werner Herzog
Aguirre, the Wrath of God (1972), Werner Herzog
Rope of Sand (1949), William Dieterle
Wings of Desire (1987), Wim Wenders
I Was Born, But… (1932), Yasujirō Ozu
The Only Son (1936), Yasujirō Ozu
The Brothers and Sisters of the Toda Family (1941), Yasujirō Ozu
There Was a Father (1942), Yasujirō Ozu
Late Spring (1949), Yasujirō Ozu
Early Summer (1951), Yasujirō Ozu
The Flavor of Green Tea Over Rice (1952), Yasujirō Ozu
I was tagged by @samanddeaninpanties for this song game. It took me awhile to find all the songs, especially since my username is so long 😆 aaaand I made it difficult on myself, didn’t use the same musical or band/artist more than once. Tried to capture a wide variety of music, and some of my favorite bands/artists and musical albums.
Rules: Spell your url with song titles and then tag the same number of people.
T - Touch Me from Spring Awakening the Musical
A - American Idiot by Green Day
P - Potato Chips by Slim Gaillard
N - No Woman No Cry by Nina Simone (cover)
B - Build Me Up from Bones by Sarah Jarosz
L - (The) Lighthouse’s Tale by Nickel Creek
U - Uptown Girl by Billy Joel
E - Every Single Night by Fiona Apple
S - Sleek White Baby by Punch Brothers
N - Northern Downpour by Panic! at the Disco
L - Long Hot Summer Days by Sara Watkins
I - I Am the One from Next To Normal the Musical
N - Not by Might, Not by Power by Debbie Friedman
D - Dead Girl Walking from Heather’s the Musical
Y - You Oughta Know by Alanis Morisette and from Jagged Little Pill the Musical
H - Heart and Music from A New Brain the Musical
O - One Last Time, Please by Dodie
P - Puff the Magic Dragon by Peter, Paul, and Mary
D - Dear Theodosia from Hamilton the Musical
A - About You by Caravan Palace
N - Never Seen The Rain by Tones and I
C - Constipation Blues by Screamin’ Jay Hawkins
E - Enemy by Imagine Dragons
R - Ring of Keys from Fun Home the Musical
@nerdstrings @ohwhoopsok and anyone else who sees this and wants to play, feel free to join in!
VARIETOPIA is a modern variety show, showcasing the best in contemporary comedy, music, and other forms of live entertainment, hosted by acclaimed comedian Paul F. Tompkins. Debuting at the Largo nightclub in 2002 under the name The Paul F. Tompkins Show, the program ended its long and only slightly intermittent run in 2014. Now it returns to Los Angeles in a new location, the spectacular Lodge Room in Highland Park.
Guests are always a surprise and surprises are always guaranteed.
Past guests of the show include:
Adam Scott * Aimee Mann * Andy Richter * Ben Gibbard * Ben Schwartz * Bob Odenkirk * Busdriver * Busy Phillips * Cameron Esposito * Fiona Apple * Fred Armisen * Dave Foley * Derek DelGaudio * Donald Glover * Ed Helms * Gillian Jacobs * Jack Black * James Adomian * Jennifer Coolidge * John Hodgman * Jon Cryer * Jon Hamm * Judy Greer * Kaitlin Olson * Karen Kilgariff * Kevin McDonald * Kristen Schaal * Laraine Newman * Maria Bamford * Martin Starr * Mary Lynn Rajskub * Maya Rudolph * Michael Sheen * Neil Patrick Harris * Nick Kroll * Open Mike Eagle * Patton Oswalt * Puddles * Rhett Miller * Robyn Hitchcock * Superego * Ted Leo * Tenacious D * The Watkins Family * Thomas Lennon * Tim Meadows * “Weird Al” Yankovic * Zach Galifianakis
Over 12,000 people have signed an online petition to shut down a new opera about the victim of a 1955 lynching, Emmett Till.
The play, "Emmett Till, A New American Opera," was set to open on Wednesday, March 23, at The City University of New York, John Jay College's Gerald W. Lynch Theatre in New York City. However, critics of the play have called it historically inaccurate.
John Jay College of Criminal Justice student Mya Bishop created the change.org petition, writing that the opera, penned by Clare Coss, centers a fictional "white school teacher named Roanne Taylor" and her "white guilt" rather than the torture and murder of Emmett Till, who was lynched by two white men for allegedly flirting with a white woman when he was only 14 years old.
The petition reads, "Clare Coss has creatively centered her white guilt by using this show to make the racially motivated brutal torture and murder of a 14-year-old child about her white self and her white feelings."
"Yes, the opera has a fictional white character — but it isn't about her," composer Mary D. Watkins said in a statement to Playbill. "It is a true story that happened in our American history that could be told by anyone."
Coss, 86, said Till's story touched her as a child and moved her to write this opera.
"[Composer] Mary [Watkins] was 15 in 1955 and I was 20 — each of us deeply and differently impacted by the barbaric lynching of 14-year-old Emmett Till in the Mississippi Delta and the failure of justice," she wrote in a statement to Playbill. "The one invented white character, Roanne Taylor, a schoolteacher who cares but is silent, reflects Martin Luther King, Jr.'s ultimate tragedy: the silence of the good people. She represents the context of white supremacy in which the world of violence and terror was enabled. She takes a first step forward to break the silence."
Till, who was visiting family in Mississippi at the time of his murder, was falsely accused by Carolyn Bryant Donham, a white woman, of whistling and making advances toward her in 1955 outside the store she and her husband, Roy, owned.
Days later, Till was taken from his bed in the middle of the night by Roy Bryant and his half brother. He was thrown into the bed of a pickup truck, viciously attacked, shot, and tossed into the Tallahatchie River. His brutal murder brought attention to the centuries of violence Black communities suffered in America. His story became a rallying cry of the civil rights movement.
Until her death in 2003, Till's mother, Mamie Till, fought to get justice for her son to no avail. The Justice Department closed its third investigation into Till's murder in 2021.
1st: The Southern Strutt-’Chewy Chewy’
2nd: The Southern Strutt-’Rainbow Brite’
3rd: The Southern Strutt-’Dump Him’
Sidekick Hip-Hop
1st: Rhythm Dance Center-’Besties’
Sidekick Tap
1st: The Southern Strutt-’Mr Piano Man’
2nd: The Southern Strutt-’ABC’
3rd: Rhythm Dance Center-’Shout’
Sidekick Contemporary
1st: The Southern Strutt-’Flying Solo’
Sidekick Lyrical
1st: The Southern Strutt-’Reflections’
2nd: Studio Powers-’Big Love, Small Moments’
Mini Jazz
1st: The Southern Strutt-’Fergalicious’
2nd: Dancemakers of Atlanta-’Brown Skin Girl’
3rd: Rhythm Dance Center-’The Happy Disco Show’
Mini Ballet
1st: Columbia City Jazz Conservatory-’Concerto In D’
Mini Hip-Hop
1st: Rhythm Dance Center-’Fly Kicks’
2nd: Dancemakers of Atlanta-’Found A Good One’
3rd: Rhythm Dance Center-’Back At It’
Mini Tap
1st: The Southern Strutt-’As Good As It Gets’
2nd: Rhythm Dance Center-’Love Shack’
3rd: Rhythm Dance Center-’Jitterbug’
Mini Contemporary
1st: Upstate Carolina Dance Center-’Daisies’
2nd: Columbia City Jazz Conservatory-’Bones’
3rd: Upstate Carolina Dance Center-’The Moment’
Mini Lyrical
1st: Dancemakers of Atlanta-’3000 Miles’
2nd: The Southern Strutt-’Fly Me To The Moon’
3rd: Studio 413-’Helium’
Mini Musical Theatre
1st: The Southern Strutt-’Wonderland’
2nd: The Southern Strutt-’Yacht Club Cuties’
3rd: Dancemakers of Atlanta-’Little Shop of Horrors’
Junior Jazz
1st: The Southern Strutt-’This Place About to Blow’
2nd: Columbia City Jazz Conservatory-’Dance Apocalyptic’
2nd: Studio 413-’Electricity’
3rd: Upstate Carolina Dance Center-’Kill The Lights’
3rd: Dancemakers of Atlanta-’Genesis’
Junior Ballet
1st: Rhythm Dance Center-’Violin Fantastique’
Junior Hip-Hop
1st: Rhythm Dance Center-’Foot On The Gas’
2nd: Rhythm Dance Center-’Walk It Out’
3rd: Studio 413-’Girl Boss’
Junior Tap
1st: Rhythm Dance Center-’Sussudio’
1st: Rhythm Dance Center-’Here Comes The Sun’
2nd: Studio 413-’Into the Night’
3rd: Great Gig Dance Co-’Tiny Dancer’
Junior Contemporary
1st: The Southern Strutt-’I Will Leave The Light On’
2nd: Columbia City Jazz Conservatory-’The Swan’
2nd: The Southern Strutt-’A Young Mind’s Thoughts’
3rd: Columbia City Jazz Conservatory-’Off The Rails’
Junior Lyrical
1st: Dancemakers of Atlanta-’Made of Stone’
2nd: Gretchen Greene School of Dance-’Daisies’
3rd: Gretchen Greene School of Dance-’Firework’
Junior Musical Theatre
1st: The Southern Strutt-’First Day Fruge’
2nd: The Southern Strutt-’The Gospel Truth’
3rd: Rhythm Dance Center-’Zero to Hero’
Junior Acro
1st: The WHEREHOUSE-’Day-O’
Junior Specialty
1st: Rhythm Dance Center-’Ski-A-Rhythmdale’
2nd: Gretchen Greene School of Dance-’Grease!’
Teen Jazz
1st: The Southern Strutt-’XR2′
1st: Dancemakers of Atlanta-’I Hope My Life’
2nd: Upstate Carolina Dance Center-’Shake’
3rd: Studio 413-’Body Language’
3rd: The Southern Strutt-’Kick It’
Teen Hip-Hop
1st: Columbia City Jazz Conservatory-’Work’
2nd: Rhythm Dance Center-’Earthquake’
2nd: The Southern Strutt-’The Wave’
3rd: Upstate Carolina Dance Center-’Southern Hospitality’
Teen Tap
1st: Rhythm Dance Center-’Rock Your Body’
2nd: Rhythm Dance Center-’Hook’
3rd: Gretchen Greene School of Dance-’Wooden Hymnal In C’
3rd: Studio 413-’Gold Watch’
3rd: The Southern Strutt-’Gold Watch’
Teen Contemporary
1st: Dancemakers of Atlanta-’Exonerated’
2nd: Studio 413-’Hold On Tight’
3rd: Columbia City Jazz Conservatory-’Embrace the World’
Teen Lyrical
1st: Columbia City Jazz Conservatory-’Midnight Street’
2nd: Dancemakers of Atlanta-’Angels’
3rd: Columbia City Jazz Conservatory-’This Particular Dream’
Teen Musical Theatre
1st: Rhythm Dance Center-’Groundhog Day’
2nd: The Southern Strutt-’Beetlejuice’
3rd: Heather Wayne’s Dance Company-’Too Darn Hot’
Teen Acro
1st: Gretchen Greene School of Dance-’Oceans’
2nd: Studio Powers-’Area 51′
Teen Specialty
1st: Columbia City Jazz Conservatory-’Lay Them Before Me’
2nd: The Southern Strutt-’Book of Love’
3rd: Gretchen Greene School of Dance-’Hip Hip Chin Chin’
3rd: Rhythm Dance Center-’Born to Be Alive’
Senior Jazz
1st: Studio 413-’Rumors’
2nd: Columbia City Jazz Conservatory-’Human Nature’
3rd: Rhythm Dance Center-’Saved By The DJ’
Senior Ballet
1st: Rhythm Dance Center-’Recomposed’
Senior Hip-Hop
1st: Rhythm Dance Center-’Deep Fried Flavor’
2nd: The Southern Strutt-’Here Comes The Boom’
3rd: North Georgia Dance and Music Factory-’Power’
Senior Tap
1st: Rhythm Dance Center-’What A Girl Wants’
2nd: Great Gig Dance Co-’I’d Love to Change The World’
2nd: Rhythm Dance Center-’Layla’
3rd: Great Gig Dance Co-’Faith’
Senior Contemporary
1st: Columbia City Jazz Conservatory-’I’m Delighted’
2nd: The Southern Strutt-’Charlie Boy’
2nd: Dancemakers of Atlanta-’Dying of Thirst’
3rd: Dancemakers of Atlanta-’Full Bloom’
Senior Lyrical
1st: Dancemakers of Atlanta-’Matter’
2nd: Columbia City Jazz Conservatory-’Tides of Lamentation’
3rd: Dothan School of Dance-’It’s All Coming Back to Me’
Senior Musical Theatre
1st: Dancemakers of Atlanta-’Sunny Side of the Street’
2nd: The Southern Strutt-’Too Darn Hot’
3rd: Columbia City Jazz Conservatory-’Might As Well Be’
Senior Specialty
1st: Columbia City Jazz Conservatory-’The Reception’
11 O’Clock:
Sidekick
Studio Powers-’DANCE’
The Southern Strutt-’Flying Solo’
Rhythm Dance Center-’Besties’
Mini
Studio 413-’Helium’
West Main Studios-’Spiders’
Milele Academy-’Move Your Body’
Studio Powers-’Iconology’
Columbia City Jazz Conservatory-’Bones’
Upstate Carolina Dance Center-’Daisies’
Dancemakers of Atlanta-’Found A Good One’
Rhythm Dance Center-’Fly Kicks’
The Southern Strutt-’Fergalicious’
Junior
Columbia City Jazz Conservatory-’Dance Apocalyptic’
Studio 413-’Girl Boss’
Rhythm Dance Center-’Foot On The Gas’
The Southern Strutt-’This Place About to Blow’
Upstate Carolina Dance Center-’Kill The Lights’
Milele Academy-’Missy’
Studio Powers-’Cry Me A River’
Dancemakers of Atlanta-’Made of Stone’
Teen
The Southern Strutt-’The Wave’
Gretchen Greene School of Dance-’Hip Hip Chin Chin’
Dancemakers of Atlanta-’Exonerated’
Columbia City Jazz Conservatory-’Lay Them Before Me’
🗳️Women’s Equality Day: BIPOC Women and the Suffrage Movement
“Either I go with you or not at all. I am not taking this stand because I personally wish for recognition. I am doing it for the future benefit of my whole race.”–Ida B. Wells-Barnett, Anti-Lynching Activist and Founder of the Alpha Suffrage Club
August 26th is Women’s Equality Day. This year will mark the 100th Anniversary of the 19 Amendment. The 19th Amendment was ratified in August of 1920. It granted women the right to vote. However, the role that Black and other women of color played in the suffrage movement is often minimized. The above quote was voiced by a determined Ida B. Wells Barnett when, during a 1913 march in Washington D. C., leaders of the movement instructed Black women in the movement to walk at the end of the parade. This was done to appease Southern white women. While some Black women acquiesced, Wells-Barnett marched alongside the white delegation from her state of Illinois.
Because of rampant voter suppression tactics, Black women would have to continue the fight well beyond 1920 to exercise their right to vote. Unfortunately, there is not much children’s literature by Black authors that explores women like Wells-Barnett, Mary Church Terrell, Nannie Helen Burroughs, Frances Ellen Watkins Harper, members of Delta Sigma Theta, and many other unsung women who played pivotal roles as early suffragists. The following books by Veronica Chambers and Evette Dionne will introduce young readers to women in the movement. While Chambers’ Finish the Fight! focuses on various BIPOC (Black, Indigenous, and People of Color) women, Dionne’s Lifting as We Climb tells the stories of Black women.
Books Available Here👉🏿Our Stories Matter Bookshop
Find more children’s and young adult books by Black authors here
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must now; For now he shall be 1
of a contrary Opinion to what I was just now, for now I am so far from 2
any thing should be said of it. For now
For now very are so far from [ ] more [ ] For its mighty rivers,
so Rivers 3
it must needs follow that there be more now :
for now is the defection and swerving 4
legend, or its song. All silent now, for now 5
parted now for now 6
as we have, now
for now it is about half-a-foot deep, and still goes on increasing 7
by shedding his own come now, for 8
now; for now and then by exhausted energies,
the waking the future 9
whose name I now for : now [ ] the get — a major somebody ? 10
to come now, for now 11
No better time then now, for now th’art in good clothes 12
Now — For now NOT NOW
Now — For now against himself / Now — For now I see 13
your appearance
just now, for “Now that I have seen you I shall leave at once” 14
a lease as we are sure of now, for now It was I we are sure of a seven years 15
hours now. For now we are separated, not by is coming, and now 16
dismist : “now” for “Now” 17
now for now i. (There are) now 6 bordars. It is 1000. (There are) 12 acres of meadow, [ ]
then and afterwards 18
that laugh now! for now! for 19
I feel very well just now ( “for now” and “I feel” came next, but are crossed out) 20
one feels that it is now; for now as 21
sources
1
ex “The Bloody Brother, or, Rollo. A Tragedy” Act 3, Scene 2, in The Works of Francis Beaumont and John Fletcher vol 3 (London, 1711) : 1599
2
ex Arabian Nights Entertainments ... Translated Into French ... by M. Galland ... and Now Done Into English. The Fourth Edition, Volume 6. (W. Taylor, 1724) : 30
3
ex OCR cross-column misread (and inscrutable doubling of “for now”) at
A Collection of Voyages and Travels, Some now first printed from Original Manuscripts, others Now first published in English. In six volumes. To which is prefixed An introductory discourse (supposed to be written by the celebrated Mr. Locke) intitled, the whole History of Navigation from its Original to this time. Third edition, vol. 1 (London, 1744) : xxxiv
BL copy, recent scan (March 11, 2020)
4
ex Sermon on the Epistle for the twenty-third Sunday after Trinity, in The Sermons of the Right Reverend Father in God, and Constant Martyr of Jesus Christ, Hugh Latimer... to which is prefixed A Memoir of the Bishop; by John Watkins. Vol 2 (of 2; London, 1824) : 183
5
ex Introduction to Canto Second, of “Marmion,” in The Works of Walter Scott, Esq., vol. 84 (Pocket Library of English Classics, No. 118; Zwickau, 1825) : 48
6
OCR cross-column misread, at E(dward). Bulwer Lytton, Night and Morning : A Novel (bound with Zanoni; Lucretia, or, The Children of Night; and Godolphin; New York, 1850) : 40
7
OCR cross-column misread involving “Surgery of the War” and “The War,” from our special correspondent, Heights above Sebatopol, January 4th, 1855; preview only at The Lancet (Saturday, January 27, 1855) : 111
in full at hathitrust
8
snippet view only (OCR cross-column misread) at Sharpe’s London Magazine of Entertainment and Instruction, vol 27 (1865) : 284
9
OCR cross-column misread, involving scenes 3 (The Piazza of Covent-Garden) and 4 (Horner’s Lodging. A table, banquet, and bottles.) of Wycherly, “The Country Wife, A comedy” (1675), in The Dramatic Works of Wycherley, Congreve, Vanbrugh, and Farquhar. With biographical and critical notices. By Leigh Hunt. A new edition. (London, 1866) : 97
10
OCR cross-column misread, as Messrs Kerr and Broomhall joust on the cost of stationery purchased by the Clerk of the House, in The Congressional Globe : The Debates and Proceedings of the Second Session Fourtieth Congress... and a supplement, embracing the proceedings in the trial of Andrew Johnson. Part 5 (Washington; July 24, 1868) : 4427
11
ex For the Young. Letters from Children. “Copies of children’s letters to the chaplain” (C. L. D. School), in The Christian vol 3 (London; October 31, 1872) : 574
12
ex “May-Day” (Act I), in George Chapman (1559-1634 *), Comedies and Tragedies, Now First Collected with illustrative notes and a memoir of the author in three volumes. vol 2 (of 3; London, 1873) : 334
13
ex preview snippet, to Mrs Horace Howard Furness, A Concordance to Shakespeare’s Poems : An Index to Every Word therein contained. (Second edition, 1874)
here combining that snippet, with its referred-to passage at page 207
there was Horace Howard Furness (1833-1912 *), collector and scholar of Shakespeare, compiler of the “New” or “Furness” Variorum editions of Shakespeare;
and there was Helen Kate (Rogers) Furness (1837-1883), whose inherited fortune made that collection (and much else) possible,
see James M. Gibson, “Horace Howard Furness: Book Collector and Library Builder” at this UPenn Library page.
Mrs Furness died of what was diagnosed as “acute neuralgia.”
Her concordance extended the earlier work of Mary Cowden-Clarke (1809-98 *) her Complete Concordance to Shakspere : Being a Verbal Index to All the Passages in the Dramatic Works of the Poet (London, 1845)
14
at The Leisure Hour : An Illustrated Magazine for Home Reading (September 1, 1877) : snippet view
but Chapter 10, “A Doubtful Friend,” of His Only Enemy, by Mrs. Arnold (author of “Better than Gold”) at hathitrust
more —
Mrs. Arnold was a pseudonym for Sarah Ann Jeffreys (1836-88), whose remarkable story is sketched at the Victorian Research Web (Troy J. Bassett, At the Circulating Library: A Database of Victorian Fiction, 1837-1901. (accessed 16 March 2021)
see wikipedia for a description of The Leisure Hour.
15
ex Proceedings of the Common Council, City of Boston (July 1, 1886; Boston, 1887) : 749
16
OCR cross-column misread, and misread “hours” for what is “hour,” ex “The works of St. Augustin” (On the Gospel of St. John, Tractate 18), in Philip Schaff, ed., A Select Library of the Nicene and Post-Nicene Fathers of the Christian Church, vol. 7 (1888; New York, 1908) : 130
17
ex OCR cross-column confusion involving “Now let Thy servant die in peace” and “Now, Lord, we part in Thy great [blest] Name” in
John Julian, A Dictionary of Hymnology : Setting Forth the Origin and History of Christian Hymns of all ages and nations... together with biographical and critical notices of their authors and translators... (1892) : 818
among the contributors is Susanna (erroneously given as Susannah) Winkworth (1820-1884), English translator (of German theologian Niebuhr and others) and philanthropist, elder sister of translator Catherine Winkworth.
see wikipedia
18
snippet preview only, in section “The Holders of Lands,” in The Victoria History of the Counties of England : Essex (1903) : 559
19
ex OCR cross-column misread/jump from The American Standard Bible (left column) to The Authorized Version (right) at “International Bible Lessons, uniform series.” Second Quarter. Lesson V. May 5 Poverty and Riches — Luke 6. 20-26; 16. 19-31, at
The Church School Journal and Bible Student’s Magazine 44:5 (Cincinnati, May 1912) : 361
20
ex Hughlings Jackson, “On Affections of Speech from Disease of the Brain.” from Brain (1880), reprinted in “Hughlings Jackson on Aphasia and Kindred Affections of Speech,” in Brain : A Journal of Neurology 38 (July 1915) : 147-174 (166)
John Hughlings Jackson (1835-1911) was a renowned specialist in epilepsy (wikipedia)
21
ex snippet view (only, at google) to YMCA, International Committee, For the Millions of Men Now Under Arms Number 5 (1915) : 48 (at archive.org)