#marco nucci

[okaystoptellingmetomakeanaccount]

I have completely fallen in love with alpinist magica and now you will too and there's no way back

#magica de spell #disney comics #ducktales #topolino #duck comics #marco nucci #stefano intini #shes so cool #shes the best #shes my wife

[frc-ambaradan]

Mickey: I'll jump into the book you recommended... "The rebus of Doppelgänger Mansion"! Suspence, mistery and unbelievable plot twists!

Goofy: Yuk! I can only imagine the look on your face when you find out the culprit is the titular detective!

Topolino e la profezia del cavaliere scarlatto (2023)

#🤣🤣🤣 #look at him! #so innocent and oblivious of the crime he committed 😄 #he's so precious #goofy #mickey mouse #SPOILER!!!! #marco nucci #christian canfailla #topolino magazine #disney mice #italian disney comics

[patemi-pk]

Non so quanto l'utenza tumblr (e internazionale) conosca del dottor Piuma (o, in generale, delle storie scritte da Marco Nucci), ma consiglio di approfondire.

I don't know how much the tumblr user base (which is pretty international) knows about dottor Piuma (or the stories written by Marco Nucci in general), but it's worth dive into it.

https://www.lospaziobianco.it/lospaziodisney/2024/01/23/quel-peso-piuma-del-dottor-piuma/

(It's in italian)

#disney #comics #disney comics #fumetti #paperino #topolino #dottor piuma #marco nucci

[atobibas]

Who appears the most in Il Bianco e il Nero?

Once again, I didn't count pages only counted panels, page number is just calculated from the percentage. And there will be spoilers for the story!

Minnie - 20 (panels) / 4.22 (pages) / 4.69%

Goofy - 30 / 6.33 / 7.04%

Blotty - 39 / 8.23 / 9.15%

Pete - 43 / 9.08/ 10.09%

Weather boy - 44 / 9.29 / 10.33%

Casey - 72 / 15.21 / 16.9%

O'Hara - 105 / 22.18 / 24.65%

Mickey - 189 / 39.92 / 44.37%

(My thoughts and additional stats below!)

Once again Egmont listed this as a Blot lead story, and whilst I agreed last time I don't think I do this time around. Just like the last one the Blot is very little in it, but in this one we don't really see it from his point of view either. The last one would often have little bits of "narration" by the Blot, which made it feel like he was the lead. This one only did it once at the start of part 2 (and it honestly felt really out of place!).

Anyways, let's look at the entry and exit stats!

Mickey - 15 (3.52%) / 420 (98.59%)

O'Hara - 18 (4.23%) / 410 (96.24%)

Casey - 18 (4.23%) / 410 (96.24%)

Pete - 19 (4.46%) / 412 (96.71%)

Minnie - 26 (6.1%) / 420 (98.59)

Goofy - 26 (6.1%) / 420 (98.59)

Weather boy - 27 (6.34%) / 421 (98.83%)

Blotty - 150 (35.21%) / 424 (99.53%)

I decided not to count appearences in the opening recap, since that would sort of ruin this one.

#atobibas big counting project #disney comics #phantom blot #mouseverse #i hold you dear blotty #mickey mouse #marco nucci #casty

[tonisemitoni]

Domenico Donzelli per un giorno a casa sua

Il bel Museo della Musica di Bologna è racchiuso nel cinquecentesco, magnifico, Palazzo Sanguinetti, ultima famiglia a cui esso appartenne, a metà di Strada Maggiore. Palazzo Sanguinetti La famiglia Sanguinetti, acquistò questo edificio nel 1870 dal famoso tenore Domenico Donzelli, conteso dai più celebri operisti della prima metà dell’800 quali Rossini, Bellini e Donizetti, e dagli impresari dei…

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#Alma Mater #Angela Lorenzoni #Bologna #Caritea regina di Spagna #Certosa #Certosa di Bologna #Domenico Donzelli #Elisa e Claudio #Fulvio Massa #Gaetano Donizetti #Geltrude Righetti Giorgi #Gioachino Rossini #Il Barbiere di Siviglia #Il bravo #Il viaggio a Reims #Ilenia Nucci #Isabella Colbran #L&039;esule di Roma #Louis Niedermeyer #Marco Cavazza #Museo della Musica #Norma #Palazzo Sanguinetti #Pietro Luchini #Pollione #Rocco D&039;Aurelio #Strada Maggiore #Torvaldo e Dorliska #Ugo Conte di Parigi #Vincenzo Bellini

[lettheladylead]

What would you say the most major differences between comics!Goldie (you can specify different comic writers if you want) and DT17!Goldie are?

I'd say the biggest difference between DT17!Goldie and her comic versions is the call to adventure. Though every comic writer writes Goldie differently, what's consistent is that she settled down after the Klondike, stayed in the area, kept things simple (sometimes successfully, sometimes unsuccessfully, depending on the writer). Which is fine, but doesn't fit the vibe of DT17 so it makes sense that they did something different.

It's hard to talk about the different comic writer depictions of Goldie because most of them have only written her once, maybe twice. Don Rosa is the exception, of course. Carl Barks only wrote her once, and Rosa's version strays from that a tiny bit (as much as he didn't want it to). I think it's obvious that Rosa wanted to write Goldie as a more present character, he wanted to include her in more things, but he didn't want to contradict Barks' canon so he didn't. But you can tell that he writes Goldie with the idea that she has a whole life of her own without Scrooge.

The writer with the second-most credits for stories with Goldie in them is Marco Nucci, but tbh that's just because he does a lot of Christmas stories. Mostly takes place during the gold rush, the stories don't always fit the Barks/Rosa timeline but they just fit into the setting.

Next highest number of Goldie writing credits is Marco Gervasio, but most of those are cameos. He did write the really beautiful and excellent story King of the Klondike but as for how that comic fits with others................I mean. I love it, personally. Gervasio followed Rosa's thought process - he wrote a story about Scrooge and Goldie, instead of a story about Scrooge that has Goldie in it. It's more interesting and more memorable.

Otherwise writers have only written Goldie stories once or twice, and most of them just focus on the past. Gold rush-era Goldie content tends to be consistent across the board, and repetitive, and often Goldie's role is small. The ones where she has a bigger role we get the basic Scrooge/Goldie content - lots of romantic/sexual tension, lots of arguing, some sort of misunderstanding or lie. And then usually older!Scrooge staring at a photo of her and sighing.

As for present-day Goldie stories, the most consistent things are that she's still very tricky, still very horny, and still very prideful (though less so in Rosa's stories). Tricky, horny, & prideful I think are the big Goldie traits that need to be present for her to feel in-character.

Soooo tl;dr as for differences from DT17, yeah the big thing is the call for adventure. All differences in her personal story and personality can be tied directly to that specific aspect.

Why isn't she more mature at her age? 'Cause she's been running around trying to one up Scrooge instead of settling down and working on herself. Why isn't she running a hotel in Dawson City? 'Cause she's been running around trying to one up Scrooge instead of staying in one place.

We got to know a lot about Goldie's personality in DT17 but not much about her life, which leaves a lot of room for headcanons but also leaves us wanting. But it left enough room that we can pretty easily take content from her comic selves and combine them with her cartoon self without any contradiction and that works pretty nicely for me.

Anyway anyway. Sorry. I keep getting distracted. Adventure is the big difference. Which is fitting since DT17 also wrote Scrooge with more emphasis on his adventuring spirit because they knew that'd be a more interesting story for animation than focusing too much on the money. Good to make them match, and it also stretched out an already iconic love story into 120 years of drama. And also gave us Scheme Team which I am forever thankful for. I miss 'em. I miss Goldie...........

#goldie o'gilt #ducktales #anon asks #carro answers

[applestabs]

BLACK AND WHITE - EPISODE THREE

TOPOLINO 3448

STORY BY: MARCO NUCCI

ART BY: CASTY

FULL SCAN + TRANSLATION

EPISODE ONE EPISODE TWO

#disney comics #translations #topolino #mickey mouse comics #mouseverse #macchia nera #the phantom blot #mickey mouse #topolino comics

[theinkphantom]

They upgraded a bit the profile of phantom blot of the official topolino website! :

"Few expected to discover that, under the dark hood of the criminal who had repeatedly tried to take down Mickey Mouse, was a caricature of Walt Disney himself!

Instead, this was the surprise that awaited readers a full three months later, at the end of the sensational strip adventure Mickey outwit the phantom blot (1939).

In conceiving it, Floyd Gottfredson and Merril De Maris wanted to set Mickey against a figure far more evil, mysterious, and disturbing than the usual Peg Leg. A character as shady as he was refined, intent on giving Mickey a party, yes, but through deadly devices that could get him to his goal without getting his hands dirty.

For after all, Phantom Blot has a certain sensibility!

Perhaps precisely in order not to over-emphasize his resemblance to Walt, in the American comics that followed the character's face was totally set aside, turning Blot into a sort of clumsy black ghost perpetually in a work uniform...in short, a "black stain."

In Italy things were different from the very beginning, when the character was revived by Guido Martina and Romano Scarpa in the disturbing thriller, Topolino e il doppio segreto di Macchia Nera (1955). And although there have been authors who have not resisted employing him in lighter stories or those with a comic register, in italy, the career of the gloomy evildoer has always been carried on with a certain regard, restoring to him the dandy look that had been lost and that still makes him the most romantic of Disney's villains.

Now Phantom Blot often acts barefaced, has seen his charisma expand, and is always at the center of complex and delightfully cerebral stories.

In Casty's and Marco Nucci's stories, in fact, Blot has shown a distinct penchant for science and invention, going so far as to create contraptions that rival those of Calisota's many professional scientists. Mickey remembers all too well the Darkenblot, the exoskeleton with which Blot struck terror in Illinois, but it was after the invention of the white pentadelion* (flower) that things got even nastier. With this lab-created flower, Blot discovered that he could release toxins into the environment that could alter memory, and from that moment on he has not stopped terrorizing the world, weaving a web of lies and manipulations in which it is increasingly difficult to extricate himself.

In short, intelligent, refined and good-looking, Blot would seem to be just the prince charming...a pity that all this is accompanied by a heart as black as night."

#phantom blot #the phantom blot #mickey mouse #topolino #( the most romantic of all disney villains?! lost my mind ) #(also yes he probably hacked the website just for adding flattery. /jk)

[princesssarisa]

Opera on YouTube 5

Nabucco

Teatro alla Scala, 1987 (Renato Bruson, Ghena Dimitrova; conducted by Riccardo Muti; no subtitles)

Teatro di San Carlo, 1997 (Renato Bruson, Lauren Flanigan; conducted by Paolo Carognani; no subtitles)

Ankara State Opera, 2006 (Eralp Kıyıcı, Nilgün Akkerman; conducted by Sunay Muratov; no subtitles)

St. Margarethen Opera Festival, 2007 (Igor Morosow, Gabriella Morigi; conducted by Ernst Märzendorfer; English subtitles)

Rome Opera, 2011 (Leo Nucci, Csilla Boross; conducted by Riccardo Muti; English and German subtitles)

Teatro Comunale di Bologna, 2013 (Vladimir Stoyanov, Anna Pirozzi; conducted by Michele Mariotti; Italian subtitles)

Rome Opera, 2013 (Luca Salsi, Tatiana Serjan; conducted by Riccardo Muti; no subtitles)

Gran Teatro Nacional, Perú, 2015 (Giuseppe Altomare, Rachele Stanisci; conducted by Fernando Valcárcel; Spanish subtitles)

Metropolitan Opera, 2017 (Plácido Domingo, Liudmyla Monastyrska; conducted by James Levine; Spanish subtitles)

Arena di Verona, 2017 (George Gagnidze, Susanna Branchini; conducted by Daniel Oren; English subtitles)

La Cenerentola (Cinderella)

Jean-Pierre Ponnelle studio film, 1981 (Frederica von Stade, Francisco Araiza, Paolo Montarsolo; conducted by Claudio Abbado; English subtitles)

Glyndebourne Festival Opera, 1983 (Kathleen Kuhlmann, Laurence Dale, Claudio Desderi; conducted by Donato Renzetti; no subtitles)

Salzburg Festival, 1988 (Ann Murray, Francisco Araiza, Walter Berry; conducted by Riccardo Chailly; English subtitles)

Tokyo Bunka Kaikan, 1991 (Lucia Valentini-Terrani, Toshiro Gorobe, Domenico Trimarchi; conducted by Antonello Allemandi; Japanese subtitles) – Act I, Act II

Houston Grand Opera, 1995 (Cecilia Bartoli, Raúl Giménez, Enzo Dara; conducted by Bruno Campanella; no subtitles)

Rossini Opera Festival, 2000 (Sonia Ganassi, Juan Diego Flórez, Bruno Praticó; conducted by Carlo Rizzi; Italian subtitles)

Gran Teatre del Liceu, 2008 (Joyce DiDonato, Juan Diego Flórez, Bruno de Simone; conducted by Patrick Summers; German subtitles)

Romeo Opera, 2015 (Serena Malfi, Juan Francisco Gatell, Alessandro Corbelli; conducted by Alejo Pérez; Italian and English subtitles)

Lille Opera, 2016 (Emily Fons, Taylor Stayton, Renato Girolami; conducted by Yves Parmentier; English subtitles)

Boboli Gardens, Florence, 2020 (Svetlina Stoyanova, Josh Lovell, Daniel Miroslaw; conducted by Sándor Károlyi; no subtitles)

Lucia di Lammermoor

Tokyo Bunka Kaikan, 1967 (Renata Scotto, Carlo Bergonzi; conducted by Bruno Bartoletti; English subtitles)

Mario Lanfranchi film, 1971 (Anna Moffo, Lajos Kosma; conducted by Carlo Felice Cillario; English subtitles)

Bregenz Festival, 1982 (Katia Ricciarelli, José Carreras; conducted by Lamberto Gardelli; no subtitles) – Part I, Part II

Opera Australia, 1986 (Joan Sutherland, Richard Greager; conducted by Richard Bonynge; English subtitles)

Teatro Carlo Felice, 2003 (Stefania Bonfadelli, Marcelo Álvarez; conducted by Patrick Fournillier; Japanese subtitles)

San Francisco Opera, 2009 (Natalie Dessay, Giuseppe Filianoti; conducted by Jean-Yves Ossonce; English subtitles)

Amarillo Opera, 2013 (Hanan Alattar, Eric Barry; conducted by Michael Ching; English subtitles)

Gran Teatre del Liceu, 2015 (Elena Mosuc, Juan Diego Flórez; conducted by Marco Armiliato; French subtitles)

Teatro Real de Madrid, 2018 (Lisette Oropesa, Javier Camerana; conducted by Daniel Oren; English subtitles)

Vienna State Opera, 2022 (Lisette Oropesa, Benjamin Bernheim; conducted by Evelino Pidó; English subtitles)

Il Trovatore

Claudio Fino studio film, 1957 (Mario del Monaco, Leyla Gencer, Fedora Barbieri, Ettore Bastianini; conducted by Fernando Previtali; English subtitles)

Wolfgang Nagel studio film, 1975 (Franco Bonisolli, Raina Kabaivanska, Viorica Cortez, Giorgio Zancanaro; conducted by Bruno Bartoletti; Japanese subtitles)

Vienna State Opera, 1978 (Plácido Domingo, Raina Kabaivanska, Fiorenza Cossotto, Piero Cappuccilli; conducted by Herbert von Karajan; no subtitles)

Opera Australia, 1983 (Kenneth Collins, Joan Sutherland, Lauris Elms, Jonathan Summers; conducted by Richard Bonynge, English subtitles)

Metropolitan Opera, 1988 (Luciano Pavarotti, Eva Marton, Dolora Zajick, Sherrill Milnes; conducted by James Levine; no subtitles)

Bavarian State Opera, 2013 (Jonas Kaufmann, Anja Harteros, Elena Manistinta, Alexey Markov; conducted by Paolo Carignani; English subtitles)

Temporada Lirica a Coruña, 2015 (Gregory Kunde, Angela Meade, Marianne Cornetti, Juan Jesús Rodriguez; conducted by Keri-Lynn Wilson; no subtitles)

Opéra Royal de Wallonie-Liége, 2018 (Fabio Sartori, Yolanda Auyanet, Violeta Urmana, Mario Cassi; conducted by Daniel Oren; French subtitles)

Arena di Verona, 2019 (Yusif Eyvazov, Anna Netrebko, Dolora Zajick, Luca Salsi; conducted by Pier Giorgio Morandi; German subtitles)

Teatro Verdi di Pisa, 2021 (Murat Karahan, Carolina López Moreno, Victória Pitts, Cesar Méndez; conducted by Marco Guidarini; no subtitles)

#opera #youtube #complete performances #nabucco #la cenerentola #lucia di lammermoor #il trovatore #giuseppe verdi #gioachino rossini #gaetano donizetti

[you-big-palooka]

One of the best part of "Road to World Cup" Topolino Magazine 3469

(by: Marco Nucci / Stefano Intini)

#donald duck #cousin fethry #fethry duck #paperino #paperoga #Dugan #pennino #topolino magazine

[okaystoptellingmetomakeanaccount]

Okay Hatequack was starting to look younger with every story he appeared in

but then this week Celoni came and said NAHH im gonna make him look 200 years old again lmao

#disney comics #ducktales #hatequack #marco nucci #fabio celoni

[frc-ambaradan]

"Quit pretending you're so eager to please. You're just a spoiled kid! And anyway, you already have everything... what more do you wish for?" I denari del giovane Rockerduck (2023)

La ballata di John D. Rockerduck (2021) I denari del giovane Rockerduck (2023)

#john rockerduck must have a very bad history of depression #howard implied he was already prone to it when he was a child #jeez #just leave him alone! T.T #john d. rockerduck #giorgio fontana #giorgio cavazzano #marco nucci #the life and times of jd rockerduck #(latest rockerduck story is a punch in the gut 😢)

[patemi-pk]

A few interesting upcoming volumes

Per la prima volta in un unico volume le 9 storie di Giorgio Pezzin, Paolo Mottura e Marco Palazzi che ripercorrono le grandi tappe della storia dell’umanità! Dall’Antica Grecia fino alla nascita della stampa, un viaggio nel tempo tra splendidi scenari con gli omologhi “antichi” di Topolino!

Due grandi storie di Topolino riproposte in due volumi, per un grande formato da collezione! “Topolino e le nebbie di Meyrink”, dalle forti tinte horror, sceneggiata da Marco Nucci per i disegni di Fabio Celoni. E “Amelia e le sette streghe vulcaniche, di Bruno Enna e Roberto Vian. All’interno dei due volumi materiale inedito e contributi autoriali!

Il thriller di Marco Nucci e Casty, ricco di atmosfere cupe e citazioni noir, con una sfida al cardiopalma tra il machiavellico Macchia Nera e Topolino, riproposto in grande formato in un volume cartonato da collezione!

#disney #comics #disney comics #fumetti #topolino #anteprima #topoanteprima

[atobibas]

Who appears the most in The Nightmare on Coral Island?

Spoilers for the story + page number is calculated from percentage, I didn't count pages!

Horace - 7 (panels / 1.29 (pages) / 1.41% (of the story)

O'Hara - 13 / 2.4 / 2.62%

Piuma - 18 / 3.33 / 3.62%

Minnie - 27 / 4.99 / 5.43%

Harvey - 53 / 9.81 / 10.66%

Blotty - 55 / 10.18 / 11.07%

Mickey - 260 / 48.12 / 52.31%

(My thoughts and additional stats below!)

Despite his low percentage this is actually the story in the trilogy where the Blot appeared most (both by panels and percentage)! Interestingly, this is also the first one where Egmont decided to list it as a Mickey & Phantom Blot story, instead of just Phantom Blot! I think that makes sense here, I just think they should've at least done it for Black and White as well!

Anyways, entry and exit stats! (I also counted when Mickey is in the prison as Blot, listed as "Prison" here).

Blot - 1 (0.2%) / 497 (100%)

Piuma - 11 (2.21%) / 494 (99.4%)

Harvey - 43 (8.65%) / 483 (97.18%)

O'Hara - 51 (10.26%) / 475 (95.57%)

Mickey - 51 (10.26%) / 476 (95.77%)

Minnie - 62 (12.47%) / 473 (95.17%)

Prison - 82 (16.5%) / 455 (91.55%)

Horace - 400 (80.48%) / 473 (95.17%)

Also, I should mention that I didn't count first appearences of characters in flashbacks. So if the first time we see a character is in a flashback or some other form of explanation outside the narrative I won't be counting that.

#atobibas big counting project #phantom blot #i hold you dear blotty #disney comics #mouseverse #marco nucci #casty #mickey mouse

[personal-reporter]

Festival del cinema di Taormina 2023

La 69ª edizione del Taormina Film Festival, che si terrà dal 23 giugno al 1  luglio 2023 in Sicilia, sarà una grande kermesse all'insegna del meglio del cinema internazionale. Il sipario si alzerà sull'attesissimo ultimo capitolo della saga di Indiana Jones, Il Quadrante del Destino, diretto da James Mangold e in uscita in sala il 28 giugno e gli interpreti, da Harrison Ford a Phoebe Waller-Bridge, da Antonio Banderas a John Rhys-Davies e Mads Mikkelsen, saranno presenti alla proiezione. Sono due le prime assolute, I giorni peggiori, diretto da Edoardo Leo e Massimiliano Bruno, con Edoardo Leo, Massimiliano Bruno, Anna Foglietta, Renato Carpentieri, Fabrizio Bentivoglio, Giuseppe Battiston, Neri Marcorè, Anna Ferzetti, Ricky Memphis, Claudia Pandolfi, Rocco Papaleo, Giovanni Storti, Massimo Wertmüller, Marco Bonini, Sara Baccarini e Liliana Fiorelli e Lo Sposo Indeciso, regia di Giorgio Amato, con Gianmarco Tognazzi, Ilenia Pastorelli, Stefano Pesce, Francesco Pannofino, Morena Gentile, Giulia Gualano, Mimmo Ruggiero, Jenny De Nucci, Lucia Guzzardi, Martin Loberto, Pietro Romano, Gilles Rocca, Ornella Muti, Claudia Gerini e Giorgio Colangeli. Una prima visione è  anche per il documentario I Am Everything diretto da Lisa Cortes, sulla vita e la carriera del leggendario cantante e pianista Little Richard,  e per i film A Thousand and One, diretto da A.V. Rockwell con Teyana Taylor e Jeanne du Barry, diretto da Maïwenn e interpretato da Johnny Depp. La settimana del festival parte il 23 giugno con il Galà Pavarotti Forever al Teatro Antico di Taormina, a favore della Fondazione Luciano Pavarotti, dove verranno presentati spezzoni di concerti e documentari degli anni passati, con ospiti speciali e star del mondo dell'opera e della musica pop. Oltre alla celebrazione dei 90 anni della Warner Bros con una selezione di venticinque dei più grandi film del catalogo degli ultimi novant'anni e un documentario sulla storia dello studio, il programma vede due retrospettive, una sulla carriera del regista John Landis, con film selezionati dallo regista e diretti da amici e colleghi e la seconda è dedicata all'attore americano Willem Dafoe e al regista Abel Ferrara per celebrare la loro collaborazione e amicizia di lunga data, con film come New Rose Hotel (1998), Go Go Tales (2007) e i più recenti Pasolini (2014), Siberia (2020) e Sportin' Life (2020). Infine il prestigioso premio cinematografico Nastri d'Argento, pietra miliare del Taormina Film Festival, torna quest'anno nella città siciliana con una serata che prevede la proiezione del film di Roberto Andò La stranezza, interpretato da Toni Servillo, Valentino Picone e Salvatore Ficarra. Read the full article

[micro961]

Lisa P - Maledettisimo Natale

Il nuovo singolo della cantautrice

Il Natale ci fa sentire ancora più intensamente l’assenza delle persone che amiamo. Ci fa pensare ai ti voglio bene che avremmo voluto dire e non abbiamo detto. A volte tornare indietro è impossibile e resta solo il calore dei ricordi. A volte, invece, si può. E questa è un’opportunità che non va sprecata.

Il singolo farà parte di un nuovo lavoro discografico che uscirà nel corso del 2023. La produzione artistica porta la firma di Marco Rinalduzzi, tra i più importanti chitarristi italiani, per anni al fianco di artisti del calibro di Lucio Dalla, Zucchero, Sting e Mina.

Lisa P. è Lisa Praticò, interprete e cantautrice. Originaria di Praia a Mare, in Calabria, vive tutta la vita tra Roma e Milano. Studia canto jazz presso il Saint Louis College of Music e canto moderno presso la Melody Music School di Roma con i vocal coach Fabrizio Palma, Silvia Aprile e Francesco Di Nicola. Parallelamente studia recitazione presso il corso STAP del Brancaccio con Daniele Monterosi. A 14 anni inizia ad esibirsi e, autodidatta nello studio della chitarra classica, comincia a comporre i primi brani. A 18 anni si trasferisce a Roma dove si laurea in economia a “La Sapienza”. Dopo diverse collaborazioni musicali, dal 2009 inizia quella con Giovanni Risitano, nella Capitale per lavorare all’ultimo disco di Antonello Venditti (è compositore del brano “Unica”). Con lui tiene concerti in diversi club delle principali città italiane. Nel 2012 fonda la band Lisa P. Live Band e lavora con musicisti noti della Capitale come Daniele Leucci, batterista (Mannarino, Alex Britti, Tozzi), Jacopo Carlini, pianista (Giorgia, Ultimo, Festival di Sanremo) e tanti altri. Con il brano “Per un pugno d’amore”, che racconta la violenza sulle donne attraverso gli occhi delle vittime, riceve condivisione e apprezzamento da parte di artisti del mondo della tv e dell’intrattenimento (Jenny De Nucci, Maria Chiara Giannetta, Aurora Ruffino…) È semifinalista al Festival di Castrocaro con il brano “Dove sei”, di cui è autrice, e semifinalista ad Area Sanremo con il brano “Roma di Notte”, di cui è autrice insieme a Piji Siciliani.

Contatti e social https://www.lisapofficial.com/