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keets-writing-corner · 3 months

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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

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spookymoonmagpie · 2 years

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I am an inconsolable ball of incandescent fury and I will not tolerate the slightest noise or inconvenience right now

#for context our internet has been on the fritz for like 2 weeks straight and still hasn't been properly fixed #I'm not terminally online or anything but i literally NEED the internet because I'm forced to jobseek 35hrs/week #and i live in nowhere middleof and nobody advertises their vacancies anywhere besides on like indeed.com or whatever #and it's a damn site more difficult to do that when the connection drops out every 2 minutes or so #that and i've been dealing with sensory overload for weeks and am stressed FROM jobseeking #mag.txt #mag gets upsetti

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incomprehensiblegiberish · 3 months

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(Note: This has an edit at the bottom providing context and clarification, please read that as well) Because its an election year and I keep thinking about this, I would like to remind everyone,

THE PRESIDENT DOES NOT MAKE LAWS THAT WILL EFFECT YOUR LIFE SEVERELY

The president does not even MAKE LAWS. The president can VETO a law, but the real people voting for specific laws are voted in STATE ELECTIONS.

If you want change in your life by the government, you have to vote in LOCAL, AND STATE ELECTIONS

I repeat

LOCAL AND STATE ELECTIONS ARE TO PICK WHO MAKES LAWS FOR YOUR STATE AND WHO REPRESENTS IT.

I am sick and tired of seeing people complain about the amount of old people in the government. You have to VOTE. If younger people vote, younger people are more likely to get elected, and then the voting pool is larger. Old people are going to vote for other old people, and they are the only ones voting in state elections therefore, old white men are the only ones represented. You have to vote if you want an accurate representation in your government. The president doesn't do shit regarding laws (other than being able to veto laws). Thats military. Not laws. Get it together, this is an elementary level skill. Its literally taught in the 5th grade, how people don't understand that is beyond me.

VOTE IN STATE ELECTIONS FOR FUCKS SAKE THAT IS HOW YOU GET LAWS PASSED THAT YOU WANT.

The president is only important in regards to MILITARY. The president is commander in chief of MILITARY. Not laws. If you want the US to stop supporting a certain country, vote for someone that agrees or is at least the better option (Damn the two-party system). If you want a law passed to protect your rights, vote for senators and representatives that want to protect your rights. Please for the love of god, so much could be fixed by voting. The system is broken yes, but it is not the only one to blame, go vote for the love of god I swear. EDIT: I would like to clarify some things. This is meant as a GENERAL STATEMENT. The president CAN do things that affect you severely, but GENERALLY the president is not in charge of laws that severely affect people day to day as the laws that the president deals with are for the ENTIRE COUNTRY. And therefore, are usually less specific. This does not mean presidential voting is any less important, that is the opposite of what this post was saying. This post is because the presidential elections seem to be the only one people vote in. And its good that people vote in this, but the issue this is mainly from is the fact that state and local elections are overlooked constantly, and then people complain about how the government doesn't provide representation when no one is going to vote. I am not saying the president doesn't do things, the president is important, but we can't forget about the part actually responsible for making laws in states and in the federal government. I see so many posts about how laws are being made by people who no one (at least over the internet) seems to agree with, and people complaining about how horrible the government is and how many old people are in there. And I agree, there's too many old people past retirement age in the government making laws and other things, but in order to get them out of the government, people must vote for other, younger people. Its not just going to be fixed by screaming about things over the internet. This post is not going to fix anything, it was a rant because I am pissed about this.

This is likely going to be the only update I add to this, I will not be responding to anything stated about this post, or put into reblogs. I am not in the habit of discussing politics with people and I don't plan on getting a start any time soon. I hope you all have a good day and thank you for coming to my rant I felt the need to throw here

#us politics #rare political posting from me #but this needs to be said #important #i know this is really weird from this blog #but it really needs to be said #I see people all screaming about the president #but no one talks about the importance of voting for your senators or representatives #but everyone complains about old people in the government #only together can we make it look less like a nursing home bingo night at congress

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iruiji · 5 days

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SAGAU but Creator Reader has been tagging along with the Gourmet Supremos.

If you didn't know or have forgotten, Gourmet Supremos are one of those quest series that is randomized because some part of the questline can only be accessed with dailies (like Whispers in the Wind or Snezhnaya Does Not Believe in Tears or Garcia's Paean).

This questline spans from Inazuma up to Sumeru. I think there was 6-7 quests in total? I forgot. (it's 8).

(These are Julie, Parvaneh and Xudong in order.) There are more characters that made a cameo in here but we'll just limit it with these three.

Context dropped, onto the short HCs.

• Okay so, I didn't really read the whole story of this one so I'm just going to make some random HCs on the fly. I'm aiming for a goody-feel with this one so no heavy angst will be involved.

• Alright, so. Xudong is the leader of the Gourmet Supremos, and he only found you because when you land in Inazuma, you literally dropped into their camp and was about to steal a sausage from Julie's backpack (but there were so many ingredients there!!!)

• Xudong was fuming, lmao.

"THIEF!! SOMEONE, HELP!"

• Aight, geez, made you run a marathon there.

• The next time you've met, all three were together and they saw you roasting some lavender melon in some dilapidated tent you found while walking aimlessly. Hey, better than no shelter at all. For some unfathomable reason, your inventory only consists of food materials - with everything, and I mean everything, missing.

• God damn. It's like the heaven is telling you something. 🙄

• Anyways, yeah. So for some reason, the only access to the goddamn ingredients are locked, and you can't use it and you don't know when you would be able to use it, so you have to scrounge up whatever pitiful sources you can get.

• Sadly, it's mostly lavender melons.

• Like, you already made several dishes from this and it's really starting to grind on your gears, so you took a dive in one of the caverns and found some meat and was happily grilling it with the melons when the trio came out of nowhere.

"Thief!"

The hell. "I didn't get the sausage, though."

"But you still tried to!"

"I mean, I was dying of hunger, so.. you know."

Julie, bless her heart, gets in between you two. "It's fine, Xudong. They needed help, did they not?"

"But-"

This time, Parvaneh chimes in. "As they've told you, they didn't get anything, so let it go. And you." She points at you with calloused finger. "Who are you?"

That caught you off guard a little. Told them your name and, to Xudong's bewilderment, started chatting amicably with you. Some time later though, he softened a bit but still a little cautious. They traded cooking tips with you, and, to their utmost surprise, you exchanged many tips on cooking as well.

"How do you know all this?" Xudong asked as you finished explaining the difference between sauteing onion and garlic first.

"Oh. I'm uh, a professional chef back in our place. Been years though, so yeah." You replied as you took a bite of their chicken. "Holy shit, why is this so good?"

Julie and Parvaneh just smiled proudly.

• So like, you became a new addition to their team - but you actually specialize in desserts. Xudong has many a great views in cooking, as well as the two ladies, and together you journeyed the whole of Inazuma for rare ingredients and made some two or three journals that have been since published and loved by people. (The fangirling/fanboying is real when you saw Xiangling's message drooling about your own version of Tiramisu).

• One day, however, you lot came across a shrine - it doesn't look abandoned, oddly, but it looks really, really old. You asked them what's the deal with this one, and they explained about the Creator.

Oh.

You're in SAGAU?

Shit.

"People said they've come back, but we don't really know.."

Double shit.

• With that knowledge, you try and avoid the main cities as much as possible and only let the three buy on populated areas. Thank God they didn't really notice you suddenly covering half your face with a mask - which you only shrugged when asked.

"I like masks."

Fair enough, they suppose.

• ..oh fuck, is that Yae Miko?

"Ara, and who is this?"

Xudong, Julie and Parvaneh bows and you hastily followed.

"She is our new companion, Lady Miko."

"..yo."

She looks at you with an impish grin. "Oh?"

Dont act suspicious. Don't act suspicious.

Nice.

• Coming across the main characters from the game are very, VERY rare. You can actually count on one hand the characters you've met:

Yae Miko;

Thoma (he was going around asking for favors as usual and you bump into each other and only had quick apologies as interaction);

Kujou Sara (she was patrolling the area and asked about your mask - which you replied that it's part of your outfit. damn, her glare was fucking menacing!);

Kuki Shinobu (you were side to side buying groceries once), and lastly;

Kamisato Ayato (you actually didn't meet - you just saw him giving speech in a podium for some event you just came across).

• You figured, hey, maybe you're NOT the creator or whatever. And just tried to live normally after some time. The mask stayed though, because you just survived the pandemic back here and was cautious.

• About a year and six months with the team, Xudong suggested you come all to Sumeru to expand your knowledge. Holy shit, yes please!

• ..and then you met the Traveler on your way.

"Your Grace..?"

Triple shit.

😭 sorry for disappearing for about a year - i was too lazy finishing anything. And now, I added another idea not to finish on the list 💀 wrote this whole thing in like 30 minutes motivation really is a wonderful thing, huh?

#sagau brainrot #genshin impact #genshin impact sagau #genshin isekai #genshin headcanons #sagau idea #sagau x reader #sagau #genshin sagau

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greenthena · 5 months

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Buck up, Hamlet!

***Trigger warning: Death and taking your own life in the context of Shakespeare***

Aziraphale likes Hamlet. Likes the play so much, that he bats his eyelashes at Crowley until the demon performs a miracle to make the mopey Prince of Denmark more popular. Well, good job, the both of you, because four hundred and some odd years later, you still can't get through repertory auditions without some bugger hoisting a skull and starting that monologue. Not that I don't appreciate Hamlet from a structural and analytical perspective. And the Prince of Denmark is a character most actors would sacrifice several toes to play. But it's dark. It's not a fun one.

So why does Aziraphale like it so much? Why's this fluffy little angel so Hell-bent on one of Shakespeare's tragedies? Join me, friendly Good Omens scholars, and let's suss some shit out.

Crowley adamantly dislikes Shakespeare's tragedies. "This isn't one of Shakespeare's gloomy ones, is it? Arghhhh. No wonder no one is here," he complains, wilting like a floppy noodle. Of course, it doesn't take much for Aziraphale to weasel the demon into miracling more people into the audience. But Crowley makes a point to say that he "still prefer(s) the funny ones" as he's leaving The Globe.

Crowley, I would argue, goes to the theatre to escape his real-life situation. He's a bloody demon who, when he's not stationed on Earth, literally goes to Hell. And it's not a nice place. Crowley's everyday life (particularly when he's not around Aziraphale) revolves around pain and suffering--whether its his or someone else's is insignificant. What matters is that regularly sees and experiences tangible, visceral representations of tragedy in his actual existence. Of course he prefers Shakespeare's funny ones! They're a reminder that the world and the human race that he's accidentally become so attached to is full of more than torment and affliction. Crowley doesn't appreciate Shakespeare's tragedies because they're an extension of his own suffering, with which he's already intimately familiar. For Crowley, attending a Shakespearean tragedy is like picking a scab. You already know you've been injured and fussing with the damned thing only makes it worse.

This is not the case for Azirapahle. As an angel, he's not allowed to have any scabs, much less pick at them. Like Crowley, he sees suffering in the world. He knows that humanity is constantly facing difficult odds, and even the most wonderful of human lives eventually ends in death. But unlike Crowley, Aziraphale works within a system in which there is no gray space--and therefore, no room for an angel, an agent of the side of righteousness, to experience doubt in the Ineffable Plan. The Heavenly model is to deal with problems by pretending they don't exist. Heaven has an image to maintain, after all. Like, the sheer amount of repression we see amongst the Heavenly Host is honestly terrifying. I'm thinking about the way in which The Metatron frames the Fall and damnation of a third of the angels. "For one Prince of Heaven to be cast into the outer darkness makes a good story. For it to happen twice, makes it look like there is some kind of institutional problem." It's so cold and removed because to process something so traumatic would not fit the image of Heaven. So it's neatly boxed up and packed away into a soundbite that better fits Heaven's corporate brand.

Aziraphale's suffering is certainly no less than Crowley's. The angel's trauma is repressed. It's cloaked in shining bright hallways of pure angelic light. It's hidden behind false words and tight smiles. It's communicated passive-aggressively by abusers who still have the angel caught in their web of control and manipulation. At least Crowley's trauma is visible. When he fell, the demon took on a new appearance that physically demonstrates his suffering. He has access to feelings of anger and frustration and he's allowed to express these things because he's a demon. He doesn't have to be good.

Since Aziraphale is not permitted to own his emotions and his trauma, he outsources them. He enjoys Shakespeare's tragedies because they give him the opportunity to achieve second-hand catharsis. He may not be able to admit that he's suffering, but he can experience Hamlet's pain vicariously.

***Reminding you of that trigger warning, folks!***

And this is where we get to the question, "To be, or not to be?" This is the moment in S1 E3 when Aziraphale interacts with Richard Burbage, and shouts out, "To be! Not to be! Come on, Hamlet, buck up!" He says this with this coy little smile, obviously trying to get a laugh out of Crowley. But it's indicative of a more serious dilemma that the angel, himself, must parse out. In Shakespeare's play, Hamlet's query is expressed as he wrestles with the choice between life and death. Essentially, it's a contemplation of suicide--a dark part of humanity that Heaven manages by eternally condemning those who would risk it. However there's another way to read this question, not as life and death, but as agency and the lack thereof. We think of "to be" as the choice for life and "not to be" as the option for suicide. But the only way in which Hamlet can express his agency is by taking control of the one thing that truly belongs to him: his own life. So when asking this question of an eternal being, what exactly does it mean, "To be?" What does it mean for Aziraphale to express agency in his immortal existence?

In Western thought, we tend to divide things into binaries: right and wrong, black and white, good and evil...to be or not to be. Back in the Garden if Eden, Crowley first introduced Adam and Eve to the idea that they had a choice. The serpent presented two options, obey or disobey God's authority. Though I think a better way of looking at it would be to say, passively accept your role or have agency in your fate. This is Crowley's method. He never pushes temptations upon you. He just wants to make sure you know all your options.

Like Hamlet, Aziraphale is presented with the choice of, "To be or not to be?" He can sign on the dotted line and follow Heaven's authority or he can be an angel with agency, an angel that goes along with Heaven as far as he can. And though Aziraphale still struggles with how exactly free will pertains to angels, Crowley shows him time and time again that he has options--he can make his own choices. From the very first interaction between the angel and the demon on the wall of Eden, Crowley (ever the optimist) knows there is hope for some meaningful connection with Aziraphale, because the angel makes a choice for himself: he gives away his sword. And from that moment, Crowley realizes that this angel might be just enough of a bastard to be worth knowing.

It's no wonder Aziraphale gets attached to the tragedy of Hamlet. It allows him to observe and process the darker and more difficult emotions that he, as an angel, struggles to manage. And perhaps more importantly, the Prince of Denmark's famous soliloquy mirrors of Crowley's method of temptation, wherein the demon simply reminds him that he has a choice and that, even as an angel, he can find ways to express his agency.

#good omens #aziraphale #aziracrow #crowley #hamlet #shakespeare #free will #our side #ineffable #just enough of a bastard to be worth knowing

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robinwinged · 4 months

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escapism in "the boy and the heron"

Interrupting my regularly scheduled programming of Good Omens brainrot for this attempt to process the wonderful, fantastical, and distinctly discombobulating experience of watching Hayao Miyazaki’s “The Boy and the Heron.”

Miyazaki’s films, at least to me, have never been straightforward to follow. Spirited Away, for example, is a beautiful masterpiece whose meaning is difficult to decipher on a first watch, and is only fully unveiled when you dive headfirst into research of Japan’s context and the movie’s many symbolic themes. The Boy and the Heron takes this typical Miyazaki complexity and ineffability and turns it up to eleven. There are so many elements that seem random, so many narrative arcs and characters all warring for attention (what is the tower? why are the parakeets so goddamn bloodthirsty? why is the blue heron such a creepy old man?), that combine to create a whimsical but overall also very strange landscape.

I know that art in general does not have to have “meaning” or “a message” to be deserving of our love and attention. Art can be touching, affecting, disturbing, provoking - any number of things that would give it credit - and damn it if The Boy and the Heron isn’t all of these combined. But.

But.

This is also a Miyazaki movie, and he has proven once and time again why he is the master of hidden meaning, and so here, in no particular order, are my half-formed rambles on what I have personally think each movie detail that I struggled to puzzle out initially is about.

(spoilers below, so proceed with caution!)

The tower, time, and escapism

The tower is the central mystery point of the movie - a literal mystical rock that crashed down from the heavens and later lured Mahito’s grand-grand uncle (let’s call him the Tower Master for convenience’s sake) into its depths. Within the tower is a mirage world filled with magic but no real living beings, controlled by the whims of the Tower Master and nothing else that remotely resembles logic or reality. The tower also contains a series of doors that seem to lead to different points in time, if the ending is to go by and how the 13 blocks are meant to be pieces of worlds the Tower Master has visited. So what is this strange and fantastic realm, and what role does it play in the overarching narrative?

My hypothesis is that the Tower is a pocket free from the influence of time (think like the TVA in Loki) - a separate island running parallel to the fabric of the universe that contains portals to different points of past, present, and future. By itself, the pocket has no life or substance; it must be filled by the imagination - pure imagination, untethered to reality - of its main (human) inhabitant. This is why most of the ships are illusions rather than real objects, why the parakeets are so ridiculously odd and behave nothing like real

birds, why the fish is the size of Kiriko’s damn ship. Anything that is real, has to be brought in from the real world (see: the pelicans, Himi, and Kiriko). This is also why the parakeet king immediately topples the tower: yes, he is not the Tower Master’s descendant, but he is also not inherently a real sentient being, and an imaginary object cannot in itself sustain a further imagination.

So why does the Tower Master choose to sequester himself in this alternate space, where he can only exist alone with his own mysterious creations? I think the Tower Master represents those of us who wish to escape from reality, to inhabit worlds which we can control, where pain doesn’t have to touch us if we don’t wish for it (whether I’m projecting reallyyyyy hard at this point does not matter ok). He is an insanely avid reader, with books literally piled in small mountains throughout his living quarters, and don’t we readers (i.e me, again) always wish for escapism? The Tower Master, then, is an example of those who would rather become entrapped in our own minds rather than deal with the world beyond us - maybe, even in a way, a little like Miyazaki himself, whose imagination is so powerful but is also extremely singular and all-consuming, anchoring him to his creative work without reprieve of retirement until his reserves run dry (not to imply that the man is a hermit or that I want him to retire, quite the opposite in fact, but parallels, no matter how shaky, can still be drawn).

This, too, explains why the Tower Master needs Mahito to control the world for him. It is not because he’s grown old, since he cannot be affected by time in the Tower, but it is because his imagination is stagnating - he is no longer capable of finding new ways to balance the tower, he cannot sustain the fantasy any longer. In itself, this can already serve as a message from Miyazaki - we cannot hope to live only within the confines of our minds if we do not interact at all with the real world, because then at some point we will run out of material, of lived experiences to build on top of, and threaten to crumble the fragile imaginary world we have created.

Himi and her fire powers

Himi is a strange hiccup in the system - a rare occurrence of a living person in this fantasy playland that wasn’t brought into it during Mahito’s own entrance, like Kiriko. This theory is a little bit out there, I can totally appreciate that myself, but remember that one year in which Mahiko disappeared from the real world and then came back completely unchanged? I think she chose to stay there for much longer than a year, knowing that time didn’t work the same in this pocket world and she always had the chance to return to her original timeline through the handy door-portals. I think Himi has stayed there essentially until she met Mahito - so long that she actually grew into a part of the fantasy, developing impossible pyrokinetic powers and becoming a set part of the landscape in exchange for extended youth. But this stay didn’t come without consequences. In the real world, Mahiko passes away in a fire, at a younger age than would be expected. Perhaps this, in itself, is a punishment for cheating time - the universe reclaiming the years that Himi spent in the Tower. It’s also definitely not a coincidence that Himi can control fire in the Tower, and dies by fire in the real world; a form of lethal poetic justice, if you will. Seeing Mahito was the trigger for Himi to leave, to embrace her own destiny, because she could now see and be proud of the outcomes of her life and not have regrets about missing out on the life passing her by. (This interpretation would then necessarily imply a deterministic version of life and time, so it’s probably not everyone’s cup of tea, but I think it makes sense in this version because you see doors way farther down than the present which Mahito steps into.)

The starving pelicans

The pelicans are another anomaly because they, too, are not figments of the Tower Master’s imagination, but instead have been brought into this fantasy world, for one reason or another, likely against their will. And this is where the Tower Master’s escape from reality cracks and burns at the foundation - he creates harm rather than good when he brings in the pelicans, because he does not account for the fact that they cannot exist without a source of food, and they then are forced to eat the Warawara to survive. The movie states that the Warawara are like baby souls, who ascend to become new lives, but I think it’s a little more metaphorical than literal rebirth. For me the Warawara are metaphorical ideas or seedlings of inspiration, the only parts of the Tower Master’s creations which aren’t fully formed, but allowed to grow by themselves and escape into the world - like passing the spark of creation to others outside the Tower. And the pelicans, involuntary prisoners of the Tower Master’s fantasy world, must prey on the Warawara before they have the chance to become real. This can be seen (if you squint real hard and do some violent spins so your vision is hella blurry) as the beginning of the end of the Tower Master’s reign - the forceful inclusion of other sentient beings inside his imagination doesn’t help him enrich his internal realm, but rather snuffs out the genuine inspiration that he could be passing onto others, creating pain where the Tower Master hoped to be spared from it.

Mahito’s rejection of the Tower

So with this central “Tower as escapism” theory, what does Mahito’s rejection to take over for the Tower Master mean? There is a moment that was so subtly powerful in that final exchange between the two, when Mahito stops denying the truth by telling everyone that he got his scar from falling, and instead admits that self-harm was the actual cause. At the beginning of the movie, I viewed that moment of very painful self-harm as Mahito’s wish to withdraw from the challenges of life - to live in isolation away from the grief over losing his mother, the challenges of being the rich new kid in town, the overwhelming discomfort of seeing his father shack up with his aunt. His reality is agonizing for him, and the fantasy land is so beautiful in its strange way that it could become a safe haven away from his trauma. But when Mahito says “no”, he is choosing reality; he is choosing to do the hard work, to face all the hardships life can throw at him, because he feels finally strong enough to not need to use imagination as an escapist crutch. In those final moments, Mahito is choosing to live in a world that he cannot control, because no matter how tough things get, he doesn’t have to do it alone - and that’s what I think Miyazaki is telling us too.

Of course, the movie also deals with themes of class conflict and war profiteering; grief and acceptance; continuing your ancestors’ legacies versus paving your own path, which many have already discussed and I don’t particularly have anything new to add to. Regardless, these themes are masterfully woven into the plot, as per usual, and serve to elevate the movie’s emotional impact into something heart-twisting and truly unforgettable.

Alright, ramble over - back to fandom lurking!

#the boy and the heron #studio ghibli #hayao miyazaki #the boy and the heron spoilers #robin rambles #the kind of movie that makes you think #or perhaps overthink??#the boy and the heron meta

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rowanwithaz · 4 months

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The Doubt Of Izuku's Feelings

If you think Katsuki's romantic feelings may be more apparent than Izuku's...

I kinda understand.

Izuku could love Katsuki,just not romantically.

But,here's the thing,we have seen time,and time,and time again that the feelings Izuku feels for Katsuki are different from the ones he feels for Katsuki. I have no doubt in my mind that if Katsuki's romantic feelings are cannon,then so are Izuku's.

"Kacchan and the others"

Izuku OBVIOUSLY sees Katsuki differently than he does the rest of his class,sure we could sum it up to them being childhood friends,BUT,even though Izuku gets extremely close with the rest of his class,he still separates them like that.

(This whole scene is gay as hell).

But,I'd like to bring up something interesting:

We established Ochako's crush on Izuku before this happened. (Y'know,when Ayoama said she was in love?) I think it's interesting that's a very common pattern. We'll say something Ochako does/feels for Izuku is romantic then Izuku will do the SAME DAMN THING for Katsuki .

After he got closer with everyone else:

It's still the SAME. Kacchan and the others. So,we established Izuku was Katsuki,and from one of the last times we saw him kinda think,still sees Katsuki differently.

Let's not forget my favorite:

Compress's gaydar!

Izuku's feelings are called out for being possessive,a feeling we still haven't seen Izuku feel for any other of his friends,speaking of,

Even thought most of Izuku's friends are okay,even though they had managed to prevent Tokayami from being kidnapped,he still sees it as a complete loss because of his different feelings for Katsuki,which even Kirishima notices!

So,yes,Izuku's feelings are different,they aren't like the ones he has for his other friends,we have yet to say what these feelings are..or have we? We'll check in with that soon!

Black Whip

When Izuku gets Black Whip,we all know it has to do with Kacchan on some level. But,how do we know this is the case? How do we know Katsuki is the one triggering Black Whi-

Oh,yeah,it was said directly in the manga. (I'll talk about this scene in another section).

BUT,Black Whip is all about Izuku keeping his emotions in check,controlling his heart,I've said it before,and I'll say it again:

Black Whip is the result of negative feelings,caused by strong/positive emotions. Seeing someone you care about so MUCH,get hurt can make you get mad. Yes,Izuku obviously cares about everyone,and he gets upset when they get hurt too,but as I stated previously: we've already established within the manga Izuku feels differently about Katsuki,so it makes sense his anger would be more intense/different since that's how he feels.

Black Whip is about keeping your negative emotions in check,

SO,why does Izuku control his heart,and what does it have to do with Katsuki? Well,Black Whip kinda seems like a metaphor for being closeted,but here's the thing:

If you're like me,you think Izuku struggles with internalized homophobia,and,here's something kinda sad,since the feelings he feels for Katsuki are so tied to Black Whip,he views his feelings for Katsuki negatively,that's why Izuku is so hell bent on "controlling his heart," since he sees the way he feels about Katsuki like this. It also doesn't help that his feelings only seem to hurt Katsuki.

Izuku doesn't want to hurt the person people he loves (I'm foreshadowing in my own damn post,deal with it) with his negative emotions,and since his biggest feeling seems to only bring negativity,he should control his heart.

Toga's rejection

Here's something extremely important when considering Izuku's feelings:

When and how he rejected Toga.

In the rejection; he brings up the fact,

He understands,wanting to be like someone can be fulfilling,it is to Izuku too (which no one brings up?) but he could never hurt someone he loves. And here it is,guys. Izuku literally says he loves "All Might" in this romantic context,but here's the thing,we already know Izuku feels closer to someone than All Might,we already know Izuku has been chasing after and trying to be like someone.

It's Katsuki. How do we know if it really is him? Clues! First,

I've seen people say the narration probably isn't by Katsuki,but we all have already seen "That damned nerd" as something Katsuki would say. So,even if it isn't Katsuki (which I think it is!) We already get the impression "oh,yeah,Katsuki."

Also think that little coincidence is telling. ALSO. Those who are worried about Hori doing an Izuchako endgame,Izuku rejecting Toga's feelings is the same as him rejecting Ochako's. Since we've established the way Toga and Ochako feel about Izuku is very similar.

Targeting

The villains quite literally target Izuku because of his feelings for Katsuki (this kind of goes with the first section) but why doesn't he directly target anyone else with the same mindset?

Because of what Izuku feels for Katsuki is so much different than everyone else.

And Monoma! He targets Katsuki to get a rise out of Izuku when he realizes that making fun of,or threatening Izuku's group doesn't work.

Then, of course,when we have this scene,it honestly clears the air.

When he says Katsuki will be a "present" for Izuku ,well,what does Shiggy say to Izuku when he sees him?

How do we know it's romantic? Well,the last chapter we saw Izuku in was all about 'romance ',isn't it odd it turned out like that? A love confession,then this. Just interesting timing....

And those are just the basics! If you feel like Izuku's feelings may not be romantic,I think it's important to note we have Izuku do the same things Horikoshi has established as romantic to Katsuki. I mean,when Izuku doesn't finish his thinking when it's about Black Whip or Katsuki? That's very similar to how Ochako was with Izuku. Which,yes,guys,Izuchako is very important for GreeNade and Togachako's development. I'll probably make a whole post about my thoughts on that sooner or later.

Anyways,this has gotten to long.

#Dkbk #Bkdk #GreeNade #dekucchan #mha #Bnha #midoryia izuku #This kinda got away from me #Deku #I've not made a post solely on Izuku #In a long time

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xxlovelynovaxx · 4 months

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The whole point is you don't know if they're fem cis men. You don't know if they're trans men. You don't know if they're trans women deeply closeted for their safety. You don't know if they're trans women whom misgendering will drive them further AWAY from their egg cracking and harm them. You. Don't. Know.

Misgendering is bad. "Clocking" someone is bad. Making assumptions about someone's identity and then turning it into a "joke" is bad. What's funny about misgendering someone?

Also, this discourse is literally in the context of the queer community. It's literally in the context of the queer community having an antimasculinity and gender essentialism problem. It's also in the context of gender stereotypes and the fact that smelling like flowers or painting your nails making you a girl doesn't become less of a harmless stereotype because it's a trans woman saying it. Like oh wow we went full circle from "girls play with dolls and like pink" to "trans girls play with dolls and like pink". Congrats on alienating every non-femme trans woman and femme trans non-woman.

It's not fucking transmisogyny to tell you not to misgender people or assume liking frilly things makes someone a girl. It's not fucking transmisogyny to tell you that the QUEER and especially TRANS communities have an issue with valorizing femininity while demonizing masculinity. It's not fucking transmisogyny to acknowledge this while acknowledging that actual transmisogyny demonizes transfemininity while infantilizing and erasing transmasculinity.

I'm putting the word transmisogyny on a high shelf until the rest of y'all learn what it actually fucking means. Transmisogyny isn't when an entitled white trans woman gets called out for doing actual harm. Like "joking" about misgendering someone. Or "joking" about being racist and going through a "nazi phase". Or "joking" about "raping cuntboys". It might be affirming that some queer people take your white woman's tears at face value, but here's the thing:

You're lovely women who deserve to have every access to transition, to resources, to be treated equally to cis people. You're just really fucking shitty people. You're bigots, you're cruel, you're cliquey, and you're like every boring high school mean girl who never grew out of pettily bullying other vulnerable people to get over the pathetic inadequacies of your own life circumstances.

People like that deserve community and kindness too. They also deserve not to have their behavior tolerated and to have to deal with compassionate rehabilitative justice. Those things can both be true, especially when the people they are hurting explain until our throats are raw how they're hurting us and they just keep doing it. Because the thing is, it's not actually about any "societal pressure to transition", and the fact you think it is shows you haven't listened to a single actual criticism anyone has had of the whole "egg discourse".

Other people have already explained more patiently and eloquently than me what exactly the problem with calling someone an egg is. I'd think you'd be concerned minimally with how it hurts actual transfem eggs more than anything, even if you don't care about how it very much does hurt transmascs and GNC cis men and the movement of transfeminism as a damn whole to insist "haha liking fem things=woman".

Explain what's funny about that. I'll wait.

Anyway, this was reblogged from someone I long ago considered a friend, someone I thought was better than this. I really thought most trans people were better than this when I first entered the community. I still hope some are. You deserve to be told that this is wrong, because you deserve to be reminded that you're better people than this kind of bullshit.

-your utterly over it neighborhood intersex transneufemmasc

#I AM a fucking trans woman and you'll never fucking convince me that joking about misgendering people is okay #regardless of their actual identity #or that joking about clocking people is okay #or the harm this does to actual eggs is okay #or the harm this does to transmascs and GNC folks is okay #or the ways this sets both cisfeminism and transfeminism back to the fucking 90s at least is okay #y'all are as bad as bigoted comedians clinging to the same unfunny jokes and crying bigotry just bc people tell you it's bigoted #like seriously y'all fucking get over yourselves #discourse cw

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ovaryacted · 1 month

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do you think re4make leon knows how to fuck? 👀

The little eye emoji at the end is making me laugh. But hmm, I've actually thought of this before in-depth, and if I'm gonna be completely honest...probably not. HOLD ON HOLD ON! HEAR ME OUT FIRST DON'T BOO ME OFF THE STAGE!

So in my mind (keyword: my), I don't think Leon would know how to "fuck". He's just not a #realfucker. HOWEVER, that does not mean he is an idiot when it comes to sex and what to do. He just doesn't have enough "experience" that would put him in a category of people who are masters in the bedroom, and that is okay! Frankly, I think it's more realistic and sticks to his loser persona.

I mean, we are dealing with a 27/28-year-old man with immense trauma and survivor's guilt who's been blackmailed into military service and literally thinks about dying frequently. He's in Spain fighting demons both literally and figuratively and has one foot in the grave at all times. No, I don't think he knows how to fuck, he probably hasn't even really done anything that would qualify as "fucking" in a healthy way.

He'd probably have limited chances to actually get involved with anyone, especially if he was being trained to the degree he was. Also, if he was under Krauser's supervision and being trained by him as a means of survival, he doesn't know anything about another human's touch outside of obligation. Not to mention the context of the period he was in the military (close to the early 2000s I think), he probably experienced a fuck ton of homophobia for being a "pretty boy" anyway and that would be a direct jab to his wavering self-confidence.

If anything, he's probably had some quick blowjobs or given them, but actual sex? Nah, his brain can't comprehend doing something like that when he's too busy wondering if he'll live to see another day.

Let us say he was allowed to fuck somebody, I think he would be clueless on where to start or what to do. Sure, Leon is smart and perceptive, he'll be able to adapt eventually, but it won't be a natural process. I made an analysis post about this topic a while ago, about viewing Leon as a sex god when he's the complete opposite in my mind, and I always come back to that because that's how I interpret him.

Does he know where the clit is? Does he know what to do with a dick? Sure, he knows enough about the female and male body to understand what to touch and what goes where. The thing he doesn't know is how to do it in a way that makes both parties feel good, and how it varies from person to person. Has he watched porn or looked through magazines? Probably back when he was a hormonal teenager with nothing better to do, or before he found himself in his current situation, but he doesn't like it. He doesn't see women in particular in the same light as every other form of media views them, so his perception of sex and how it should be done contradicts the norm. Or, he just assumes that he should know what to do, and since he doesn't or can't seem to figure it out, he doesn't bother trying to find out.

He doesn't give me those vibes that he's someone who would know what to do in the bedroom off that bat, and I'm not saying that to be a bummer but that's how I see him at least during this part of his life. But, if you trust him and make him feel comfortable enough by reassuring him as you guide him in the process, he will know how to fuck but primarily know how to fuck you.

Even if I say he doesn't know how to fuck (outside of the regular missionary but he finishes too early so it's embarrassing), he will always be a munch to me. That is his skill in the bedroom, his thing. I always say this but to me, the reason why he doesn't know how to fuck is because he's too damn busy diving headfirst into some pussy so he doesn't care about the whole "fucking" aspect of things. He gets off on getting his partners off, that's just the truth, my truth and I'm sticking to it.

#ovaryacted asks #just some real shit on the timeline idk #don't fight with me though #cause I know y'all like to tussle #and I'm letting you know I said what I said #leon kennedy #leon scott kennedy #leon s kennedy #ovaryacted thoughts

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woklaza · 1 month

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Alright, I was scrolling through TikTok mindlessly today when I came across this certain manga panel:

And well… the first thing we all thought was that Dazai fucked the nurse so well that she came back for a round two, and that’s what the manga wanted us to think.

I don’t know how I’ve been in the fandom for so long and yet still be oblivious of this panel. Anyway, to do more investigation on the context, I searched ‘nurse scene bsd’ online and I was genuinely disgusted by the way some people were expanding and misinterpreting this.

No.1) Here’s a reminder that Dazai is literally in physical pain when this took place since he just underwent a surgery, so no. He’s not doing that for sexual pleasure.

No.2) No. why the fuck are you people jealous of the damn nurse? I do not see the point in explaining this further.

No.3) Directly addressing to a certain people that he is not being a womaniser. In this case, at least.

For context, this is chapter 50, and it was basically after Dazai was shot by a sniper hired by Fyodor, and right now he was using his phone to call Junichiro to discuss tactics etc. on how to deal with the cannibalism. Before this panel, the nurse tried to stop Dazai from using his phone and snatched it away and Dazai did what he did in order to get his phone back and continue his convo with Junichiro.

This panel shows Dazai being literally unbothered and casual about using his body to get what he needs— I feel like this trick reeks of Mafia-style, I am almost certain Dazai learnt to use his body to get what he desires from the Mafia. Okay— that's just sad. Imagine lacking so much self-worth that you are willing to literally fuck a person you barely know and be unbothered by it. This panel really shows how Dazai thinks of himself- a tool. No longer human.

It's honestly just sad. Whatever hell he was taught in the mafia fucked him up more than he already was.

#bsd #bsd dazai #dazai osamu #bungo stray dogs #dazai bungou stray dogs #As always fuck the immature people on TikTok for their takes on this scene #bsd analysis #character analysis #dazai character analysis

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lord-squiggletits · 3 months

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The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.

But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.

God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.

All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned

#squiggposting #ive been here too long and seen the same shit too many times #i'm tired of going 'maybe it's just a difference in taste' nope #the issue is literally just double standards and people not reading the text or taking things out of context #and the worst part is if this were just something OP haters did i would get it #after all if you just dont like OP then of course you arent gonna find anything interesting or compelling #but i see this shit from literally other MOP fans who supposedly love M and OP #but their OP takes are shit and i can count the no. of people who write IDW OP on one hand #i kind of thought that at least among other OP fans there would be deeper readings but if anything it's worse #fandom OP content is 50% haha funny dad jokes g1 knockoff OP and 50% yaoi uke twink sad baby OP #so unimaginative. so fucking boring. so immature #to style yourselves some sort of mature TF fans and then viciously reject the One OP who #dared to be written a little darker and more flawed than any others #it's literally just people refusing to give a chance to any nuanced take on OP #they just want him to be There and Nice and for his biggest flaw to be Being Annoying About Equality or something #might delete later might not

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