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#jcs 2012 broadway revival
stagtwink · 2 years
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Judas and Jesus in the garden of Gethsemane circa 33 AD (colorized)
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jittyjames · 3 months
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anyway. bluedas.
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deanathy · 10 months
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love how both the 73′ movie and the broadway revival portrayed jesus and judas’s interaction during “Everything’s Alright” as less of an argument and more of something softer.  
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this kind of makes it sadder for me. judas did his thing with calling mary out for buying ointment and she did her thing of trying to reign in the situation and then unlike some other productions where jesus dashes after judas to argue he just calmly starts singing. a lot is going on right now with the crucifixion being a few days away and with what judas is doing by going after mary, a very stressful situation is being created (for jesus). but some frustration was hashed out earlier in “What’s The Buzz” and right now it’s giving a jesus who’s focused on his fate and trying to get judas calm and appreciate the moment right then and there. i mean judas is still freaking out and for good reason but this type of interaction that doesn’t come off as confrontational and ultimately still leaves things unresolved sets a bittersweet mood for the rest of the musical. 
also not to mention both scenes LITERALLY give us a face caress & hand holding. what more parallels could you want?? 
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pepegle · 1 year
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urmomsmybiggestfan · 8 months
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New to Tumblr!!
So that’s kind of a lie as I have been scrolling for a while but I’ve never posted anything before so… yeah. Anyways I’m mostly making this account so that I can get out my more deranged thoughts and talk about fandoms and post my writing and whatnot.
Anyways here’s a not all inclusive list of fandoms I’m in
Community
Supernatural
It’s Always Sunny
What We Do In The Shadows
Rope (1948) (can we really call the 15 people that have seen it a fandom though?)
Out Flag Means Death
Dead Poets Society
Jesus Christ Superstar
Interview With The Vampire
Mythic Quest
Good Omens
anyways I love talking about all of this stuff and more and will probably air out my thoughts on them a lot
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therealladylucifer · 2 years
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If I had a nickel for every time I fell in love with a specific performance of Jesus Christ Superstar from 2012 only to discover there’s no soundtrack on Spotify, I would have two nickels, which isn’t a lot but it’s weird it happened twice
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finleyforevermore · 1 year
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@jessi-the-nuggettt and I had a bonding experience over VC yesterday. /hj
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J-jesus sama.. 😳
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nopeemi · 27 days
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im going to see hungarian jesus christ superstar.. one if thee musical hyperfixations...i will report how much they butcher it
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rinn-e · 1 year
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Josh Young as Judas ⭐️ love love love that voice
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fresas-bg · 1 month
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So, un edit super rápido porque la canción me recordó a ellos.
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stagtwink · 1 year
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There is something so immensely gender about Jesus Christ superstar, BUT SPECIFICALLY Judas and King Herod
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(Left: Josh Young as Judas in the 2012 Broadway revival. Right: Paul Louis Lessard as King Herod in the 50th anniversary tour)
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jittyjames · 4 months
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deanathy · 10 months
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bruh throughout the Broadway Revival both judas and mary ran towards the other or jesus so many times. when jesus pushed judas out of the way during the temple mary went to help judas up. jesus threw judas out of the last supper later and mary tried running after him before jesus stopped her. judas was trying to get to jesus during the trial. then judas’ death happens and mary was just forced to watch and she spends the rest of the musical trying to get to jesus. but the guards keep stopping her and she is literally forced to watch jesus die now. cruel cruel sick and twisted this production makes me deranged 
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pepegle · 1 year
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colemckenzies · 1 year
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Jesus Christ Superstar: Ultimate Edition
this easter It Is Time. using my years of fixation and research i present to you The Best Version of every song from jesus christ superstar, plus commentary. obviously subjective opinion so do feel free to discourse in the tags bc as you may have picked up i enjoy talking about the relative merits of jcs productions. also i might not even stand by this in a week bc i find it hard to keep multiple versions in my head at the same time for comparison and there are so so many versions.
please note that acting, vocal quality, music direction, and where available staging have all been taken into account. act 2 in rb bc of link restrictions.
heaven on their minds - 2012 broadway revival
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obviously in terms of pure vocals carl anderson is unbeatable forever, but the staging of the 2012 broadway revival pips it for me. josh young's voice is still gorgeous and the judas/jesus/mary throuple is everything. i love versions where hotm is sung directly To jesus, and i love that in this version jesus actually listen and takes judas' concerns on board. the love and respect between all three of them is palpable and even though it is a serious disagreement, part of that disagreement comes from the fact that they care about each other so much. that's tragedy baby!
special mention to henrike tönnes on the 2022 rob carroll version, i specifically like the Ending of the song for that one. also the sarcastic clap along w the disciples that judas does in the 2013 hungary version.
what's the buzz/ strange thing mystifying - 2018 tv event
annoyingly this isn't on youtube but tbh the staging is nothing mindblowing. i think what's the buzz is a great song for showcasing the usp of each version and in this one i think being able to hear the real crowd actually cheering for jesus (john legend) really adds to the narrative. i also absolutely love brandon victor dixon and as i have said before he would be one of my favourite judases if judas were straight. sara bareilles does a great 'offended' face when he bitches about her lmao.
honourable mention to the 2012 uk arena tour for again showing off the conceit of 'modern day activists' really well in this song, not forgetting of course WOTS THE BUZZ #buzz tweet
then we are decided - 2013 hungary
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(starts at about 9:49) obviously not a huge amount of competition for this one, i wish more versions included it bc it's a great song :( anyway i loveee the staging choice to have everyone else freeze-framed on stage with the priests walking among them, and i freaking love this caiaphas. literally inserting it into what's the buzz also works nicely
i do miss kurt yaghjian from the 1973 film tho, forever obsessed with his voice and facial expressions. extra shout out to the striving artists version for simply existing.
everything's alright - 2006 austria
something about the musical direction in 90% of versions of this song goes right through me, like there is always some weird instrument that makes me Cringe. but this version is Nice :) really enjoy how Pissed this judas is. and i love the way the long notes last into the next section of the song. i will say i prefer the alt melody for 'people who are hungry' but you can't have everything
this is a really nice one on the all-female cast recording as well, obviously it's already the most female-heavy song of the show but shoshana bean's judas is particularly good here i think. also of course carl anderson with tears in his eyes grasping ted neely's hands while the music swells is ingrained on my brain for all time.
this jesus must die - 1994 studio cast
this album as a whole is probably my Least Favourite JCS Ever, but i will admit that this song fucks. the haunting eeriness at the beginning. the way it kicks into a funky little syncopated rhythm. the disembodied hosannas. unexpected delight.
2012 uk arena tour is unfortunately disqualified for having possibly the Most antisemitic portrayal of the priests, which is a shame because it's probably my favourite casting. one of my favourite annas portrayals, but in general all of them are distinct and fully embodied which does make that version very fun to watch. i also really enjoy the 2019 castaway productions version for this song, the way they play instruments while they sing like a lil band, and caiaphas' eye make-up is sick. 1973 film is obviously also iconic with the little scaffolding tippy taps, and the way kurt yaghjian sings 'a trick-or-two with lepers'. i love this song sorry.
hosanna - 2017 striving artists
i kind of don't have justification for this one LOL i just like it. i know there are versions that are sung better and really the staging is quite important for this song but idk i just find this version really calming. i don't know if it's the music direction? i don't know enough about music tbh
admittedly this is another one that works really well for the 2018 tv event, but doesn't quite win for me as the crowd don't cheer in all the right places and john legend doesn't react at all to the 'would you DIE for me?' line which is crucial. for good reaction to that line the 2000 film where it elevates the bitchy gay tension in the love triangle really nails it.
simon zealotes - 2011 austria
EASYYY WIN FOR ME this is actually the song that made me want to pick a best version for each one because this version IS so much better than any other one for me. the guitar!!!!!! rob's energy!! the music design for this one really fucks so severely and then there's just rob jumping around hyping up the crowd (there is a film version from 2008 on youtube, but i wanted to capture the music for this one). iconic.
big love also to hungary 2013 for having a simon who's in a wheelchair, particularly notable when it's really the highest energy role in the show. i do enjoy.
poor jerusalem - 2022 rob carroll
i cannot find any information about this album other than what's on spotify but i do enjoy the slight alt melodies in this version and i like his voice.
not a lot to go into for this song really. i like the ben forster version a lot as well, and the 1996 london cast version. 'close your eyes' is a better lyric than 'live a lie'. moving on.
pilate's dream - 2022 all-female cast
may be biased bc I LOVE ORFEH but i just think this version is so gorgeous. i love the little vocal drifts without going too overboard and distracting from the song. the music composition is especially pleasing as well.
there's a lot of honourable mentions i could give here bc i think pilate has so much potential for power and gravitas, but 1973 film, 2012 uk arena tour, 2013 hungary, and east end theatrical ensemble. are also big favs. in terms of staging i love the fact that 2019 castaway productions has jesus himself on stage playing the backing piano like he actually is haunting pilate.
the temple - 1992 australia
australia 1992 habitually has some of the most interesting and creative music direction and this is one of the songs where it particularly pays off. love the whistles. i also like that the second 'get out' is spoken, not screamed. the second half is appropriately creepy with the sustained 'chriiiist'. pretty boring staging but at least the costumes are fun.
i don't know how to love him - east end theatrical ensemble
possibly controversial choice but ugh i love this version i even love how low the sound quality is. like listening to a vinyl. i think her voice is so gorgeous and i love her accent. deeply soothing to listen to. i feel like im in the 70s rn.
i'm also a huge fan of the 1996 london cast recording, joanna ampil has such a sweet voice and the way she emotes so that you can really Hear it works well for this song. special shout out to 2012 uk arena tour which i don't think is a particularly amazing version but we get the absolute gunshow from mel c at the end so we love it.
damned for all time/blood money - 1973 film
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CARL!! I feel like 1973 film and 1996 london album are at a disadvantage in this bc they're what i grew up with so i kind of take them for granted but this is undeniably iconic. no one can commit to the tortured soul but belief he's doing the right thing like him. the way he can scream but it still sounds Good. i prefer versions that have annas suggest 'a fee' rather than caiaphas just repeating himself so that's here too. the weird keening way he sings 'on thursday night'. annas dropping the coins just as he reaches for them. UGH so good. a lot less brassy than other versions as well.
this is another song that kinda fucks in every version, but the original 1970 album and the 2018 tv event are particularly good i think. also that one bit in 2012 uk arena tour where annas is like '...... get up off the floor.'
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