For my next fandom favorites gif series…I’m planning to do a gif series for all four seasons (after I finish my rayllum one of course)!
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DPXDC Prompt #94
Danny falls through a portal to the DC world from a natural portal that opened up while he was in mid fight with Skulker a fight that began at Vlads where the creep put a collar on Danny that kept him in ghost form, Vlad thought he’d force Danny to reveal his secret to his parents by taking away his human form. Looking around he’s in a dark city with dark smog colored skies. Unfortunately he’s stuck here as the portal closed leaving him trapped. He tried to find help but no one can see him in his ghost form. He starts tailing the vigilantes of this world and eventually follows one onto this space station through this tube (possessing inanimate objects sure comes in handy). He wasn’t expecting for the random British guy in a trench coat to see him.
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sometimes u just have to think about how gwen is thee it girl in camelot 😌 favoured heavily by morgana, courted by arthur and then became queen (not to mention that arthur was willing to forsake his entire kingdom just to be with her), lancelot loved her at first sight and he carried that flame of his affection until he died, gwaine stopped in the middle of the street to flirt with her, leon basically goes and shoots his shot while arthur’s dying, merlin’s willing to disguise himself AND die for her at any turn… nobody does it like thee babygirl ever <3
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🎉🎉Star Trek Sunday 🎉🎉
every sunday at 9:00 PM EST
localized entirely on my blog and yours
remember cable tv? coming home and turning on the background noise machine and sometimes u end up catching a really cool random episode you have no context for? maybe you dont even know the show and can't keep any of the characters straight from scene to scene but it's still doing something interesting that grabs you? well do i have a group dash activity for you!
open for anyone who wants to follow along via dash liveblog to drop in or out at anytime. star trek familiarity isn't needed - this is how i got into star trek! i still frequently have no idea whats going on lol.
pluto.tv has multiple trek channels (we'll be switching between whichever of voy and dsnine is more interesting each week, probably. i miss my wives if im away from either one too long. they also aired in the same time and have some plot/character crossover). pluto is usa-only but can be vpn worked-around. pluto also runs like shit and breaks often. woo!!!!!!!!!!
[my wife dsnine channel]
[ID from alt: odo looking over a ship railing contemplatively, narrating, "nobody ever had to teach me the justice trick."]
the queer polycule of coworkers in the space mall deal with the aftermath of space fascist occupation and the threat of repeated space war. with religious background shenanigans i still dont understand. the ferengi rehabilitation show that fails at that spectacularly. the charismatic as all get out antagonists who genuinely suck show <3 half of whom are jeffrey combs. loves a hamfisted harrowing historical allegory
[my wife voyager channel]
[ID from alt: older tuvok to older janeway, firmly: Admiral Janeway visits on Sunday.]
they want to get back to earth and can't get to earth ): a resistance group and a state military group get stranded on the ship voy together and learn to overcome their differences in definitely politically coherent ways. i got banned from social media for saying what captain janeway did to her cyborg mentee she's teaching to be human again. loves a harrowing "wouldnt that be fucked up if?" psychological labyrinth
come hang out!!!
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i was tagged by @light-lanterne to share my top ten albums of all time!
💿 preacher's daughter / ethel cain
💿 razzmatazz / idkhow but they found me
💿 the dreaming / kate bush
💿 the fool in her wedding gown / the crane wives
💿 unreal unearth / hozier
💿 the horror and the wild / the amazing devil
💿 speak now (taylor's version) / taylor swift
💿 bury me at makeout creek / mitski
💿 sawayama / rina sawayama
💿 folie à deux / fall out boy
these are not in a specific order, it was hard enough to pick just ten albums I really like much less actually rank them😭 (although preacher's daughter would probably still be no. 1)
tagging (no pressure obviously) @inutaffy @yearninginblue @hella1975 @verdanthoney @cannibalismyuri @sockfus @yourlocalamoeba and @etchedstars
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I posted recently about how, when Minkowski tries to send Eiffel back to Earth on the Sol in the finale, she doesn't directly express her more personal emotional reasons for this decision (see this post for more detail). But the contrast to that is how Eiffel only gives personal reasons when pleading against her decision.
As he's desperately telling Minkowski not to send him back, Eiffel doesn't say that he wants to help fight against Cutter's plan (although I'm sure it's on his mind). He doesn't try to convince her that he can make an important contribution to that fight. He doesn't attempt to argue the importance of having as many people as possible trying to stop Pryce and Cutter.
Instead, he protests "Not without you!" when she says that he's going home. He tells her "I'm not leaving you behind!" In contrast to Minkowski saying that she wants "one of us... someone" to make it back, Eiffel doesn't shy away from addressing Minkowski directly. He says "you". It's not that he doesn't want to leave the Hephaestus or the crew behind in a vague general way; he makes it clear that he doesn't want to specifically leave Minkowski behind. His attempts to persuade Minkowski not to send him back are largely focused on his bond with her and his unwillingness to return to Earth without her (and the rest of the Hephaestus crew). Those are the most compelling reasons to him.
The only other argument he gives in trying to persuade Minkowski not to send him back is "you can't - you have no right!" This is less about his bond with Minkowski, and more about his own individual agency and his objection to Minkowski making this decision for him. But it's still ultimately a personal reason. None of Eiffel's voiced objections are about the big picture at all (unlike the explanation Minkowski gives to Hera, Lovelace and Jacobi afterwards for why she sent Eiffel back).
In that scene, both of them are acting from a personal emotional place of care for each other as individuals. But in terms of what they actually say, Eiffel expresses this kind of motivation much more directly than Minkowski. He admits to the specificity of it in a way Minkowski doesn't know how to. Eiffel appeals to Minkowski's personal individual motivations, which she hasn't really admitted to. His final plea is to call Minkowski by her first name for the first time.
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