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#look i know those are fake flowers but hey my office is a little bleak and i needed some reminders of happiness and fresh flowers are
volchiitza · 8 months
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clearly trying to stop fixating on "productivity" has actually improved my focus
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thescrcservices · 6 months
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legalist217 · 6 years
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Do Voldemort/Snape/Umbridge lmao
I think you’re overestimating my ability to not be creative about the situation, as well as my self-preservation and my interest in women because that’s what makes Umbridge rank worst from an SO perspective. (she’s not even a pretty woman, she’s a super gross woman inside and out, so it does nothing for me on any level, meh, bleh, weh)
This got lengthy so it’s under a cut, you’re welcome, enjoy. And I bothered to put these into exactly no logical canon timeframe. 
Well get this out of the way, fake date umbridge. because I will find ways to mortify her. I will drag her to youmacon. I will point out a photograph taken of Nancy Pelosi in a pink suit with all the Senate pages and then assure her that, no, of course you’re just as pretty in your headmistress photo as that Muggle politician is. Why would there even be a comparison. dear. [this is a real photo that we saw being taken at the Capitol when we toured circa HBP’s film coming out; we had to stifle giggles] 
And then arrange a scenario where she’s jailed for tax evasion. I’m not marrying the toad; no fifth amendment protections for non-spouse SOs as I recall. I assume MACUSA can ensure she’s put somewhere good and tedious. 
(note: this is the only scenario where I envisioned it happening in america)
now, hm. I guess I would slow burn Voldemort because I reckon if you’re his stated enemy, that’s probably not a changeable status. He’s all emotionally stunted in that way. So enemies to lovers doesn’t seem plausible. So, then, I guess I’m some Bellatrix-esque tart, except, well, myself. So rather than wetting myself over THE DAHHK LAWD, I’m just mildly amused at his fascist goals. “That’s a way to do it, I suppose, but hate’s a pretty tedious method to carry on with the world, and let’s remember that you never actually held power long term *ducks AK* so maybe something less... Hitlery? Oh don’t look at me like that, you grew up in muggle-trash London, you know who Hitler is.” 
And it goes on and on and on and on and on and it is a slow burn because he’s incapable of love and I think the best we manage for much of the run before the author begins developing carpal tunnel is “I barely tolerate her because she has 0.01% of a point; I tell the others she is too amusing to kill.” At least now I have slytherin creds to brandish to get a foot in the door. 
And being endlessly at such a tenuous “I guess that was almost funny, so I won’t murder you?” stage, I don’t have to figure out how to kiss a noseless man or how to deal with a jealous pet snek. 
you’re going to regret this
Enemies to lovers is a very tolerable way to deal with Snape, given the options on this playing field. Professors who tell you that your answer is wrong only for the right answer to be “the same thing but because I said it, it’s right” are my least fuckin faves. Snape treads close to that territory. 
But again, I have slytherin creds now. I’m also quite impulsive, so I can see myself writing him an annoyed owl after a class detailing specific moments where his behavior decreased the educational advantage to Housemates and how this is him not being a benefit to team and should I go to Dumbledore about this; like give that one gryffindor kid double shit, dude might deserve it for all I know [I am bad at popular gossip when it comes to school IRL], but stop fuckin it up for us and maybe for other students who are genuinely trying, ya pissant. And while Snape is very much a pissant, I think he also cares a lot about the House. And to a degree, his job; he definitely gave a fuck when he was sixteen about teaching potions because he was rewriting the goddamned book. 
So, I dunno, maybe I can get through to him. I still get detention for unmitigated sass, but I knew that’d happen. Too bad he doesn’t realize how much I am wont to chat while working. And I have an IRL habit of roping even introverts into talking with me when I’m inclined to. What’s he gonna do, give me more detention? I don’t give a shit. I’ll clean this office and every office. Why the hell not. Castle’s an interesting place. How often do I get an elf’s eye view of the place? And anyway are there any good articles out on lacewing colony collapse disorder, because I hear that might screw over the polyjuice industry? Any good places to write? Lacewings are aptly named, you gotta admit. They need more words devoted to them. And then I force him to read my poetry because who the fuck else here knows about lacewings aside from maybe Hagrid who has automatic distrust of green robes? He tells me it sucks. I grin. (I cry later, but that’s not because he said it, just because no one wants to hear that their poem sucks in such flat words.)
In real life, I’m still in touch with some of my professors after graduation and some of them have outright said they think of me as a friend. I wouldn’t date them, because they are married and I am sensible and they are twice my age and the list goes on. But this is a forced narrative scenario, and given my dating history and its repeated Bad Calls, I can see me writing longer and more detailed letters than just “hey got a new job at Witch Weekly doing book reviews, it’s basically whatever’s on the Prophet’s best-seller list minus anything too difficult for a stay-at-home witch to bother with.” He writes back terse one-liners if I’m lucky. I still write a lot, because it makes me feel better about my sorta boring life. 
At some point, I dust off the old lacewing scroll and laugh at how bad it was. But the core idea of hiding oneself in another’s reflection has merit, so I rework it. Dredge up old textbooks to reference other ingredients of common potions, because Moste Potente Potions is still a restricted book so maybe not hinting at the recipe in a poem is a good call.  It’s eventually as done as this version’s going to be. I send it to him. 
It comes back around Christmas with the word “Better.” swirled in the corner. I tack it to the wall and write more. Sometimes they come back with tiny checkmarks by specific lines. I find myself quietly tallying those, like they’re gold stars and I’m back in primary school. And I have to stifle a gasp when one has a note saying he’d copied a version for himself. I can’t help imagining it pinned up on his fridge, him seeing it every day. That image is childish, but it gets me through bleak times. 
It’s a year before a poem I didn’t write comes back to me. It is so laughably bad that I’m in tears of laughter for half the night, but then, reading through it, they end up just tears. Who the fuck is this about, because none of the imagery fits me. It’s all flowers of the valley and gentle prey animals. Drawing from my name would be angels or wolves or birds of prey. Who the fuck, then, is this, and why am I sobbing. 
Printed at the bottom is a one-word question: Thoughts?
It’s all I can do not to crumple the stupid parchment and chuck it in the flames. Who is she. Who the hell would put up with such an obnoxious, icy, sneering, greasy, loser? I glance in the mirror. Who indeed. 
It’s a pathetic weekend spent balled up under a comforter trying to figure out how to rationally handle whatever the hell this is. But like I said, I’m impulsive. I have just enough Floo powder on hand, as well, and my head pokes out into a dingy flat. I think he nearly blacks out, he’s that startled. He does the many-blinking thing. 
I arrive swiftly at the point, which is to say that I sob inelegantly and the tears sizzle amid the flames. But I make my demands known through the mouthfuls of ash, both real and simply felt. Who is this other woman you’d write poetry to. 
Black eyes should be flat. His have too much depth at moments like these. There’s too much available to read. I don’t want to know that he knows I’m not crying on his behalf. He runs absent fingers through his hair as he looks at me, a gesture I’d forgotten to miss. Then he explains he wasn’t sure how to title it, which is why there wasn’t one. But it would have been an elegy. His way of burying the past.
I point out that repression isn’t healthy. At least, I think I do. Details are so hazy here in the fire. 
He kneels before me and says that is correct, if such be the case. But one must part with the past to allow for new beginnings. 
Lips brush there in the flames. And then I’m laughing. He pulls back, and I regret it just a little for how hurt those eyes are. Why do I laugh? “That poem sucked!” I shriek, before dragging myself back through the fires to my own hearth, where I lie laughing hysterically for quite some time. 
Years later, Elegy to the Valley is deemed complete. I walk with him as far as the gate, but let him enter the graveyard alone. It is summer, and I trace patterns in the warm metal, trying not to watch his shoulders shaking as he reads it to her. If he needs me, I can be there in a moment. But I would rather watch and mentally write my own poem of this moment instead. He will probably produce something about today as well. We will trade parchments and leave spare, biting comments. But our fingers will interlace at the end of the day. It suffices. 
The sky is tinged ruddy gold when he arrives back at the gate. We walk briskly to the end of the street. It’s not that we stand out; he still knows the Muggle ways. Still, this is a leonine place not meant for us. Time we made our excuses and left.
The corner is deserted. I see his eyes wander back over the church and the graves beside. I remind him he can always return. He shakes his head. “This is a parting of the ways.” He takes my hand, and we go twisting into the dark. 
so yeah, that’s what shipping me with snape looks like; any questions?
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