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#marguerite porter
dozydawn · 5 months
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“Rehearsing the Dying Swan at the Royal Opera House are Marguerite Porter in black and Marianela Nuñez.”
Photographed by David Sandison, 2007.
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thewarmestplacetohide · 10 months
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Dread by the Decade: Faust and Marguerite
👻 My Kofi ❤️
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Source Material: Faust et Marguerite by Michel Carré Year: 1900 Genre: Occult Rating: Unrated (Suggested: PG) Country of Origin: America Language: Silent Runtime: 57 seconds
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Director: Edwin S. Porter Writer: Edwin S. Porter Cast: Unknown
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Plot: The devil tells Faust to behead Marguerite, but he refuses.
Review: There's little to be said about this. An incomprehensible narrative is brought down further by a bad set and an over-reliance on substitution splices.
Overall Rating: 1/5
Story: 0.5/5 - I sincerely have no idea what was happening here. There's just a skeleton? Then I think they get married?
Performances: 1/5 - Stiff performances, void of the theatricality necessary for silent films.
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Effects: 3/5 - The substitution splices are fine but poorly utilized.
Sets: 1.5/5 - The set looks like poorly painted cardboard.
Costumes & Make-Up: 3/5
youtube
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Great read.
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an update: we have a bracket
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i say we do it in 8 lots of 8! there'll probably be 16 polls a day (in 2 clumps). this was done via blind draw and i don't think i'll be randomizing further
matchups under cut!
PART A
grantaire vs the instruments in the intro to rue plumet
gueulemer vs m. fauchelevent
bossuet vs montparnasse
cosette fauchelevent vs panchaud
napoleon vs mother plutarch
mabeuf vs the flute guy who lives near the convent
persona 5 valjean vs robojean from arm joe
the oboe solo after everyone dies on the barricade vs madeleine's guinea pig
PART B
the artist who said that if favourite’s gloves were fritters he would eat them vs joly
france (country) vs the elephant from the movie
babet vs boulatruelle
the french horns from the musical vs the pool table from enjolras and grantaire's death scene
jean valjean vs the candlesticks
musichetta vs the bridge on the seine
dahlia vs javert from sid story
feuilly vs cosette's doll (katherine)
PART C
javert vs azelma
bread vs brujon
claquesous vs the rich guy who threw bread to the geese in luxembourg garden
sister simplice vs theodule gillenormand
babet's mistress vs enjolras
chou chou from shoujo cosette vs the carrot guy from the movie
combeferre vs tutti
the bedbugs in thenardier's inn vs jehan prouvaire
PART D
cambronne vs bahorel's mistress
navet vs fantine's neighbour who taught her how to conserve candles (ie. marguerite. thanks tumblr)
javert's singular braincell vs the closeups in the movie
bahorel vs the porter who refuses to narc on valjean
courfeyrac vs discojolras from the french concept album
gavroche thenardier vs petit gervais
eponine thenardier vs member of the convention, g----
valjean the nun from 24601 releases a sammich on parole vs marius pontmercy
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nfcomics · 3 months
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DCS HOW TO LOSE A GUY GARDNER IN 10 DAYS no.1 (one shot) • cover art • Amanda Conner [Feb 2024]
Romance is rarely a simple affair—love is almost always followed by some sort of conflict. Whether you're Plastic Man twisting yourself into knots trying to please someone, or the Flash traveling back in time to make a catastrophic 50 first dates perfect, or even a lonely robot who just can't seem to find love unless it's mail from a computer screen, like Red Tornado, love actually is...a pain in the 27 dresses. So in the grand tradition of these dating conundrums a la rom-coms of the '90s and '00s, we are proud to present eight new stories about love and trying to find it in this zany world.
💝
Guy Gardner in “How to Lose a Guy Gardner in 10 Days” by Kenny Porter and Nick Robles
Constantine in “Never Been Kissed” by Alex Galer and Derek Charm
Red Tornado in “Robots are Red, Androids are Blue” by Aaron J. Waltke and Ivan Shavrin
Plastic Man in “Love’s a Stretch” by Dennis Hopeless and Baldemar Rivas
Booster Gold in “Golden Pairs” by Danny Lore, Ted Brandt & Ro Stein
Wonder Woman in “Say Yes to the Mess” by Brendan Hay and ML Sanapo
The Flash in “Too Many Dates” by Marguerite Sauvage
Nightwing and Batgirl in “Date Night” by George Mann and Leonardo Rodrigues
💝
Written by Marguerite Sauvage, Dennis Hopeless, Aaron Waltke, Brendan Hay, George Mann, Danny Lore, Alex Galer, and Others.
Art by Marguerite Sauvage, Ivan Shavrin, M.l. Sanapo, Baldemar Rivas, Ted Brandt & Ro Stein, Leonardo Rodrigues, and Others.
(W) Various (A) Various (CA) Amanda Conner
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sofya-fanfics · 1 year
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La couronne de fleurs
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Fandom : Demon Slayer
Relationship : Zenitsu x Nezuko
Je me suis inspirée d’un prompt du mois de Mars de @creativepromptsforwriting​ : Couronne de fleurs. J’espère que ça vous plaira.
Résumé : Après avoir cueilli des fleurs, Zenitsu s'était assis à côté du caisson en bois de Nezuko et il lui parla. Il lui décrivit les fleurs qu'il avait cueilli, les odeurs qui émanait d'elles. Il les lia entre elles et une couronne de fleurs se forma.
Disclaimer : Demon Slayer appartient à Koyoharu Gotoge.
@creativepromptfills​
AO3 / FF.NET
Zenitsu, Tanjiro et Inosuke n'étaient plus qu'à une heure de marche du Domaine des papillons. Après une mission éreintante et plusieurs heures de marche pour rentrer, ils avaient décidé de s'arrêter pour se reposer.
Tanjiro était parti chercher de l'eau, Inosuke se reposait sous un arbre et après avoir cueilli des fleurs, Zenitsu s'était assis à côté du caisson en bois de Nezuko et il lui parla. Il lui décrivit les fleurs qu'il avait cueilli, les odeurs qui émanait d'elles. Il les lia entre elles et une couronne de fleurs se forma. Il continuait de parler à Nezuko. Il lui parlait de tout et de rien, sans savoir si elle l'écoutait ou si elle le comprenait. Mais il s'en moquait. Même si la conversation n'était qu'un monologue de sa part et qu'elle se trouvait dans son caisson, il aimait passer du temps avec elle.
Il finit la couronne de fleurs avant qu'ils ne reprennent la route. Il la rangea, essayant de faire attention à ne pas l’abîmer. Il espérait pouvoir la donner à Nezuko dans la soirée, lorsqu'elle pourra sortir en toute sécurité.
Mais lorsqu'ils furent arrivés au Domaine des papillons, Zenitsu s'était endormi avant la tombée de la nuit, épuisé par la mission qu'ils venaient d'exécuter et par les heures de marche qui avaient suivi.
******
Dès que les derniers rayons du soleil avaient disparu et que la nuit était apparue, Nezuko sortit de son caisson. Elle regarda autour d'elle. Elle reconnu la chambre du Domaine des papillons. Son regard se porta sur Zenitsu qui était seul dans la chambre, allongé dans son futon. Elle s'approcha de lui et l'observa. Il était profondément endormi. Elle savait que c'était lui qui lui avait parlé plus tôt dans la journée. Elle avait reconnu sa voix. Il lui parlait dès qu'il le pouvait, de jour comme de nuit. Il s'asseyait près d'elle et il lui parlait. Elle ne pouvait pas lui répondre, mais à chaque fois cela lui faisait plaisir. Bien sûr, Tanjiro était toujours avec elle et s'occupait d'elle depuis qu'elle était devenue un démon. Il était son frère, la seule famille qui lui restait et elle l'aimait. Mais Zenitsu était différent. Quand il lui parlait, elle avait l'impression de redevenir humaine. Que les ténèbres dans lesquels elle se trouvait depuis qu'elle était un démon, s'illuminaient un peu plus.
Elle vit à côté de lui une couronne de fleurs. C'était de cette couronne qu'il lui avait parlé plus tôt dans la journée. Elle la prit et la regarda. Il s'agissait de marguerites. Elle la posa sur sa tête et sourit. Elle caressa doucement les cheveux de Zenitsu pour le remercier.
« Nezuko-chan, marmonna-t-il dans son sommeil. »
Elle continua de lui caresser les cheveux. Zenitsu ne se réveilla pas, mais il souriait, comme s'il savait qu'elle était près de lui. La porte s'ouvrit et Tanjiro entra dans la chambre. Nezuko se précipita vers lui pour lui monter la couronne.
« C'est la couronne de fleurs qu'a fait Zenitsu ? »
Nezuko acquiesça avec force.
« Elle est très jolie Nezuko. Elle te va bien. »
Il lui caressa affectueusement les cheveux et alla se coucher. Nezuko pouvait voir qu'il était épuisé. Elle retourna près de Zenitsu. Elle avait décidé de garder la couronne, elle espérait qu'il puisse la voir la porter et lui montrer à quel point sa couronne lui avait fait plaisir.
Fin
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histoireettralala · 2 years
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In Memoriam
First there were the sparkle of a new century; the splendour of the Universal Expositions; the race to progress; the series of calm, serene Sundays; the swaying gait of the Apaches and of the hips of dactylos on a spree in the guinguettes of the banks of the Seine or the Marne. Trips to the mountains or to spa towns, for a sunny Sunday. The trend of sea baths; again and forever, a time of long dresses, hat pins, hat veils and sunshades to protect oneself from the sun; the first fevers of the metropolitan; the magic of tramways. A smell of rail and electricity.
There were the shapes of the Art Nouveau, the fashion of stem-like women with vegetal curves, who were starting to escape and free themselves from their corsets. Parisian ladies had large hats and tiny feet. Men were smoking their first Gauloises. There were of course, riots and strikes: electricians, civil servants, site workers, postmen, bar waiters, taxi drivers. Men wanted to build and shape their destiny. They wanted a better share of the riches of the world.
There was the Montmartre of the painters and the Bateau-Lavoir; the first aerial meetings; the Paris flooding; the comet of Halley passing by; the appearance of the first tangos; the first music halls; the inauguration of the Vél'd'Hiv and the Gaumont Palace; the theft of the Mona Lisa; the end of the Bande à Bonnot; the publication of La Guerre des Boutons; the meeting between Yvonne de Quiévrecourt and Alain-Fournier under the trees of the Cours La Reine, which so narrowly missed the Goncourt prize; the first phone cabins; the electrification of the railway; the first Michelin maps; the fashion of caps et boaters; the invention of esperanto.
It was peace. The promise of a new dawn, the carefree spirit of summer, the peace of fields spattered with cornflowers and poppies which were waiting the sickle of the harvester or the knife of the thrasher.
They were seventeen, twenty-five, or thirty. Many wore their hair short, and moustaches. Many had the rough neck and hands of the worker, a laborer's worn fingers, a turner's or mechanic's broken nails. There were grooms, land surveyors, bakers, butlers, office boys, clerk notaries, butchers, schoolteachers, peddlers, copywriters, cow keepers, porters, shepherds, priests, grinders, cooks, toolmakers, clerks, chauffeurs, footmen, tinsmiths, deliverers, boilermakers, newsboys, barbers, railway workers, waiters, postmen, intellectuals, factory workers, bourgeois, aristocrats and saddlers.
Suddenly there were civilians, career soldiers, conscripts, reservists, artillery men, navy men, infantry men, zouaves, aviators, pioneers, stretcher-bearers, liaison officers, telegraphers, non-commissioned officers, submariners, cooks, adjudtants, generals, lieutenants, chaplains, canteen-workers, cavalry men, bleus, rappelés, permissionnaires, etc… Suddenly, were the Poilus.
Their handwriting was round or sharp; it had the delicacy of the quill or the thick stroke of the ink pen. Their names were Gaston, Jean, Auguste, Marcel, Louis, Alexandre, Edmond, Martin, Antoine, Etienne, Maurice, Albert, Henri, Roger, René… Their wives or their mothers were named Félicie, Léontine, Hortense, Louise, Honorine, Clémence, Marguerite, Berthe, Germaine, Yvonne, Marthe…
All of them travellers without baggage who had to leave their families, their fiancees, their wives, their children. Leave there their office, their lathe, their kneader, their workshop or their stable. Don the poorly cut uniform, the garance trousers, the bumpy képi. Take on the too heavy barda and put on the cleated shoes.
They knew very soon that this war was senseless. From false hopes to false hopes, from last battles to last battles, they ended up unable to project the end of the war whose actors they were, and whose usefulness wasn't so obvious anymore to them.
Out of eight million mobilised between 1914 and 1918, over two million young men never saw again the belltower of their village. Their names are carved in the cold stone of the monuments of our cities and towns. And when the church goes quiet, when the school is closed, when the train station is shut down, when silence reigns over these places that became hamlets, remain these lists of words, these lists of names and surnames keeping the memory of a France whose countryside was so populated.
Over four million men survived only after they suffered grievous wounds, their body broken, amputated, marked, bitten, their flesh torn, when they weren't seriously mutilated. Others got out apparently intact: they still lived with the memory of the horror they had lived for over fifty months, the memory of blood, of the stench of rotting corpses, of the bursting of shells, of stinking mud, of vermin, the memory of the obscene smirk of Death. They had for them the systematic and reoccuring lash of nightmares for the rest of their days and with it the anguished, unanswered cry, the cry for their mothers. They lived with the words reminding them of sights whose horror they would never forget: Galipoli, Verdun, the Chemin des Dames, Arlon-Vitron, the mill of Laffaux, the Somme, Ypres, Péronne, Montmirail, Douaumont, the Fort of Vaux…
Over eight thousand people answered the call of Radio France: eight thousand letters, meaning that many families searching, into a coffer in the attic, between the yellowed pages of family photo albums, for the memory of their fathers', grandfathers', ancestors' lives.
These words written in the mud aren't eighty, or eighty-five years old; they are one day old. They have the whole strength of a life all the more intense since it was so close to the abyss, since it was looking at death every second.
We do not claim to do a historian's work by gathering in a few weeks so many powerful and intense documents: our purpose is before all humanist and literary. We simply meant to let these cries of the soul, entrusted to quill and crayon, be heard, like so many bottles thrown to the sea, which should stimulate for future generations the duty of memory, the duty of vigilance, the duty of humanity.
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Jean-Pierre Guéno- Paroles de Poilus- Lettres et carnets du front 1914-1918
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ivabellini · 3 months
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Posted @withregram • @unaragazzaperbene #instagram #arte When art meets fashion @centrepompidou @paola.savoia.7 #mybestselection 1. La Blouse Roumaine, Henri Matisse, 1940. 2. Tete blanche et rose, Henri Matisse, 1914 3. Marguerite au chat noir, Henri Matisse, 1910 4. Yves Saint Laurent Ensemble du soir, haute couture, automne-hiver 1969, prototype réalisé dans l’atelier de Madame Esther + Le Luxe I, été , Henri Matisse, 1907 5. Comme des Garçons, Rei Kawakubo Ensemble issu de la collection Paysage d’Ombres, technique 100% coton, automne-hiver 2021-2022 + Francis Picabia, Udnie (jeune fille américaine; danse), 1913 6. Iris van Harpen, « Galactic Glitch’ Dress»,2019 + Les Mariés de la tour Eiffel, 1938-1939 7. Azzedine Alaïa, Robe longue en jersey de laine noire, manches longues, col bateau, fermeture éclair en métal argenté, Azzedine Alaïa haute couture 2003 + Marcel Breuer, Salle à manger, 1926 8. Jean Paul Gaultier, Corset de métal et dentelle plongé dans un bain d’argent. prêt à porter automne-hiver 1988-1989 + Wilhelm Freddie, Nonnens bon, 1937
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basilepesso · 1 year
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Je ne mets qu'une partie de cet excellent article, l'ouvrir pour la suite. Nice-Matin fait un travail remarquable, dommage évidemment qu'ils participent aux masquages d'origines, de religion et de statut de migrants dans les innombrables crimes et délits commis contre nos populations. Basile Pesso, 21 mars 2 023 (Fb) >>>>> "Trois personnes physiques et une personne morale comparaîtront devant le tribunal correctionnel de Grasse du 16 au 18 janvier prochain. Le Groupe Orpea, le maire de Biot de l’époque Guilaine Debras, le responsable "risques naturels" de la mairie, Yann Pastierik et la directrice de la maison de retraite, Anaïs Gledel, sont poursuivis pour homicide involontaire et mise en danger de la vie d’autrui. La juge d’instruction Saveria Ducommun-Ricoux a en effet rendu son ordonnance de renvoi, 7 ans et demi après les faits. Au cœur du dossier, le drame qui s’est joué dans les chambres 106, 117 et 118. Elles étaient occupées par Marguerite Giunipero, Josiane Chaix et Jacqueline Colombier. Elles étaient âgées de 94, 82 et 91 ans et sont mortes noyées dans leurs chambres. La justice reproche aux uns et aux autres une inaction coupable. Une famille affirme qu’Orpea, le gestionnaire de la résidence, avait répondu qu’en cas d’alerte orange, les pensionnaires du rez-de-chaussée devaient être montés à l’étage. À une autre, il a été dit que déplacer les résidents "les perturbait". Par deux fois, en 1999 et 2005, des inondations avaient pourtant frappé l’établissement. Il avait fallu l’intervention d’un policier municipal et du boulanger du village pour sauver les résidentes de l’époque. Nombre de témoins entendus, dont un pompier de la caserne toute proche, ont décrit des bassins de rétention non entretenus depuis trois ans. En cas de crise, le maire devait par ailleurs porter la casquette de directeur des opérations de secours. Et pourtant, ce jour-là, alors qu’elle avait reçu l’alerte via la préfecture dès 12h46, tout comme deux membres de son cabinet, Guilaine Debras ne fera prendre aucune mesure significative avant 21h45. La préfecture alertait donc dès le midi, via le système Viappel. Antibes se mettait en action immédiatement. À 16h40, nouvelle alerte sur le risque de crue du fleuve Var. Deux messages Facebook de la préfecture étaient par ailleurs postés pour alerter le grand public."
Article de Nice-Matin : ”Résidentes noyées dans leurs chambres à la maison de retraite de Biot: ce que la justice reproche aux 4 prévenus“
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galina-ulanova · 6 years
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Samira Downs and Jamie Bond rehearsing A Month in the Country with Marguerite Porter (Birmingham Royal Ballet, 2016)
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vadreams · 2 years
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A short-ish video of Marianela Núñez and Matthew Ball rehearsing for A Month in the Country (Facebook)
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federer7 · 3 years
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La servante. Mariette Wolf. France, novembre 1909
Photographe: Anonyme
"Le 31 mai 1908, le peintre Adolphe Steinheil est étranglé lors du cambriolage de son domicile parisien. Sa femme Marguerite, maîtresse de l’ancien Président de la République Félix Faure, est accusée. L’affaire Steinheil défraie la chronique des journaux qui se passionnent pour « La belle Meg », ou encore « la Menteuse » qui sera incarcérée à la prison Saint-Lazare, puis acquittée en novembre 1909 sans que l’affaire soit élucidée.
Au procès, sa fidèle servante alsacienne, Mariette Wolf, est appelée à la barre pour défendre son propre fils accusé par Marguerite Steinheil. Refusant de porter préjudice à sa maîtresse, elle rétorque au juge : « Une servante doit tout voir et ne rien dire »."
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collectorscorner · 3 years
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CC Blogger - New Arrivals @ Collectors Corner : Wednesday 8/4/21
Collectors Corner Parkville - HQ : OPEN for IN STORE SHOPPING with Strong Safety Measures in Place (Hand Sanitizing Stations, Masks Encouraged for All) - 1-410-668-3353.
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GAMES
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marie-chatelaine · 3 years
Text
L’histoire de Marguerite, une histoire fleurie de jeux de mots
La petite fleur, Marguerite, était très timide. Elle était très bien jonquille, mais très très timide.
Elle perdait vite les pétales. En plus elle était malade.
Elle se rendit chez le docteur Bouquet, Corolle Bouquet.
– Bonsoir docteur.
– Bonsoir Marguerite. Alors que se pistil ma petite Marguerite ? Tu as mauvaise étamine !
– J’ai fait des bêtises docteur, et ça à cause des soucis.
– Vase ? Je te demande chardon ? Quel genre de bêtises ?
– Je me suis my o sottises !
– Ce n’est pas grave…Marguerite, c’est de ton âge. Toutes les petites fleurs font des sottises !
– C’est pas ça du tout docteur !
– Aaah bon … ???
– Je suis amoureuse de Fanfan la Tulipe et ça me donne des végétations et quand je mange, j’ai du mal à azalée !… et j’ai les oreilles qui bourgeonnent.
– Aaaah… ça c’est plus grave… je vais devoir t’opérer. Elle demande l’heure à son assistante : Quelle heure est-il madame Persil ?
– Sécateur docteur.
– Déjà, opérons vite !
Hélas, l’opération rata. Marguerite fut paralysée dans la fleur de l’âge et elle resta planté là comme un légume. Elle alla porter plante au commissariat. Chez les flicus, personne ne voulait l’écouter. On lui répétait sans cesse :
« Aaaah, …. mais mademoiselle il faut accepter les conséquences : cette opération a été faite à fleuristes et bérils »
Marguerite était très malheureuse. Elle tenta même de mettre fin à ses jours en avalant du désherbant!
Il lui restait pourtant une dernière chance : la greffe.
Ce fut le docteur Trémière, Rose de son prénom, qui réalisa l’opération et cette dernière réussit parfaitement.
Marguerite était guérie. Elle redevint pollen de vie, elle put recommencer à jouer à cache-cache-pot et se maria.
Avec Chris Anthème qu’on croyait homo, mais qui était terreau et elle devint rapidement graine d’Angleterre. Car Chris était engrais.
Marguerite fut heureuse pour des siècles et des cyclamens.
On peut dire qu’elle a eu du pot ………..
Source : webediteur
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papermoonloveslucy · 3 years
Text
A GIRL, A GUY, AND A GOB
March 14, 1941
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Directed by Richard Wallace
Produced by Harold Lloyd for RKO Radio Pictures
Written by Bert Granet and Frank Ryan, based on a story by Grover Jones
Synopsis ~ A shy, quiet executive for a shipping firm who finds himself with a dilemma: he’s become smitten with his young temporary secretary but she’s the girlfriend of his Navy buddy - and the buddy is scheduled to be discharged in only a few days.
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Note: “Gob” is a slang word for a sailor. This term first showed up in regard to sailors around 1909 and may have come from the word gobble. Reportedly, some people thought that sailors gobbled their food. The term also may come from the word gob, which means to spit, something sailors also reportedly do often.
PRINCIPAL CAST
Lucille Ball as (Dorothy ‘Dotty’ Duncan aka ‘The Girl’) is in her 52nd film since coming to Hollywood in 1933. 
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George Murphy (Claudius ‘Coffee’ Cup aka ‘The Gob’) was in four films with Lucille Ball between 1934 and 1941. In 1959, Murphy served as guest host of “The Westinghouse Desilu Playhouse” when Desi Arnaz took a role in his own anthology series. He was also a performer in “The Desilu Revue” aired in December 1959. As the host of “MGM Parade”, he interviewed Lucy and Desi in February 1956.
Edmond O'Brien (Stephen Herrick aka ‘The Guy’) won an Oscar in 1955 for The Barefoot Contessa. He was nominated a second time in 1965. 
Henry Travers (Abel Martin) was nominated for an Oscar for Mrs. Miniver in 1943. He is best remembered for playing Clarence the Angel in It’s A Wonderful Life (1946). 
Franklin Pangborn (Pet Shop Owner) did four films with Lucille Ball between 1937 and 1946. 
George Cleveland (Pokey Duncan) did four more films with Lucille Ball till 1949. 
Kathleen Howard (Jawme) makes her only appearance with Lucille Ball. 
Marguerite Chapman (Cecilia Grange) makes her only appearance with Lucille Ball.
Lloyd Corrigan (Pigeon) did Two Smart People with Lucille Ball in 1949. He played the minister in “The Milton Berle Lucy-Desi Special” in 1959. He also did three episodes of “The Lucy Show.”
Mady Correll (Cora) makes her only appearance with Lucille Ball.
Frank McGlynn, Sr. (Pankington) makes his only appearance with Lucille Ball.
Doodles Weaver (Eddie) makes his only appearance with Lucille Ball.
Frank Sully (Salty) did four films with Lucille Ball before playing the man who delivers “The Freezer” on “I Love Lucy.”
Nella Walker (Mrs. Grange) also appeared with Lucille Ball in Fugitive Lady (1934). 
Richard Lane (Recruiting Officer) previously appeared in three films with Lucille Ball in 1937 and 1938. 
Irving Bacon (Mr. Merney) did seven films with Lucille Ball before playing Mr. Willoughby in  in “The Marriage License” (1952) and Will Potter in “Ethel’s Hometown” (1955).
Rube Demarest (Ivory) makes his only appearance with Lucille Ball.
Charles Smith (Messenger) makes her only appearance with Lucille Ball.
Bob McKenzie (Porter) appeared in three other films with Lucille Ball. 
Nora Cecil (Charwoman) makes her only appearance with Lucille Ball.
UNCREDITED CAST 
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SAILORS 
James Bush (Sailor Taking Address Book), Charles Flynn (Thin Sailor), Jack Lescoulie, George Ford, Art Rowlands, *Bernard Sell 
HUSTLERS
Tom Quinn, Cyril Ring, Ralph Brooks 
AT THE OPERA
Edward Peil Sr. (Assistant Manager), Eddie Arden (Opera Page Boy), Warren Ashe (Ticket Taker),  Blue Washington (Doorman), Jimmy Cleary (Program Boy), Tom Costello (Floor Manager), William A. Boardway (Patron), Walter Byron (Patron), James Carlisle (Patron), Jean Fowler (Patron), Kenneth Gibson (Patron), Carl M. Leviness (Patron), John George (Newsboy Outside Opera House)
AT THE DANCE HALL
Carolyn Hughes (Girl), Charles Irwin (Emcee), Eddie Borden (Man),  Eddie Hart (Ticket Taker #2), Dewey Robinson (Bouncer), Ronald R. Rondell (Ticket Taker)
AT THE MARRIAGE BUREAU & WEDDING CHAPEL
Wade Boteler (Uniformed Attendant), Homer Dickenson (Wedding Chapel Attendant), Harry "Snub" Pollard (Attendant), Wade Boteler (Uniformed Attendant), Fern Emmett (Middle-Aged Woman at Marriage Bureau), Henry Roquemore (Middle-Aged Man at Marriage Bureau), Effie Anderson (Marriage Bureau Clerk), Hal K. Dawson (Photographer)
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IN THE STREETS: PEDESTRIANS, BYSTANDERS, OBSERVERS
Mary Field (Woman on Street), Vince Barnett (Pedestrian), Leon Belasco (Taxi Driver), George Lloyd (Bystander Smoking Cigar), Joe Bernard (Tattoo Artist), George McKay (Joe - Counterman), Vince Barnett (Bystander with Packages), Victor Potel (Bystander Eating Popcorn), *Leon Belasco (First Taxi Driver), *Mike Lally (Second Taxi Driver), George Chandler (Bystander Betting Five Bucks), Irene Coleman (Bystander Watching Eddie Grow), Tom Coleman (Pedestrian), Andrew Tombes (Bus Conductor), Hal K. Dawson (Photographer), Edgar Dearing (Policeman), Fern Emmett (Middle-Aged Woman), Mary Field (Woman on Street), Bud Jamison (Tall Bystander), Tiny Jones (Passerby), Bert Moorhouse (Pedestrian), Bud Osborne (Bystander), Frank Mills (Laborer in Manhole), Andrew Tombes (Bus Conductor)
OTHERS
Sally Conlin (Little Girl) 
Joe Geil (Boy)
Steve Pendleton (Mr. Adams)
Earle Hodgins (Sylvester P. Wurple) 
Lloyd Ingraham (Announcer of Piano Winner)
Alex Pollard (Butler)
George Lollier (Grange's Chauffeur) 
Alexander Pollard (Grange's Butler) 
* actors who later did background work on Lucille Ball’s sitcoms. 
3G TRIVIA
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The film was dramatized for radio on “The Screen Guild Radio Theatre” on October 9, 1944, also starring Lucille Ball and George Murphy. They rerpised their roles on radio once again for “Old Gold Comedy Theatre” on February 11, 1945. 
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Maureen O'Hara was initially slated for the role played by Lucille Ball.  Ball and O’Hara had done the 1940 film Dance, Girl, Dance together. 
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This film came towards the end of Lucille Ball's RKO days. She had already achieved leading lady status and would only make four more films for RKO before moving to MGM. She couldn’t know that she would one day own the studio with her husband, Desi Arnaz. Interestingly, RKO borrowed George Murphy from MGM for this film. 
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This film's earliest documented telecast took place in Altoona, Pennsylvania, on  Sunday June 3, 1956 over TV station WFBG. That same week, Lucille Ball began filming season six of “I Love Lucy” in Hollywood. 
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In 1971, “The Carol Burnett Show” spoofed the film with “A Gob, a Girl and Her Galoshes".
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The movie was referenced in the Emmy-winning documentary “Lucy and Desi: A Home Movie”. 
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wutbju · 3 years
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So all the students -- 124, btw, not 88 -- who were at Bob Jones College in that first year are as follows:
Perry Bestor Allen from Crichton, Alabama
Ella Louise Buckner from Headland, Alabama
Henry Seymour Blocker from Sandusky, Ohio
Mary Evelyn Brannon from Headland, Alabama
I. D. Barton from Andalusia, Alabama
Olin Comer Cleveland from Hartwell, Georgia
John Andrew Cherry from Dothan, Alabama
Hilary Herbert Clements from Pinckard, Alabama
Henry Mallory Chandler from Grady, Alabama
Dorothy Maxine Ceruti from Millville, Florida
Virgil Miller Culpepper from Ensley, Alabama
Asa Lee Carter from Ramer, Alabama
Leonidas Littlebury Colley from Brundidge, Alabama
Nollie  Dykes from Ariton, Alabama
LeGare  Day from Abbeville, Alabama
Dorothy  Dowling from Enterprise, Alabama
Leonard LeRoy Dunlap from Meridian, Mississippi
Cecil Marvett Ellisor from Andalusia, Alabama
Bessie Ruby Enfinger from Skipperville, Alabama
Rawdon Lee Gallman from Tuscaloosa, Alabama
Samuel Willard Gates from Carrollton, Alabama
Johnnie  Goare from Slocomb, Alabama
Joseph Leon Goodin from Opp, Alabama
Henry Edward Grube from Mobile, Alabama
Ariana  Haymaker from Winona Lake, Indiana
Nellie Pauline Hallford from Slocomb, Alabama
Dorothy Vivian Harris from Valdosta, Georgia
John William Hightower from Brundidge, Alabama
Russell Clifford Hobbs from Lynn Haven , Florida
William Jennings Hughes from Brewton, Alabama
James Ottis Hays from Red Level, Alabama
Ottawa Grace Hall from Blountstown, Florida
Fannie Mae Holmes from Fort Deposit, Alabama
Bonclie  Howell from Hartford, Alabama
Evenly  Howell from Hartford, Alabama
Lonnie Coleman Henley from Ramer, Alabama
James Welborne Johnston from Panama City, Florida
Anna Louise Johnson from Lynn Haven , Florida
Frank Milner Jones from Daleville, Alabama
Isaac Godfrey King from Sneads, Florida
John Clifford Lewis from Red Level, Alabama
Marvin M. Larrimore from Dickinson, Alabama
Bertha Eloise Long from Clio, Alabama
Lillia V. Long from Clio, Alabama
Ruth  Mowbray from St. Andrews, Florida
Margaret  Massey from Luverne, Alabama
Kate  McMillan from Wausau, Florida
Minnie Eunice Monk from Lynn Haven , Florida
Matha Virginia Monk from Clio, Alabama
Ruth Doris Mahan from Montgomery, Alabama
Ruth Ellen Miller from Vernon, Florida
Frances Eudora Moseley from Sylacauga, Alabama
Homer  Napier from Dothan, Alabama
Laura Frances Porter from Sylacauga, Alabama
Frank Norris Pitts from Montgomery, Alabama
Graff  Parish from Dozier, Alabama
Jesse Lamar Price from Eufala, Alabama
Jesse Lee Riley from Enterprise, Alabama
Eugene Clower Smith from Port St. Joe, Florida
Randolph Aenon Sparks from Aucilla, Florida
Miriam Burnett Sellers from Slocomb, Alabama
Eva May Silent from Slocomb, Alabama
Robert Paul Stough from Dothan, Alabama
James Monroe Strickland from Dothan, Alabama
Illah May Smith from Olustee, Florida
Gladys Alma Trawick from Skipperville, Alabama
Bowers Shipp Sandusky from Marianna, Florida
Evelyn Avery Urquhart from Montgomery, Alabama
Virginia  Urquhart from Montgomery, Alabama
Alvine Herman Vanlandingham from Hartford, Alabama
Walter Bowden Venters from Chipley, Florida
Florrie Love Williams from Panama City, Florida
Ruby  Woodham from Slocomb, Alabama
Lynwood Henry Wilson from Crewe, Virginia
Hugh Emmette Wilson from Sweetwater, Alabama
John Wesley Wilson from Goodwater, Alabama
Daniel Cleveland Whitsett from Abbeville, Alabama
Anthony Hamilton Warner from Montgomery, Alabama
Paul Jennings Ward from Geneva, Alabama
Marguerite  Ward from Panama City, Florida
Bessie Lou Ward from Slocomb, Alabama
Alvin Lewis Walden from DeFuniak Springs, Florida
George J. Leslie Amos from Andalusia, Alabama
Olin B. Brooks from Birmingham, Alabama
Selden Temple Bristow from Lynn Haven , Florida
James Carl Bowden from Tennille, Alabama
I. Z. Bowden from Tennille, Alabama
Minnie Pearl Canterbury from Montgomery, Alabama
Oma Leonteen Cain from Panama City, Florida
Lucy Belle Canterbury from Panama City, Florida
Dora Lee Canterbury from Panama City, Florida
J. C. Dean from Ponce De Leon, Florida
Morrison Mosley Davis from McClenny, Florida
Charlie Herns Edenfield from Altha, Florida
Mildred  Edwards from Dothan, Alabama
Maries  Edwards from Dothan, Alabama
Annalee  Folks from Panama City, Florida
Pat  Hall from Thomasville, Alabama
Frances Catherine Glover from Panama City, Florida
James Lafayette Houston from Comer, Alabama
Steadman Eugene Hobbs from Panama City, Florida
Mrs. W. J. Hughes from Hartford, Alabama
Max Darby Jones from Port St. Joe, Florida
Bob Jr. Jones from College Point, Florida
James Walter Kelly from Slocomb, Alabama
Annie Louise Lee from Panama City, Florida
Lenna Elizabeth Leonard from Lynn Haven , Florida
Andrew Paul McKenzie from Panama City, Florida
Minnie Lois Mayers from Panama City, Florida
William Leonard Peters from St. Petersburg, Florida
William Hubbard Reynolds from Montgomery, Alabama
Gaston  Robinson from Clanton, Alabama
Helen Kathryn Sims from Panama City, Florida
Howard William Sapp from Panama City, Florida
Martha Jane Surber from St. Andrews, Florida
Rea  Steele from Panama City, Florida
Herbert Patton Sapp from Panama City, Florida
Minnie Beatrice Seay from Bartow, Florida
Mabel  Thompson from St. Andrews, Florida
Graves Sim Urquhart from Montgomery, Alabama
Marion Kenneth Vickery from Flomaton, Alabama
Mike Litton Whaley from Ozark, Alabama
Edward Meredith Wilson from Goldwater, Alabama
Alcus Addis Walden from DeFuniak Springs, Florida
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