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angelstills · 1 year
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High Society (1956)
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ulrichgebert · 2 years
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Jetzt haben wir offesichtlich all die Jahre nie High Society angeschaut, wohl weil ich vor allem in Erinnerung hatte, daß die Leute verglichen mit denen in der berühmten Nicht-Musical-Vorlage The Philadelphia Story allesamt etwas schwungarm daherhekommen (hier gibt es einige Bemerkungen dazu, anlässlich der Bühnenshow). Das stimmt auch durchaus, aber in der richtigen Verfassung, in der wir uns offensichtlich befanden, sind sie irgendwie auch alle ganz niedlich. Champagner hilft.
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raynbowclown · 1 year
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Skirts Ahoy
Skirts Ahoy (1952) starring Esther Williams, Vivian Blaine, Joan Evans, Debbie Reynolds, Bobby Van Synopsis of Skirts Ahoy In Skirts Ahoy!, three women in three different situations report for induction at the Great Lakes Naval Training Station and end up roommates. A fun musical romance. (more…) “”
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2sundowner69 · 1 year
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letterboxd-loggd · 4 years
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High Society (1956) Charles Walters
February 2nd 2020
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theblondeatthefilm · 6 years
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Esther Williams, Vivian Blaine & Joan Evans in SKIRTS AHOY! (1952)
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Margalo Gillmore and Grace Kelly in High Society (1956)
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newyorkthegoldenage · 2 years
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The Algonquin Round Table as drawn by Al Hirschfeld, 1920s.
Seated at the back left are Lynn Fontanne and Alfred Lunt. Standing are Frank Crowninshield and Algonquin owner Frank Case. Seated, clockwise from the left, are Dorothy Parker, Robert Benchley, Alexander Woollcott, Heywood Broun, Marc Connelly, Franklin P. Adams, Edna Ferber, George S. Kaufman, and Robert Sherwood.
Others usually associated with the Round Table are Margalo Gillmore, Jane Grant, Beatrice Kaufman, Ruth Hale, Margaret Leech Pulitzer, Neysa McMein, Herman J. Mankiewicz, Harpo Marx, William B. Murray, Brock Pemberton, Harold Ross, Alfred Samuels, Donald Ogden Stewart, Frank Sullivan, Deems Taylor, John Peter Toohey, David Wallace, John V.A. Weaver, and Peggy Wood.
Al Hirschfeld via the Al Hirschfeld Foundation
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Ernest Cossart.
Filmografía
Cine
1916: The Pursuing Vengeance, de Martin Sabine.
1935: The Scoundrel, de Ben Hecht y Charles MacArthur.
1936: El gran Ziegfeld, de Robert Z. Leonard.
1936: Three Smarts Girls, de Henry Koster.
1936: Murder with Pictures, de Charles Barton.
1937: Angel, de Ernst Lubitsch.
1937: Champagne valse, de A. Edward Sutherland.
1939: Zaza, de George Cukor.
1939: Tower of London, de Rowland V. Lee.
1939: Three Smart Girls Grow Up, de Henry Koster.
1939: The Light that Failed, de William A. Wellman
1939: Lady of the Tropics, de Jack Conway.
1940: Kitty Foyle, de Sam Wood.
1940: Tom Brown's School Days, de Robert Stevenson.
1941: Skylark, de Mark Sandrich.
1942: Kings Row, de Sam Wood.
1945: Love Letters, de William Dieterle.
1945: Tonight and every Night, de Victor Saville.
1946: Cluny Brown, de Ernst Lubitsch.
1946: The Jolson Story, de Alfred E. Green
1947: Love from a Stranger, de Richard Whorf.
1949: John Loves Mary, de David Butler.
Teatro (Broadway)
1908: The Girls of Gottenberg, música de Ivan Caryll y Lionel Monckton, letras de Adrian Ross y Basil Hood.
1910: Mrs. Dot, de William Somerset Maugham, con Billie Burke.
1910: Love among the Lions, de Winchell Smith a partir de F. Anstey, con Ivan F. Simpson
1911: The Zebra, de Paul M. Potter a partir de Marcel Nancey y Paul Armont.
1912: The Typhoon, de Emil Nyitray y Byron Ongley a partir de Menyhert Lengyel.
1914: Marrying Money, de Washington Pezey y Bertram Marbugh.
1915: Androcles and the Lion, de George Bernard Shaw.
1915: The Man who married a Dumb Wife, de Anatole France, con Isabel Jeans.
1915: El sueño de una noche de verano, de William Shakespeare, con Isabel Jeans.
1915: The Doctor's Dilemma, de George Bernard Shaw.
1915: Sherman was right, de Frank Mandel.
1920-1921: The Skin Game, de John Galsworthy.
1921: The Title, de Arnold Bennett, interpretada y dirigida por Lumsden Hare.
1922: HE Who gets slapped, de Leónidas Andreiev, adaptada por Gregory Zilboorg, con Richard Bennett, Margalo Gillmore, Edgar Stehli, Henry Travers y Helen Westley.
1922: From Morn to Midnight, de Georg Kaiser, adaptada por Ashley Dukes, con Allyn Joslyn, Edgar Stehli, Henry Travers y Helen Westley.
1922-1923: Seis personajes en busca de autor, de Luigi Pirandello, adaptada por Edward Storer, con Florence Eldridge.
1923: The Love Habit, adaptación de Gladys Unger a partir de Pour avoir Adrienne, de Louis Verneuil, con Florence Eldridge.
1923: Casanova, de Lorenzo De Azertis, adaptada por Sidney Howard.
1923-1924: Santa Juana, de George Bernard Shaw, con Henry Travers.
1924: Seis personajes en busca de autor.
1924: The Steam Roller, de Laurence Eyre.
1924-1925: Cándida, de George Bernard Shaw, con Pedro de Cordoba.
1925-1926: Arms and the Man, de George Bernard Shaw, con Pedro de Cordoba y Henry Travers.
1926: The Chief Thing, de Nikolaï Evreinov, adaptada por Leo Randole y Herman Bernstein, con Romney Brent, Edward G. Robinson, Lee Strasberg, Henry Travers y Helen Westley.
1926-1927: Loose Ankles, de Sam Janney.
1926-1927: What never dies, de Alexander Engel, adaptada por Ernest Boyd.
1927-1928: The Doctor's Dilemma, de George Bernard Shaw, con Margalo Gillmore, Alfred Lunt, Henry Travers y Helen Westley.
1928: Marco Millions, de Eugene O'Neill, escenografía de Rouben Mamoulian, con Robert Barrat, Albert Dekker, Margalo Gillmore, Alfred Lunt, Vincent Sherman y Henry Travers.
1928: Volpone, de Ben Jonson, adaptada por Ruth Langner, con Albert Dekker, Margalo Gillmore, Alfred Lunt, Vincent Sherman, Henry Travers y Helen Westley.
1928-1929: Caprice, de Philip Moeller, con Douglass Montgomery.
1929: Becky Sharp, de Langdon Mitchell, a partir de La feria de las vanidades, de William Makepeace Thackeray, con Etienne Girardot, Arthur Hohl, Basil Sydney y Leonard Willey.
1930: The Apple Cart, de George Bernard Shaw, con Violet Kemble-Cooper, Tom Powers, Claude Rains y Helen Westley.
1930: Milestones, de Arnold Bennett y Edward Knoblauch, con Beulah Bondi y Selena Royle.
1931: Getting Married, de George Bernard Shaw, con Romney Brent, Dorothy Gish, Henry Travers y Helen Westley.
1931: The Way of the World, de William Congreve, con Walter Hampden, Gene Lockhart, Kathleen Lockhart, Selena Royle y Cora Witherspoon.
1931: The Roof, de John Galsworthy, con Henry Hull y Selena Royle.
1932: The Devil passes, de Benn W. Levy, con Eric Blore, Arthur Byron, Mary Nash y Basil Rathbone.
1932: Too true to be good, de George Bernard Shaw, escenografía de Leslie Banks, con Leo G. Carroll y Claude Rains.
1933: The Mask and the Face, de W. Somerset Maugham, con Leo G. Carroll y Humphrey Bogart
1933-1934: Mary of Scotland, de Maxwell Anderson, con Helen Hayes, Edgar Barrier, George Coulouris, Philip Merivale, Moroni Olsen y Leonard Willey.
1935: Accent on Youth, de Benn W. Levy
1937: Madame Bovary, de Benn W. Levy, a partir de Gustave Flaubert, con Eric Portman y O. Z. Whitehead.
1945: Devils Galore, de Eugene Vale.
1948: The Play's the Thing, de Ferenc Molnár, adaptada por P. G. Wodehouse, con Louis Calhern, Francis Compton y Faye Emerson.
1949: The Ivy Green, de Mervyn Nelson, con Hurd Hatfield.
Créditos: Tomado de Wikipedia
https://es.wikipedia.org/wiki/Ernest_Cossart
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kwebtv · 3 years
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From the Golden Age of Television
Peter Pan  -  NBC  -  March 7, 1955  / January 9, 1956
Musical Play
A presentation of Producers Showcase
Running Time;  90 minutes
Stars:
Mary Martin as Peter Pan
Cyril Ritchard as Captain Hook / Mr. Darling
Kathy Nolan as Wendy Darling / Jane
Margalo Gillmore as Mrs. Darling
Sondra Lee as Tiger Lily
Heller Holiday as Liza
Joe E Marks as Smee
Norman Shelly as Nana / Crocodile
Michael Allen as John Darling
Joseph Stafford as Michael Darling (1955)
Tom Halloran as Michael Darling (1956)
David Bean as Slightly Soiled
Stanley Stenner as Curly
Paris Theodore as Nibs
Alan Sutherland as First Twin
Harold Day as Second Twin
Ian Tucker as Tootles
Richard Wyatt as Lion
Joan Tewskbury as Ostrich
Carl Eberle as Kangaroo
This 1955 musical production of the classic children's tale made history as the first Broadway musical adapted to TV with the entire cast and crew intact.
The title screens are from the 1956 production. 
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angelstills · 1 year
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High Society (1956)
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shawnvanbriesen · 4 years
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Outward Bound (1930) A desolate ship enshrouded by fog drifts without direction upon a gloomy sea. She is filled to capacity with passengers from all walks. Only one person, the mysterious Examiner seems to know their identities and their reasons for being aboard the ship. Off-beat and well-rendered, Outward Bound is based upon a Broadway play; it was twice remade as Between Two Worlds (1944) and The Flight That Disappeared(1961). It stars Leslie Howard, Douglas Fairbanks Jr., Helen Chandler, Beryl Mercer, Montagu Love, Alison Skipworth, Alec B. Francis, and Dudley Digges.                               Leslie Howard played the role of Henry in the stage production of Outward Bound which ran at the Ritz Theatre in New York City January 7 – May 10, 1924. Dudley Digges, Beryl Mercer and Lyonel Watts all reprised their roles for the film. Alfred Lunt played Tom Prior and Margalo Gillmore played Ann.In the film, Howard took Lunt's part and Douglas Fairbanks Jr. played the role originally performed by Howard. "I never saw all of it," said Fairbanks about the film. "It gave me the creeps. Still does, just thinking about it. It was a prestige picture, never made a cent." #oldhollywood #s #classichollywood #vintage #hollywood #goldenageofhollywood #actress #cinema #classic #vintagehollywood #helenchandler #oldhollywoodglamour #oldmovies #classicmovies #lesliehoward #legend #silverscreen #oldhollywoodstars #moviestar #retro #actor #douglasfairbanksjr #movies #goldenage #vintagestyle #classicfilm #beauty #glamour #oldhollywoodglam #shawnvanbriesen (at Los Angeles, California) https://www.instagram.com/p/B_aQPd1AziD/?igshid=m81ud36wf5rl
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01-14-2017 Cause For Alarm! (1951) http://www.imdb.com/title/tt0043390/
Cause For Alarm! is one of 47 feature length films directed by Hollywood allrounder Tay Garnett. Garnett started his career as gag writer for the legendary Mack Sennett and Hal Roach, before directing his first features at the end of the 1920s. Averaging more than two features a year between the 1920s and 1950s, Cause For Alarm! wouldn’t stand out if it wasn’t for some fine directing and, more importantly, a stellar performance by Loretta Young in one of her last feature film roles. As with a handful of other Metro-Goldwyn-Mayer productions of the 1950-1951 period whose original copyrights were never renewed, Cause For Alarm! is in the public domain.
The story told is about Ellen Jones (Young), her husband George Jones (Barry Sullivan) and his doctor Ranney Grahame (Bruce Cowling). George is bedridden, having some undisclosed heart problems, relying on the help of his wife and his doctor, whom George thinks are having an affair together. Secretly in bed does George write a letter to the district attorney, stating that Ellen and Grahame are planning to kill him by overdosing him on his heart medicine. If this is no cause for alarm, I don’t know what is.
It is an easy yet strong premise, one that has the strength of the film relying on the director and his actors. Garnett knows how to deal with suspense, gradually making the feeling stronger and stronger until the final scene finally gives us a chance to recover. The normal people in a malevolent setting, it works and it’s exciting in all its straightforwardness (though the sunny Los Angeles suburbs are for from straightforward in terms of film noir). The 74 minutes fly by and when it was finished I felt good.
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movies-derekwinnert · 3 years
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The Happy Years *** (1950, Dean Stockwell, Darryl Hickman, Scotty Beckett, Leon Ames, Margalo Gillmore, Leo G Carroll) - Classic Movie Review 10,808
The Happy Years *** (1950, Dean Stockwell, Darryl Hickman, Scotty Beckett, Leon Ames, Margalo Gillmore, Leo G Carroll) – Classic Movie Review 10,808
Director William A Wellman’s 1950 MGM Technicolor comedy The Happy Years stars Dean Stockwell, Darryl Hickman, Scotty Beckett, Leon Ames, Margalo Gillmore and Leo G Carroll. Craggy, crusty but essentially nice fuddy-duddy old Englishman called The Old Roman (Leo G Carroll) teaches naughty Dink Stover (Dean Stockwell, aged 12), in a sweet nostalgic school yarn of the 1890s, based on Owen Johnson’s…
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theblondeatthefilm · 7 years
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Esther Williams and Barry Sullivan in SKIRTS AHOY! (1952)
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Lobby Card for High Society (1956) [x]
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