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#italian aristocracy
tiarascrowns · 4 months
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Historical and Important Natural Pearl and Diamond Tiara
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From the Collection of Princess Maria Immaculata of Bourbon-Two Sicilies, Archduchess of Austria-Tuscany (1844-1899) Archduchess Maria Immaculata of Austria-Tuscany, Duchess of Württemberg (1878-1968)
Historical and important natural pearl and diamond tiara, Köchert, late 19th century
Of openwork, garland design, set with drop- to slightly baroque drop-shaped natural pearls measuring approximately from 10.50 - 12.65 x 18.60mm to 7.70 - 7.75 x 9.70mm, set throughout with cushion-shaped and circular-cut diamonds, inner circumference approximately 240mm, unsigned, maker's marks for Köchert, Austrian assay marks for gold, screwdriver, brooch and comb fittings for the central element, two hairpin fittings, five central elements detachable, thirteen pearl pendants detachable, fitted case stamped Köchert.
Sotheby's
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roehenstart · 2 months
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Don Pietro de' Medici. Anonimo. Museo del Prado.
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tiaramania · 5 months
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TIARA ALERT: Marchioness Barbara Berlingieri wore Archduchess Maria Anna's Ruby Bow Aigrette for Le Bal des Débutantes at the Shangri La Hotel in Paris on 25 November 2023.
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dreamconsumer · 2 months
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Louise, Crown Princess of Saxony (1870-1947) and her brother Archduke Leopold Ferdinand, Prince of Tuscany (1868–1935). They were the two eldest children of Ferdinand IV, Grand Duke of Tuscany (1835 – 1908) with his second wife Princess Alice of Parma (1849-1935).
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peggy-elise · 10 months
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Alain Delon and Claudia Cardinale as Tancredi and Angelica in The Leopard 1963 🎖
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✵ September 27, 2008 ✵
Princess Olga of Greece & Prince Aimone de Savoy, Duke of Aosta
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nando161mando · 8 months
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styl-kameleona · 2 years
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Vittorio Matteo Corcos (1859-1933) "Portrait of the Contessa Nerina Pisani Volpi di Misurata" (1906) Oil on canvas
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the-cricket-chirps · 3 months
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Marchesa Luisa Casati, 1881–1957
Italian patron of the arts & muse
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blackswaneuroparedux · 10 months
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Ballet preserves the cultural heritage of generations, allowing us to experience the emotions and stories of our ancestors through dance.
Margot Fonteyn
Ballet's origins grew out of the Renaissance court cultures of Italy and France. Dancers would perform at the royal courts - and then invite the audience members to participate. It was a dance that was done by courtiers and kings and princes at court in social situations. It was not a theatrical art set off from social life
The first ballet dancers did not wear tutus or dance in satin shoes, but they did formalise the footwork patterns - known as first, second, third, fourth and fifth position - that are still used today. Louis XIV of France realised that if his art form was going to be disseminated throughout his realm and even to other European countries, he would have to find a way to write it down. So he asked the famed French choreographer Pierre Beauchamp to write some these positions. The positions themselves are the grammars of ballet, they're the ABC's, the classical building blocks of ballet.
In ballet's early days, men were expected to perform the more extravagant and intricate footwork. It wasn't until years later, during the French Revolution, that female dancers became stars. During the French Revolution, the aristocratic male dancer was really discredited. The hatred and bitter animosity toward the aristocracy had direct consequences for ballet. Why should you have this aristocratic art? If you're going to take down the aristocracy, why not take down ballet, too?"
By the 1830s, men were actually reviled onstage. They're thought to be a disgrace. Female dancers take the ideals that existed in the aristocratic art form and turned them into a feminine and spiritual ideal of which they are the masters. Then you get this image of the ballerina on toe, in these more romantic-era ballets of sylphs and unrequited love and the romantic themes that carried ballet into the 19th century.
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roehenstart · 7 months
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Ferdinando III de' Medici. By Cristofano Allori.
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tiaramania · 2 years
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TIARA ALERT: Allegra Amanda wore a diamond tiara for her wedding to Prince Gianni Caracciolo-Carafa at the Carafa Chapel of the Basilica Santa Maria sopra Minerva in Rome, Italy on 5 June 2022.
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dreamconsumer · 2 months
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Claudio of Savoy, Count of Pancalieri.
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Scipione Pulzone (Italian, 1544-1598) Portrait of a Lady, Detail, c.1585 Museo del Prado, Madrid
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europesroyalsweddings · 7 months
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✵October 7, 1971 ✵
Marina Ricolfi-Doria & Prince Vittorio Emanuele of Savoy 
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