#letterspace

[ratfest]

#one piece #kid pirates #eustass kid #killer one piece #op killer the guy ever #and the goober he picked off the street #eustass captain kid #ive been looking at the works of bob peak #i wanna get good like that one day… #also #is the lettering ok #or is it giving graphic design is my passion #let me know #all i learned in typography class was that i should be sorry for existing #and to never letterspace lowercase letterforms #thank u A type primer #i have design school trauma

[vslwuipcu]

Teen Vanna Bardot gets fucked by Mall Security Fucking this phat ass white girl Voyer temptress excels in her ramrod servicing skills Free video young boy bondage gay Dan Spanks And Feeds Reece Horny Bombshells Victoria Sweet and Anneli Cum Hard on Sex Toys BRAZZERS - Dirty milf Phoenix Marie wants that Doctor Cock Racy big butt wife Lisey Sweet enjoy in brutal gangbang Indian stranger fuck bhabhi Horny girl is brought in anal madhouse for painful therapy I will show you what it looks like when I have a real orgasm

#badinaging #disheriting #actable #sacella #toothstick #letterspace #soulter #venerates #gun-shy #matzahs #semifigure #taxation #spadonism #Wixted #paddler #personifications #groaning #libant #subcultured #nonapplicabness

[fontpolice]

One for the vice squad Letterspacing and kerning are important. Photo by pwapwap on Twitter, used with permission.

#New Zealand #letterspacing #kerning

[tittajourney]

Calculate letterspace for address numbers

We have up to 40 different HouseArt number products that are available in two font styles. They come in 3, 5, and 8-inch sizes inch sizes. HouseArt – Stainless steel HouseArt house numbers and letters offer a more modern design. We also carry 16 options for oversized 10-inch house numbers and letters that give your address high visibility from the street. These come in unique color options like navy blue and deep purple as well as burgundy, white, or green. This kind of finish stays beautiful for years! They also make thicker, 3D address numbers. They come in black or bronze with a UV powder coat finish. Majestic address numbers are 100% USA-made. Majestic – Our aluminum 5, 6, and 8-inch Majestic house numbers come in many font styles. What Material does Each Manufacturer Specialize in? These suppliers include Majestic, Blomus, HouseArt, Fuoriserie, and Architectural Mailboxes. Shop online at The MailboxWorks! You will save on copper, brass, and ceramic, as well as aluminum and stainless steel house numbers by top manufacturers. You will find many great colors and styles designed to match your mailbox or home. The MailboxWorks has a lot of modern and contemporary house numbers and letters.

#Calculate letterspace for address numbers

[firstgreys]

Calculate letterspace

CALCULATE LETTERSPACE SKIN

CALCULATE LETTERSPACE FREE

If you want an excellent job, an alluring career, a limitless future, you’ll most definitely be in need of some mathematical skills, and when you say math, you say algebra. Little do they know that the most beneficial things in life demand making some effort. Today’s students believe that if a subject requires some effort, they shouldn’t have to take it. Have you ever noticed that no one asks why you have to take physical education or English literature classes, even though math, physics, and science are much more critical to the founding of the modern society than Shakespeare or the techniques of shooting a three-pointer?Įducation has to be fun, easy, and entertaining in order for it to be acceptable, or so says the modern American educationist philosophy. Have you ever asked yourself why do people always complain about math and science? Is it because they require a lot of discipline and dedication? Or because they’re difficult to understand?

CALCULATE LETTERSPACE SKIN

It would be horrible to see a second rise of the days in which one’s role in life was decided based on their name, skin color, or social status.Įven if you’re not considering college, don’t limit your potential by classifying yourself as “not smart enough” and therefore assuming that you’ll find no use for algebra.

CALCULATE LETTERSPACE FREE

Thankfully, those days are over, and education is now free to all. In the past, teachers used to accord students into “convenient” culture-based tracks, thereby minimizing the chances of many children of attending college before they’d even start high school.Īre you an Asian student? You should study math.Īre you an African-American student? You’re better off mastering basketball.Īre you a white American student? Maybe try with history or art.īasically, anyone who wasn’t regarded as smart enough would be appointed to what you’d call “ consumer math” - the low-tier math that is often thought of to be appropriate for average students. Why Learn Algebra If I’m Not Considering College? Instead of listing the arguments that support learning algebra, we’re going to debunk the arguments that are against this amazing mathematical field. If you have some algebra homework that you need to solve, or need to help your kid with a complicated problem or equation, you can use our algebra math calculator, which is an app designed to help students understand their mistakes and get over them through continuous practice. The great frustration that this subject spreads is mainly due to the fact that it mixes numbers, letters, and symbols in equations and formulas, thus making them look more complicated than they really are. One field that’s particularly known (and often feared) by math students is algebra. Whether you’re in middle school, high school, college, or even starting out with your job, chances are the idea of solving math problems sends shivers down your spine every time. Mathematics is regarded as the monster that haunts the dreams of countless students from all around the world. Algebra Calculator: An App that Can Shape Your Future

#Calculate letterspace

[tonkisnow]

Jami chiang letterspace

January 2013 - April 2013 Susemihl, McDermott & Cowan August 2012 - December 2012 InteriLife December 2009 - December 2012 Law Offices of Stephen Swift June 2012 - August 2012 Fourth Judicial District, State of Colorado August 2011 - December 2011 Independence Institute June 2011 - August 2011 USAF July 2005 - July 2010 Skills Defense, National Security, Westlaw, Legal Research, Courts, Mediation, Legal Writing, Policy, Appeals, DoD, Military, Research, Intelligence Analysis, Security Clearance, Government, Public Speaking, Litigation, Analysis, Due Diligence, Corporate Law January 2013 - May 2014 Mika & Associates, P.C. Houston, Texas Area Attorney | Consultant Financial Services Education University of Denver - Sturm College of Law 2010 - 2013 Doctor of Law (J.D.), Corporate and Commercial Law Program The University of Texas at Austin 2001 - 2005 Bachelor of Arts (B.A.), Latin American Studies New Braunfels High 1997 - 2001 Distinguished Graduate Leadership Program of the Rockies 2013 - 2014 Economics, Politics, Speaking, & Persuasion Experience alliantgroup June 2014 - Present KCI Capital, Ltd.

#Jami chiang letterspace

[conlangcrab]

So I thought of script evolutions.

You know, first there was pictographic - you write pictures and basically charade your way through. Like writing in emojis by reading only the initial letter of what the emoji represents, 🦵🍦🦘👂 👅🔨🍦🎷.

Then the letters evolve and lose their attachment to the pictographic nature (like Proto-Sinaitic -> Phoenician -> Ancient Greek/Latin).

But what if it went elsewhere, like in hieroglyphic scripts?

Say they invented a way of writing, first pictographic, then alphabetic, and with alphabetic, they wrote-out words Hangeul style in one letterspace, STYLING them to look pictographic.

Or worse, a number system appearing earlier than a writing system, and someone using it to write down stuff by counting sounds in words and then specifying further what the thing is.

Banana -> 6 sounds sequence, 3 sounds general, idk, fruit similar to the number 7. 637.

#conlangcrab #conlanging #conlang #neography #conlangcrab talks

[ashmouthbooks]

urchin specials no. 1-3

Long time no see! I have been busy the past few months but finally had time to get started on my urchins specials project.

What is this you might ask? :D

I've always wanted to try to bind a fanfic to look like a Penguin Classic. when I got some brilliant orange bookcloth in a mystery box order from Ratchfords I was even more intent on making this happen so I researched Penguin Classics designs through time and eventually came up with my own design which is not a direct copy of an existing design but nonetheless looks like it could've come out of a Penguin catalogue.

I combined design features of the vertical designs (vertical coloured stripes, prominent title, black vertical line, the publisher and imprint names in colour) and the horizontal designs (Gill Sans with letterspacing in three weights, bold, regular, and light with a rule below the title in colour). Further, just as the Pelican imprint has its own logo, I created a new logo for the series. the Penguin Specials series was a specialised non-fiction line separate, but part of, the great Penguin Classics imprint.

All of these inspirations culminated in my urchin classics (lowercase intentional).

“I left the medic room with ash on my hands and grease on my mouth and my heart clamped round with iron wire, the sort they used to keep urchins out of the shops in Molly.”

—Havemercy, Jaida Jones & Danielle Bennett

the first three urchins are A6 sized bound in turquoise or yellow bookcloth (the orange will be reserved for A5 sized urchins), self-ended, and printed on 80gsm Xerox Cream. the cover paper and the dustjacket is 160gsm Canaletto Cream.

urchin no. 1 - The Constellations of Touch by what_alchemy (Daredevil, Matt/Foggy)

urchin no. 2 - In the City of Blinding Lights by Mizzy (Daredevil, Matt/Foggy)

urchin no. 3 - Something Dumb to Do by poisonivory (Daredevil, Matt/Foggy)

I need to do some finetuning on the jackets as the first three didn't come out right (the margins on the flap text aren't correct on any of them) but so far I'm really happy with how these came out. :D

P.S. here is a video on tiktok for those who want to see these in action.

#bookbinding #fanbinding #daredevil #mattxfoggy #mattfoggy #my bindings #urchin specials

[thecrazyneographist]

Nawe Dyhanie

A continuous, tricameral, diacritical-alternation alphasyllabary with three shapes for vowel diacritics, too.

Note: The vowel diacritic shapes refer to the position of the letterspace they are attached to (see example below the key).

#neography #neography key #thecrazyneographist

[zhalfirin-binds]

WIP Call me by your name

Part VI making the case

This one gave me a bit of a headache with some of the design steps. Anyone who’s read the book won’t ask why apricots/peaches for the design element, but I wanted them fuzzy too touch and first had to find a velourspaper that would take colour without being too bright to look pleasant. I found a somewhat pale cream hued paper that worked out nicely.

(Don’t ask about the printing, I know neither fear nor qualms just running whatever paperlike sheets I have through a printer as soon as I don’t immediately come up with reasons why I shouldn’t and I pick printer settings based on nothing but gut-feeling). I set the apricots a bit back to protect the fuzz from wear and dirt and the corners from wearing off. 

The titling worked out well. The letterspacing in the first line could have done with less space between the letters in favour of more space between the words. I didn’t notice that on my test stamps though. I think it still reads fine. The whole design would have done well with being a little higher on the cover, but the cut out was made and after I hot stamped the first line there was nothing to do about the position of the title anymore either. 

By the way, in order to have it easier later to round the spine of the case I always pre-round the spine stiffener. That an happen at various moments in the building process. There are special heated metal rods used for rounding the usually finished case. They are nifty but not really necessary. Some use a round rod (often made from wood) with some paper glued to it to wrap up the spine stiffener and round it. I wasn’t trained with those and don’t feel comfortable using them. I use the rounded edge of my workbench and just gently move it back and forth, starting with low pressure and giving it more as I notice the spine stiffener giving in.

I do this from with the back cover on the table as well as with the front cover on the table. The reason is to prevent this from happening.

The spine on this book was very stiff and I applied too much force too quickly, so it broke (I have no idea if that is what this problem, or rather, result is called in english. I know it in direct translation as a ‘broken spine’.)

#bookbinding #wip call me by your name #making the case #hot stamping #inlay #rounding the spine

[lunarriviera]

so a few months ago some of us on the bird app were discussing the beautiful incoherent banners that one might espy around, um, Dragon of City; and then, well, my finger slipped, and— Haixingren, don't say I never gave you anything. [redbubble]

(@dragoncityinteriordesign I believe these might be your screencaps? I couldn't find a simplified Chinese typeface quite chunky enough for the main text but I tried. dear lord did i try. you wouldn't believe how much time i spent making the type design as absolutely awkward as I possibly could, weirdly letterspaced and with strange greyscale effluvia/ejaculate behind it)

#dragon city #dragon of city #ENJOY THE C I T Y #are you enjoying it #ENJOY DAMMIT #live in the city! #despite its curious excess of street crime #镇魂 guardian #guardian fanart #i made this

[la-chronique]

Is it great editorial design compatible with luxury brand ?

Dear Reader, I’m sure you know Diptyque. I personally rediscovered recently the brand and I just stoped on their designs : how a brand can have a so luxurious positioning and a so bad design editorial ? In that moment, I remembered the thematic of research proposed by Laurine about luxury industry and his lack of graphic design. I proposed to you a bit of history of the brand before an analysis of the Diptyque labels. 

If the brand sells bath and bodys products but also home scents, it’s specialized in hight-quality fragrances and candles. The Diptyque house was created in 1961 by three artists, the painter Desmond Knox-Leet, the designer Yves Coueslant and the architect Christiane Gautro. At the beginning their shop exposed treasures of theirs travels before they were pionniers of the unisex perfume. More than that, the company broke new ground with proposed a hight quality candle as a beauty object to decorate the houses. 

To dress up their new product, they decided to make an oval label reminding a medallion of the 18th century. From this simple shape Desmond Knox-Leet reproduced the design in all sort of labels, bottles and packagings. That design became since is creation the signature of Dyptique, still in use today and symbolizing the unisex and hight-quality positioning of the brand. 

To dress up their new product, they decided to make an oval label reminding a medallion of the 18th century. From this simple shape Desmond Knox-Leet reproduced the design in all sort of labels, bottles and packagings. That design became since is creation the signature of Dyptique, still in use today and symbolizing the unisex and hight-quality positioning of the brand. 

On a detailed point of view, the type is horribly managed : the letterspaccing is very unequal yielding the informative text surrounding the medallion not easy to read. Also, the composition of fragrance name at the center is not always good thought : the consumers can read « UMGTHEU » for « MUGHET » just in cause of letters layout. 

Observed in detail the oval shape on the label is surrounded by informative text. We found the first place of the shop « 34 boulevard saint germain, Paris 5e » and the name of the brand writing an old serif typeface : a sort of Garamond. At the center of the medallion, there is the name of the fragrance « ROSES » in capital letters and composing letter by letter. If the central typeface diverge from one label to an other, he seems manually reproduced. That may be to imitate the first labels created before the invention of computer (letters drew manually) or to give a « naturally » aspect to the brand. 

On a detailed point of view, the type is horribly managed : the letterspaccing is very unequal yielding the informative text surrounding the medallion not easy to read. Also, the composition of fragrance name at the center is not always good thought : the consumers can read « UMGTHEU » for « MUGHET » just in cause of letters layout. 

If Diptyque adopted a positioning luxurious, and above all, giving her a « French style » in spite of her acquisition by an American company, the brand stay untouchable developing a lifestyle image. If from the outset, it’ a « zero pub » brand, Diptyque is often quoted on beauty French media and spotlighted by influencers. To make the news, the brand opened pop-up stores who mix her history, creative activities and fragrances sale. Today, she’s well knew for his collection « city » where one candle was created for one city, « NEW YORK » : had perfume of a big apple. The brand a geographic strategy for the consumer who buy his product to say « I was where », always with grace…  

Finally, I thought that the imaginary developed by Diptyque through semantic shapes and well thought positioning made the brand like a great empire of the elegant fragrance. In luxury industry it’s appears that the global image and storytelling of the house are more important than typographic details. Recently, the French agency the Graphicants have worked on an exhibition for the brand. Their typographic knowledge have excelled…

Julia Ducretet, 26/03/23

Sources : 

DECLAIREUX Bruno, « Diptyque, la petite marque de luxe qui cartonne », Capital, le 07 février 2020. https://www.capital.fr/entreprises-marches/diptyque-la-petite-marque-de-luxe-qui-cartonne-1361756

« Analyse marketing : Diptyque, 60 années enflammées ! », Ciliabule, le 14 janvier 2021. https://ciliabule.fr/analyse-marketing-diptyque-bougies/

[fontpolice]

Get with the Times Bold It might have been built in the 1990s, but whomever did Wellington, New Zealand’s central library sign didn’t understand proportionally spaced type. Or letterspacing. Or kerning. Photographed by Sam Muirhead, used with permission; hat tip to IGottaNumBum on Twitter.

#signage #Wellington #New Zealand #Times #Times Bold #2022 #1990s

[cricketagony]

[compellingselling]

The importance of being L     E     G     I     B     L     E

I see where they were going with the art direction on these. They have a masculine, early-20th-Century-feeling font that they make more feel more masculine and industrial by using all caps, loose letterspacing, and loose wordspacing.

The problem is that using all caps reduces legibility and loose letterspacing reduces legibility further and loose wordspacing reduces legibility even further.

These were served to me on Pinterest. So they're around 2 inches wide on a phone or laptop. How quickly can you read them?

Decorative type treatments work with a few words. Like 2 or 3 words in a logo.

I think that giving this kind of treatment to a long headline reduces legibility and therefore the percentage of people who'll be willing to do the work to absorb an ad message they weren’t looking for. They're not impossible to read. They just take more effort to read than I'm willing to exert.

Use type to set the right tone, but don’t get so fancy that it takes a lot of work to decode the message. If you’re the art director and wonder if you’re too close to the project and wonder how hard a layout is to read, flash it to a friend in the size it will appear out in the world and ask them to read it out loud. 

#ads #advertising #adverts #creative advertising #advertising education #advertising art direction #art direction #type design #font usage #font legibility #rants

[dsolenbergerarts246-01]

2.2.23

Ch 3: Typographic Design

This chapter offered a lot of tools and suggestions to apply to the type zine. As the zine is being produced for print, understanding the standards for legibility are important. However, an understanding of these standards can be used to experiment and push the boundaries of legibility, word forms, and the meaning of typography. Characteristics of type, such as letterspacing, word spacing, and color (both contrast and hue) can be played with to achieve and emphasize the intended meaning of the words. Some of these factors I had already explored before reading the chapter, and the text’s explanation helps to further these studies. For instance, I have been considering what parts of the selected text to make capital versus lowercase, and how that choice affects the experience of the reader. 

I began my brainstorming with the end experience for the reader of my zine. The reader’s experience, outside of purely textual design, should contribute to the overall tone and comprehension of the story. In the Zaks, two zaks are faced at a stand-still, where neither chooses to budge until they both die. Some aspects I want to communicate through my design choices are inflexibility, back and forth motion, increasing tension and frustration, miscommunication, and directionality. While the story begins innocently, there is quite the dramatic ending. I am planning to use type and placement to emphasize this curved story arc, ending in a dramatic climax. 

I also plan to use typographic color to express the heightening emotions as the story progresses. The Zaks go from speaking amicably to shouting at each other, and the relative loudness of the type can be used to express this, through weight, size, and placement on the page. In a sense, I plan for the reading of my zine to be uncomfortable for the reader, stir negative emotions regarding conflict, to help understanding the dangers of an inability to compromise.  

I plan to have blocks of text that continue to the next page, forcing the reader to flip pages back and forth as they digest the content. The reading of my zine will be far from seamless. I plan to have text set on perpendicular lines, also forcing the reader to either shift their head position or the booklet to continue reading. 

Early mock-ups show some of these intentions and experimentation: