Andrzej Onegin-Dabrowski, Polish poster for L’Eclisse (Michelangelo Antonioni, Italy, 1962).
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“Two people shouldn’t know each other too well if they want to fall in love. But, then, maybe they shouldn’t fall in love at all.”
L’Eclisse (1962) dir. Michelangelo Antonioni
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Monica Vitti and Michelangelo Antonioni during the filming of L'Eclisse (1962)🌷
Via @thereal60sbazaar on Instagram🌷
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Romy Schneider & Alain Delon attending the Ciak D’Oro Award gala in Roma on July 29, 1961. Delon was given the award alongside Italian actress Monica Vitti, with whom he was filming L’Eclisse, directed by Michelangelo Antonioni. Meanwhile Romy was working in Cinecittà too, as she was filming the episode Il Lavoro from Boccaccio ‘70, directed by Luchino Visconti.
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L’Eclisse, Michelangelo Antonioni, 1962
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The opening line to this record is “I just wanted to be one of the Strokes”
I actually wanted to be like Mina [Italian melodic pop singer from the 60′s and 70′s]
Like Mina?!
(He stands up and starts singing) “Un bacio è troppo poco per sapere se ti amo. Un bacio è troppo poco per capire veramente se mi piaci, se mi piaci” What a voice. And such beautiful eyes. Mina! A friend of mine introduced me to “Una casa in cima al mondo” on a 7 inch vinyl record, “L’Eclisse” by Antonioni, i caroselli and Adriano Celentano. I know his nickname was “The Molleggiato” (the bouncy guy), they say his insipirations were Elvis Presley and Jerry Lewis. His song “Il tuo bacio è come un rock” is a masterpiece.
Alex Turner’s interview for La Repubblica - May 6th, 2018
AM in Rome, May 26 (!!!), 2018
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io: ora cerco un completo per fare la troia
i completi che piacciono a me: il pezzo più scemo 700 euro, seta filata durante l’eclisse
io: ok come non detto
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Alain Delon e Monica Vitti in L’eclisse, Michelangelo Antonioni, 1962
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