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#jamil understands wanting to start a new life but wanting it done on his terms
yuri-is-online · 4 months
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Been brainrotting lately and now I present to you what I think is an underused story beat for Yuu. What if “Yuu” isn’t even the prefect’s real name?
Considering that Yuu’s first experience in Twisted Wonderland is waking up in a coffin, wandering around an obviously foreign place, and being questioned by a suspicious man in a crow mask surrounded by people in black hooded robes… I just think most people would not give their real name in such a sketchy situation.
Fast forward to when Yuu is more comfortable with the cast and there is both comedy and angst potential here. On one hand, the reactions to the deception could be pretty funny. (Cue a “woe is me” from Crowley. Of course he can’t find a way home for you when he doesn’t have your real name!) On the other, this could be a great way of exploring the prefect having a crisis. Yuu already lost so much in being taken to Twisted Wonderland, and now in a way even the prefect’s name has been taken.
What do you think?
waking up in a coffin, wandering around an obviously foreign place, and being questioned by a suspicious man in a crow mask surrounded by people in black hooded robes…
Annon, annon, annon, when you put it like that it sounds like Yuu woke up in the middle of a cult ritual of some sort. Which I suppose if you were an edgy Night Raven student idia you might argue that the enrollment ceremony totally is as an excuse not to go
But to be more serious, I have seen a few memes about this concept and I like it a lot σ( ̄、 ̄=) It's a fun character concept, it's not everyday you get a chance to re-invent yourself completely.
That being said, just based off of the few dialogue options Yuu has at the start, I think Yuu is implied to believe that they are dreaming:
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Which honestly doesn't make this idea any less valid. If you're dreaming about waking up in the middle of some weird necromancer's rite, why not give him a fake name? It's not meant to be serious anyway. Just go with the flow and hope things don't get too weird (and get offended when your dream doesn't give you magic powers) until it's too late and you realize everyone thinks your name really is that bad joke you made.
If you want to get darker, maybe Yuu really did think they died. A black carriage pulling a coffin really only goes to a funeral, and death has been depicted as an unmanned coach with black horses. Maybe Yuu is only just coming to grips with the fact that they really are alive when they see Riddle overblot and he hurts them. Maybe they now are sitting next to two people who have started to think about them as a friend, a really close one. Maybe they think Yuu is really brave because they charged headlong into danger without a second thought, and won, twice now. Maybe Yuu cries themselves to sleep that night because in a way... you died so yuu could live.
As for reactions, Crowley and the other staff members I think would be the most dramatic, followed by Adeuce and Grim. Jack I can see accepting your reasons and not thinking too hard about it, maybe even respecting your survival instincts, while Epel... well he says he's mad but mostly he's just concerned. He knows what it feels like to have two dueling parts of yourself and trying to find the middle ground. Ortho would be excited, you have a secret identity just like a magical girl/super sentai/anime idol/superhero take your pick really. He certainly doesn't mind getting to know you all over again.
Sebek screams at you for being a threat to Wakasama but it's clear to everyone who actually knows him that he's really just worried about the amount of stress you put on yourself. He would hate for you to have the same issues with self loathing he does. And Malleus? Well he lied to you about who he was because he was worried you would be afraid, even though you didn't know he existed. It would be very petty for him to hold a grudge against you for doing the same.
In general I think this would be something the others would have an easier time understanding as opposed to Yuu's sense of alienation or loneliness at not having magic. Identity issues are common themes in fiction, so I could see them actually seeing it as a problem as opposed to an abstract problem like no government papers (since these kids with one obvious exception don't do taxes.) But it would make for a great way to explore the prefect having a crisis just as you say, in a way it's the perfect example for every problem they might have with being in Twisted Wonderland.
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the-crows-typist · 3 years
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Hi Lemilia-senpai! Can i ask for a romantic and fluffy ficlet with Silver and a fem crush with the word “cooking” please? Thank you!
Good day, I’m back. Work has been kicking my ass but hopefully I get to the full swing of things as the year progresses. Please enjoy this fic with some hints of familial and romantic love.
Word count: 4,735 
The Possibilites are Endless
“I want to make you proud.”
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Silver’s family was among the fae, it had always been, and despite being the only human many did not hesitate to show affection towards him.  Try as he may, Silver had no memory of his youth before Lilia took him in though the old man did say he smelled of charred wood when he found him but that was all he could surmise. Malleus, another boy Llia raised into adulthood, looked after him and another boy, Sebek. Their lives were relatively easy but it came with the promise and training to become Malleus’ royal guards
Silver had a knack of roaming the halls alone when he wasn’t studying or practicing swordsmanship. He liked to trail the smell of the kitchen; the staff were nice to him and since he didn’t pose much trouble, they allowed him to look through their work station granted he doesn’t touch anything hot. The soft creaking of the door and pattering of feet would always be acknowledged by the chefs before they went back to work.
Ever the curious boy he was, he walked up to the one of the stations with his nose smelling salt, pepper, and thyme. His eyes would sparkle at the cooking materials before him, palms almost itching to grab it.
His small hands reached for a hammer, one made of wood and had spiked endings. He looked up at the sound of laughter, the chef smile down at him after cutting crosses into the meat he was preparing. “Interested in that?” Silver was inclined to put it back before it was lifted out of his hold with magic. “This is a meat tenderizer, it helps you make the meat softer before cooking.”
“What happens if you don’t hammer it?” Silver tipped his toes, looking at the raw meat seasoned with spices that tickled his nose.
“It’ll be tough to chew,” The chef let the hammer float out his hands, hovering over the peace of meat to beat it with hard slaps. “Why don’t you sit down over there and I’ll make you a snack and then you’ll see the difference.”
He sat obediently on a stool, watching the chef get to work with the many spices and herbs that he smelled that sizzled with the meat. Yes, he had enjoyed the luxury of his new life under the fae but it wasn’t always this comforting or relaxing. Malleus and Lilia were often busy and Sebek…While Sebek was fun to play with, his loud personality often made Silver exhausted.
“Can I help?”
There was a beat of hesitation and the drop of the shoulders that he had seen almost familiarity “When you’re able to handle the hammer with magic.” The chef smiled at him again but Silver already knew what that meant. What he could handle was different from people like Lilia could handle.
His look was dejected but it was something he was used to hearing. The limits of those of the fae and humans were vastly different and their treatment of him was a testament to that; always protected and never seeing the front, always staying behind and never someone’s side. The silence was deafening and his eyelids grew heavy, slipping into a sleep he didn’t want to go into. A dream begets one’s deepest desires, a long yearning for something so awaited for so long. He dreamed of standing next to someone, their cloak fluttering in the wind.
Ah, yes…This is what he wanted the most.
Perhaps one day, he’ll stand side by side with someone. Someday…
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His eyes opened, the apple tree lending light to him from the small crevices and holes formed by leaves and branches. Riddle sat next to him, sweaty from their previous ordeal. They had cooked so much meals that day that the ghosts had asked them to take a break.
“Heat doesn’t affect us,” Said the head chef. “The students are not yet accustomed to the kitchen so it’s best to let them rest.” His head craned to Riddle and Silver. “A good thirty minutes will do.”
“Hm,” Riddle leaned his head against the bark. “The next judges are Jamil, Vil and Malleus…They’re the hardest trio to please.” Silver grimaced, first a dream that bore into his heart then having to face Malleus? Talk about bad timing. “What are we cooking this time?” Silver asks.
“Beef stew.”
There was a grimacing from both of them and Silver pushed himself off the ground. “The sooner we finish this, the better.” Offering his hand to Riddle, he pulled his classmate from the grass. “Please don’t hesitate to tell me when I’m dozing off this time.” The redhead let out a small laugh, remembering the moment Silver fell asleep while stirring some ingredients. “I will.”
The two walked back to the kitchen sharing a brief silence together, “Do you…” Silver began. “Do you often doubt your abilities?” Riddle tilted his head before Silver explained once more. “What I mean is that you question if you’re really as strong as people say you are…Or something like that.”
“I do. Many times.” Their walk slowed and Riddle looks at his pen, its pristine gem clear and pure of the ink that once dwelled within it. “Even after I became the dorm leader, I always do. My magic cancels out others, yes, people often think that my magic is the strongest they’ve seen but in reality, it’s rigid and stiff and above all, conditional.”
There was a look of remembrance in his face and Riddle sighed, pocketing his pen neatly onto his uniform. “People like Leona, Azul and all others after me hold magic far greater than what I can ever hope to achieve. I have moments when I think of myself as not being strong enough, being bitter about what I can’t do.”
Silver sighs, perhaps he shouldn’t have asked but seeing Riddle suddenly smile made him pause. “But that also means that even I have a long way to go in perfecting my magic.”
“And what better way to improve than by improving one’s talent in cooking?” Riddle’s smile was sweet and Silver couldn’t help but return it. “That’s right.”
“Ah, but…I should really get used to cutting onions.”
“You’ll get them right, eventually.”
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The three judges took their seats. Silver closed his eyes, holding the meat tenderizer tightly in his hand. The presence of someone he wanted to impress wasn’t doing wonders for his insides.
Vil pulled him seat closer, eyeing Riddle with a smirk. He had been a judge in the past along with Jamil. “We’ll be in your care.” Vil says. “As far as charred remains go, I expect a lovely dish. Perhaps control the fire you use this time.” There was a noise of embarrassment and Riddle pouted. “I…I have improved my craft with Silver,” His goes back to his dignified pose, of that of a king, “I will not serve food that isn’t up to your standards.”
A huffing laughter and Vil leaned back on his seat. “Make my taste buds sing, Queen of Hearts.” Malleus regarded the two with a calculated gaze. “How is Silver in all this?” He asked his junior, Riddle had just taken out some garlic, onion and potatoes while Silver went to the back to prepare the meat, clearly not wanting to look but listening to Riddle’s criticisms.
“He has done well with a few close calls.” Riddle explained. “I cannot say for certain which of us is doing the best since I have resigned myself from that thinking. This event isn’t to see who cooks better but to teach those who want to know the craft.”
Malleus chuckles and Riddle lets him go on his way. “Then he is in good hands. I shall look forward to your creations, Rosehearts, Silver.”
Jamil looked to his side, eyes wide suddenly. “I didn’t you were coming along, prefect.” You came in with a camera and some notepads in your hands, it was clear that you rushed your way to the building. “I have to record this moment for the school newspaper.”
You waved at Silver and gave you a smile in return. While your appearance in Night Raven was sudden, you and Silver had grown close quickly and often joining each other for lunch or spending time together after school. Your presence was calming him but also an indicator that he should do well.
“Just act like I’m not here.” You ready your camera and took a shot.
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Jamil’s eyes looked at how they worked through the kitchen, so far so good in terms of food prep. Riddle was meticulous with handling the knife…Though he needed some time to perfect cutting onions without crying. He can’t blame him, he had the same problem when he was starting out. The meat tenderizer hit the raw meat a few times before being cut into small pieces.
Silver seemed to have prior knowledge to cooking and he was faring out better than Riddle. The smell of garlic, onion, carrots and potato mixed together perfectly. So far, so good. It wasn’t long for you to kneel beside him to take a picture of the cooking area from a different angle. “I think they’re doing well. No bad fires or anything!” You whispered to Jamil and he only shrugged his shoulders.
“Indeed.” Jamil leaned back on his seat. “Silver and you hang out together often, correct?”
“Yup, during lunch times mostly.”
Jamil nodded his head. “Then you’ll be able to see what I’m seeing in a clearer light.” A wave of confusion washes over you and you look onto Silver without the eyes of a photographer. His eyes determined yet his shoulders tight and rigid, those shaking hands handling equipment flimsily.
“It’s only proper that you put good posture into everything you do,” Jamil lectured. “In cooking it is a necessity, no less. And while I understand he wants to do his best given the leader of his dorm will be a judge …” He placed a hand on his chin in thought.
“You think this behavior runs deeper, is that it?”
Jamil smiled at you, shrugging his shoulders. You set your camera on the table, letting your knees rest. “Silver doesn’t talk much about his dorm.” You explain. “He feels that he doesn’t need to…But out of the group he’s always with, he tries the hardest.”
Silver sets the meat and cut vegetables into a pressure cooker. “The hardest?” You look down at your feet, your memories filing to the days he chose to be vulnerable around you. It was under one of the apple trees.
“When you’re different, you do what it takes to belong. While I have been reminded time and time again that it isn’t needed…” His eyes are downcast, staring into nothing; a big sigh lets his shoulders grow and recede. “It’s harder to keep trying when the difference is so obvious.”
Jamil is silent and so were you. The pressure cooker had been set and the waiting game began, Riddle was quick to shake Silver out of what might have been a sleeping spell. “Silver’s strength is immense and his skills make him almost a danger to those who try threaten the people he loves,”
“I just wish he wouldn’t be so hard on himself.” The camera was pulled to your chest, you expression worrisome.
Jamil looks down, almost feeling guilty for prying. “I’m sorry I asked.”
“You didn’t know.” You reassured him.
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The judging round was tense for both Silver and Riddle, the three students in front of them had the most refined palates in the entire school. The plates were shaking in their hands, Riddle handing one plate to Jamil then to Vil and leaving Silver to Malleus.
The flash of the camera made everything hazy, suddenly the sound of silence was too deafening. The plate rattled in his grip.
He needed to do well. He must do everything well.
“Silver?”
He closed his eyes and breathing deeply. There was anticipation and then concern as he tittered over.
“Silver.”
The light headedness was gripping him and he was swaying, he couldn’t breathe properly.
“Silver!”
The plate shatters when it slipped out of his hands and Silver goes down to the ground with a loud thud, a collective gasp runs silences the entire room. You and Riddle bolt, taking Silver up in your arms and pulled him up from the hot mess of ceramic and spilled food. He was blinking wildly, only coming into consciousness seconds later.
He sees the mess, he sees his own legs sprawled on the floor with his head reeling in confusion and fear. Then he looks up at Malleus whose green eyes bore an expression he couldn’t understand in all the panic that rose within him.
All the words said to him were things he couldn’t hear in the strong beat that rattled in his ears. Malleus blinked, a hand reaching out to him with lips speaking but couldn’t be head. “Silver, are you—?” Silver gets up and immediately runs out of the building, pushing you and Riddle aside.  
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“He’s not answering his phone.” You say, pulling the receiver off your ear. The mess had already been cleaned and destroyed plate disposed of. Malleus stood beside you, holding the last shard of broke plate carefully in his hands.
“Please give me the shard. I’ll take care of it—.” Riddle offered his hand but was met with only a question in return. “Tell me, Silver has been practicing with you this whole time.” The redhead faltered and his hand went limp on his side. “Has he said anything to you, anything at all?”
Riddle was silent, his head hung in thought. “All he ever told me was all about cooking but…He did ask me one question about doubting yourself..” Malleus blinks then sets the shard down on the table behind him.
You set your phone back and Malleus closed his eyes. “I see.”
Pocketing your phone, you give your camera to Riddle. “I’ll go look for him.”
“I’m coming too.”
Jamil walked to your side but before you could deny his request, he gave a sympathetic smile. “Consider it my apology for prying.”
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“Silver, what is this?”
Lilia had come in at such a bad time, the stew he was trying to cook had burned in his sleep. With a flick of his wrist and snap of his fingers, the fire has disappeared into a pillar of smoke. The stew was a murky black and it smelled of charred remains.
“Papa, I—!”
Dread filled his soul, Lilia had approached the cauldron to lean down and scoop a spoonful of ruined stew and ate it in one bite.
“It’s good.”
Silver didn’t flinch when Lilia’s hand set itself on his head. “Needs a bit more salt but it’s good. You’d make a good chef one day.”
“You didn’t have to lie to me.”
Silver’s hat had been discarded and so was the meat tenderizer, the tall boy huddled between the large roots of an old tree with hands around his shoulders and legs to his chest. He closed his eyes, remembering Lilia’s smiling face as he pat his head and assuring him whatever he makes tasted good.
And yet…
His body calmed, limbs relaxed and eyes hollow. The winds blew the trees, the wood irked and the leaves hissed like rain. He blew it. He totally blew it. Everything he had been doing up until that point was perfect and thanks to Riddle he didn’t fall asleep even once.
That was until he had to present his work to the judges. Malleus was a prince, after all, it was expected that he would be served nothing less than perfection. What he did was an absolute embarrassment to him and as the appointed knight to the royal family.
“Raise your head a little higher, strengthen your grip on the sword. Yes, very good.” The young boy’s hand was adjusted, the heir apparent holding it gently with his long fingers against his wrist. “This part, your wrist, is the most valuable part in handling a blade.” Malleus’ smile betrayed his concern for him. “So take care of it for me, alright?”
Even in his youth, Malleus was so careful with him as if he were an extremely delicate porcelain doll.
“Lilia told me you had come down with a bad case of the stomach bug. Honestly, what were they thinking feeding you such a meal?” Malleus’ hand would come to feel his forehead. “I’ll have the palace healer bring you some brews to ease your stomach pain.” The prince brushed some hair off his sweating face. “Rest, Silver.”
What was the point of being a knight if all he ever did was stay behind at his orders?
“You have to stay here and protect Sebek.” Beyond the castle walls, Silver could hear the roars of invading beast of the night and corrupted village people. Malleus held the boy’s shoulders while Silver pulled at his robes. “I can’t let any one of you get hurt. No one should.”
All he ever wanted…
“Silver,” Malleus would call for him.
Was to be next to him.
His hand would come up as it always did, his fingers ready to run through his hair. “Silver,” He’d call out to him.
That’s all he ever wanted.
“Silver,”
“Found you.”
His eyes opened, your hand resting on his shoulder. The wind blew and making your hair fly, framing your face as you smiled at him. “You…” He turned his head when Jamil made his presence known
. “I didn’t expect you to choose the forest as a hiding place. It took us a while to pinpoint where you were.” Your hand left his shoulder and you sat in front of him. “Do you want to talk about it?”
The wind blew again, the warming breeze provided him time to think things through. “All my life it’s been that way.” He buries his nose onto his knees. “I don’t want to stand behind someone forever.”
“Then don’t.”
Jamil kneels down next to you Silver’s stunned silence made him look away from a moment, flushed embarrassment on his cheeks. “W-what I mean is…If you don’t like the position you’re in then you have to move. It’s a hard process but the first step matters the most.”
“I don’t know—.”
“Uncertainty comes with it, if that what you’re asking.” The boy shrugged his shoulders. “There’s no going around it.”
“Malleus was upset when you left suddenly. I think its best you talk to him, let him know you’re alright.” Your smile had become a calming factor for Silver and soon the cold grip on his insides loosened. “Can I make the beef stew again? I think I got it right this time.”
“Ah but I’ll need some help.”
You giggle, waving your hands and waggling your fingers. “You’ve got four hands readily available.”
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Malleus had walked the campus to every corner he could and not once did he see the familiar mop of messy white hair in the sea of people. The prince sighed, looking down at the shard of ceramic plate tucked in his hand.
“Sebek.” He called for the guard who straightened up too much. “You’re dismissed, I can handle this on my own.”
“But Master—.”
He folded his hands over his chest, the arching brows giving the younger guard the entire message in one go. He reluctantly bowed his head, “Understood.” And left for another route but not without turning his head to Malleus one last time.
Now that he was alone, Malleus let out another sigh. As years go by, his heart becomes no stranger to loss but time did not ease the pain no matter how long or how distant the memories were. Raising Silver brought on emotions he did not expect to feel in a very long time, this human boy once so fragile and small grew to be one of the greatest guards he could ever hope to raise.
And it all happened too fast.
It made him protective, even hesitant to let Silver into any harm even if he was raised to be his guard.
“Silver, come here.”
A young boy held his robes over his knees, the sore wound red after tripping over sharp rocks. Malleus’ hand hovered over his wound, healing it shut but the pain still remained. It wouldn’t be long until Silver was taken into his arms and resting against his shoulder that his heart felt a sudden warmth, contentedness.
Lilia smiled at him where he stood and turned to leave, giving them privacy. The young boy’s small hands held Malleus’ robes into his palms with a sigh and the prince stroked his back. The warmth in his heart never stopped no matter how many years hand passed.
Yet the bitterness of lost time always found its way back.
“Silver.” The piece of plate in his glove suddenly felt more sentimental than once perceived.
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“Please let us cook again.” All of you had bowed your heads in front of the ghost who was getting ready to leave for the afterlife. “Ah but—.”
“Please, I won’t fall asleep this time…Or break a plate…Or burn myself…Or—.” Silver was promptly stopped at the ghost’s laughter. “I understand, I’m in no hurry to leave but since this request is so sudden, I’ll have to relegate all the cleaning to you. It’s only fair.”
You, Jamil and Silver smiled together and the ghost only felt warmth at the spry young people in front of him. “Riddle.” He turned to the redhead. “Please show them where the meat is being stored.”
“Of course. This way, all of you.”
“We’re gonna cook, we’re gonna cook!!!” You say, pushing Silver’s shoulders as you walked to the freezer.
“They’re a bit too excited, aren’t they?” Riddle asked Jamil who only shrugged his shoulders.
“That’s just who they are.”
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The comfortable silence was long and the students were cutting up their greens just as the meat seared in the pan. “Back home, my grandma taught me all the recipes I needed to know to keep the family going.” You’d explain, peeling the potato perfectly and handing it to Riddle to be cut. “Once a month, we’d have a big get-together and cook our favorite foods and eat it.”
Silver set aside the chopped onion, washing his hands knowing what happened to Riddle when he didn’t. The meat was taken and in came the vegetables into the pot. “Okay, we should stir fry the vegetables for a moment and let it cook.” Riddle says, tipping his toes to look into the pot.
“I’ve mostly cooked for necessity.” Jamil explained, leaning against the sink with a smirk. “But I can see the charm of being able to cook with or without help. It’s calming.”
Riddle sighs and begins to add water into the pot along with the meat and seasoning. “It was only recently that I started cooking, can’t say that it’s fun but the end result is rewarding. I want to perfect my skill as much as possible. I can’t always rely on others or on magic all my life.”
“What about you, Silver?” You ask, moving to cover the pot to let everything simmer.
“…My father’s cooking is not very good.”
There was collective sigh of understanding, you pat his back knowing he went seventeen years of this. “But he tries very hard,” He explains further. “More than anyone else in the Valley of Thorns. He’d cook for everyone he took care of despite the packed schedule he has.”
He remembers Lilia slaving away over a cauldron one night all those years ago, plates of mushrooms and prepared rice around him and a cookbook floating overhead. His fingers were bandaged and eyes trained to the book. Mushroom Risotto. Silver’s favorite dish.
“While I do want to cook for myself, I also want my father to enjoy tasty meals whenever he can. It’s only right that he does.” You smile, leaning your head against his shoulder while your hand rub the other one. “You’re a sweet person, Silver.”
“I’m just doing the right thing.” He reasoned.
“And that’s the sweetest thing anyone can do.”
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Silver wasn’t telling the entire truth, he shamefully admitted to himself. While his father, his family, meant so much to him; you had a special place in his heart. The way you spoke to him, the way your presence soothed him, everything about you was something he cherished.
Just seeing you smile was enough to last him the day.
While he wanted his father to enjoy yummy meals by his son, he also wanted you to smile with each bite.
But he can’t say that, no, he shouldn’t. It would ruin the surprise and bitter the meal.
“It should be ready.” Riddle says, placing a protective cloth over the lid and pulling it open. Silver could not hide his smile when you let out a sound of amazement, the smell of cooked beef and the spices made your mouth water.
“I wanna try a bite.” You say but Jamil had to pull you away. “Let it cool,” He says like a tired older brother. “You’re going to burn your tongue.”
“But I wanna taste!”
Riddle sighs, shaking his head. “Let us at least plate it and have it judged.”
Your whining voice was met with a pat on the head and the food was whisked away to be plated and presented to the Jamil and then you. Silver’s huffed when you let out a sigh of delight when they delicious looking food was set in front of you.
“Dig in, both of you.” Riddle said. “Tell me what you think.”
Utensils brushed against each other and the anticipation built up when you and Jamil took a bite. You squealed at the taste, tiny jumps on your feet when the flavor exploded in your mouth. “It’s good!” You exclaim. “The balance is just right and the meat is so tender.”
Jamil nods his head, taking in another bite of the stew. “It’s good, you need to be careful with how you handle your seasonings next time. Too much of anything can ruin the dish but your method of tenderizing the meat is good and your vegetables are cooked and stewed perfectly. Good work.”
Riddle and Silver smiled to themselves, their chests beaming with pride at a job well done. You move forward, bringing your spoon to Silver’s lips. “Say ah!” You say and his cheeks go pink, you were too close and by the seven, you looked so cute.
“I—.”
“Ah!”
The spoon went into his mouth with a surprised expression, the taste of meat and the knowledge that spoon was used by you before him made his heart flutter. An indirect kiss. He chewed, his hand over his lips. “It’s yummy right? You cook really well.”
Your smile melted his heart, his shoulders hunching over and lips pursed. “Thank you. If you’d like, I can try other recipes for you.” He offered and you gleefully nodded your head and holding your hands to his. “Yes, yes! I’d absolutely love that.”
Jamil leaned over to Riddle, whispering “Smooth.”
The dorm leader chuckled. “Indeed.”
Silver stood next to you, speaking about the food you ate and sharing in the sweet clarity of a wish he didn’t know came true.
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The ghost floated afar, settling just under the tree with Malleus by his side. The two watched the youth eating their creations in the kitchen, being merry and experimenting, discussing and playful. Silver’s smile was soft compared to yours but the playful personality of a young boy growing was still there.
The ceramic shard sat inside the hold of the heir apparent, the green eyes seeing world after world basking in the new reality of one he had held so dear. “He’s grown, hasn’t he?” he asked the ghost. “He has, indeed.”
You hugged Silver’s arm laughing, Malleus’ heart beating slow in tenderness for the smiling boy who stood beside you.
“To think he had troubles holding up your hammer all those years ago.”
The ghost laughed, bringing his hands behind his back. “It had been that long, hasn’t it, your majesty?”
Silver stood next to you, his wish finally fulfilled.
“Long enough to for time to pass by like in a blink of an eye.”
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thesustainableswap · 4 years
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Part Two: How Does The Body Neutrality Movement Connect With Sustainability and Lower Consumerism.
This is a part two to my post for Got You Girl, ‘What Is Body Neutrality and How Did It Help Me?’ It’s not necessary to read that one to understand this post, but if you want more information and some backstory, follow the link!
I first heard the term body neutrality from Jameela Jamil, who expressed that she started to get more done when she stopped thinking about her body. She has been a huge advocate for body neutrality, and even changed the way we are advertised to on social media. This is why celebrities and influencers being paid to share a product now have to disclose that information. It means that we can see when we’re being sold something instead of believing that the product in question is a part of the persons day to day life. Remember all those waist trainers, detox teas, and vitamin gummy bears? Chances are the person advertising them is not using them.
Body neutrality and sustainability go hand in hand, because by being apart of this movement, it also means that you’re unlikely to feel the need to buy something in order to change or better your appearance. With the rise of social media, companies quickly learnt that they could reach their target audience by hiring influencers or celebrities to sell their products, and we’ve seen it all. From the Kardashians, to fashion models, to our favourite actors, there was a time where everyone who was ‘someone’ was advertising something. Combine this with gossip rags and online tabloids tearing others down for gaining weight or, god forbid, having cellulite, the masses bought into the idea that if they wore the same waist trainers that Kim Kardashian wore, or if they bought the lip kits that Kyle Jenner created, that they would become more like their idols.
Consumerism itself is fueled by tearing people down, to then sell them something to fix the issue. Most of these issues have been predominantly directed at women, though we’re seeing more and more advertising directed at men. The next time you open up or Instagram or Facebook, consider how many adverts you get that are selling you something purely to fix an issue you did not initially have. For example, a mascara that will fix you natural eyelashes. Then fake eyelashes to go on top of that for added length a curl. Then a clear gel to put on your natural eyelashes at night to help them regrow after the stress of mascara and false lashes has put on them… do you see a pattern here? I could have used any physical attribute as an example. There is always going to be something new on the market to fix you, despite the fact that you were never broken in the first place.
Matt Haig wrote on his Instagram account, ‘Consumerism wants you to feel guilty. That’s how it makes money. A new year won’t mean a new you. You are not an iPhone. You don’t need replacing every year… Don’t feel guilty about not dieting or exercising yourself into a temporary new form. Just be kind to yourself. Get to know the old you. Don’t throw yourself away like another piece of plastic trash. You are everything you already are.’
Guilt is what sells. Making you feel guilty, makes you feel like you need to be doing something to fill that void. Body neutrality allows you to turn away from marketing, because you don’t need it to appreciate and love yourself. I feel it is a movement that extends to material possessions too. By starting with being neutral with your body, you learn acceptance, and don’t need to try the latest diet or supplements to change the way you look. This, in turn, starts you realising you don’t need to update the electronics you own just because there’s a newer model. You don’t need to buy new clothes for each season. You don’t need to own something just because someone you look up to owns it. It’s about acknowledging what is working in your life now, and going with it, rather than chucking something perfectly good away simply because there is something newer.
There are some saddening figures on some of the big industries selling us quick fixes. In 2018 the weight loss industry was worth an estimated $189.8 Billion. Due to the rise of social media, millennials have taken over baby boomers at being the biggest buyers of weight loss products, and weight loss surgeries have increased by 5%. Despite this, people’s knowledge of food has increased and consumers are less likely to buy drinks with added sugar, sodas or foods that aren’t organic, which means diet companies are having to think differently. They’re not selling us meal plans anymore, not like Weight Watchers sold to our parents. They’re selling supplements, teas and coffees. Quick, short term fixes.
The cosmetic surgery and procedure market size has been estimated to reach $43.9 billion by 2025, while Americans, ‘Spent more than $16.5 Billion on cosmetic plastic surgery in 2018.’ The beauty industry too is a big industry, a $532 billion industry, if you needed to know, though this article highlights how consumers are leaning towards companies who offer sustainable ranges, don’t test on animals, use organic ingredients and have recyclable or circular containers (by circular I mean containers that can be sent back to the company to be reused or correctly broken down, not the shape.)
And while I fully respect everyone having their own choices, by getting surgery if they want to, or by buying make up, or by dieting, I do sometimes feel angry that these industries and their successes were built by criticising and destroying others. Which is why, for me, body neutrality has to be the way forward. Because it will tell these industries that we don’t need them to fix ourselves. Of course, you can wear make up to make you feel good, or get fit if it’s your choice, but don’t do it because you feel like you are not enough as you are, or because you’ve been shamed to the point of feeling like there is no other option.
Jameela Jamil started I Weigh to talk about all the things she weighs that is not a number, because we are so much more than the scales or our clothing size. To round this post off, I’d love for you to join me by sharing what you weigh. Even better, share what you weigh on your social medias and tag I Weigh. Spread the word on the body neutrality movement. Together we are many. Together we are strong. Together we are more than the faults that corporations have given us.
I weigh: A daughter, a sister, a partner, a friend, a singer, a blogger, a nounou (nanny), an animal lover, a music lover, plant based, zero waster, feminist, passionate about people and the planet, a sometimes runner, a foodie, someone who struggles with anxiety, a happy person.
Until next time,
The Sustainable Swap
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basicsofislam · 6 years
Text
PROPHET MUHAMMAD (PBUH)’s BIOGRAPHY : The Growing Circle of “Communication”
Three long years had passed and the circle of faith could grow only so much. Many people were aware of the change in Mecca, whether it was those who had witnessed a friend or a relative accepting Islam, or those who themselves had been invited to Islam, or those who had witnessed the hatred welling up inside the hearts of the Quraysh. The issue was being discussed everywhere.
Meanwhile, with every passing day, new revelation were coming and feeding the believers by way of faith, strengthening their resistance. Before long, a revelation had arrived that stated: 
“So from now on, proclaim what you are commanded to convey openly and in an emphatic manner, and do not care (whatever) those who associate partners with Allah (say and do)” (al-Hijr 15:94). 
It seemed that the provision was more general this time and it targeted Mecca in the first place and then the whole of humanity. How could one not carry out such an order?
The Beloved of Allah went to the top of Safa hill and called out to the whole of Mecca: “Ya sabaha! Ya sabaha!”
This was a kind of address that normally served to warn the people of the threat of a great enemy. When such a call was heard, normally everyone would take their own precautions and would wait ready for the enemy. That day, the Messenger of Allah was trying this call to wake the Meccans to an awareness of what was awaiting them tomorrow. No one could stay indifferent to such a call. Those who could come were coming and those who could not were sending people to report back as to what Prophet Muhammad, peace and blessings be upon him, had to say. There was a great crowd at Safa now, and the Messenger of Allah called the attention of the tribes present one by one: “O sons of Fihr! O sons of Adiyy! O sons of Abdimanaf; and O sons of Abdul Muttalib!”
Everyone was paying great attention and waiting for the news that was to come. In the meanwhile, there were also those who were asking who this man was who had called people here. The answer they received was: “Muhammad!”
Abu Lahab was among those who had come. The Messenger of Allah first asked the following question to those who were waiting eagerly to hear what he had to say: “If I should tell you that there is an army coming towards you from behind this mountain, would you say that I was lying to you?”
“No, we swear we have never seen you lie; we have never heard anything but the truth from you,” they said.
This was the answer he was expecting. He was going to build his argument on it: “O people of Quraysh!” he called out to them once again. “I am a clear cautioner for you concerning a grave grief that is drawing near. Come and save yourselves from the fire of Hell! If you don’t, I can do nothing for you in the eyes of Allah. You and I are like the man who comes to his tribe with the warning of an army approaching his town. He has seen that the enemy will come and harm his tribe and that’s why he has warned his kin. He has gone to the top of a hill and shouted: ‘Ya sabaha! Ya sabaha.’”
What more could he do? He was trying every possible way to help them but he was not able to get the result he wanted. But this wasn’t the crucial point. When doing all this, he was not concerned about the end result, but rather, he concentrated on whether he was following Allah’s will and orders. The underlying principle of the persistence of our noble Prophet, the Messenger of the Most Generous, was the awareness of doing his duty to the best of his capacity. He could not bear the idea of seeing people make their way towards Hell. Even though he was faced with insults and slander from his listeners, he believed that one day their hearts would soften.
Even if not these people themselves, their offspring might one day understand the value of Islam. On the Day of Judgment, Allah the Almighty would ask everyone what they had done in life and the excuse of “We had not been told” was no longer valid now. This is why the Illustrious Beloved of Allah started to say the following to his relatives who had gathered in this crowd: “O people of Quraysh! Do not leave your soul in bondage but buy your soul from Allah, and protect it from Hell; for tomorrow I will not be able to help or harm you in any way. Tomorrow I will not be able to help you when you are in the presence of Allah!”
He then started to address the crowd more specifically, calling out to them by their names:
“O sons of Ka’b ibn Luayy! O sons of Murra ibn Ka’b! O sons of Qusayy! O sons of Abdimanaf! O sons of Abdishams! O sons of Hashim! O sons of Abdul Muttalib! Take care to protect yourselves from the fires of Hell! Or else I will not be able to procure any help or harm for you; I will not be able to help you! Benefit now from what I come to you with, ask me anything and I will give it to you, but tomorrow in the presence of Allah, I will not be able to help you at all!
O Abbas ibn Abdul Muttalib! I will not be able to do anything for you either in the presence of Allah.
O aunt of the Messenger of Allah, Safiyya bint Abdul Muttalib! I will not be able to help you either!
O daughter of the Messenger of Allah, Fatima bint Muhammad, if you want something from what I have at hand now, ask for it now! You protect your self from the fire of Hell as well! Or else I will not be able to do you any good or harm on that day, in the presence of Allah. All I can do today is to speak nicely to you with respect to our blood ties!”
All these were true and no one said anything against these words. The Messenger of Allah had done his duty; he had put himself forward for the sake of his relatives. Having listened to his advice, they were now returning to their homes, without having given any response. A familiar face from among them came forward and approached the Messenger of Allah. It was clear that he was enraged and was not at all happy that the fate of the coming days had thus been revealed to him: “Woe unto you! Is this what you called us here for; let your hands dry up!” He was saying and scolding his nephew.
Not long after this, Gabriel had come to the Prophet’s rescue and he was calming the Illustrious Beloved of Allah with the following words:
May both hands of Abu Lahab be ruined, and are ruined are they! His wealth has not availed him, nor his gains. He will enter a flaming Fire to roast; and (with him) his wife, carrier of firewood (and of evil tales and slander), around her neck will be a halter of strongly twisted rope. (Tabbat 111:1–5)
This was at the same time a warning that even if he should be close to the Prophet by way of family, he would not be able to find salvation if he did not respond to the invitation from the Messenger of Allah.
Now Mecca would get to know about these verses and be truly shaken. The address that the Abu Lahab family was heading for was thus made public. Although they did not seem to care at first, inside they were full of doubt: What if what was said was true? What if there was a Hell? And what about Muhammad, what if he really was the Messenger people were waiting for?
But because he had already once said no, he would stay by his word, and when his day came, he would die like the Qur’an and the Messenger of Allah had foretold, consolidating the judgment passed on him.
The wife of Abu Lahab, the enemy to Allah, was Umm Jamil and she was in no way behind her husband when it came to enmity to the Messenger of Allah. He would spread pins and needles on the path where the Messenger was likely to pass, and she would pour rubbish on his doorstep. She had a nasty tongue and she would incite others against him; she was organizing people against the Messenger of Allah and was trying to turn enmity towards him into a popular cause. That’s why when speaking of her, the Qur’an would use the term “carrier of wood,” making clear her sorry state in Hell as an example to those that would come after her.
The Messenger of Allah, who paid such great attention to the sons of Abdul Muttalib, was slowly widening his circle of communication. He was now going to the Ka’ba to pray openly; he was inviting people to religion and reading them the Qur’an.
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urdu1official-blog · 7 years
Text
Mujhay Jeene Do Drama on Urdu1: Gohar Rasheed to Ditch His Baddie
The actor that is everyone’s favorite baddie, Gohar Rasheed, will be starring in Urdu’s upcoming drama, ‘Mujhay Jeene Dou’. This time around, Rasheed will not be donning the full-blown antagonist avatar but will be close to an anti-hero. The star that looks for risky projects, moves to break his own stereotype. In an exclusive interview, Gohar Rasheed opened up about his upcoming project. WHO WAS YOUR INSPIRATION TO CHOOSE AN ACTING CAREER? Gohar Rasheed: When I started doing theater I was in 3rd grade, so I did not even know what the word inspiration meant back then. However, when I joined the industry I researched about acting and the actors that’s when I started forming my views. My all out inspiration is Daniel Day-Lewis and I tend to follow his footsteps to whatever level I can. In Pakistan, the Late Moin Akhtar inspired me. YOU ALWAYS SEEM TO PLAY THE ANTAGONIST, IS THIS A WHOLEHEARTED CHOICE? GR: I personally think that a hero is always a hero, but a villain gets more margin in terms of acting and also that’s the character that increases the curiosity level of the audience. He keeps them on their toes. Villains are unpredictable so their actions come as a shock and it adds the suspense in the story. That is why I feel baddies get more chance to grow in terms of acting. That’s the kind of thing I look for, a meatier and substantial role. Plus I feel the writers focus more on the villain because we all know that the hero saves the day. What will the villain do? That’s the question. It is what keeps you guessing. Therefore it gives me more room to act. TELL US ABOUT ‘MUJHE JEENE DOU’. GR: The story deals with a child marriage which basically, I think is a major issue in our rural areas. The drama ‘Mujhe Jeene Do’ is by John Hopkins and directed by Angeline Malik. When you take such a decision you usually have no idea that what will be the repercussions of this decision. We talk about the consequences of it. While reading the script, some scenes were horrifying. You think that this act is done to a person who has no idea of what this all means. I mean it’s just a little girl and you have wedded her off. This drama serial is dealing with all those taboos attached to these things, things that need to be spoken about. Our audiences especially in the rural areas but even in the urban ones need to be informed and made more aware of such topics. WHAT IS YOUR ROLE IN THE UPCOMING DRAMA ‘MUJHE JEENE DOU’? GR: This time it’s not a baddie! You have to break your own stereotypes. I want to bring something new to the audience because they have some sort of expectations from me. The character’s name is Naseeb. He is a good guy in the play. The reason why I chose this character is that in this play, you can’t determine just within the first 15 minutes if he is a good guy or a bad guy. His decisions determine whether he is right or wrong so in this way it is realistic. This character had a “human element to it” which is why I opted for it. The actions he takes due to peer pressure and some legit circumstances. What he does after marriage is what this story is all about. HOW DO YOU GET INTO A CHARACTER? HOW DO YOU PREPARE FOR IT? WHAT KIND OF RESEARCH DO YOU DO? GR: The psyche of the character was hard to get into. While performing, I used to take some time and go sit with Angeline. Discuss how to get into the mindset of this character because I haven’t experienced these situations or anything remotely similar to it. She used to give references to help me out and make the situations a little easier to understand. For people like my character, it’s just that “ye larki hai”. I did a lot of research and got the stats for the rural area because this is the norm there. The number of child marriages seems to be increasing. There is a law against it, but no one knows about the basic fundamental rights that protects under-aged people being forced into marriage. I coincidentally met a little girl, in the outskirts of Lahore, where we were shooting who was married. I was just shocked. HOW IS THE EXPERIENCE OF WORKING WITH SARMAD KHOOSAT AND NADIA JAMIL? GR: I always wanted to work with Nado (Nadia Jamil). Incidentally, from my struggling days, I had wanted to work with her because she is such a brilliant actor. Offset she is a sweetheart, it is fun to be with her. On the set, she is the one creating the shor sharaba. She is basically the life of the party. With Sarmad, not many people know this but I have done my second telefilm for Geo with him. Back then he was a director. Now seeing him as an actor, I was blown away (referring to Sarmad’s performance as Manto). I suggested that we should get him on-board. It has been a learning experience working with them. It’s a good ensemble and combination of actors. It is a place where we learn while having fun too. SHARE WITH US A CRAZY STORY FROM THE SETS OF ‘MUJHE JEENE DOU’. GR: Since we have only shot a small spell as of yet only one comes to mind. So basically [an incident happened ] while [we were] shooting an intense scene with Nado and Ali Tahir. Our characters were in the heat of the moment, arguing about a very serious issue. It was going great, but out of nowhere we heard sounds like ‘Khar-khar‘. We looked at the source of disturbance and noticed two of the goats, tied to the tree in the background were busy making love. We had to call the scene off because of those two goats. It was hilarious the whole crew was in fits. A TREND HAS EMERGED OF CREATING DRAMAS BASED ON SOCIAL ISSUES. HOW DO YOU THINK THIS IMPACTS THE SOCIETY? GR: Naturally, nobody wants to face their guilt or fear. As a human being, we all avoid situations that put us into discomfort when we are in the wrong. That is why I am not over ambitious about this project. We may not change the world but I feel if this show can prevent even one girl from getting married and facing such a miserable life; then I would consider myself lucky to have done the job. Moreover, we are going to dub the show in the regional languages as well like Sindhi, Punjabi and it will be broadcasted at smaller channels as well because our target is to create awareness in rural areas. We hope people see this drama with a neutral and open mind. They need to unlearn some things that have become the norm. They need to know that customs like these are not okay. O21, MAIN HOON SHAHID AFRIDI, AND SEEDLINGS WERE YOUR FIRST PROJECTS ON THE SILVER SCREEN. CURRENTLY, YOU ARE WORKING ON 2-3 MORE (YALGHAAR, RANGREZA, MAIDAAN AND KAMBAKHT). HOW WOULD YOU SAY YOU HAVE GROWN AS AN ACTOR? GR: As an actor, one thing I am glad about is that I have evolved. It’s something I can vouch for. It is definitely a learning curve. The earlier films are when the new wave of Pakistani cinema was emerging; these films were the first batch. I was young at that time, it was all new to me. Now as an actor, I am more open to taking risks. Plus I do not take myself so seriously and I am comfortable in transforming myself according to the demands of the character. Like my long hair and mustache right now is for Rangreza. Right after this project, I have to go clean shave and shed off some weight. So I like taking risks and doing something new that is what I have gained working on these films. WHEN YOU TAKE-UP PROJECTS, IS THERE ANYTHING IN PARTICULAR WHICH YOU LOOK AT FIRST, LIKE AN INTERESTING PLOT TWIST, OR SOMETHING, WHICH MAKES YOU SAY YES TO THE PROJECT? GR: It all depends on how unusual or risky the project is. The quintessential, good-looking boy-next-door, those stereotypes are very boring for me. They do not excite me at all. I do not want to see myself in such roles I feel there are lots of others who fit into it and are happy with these roles. I want to see myself as an anti-hero. For example, Deadpool or Lewis’s role in Gangs of New York. Roles that push the envelope further those that do not fit in a box. You can’t label them. That is what I look for. I feel Mikael from Mann Mayal was such a character who everyone hated in the beginning but near the end, after his death. People actually sympathized with him and felt that he deserved a chance. I like doing projects that trigger mixed emotions of hatred and sympathy. I might do contemporary or quintessential roles down the lane, but not right now. ANY ACTOR/ACTRESS YOU WOULD LIKE TO WORK WITH IN THE FUTURE? GR: Daniel Day-Lewis. He is the epitome of acting. I really want to work with him. In Pakistan, I would love to work with Bushra Ansari. We are in the talks for a project so hope it happens. With boys, I have worked with almost everyone. OF ALL THE ROLES YOU HAVE PLAYED, WHICH WAS YOUR FAVORITE? GR: The next one. It is always the next one. 5 YEARS DOWN THE LANE, WHERE DO YOU SEE YOURSELF? GR: I have no idea. I never plan my future, because the future is not in our hands.
1 note · View note
urdu1official-blog · 7 years
Text
Mujhay Jeene Do Drama on Urdu1: Gohar Rasheed to Ditch His Baddie Image
The actor that is everyone’s favorite baddie, Gohar Rasheed, will be starring in Urdu’s upcoming drama, ‘Mujhay Jeene Dou’. This time around, Rasheed will not be donning the full-blown antagonist avatar but will be close to an anti-hero. The star that looks for risky projects, moves to break his own stereotype.  In an exclusive interview, Gohar Rasheed opened up about his upcoming project. WHO WAS YOUR INSPIRATION TO CHOOSE AN ACTING CAREER? Gohar Rasheed: When I started doing theater I was in 3rd grade, so I did not even know what the word inspiration meant back then. However, when I joined the industry I researched about acting and the actors that’s when I started forming my views.  My all out inspiration is Daniel Day-Lewis and I tend to follow his footsteps to whatever level I can. In Pakistan, the Late Moin Akhtar inspired me.  YOU ALWAYS SEEM TO PLAY THE ANTAGONIST, IS THIS A WHOLEHEARTED CHOICE? GR: I personally think that a hero is always a hero, but a villain gets more margin in terms of acting and also that’s the character that increases the curiosity level of the audience. He keeps them on their toes.Villains are unpredictable so their actions come as a shock and it adds the suspense in the story. That is why I feel baddies get more chance to grow in terms of acting. That’s the kind of thing I look for, a meatier and substantial role. Plus I feel the writers focus more on the villain because we all know that the hero saves the day. What will the villain do? That’s the question. It is what keeps you guessing. Therefore it gives me more room to act. TELL US ABOUT ‘MUJHE JEENE DOU’. GR: The story deals with a child marriage which basically, I think is a major issue in our rural areas. The drama ‘Mujhe Jeene Do’ is by John Hopkins and directed by Angeline Malik. When you take such a decision you usually have no idea that what will be the repercussions of this decision. We talk about the consequences of it.While reading the script, some scenes were horrifying. You think that this act is done to a person who has no idea of what this all means. I mean it’s just a little girl and you have wedded her off.This drama serial is dealing with all those taboos attached to these things, things that need to be spoken about. Our audiences especially in the rural areas but even in the urban ones need to be informed and made more aware of such topics. WHAT IS YOUR ROLE IN THE UPCOMING DRAMA ‘MUJHE JEENE DOU’?GR: This time it’s not a baddie!You have to break your own stereotypes. I want to bring something new to the audience because they have some sort of expectations from me.The character’s name is Naseeb. He is a good guy in the play. The reason why I chose this character is that in this play, you can’t determine just within the first 15 minutes if he is a good guy or a bad guy. His decisions determine whether he is right or wrong so in this way it is realistic.This character had a “human element to it” which is why I opted for it.The actions he takes due to peer pressure and some legit circumstances. What he does after marriage is what this story is all about. HOW DO YOU GET INTO A CHARACTER? HOW DO YOU PREPARE FOR IT? WHAT KIND OF RESEARCH DO YOU DO? GR: The psyche of the character was hard to get into. While performing, I used to take some time and go sit with Angeline. Discuss how to get into the mindset of this character because I haven’t experienced these situations or anything remotely similar to it. She used to give references to help me out and make the situations a little easier to understand. For people like my character, it’s just that “ye larki hai”. I did a lot of research and got the stats for the rural area because this is the norm there. The number of child marriages seems to be increasing. There is a law against it, but no one knows about the basic fundamental rights that protects under-aged people being forced into marriage.I coincidentally met a little girl, in the outskirts of Lahore, where we were shooting who was married. I was just shocked. HOW IS THE EXPERIENCE OF WORKING WITH SARMAD KHOOSAT AND NADIA JAMIL? GR: I always wanted to work with Nado (Nadia Jamil). Incidentally, from my struggling days, I had wanted to work with her because she is such a brilliant actor. Offset she is a sweetheart, it is fun to be with her. On the set, she is the one creating the shor sharaba. She is basically the life of the party. With Sarmad, not many people know this but I have done my second telefilm for Geo with him. Back then he was a director. Now seeing him as an actor, I was blown away (referring to Sarmad’s performance as Manto). I suggested that we should get him on-board. It has been a learning experience working with them. It’s a good ensemble and combination of actors. It is a place where we learn while having fun too.SHARE WITH US A CRAZY STORY FROM THE SETS OF ‘MUJHE JEENE DOU’.GR: Since we have only shot a small spell as of yet only one comes to mind.So basically [an incident happened ] while [we were] shooting an intense scene with Nado and Ali Tahir. Our characters were in the heat of the moment, arguing about a very serious issue. It was going great, but out of nowhere we heard sounds like ‘Khar-khar‘.We looked at the source of disturbance and noticed two of the goats, tied to the tree in the background were busy making love. We had to call the scene off because of those two goats. It was hilarious the whole crew was in fits. A TREND HAS EMERGED OF CREATING DRAMAS BASED ON SOCIAL ISSUES. HOW DO YOU THINK THIS IMPACTS THE SOCIETY? GR: Naturally, nobody wants to face their guilt or fear. As a human being, we all avoid situations that put us into discomfort when we are in the wrong. That is why I am not over ambitious about this project. We may not change the world but I feel if this show can prevent even one girl from getting married and facing such a miserable life; then I would consider myself lucky to have done the job.Moreover, we are going to dub the show in the regional languages as well like Sindhi, Punjabi and it will be broadcasted at smaller channels as well because our target is to create awareness in rural areas. We hope people see this drama with a neutral and open mind. They need to unlearn some things that have become the norm. They need to know that customs like these are not okay. O21, MAIN HOON SHAHID AFRIDI, AND SEEDLINGS WERE YOUR FIRST PROJECTS ON THE SILVER SCREEN. CURRENTLY, YOU ARE WORKING ON 2-3 MORE (YALGHAAR, RANGREZA, MAIDAAN AND KAMBAKHT). HOW WOULD YOU SAY YOU HAVE GROWN AS AN ACTOR?GR: As an actor, one thing I am glad about is that I have evolved. It’s something I can vouch for. It is definitely a learning curve. The earlier films are when the new wave of Pakistani cinema was emerging; these films were the first batch. I was young at that time, it was all new to me.Now as an actor, I am more open to taking risks. Plus I do not take myself so seriously and I am comfortable in transforming myself according to the demands of the character.Like my long hair and mustache right now is for Rangreza. Right after this project, I have to go clean shave and shed off some weight. So I like taking risks and doing something new that is what I have gained working on these films.WHEN YOU TAKE-UP PROJECTS, IS THERE ANYTHING IN PARTICULAR WHICH YOU LOOK AT FIRST, LIKE AN INTERESTING PLOT TWIST, OR SOMETHING, WHICH MAKES YOU SAY YES TO THE PROJECT?GR: It all depends on how unusual or risky the project is. The quintessential, good-looking boy-next-door, those stereotypes are very boring for me. They do not excite me at all. I do not want to see myself in such roles I feel there are lots of others who fit into it and are happy with these roles.I want to see myself as an anti-hero.For example, Deadpool or Lewis’s role in Gangs of New York. Roles that push the envelope further those that do not fit in a box. You can’t label them. That is what I look for.I feel Mikael from Mann Mayal was such a character who everyone hated in the beginning but near the end, after his death. People actually sympathized with him and felt that he deserved a chance.I like doing projects that trigger mixed emotions of hatred and sympathy.I might do contemporary or quintessential roles down the lane, but not right now. ANY ACTOR/ACTRESS YOU WOULD LIKE TO WORK WITH IN THE FUTURE? GR: Daniel Day-Lewis. He is the epitome of acting. I really want to work with him.In Pakistan, I would love to work with Bushra Ansari. We are in the talks for a project so hope it happens. With boys, I have worked with almost everyone.OF ALL THE ROLES YOU HAVE PLAYED, WHICH WAS YOUR FAVORITE?GR: The next one. It is always the next one.5 YEARS DOWN THE LANE, WHERE DO YOU SEE YOURSELF? GR: I have no idea. I never plan my future, because the future is not in our hands. 
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