#it’s the same with the idea of there ever being new ducktales content

[popculturebuffet]

Ducktales: Jaw$! or How Lena Learned to Stop Worrying and Love Webby (Lena Retrospective Commissioned by WeirdKev27)

Trigger Warning: Part of this review contains discussions of abuse which can’t be avoided but I still want to be senstive to my audience and any trauma they’ve gone through.  Welcome back weblena world to Shadow Into Light: My Lena Sabrewing Retrospective. And Jaw$ is here, long live Jaw$. Tiffany was a shark who bites the law she was in an episode i’m reviewing called Jaw$. 

And it’s the money shark before the storm as next month i’ll be going from two Ducktales reviews a week with the Lena retrospective and the last few episodes.. to three, as i’ll ALSO be covering the Della arc from season 1 in the build up to shadow war. And if your wondering if I expertly planned this to coincide with the finale, to the point the shadow war review and those leading up to it will be on the same week as the finale.... nope. I just got REALLLLY lucky as I already had all of that planned out, and the schedule for the  new episodes happened to synch up perfectly, ending just in time for me to revisit the series start and having Magica’s big in person appearance reviewed a week after we get her backstory in Life and Crimes. Though I am VERY happy it worked out this way as I get to properly celebrate the series end with more ducks than ever, and get to cover the pilot the same month as the finale, all things i’d of loved to do anyway and probably would’ve rejiggered my schedule to do. Point is lot of Ducktales content coming for this blog if you like that so stay tuned, but for now join me won’t you under the cut as we dive into a money bin of gay ducks, shadowy machinations, and Bad PR. 

We open as Lena and Donald awkwardly sit on the couch, waiting for Scrooge and the Kids to get home. Understandably it’s just.. dead silence.Given their a cynical teenager secretly working for and forced to obey a horrifying shadow monster and a 35 year old man who dosen’t like living in this house due to painful memories of his presumed dead sister.. and painful memories of pain in general, you have a huge awkward bowl of chips and “I really don’t want to be here right now”. 

Our heroes return though, and Louie tries to take some of their haul for himself but Scrooge stops that “It goes in the bin not to next of kin. “... Man in a Hurry if you would please. 

Thank you. Man in a Hurry everybody. He has to go now, he’s in a hurry. 

 As you can probably guess I do not like this, as it reminds me WAY too much of Scrooge’s worst “quirk” in the comics: how he’d barely pay his nephews, who are often hard up for cash mind you and one of whom is supporting three children ALONE, take them around the world and reap all the benefit for their hard work. It’s not like he did nothing, he did, but it’s way to exploitive for my tastes and can often sink a story if taken too far. It’s not AS bad... but they all went on the mission they all deserve at least something. I DO get keeping the rarest and most dangerous stuff for himself, as he is bankrolling things and does have two bins and a massive garage to safetly store them. But this just comes off as douchey for this version, who while liable to make mistakes with them, is far more nurturing towards his boys and girls. 

Thankfully this was course corrected next season. While Scrooge’s greed was properly restored.. this sort of treatment wasn’t. “Treasure of the Found Lamp” had him undergo character development and realize simply hoarding his treasures isn’t right or fair, and set up a musuem wing so both duckburg and his descendants can see them and get the stories behind them. And on not getting to take things clearly he’s eithe relaxed or stopped the policy as our heroes do have souveneers from time to time. Not a LOT mind, but little things like Dewey having a giant sword or Scrooge outright giving Louie one of his things show he did soften up. Though Della’s return and likely lack of tolerance for this stupid policy in the first place probably helped a lot, I also like to think he did change a bit and realize it was deeply unfair they didn’t get more than a few treasures of their own. So the writers did realize they kind of went overboard here.  I suspect this was more to setup for the episode’s subplot and to make Scrooge’s karma at the end feel justified. Speaking of which we get the start of said Subplot as Beakley comes in with a money cart and the news the board called. Why they called his house instead of his phone I don’t know, some things slip through the cracks when you running both a billion dollar company an da trillion dollar fiendish organization  for world larceny. I mean they clearly worked themselves so hard the other two apparently died between seasons. That or it was the diet of whiskey, orphan tears and grease in a wine glass both had. Bradford always told them it’d kill them though to his credit he only said I told you so twice at their funeral. 

For once no their not mad Scrooge is spending all the money they use to buy fowl jetskis, but because the Company’s having a bit of a PR nightmare now that Scrooge is back in the adventuring game. And we cut to the beanstalk they just adventured on having tore up a good chunk of the town and destroyed large swaths of it just to sell the point this isn’t their normal old man yells at other old man for spending all me money schitck, but a serious problem. As such they’ve booked him an interview with Roxanne Fetherly to improve his image and the companies. 

Scrooge scoffs at this, baffled why he has bad pr as his adventuring is GOOD for the city in the long run: He pays for any damages it causes, and likely at a cost no less which is a LOT coming from scrooge, and puts most of the money he makes on these adventures back into the city and his company, creating more jobs and better living conditions. He does get a wakeup call via  truly hilarous gag as Launchpad pops his head up to say “Good news mr. mcdee, it missed the orphange!” before getting ready to chainsaw the stalk for him. He quickly realizes MAYBE he needs some PR and agress to the interview. 

 This whole subplot really plays into one of the series main themes, one Frank brought up a few months back: Risk vs Reward. Adventuring is entirely about this, that adventure is dangerous, can cost you a lot as we see with Della and the aftermath of her terrible decision making, and can hurt people.. but it can also help people, bring money to those who need it, free those who are being oppressed and open new worlds to everyone. This subplot distills it down great: Scrooge is right that his adventures do bring in money, and as seen with the first episode brought in clean water and power with no drawbacks and only asked to be paid for it, which is fair given he still has to run machines and likely help relocate any workers whose jobs are now redundant to other parts of the company and retrain them. But it costs people their homes and jobs, not forever but still as long as it takes to construct, tears up roads and puts people in danger. It’s plots like this that make Bradford the perfect final boss for the series: He’s someone who blinds himself to the reward of all this and only sees the risk, and raises valid points even if he himself is deeply wrong. He’s right Scrooge causes a lot of danger and threat to the world.. but wrong in that he dosen’t see it’s all worth it for the good of everyone. 

But enough about future story arcs let’s get back to this one, as Webby excitedly greets Lena and hugs her, realizes she’s not hugging her back then gives her another squeeze anyway after claming to hate hugs when just a LOOK at Webby would tell you that’s false. The two are having a sleepover, Webby’s first ever.. and given Lena’s essentially an Emo Hobo and the closest thing she has to home is that starlight ancient amptheater that’s never properly explained. Seriously ancient ruins near Duckburg dosen’t suprise me, but at least tell me what they are and why Magica chose them. And why Louie hasn’t tried to sell tickets to Dewey boxing a gorilla in them. Or probably a possum I mean their on a budget and gorillas snap necks, but still i’d pay to see that as would we all. 

Point is it’s their first sleepover and naturally Webby’s first bit of smalltalk.. is how tucking in can be used for interogation techniques. I’d be more suprised if earlier this season it hadn’t already been shown Beakly regularly enrolls her daughter in the no murder, unless you really want to, hunger games every year. The fact Webby hasn’t become the bat is only because she hasn’t found a costume that’s the right combintion of pinks and purples to instill pantswetting terror yet. That shit takes time. 

Lena goes to the bathroom.. to talk to Magica who we properly get to meet. She did speak last time, but this ep is the one that properly establishes her personality for the reboot: she has clever plans, tons of power, if sealed currently, and is a genuine threat.. but she’s also a bit of a ham, in love with the old ultra violence and really short sighted in her plans, something we got hints of last time as her best solution to the Beakly Problem was  to just leave her to die and hope scrooge and webby, two people who love solving mysteries and unlocking puzzles, don’t investigate the horrifying death, accident or not, of their only friend and grandmother, and that neither, especially the 12 year old spiraling with grief, would suspect a former spy died. Thoguh in fairness on the spy thing it’s plausable Magica didn’t know that, but still it’s a bad plan. Magica has good ideas but is just so obessed with the brute force way of doing things she forgets the subtle approach works better.. and so far it has well for Lena.  Problem is it’s VERY clear by this point that Lena likes Webby, maybe not romantic styles JUST YET but it’s getting there. Webby on the otherhand has been in love with Lena from the freaking concept art which showed her blushing around her.. and that was in her 87 design.. which they thankfully changed. It’s not terrible but it just dosen’t fit well with this universe. Point is Lena is catching feelings and Magica realizes this and tries to gaslight her telling her she’d never acccept the truth abotu her and so on. As we all know and as we’ll see that’s bullshit but it’s an effective manipulation. We also find out Magica’s plan: she had Lena sneak a jewel into the treasure going into the bin, and it’s going to turn into a monster that will seek out the Number One Dime for them. She also vaugely hints that there’s something Lena needs from Magica. 

Once Lena returns, and Webby let’s her rabbit know the interogation isn’t over, she gives her possible future girlfirend a gift: friendship bracelets! They both put them on and it’s really fucking cute.. and will be both a tangible symbol of hteir friendship and a plot point several times, something I honestly hadn’t thoguht about till now. Lena, put off by the gesture not because she dosen’t aprpciate it because of the crushing guilt of lying to the one person who cares about her under the insucrtions of a sociopath, goes to Webby’s big old corkboard which is always fun to look at.. especially since it’s clearly the ONLY glimpse at Hortense we’re going to get all series. 

We’re not getting Grandma Duck either. Though at least Frank actually regrets that one. But the important part is one of the posts mentoniing Scrooge hates magic, something Webby elaborates on: He hates spells, hexs curses and what not and feels them a shortcut.  From the man who has a garage full of them. 

I do kid as I did realize there’s a valid expliantion for this: Scrooge will use magical items, protection spells that sort of thing.. but he uses them like anything else as needed. He’s too pragmatic to not say, use the jewel of atlantis to give a city clean energy and water he can montizie, or the split sword against FOWL.. but more often than not he just dosen’t need them. He collects them because it’s fun, oftne profitable.. and their simply SAFER in his museum wing, garage and second bin will get to in two weeks. He’s seen time and time again how people misuse magic, forget it has a price, or just rely on it instead of actual skill. He’s also clearly been on the bad end of a LOT of evil sorcerers and soreceresses, especially magica. Magic isn’t inherently bad, which in itself is a BIG message of Lena’s arc, it’s just somethign that’s the OPPPSOITE OF everythign scrooge is: sacrifcing others for power, relying on something besides yourself, distance attacks versus up close and personal phsycial attacks.. it was never going to be for him and tons of bad experinces with it only cemented it. He’s just not so stubborn outside of the santa thing to avoid something if it’s going to net him a profit or come in a pinch. 

So naturally Scrooge has banned any magic books from his house, as he has no use for spellcasting and any he’d need to keep for saftey or history’s sake are likely at the archives, but just as naturally, Webby smuggled one in and wants to try it with Lena ducking it and asking to play some games. I”m sure Huey has a few yugioh decks in his room go bug him. But before they can decide on one, the boys attack for a PILLOW FIGHT.... which is a sweet gesture and them just wanting to hang out, but ends with them all eating the ground and questioning why they thought attacking the duck equilvent of cassandra cain was a good idea. Louie decides to salvage it with a swim.. but since their pool has a boat in it he has a diffrent location in mind: the bin.

So while they head off to get head injuries, Beakly tries to prepare Scrooge as the Media are vultures and looking for the next scandal with public figures and it’s accurate. But given Scrooge’s natural mood is grumpus, this dosen’t go well at all and even a spray bottle dosen’t exactly help.. I mean it is the best method to deal with grumpy old men but it can only do so much. 

At the bin we get a lovely bit as Dewey prepares to dive and his brothers treat it like an olympic one, with both doing commentary, Dewey’s apparently response to if he was worried about brain damage was Nerp, and we get the wonderous national anthem of dewdonia. Just nice as well as lovely to see the brothers just having a crack and enjoying each others company with their own weird injokes but without the injokes feeling as forced as they were in “Beagle Birthday Massacre”. Things take a turn though as we see just what magica created with the stone... a giant shark made of scrooges money who eats that fucker in a single bite.. in this case Dewey. Louie and Huey naturally run off panicked.

So while Huey and Louie gain another scarring memory to tell their therapist when their older, Scrooge begins his interview with Roxanne Fetherly who.. honestly just weirds me out. Not for any personality stuff but because she has green feathers. And it just.. really feels WEIRD. I mean green ducks are a thing in real life.. but it just looks off to have such a pastel color on a duck when the other colors are white or tones meant to invoke real world races, allowing ducks to be black, latino, asian and so on and so on coded. That’s fine and blends in fine.. but with that metaphor the green just really dosen’t fit well at all. It feels like an early decision they made, but decided not to retcon or go with for anyone else which makes it all the more weird. We’re 3 seasons in , almost at the end, and the only other green duck we’ve seen was like that because of magic and the offputting nature of it WORKS for magica. Here I just don’t get it and I never well. But naturally Roxanne starts in on invasive, gotcha questions with no real good answers or time to respond, so fox news level questions, and then asks what part of ireland he’s from. 

Naturally that sets him off so while that rant goes on, literally next time we see him he’s still going on about it, we cut to the girls playing truth or dare.. and given Webby’s first question is about deepest darkest secrets the boys once again save her by running in... to report on the monster she created that just ate their brother. Lena brushes it off but does get them not to go to scrooge claming he’ll throw them to the shark himself. I mean he’s not comics scrooge so he probably woudln’t but their also two scared 11-12 year olds so it works well enough. They just need a way to go after the money shark. Enter launchapd who in the second best bit of the episode, says he sensed his best friend dewey was in danger. Beck’s delivery is what sells it.. and I’m not going to question it. He’s somehow alive despite presumibly living off a diet of spaghett-o’s, barely avoiding a car accident on his best days, and as we’ll find out later believing children in costumes are monsters he summoned when he was 8. The fact he suddenly has spider sense specifically related to people he cares about is honestly less of a surprise than the fact he’s not in heaven crashing God’s Speedboat into God’s Golden Castle with God’s Golden Lion riding shotgun. 

So they do the natural thing and.. steal Donald’s houseboat while he sleeps. He has no more involvement in this episode other than noticing it’s back and not in great condition at the end. I bring this up because this is one of Donalds ONLY apperances this season, and it’s part of the larger more irritating problem that he’s hardly ever used.. despite promoting him as a major part of the series. 

I will talk about this more during the Della arc as i’ts more relevant there, but needless to say it bothers me a lot and not knowing how to ballance it’s massive main cast was a constant struggle for the series even up to the final episodes going on right now. 

So our heroes head out on the bin late at night, where could the Jaw$ be she’s nowhere in sight. So they decide to use other treasure as a lure they either fished out of a bin or out of scrooge’s bathwater. How bathing in coins gets him clean I don’t know and frankly I dont’ think we want the answers to that and the idea of scrooge fully naked is so horrifying I forgot what I was talking about.

Ah yes our heroes are playing bait the money monster and find out it’s a shark, and Lena.. is not okay with that and goes to talk to Magica inside the boat. Magica tells us she has a name, Tiffany. Awww what a lovely name for a money shark. I would of gone with Rags to Bitches, but I may have brain damage.  Lena understandabily does not like the idea of getting eaten by a shark, asked to be informed and while Magica is mad at her for going after the thing, Lena reasonably points out that it was this or Scrooge got involved.  Up top Huey tries catching it with a bit of treasure on a rope.. after not shutting up about shark facts because “Facts comfort me when i’m nervous!” Precious angel. But Huey’s leg gets caught and he and Louie, somehow on the latter get thrown up in the air and chomped. Back bellow Webby has a suggestion: using magic. Lena naturally not wanting to blow her cover or really liking magic period is against it for now. 

Back at the interview, Roxanne brings on a special guest to prove people don’t like scrooge: GLOMGOLD!

Glomgold may create some issues for the subplot and we’ll get to those in due time, but damn if it isn’t always a pleasure to see him. He’s also on good terms with Roxanne... are.. are we sure this is local news and not fox news? Taking the word of a conservative greedy billionare over a progressive one seems like a fox move. Though I might actually watch fox news if glomgold was a commentator.  “I propose a red new deal instead of this blasted green new deal, I throw Scrooge to a tank of sharks connected to a generator, the tank turns red with his blood and that somehow creates power! HOW DO YOU LIKE THAT MCDUCK” 

So we get the best bit of the episode as Glomgold tries to complain about his building being destroyed which would be fair... if he hadn’t tried to blow up Scrooge’s bin twice this week, with Glomgold going for THREE.. for threee.. for three... it dosen’t go off but it does get scrooge to say he’s glad the building was destroyed. Which is fair but NOT super great PR.  

Back at the shark things don’t get better as Webby and Lena argue over the use of magic, I mean as much as they can argue Webby just wants to know why she’s so cagey about this while they go with plan “Launchpad crash into it”. Launchpad also gives a hell of a monologue. Good on you bud. As you can see launchpad’s gotten 100% better since his low point in our last episode. That’s because it’s clear the writers had some struggle ballancing his amped up stupidity with actual competence, making him primarily jokey comic relief in the first few episodes and I wouldn’t be shocked if Terror of The Terra Firmians was written before a lot of the later episodes despite airing around the same time. But by mid-season he’s got his much more lovable charactersation of a dangerous moron..l but one who CAN be competent and is genuinely charming due to how much he cares about his friends and his job. They also dialed down the stupid down to an acceptable homer simpson level: still a danger to himself and others but hilariously so. Point is they fixed it and while i’ll complain about mistakes the show made I will give this crew all the credit for course correcting time and time again and actually listening to fan feedback.

So Webby figures they tried the Jaws option and lost the boat and launchpad, time for plan Magic. They hold hands, EEEEEEEEE, and try a spell.. and it clearly starts working but almost works TOO well, as Lena starts glowing first purple.. then blue. Hmmmm... intresteing. Lena breaks it off and Tiffany breaks out of the bin.. just as scrooge says on the news his adventures aren’t dangerous. 

Scrooge naturally goes to face it while Webby wonders why Lena didn’t go for it. To make it a triple Scrooge shows up in time to distract tiffany.. with the number one dime, which as lena found out earlier is on his person rather than at the bin like the public thinks. So while Scrooge puts up a good show.. seriously it’s really awesome and really neat looking, though he also gets VERY upset that people are naturally holding out buckets for the cash shark, which he’s not happy about because well.. he did EARN that money. Most bin money is stuff directly earned by him so fair enough. But while he’s you know, Scrooge Fucking McDuck, and thus puts up a good fight the monster eats him.. and gets the dime stuck in it’s tooth with Magica wanting Lena to grab for it, forgetting that minons, while mildly disposable, aren’t really replaceable when your SOUL’S ATTACHED TO THEM. That’s where Magica’s weakness is. her plans aren’t half bad but as I said, she’s far too bloodthirsty and short sighted. She has better ones than glomgold but ironcially they share the same problem of not thinkign them through. And Magica cares so little for lena she’s blinded to the fact her own personal saftey is tied up in her. 

Lena naturally dives for her future girlfrriend and heads into the belly of the beast. And it’s here her REAL moment of truth is. While the one last episode was noble.. it was also easy enough to brush off internal as pragmatisim. Letting Beakly die would’ve brought too much heat and been too easy to quickly go terrible, while saving her got her off Lena’s trail and gave her free reign of the manner. But here? Webby is about to slip into Tiffany’s stomach and whle she hasn’t digested anyone yet given who made Tiffany with it’s likely just because she hasn’t had enough mass to create chainsaws to carve them all up. It’s the Dime or Webby. Lena’s own freedom or the girl she loves. Nothing good comes from saving Webby.. other than Webby. Other than the one person whose truly loved her. I mean think about it: She was created by magica, abused for a good decade and a half. No one but Magica has had a chance to care about her and as we’ve seen Magica only sees her as a weapon to get back at scrooge and not as a person. Webby was the first person she’s ever made a genuine connection with, that’s been there for her, that loves her unconditionally and woiuld be there for her no matter what. And it’s in that moment Lena realizes she can’t sacrifice her for her own good... that after years of having to be selfish to surivive being chained to that monster... she can’t be this time. No mastter what it costs her.. Webby is priceless. So Lena recites the spell, growing bright blue and blowing up tiffany. Lena gladly hugs webby who reciorpates, awww gaybies, and Launchpad hugs dewey. Awww... what it’s still precious he’s a good surrogate uncle. The wacky kind who sleeps in a van on your lawn. 

So Scrooge is glad.. though it’s here his subplot falls flat. Him getting attacked by the media and getting a compupance by loosing tons of money from tiffany is fine. Evne if he earned it, his lack of care did bring this on him.. hte problem is they take it too far by having all his nemies show up, him unable to say anything and glomgold blatantly doing so just to steal from him. Otherwise the subplot is fine, a bit heavy on scrooge being a dick but it has to to work and puts him in an awkward situation. But this ending just feels to over the top to realy enjoy. And the series does do over the top humor well so I don’t know what happened here. But having a bunch of outright thieves steel his money instad of a bunch of citizens who didn’t know better and deserved it for the damage, feels wrong and it tastes wrong. 

Speaking of feels wrong and tastes wrong we get an INTEINTONAL dose of that as back at the amptheater, Lena and Magica argue about the situation and Magica trying to kill her. Lena tries to walk away but can’t.. phsyically. Magica won’t let her. And this is honestly a very crushing and very well crafted metaphor for how abuse victims sometimes CAN’T escape their abusers. Magica is verbally abusive, treats lena like she’s disposable and constnatly downtalks her self esteem. To Lena magica is nothing but a tool.. but like MANY children caught in horrifcally abusive situations Lena can’t get away. It’s a literal metaphor, an da good one, for how you can’t ALWAYS escape abuse easily, and this especially true for kids who have nowhere to go and hte law on their abusers side more often than not. It’s hard to escape an abusive parent and even harder when they dont’ consider you a person. I thankfully have no personal experince with this but it dosen’t make it any less of a problem nor any less noble of this show to tackle the subject in a frank, if fantastical, way, and a good chunk of Lena’s arc is overcoming this abuse and not letting her abusive past drown her. But for now.. all she can do is agree to do what Magica says till she can hopefully be rid of her. But the light at the end of the tunnel’s coming.. there’s just a whole lotta darkness first. 

Next Time: We take a break from the episodes to cover some Lena related comics for a double feature; The first Spies Like Us has everyones faviorite lesbian ducks go on a spy adventure that was never printed in the us for silly reasons we’lll get to and then the 87 ducktales comic dime after dime which features Lena’s predecessor Minima. 

Later Today: Close Enough Season 2 is here! I”m going to talk about it! Exclimation Points! 

If you liked this review feel free to follow for more. And if you have an episode of Ducktales or another animated show you’d like me to cover just hit me up via my asks or direct messages on here and comission it. And if you’d rather just support me on a monthly basis, head over to my patreon. THE LINK IS RIGHT HERE.  Even a buck a month would help and the more of you that donate the closer we get to my Duckcentric stretch goals. The current closest ones are 15, which would lead to reviews of The Goofy Movies and Treasure of the Lost Lamp, and 20 which would lead both to a review of the Super Ducktales mini series, and monthly darkwing duck reviews! So if you like me talking about ducks and want to bolt some duck reviews to the schedule, even a dollar a month would inch me closer to that goal. Eveyr bit helps. But money or not, it’s been a pleasure and i’ll see you at the next rainbow. 

#ducktales #weblena #lena sabrewing #webby vanderquack #scrooge mcduck #bentina beakly #donald duck #launchpad mcquack #dewey duck #huey duck #louie duck #magica despell #tiffany despell #jaw$ #jaws

[citadelspires]

A Marcanne thing I threw together to feed the people who aren’t here for Ducktales and to prove to myself that I am indeed, a multifaceted individual. 

The concept here is that Anne and Sasha never ran into Marcy and became friends with her. In this version Anne naturally comes across the box on her own and thinks it looks cool (I know she had that thing about frogs so she probably wouldn’t but this is an au anyway and plot needs to happen so lets just go with it). Marcy had also been interested in that box, but didn’t have the money for it or the bravery and/or skills to steal it. She’s walking up to the thrift store when she sees Anne walking away with it, and she’s decidedly antisocial and nervous about talking to other people but her desire to learn more about the box wins out over her inability to talk to people. She rushes over to Anne and explains that she’s curious about the box and wonders if Anne will let her stay and see her open it. Anne is a little weirded out by this girl coming out of nowhere but also we’ve seen she’s absolutely down to just get into some shenanigans with just about anybody so she goes with it.

The opening of the box takes place in the same way it does in canon, with the exception of Sasha isn’t there this time (I swear I actually really like Sasha but Marcanne is my bread and butter and also the amount of writing and skill it takes to write Sasha’s relationship with either of the other two is just, way beyond the level I’m willing to put in so I just put her in the timeout corner I’m sorry, honestly I think the box probably only works with three people anyway but this is a self indulgent ship concept soooooo. anyway) the other notable difference being that Marcy and Anne show up outside Wartwood together.

At first Anne thinks Marcy did something and is really mad at her for getting them trapped in another world and Marcy is not really great at explaining herself or really focusing on what Anne is saying or doing at all cause she’s too busy being fascinated by the new world and creatures around her so Anne does all this angry jumping to conclusion and makes accusations and Marcy just kinda... doesn’t bother to refute or acknowledge any of them. But eventually they get it figured out and they both end up moving into the Plantar’s basement.

Anne naturally gets closer to the family than Marcy does. She still hangs out with Sprig and Polly to a similar level to what she does in the show. Marcy, on the other hand, spends a lot of time off on her own doing research and that kind of stuff. She doesn’t have a job or position to really use it for in this au like she does in canon but she does it for herself anyway. It comes in useful when Anne and co get in over their heads. And though she isn’t as overwhelmingly present with the family as Anne is she’s just as much a part of it. She has her own unique relationship with all the Plantars and they consider her part of the family just as much as Anne, it just looks different. She does; however, get less respect overall from the townspeople than Anne accumulates. With the exception of Wally, who actually really vibes with her solo-questing-for-learnings-sake thing. The rest of the town though just sees her as a less present more secrety version of Anne, particularly taking a dislike to her whole studious thing because that just is the general vibe I get from wartwood. They’re more about the old ways and classic farming type stuff than going out and learning new things.

And of course, when you’re in another world with only one other person in existence you naturally want to spend at least some time around that person. Their first real interaction as friends is when Anne feels bad for the whole “accusing you of trapping us in another world” thing and wants to make it up to her. The two find they really don’t have that much in common but they enjoy themselves a lot regardless. They talk about home lives and earth and everything they left behind, at least at first. Eventually they start talking about earth less and less and the things happening in their new lives more and more. Though during the earth talks Anne finds out that Marcy had actually gone to the same school as her, just had been one of those people who didnt’ really stand out or do anything worth noticing. Except when she ended up clumsily making some big accident again but everyone got used to even that eventually. What Anne does learn though is that Marcy had seen Sasha around and she kind of gets to hear what someone who only ever saw Sasha as “that popular kid at the top of the social ladder” thinks of her. That’s probably a small point of contention between them at some point where Marcy just has this preconceived notion of Sasha (that isn’t really the full picture) and Anne has her own ideas about Sasha that are tinted by growing up with her and having her as the prime example of friendship her whole life, and Marcy is just kind of, not socially aware enough to know she probably shouldn’t say non-positive things about Anne’s best friend. (once again I promise I do actually genuinely enjoy and care about Sasha despite what this looks like).

So basically the two of them are figuring out this new world while also figuring out new things about themselves. And that whole time they get closer and closer until that reaches its natural conclusion with them getting together.

Also it’s worth noting that Marcy is just. Absolutely Covered in little scars and bandaids cause she never got better at being less clumsy on her own and she didn’t have Anne or Sasha to help her out. But now she does have Anne, who starts helping her out more frantically and fawning over her when she does inevitably get injured on her solo quests the more her bond with Marcy grows. Eventually she starts restricting Marcy’s solo adventure time and makes her wait for Anne or just do her studying within eyesight of whatever she’s doing with Sprig.

I probably don’t have the skill or the ability to make myself sit down and write something this long but I genuinely do love the idea so maybe I’ll do something with it.

#marcanne #annarcy #Marcy Wu #Anne Boonchuy #you thought it was ducktales #but it was i #Amphibia

[sarasanddollar]

SARA'S VAGUE SENSE OF HOW CARTOONS PROGRESSED:

as requested by @chintastic and @whatdoesthefauxsay, and specifically requested by @lunagalemaster to be posted to Tumblr!

uhhhhhhhhhhhhhhh early 1900's animation becomes a thing in the West? Merrie Melodies, early Looney Tunes, that kind of thing. Black and white stuff, view in theater only, it's not "adult" but it's really for adults going to the theater and sort of "look at our technical skill!" sort of show (and as a form of escapism from the war, then the Depression, then the war again)

skip on down, Snow White happens, Disney is a phenomenon, we're not really looking at cartoons in the film circuit here tho so I won't be talking abt like Disney movies and Pixar et al. because that's a whole other animal

television gets invented !

"adult cartoons" that are like funny/sexy happen, stuff like Betty Boop, we're still figuring out what animation is for but plot starts to show up esp with the now popular Mickey/Bugs Bunny stuff

It's the mid 1900's, we're out of the war, I don't know what happens in this period, I know the Hays Law becomes a thing so censorship happens pretty fast, and Saturday morning cartoons directed solely for kids are officially a thing, so Inspector Gadget, Scooby-Doo, the Flintstones + the Jetsons, Alvin and the Chipmunks, Tom & Jerry, more Looney Tunes and Mickey Mouse cartoons. A lot of these toe that line between "cartoons for kids" and "cartoons for adults" by including little things that make it fun for parents too

It's the eighties!!! The Industry has figured out that they can make cartoons that [gasp] Sell Merchandise!!! to kids. So toy cartoons come out, that's all stuff like TMNT, My Little Pony, Transformers, X-Men, He-Man/She-Ra, Voltron, Rainbow Brite, Care Bears, and Strawberry Shortcake. The quality of storytelling goes DOWN down down down down and everything is just factory-churned out with the purpose of Selling Toys (tho we still hold a lot of these things pretty near and dear)

The nineties happen. Nickelodeon figures out that cartoons are good and kids like them! And starts airing those instead of live action and puppet shows. They realize, hey, what if... We had cartoons. ALL DAY. Instead of just on Saturdays, for an hour in the morning. They instate an all-day all-cartoon channel that is ONLY their original content (they borrowed stuff like Tom & Jerry up until then), and they follow a brand guideline to make sure it's... The kind of stuff kids like. It's funny, it's interesting, it's creator-driven, and it's not just to sell toys or just churned out to fill a time slot. Quality picks up! This is why 90s cartoons are still a classic today. But also TLDR Nickelodeon killed the Saturday morning timeslot

Cartoon Network follows suit. We get good stuff well into the early 2000s, and then Disney decides to throw in as well - they'd already had shows in the 80s based on their existing brand properties (Little Mermaid, Hercules, Aladdin, and ofc Micky Mouse, Chip+Dale, and DuckTales!) but we start getting original channel-only stuff like, well, American Dragon. More on that later.

The Simpsons. We start to get adults for cartoon that also have heart and morals, instead of just. Sex jokes (Simpsons has quite a few of those too though!). The Simpsons is a cultural icon and influences pretty much every kids cartoon you can imagine, from SpongeBob to Fairly OddParents.

Anime. Anime was beginning to become VERY popular in the States sometime in the seventies (backtracking a bit here) and popular stuff like, AstroBoy, Akira, Speed Racer, started getting ported to kids channels later on (with really bad dubs.) That got a greater and greater influence ESPECIALLY among adult weebs that weren't really as huge a group as they are now demanding Better Quality English-accessible stuff (there's a whole thing on the history of this that I don't have enough internet time to get into) and that started to happen, esp when Ghibli became a huge success, people started going crazy for it, and Disney was like hey ! a market ! and made Good Dubs with A-list guest star voice actors that started the anime revolution overseas

Speeding back up, we start getting things with overarching plots. Avatar happens. Avatar ... Is revolutionary, and that starts making people realize that hey :pikagasp: we can have things that are Complete. Instead of you know axing them halfway or keeping them static status quo for every episode. This is due to the influence of anime on the industry! Remember we're well into the early 2000s and anime is now more mainstream than ever. Naruto, FMA, Black Butler, OHSHC, Death Note, all that good stuff is happening at this point in time.

Avatar doesn't do anything though. It's just, different. Different enough that people remember. (And enough that everyone who worked on it worked on the aforementioned American Dragon - a lot of the same writers and actors, giving it a pretty good internal plot of its own!)

Stuff like Totally Spies happens! That's also anime influenced. Later we'll get stuff like the new Voltron, the new She-Ra, the return of Avatar with Korra, slowly but surely everyone is deciding that Japan is the good trend. Even Winx Club or Angel's Friends over in Italy gets the anime influence! Everyone knows what's up.

It's the early 2010 and cartoon quality goes... Down for a bit, around these points, we get stuff like Fanboy and Chum Chum, Fish Hooks, just, the so random xD rawr humor is what kids are into and the industry doesn't know what to do except gross out humor and barfing rainbows and it's just... Not memorable.

Except Adventure Time nails it and it's a PHENOMENON. I don't know what happened there but something about the childlike wonder and good humor being connected to the (you guessed it!) overarching plot causes a sensation like never before.

Gravity Falls.

Steven Universe.

Star vs. the Forces of Evil.

In Canada, Detentionaire.

A Scooby-Doo reboot during this time called Mystery Incorporated.

Suddenly this is the trend. Starting with ATLA but leading to AT, big scary mystery, big scary villain, episodes that CAN be viewed stand-alone but also super connect? THIS is the industry trend now and we are LOVING it. We love a story that... Progresses. Characters that grow and change. 80s kids are now older and want cartoons that are good, not just. Toys selling machines.

Streaming services killed the television star. It's a LOT easier to do the overarching plot thing now that you can sit and binge something in one sitting instead of waiting once a week/month to see one ep of a thing you already forgot what happened in last time.

My Little Pony!! Gets rebooted. It's 2013 and for SOME reason this has a huge following? A huge following of adult men, where it's a show for little girls. The brony movement was so huge it's often compared to how Star Trek became a big hit among female viewers way back when. This doesn't influence other shows in storytelling terms but it does change marketing - now your only audience might not be what you think it is. Everyone tries to follow suit by selling their shows to "adult fans," it doesn't always work but boy howdy! And well, MLP follows the trend of overarching plot too, best as it can.

It's the late 2010s and we're in the nostalgia age. Now 90s kids are older and they run the market - we're not trying to make new stuff or support new creators, we're trying to salvage what was and make money off what people loved before. Reboot after reboot after reboot, Disney with its big movies and Nickelodeon doing (a great job, admittedly!) with their Rocko, Zim, and Arnold movies. It's working out fine, but it's a pretty big indicator that there are no new ideas - or rather, new ideas are being snuffed out in favor of bad PowerPuff Girls reboots (Cartoon Network not doing so hot, SU is what saved it!)

this is probably not well written I kept backtracking and adding other stuff pff I hope it's coherent ;; ENJOY

#nickelodeon #cartoon network #animation #animation history #cartoon history #sanddollar speaks #long post

[imgonnabeyourbubblegumwitch]

The Depths of Cousin Fethry

So I had a hectic week and am a bit behind! I haven’t seen episode 3 yet, but before I watch it here are some thoughts on episode two. 

This episode, though kind of predictable, was a lot of fun. I really enjoyed it, from the meaningful episode name (Depths because of the sea and depths because Fethry has hidden depths geddit!) to meeting some more family members. I haven't watched or read any Ducktales before Ducktales 2017, so I don't have any prior knowledge of Fethry. I really liked him though. I'd definitely like to see more of him, and of Gladstone. It would be great, in fact to see Donald, Fethry and Gladstone interacting. In fact no let's have the entire family meet at Castle McDuck!

Anyway as well as Fethry it was really nice to see Huey and Dewey have their own spotlight episode. In the episode they had together last season - The Infernal Internship of Mark Beaks - we saw a lot of why Huey and Dewey don't get on. In this episode we saw why they do.

So it starts with Huey excitedly talking about a tree. The camera shifts view and we find he's talking to Dewey. Who is wrapped in a towel and soaking wet. Turns out Huey interrupted his bath. Dewey is not impressed. (It’s going to be a theme)

Huey, slightly oblivious as to why Dewey isn't jumping for joy over a tree that "experienced three leap years in a row", starts testing for resin. This process involves licking the tree.

Dewey only wanted to be interrupted for exciting things. Exciting things for Dewey consist of "ghouls, goblins, time paradoxes, daring quests that will cement our names in history". This episode starts playing out with some similarity to The Infernal Internship of Mark Beaks, in that we see both brothers having a difference of opinions. In the Infernal Internship of Mark Beaks this revolves around Mark Beaks himself with Huey idolising him and Dewey being less bothered. However then came the point where they were both offered the same thing: in the Infernal Internship of Mark Beaks it was the titular internship.

In this episode it's the tin can call from Fethry.

Scrooge and Donald then come in. I loved their interactions in the last episode and this episode didn't disappoint either. After Scrooge drops the frame Donald keeps struggling with it in the background, chipping in every now with wonderfully dry comment as Scrooge tries to explain Fethry.

Huey tries to talk about the tree again but Dewey cuts right across him to point out the phone call.

S: That can is your cousin Fethry calling from a top secret deep sea laboratory.  

D: Top secret!?

H: Deep Sea Laboratory?!

This is something both boys can get behind, just like the internship. Dewey is interested in the adventure as always, at the chance to explore and potentially make his name. Huey is excited about the science and the knowledge.

Scrooge tries to explain why they shouldn't be so excited, leading to some great Donald input.

S: Don't get too excited Fethry's a bit, well, he's, uh -

D: He's cuckoo bananas!

I also like Scrooge's mannerisms at this point. He's awkward talking about Fethry: he first rubs the back of his head, then plays with his hands. For someone we often see very calm and in controlled, his difficulty in trying to sum up the Fethry situation shows a little about how awkward the relationship is.

Scrooge then goes on to explain that every time they go to visit Fethry it's not generally worth it. This is nice because it both mirrors and contrasts their attitude and relationships with Gladstone. Although Gladstone was generally considered "the worst" both still went to help him, because "family always helps family". And though Gladstone is pretty self-serving even throughout the luck gauntlet he and Donald have to run openly admitting that he's "not sorry enough to sign up for a lifetime of servitude", after he's free he does agree with Louie about how they shouldn't have thrown Donald under the bus.

"The kid's not wrong Uncle Mcduncle - what do we do?"

At first it seems Scrooge and Donald shared a similar attitude with Fethry. They've rushed down plenty of times before to help. But then Scrooge puts his hat over the can, cutting Fethry off. Even the fact Fethry has a can rather than the elaborate phones shows both Scrooge's unwillingness to communicate and Fethry's eccentricities.

S: Best to ignore it, every time we get a call from Fethry we rush down there just to go on some fools errand wrapped up in a needlessly dangerous adventure with the rambling lectures

D: and the explosions

S: and avoiding that mega tsunami

D: and the explosions

S: all to see a barnacle formation in the shape of a tractor or some such nonsense.

D: big waste of time!

This is lost on the boys who have been getting more and more excited as Scrooge and Donald talk despite Scrooge's lack of interest and Donald's eyerolling. As they leave - Donald having finally managed to mount the tree on the frame all on his own - the can gets more insistent.  They both hear a siren call in "Adventure calling. I've made a bold new discovery!" They exchange looks - Huey excited for the sceince, Dewey for the adventure and they leap for the tin can.

H & D (singing): Best time waste ever!

H: Wait did we just steal a sub?!

Cue the theme!

So instead of being directly in competition this episode Huey and Dewey are working together. They've shown they do get on despite very different personalities and goals before: even in the Infernal Internship which was an episode revolving around a dispute, before they were pitted against each other they were able to coexist reasonably well with only a few minor jabs.

This pattern continues. They have moments of winding each other up or being brotherly pains, including the original you dragged me out the bath for this! But there are also moments where we see the really positive side of their relationship.

Along the lines of them being a pain to each other in the sub and Dewey rushes over to the window, interrupting Huey's facts, and knocks Huey off the ledge. What's great is Huey then gives Dewey a shove as he gets back up.

As Dewey lists ideas for names for a new creature he thinks they’ll find, Huey rolls his eyes, but his expression is fond.

Their teamwork is strong in this episode. Huey lets Dewey take the lead of persuading Launchpad their mission is legit and oops the communication is broken. He looks uncertain but trusts Dewey to do the talking (we know Huey has issues around his ability to lie). Huey keeping his mouth shut and trusting Dewey means they successfully fool Launchpad.

Huey and Dewey alight onto the lighthouse. Launchpad is then distracted by another ex - Oceanica. This is a lovely callback to House of the Lucky Gander which had Launchpad seeking to help an old friend/girlfriend there. I particularly like this callback since House of the Lucky Gander was the first episode in which we met Gladstone.

(At this point I went and googled the relationships between Gladstone, Fethry and Donald. As I said at the beginning I haven't watched or read any other Ducktales content but I wanted to double check that the three were cousins. They are.)

So this is interesting because Gladstone is Uncle Gladstone, but Fethry is referred to by Scrooge as "your cousin Fethry" and this is continued then by Huey and Dewey who call him Cousin Fethry. Family names and positions past the basics aren't my strong point so (even after staring at a diagram) I'm not sure which (if either) is the right term of address and it almost doesn't matter. What's more interesting is why the difference in names has occurred.

A possible interpretation for this is that Scrooge still sees Fethry as a child. Uncles and nephews are one generation apart, but cousins are the same generation. Gladstone acts like an adult, albeit a self-serving and sometimes oblivious one. But Fethry on the other hand, still has a sense of wonder that sometimes makes him seem quite child-like - his interest in tractor shaped formations for example. By calling Fethry the triplets' cousin this is putting Fethry on their level.

Fethry isn't an especially responsible adult in terms of looking after Huey and Dewey, often leaving them behind. This is partly because he fails to see things like the worms as a threat: when he thinks Huey really is in danger from the "monster" at the end, he does go to help him. But even so he has a level of irresponsibility - what if Huey hadn't been able to be kind to the worms?

This is kind of opposite to the way Gladstone interacts with Louie. The danger in the casino is not as imminent and Louie doesn't know about it, nor does Gladstone have any reason to believe Louie will be in danger  - at least at the beginning. He pays attention to Louie even as he's trying to weaponise Donald's bad luck - getting him the suit and winking at the wheel to get it to go from free pizza for dinner to free pizza for life. He's partly showing off but he genuinely seems to enjoy spending time with Louie. However when he sees Donald storming off, he brushes Louie off and quickly follows, not seeming to worry about what then happens to Louie.

Back to the episode and we have Fethry's introduction.

 Huey and Dewey seem a little unnerved at first but then Huey warms and asks if Fethry is experimenting: Huey is focused on the science.

I like Fethry calling Huey and Dewey "Lil Donalds". It's cute, but it also shows his absent-minded, kind of distracted personality - he's never actually asked their names.

He does give his name and introduces himself as "your Uncle Donald's favourite cousin." Both boys seems unsure of this, already picking up on the relationships. 

Fethry comments on Huey's hat, drawing attention to the similarities between the two of them which is a theme for the episode. I like Fethry's red colour coding to match him to Huey and how it is mirrored by Gladstone's green colour coding to match him to Louie. Not only that but Gladstone has a yellow shirt, while Fethry wears a yellow jumper which links the two to each other. Again haven't read or watched any other Ducktales so this colouring may already have been there, but it’s really nice to have those links there whether they already existed or not.

Fethry asks if the boys want to see something and Huey agrees (somewhat hesitantly) which leads to a really cute and funny moment where Fethry says "follow me!" and the boys do, all the way around the console even though Fethry could have taken the more direct route. Huey and Louie following is so reminiscent of ducklings following their mum right up to the little pattering feet. I wish I knew how to gif but instead have a screenshot which doesn’t really show the half a second scene in all its glory.

The lighthouse goes down into the sea. There's a view of some diving suits which is a nice touch actually because the first time I watched the episode I did question where the suits came from. But turns out they were there all the time. I really like the attention to detail.  

Fethry shows them a model of the sea lab and gives them a mini lecture on everything in it.

D: Wow this guy kinda sounds like you!

Huey takes this as a compliment. Dewey might be a little unsure of Fethry already but Huey still thinks of Fethry as a brilliant scientist.

H: Genius! Visionary! In charge of a massive research facility!

D: Weird. You're both really into weird stuff. Aw you've found one of your own!

Huey smiles, seemingly pleased. He then defends Cousin Fethry when he begins mimicking the various sea life. Still though he's defending Fethry, Huey isn't ready to accept the term "weird". When Fethry tells them it's time to get the team, Huey nudges Dewey pointedly.

H: See?! His team. A weirdo couldn't run a team of scientists.

They go to find the team and encounter the worms. After Fethry and Dewey are taken, Huey gets worried. One of his fears is the unknown and he seems uncertain about what is happening to him now. When the three of them get snatched up Fethry is excited about the worms. He suggests they be friendly and nonthreatening, showing his general disposition towards friendliness. He is suitably kind and walks off with a blithe "Come on Lil Donalds!"

Dewey is not impressed.

D: You're leaving us!

Huey manages to get out with a reasonably technical: "You are a sublime polychaete." (totally had to google the spelling of that!)

H: It worked! Cousin Fethry was right!

Huey is thrilled that Fethry is right. He wants, needs, Fethry to be right because at this point he's not ready to embrace the fact that he and Fethry are being compared, that he are Fethry are being called weird.

Huey tells Dewey to compliment the worms but struggles. Huey, panicked cannot think of another compliment and resorts to very logical, scientific statements: "Your blood finds carbon monoxide much better than our haemoglobin." In a panic about Dewey, Huey does the only thing he can think of.

Dewey is quick to mock him.

D: haha you kissed a worm. So gross!

Huey promptly drops him.

Fethry comes backs and introduces Huey and Dewey to "the team". For the first time Huey seems to question whether Fethry is a scientist. Dewey is open about not being impressed, even as Huey tries to defend Fethry. As they move back down, Dewey comments that it's "like a mirror into [Huey's] future".

Huey begins to distance himself from Fethry. "We're both clearly brilliant but we're not that similar." When Dewey states they both wear red hats as part of the reasons they are alike, Huey and Fethry both get out the Junior Woodchuck Guidebook and quote from it.

Huey then further distances himself by dismissing the Junior Woodchucks as "more of a part time hobby."

We all know that's not true.

With the line cut the group have to swim and we see how Fethry was right to bring the team - they are able to light the way to the pod. Despite his off-beat personality Fethry isn't necessarily wrong.

They get to Fethry's pod and Fethry shows Huey and Dewey his big discovery - “Krill! Rainbowy Krill!”

 Dewey is not impressed. (Told you its a pattern!)

D: Krill! We stole the sub for Krill? We almost died for krill!

His voice is shaking and he sounds near a breakdown. However Huey still wants to believe there's some reasoning behind Fethry's actions. He desperately asks if there is some reason for the krill, maybe a scientific breakthrough of some kind. When Huey finds out Fethry's not even a scientist, Huey's voice gets shrill and Dewey rushes over to hold Huey back.

H: We trusted you! Came all the way down here! We got attacked by a squid! I kissed a worm!

Fethry looks really downcast.

H: This was all a waste of time.

I think Huey's this is all a waste of time is possibly worse than he furious ranting. He sounds so disappointed and dismissive.

Waste of time was the term Donald used in the beginning of the episode; maybe this is something they've said to Fethry's face before. Even if not, Fethry knows what his family think of him. He's acting as a caretaker on a deep sea lab where his family can ignore him and his calls and his weirdness. He was so excited about showing Huey and Dewey around, about his discovery. He thought the rainbow krill were cool and wanted to share. Scrooge and Donald ignore him but along come two little Donalds who seem really excited about sharing the wonders of the ocean.

But then Huey and Dewey are mad. They aren't interested in the krill and they lash out at him for wasting their time. Just like Donald and Scrooge. You really feel for Fethry at this point.

D: Okay, alright cuz this has been fun. Hope we never meet again. Now we need to get back to dry land. So can we get to it?

Dewey has historically been pretty oblivious, even thoughtless. Huey however has typically been the kind one, though when in a rage he does lash out. Both of them here are pretty cruel but it's understandable. The two are just kids and the episode has put them through a lot. It's nice to see them not being perfect, and see them learning to trust Fethry and realise there is more to him than just being weird, that he does have depths.

The group are then attacked by what they think is a monster. Dewey perks up again.

D: Now that is a Dewey!

The three swim away. Huey's mask steams up which sends him into a panic. He's terrified, so scared he looks like he's struggling to breathe, putting his hands to his mask.

Fethry recognises the danger this time and swims back for Huey. The three of them manage to make it back to the lift and before they go in, Fethry ensures to collect up the team, showing just how much he cares for his little friends.

When he's mad Huey has a tendency to make kind of irrational statements - accusing Dewey and Louie of setting him up to fail in McMystery at McDuck McManor! for example. Here he accuses Fethry of luring them down to get eaten by a monster. Fethry answers with a "you're welcome" to begin with, not really paying attention but then he is horrified.

Huey shows his resourceful side, wanting to get a better look at the monster, but being unable to because of the bulb isn't working he uses the jar containing the team. Even in danger the boys snark at each other. Dewey is still trying to name the monster going with variations of his own name.

D: I will find a name if it kills me.

H: it probably will!

Fethry realises he recognises the monster.

"Mitsy?"

Huey is quick with a dismissive "What are you talking about?" but Fethry is insistent. His pride and love of Mitsy shines through.

F: Look at you Mitz, you've gotten so big!

Fethry keeps talking to Mitsy, reminding her of the rib eye they shared!

Dewey rolls the light over, blinding Mitsy.

F: What are you doing, stop it!

D: you stop it! I'm trying to save us from that monster you unleashed.

F: she's not a monster she's a Mitsy! Just because she's a little different doesn't make her bad!  

Huey starts to look guilty.

As Dewey and Fethry continue to fight over the light, Huey begins to realise that Mitsy is trying to help them. Huey tries to get Huey to help him, but Fethry appeals to Huey as a fellow woodchuck.

F: Junior Woodchuck Rule 2: all woodchucks must be open to the unknown in their quest for the truth.

Huey decides to give Mitsy the benefit of a doubt, a huge step for him considering one of his fears is the unknown. He begins to sing the krill's song. Dewey very dryly comments that "Huey's gone sea mad - we're dead."

At the end of Huey's song he admits he's scared. Mitsy responds to Huey's musical pleas for help and admittance that he's frightened - she lights up and Huey joyfully exclaims that she was a member of Fethry's team. Huey and Fethry both watch as Mitsy tries to communicate, however Dewey still isn't convinced.

Huey tries to explain that maybe Mitsy wasn't the one to destroy the sea lab but Dewey isn't in a state to listen.

D: You're both nuts!

H: no, just weird. And this guy knows his krill.

Huey finally owns the label of weird, realising it's not necessary a bad thing to have different interests. After all Fethry's love of his time and interest in krill has partly just saved them. Huey goes over to Dewey and takes the other handle of the light. Huey waits, gently giving Dewey time. This really reminds me of the way Donald gently waited for Dewey to join in on the group hug and begin to let go of his anger towards Scrooge in Night of De Spell. Huey may have inherited Donald's temper, but he's inherited Donald's caring, nurturing side too.

Together the boys put down the light leaving Mitsy free to take them up to the surface. Huey and Dewey worry about Fethry but see him with Mitsy.

F: Mitsy you rascal this is like the fourth coolest thing you've ever done.

The fact it's the fourth coolest shows how much Fethry loves his krill friends. It's unlikely that as a regular krill Mitsy did anything anywhere near as exciting as rescuing Fethry, Huey and Dewey from a collapsing deep sea lab, and yet Fethry loves Mitsy so much anything she did was great to him.

Dewey finally thinks of a name "The Dewnificent Krillderbeast" and tries to get Huey to write it down leading to a scuffle over the Junior Woodchuck Guidebook as Dewey tries to get the reluctant Huey to do as he says. Huey asks Fethry what he'll do next. Huey's belief that Fethry could be a scientist inspires Fethry and he leaves to try and do just that.

F: So do I have to fill out a form for that or do I just buy a labcoat. You know what I'll figure it out cos that's what scientists do! Farewell! Giddy up Mitsy!

H: He is so incredibly weird.

D: And there's nothing wrong with that, Lil Fethry.

 I really like Dewey acknowledging that weird is okay as well as his adoption and adaption of Fethry's use of Little Donalds. After teasing Huey (mostly harmlessly) for much of the episode, he shows he really does care about Huey and wouldn't change Huey.

Huey gives Fethry a final salute and the two go back to meet Launchpad.

I really like these Launchpad's mysterious past subplots!

The last line of the episode a brilliant end to a great episode.

H: Come on intrepid explorers! Let's go home and convince Uncle Scrooge this was Louie's idea.

Blame everything on the evil triplet!

And that concludes my thoughts on the depths of cousin Fethry. Sidenote: does anyone else think Fethry and Fenton would be great friends?

#ducktales 2017 #the depths of cousin fethry #only like a week late #episode analysis

[digikate813]

Fanfiction Writer Appreciation Recs

I’ve seen a bunch of people doing these, and i really wanted to too. I may be late to the party here, but I hope I can point you towards some cool stuff to check out. Most of what I read in the fanfiction circle is Gravity Falls, so this post is mostly just multi chapter fics from the Gravity Falls fandom! I might do one for one-shots, and I’m sorry if I forget any major ones, but this is what immediately comes to mind that I highly recommend.

Stanswap by @orangeoctopi7

Reverse Portal AU at it’s best! The Reverse Portal AU was popular for a while (almost on par with Blind Faith) and a lot of people tried to grab onto the idea, but after all this time, it just seems to have left a lot of incomplete works in it’s wake. That is not the case here. It’s still going, but it shows no sign of stopping until it tells it’s entire story. And this story has been insanely detailed and well executed. Retelling almost the entire series as if Ford was the one taking care of the kids, and the dilemmas he faces with the fact that Stan is stuck on the other side of the portal. Not to mention most of the jokes are on point with something you’d hear in Gravity Falls. The author is someone I am proud to call my friend, and that all started when this fic was recommended to me.

30 Seconds Later by @invisibletinkerer

A pretty recent one that i really hope gets more attention. I’ve seen people do fanart and stuff of Ford being the same age as when he got sucked into the portal, while his home dimension and Stan aged, but I didn’t really see much potential for a full story in that idea. That changes with this fic, which again is still ongoing, but updates fairly regularly. The interactions between the Grunkle Stan we know and love and a Ford who is still fresh from his sleep deprived paranoia days, and still susceptible to Bill’s possession brings so much engaging conflict that i cannot get enough of!

My Demons by @kazriku

An oldie but a goodie. This one is basically a Mystery Trio story that focuses mostly on Stan and Ford, and the first chapter was written before A Tale of Two Stans came out. Adjustments were made after that episode came out, but this fic is very much telling it’s own story on how the Stans became so distant, and the incident that lead to Ford being trapped on the other side of the portal. Filled with mysterious suspense and some entertaining brotherly bonding, even if it hasn’t updated in a while, if we’re talking about fanfics I appreciate, there was no way i couldn’t include this one. It was the first major GF Fanfic I read from the person who would become my first mutual, and chances are this fic lead to me reading all the ones you see here!

By the skin of your teeth by @apathetic-revenant

I didn’t realize just how popular this one was until today, but it deserves it. It’s so good! When Stan gets into his argument with Ford after Ford calls him for the first time in 10 years, he realizes that something's wrong with Ford. He’s very sick and his house is a wreck. There is so much tension and angst in this one as Stan puts the pieces together about what’s been going on with his brother, and Ford continuing to fight what seems like a losing battle. There’s a happy ending, but it takes quite a bit to get there, and it is glorious!

And Then There Were Three by @kalajorn

I’m just going to say it. This is one of my favorite Mystery Trio stories. Ever! With an author who I think really is under the radar in the community. Mystery Trio is probably my favorite AU for Gravity Falls, but depending on who you ask, it either got stronger or weaker once A Tale of Two Stans came out. For me, it only got stronger, and this fic is an excellent example of why. I adore the scenario presented here of how Stan and Ford eventually reunite. How there is some spark of their connection as brothers still there, but there are still forces interfering with that, and using the material from canon to build some great tension. Updates take some time, but i promise you it’s worth it. This story only gets more engaging with each chapter and i’m hoping it’ll stay that way.

A Little Bit Lost by @impishnature

Impish is really a beacon of life for the GF fandom. Regularly producing high quality content of all kinds. I could have put any number of her stories on here. If you miss Gravity Falls, and you want to reminisce about it over a weekend, scroll through her AO3. You’ll find a lot to enjoy. But one of my personal favorites is this compilation of fics surrounding the Feral Ford AU. An AU that vanished as quickly as it arrived. I was even going to write something small on it, but i just never got to it. Anyway, these stories of a paranoid, almost animalistic Ford from what trauma he faced on the other side of the portal is just so powerful. Every idea has a new obstacle. Sometimes it’s comforting. Sometimes it’s heartbreaking. But there’s always something to grab your attention and not let go. I come back to these a lot, and they are always a great read.

I’d also recommend her Mystery Trio fic Phobos, but that one hasn’t updated for a while. But I still really like it so here ya go!

Maybe it’s Not Too Late by @rum-and-shattered-dreams

Why was this one so hard to find? It’s awesome! One of the reasons I’ve dived so deeply into Gravity Falls fanfiction more then any other fandom I’ve been in, is because even after the official shows credits rolled, it still left us with so much potential for what other adventures were out there. And this is one of the best examples of that. It’s a great, insanely engaging post series adventure involving pretty much the entire main cast and the return of the Shapeshifter, with Fiddleford and Ford as the main focus. Yes, it is partly a Ship Fic, which I’m not crazy about, but I don’t really find it distracting. There is so much in this story, and the shipping is just another element of it. And FiddAuthor is one of the ships I tolerate more, so I don’t really mind that much. The rest is just too dang good!!

Better Kept Secret by BadonKaDank

Another one that nearly alluded my radar until a friend mentioned it to me back when it had just completed, and I’m glad they did because this story is AMAZING! Having someone from one of the boys’ past come back for revenge is another premise that was circulating for a while that I freaking adored!! There were a few good pieces of writing out there on this (and even a comic currently going on), but this fic is at the top of the chart for me. Filled with drama, action, intense and suspenseful moments, it’s one that really stuck with me that i can’t believe I almost missed. 

Goodnight Stanley by Kitsunesocks

I haven’t seen many people mention this one, and while it may not be the most angst filled story involving the Stan Bros, it’s still a great one. Without giving too much away, while Stan and Ford are getting ready to head back to Gravity Falls, they discover that Bill might not be entirely gone, and that he may be plotting a way to come back right under their noses. Despite how common it is, this is a premise I’ve never been crazy about. I think @thesnadger Axolotl is the only story like this to engage me past the first chapter. Except this one. This is a great adventure of a story. The pacing is excellent and the characters are on point. Some of the most accurate I think I’ve seen in a Gravity Falls fic. I especially appreciate how proactive Dipper and Mabel are in this story. A lot of fics like this tend to push them to the side to make room for the Stans. But this story makes good use of everyone involved. It’s not the most emotionally driven story out there, but it’s one of the most well put together stories I’ve seen in a GF fic.

Blind Faith by @pinesinthewoods

Oh my God! This one! I originally wasn’t going to include this one because I know the author is no longer active in the fandom, but again, appreciation post. And this story deserves to be appreciated no matter what. You all know this AU, where Stan and Ford both wind up on the other side of the portal, and have to face the horrors on the other side together. Blind Faith was already fairly popular at this point, but this story propelled it to something else. Something stronger. Something with depth. Leaving you with chills as you finish every chapter. Aside from My Demons, this is probably the first fanfic I was checking for updates on, daily. This brought many new ideas to the AU that you still see in the occasional new content today, and that is something truly special. This is from yet another author who I am proud to call a friend, and it’s weird to think that back then, I was just a fan of something a lot of other people were. I’m sure most of you have read this one, but if you haven’t, go read it! It’s one of the best out there.

Stanley McGucket by @thelastspeecher

This is the sort of fic I don’t normally care for. Tons of original characters and a lot of shipping. That’s not a bad thing, it’s just not for me. But the premise was just too intriguing to resist. The idea of Stan being offered a job from Fiddleford’s parents and basically becoming an honorary member of the McGucket family is a really endearing premise. And when certain characters reunite or put the pieces together about who they are to each other, it really gets the ball rolling. You’re just waiting to see how everything will turn out, and it’s a pretty great ride. I followed this story and it’s expansions for a while. Then it branched into multiple AUs on it’s own and it just got way too confusing to keep up with the tag. But the main story is still a enjoyable ride from a type of fic that usually doesn’t grab me. But it had an interesting idea that pulled me in, and followed through on it. Welcome to the McGucket Family Tree Stanley

Amnesia by @ducksalive

Okay, yeah. This one isn’t technically a Gravity Falls fic. But I’m really into Ducktales right now and i was running out of Gravity Falls stories. So yeah, I’ve started diving into Ducktales fan fiction. Even wrote one of my own which you should definitely check out. Please? There’s not much out there that’s grabbed me as much as these other stories yet (if anybody knows any good Fenton Crackshell-Cabrera/Gizmoduck stuff out there, let me know), but something about this one had my attention. 

I’m one of those people who is immediately intrigued by amnesia stories but the reason most people aren’t is because of how often they can go wrong. So far, that’s not the case here. In this story, Donald is the one with amnesia, and Glomgold finds him and convinces him that he’s his uncle, and that Scrooge is the enemy. From there it’s a race to try and help rescue Donald from a trap he doesn’t even know he’s in. While Donald constantly suffers for it. If you’re the type of person who likes family angst (which chances are you do if you’re a fan of any of the above fics) then you’ll get a kick out of this. Every time you think the family is going to get Donald back, Glomgold manages to snatch him away. And realizing just how far he’s willing to go to keep Scrooge’s nephew on his side is just shocking. This is another story that’s still ongoing, so there’s no telling how this will conclude yet, but at the moment, I am very emotionally invested in this one.

Over the last couple of years, I’ve gotten way more into fanfiction then I ever would have imagined. I never looked twice at it before, but now I’ve been a spectator to many creative stories, the authors of some of my favorites have become some of my closest friends, and I’ve even written a couple myself. I may be late to the actual day, but I hope this shows my appreciation for all the fanfic writers above and a few dozen I’m probably forgetting at the moment. 

#fanfiction #reccomendations #gravity falls #ducktales #fanfic #fanfiction appreciation

[jewelridersarchive]

Why do we love seeing new versions of the same thing? Is it simple nostalgia? Is it the desire to engage with some sort of content that once moved us in a new and different way? Is it new creators wanting to stamp something they loved from their own childhood with their mark? Or is it all of the above?

I’m not immune to loving reboots. I devoured the new DuckTales on Disney XD, I’m reading the new Rainbow Brite comics from Dynamite, I’m watching the new iteration of Will & Grace, and continue to watch My Little Pony: Friendship is Magic. Reboots are fun; they not only allow fans who loved something to have a nostalgia party, but also allow potential new fans entry points into what sometimes appears to be never-ending streams of content (I’m looking at you, Transformers). But things seem out of hand when even ReBoot, the mid-90s CGI cartoon, has a reboot on Netflix (ReBoot: The Guardian Code). Have reboots become the “safe,” risk-averse way companies can cash in on portfolio properties that already have known fanbases? It’s the equivalent of an artist only drawing fanart because they know it will get thousands of likes versus hundreds on original content.

And I fully admit some level of fatigue with franchises that just keep chugging along, seemingly forever. Every movie that comes out seems to want to be a tentpole franchise builder. Or a reboot of an existing franchise, or a soft reboot that only takes some elements going forward, or an alternate universe or…well, you get the idea.

I love original content. One of the best shows I watched this year was Alex Hirsch’s Gravity Falls (yes, I know I’m rather late to the game). It was a bright spot of originality, something new and not tied to any other content or previous iteration. Many of the anime I watch and enjoy are either original or straight adaptations of an existing manga. I think original content and ideas are important in entertainment. They allow a generation to experience a piece of entertainment in its prime, and have something uniquely “theirs.” Kids of the 60s had Star Trek, kids of the 70s had Star Wars, kids of 80s will always be the original audience for Jem & the Holograms and He-Man/She-Ra, kids of the 90s will always have X-Men TAS and Sailor Moon. (And PGJR, of course haha). No matter if they are rebooted down the road or not, that original experience belongs to the original viewers.

Which is why it’s always hilarious to me when people who hate on the new version of something say “It’s ruining my childhood!” Your childhood is whatever it was, frozen in time. Those original cartoons obviously still exist, and if you have the desire you can watch most of them. A reboot doesn’t destroy the original, no matter how many changes it makes to the original idea. The best reboots can often give us (as adults) what we thought we were watching as children. And often, the reboot can drive traffic back to seek out the original, as adults want to share with children the version they loved at that age.

Which brings us to She-Ra. I didn’t watch any He-Man or She-Ra as a child, for whatever reason. I found He-Man & the Masters of the Universe through the 2002 anime-influenced incarnation (also a great reboot IMO), then went back and watched the 1983 cartoon, followed by the 1985 She-Ra: Princess of Power. I loved it all. Sure, sometimes it was goofy, and there was lots of animation reuse in the older versions, but the core concepts were really strong. They are classic good vs evil, freedom vs tyranny stories, told with engaging casts and crazy creative worlds.

I powered through all 93 episodes of She-Ra during the summer of 2010 while I studied for my board exams. It holds the special place of being the series I turned to to relieve the stress of studying. I love the 80s fantasy girl designs, the color schemes, the powers, the sheer kookiness of the side characters. She-Ra was the OG American magical girl, and I finally understood what all the fuss over this franchise was about. She-Ra feels iconic in the way that characters like Wonder Woman and Sailor Moon do. Yes, she starts out as a spin-off of the successful He-Man franchise, but he makes very few appearances in She-Ra’s cartoon.

But after her initial run, She-Ra remained a virtually dormant property for the next 30 years. He-Man had two different reboots in 1991 and 2002, but She-Ra was stuck in limbo. Only once the Masters of the Universe Classics collectible figure from Mattel released in 2010 did She-Ra finally see the light of day again. Story-wise, the bios on the back of the toy packages gave us a little info about She-Ra’s further adventures, but it wasn’t until the 2012/2013 Masters of the Universe comic from DC that She-Ra comes back, this time in the guise of the villainous Despara. It’s a dark but interesting take on the characters; an exploration of what being raised by the Evil Horde would really do to a person.

Interestingly, this seems to be the jumping-off point for the new “She-Ra and the Princesses of Power” animated series from Dreamworks and Netflix. This show takes as its central theme the relationship between Adora and Catra. When Adora finds the sword that lets her turn into She-Ra, she leaves the Horde – an organization to which she has devoted her life. Almost more importantly, she leaves behind Catra, her best friend. It’s this broken relationship that informs the emotional tone of the rest of the show.

Unlike the 80s version, this time around the Rebellion knows Adora’s identity as She-Ra. It’s an interesting change – shows of the 80s were obsessed with secret identities, and sometimes it could get ridiculous making up excuses for what happened to the other identity of the character every time. Thankfully, that is avoided here, and instead of angst over whether or not you can let people know the real you, we are treated to relationships that ask whether we can accept someone who we know has wronged us before.

Much has been made over this update’s reworking of the body types and ethnicities of the main princesses. While I confess not loving all the updated designs and missing the 80s fairytale warrior goddesses of the original, I understand and fully support the change. Reboots are about viewing something old through the lens of today, and audiences of today want to see themselves in the media they watch or read. We can’t (and shouldn’t) go back to mostly-white casts. The world is a rainbow of colors, and the show feels richer for including them.

Speaking of rainbows, I have to mention the new show’s decidedly queer bent. The relationship between Adora and Catra is somewhere between ex-best-friends and ex-girlfriends in tone. Netossa and Spinerella, long shipped by the fandom, are finally outed in a true relationship this time around. Other characters like Scorpia, Bow, and Entrapta all tap into queer mannerisms and norms as well. The end result is unlike anything else I’ve ever seen in children’s entertainment, and I couldn’t be happier. I wish I’d had something similar as a child, but I’m grateful today’s queer kids have their own heroes.

When we talk about a successful reboot, what are we looking for? Here’s what I think a good reboot need to accomplish.

Bring the characters and concepts of the original property up to date for current audiences.

Explore the characters or world in new and different ways.

Add depth to the original concept.

She-Ra and the Princesses of Power does all of these in spades. I think it’s the nicest treatment an 80s female-driven property has gotten in a reboot. The show is full of strong characters with interesting dynamics, great writing, and interesting world building. Yes, some of the episodes can be a bit predictable and the designs are not always my favorite, but everything works together toward a greater whole. I won’t spoil the story for you, because seriously if you haven’t watched this, get thee to Netflix and enjoy!

For the Honor of Grayskull!

Chris

P.S. Can you imagine getting a ✨Princess Gwenevere and the Jewel Riders✨ reboot that brought all this to the table? I’d die!

Read the complete blog at The Jewel Riders Archive! http://www.jewelridersarchive.com/posts/she-ra-the-princesses-of-power-and-reboot-culture/

#jewel riders #princess gwenevere and the jewel riders #princess gwenevere #unicorn #unicorns #animation #mattel #She-ra #she ra #princess of power #heman #he man #he-man #masters of the universe

[charleskenny]

Increasing the Voice of Minorities in Animation

Many industries lack minority participation and animation is no different. How can the industry do more to increase the voice of minorities in animation and initiate changes now that will improve the situation over the long-term?

The Three Hurdles to Overcome

To understand how to increase the voice of minorities in animation means to understand the problems that are stopping those voices from being heard in the first place. Three hurdles stand in the way of minority voices in animation, and until they are overcome, we are unlikely to see much real improvement.

Too Much Comedy

Comedy dominates animation from pre-school all the way up to big-budget features. It dominates internationally and domestically. To succeed in the animation business is to have a successful comedy under your belt. Only then can you get license to explore, and even then you may only get one chance.

The problem is that comedy sells, and sells big. Comedy has universal appeal and is therefore the most profitable. Any other genre is probably going to come up short. The proliferation of comedy simply leaves little room for much else and unfortunately it’s in other areas where the opportunity to hear minority voices often lies.

Too Much Dilution of Ideas

The creator-driven boom of the early 1990s resulted in many raw and potent ideas reaching the screens of millions. That success eventually became guarded, and networks began to dilute and water down ideas to fit what the audience expected, not what it deserved.

Today, media companies are anemic to risk. Minority ideas are risky for a variety of reasons. So what’s a corporation to do? Risk losing their shirt, or water things down enough to make them palatable to the largest audience possible? As Elizabeth Ito notes, studios need to stop making things for the “suburban families and blogger moms” of the world and modifying ideas to suit. Those groups are the least risky because they can be the least open to new ideas. They are comfortable in their suburban lifestyle, and anything strange is to be approached with caution. They have predictable tastes.

Minorities can have some of the strongest and innovative ideas and artistic creations you can imagine but they often lie beyond the pale of what the groups above expect. It doesn’t take a genius to realise that networks and studios will water down such ideas to fit their intentions. They’ve certainly done it with ‘urban’ art.

American Culture is Asphyxiating

There is a tendency of Americans to perceive the rest of the world as being, well, like America. This is less to do with willful ignorance and more to do with blissful ignorance. American culture is potent in other countries, but is inescapable in America itself.

Minorities often come from immigrant backgrounds if they are not immigrants themselves. American society demands conformity and actively works to stamp out foreign identities; instead reducing it to ‘heritage’ status. To be a minority voice means to speak differently which is often conflated with being foreign.

American audiences believe foreign cultures are exactly like they’ve been led to believe. For example, to be Irish in America means to actually say ‘top o’ the morning’ to people and if you don’t they will say it to you as a form of misplaced well-meaning. To artistically speak with an Irish creative voice in America means to comply with these expectations lest you become unintelligible. To speak as a minority in American animation is to conform to expectations which stifles an individual’s true voice.

What Has to Change

What has to change is not simply a matter of overcoming the hurdles above. Doing so would not necessarily increase it. Many things need to change and they are tied to socioeconomics, demographics, and culture. There is no magic cure, there is no easy fix, and most importantly of all, it will not come quickly.

The Privilege of a Formal Artistic Qualification

To hold any formal qualification is to be privileged. To hold one from a 3rd-level institution is to be especially privileged. Minorities are overwhelmingly over-represented in lower socioeconomic classes but are the least likely to attempt much less attain a university degree. The value of an art degree should not be discounted, but it should not be upheld as the required entrance to an artistic career.

Young minority artists are susceptible to exclusion from art school for many reasons besides financial cost. They may also have lacked the resources throughout their educational career due to underfunding of art programs in public schools. For many, the possibility of even applying for art school is remote.

On top of this the emphasis that studios place in an art degree means that many minority individuals are automatically excluded from consideration for positions. Sure the value of a portfolio is important, but the qualification give you a head start in both skills, and critically, contacts. CalArts is the pantheon of an education in animation thanks to its proximity and relationships with major Hollywood studios. Yet its exclusivity, and eliteness benefit only those who can a) afford it, and b) are fortunate enough to have had years of preparation prior to entry.

Animation programs exist at other institutions, but they are no different. Here in Baltimore, MICA offers an animation program but how many minority students can stomach the $150,000 cost of a degree that doesn’t even touch on housing and living costs?

Student loans play into the picture too. If a minority individual is lucky enough to attend an art school, they are likely to have student loans that must be paid back. The old adage that the majority of journalism graduates work at Starbucks is not so far removed from the truth as one might think. Loans do not have terms that require a carer in the chosen field in order to pay them back. They demand money from any source and many a student in any discipline finds themselves cut off from a desired career because the need for money trumps the ability to wait for the required opportunity.

Studios also perpetuate the situation through internship programs. I’ve personally taken issue with the widespread use and abuse of internships within the animation industry, particularly in New York City. A poor member of a minority (gradate or not) cannot afford to work for free; many wealthier individuals can, and do to their professional benefit.

Until the vanity sheen placed on formal educational qualifications is eliminated, many members of minorities will struggle to carve out a career in art for themselves.

The Urge to Repeat What’s Come Before

Were you excited for the new series of DuckTales? How about the new Looney Tunes shorts? Have you ever noticed how a lot of animated content is recreated or rebooted? The landscape is littered with them and a good half are probably made by Hanna-Barbera trying to resuscitate something they own.

Repeating what came before stifles minority voices because the new entity, regardless of its intentions or crew, will always be framed within the context of the original. Characters can be altered, new storylines written, but the overarching idea cannot. Such ideas are also least likely to come from a member of a minority to begin with.

Recreating old ideas also takes away the opportunity to create something from a new idea. Noelle Stevenson’s reboot of She-Ra may be great and feature a strong LGBTQ+ voice, but how does it compare to Steven Universe and the voice of creator Rebecca Sugar? Stevenson’s series will always be a version of ‘She-Ra’ whereas as Steven Universe is unambiguously Sugar’s.

What Stories Are Being Told

The stories in American animation in particular are primarily middle-class in plot, setting, and tone; reflecting the backgrounds of their creators and target demographics for better or worse.

For the record, the content of the story is not the same as the voice. Disney have made themselves the poster child for tackling stories featuring minority characters in films such as Moana. But does that film tell a Polynesian story with an authentic Polynesian voice or does it merely pay lip service to Polynesian culture with a decidedly American story and American voice?

I firmly believe it is the latter.

American media also continues to tell the same stories they’ve always have. Feature films in particular are notoriously homogeneous in their stories. Superheros and their overt masculinity currently rule the box office roost. Female stories told with a female voice are still hard to come by. TV shows still trot out the same tired cliched formats and if you don’t believe me, Central Park is getting rave reviews.

The story that’s told is about much more than the plot, or the characters, or the setting. It’s about the context. the juxtaposition between The Sopranos and The Wire demonstrate it perfectly. One is a show about a New Jersey mafioso told through the voice of an outsider looking in. In contrast, The Wire is a show about cops and robbers but speaks with the authentic voice of a Baltimorean lamenting the problems in their city. Which show has a better story is debatable, but which show tells it in a special way is obvious.

How to Increase the Voice of Minorities in Animation

The current situation is far from ideal. Minorities are hampered almost every step of the way towards spreading their voice in animation. What can be done to improve things?

Implement Apprenticeship Programs

A good first step would be to implement apprenticeships for younger artists. There is no good reason to force younger artists (minority or not) into school for years on end to get a qualification. Why not train them in the basics on the job and pay them a wage too? If they need classes, their schedule could be adjusted, or a few night classes at a local college would work. They certainly did at Disney in the early years.

Apprenticeships would give minorities the ability to acquire technical skills while still being productive, and reduce the risk they undertake to acquire the knowledge necessary for an artistic career. They would also give many youngsters the leg-up they so desperately need to get a career started and which universities claim to provide but so often do not. With a secure method of attaining skills, a young artist would be better situated to progress their career, and ultimately be better placed to provide their unique voice to a production.

Minorities, and especially women minorities, are challenged in progressing their careers. Studios should be aware of this and be willing to maintain systems and processes that not only encourage them in their careers, but enable them to do so as well. Implementing apprenticeships would be the change that’s need in the education of artists.

Realise That Representation Does Not Equal A Voice

For a long time that continues up to the present day, representation was seen as a way of providing minorities with the encouraging voice they needed to see on-screen. The Simpsons poked fun at the token minority in everything nearly 30 years ago and sadly not much has changed.

The Simpsons also caught the short end of the stick for the character of Apu; said to represent a perpetuated stereotype performed by an non-Indian voice actor. Except Apu was written by a bunch of Harvard graduates and he spoke their voice just like every other character on the show. Apu was never mean to represent Indians, he was merely an Indian character that became a representative of Indian culture on that show.

Merely representing minorities on-screen does them a disservice because such characters speak with the voice of their writers, directors and producers in addition to their actors. To provide representation only is to sidestep the issue when so many crew and backstage roles are not filled with minority individuals making their contributions to a production.

Representation can provide the necessary voice when used in conjunction with other roles behind the screen. Realising this and working to ensure that work behind also permits minority voices to be heard is the challenege.

See Past the Fad

As contained on Wordnik

Police brutality and racial inequality in the United States are not a fad. They are systemic problems existing for many decades and will continue to plague society for some time to come even if change happens now.

What certainly is a fad however, is the reaction to current events many people are choosing to exhibit. Changing your social media avatar, tweeting in support, even attending a protest or two does not induce change. Change occurs over time, and it can be a long time to boot. Martin Luther King laboured for nine years between the Montgomery bus boycotts and his ‘I Have a Dream’ speech in Washington DC. He was dedicated to his cause and put in the hours and energy to achieve change. He kept pushing despite pressure and threats from many quarters to stop. If he was to hold his speech this year, he would have had to start his campaign when Steven Spielberg’s Tintin abomination was released to theaters. Do you even remember when that film came out?

Many corporations and animation studios are ‘standing by’ their black employees but what does that actually entail? Have they always stood by, or are they just exploiting the opportunity being presented as a PR exercise? Further to the point, a single gesture gets a message across but is instantly forgotten. Where is the long-term commitment? More critically, who is going to follow up on the studios in a few years let alone hold them to account if they don’t? As the saying goes, talk is cheap.

To be aware of the failings of the animation industry to appreciate and promote minority ideas and voices is to lament the many many lost opportunities allowed to pass by. Change can come, but it will take time and effort that extends far beyond current events and will require a commitment from more than just the powers that be. It will require seeing past the fad surrounding current events and seeing the long-term future where progress is like a growing child. Day-to-day changes are imperceptible, but over time are readily apparent.

Conclusion

I’d like to end the post on a positive note.The voice of minority creators may not be as loud as it should, but its members who have been afforded the opportunity to speak have roared. Jorge Gutierrez is proud of his Mexican origins and imbues his creations with the soul of Mexican culture. El Tigre and the Book of Life are just two that spoke in his voice with success and appeal. Aaron McGruder used The Boondocks to not only speak in a black American voice, but his very unique black American voice. The result transcended cultures and brought something to many who had never experienced anything like it before. Similarly Noelle Stevenson and Rebecca Sugar brought unique queer voices to their respective TV shows. LeSean Thomas and Ian Jones-Quartey have forged careers for themselves too.

Countless others work behind the scenes and we can’t discount their contributions either, no matter how small.

The shift from monoculture to niche culture affords minorities the opportunity to create animation in a way that’s never existed before. We have to recongise the opportunity in front of us to increase the number of the minority voices we hear within the animation industry. This is not a screed for quotas or enforced participation. It is a plea for the industry to see the ability of minority voices to improve and progress the industry as a whole and to change the status quo for everyone’s benefit.

Originally published at https://animationanomaly.com/2020/06/06/increasing-the-voice-of-minorities-in-animation/

#animation industry #apprenticeship #intership #minorities

[thecountsblog]

A Count’s World Retrospective, part 1

You know, working on The Count’s World anniversary has got me thinking about how I got started in fanfiction in the first place. I don’t think I’ve ever mentioned this, but Super Papes wasn’t my first foray into the wonderful world of fanfiction. In fact, I wouldn’t have written TCW at all if I wasn’t already aware of the ff.net community, setup, system, etc. With my 10-year anniversary coming up at the same time the DuckTales reboot is already showing its premier movie and on schedule to launch in about a month, I’m reminded that what really got me into fanficcing was... Darkwing Duck.

The Disney Afternoon aired on TV when I was little, and I have memories of playing at DuckTales and Darkwing with my brother, as well as having toys and storybooks of those series. But, like most things from my childhood, they faded away as I grew older. I have no idea what brought it up, but I didn’t think about Darkwing Duck again until 2006, which is forever known as The Year I Moved to Disney World.

This was a transitional period in my life: I was on my own for the first time, learning how to function with my disabilities, and for the first time doing something I loved in a place I loved and getting paid for it. But still, it was lonely at times. For the first half I didn’t get along with any of my roommates, I had trouble making friends at work, and things were all-around rough.

This coincided with an interesting period in Internet development. 2006 was a unique time in Internet, as it was after the time when having internet access in your home was approaching ubiquitousness, but the structure and scoiety still had that old “wild west” feel. People had things like MySpace, LiveJournal and other platforms for creating content and connecting with like-minded individuals. However, this was all incredibly new and nobody really knew what to make of it yet. The “old fandom,” which I had not taken part in, which was mostly tied to bulletin boards, old terrible fansites, mailing lists, etc., were all falling to the side as things like LiveJournal groups and fanfiction.net began to make it easier to bring fandom together.

Also back then, you couldn’t go online and look up any episode of any cartoon you want on kisscartoon or watchcartoononline. I only had access to a handful of episodes on dailymotion and that’s it. The first DVD hadn’t even been released at the beginning of this escapade. So a google search for Darkwing Duck doesn’t bring up the show’s wiki or its illegal episode torrents. It brings up old fan sites, which later rehosted their works on ff.net where a whole new generation of content creators was using it as a platform to share their works.

So I, being on my own and lonely, began to read. And read. And read. And when I finally made a friend who would watch the show with me on the DVD that came out while I was down there, we speculated. The speculation tied with my new discovery of fanfiction, and I began to write.

None of these works have ever seen the light of day. They have not been published or even finished. One of them is so embarrassing I won’t even tell you what it was about if you begged me, but the other one was something special. It was going to be my magnum opus. For all of 2007, the year I came home and crashed hard, it kept me going. Fanfiction made the post-Best Job Ever blues pass by so much more easily. I was really excited about this being my grand debut on the internet.

However, life had other plans.

My brother got a Wii for Christmas in 2007, and with it Super Paper Mario. I played it and loved it, but what I did not love was the ending. I was so upset that Blumiere and Timpani's ending was so... unsatisfying! They just disappear and that's it? I couldn't even bear to watch the credits, I just went to my room and cried. (The knowledge of the post credits scene helped soothe the burn somewhat, but I still felt cheated.)

Like I did two years previously, I handled the vacant gap with fanfiction. Like before, it fleshed out a world that I wasn't ready to leave. The one that took most of my attention was "Odium and Love," by Lazlo Pizzazzlo (then named Lazlo Titan.) But there were so many good ones. I had already set aside my "Magnum Opus" because I was too removed from the source material to do a good job, so I thought, "Why not write about Super Papes?"

All these ideas came to me: instead of writing one big fix-it fic, I would instead break it down into small, managable chunks. Since I was even back then a huge animation enthusiast, I thought about making it like a Saturday morning cartoon, except with more continuity. I took inspiration from a lot of other sources, which I will dicuss later, weather permitting, but the two shows that had the biggest impact in terms of setting were Aladdin: The Series and All Dogs Go to Heaven: The Series, both TV series that took pace after sequels to great movies that played around with the setting to make the show work. I figured I'd do three, maybe five, and then move on.

I did not expect people to respond as they did. I actually did not expect people to respond at all. I expected my first fics to go unread and unnoticed. But people liked it. And I found that I liked it, too. So I wrote more, and more. Five became nine, which led to a movie, which led to more. I lost steam not too much later, so I started branching out to other fandoms. But every time I thought I'd moved on, I wanted to go back. So I did.

Now here we are, ten years, twentyish shorts and a "movie" later, and I'm still here. I never did finish that debut story, and all my notes on it are long gone. Maybe I'll tackle it someday. Maybe not. Maybe I'll branch out more to other fandoms, or maybe I'll stay here. I never planned for any of this to happen, and I haven't planned for anything after this. But I'm still here, and if you're reading this you are, too. Or maybe you just got here. If so, you're welcome to stay. I appreciate the company. I know I have trouble interacting with my readers, but this is why I got into fanfiction in the first place: because I was lonely, and I liked a thing but there wasn't enough about it.

#The Count's World retrospective #other fandoms #tcw

[dumbfinntales]

I’ve finally done it. I’ve 100% completed Hollow Knight. The hardest part of this 100% completion definitely was the Trial of the Fools. That one was bonkers, but I did it! And hoo damn, Hollow Knight. Guess it’s time for my review type of deal.

An instant all time favorite of mine. I still remember when I saw this game when it was but a humble kickstarter campaign. I never backed it, but always kept the game in my mind if it one day came to consoles. Fast forward to today and I decided to get the game on PC alongside that Indiebox collectors edition, because I love owning these games in physical form. I knew I’d like the game, but I had no idea that the game was gonna blow all my expectation out of the water.

One of Hollow Knights best points is the atmosphere. The title screen alone is beautiful and somber, and the starting cinematic is enough to give you goosebumps. Places like Dirtmouth and especially City of Tears are gorgeous and make you stop on your tracks just to soak in the atmosphere. I loved running through the City of Tears whenever I had somewhere to go, it also happens to be my favorite area in the game. The games story and lore are a bit vague, as in you really have to listen to the NPC’s and read minds to get what’s truly going on. I like that. It gives the game and it’s world a bit of a mysterious feel.

One of the games strong points as well is variety. No area in this game feels rehashed or dull, each area has an unique look and feel. Each area also has unique enemies in it, and enemies. Oh man there’s a lot of them in this game. It is true that some enemies behave the exact same way and only their appearance is different, but just looking different is enough to give an area and it’s theme an unique feel. Bosses in this game are also amazing. While not that difficult, some will challenge you like the dream bosses. The game also pulls off the “true final boss” trope well. As the true final boss of the game is a lot more challenging and can easily be missed if you don’t explore. They’re a fun bunch to fight. Patience, learning and fast reflexes are needed to beat some of them.

Also let me talk about my boy Zote the Mighty and all the colorful characters in the game. Not only is this games world gorgeous and atmospheric, it also has a large variety of fun characters to meet. Some stay in one location and provide you with a bit of background info, some you can meet on your travels multiple times and some you can save. Once saved they move to the main hub of the game. Each character is unique and has a lot of thought put behind them. Even if your interactions with some are minimal they’re still memorable due to their designs or personalities. Zote in particular is one of my favorites. He’s a selfish, rude and arrogant knight that thinks way too much of himself, but in reality is an incompetent fool. The only reason he survives to the end is because you, the player, keep saving his sorry ass. And to be honest, I love this guy. Also hate him because he took Bretta away from me. Each and every character in this game is full of life and are so lovable.

The gameplay and world design are top notch as well. In normal Metroidvania style you explore a huge open world and acquire new abilities that let you progress further. Each new ability makes the game open up in new ways and all exploration feels rewarding. There’s pretty much always something nice to find in an area you couldn’t previously access. Be it a charm, health, soul or a missing grub. Did I mention how much I love the grubs? They’re adorable. The games world is also filled with secrets like hidden paths, breakable walls and some pretty cryptic secrets. There’s one in particular where you need to have a certain amount of blue health to access a secret area. That’s pretty cool, huh? Combat is also very fun. Simple, but fun with hidden mechanics like being able to bounce on enemies or spikes by hitting them from above. Ducktales style. Charms also allow you to customize your playstyle quite a lot. You can be tanky with a lot of healing capability, become a magic wielding powerhouse or a glass cannon. The charms are limited, yes, but they still offer gameplay variety.

Basically I have nothing but good things to say about Hollow Knight. I love this game so much and I can’t wait for the free content that’s coming out very soon! It’s definitely the best metroidvania I’ve ever played, hands down. If I had to nitpick negatives, I guess the Trial of Fools wasn’t very fun at all, but that’s optional. It’s only a problem if you’re going for 100% like I did. There’s a lot of backtracking? I didn’t mind it personally, but it might bother some people. To be honest I might be a bit biased due to how much I enjoyed the game. Team Cherry created an absolute masterpiece, and it gets my personal 10/10. I give this game my highest recommendations, get it RIGHT NOW.

#hollow knight #a review type of deal

[popculturebuffet]

Top 20 Animated Episodes of 2020 Part 1 (#20-#11)

Hello Hello Hello animation fans! And welcome to something i’ve wanted to since last year. See I had the idea for a best episodes list back in 2019: rather than do a best shows list, which would be only about half of 20+ shows anyway, I thought i’d do a best episode lists: to give as many shows a possiblitiy to shine as possible while still honoring the best of the year. But my own natural foibles got the better of me: I INSISSITED on watching everything I missed.. then just kept putting THAT off until it was was spring, shows were coming back and I just threw up my hands. I’ve regretted it ever since and vowed, especially since in the interim animation went from just being something I analyized for fun to my analyzing it for fun AND profit, to get it done this year.  So I had to make a few caveats. First I gave myself at first till the 31st of the year and then due to covid and everything that happened, until the end of the first week or so of the year, i.e. today, to watch as much as I could. So several shows are missing. Some I REALLY got behind on and don’t have an excuse for (Craig of the Creek and Big City Greens), others I also really liked but my depression made it really hard to watch (F is for Family and very nearly Bojack), some I just kept putting off ever starting or forgot to start entirely (Hilda, yes even since season 1, Kipo: Age of the Wonderbeasts and It’s Pony) and some.. I gave up because as you can tell I sit on shows way too often (Ilve action wise I still need to get back to Doom Patrol), and I realized i’d rather watch stuff old and new I care about than waste time with something that I just stopped liking, i.e. Rick and Morty and Big Mouth which i’m guaranteed some flack for saying but I dont’ care. I have my reasons, and while I originally GAVE those reasons I decided to leave them out: this list is not about me bitching about why I quit certain shows. I’m a grown ass man, I can quit a show anytime, and given last year was such a craphole, I think we could use less piss and vinegar and more sugar.  So before we begin, a bit about the state of animation last year: It was in flux. WIth a new decade dawning we got great new shows like Owl House, Close Enough, which in a year full of terrible suprises not only FINALLY got released but did so with a second season order, Solar Opposities, the Midnight Gospel and Kipo: Age of Wonderbeasts. Ducktales returned for it’s best season ever. Amphibia returned for a pretty good season. Disney brought back the wonderful mickey mouse shorts towards the end of the year, FINALLY given D+ some non-movie animated content. The Casagrandes got better as it went and just barely didn’t make this list and the Loud House kept on trucking and shows no signs of stopping with a season renewal and a movie coming out. And Adventure Time staged a comeback a few years after it died and while I haven’t seen BMO yet, Obsidian was fantastic and only barely didn’t make the list. 

Not only that but we got   great new series announced for the next two years: Lumberjanes is FINALLY getting adapted and by Noelle Stevenson herself. Gendy Tarkovsky is not only returning to children’s animation but with a wonderously weird concept about immortal unicorns turned into teens> There’s a promising show about a ghost and a plucky tween coming this summer. The Rise of the TMNT movie is still happening. Craig McCracken is also coming back.  But naturally given this was 2020 the news wasn’t all good as we said goodbye to a lot of shows.. and this was after 2019 already took several from us, OK KO still being the hardest loss to this day and Star Vs very disapointing finale still leaving a bad taste in my mouth: Most gutpunchingly, the two frontrunners of animation at the time, shows that truly changed the game and probably gave other shows a chance at life they never would’ve had, including some on this list, ended. 

Steven Universe took it’s final bow after we got one last trip to beach city with the Future miniseries, with the show ending gracefully and beautifully, and having pulled off it’s third succesive possible ending for the franchise and it’s defntive ending for steven’s story. Bojack did the same not long before, ending on a bittersweet but beautiful note and with a one two punch of the series best episode and i’ts second best episode, a satsifying but bittersweet finale we’ll get to. Both shows as I said have set hte standards and tones for most animation after them, and both’s absence is felt.  She Ra suprisingly ended, though with a beautiful and wonderful finale we’ll, again, get to, and on i’ts own terms, but given it was the most likely to take up the shield from steven, it was another punch. Less peacefully was the ending of Rise of the Teenage Mutant Ninja Turtles, a show I caught up on after it’s demise which was screwed by the network over toy sales because that’s.. still.. a thing. 

There is a light of hope, as the movie is somehow still in production and if it does well we may get season 3, but it’s dim and given the show, despite it’s flaws, had found itself and the finale, which they were given weeks to put together, was spectacular and, say it with me now “we’ll get to that”, I really hope it does. And that nick learns how to run an animation company for fuck’s sake. 

Infnity Train while not dead, is on life support despite having it’s best season in season 2 and an okay season that still tackeled racisim very well even if story wise the season faltered, at a time when we REALLY need to tackle racisim in our entertaiment period. Venture Bros meanwihle was just flat out canceled for no given reason despite both having as eason renewal order and you know, being Adult Swim’s highest rated and best show for over a decade. Like Infinity Train and Rise there’s a SCRAP of hope, both adult swim and hbo max are apparently looking into ways to bring it back so a finale movie or a season 6 comic are propable, but given the show ended on two big cliffhangers, and given 2020 already had pushed back a LOT of things I’d looked forward to for good reason, and had now just outright killed a show, it was a massive shattering blow and easily the biggest of the year.  But coming VERY close was finding out Ducktales was ending. While the finale would serve as a proper finale, I feel the show easily could’ve had more seasons.. Disney just dosen’t let shows go on forever, or sometimes not even for a reasonable amount.. or put those shows it didn’t let go on a resonable amount on Disney Plus.. and I will be bringing that last part up until Wonder Over Yonder is FINALLY put on the platform, along with MANy other shows. Figure it out.  But yeah that was ANOTHER show I thought would lead the way and like Gravity Falls lead to Ducktales, Ducktales will probably lead to more shows including HOPEFULLY a frank and matt lead Darkwing Duck.. and even that’s in jeapordy since instead it might be done by Seth Rogan’s company who while not bad people and if their working on Frakn’s reboot great.. are not the people who spent three seasons setitng up a reboot in a unvierse they already spent three seasons deftly crafting. I DOUBT Frank won’t be involved since Let’s Get Dangerous was promoted to hell and back, but again given this is disney.. it worries me and I won’t be settled on this till we get conformation of a proper reboot with frank and matt at the helm. 

Point is it was a rough year for animatoin even without covid taken into account pushing back seasons and forcing a change in work habits. But as this list attests even in the worst year in recenet memory, here’s hoping 2021 dosen’t say hold my beer, there was some damn fine animation, including some of the best i’ve ever seen and the shows that did leave or are getting ready to gave us one hell of a show. Before we get started one last bit of buisness for transparency: As I said i missed some shows and others I did watch but given despite this list��s sheer size it was still VERY tight, for the record each show got four nominees a piece, and some had even more episodes considered before widdling it down, and even at the 40 episode mark there were some tough cuts and by the end it was brutal. So here’s the show’s considered. 

Shows Watched: Steven Universe Future, Infinity Train, Close Enough, She Ra, Ducktales, Amphibia, The Loud House, The Casagrandes, Rise of the TMNT, Animaniacs, Wonderful World of Mickey Mouse, Adventure Time: Distant Lands, Solar Opposites, Bojack Horseman, The Owl House, The Midnight Gospel Shows That Did Not Make the Final List: The Loud House, The Casagrandes, Animaniacs, The Wonderful World of Mickey Mouse, Adventure Time: Distant Lands, and Solar Opposites.  Final note: all episode’s i’ve done reviews of at the time of this list will have links in the title to said reviews in case your curious So with that in mind , here’s my top 20 list, part 1.. becasue these posts are going to be long as hell so I needed to split up gang. On with the show after the cut as this is a really damn long one

20. Fragments (Steven Universe Future) “I bow to your strength.. my Diamond”  Steven Unvierse’s final act was a masterstroke. The show ended with every major conflict resolved as the Diamonds decided , if only for Steven’s sake at first, to change their ways and helped him restore the corrupted gems, while Lars made it home. Our heroes were FINALLY, after seasons and almost two in-story years, as Steven “Finally Done, Finally Us, Finally Me”, the last part being especially pogniant since, while done thanks to a horrifying action on whites part, his breif seperation PROVED there was nothing of rose left; She’s gone.  So Future uses this cleverly: With the conlfict of the movie resolved things were still very nice.. but eventually Steven started breaking down piece by piece: As the series went on it became clear what it was: A deconstuction of some of the less healthy part of the mostly fairly healthy and wonderful main show. It showed just what happen when someone whose put his identity into having some kind of destiny, someone whose felt their purpose in life is to make other people’s better and solve their problems and be a good person.. has no issues to solve. Oh sure there’s an antagonist here and there and Jasper refuses to change or admit no third great gem war is coming and that peace really has come.. but his family are finally happy with who they are, and are moving on with their lives. As someone whose had people move on without them and whose clunt to people this hits close to home.. hits close to home a lot. 

So as the season went on Steven clung to everything, taking it VERY badly when Lars and Sadie not only revealed their attempt at a relationship failed after years of build up, and never told steven because they thought it wasn’t his buisness, which is true to a point as them breaking up isn’t anything to do with him but someone should’ve told him it was amicable given the amount of shit he’s seen between you two, just saying. But it still meant a good chunk of his friends leaving town, and him, behind. Attempts to fillt his gap with tv watching or gardneing, aka what the crew amazingly dubbed “Depression Hobbies:”, a term that hits close to home, failed and then a far WORSE attempt to fill the void in his life by proposing to connie failed.. she turned him down firmly, but gently recognizing this was a terrible idea, they were too young, and he was clearly going through some stuff. As garnet put it “Your partner is your compliment, not your missing piece”. Another beautiful term to stick in my brain. 

So as if this wasn’t bad enough his body started mutatating and it turned out the pink form he’d gained was actually supposed to just be his body’s version of adrenline, but since he’d spent years in constnat struggle, his body was treating his emotinal stress like do or die situations with predictable results. We’ll get to that more in a bit but needless to say steven’s family were concerned and Greg returned from managing Sadie to TRY and help his son.. only to drive a wedge between them as Greg’s Smothering Parents seemed like the life Steven never had, instead of obnoxious people who refused to reconcile with their son even decades later despite plenty of effort on greg’s end and Greg having to raise a child alone with only marginal support from the gems at best at first. But Greg’s tragic inablity to see his son was hurting, as with everyone elses lead to him nearly getting them hurt in a car accident and thus this episode.  After getting chewed out by the gems, who tragically simply don’t realize what’s wrong with steven, can’t figure out why themselves and he refuses to tell them, Steven runs off, to the one person who would never tell the gems where he is and the last place they’d expect him to go at his lowest: Jasper. And thus we get one of the darkest and moodiest episodes of the show’s long history. 

After having lost a lot of his sense of peace of mind: his best friends are gone, his girlfriend is next, his parents and sister are constantly busy, there’s no one for him to turn to. Steven NEEDS someone like him and while his family is trying they just don’t know how to reach him and deep down he dosen’t WANT them to. Like me at times, shocker I know, he fears deeply that if they knew some of the flaws about him, some of the problems he’s had, they’d hate him. When as time would bear out for both of us, as my first stint of therapy near the end of colllege proved, it just means they understand you better and can HELP YOU. 

So instead he turns to Jasper, and he does so for good reason: He wants to control his power and emotions.. the problem is Jasper dosen’t WANT what Steven wants. Steven wants to feel godo again and feel healthy and be the person people want him to be. Jasper.. wants a fight. She wants a diamond, someone to serve, someone stronger than her who will LET her be what she feels she’s meant to be: a warrior, a destroyer, a breaker of worlds. So she slams that steven shaped peg into a round hole, and it’s horrifying and uncomfortable to see our hero turned from a loveable hero.. to a power obssed, almost vegeta-esque asshole .. in short she’s made him into the very thing he spent years fighting against, all because he’s so scared of himself he can’t face himself. It shows just how bad things have gotten: that steven’s hates himself SO MUCH, that he’d rather become something worse than face the truth and let his family help him. So convinced they don’t need him that he needs to be something ELSE. 

And so tons of training, abuse and hard labor lead to the moment Jasper and fans had been waiting for: a rematch between the two. And.. it’s easily one of the series best fights. For a series that’s at it’s core about ending the cycle of violence and often big exchanges of words and someone emotinally healing are treated as big as victories in combat.. the show has some of the best fight scenes in cartoons period, and this being the penultimate one, we’ll get to the last one next time, it’s a brutal, dbz style slugfest, something unlike the other fights in the show, with two opponents full of rage and hate going at it with everything they have.. ending in Steven, for one breif terrifying moment having BECOME what his grandmothers and mother used to be: A sadstic monster drunk on their own power “Your right jasper, I WAS holding back”

But when we next see Steven, running into the house and ingoring his rightfully concerned family..... he’s not that guy anymore. He’s back to who he was at the start of the episode: A scared teenager who deeply hates himself and who wants to be better but is ironically shutting out the only people who can help him. And one.. whose committed murder. This was a VERY bold move to make: Steven KILLED SOMEONE. Sure it was  shattering so it got past censors, but in his lowest moment.. steven did the one thing that to someone who treasures all life, is anthemia to him: he killed, did what his mother did before she changed, did what his aunts have done countless times to countless worlds. And it horrifes him, with him desperate to bring jasper back and using everything he has, his powers and his aunts essences, to try and fix his mistake.  And unlike anyone else in his postion he succeeds.. and Jasper, ignoring steven’s attempts to apologize is surprised at first at being shattered, knowing what happened.. befor bowing proudly, FINALLY getting what she was REALLY after: A diamond to serve. And steven can only gaze in horror at what he’d become and at the realization he can’t go back from this and he has no idea what to do now. An utterly grippling, utterly terrifying character piece with some of Zach Callistons best character work in the show’s storied history, with Steven shifting from being drunk on his power to utterly broken at having broken jasper. One of the series finest moments.. only topped by some things the series proper did.. and some more on this list. 

19. Perils of Peekablue (She Ra and the Princesses of Power) 

“They are my people. Which means most of them have sworn revenge against me at some point “  She Ra was easily one of the best shows of the 2010′s. While it started out excellent, and pretty gay, it ended being a masterpiece, and fabulously gay, as is befitting something related to He Man in some way. 

A masterful space opera, She Ra had some great bones in a thrilling love story, great humor, great action and wonderful characters most of them main and supporting going through some form of development. It was a wonderful, magical show and I look forward to Noelle giving Lumberjanes the series treatment, both because the series concept is frankly better built for an ongoing tv series than a monthly comic, and because after this series she has my utmost faith in whatever she does. Also her story about how she both came to terms with her sexuality and met her partner was VERY lovely.  Seriously check it out. Also her partner was the one who co wrote another entry on this list, just a fun fact. Point is this show was awesome.  But as I said part of the show’s strength was it’s character and that shines on this day in the limelight episode covering what’s going with the rebellion since She Ra shot off into space to rescue her best friend. We do get to see the best friends squad breifly, but their simply heading home: With Catra rescued and on the path to being a better person, and firmly in adora’s lap because again this show is wonderously gay and because it annoys her and Catra gets off on that, our heroes are wondering how everyone else is fairing.  So we see that, as with the Rebellion not doing so good against Horde Prime, our heroes seek the solution to their problems with the same solution homer simpson always uses:

Well okay less starting a new life and more getting the help of the mysterious prince peekablue, who I now realize is where the whole pikablue name for merril probbaly came from.. or maybe nerds making things up in the 90′s werne’t that creative. You decide!

So we get the ragtag team of Mermista, Seahawk, Scorpia and Perfuma, as the quartet try to bluff their way to the prince for help. Naturally we get Seahawk being seahawk, i.e. an awesome ham with a voice way older than he looks, Mermista being annoyed by that and being forced to admit she tried out pyromania to see what it’s like, which naturally is the most romantic thing Seahawk’s heard in his whole life.. as well as some VERY charming ship tease between Scorpia and Perfuma as Scorpia enrouages her the two bond and Scorpia finally likes someone who both likes her back and isn’t so obssed with her sorta ex and tied up in her own issues a relationship is impossible. Look I was suprised she found someone else as everyone here, but i’m happys for her. She’s the nicest person on this show and is now dating the second nicest person on this show. It’s nice okay. 2020 didn’t give me much nice, it gave me the emotoinal equilvent of being constnatly stung by hornets.

We also get a lovely musical number from Scorpia about being a spy.. and the revelation Peekablue.. is just Double Trouble. THEIR BACK BABY. It was nice for them to make a comeback for one last apperance and they do provid vallid information.. but prove to not be too useful despite this both due to their habit of being only out for themselves, hence setting up an elaborate cabaret act under the ocean.. and because Mermista got chipped by the crowd, so now our heroes are stuck in a giant coffin surronded by the thing she can manipulate. It’s only through a harrowing sacrifice by scorpia that Perfuma and Seahawk escape but with their sorta partners now brainwahsed to the other side.  To amp up the tension back home.. things are even worse as Spinerlla, whose been brainwashed for several episodes and seriously worrying her wife Netossa... has made her move and with the rest of the rebellion’s leadership gone, chipped everyone but Frosta and King Micah, who dosen’t last long, meaning not only do our two remaning heroes BARELY escape, but the horde now has, between both plot lines, four really heavy hitters, as later episodes would bear out that Spinerlla is basically the red tornado when it comes to wind powers. Point is perils is a fun, breather episode... that then turns into a still fun but also heartbreaking episode as our heroes loose and loose bad and their only hope is in our ohter heroes making it back to htem in one piece. 

18. 100% No Stress Day (Close Enough) “Long story short I owe them three grand”  Close Enough.. has not had the easiest existence. It was greenlit in 2017, used it’s pitch reel as the trailer meaning everyone thought it was MUCH farther along, was meant for TBS but got shelved because the show it was to be paired with, The Cops, was created by sexual predator Louis CK. And since he came up and h’es primarily responsible for this show getting shelved for so long... Louis CK is a bastard. He harassed women, literally and metaphorically waved his dick around to show his superiority, knew he could get away with it, and ACTED contrite when caught and rightfuly punished for it by loosing everything.. then has spent the last year or so TRYING to mount a come back, with the help of Dave Chapelle who I lost ALLLLL respect for in recent years, despite not having apologized or done anything that resembles him having actually learned his fucking lesson or tells me that, could he get away with it, he wouldn’t just do it again. I’m taking time out of this unrelated thing ot make sure he does not get ANY power back, as too often preadatory or abusive assholes get away with this and get right back to doing stuff, like say Doug Walker, who I only bring up to remind people he’s a bad person who enabled worst people and abused a lot of innocent critics, and let htem lovingly euologize a man he knew was a preadator in life without telling any of them about said behavior, which he coudl’ve done without outing the victim to the world against her wishes. Because as another episode we’ll get to next time briliantly put it 

But now i’m done reminding people of assholes, I can get back to what’s really important: The fact this show is a goddamn miracle. Not only is it as good as I hoped, which let’s face it in this year it was just as likely the show would be the video equilvent of scabies, but it got RENEWED. Turns out it’s being delayed.. was a blessing in disguise as it sidestepped being part of a failed animation block, and instead go to be the first adult animated show on HBO Max with tons of promotion. And judging by the future lineup of adult animated programming.. it’s probably going to be the ONLY good one for a while as other offering includes the prince, about life with the royal family, and a show about a 12 year old whose constantlly going thorugh trauma because they apparently did not get the irony when watching moral orel and also skipped the entire third season. And possibly got some brain damage I dunno. Hopefully will lead to much better shows down the line and actually gets a second chance at life, and even if it clocks in at only two seasons, it’s still a damn miracle and I will acknolwedge it. 

So yeah as I said the show is fantastic and was one of my faviorites this year. The show treads some familiar terroitory as it does use the formula from Quintel’s “Regular Show”: Normal problems that spiral into bizzare chaos that still has it’s own effed up internal logic. The thing that honestly makes it BETTER in my opinon, is the passage of time. Quintel is no longer the brighted eyed fresh out of college and menial job guy he was: he’s married with a kid, and that fully informed this project, as instead of being about doofing around in your 20′s, it’s about the pressures of hitting your 30′s: from aging to keeping your relationship fresh to all the perils that come with parenting, to missed opportunities you deeply regret. There’s a lot of good stuff they dig into here, but it never overdies the comedy, simply ads a bit of depth to it. And regular show wasn’t LACKING that by any means, i’m not bashing the show.. i’m just saying Close Enough is starting at the level Regular Show was at at it’s best.. and could easily and handily suprasss it with time it now has. 

And I was first given a good and proper introduction via this episode, as it leaked beforehand due to a french animation festival and I couldn’t help reviewing it, as i’d waited quite some time. But honestly while I like the first episode in the all in the show proper, quilty pleasures.. I feel this is a WAY better first episode and shoudl’ve been swapped with Quilty, as it introduces things even better and lets the whole cast shine, and thus is one of two close enough episodes on this list.  The episode starts with Emily, the stable but stressed and anxious half our our main couple at the doctors office where we get a great barrage of jokes off the bat, from the laundry setting a blaze leading to one of the series best lines

Naturally this has lead to her body constnatly sleep fighting .. while she’s awake, so Josh, her husband and loveable doofus, offers to take care of errands so she dosen’t implode from the stress. This also displays one of the series best assets: While Josh and Emily are an optimistic and impulsive idiot and a stressed out, often voice of reason.. they actually LOVE each other. It’s like a far more healthy of early seasons homer and marge, where BOTH get in over their head but  both clearly love and respect each other, and while Josh CAN be irresponsible.. he still holds down a decent job (Though Emily is more of the breadwinner and her job provides the insurance), is attentive to their daughter candace, and WANTS to be repsonsible. Trust me after countless dom coms where i’ve had to restrain from yelling “GET A DIVORCE” at the screen, it’s nice the tide is turning and Bob’s Burgers has become more of the norm couple wise than the exception.  But yeah so the main group splits up: Josh takes candace and his best friend and local weirdo played by Jason Mantzokus every series needs, and easily my favoirite character, Alex to do errands while Bridgette, Alex’s ex husband, Emily’s best friend and both the bbay of the bunch and the most irresponsible one.. gets her high to help her relax. 

Both plots are really great: The boys and candace run into a ham shortage, a joke that actually plays better in the pandemic age, and stripper clowns because in the series best gag so far, Alex explains via flashback he bet them they couldn’t make a dog, and one did so.. using his dick. 

Just in case you were wondering if JG was enjoying the fact he could use adult humor now, though another part of the series charm is while it freely makes more adult jokes, it dosen’t ever get into gross or dudebro territory. It just means the censors are down and they don’t have to hide beer as soda anymore. They also have to tangle with some hamburgalers who are reselling the meat at rock bottom prices and creating the shortage.. and who deny being hamburgalers despite their tactics being backing up into houses with a large van and stealing hams. OUr heros avoid becmonig meat and naturally end up both in a car chase and then a bet for their lives in a game of Ladder World, josh’s latest game.  Meanwhile Emily blazes it and we get a great getting high montage, as it shows BRidgette’s idea does genuinely help a bit.. until they run into Timothy, the teacher at cadance’s school who I hope gets an increased roll as he’s always a delight and this is his best apperance. Depsite the understandable awkwarndess and paranoia of running into your kids teacher while high, being an open minded guy Timothy offers them wine and then weed and even takes Emily punching him when her trip takes a bad turn, giving her a stern but fair “bitch use your words!” before the next seen has him helping her through her issues with some solid advice, allowing her to arrive in home just in time to save her husband and the cave goblin who lives in her house from clown strippers and meat gangsters.. which sounds like one hell of a gay porno. All in all a solid, always hilarous, always charming ep that shows the series off at it’s best. 

17. How Santa Stole Christmas! (Ducktales)

“No, no.. Christmas is a SAD story?” 

This is my third and hopefully FINAL time talking about this one, though given it has a high chance of showing up on the series best of list, probably not. Not that I mind, this is a VERY good episode, I just don’t have anytihing new left to say. It’s a heartwarming, fresh, engaging christmas special that uses the characters perfectly and for once actually strips down the cast effectively instead of making you wonder where everyone else is, while still giving everyone an apperance. It also has Webby giving Lena (And Violet) an adorable cheek smooch when delivering her parents and I will never not find that fucking precious. Plus it’s gay as hell with plenty of gay subtext between Scrooge and Santa, a sentence I never thought i’d say but i’m so glad i’ts my job to get to type things like that, and said kiss so that helps. But even besides that it’s just REALLY damn good. Again i’m leaving this short both because i’ve talked about this twice now, once when it came out as I do regularly for ducktales and again for my best christmas specials list, but it’s really that good and made it damn high on my bet christmas specials list and is only so low here.. because despite being a terrible year in every other respect we got some REALLY good episodes this year. So yeah this one’s a classic, I love it but i’m tired of talking about it till at least next december. Moving on. 

16. Finale (E-Turtle Sunshine of the Spotless Mind, Shreddy or Not,  Anatawa Hitorijanai, and Rise) Rise of the Teenage Mutant Ninja Turtles “Oh and Blue your leader now”  As I mentioned in the intro. Rise of the TMNT was unjustly canceled this year and even worse got it’s season order chopped in half and was given just weeks to throw together a finale. So it’s remakrable that not only was the season pretty damn good, having the series usual problems of sometimes overdipping into the boys stupidity hence the episode where everyone but Raph keeps eating poison, but also had both great character arcs in Baron Draxum’s reformation and Splinter getting more and more fleshed out and more screne time, and great laughs. Seriously Clothes Don’t Make The Turtle, aka that episode where our heroes end up trapped in an 80′s dress up montage, BARELY didn’t make the list. 

And as a longtime fan of the franchise I couldn’t be happier this fresh take, which I was aprhensive about at first because it looked like yet another dumbed down teen titans go ripoff, and given it was dumb to begin with... but instead was a fun action comedy with a lot of really unique and intresting ideas. And despite the rush to finish.. they delivered one hell of a finale and on the high chance season 3 dosen’t happen... it’s a hell of a note to go out on.  First things first: yes i’m counting multi parters as one episode. Not more seralized shows like SU Future or Infinity Train, where events can flow in and out, but stories that are clearly one big story, in pieces like the old days. Since hour long episodes of shows are fair game, I felt it only fair that multi parters around the same length as an hourlong special be given the same treatment. Not that any hourlongs made it this year, sorry fans of Obsidian and “Let’s Get Dangerous”, though both are throughly EXCELLENT episodes this was just a tight list. 

Okay good. So yeah the finale, split over four episodes, is an epic: taking plot threads from all season and series and weaving them into a well paced, emotoinal, finale. Like previous more serious episode the comedy’s downplayed.. but it doesen’t feel like an entirley diffrent show and works well, and the always great fluid animation was kicked up to 11 for this one.  So to make a long story short: in this series shredder is a demonic set of armor, but came back wrong at the end of last season when the food clan revivied him, so while the clan now has him back, they can’t really use him. And current head Foot Recurit, a spunky foot recruit whose failed to rank up despite being tough and ambitious and worthy of it, is at a loss how to reviive her master.  The turltes, naturally, end up accidently blundering into the solution as they head into Splinter’s head to find the info to beat Shredder. The show gives splinter easily one of , if not the best, backstories he’s ever had: While at the start the character was highly annoying, being a lazy asshole who didn’t train the boys and did nothing.. the show eventually give us valid reasons WHY he’s like this: he didn’t like being turned into a rat by big bad of season 1 Baron Draxum and thus has depresion over that, had quit fighting since he’d been forced to be a cage fighter by his ex for a while,  his ex being a giant spider just in case you thought this would be remotely normal an forgot what show we were talking about and genrally just had no horse in the tight training he usually does in most continuties. 

This episode adds another, heartbreaking lair: We find out back when he was Hamato Yoshi, Splinter’s mom left to ward off shredder when he was a boy.. and thus never came back and presumibly died. Understandably he had no time for the clan at that point, constantly defying his grandfather.. and why should he have time for them? They took his mom away for a thankless duty sacrificing herself to stop something he had no way of knowing was real, another reason he never trained the boys. And his grandfather rather than be AT all apologetic clearly, via his actions, thought of this as some great honor and was baffled why Yoshi would have no intrest in repeating his mother’s actions or have any sense of honor, duty or even love for a man who as far as he could tell, threw his mom to the wolves and had no regrets about it. So we see Yoshi as both a rebellious teen and as a movie star throwing out his grandpa.. we see those in reverse of course, but the later scenes give context to those showing why Yoshi was so rude.. because he lost his mom and it still hurts him.  HOwever helping her frees the shredder.. but also Karai who bizarely, in this continuity is not only an aincent ancestor of theres but a firm ally instead of either a deadly enemy or a fremeny of sorts. Or Splinter’s dang daughter, one of 2012′s best plot elements.. that was then wasted by turning her into a snek for a while because that show really went off the rails. So it quickly turns from a heartwarming and awkard family reunion.. to our heroes and karai barely escaping with their lives as shredder demolishes the lair, and Draxum, now a good guy after a season’s worth of wonderful chracter development, and Splinter stay behind, with Draxum cleverly bluffing and pretending ot be evil again.. only to try and take out shredder. 

Meanwhile we get this series take on “the turtles going to teh woods to retreat” as Raph beats himself up for being a bad leader and our heroes learn to tap into their hamato nimpo.. which basically means super magic ninja powers which allows them to bring back their classic weapons and enhances their magic, as it was never in teh weapons but in them all along. Also April gets Karai in her, phrasing, and a glowing boost to her bat.  The result.. is one of the best fights of both the year and the franchise PERIOD, which is what got me to catch up to see the finale because I saw a fan video synching it up to “Spin and Burst”.. and while not a naruto fan.. that song is fucking awesome and that video showed off an utterly marvelous fight. See for yourself

Seriously I wasn’t kidding. I’ve been a fan of this franchise since 2003. This is one of the best sequences in it’s history with or without the added soundtrack: The fighting is fast, frentic, beautfully animated and cool to watch and perfectly combines the series humor, with our heroes giving out quips and callbacks at the right times, with it’s fast paced and wonderous action. It also shows how far our heroes have come: while PART of it is them having super mystic powers unlocked.. they both had to work to reach those powers, and spirtually rather than phsycially,in the third part, but each power is merly an upgraded versoin of their old weapon powers, ablities they’ve spent the entire series mastering, paticuarlly leo who went from BARELY being able to work his portals to using teleport spam here. While they did pull a power BOOST out of their ass, it would’ve meant nothing had they not been anymore skileld than when they started and it makes the fight feel rewarding and impactful. And it ends with the hamot clan as a whole, with new ally foot recurit aka cassandra jones ina great last minute reveal that they CLEARLY didn’t have time to build up better, and smoke that bitch. Also Leo’s leader now bye. It’s just a damn good finale and I dind’t even get into all the great character stuff, including the great payoff of Casey’s face turn after seeing just how much of a monster the man she always wanted to serve is, and how he’s hurting Splinter, who ACTUALLY cares about her well being despite being an enemy. It’s just good stuff that fits the franchise like a glove but iwth the series own unique stamp on it. Nuff said. 

15. Toadcatcher (Amphibia)  “Your not upset because you lost the fight, your upset because you lost your friend! Your upset that Anne stood up to you and things between you will never be the same again.”  Amphibia was one of the first shows I covered reguarlly and along with Ducktales one of the most popular.. so yeah it’s weird it not only is low on the list, but this is the only represtintive. But this was a high volume year for quality and while the show had other standout episodes like gravity falls tribute “Wax Museum”, Marcy’s introduction “Marcy at the Gates” and noir patische “Little Frogtown”, as this list already shows it was a really tight race. It dosen’t help that while Season 2 isn’t terrible.. it’s a bit more uneven, and unlike season 1 it’s weaker stretches of episodes weren’t as easily covered, as instead of airing every weekday, it was a weekly release. Which I prefer, as it means they aren’t being dumped out en masse and are given room to breathe and the passage of time feels more warranted when it’s spread out over a few months intead of a few weeks. It just meant the weaker episodes stood out more and drained on me more.. but it also meant the stronger ones were all the more a breath of fresh air. And nowhere was this more apparent as teh worst episode of the season, and series, thus far, Quarallers Pass.. was paired with Toadcatcher, an utterly marvelous episode and followup to ironically the series best so far, Reunion. 

This episode catches us up with Sasha, Anne’s former best friend who tried to kill her in a sword fight, one where the entirety of wartwood including her adopted grandpa was at sake and Sasha knew this and did not care. She then followed it up by letting go when Anne was depseratley holding on, with the help of her new family, to save Sashsa’s life.. and Sasha let go. I discussed the full implications in the review so I will avoid trigggering anyone, and I mean tha tin the medical sense anyone using it ironiclaly or to mock people using it as it’s intended can get fucked, but she clearly didn’t intend to make it, but Grime saved her and spirted her off.  So we catch up with both licking their wounds from the ordeal: Sasha has decided to take the Jasper route of horrible coping mechanisms and is training constnatly, readily kiling dolls of the plantars but still unable to truly hurt Anne, burying her feelings over her guilt and her best friend rightfully turning on her and then trying to save her anyway despite Sasha trying to gut her. Grime.. is binging on the wonderfully terrible teen soap Supscion Island, coming back this january on the cw, that was intorduced last season and generally not carring the king has his best men, women and nonbinary folks out for his head. 

So both issues come to a head as General Yuaan, scourge of the Sand Wars, defeater of Ragnar the Wretched, and the youngest newt to ever achieve the rank of general in the great Newtopian Army, and she’ll never miss a chance to say that, has come for Grime whose in no condition and has no will to fight back. He also finally confronts Sasha when she snaps at him for it, pointing out she’s simply burying the fact that she lost Anne, things won’t be the same, and she won’t deal with it.  The episode adds real depth to grime, going from an intresting but semeingly just evil overlord.. to someone who worked his way out of a fighting pit to be given a thankfless if cushy job by the same people who threw him in in the first place, someone who to my shock at the time.. CARES about his protege. While allowing Sasha in was simply to their mutual advantage at first.. he’s grown to genuinely care about her as his friend and offers to let Yuaan have him so she can be free. but Sasha refuses. Despite her issues.. she CARES about the old toad and together, and using Yaan’s ham against her, they beat her, and decide to rebuild their army... after Grime finishes his soaps of course. Can.. relate. A thorughly good, throughly emotinally episode that dosen’t lack the series humor but does have a depth and rhthym to it that the series has at i’ts best. 

14. Quack Pack! (Ducktales)  Jesus I was so tired when making this I nearly forgot an entry. And shame on me as this was one of the best episodes of an already amazing Season. Season 3 is easily ducktales best and i’ve been proud to cover it. It’s been my most popular feature and while not every episodes been GREAT, only one’s really not been very good, and none have been out and out bad. While it may be the end of the shows run and not without problems, they still have trouble ballancing the adults at times if not nearly as bad as before, to the point Launchpad just sorta vanishes after Let’s Get Dangerous outside of the Christmas Specail that takes place before the season anyway, and Louie is often written VERY badly.. but i’ve talked about these things all season in my reviews.

Point is those faults are overwhelmed by the strengths; The character ballance is better, several side characters have gotten tons of payoff to their arcs and more development, and the main plot is easily the best in the series history: By having essentially one main plot with two focuses, before they merge at the halfway marker, it allows the season to be far more streamlined after the really messy way season 2′s plots were handled. It just shows the show at it’s best and has produced amazing episode after amazing episode and it was really hard to widdle it down to the ones that got selected here and even then one got left out. 

But one boost I haven’t mentioned is their wilingness to take risk. While past seasons had flashback episodes and what not this one, in hindsight, has some of the more risky episodes of the series, ones you really COULDN’T do in seasons 1 and 2: a whole episode flashback to the twins, basically taking our present day kids out for the whole season, an hour long special focusing on what, to fans not familiar with darkwing duck, is simply a very engaging side character and his new sidekick.. and launchpad (The ducks aren’t OUT of the special, but they aren’t the focus and aren’t around for most of the climax). An episode with really dark emotional moments.. which isn’t unsuaul for a disney show, see next time, but for one so close to their chest it was a lot. They were settled in enough to take plenty of risks and it’s paid off. It’s not to community levels of experimentation, but it’s still nice, intresting breaks from the usual adventures. 

And one of the best and boldest of these was Quack Pack. Taking our heroes and plopping them into a TGIF sitcom. Of which this plot not only happened TWICE this year, three times if you count the entirety of beef house, which I do so let’s call it three, but both cartoon examples are on this list. But both tackle it in diffrent and intresting ways so both got on here.  IN this case.. during a stock plot about a family photo, complete with Donald having his Don Cheadle voice back, we get some great parodies of convetions of les.s. good sitcomes nad even some of the greats: there’s the constnat catcphrases (ranging from a sticomy version of Della’s “On the moon”, to Beakly’s “I’m not a spy.. which sh’es understandably inscnesed to find out is her catchphrase) ,and even the wacky neighbor with our lord and savior Goofy showing up in the roll, as a nice nod to the more sitcom side of the Disney Afternoon. We just get a lot of good gags.. until Huey becomes aware, starting to realize things are off, with his guidebook being empty and things just not adding up. We even get a great bit of him being forced to do a disney channel/that 70′s show dance transtion only to react with exesntial horror.  Naturally, given their lives,a  genie did it, Gene, played by Jaleel White in a pefect bit of casting. Having been imprisoned in his lamp since the 90′s. Gene’s a bit behind on how sticoms work, but was just granting a wish, Donald’s wish, which the family figures out by trigggiring a flashback, Goofy VERY MUCH included. where we find out it was, unsuprisngly Donald’s fault.. though in his defense, and in the best line of the episode, when confronted about wishing for a normal life “I wish for that 30 times a day. How was I supposed to know a lamp was under me this time?”

And we find out why and it’s heartbreaking: Donald just wants a normal family, where everyone’s safe and, most tellningly “No one gets lost.”. It’s the climax of a series long HATRED of going on these adventures. For everyone else it’s fun, thriling, good stuff.. to him.. it’s not only a reminder of what cost him 10 years with his sister and his adopted sons their mom for that time, but a reminder of a lot of pain and humilation. To him he just wants the normal life he used to have back, despite that not being an option and his kids to be safe and his sister not to leave again. Granted his refusal to undo the wish is selfish.. but i’ts understandable. And while the rest of them try to break the wish, and end up fighting the horrifying audience it’s GOOFY who gets donald to see all families are diffrent and that there is no normal: just what you make and enjoy. It makes donald realize that as hectic as his life is.. it’s his life, his family.. and maybe. it’s not so bad. After years of denying how much he used to love adventuering.. he realizes part of him stilld oes and no amount of turning against it will fix what he lost... he just has to enjoy NOW. It’s good solid character development for my favioriote member of the cast, and overall a fun, genre spoofing episode that pokes fun at the genre but reallyg ets how it works. 

13. Growing Pains (Steven Universe Future)

“ What do I do? How do I move on from all the stuff I've been through? How do I live life if it always feels like I'm about to die?! “ So yeah big recap of steven’s emotional well being to get into future earlier, but rewinding a bit, this one takes place with our hero at a low point. Not “oh god I comitted murder what am I now oh god” low as we got to earlier and the series itself wold get to later, these lists make time warped and space bendeble, but still pretty damn bad.  As mentioned before Steven tried proposing to connie, not helped by Ruby and Sapphire both being fully on board, as both are hopeless romantics seprate but when combined as a Garnet their shared braincell can get working properly and has settings other than “emotoinal pain, peppy (ruby), a bit distant but kind (Sapphire) and horny”. While it was as beautiful a propsal as you’d expect from Steven.. Connie gently rejected it since you know, he also wanted to be permafused and their not even legal marrying age left. He’s 17.. despite what this episode claims. She’s 15 or 16. They aren’t ready and she knew it not even ruling it out entirely, just saying “not now”.  But as this episode bears out.. Steven really isn’t an emotinal state where he could properly process that way and after shooing her away, even though she WANTED to talk it over and genuiely make sure he was okay as she damn well knew this wasn’t easy on him, but also knew it’d probably be bad to press him while he was clearly in pain. So like everyone else she made the mistake of leaving.  So Steven’s binging on junk food, and bemoaning the fact that even dogcopter is getting married.. also Dogcopter is gay. Given the show he’s a fictional character in, you THINK i’d of been less suprised but you’d be wrong. Point is steven isn’t dealing well and is going pink and with the gems gone for the weekend, and Greg unavaliable due to being busy as a manager, Steven is getting worse and his body is starting to warp. Thanfkully connie comes to check up on him and insits he see a doctor.. and since her mother’s a doctor and thankfully had a cancelation. Unthankfully it turns out, to Prianka’s understandable frustration.. Steven’s never been to a doctor. Which does make sense, Greg taking him in might’ve alreted authorties to his lack of schooling or his injuries from age 13 onward, plus he had no idea of knowing how his body would react to tests. That being said given by this point in the series Gems are well accepted and known around town and everyone loves and adores steven, Greg had no real excuse by this age especially after the second gem war.  And that’s proven by the fact it turns out steven’s body has tons of internal scars which, due to him turning out to have a wolverine style healing factor, mean h’es alive and without brain damage, but still has plenty of internal scars. It’s a godo metaphor for his mental trauma: he came out of his various happenings ALIVE.. but not mentally okay and with PLENTY of ptsd. When Prianka asks him to list his traumas.. he dosen’t even get past season 1 before she’s understandably horrified, though she’s figured out exactly what’s causing his pink mode: as mentioned before his contstant life of danger and having the threat of a fight at any moment over his head for 2 solid years, maybe 3 given the third light game shows he still had a lot of work to do before the movie and future, and honestly still does at times during both, mean his flight or fight response has been shot so the adrenline charged pink form, meant to protect him from danger.. is triggering for EMOTIONAL pain and suffering. 

Steven dosen’t take it well and keeps enlarging when pressed.. and accidently spills the beans about the proposal... and understandably, even if she was FULLY in the right can’t be around Connie: while she had every right to reject him, it dosen’t mean it hurts any less. Sometimes even when you do the absolute right thing.. it can still hurt to be on the receiving end of that. But Connie is still Connie, aka the most emotinally  stable and mature person in the main cast very much including the sentient space rocks who are centuries older than her, so she called Greg who naturally dropped everything because his son needed him. It shows the genuine conflict, one, again that I’ve grappled with: Steven is so obssed with not boterhing those he loves, he fails to see they’ll help him when he needs it without a second thought. So Greg thankfully calms him down and taks over the failed proposal with no judgement or anything just support. Sadly things go downhill from here but it’s a good episode that turns the entire series on it’s head with some damn good character work. 

12. Annhilation of Joy (The Midnight Gospel) 

“Again? How Many times is this guy gonna die?” “Until he learns”  The Midnight Gospel was a plesant suprise. Penndelton Ward’s return to animation after leaving Adventure Time, the show is a collberation between him and podcaster Duncan Trussel. It was a suprise both in how quickly it came together, and in how it’s real nature wasn’t properly expressed in the trailers: while the series does tell us the trippy adventures of Clancy, a 40 something “Spacecaster” who uses an illegal simulator to visit worlds to interview various people.. said interviews are expercts from Trusseul’s own podcast, the Duncan Trussel Family Hour, something this series has badly made me want to listen to. As such while dealing with zombie apocalypses, a quest to avenge a dead lover, being processed as meat and meeting death herself while looking for his hose, Clancy interviews his subjects, including Death herself, and talks on various subjects related to medation and spirutality, throughly fascenating interviews greatly woven into trippy visuals. Hopefully the show will be back for round 2 at some point as both Ward and Trussel are game, but for now the first season stands on it’s own as a throughly trippy, throughly wonderful blend of Trussel’s words and insight and Ward’s boundless imagination.  And the best of these, narrowly beating out the final epsiode which uses an interview with Truseel’s late mother to inform clancy’s own actions, as Clancy’s Mom is dying from cancer same as Trussels tragically did. But I like this one slightly better due to it’s great blend of the subject with the plot. Once again Clancy is ignoring his pain, and his sister’s calls, by diving into the space vagina of his simulator, taking a weird form, and easily my faviorite of his shapeshifted forms of the season: a living rainbow that wouldn’t be out of palce in a pbs kids show, complete with the fact he makes musuical chimes when touched not unlike a children’s toy and has chosen this form to enter the simulator’s jail.  It’s there he gets engagled, literally, with Bob and Jason. Bob is an angry, upset prisoner who chewed his own tounge out years ago, and Jason is his soul bird, a represntation of his pain bound to him by blue rope that Clancy got tangled in. So Clancy is taken along for the ride with them as every time Bob dies, the celestial beings in charge of the prison put him through weird emtional torment, pluck out his heard and weigh it against  a feather plucked from jason. 

Thus while Clancy and Jason have a spirited conversation about Buddishm and about not treaing spirutality like a game with levels and having to earn progress but as an emotinal journey, Bob goes through a buddishm inspried journey of his own, mixed with a bit of edge of tommorow. He dies, gets tourtured then resets.. but slowly learns to empathize, to let go of his anger and violence and help those around him. It’s an utterly mesmering journey to watch this angry green big headed man go from a violet convict who will gladly shoot and stab.. to a pacfisit eager to help those around him. And it’s thorughly convincing and backed wonderfully by the interview and easily a sign of what this weird and unconveintonal series can do at all cyllnders. Seriously Netflix you’ve been on a loosing streak decisionmaking wise. Make. More. Of. This. 

11. Save the Cat (She-Ra and the Princesses of Power) "C'mon Catra. You're not done. Not yet..."

God that image is unsettling. Anywho back to She-Ra, and somehow this is the second time i’ve had to rewind the progress of a season by about an episoide. Weird. Point is saved the cat is one of the most tightly packed and thrilling episodes of the series.. and the crux of Catra’s character arc.  Before this Catra had hit her lowest point, having lost ..j well everything. She pushed everyone from adora, to the nonambigiously a couple trio, to her own best friends away through her shitty behavior and inferoirty complex and somenoe she THOUGHT was her friend.. turned on her for money. Oh and as an added stomp on the tail all that betryal, all the blood spilled in her name.. was for nothing. Horde Prime made her irrelvant: she couldnt’ manipualte him because a combination of a god complex and an army of loyal drones meant he had nothing to hide and eyes everywhere. She had nothing. Eveyrthing she did every sacrifice she made every worse and worse turn she made a s a person... amounted to NOTHING.  So it was at this point she and glimmer, despite you know killing Glimmer’s mother, were forced to work together.. and Catra sacrificed herself both to get Glimmer safe and because for once.. she wanted to do something right. Her self loathing, some of it warranted, a lot of it already there from an abusive childhood, left her with one option: sacrifice herself and HOPE, something good can come of it, Apologize to Adora, hte one person she ever loved and hope she can at least surivive this.  Naturally, Adora having seen her friend/love of her life has not only REALIZED what she become, but sacrifice herself.. isn’t having this, and after an episode of repairs both on the ship and emotinally, our heroes are naturally, despite any personal hangups with her ready to save Catra. Naturally this hits snags. On Bow and Entrapta’s end, they accidently free a horde clone she mistakes for hordak and, having no other real option and with the guy being useful, Wrong Hordak is born! I love me some Wrong Hordak. What a guy, makes you cry, und I did. 

The main issue though is Adora let herslef be captured.. only to find Horde Prime is a sadstic bastard and has not only chipped Catra, but is using her newfound peace of mind to play with adora’s head, using Catra’s heartbreak from the past to manipulate Adora in the present.. and force them to fight because hey he’s a sadistic jackass with a god complex. They make their own fun.  But Adora gets through to her .. only for Prime to decide fuck it and try killing her with Adora BARELY saving her with her power, and Catra, as she fades, wondering why Adora even bothered. And the why is simple.. as a wise fictional version of a wise president once said “Dying is easy young man, living is harder”. Not the last time that quote will be relevant in this top 20 list, but the point, and it was delebrate on Noelle Stevenon’s part, was to subvert this kind of thing> The bad guy gets redemption but then dies seconds later. Instead.. Catra has to LIVE with what she did and make up for it, become a better person and work for redepmtion, instead of just getting to end in some big blaze of glory. But at the same time.. it’s the better route. The harder one sure.. but she gets to have a life and to undo the damage and maybe for once.. actually live instead of just trying to surivive. IT was the right call in a series full of them. 

But yeah the day is saved, our heroes have two new roomates and Catra weakly greats Adora.. but with genuine warmth for the first time in .. years I guess? I don’t know this series time span. Point is the healing and the ship tease for our finale can begin and this episode is a tense, well put together masterwork. The pacing really is what put it up this far, as it really ratchets up the tension, and being the last season, meant there was no guarantee anyone, including catra, was going to make it. Excellent stuff all around. 

So that’s where we leave off for now. i’ll be PUTTING PART 2 HERE WITH A LINK. once i’ts finished For now watch this space and..

#best of 2020 #2020 #best of list #Steven Universe #Steven Universe Future #She Ra and the Princesses of Power #rise of the teenage mutant ninja turtles #save rottmnt #ducktales #amphibia #the midnight gospel

[popculturebuffet]

The Three Caballeros Movie Review: Rejoice Now Donald’s Been Laid (Commission)

It’s time at long last we talked about those three happy chappies in snappy serapes. Who say so? @weirdkev27​ say so! He’s planning on funding an ENTIRE retrospective on the boys, so in addition to my Tom Lucitor Retrospective (Expect that to return very soon as one of the episodes in it is time sensitive), Road to Just Us Justice Ducks, and look at “The Life and Times of Scrooge McDuck”. I’m proud to announce a new recurring feature on this blog “The Ride of the Three Caballeros!”, a look back at these birds of a feather who flock together and their wild and wonderful history cumulating in “The Legend of The Three Caballeros”.  Honestly I thank Kev for the idea as it’s a damn good one. Ever since seeing them on House of Mouse, which I both really need to cover and Disney needs to add already as we’re a year into Disney plus already, I’ve loved Jose and Panchito, and reading barks story years ago, and again recently, gave me a lasting love of these goofs. They have great snappy designs are the rare pre-ducktales 2017 non duck bird character, and have wonderful personalities. There’s nothing not to love and thus nothing not to love about covering their adventures. So i’m excited for this and not just for the much needed christmas money.  Naturally we’re starting the adventure here with the founding of the trio, though Kev, for now he could change his mind, choose to start with this movie instead of it’s predecessor Saludos Amigos,  on this date for two reasons. The first is it’s Friday the 13th, which besides being the basis for an utter classic of a Hey Arnold episode

Which yes for those unfamiliar with Hey Arnold features Arnold dealing with a spell of bad luck, some bullies and his grandmother dressing up wlike a black cat to rescue black cats, which is sweet.. and training them into her horrifying army of the damned, which is somehow still sweet as it is awesome.  It’s also the day this guy barges into my house thinking it’s camp crystal lake

I swear to gods Jason GET A FUCKING PHONE WITH GPS. We are not clearly not teenagers. And he’s always so embarrassed and the stab wounds always take so long at the hospital to treat. It’s just a mess.  But it’s also, according to this film Donald’s BIrthday! This was during an earlier point in his career, that will be important in a bit, so Disney hadn’t yet settled on their tradition of having their characters birthday’s being the same date as their first appearance. For the record that would make Donald and Della’s current birthday June 7th. I did a special on Donald Duck shorts for it this year. Not sure what i’ll do the next. We will see. And for fun and my own curiosity I looked up the birthdates of some of the other Ducktales castmembers as well as my boys here They are: 

Jose: August 24th (World Premier of Saludos Amigos)  Panchito: December 21st (The Mexico City Premiere Date for this very movie) Scrooge: November 14th (Thank you INducks seriously it’s a massive help with this.  Daisy: June 7th (Debut of Mr. Duck Steps out) Huey, Dewey and Louie: October 17th (First appearance in Donald’s Newspaper Strip) Webby, Beakley and Launchpad: September 18th, thanks to launchpad’s driver’s license as well as all three characters debuting in the opening arc. Though to separate them i’d likely  try to find different dates for both. For now i’m going with October 12th for Mrs. Beakly (The airing date for the Ducktales 87 ep maid of myth) and October 29th for Webby (the airing date for another 87 episode, this one about webby and a horse).  Gladstone: August 15th, as while it was released in january there is no firm release date for it. Plus a summer birthday fits him better anyways. Thank you Inducks for that.  Magica:  September 28th, finally a firm publication date. While there’s a creation date unlike Gladstone I see no need to use it.  Darkwing Duck/Drake Mallard: September 6th GLOMGOLD: July 26th Was that entirely necessary? No Would I do it again.. absolutely. It also means I really need to do something for Scrooge’s Birthday in two days. But that’s future me’s problem. Current day me has his own problems specifically a movie review to continue.  The films genesis was a in a good will tour Disney did in South America, as part of America’s Good Neighbor Policy. FDR started it in order to try and strengthen ties between Latin America and North America, to prevent any sort of war with our close neighbors and to foster good economic ties between both as well as integrate Latin culture into americans lives to make them care about those countries more. And given it was started as HItler’s rise to power grew, and America knew they’d inevitably be dragged into World War II, and thus wanted to put the kibosh on several Latin American’s Nazi Ties. So in exchange for Money, since Disney was struggling due to overextending itself and the big animator’s strike at the time, The US sent Walt and some of his animatiors to South America, where MIckey Donald and Goofy were big and to make a film based there. Hence we got Saludos Amigos which is .. kind of forgettable to be honest, though the Gaucho Goofy segment is fantastic as the “How to” shorts with goofy around the time usually were. But the film gave us Jose, hence why Donald and him are familiar with each other here, and was a moderate success. This lead to the Goverment, who’d already contracted a bunch of propaganda, one of which I covered in my Donald Duck Shorts Birthday Marathon because it contained prototypes for Gladstone and Scrooge, so another feature for South America was a win win: The US got another way to strengthen ties between the Americas, and Disney got a film they could put out during said war to lift spirits, as well as on that would likely be a hit in South America due to them not being under wartime money crunch or the misery of having a war looming overhead. As a side note. I found out after looking at the wikpiedia article on The Good Neighbor Program.. it eventually and sadly collapsed as the US post WWII shifted to the Cold War and thus threw away non interference if it meant beating the Russians. Classy.  So yeah.. this film and i’ts predecessor are technically propaganda pictures. There was also another disney full length propoganda picture about fighter jets, I only learned about this thanks to the slashfilm article I found on the movie that told me a lot of this in the first place. It’s not avaliable but it should be.. though at the very least unlike say House of Mouse, Wander Over Yonder, Penn Zero: Part Time Hero, American Dragon Jake Long, The Weekenders, Pepper Anne and MANY more, it’s absence from Disney + makes sense. And I will continue to bitch about this till Disney actually starts adding more legacy animated shows, or at least makes a few of it’s own, though I will concede reviving the Mickey Mouse shorts that Disney Channel started up is a VERY good first step and i’m sure What If and Proud Family: Louder and Prouder will be fine. I just want more animation content on the streaming platform of one of the biggest animation studios in the world with one of the most storied histories. I’m REALLY not asking a lot. 

That bit of bitching aside I will give Disney+ credit where it’s due. The service offers MOST of the Disney vault for a very reasonable price a month, in crisp HD, and thus allows someone like me, who hasn’t really dived into the disney vault and slept on watching three cabs despite borrowing it from some friends, to dive into beautiful animation like this any time. It also allows me to explore disney’s older films, the ones I want to anyway, at my leisure and it’s a REALLY nice feeling. It’s also nice to have all the various animated shows in nice clean copies. So while there are sizeable gaps in the library, many of which as highlighted above have no reason for not being there and some like Song of the South have DAMN GOOD reason for never being there, I still apricate the service for being a vast, glorious digital library of Disney content as well as stuff they’ve acquired like the marvel show library, and this review would not have been as easy to do without it. So with my opinions on D+ and the exposition for WHY this exists out of the way, as I couldn’t find much else on this flim’s background, join me after the read more for a full review of the film! Who says so? I says so! 

We open with.. the Disney+ content warning again. In my review of the last part of “Catch as Cash Can” I went on about how much I apricated it and it stands: while i’m not blind that it’s a blanket statement to cover disney’s rears, it’s still apricated for them to care enough to force the content warning on the viewer. Given how bad they usually are at falling on the right side of history, this is very admirable. Though thankfully this film isn’t as offensive as the last content warning I got for the last part of “Catch as Cash can” aka “Watch registered White Guy Hamilton Camp play a bad indian sterotype for 22 minutes while my soul slowly dies”. Here there are bits, which i’ll get to now to save me the trouble later: The Littlest Gaucho’s side characters are all drawn pretty carcturish and a bit cringe inducing. The other is of course Panchito our Mexican representative.. who wears a sombrero and shoots two pistols around. And there’s just a tinge of white man going ot another country to get laid with the way Donald behaves throughout the picture. Basically little touches here and there but nothing that spoils the picture overall or makes whole scenes unwatchable. Still worth having the warning up, but not worth getting too worked up over.  So onto the film itself and as mentioned i’ts Donald’s birthday! And I will say the film has lots of great little gags here and there.. I won’t be pointing all of them out because this film was 70 minutes long but their very charming. HIs first gift is a projector and screen.. which he naturally has to fight to get working and which first projects on his ass, already a good start. And a general thought I like is how receptive Donald is to soaking in another culture. He just seems joyusly enthralled by the various films, gifts and places his friends bring him.. 

But again we’ll get to that. Point is it’s very nice to see Disney portay learning about another culture so positively and with such a hot head as donald. Even if i’ts in part to appease the US Goverment, ther’es a genuine feeling that they truly fell in love with these countries and aren’t JUST shilling them because it’s in their contract, but because they genuinelly liked it there.  So with that we get to our first segment. See the film is one of Disney’s Package films, anthology films taking a bunch of short segments and pasting them together, but here it’s framed through the narrative of DOnald’s birthday, so there is KIND of a plot.. but it’s mostly an excuse for musical numbers, short films, and more musical numbers.

Dammit Elmo, we will get to it! So naturally i’l lbe dividing up this review into various pieces. First up...

1. The Cold Blooded Penguin: Life of Pablo, The Good Version This is a brief but endearing short about a Penguin named Pablo who dosen’t like cold weather, can relate, and wants to move to some tropical paradise, again can relate. It’s BARELY related to the theme of hte movie, celebrating Central and South America, but it’s so damn charming I can’t help but love it. And Pablo is so damn adorable, as are his friends. I mean look at him. 

He’s just so precious and you just want him to finally get to his paradise with the help of his friend, his boiler there smokey joe, and root for him as his farewell party dwindles from a bunch of penguins to just bob and gary here. 

I may love Gary, the tall one, more than I love Pablo honestly> His sad eyes or the way he’s the ONLY one who sticks it out to the end, seeing Pablo off at last. Pablo’s first attempts, going without his boiler, which just ends iwth him freezing and attempting to carry smokey joe on his back both fail, he eventually decides to go with a boat and cleverly simply saws the ice berg he’s on so it’ll drift with his house and possessions, and has Gary hit it with a bottle both to christen it and to send it flying. Plus having bags on the bags on my eyes myself, I can relate to their tired expressions. As can we all after this year. Just a month and a half and it’s finally blessedly over. 

Pablo makes his way through, finally finding his island only to nearly have his iceberg melt before he gets there. But he persevers and gets his paradise, even adorably eating a banana> Though it ends on a mealoncholy yet still funny note of Pablo missing home even though he has a pet turtle/butler now. Man I want one of those.  One final note is that the short is narrated greatly by Sterling Holloway.. aka the future WInnie The Pooh using that exact voice which while a little weird in hindsight, just makes the short that more adorable if you imagine Pooh is reading a story to you. Just a really damn cute short with some good and intentive gags, and penguins. I mean i’ll be honest I have a soft spot in my hart for those tudeoxed boys thanks to the comic strip BLoom County and it’s lead character Opus taking up a LOT of real estate in my heart and brain. Here’s a few samples of him just so you get why.  

Just a sweetheart. Though his honker would grow exponenitally with time. And once get grabbed by a card carrying MAGA asshole. But I can talk about my boy here and this strip again another day. Point is I may love pengies but even that aside this is a good short and a good way to start things off. Sadlly the pacing then lops out a bit as the next two bits aren’t QUITE as entertaining. 

2. Birds Birds Birds: Of Arcuan BIrds and Toucan Sex Donald then watches a film on birds, and i’ts basically just a bunch of short funny gags with various tropical birds. There are a FEW notable bit sin the short, and I will get to them now, but otherwise it’s just okay.. not great but not exactly memorable. I honestly forgot there was anything BUT the Arcuan bird in this bit. Speaking of which A) The Arcuan Bird, a hyperactive pink little guy who makes a little “yatatata” noise, and boops donald a bit and later shows up in the film to steal Jose’s Cigar. Easily the most entertaining part of this section and there’s a reason why he became a massive fan faviorite, as well as got a more expanded roll in Legend of the Three Cablleros. He’d also apparently later return for another Package Film. What a bird.  B) There’s a bit with Toucans, which I remember because I freaking love Toucans, the big colorful beaks look neat contrasted with their black and white bodies and they seem friendly and the one fictional one besides Toucan Sam I can rmemeber is Tuca of Tuca and Bertie. Nuff said. And because they mention the Tucan’s making love. First off this is how a Tucan makes love. 

And secondly, clealry the term has evolved considerably, but it’s still chuckle inducing to have that term in a disney movie, especially since it makes me think of a number of things most notably this. 

Which, fun fact, is the song that will likely be sung when Donald and Daisy finally have sex in the Ducktales Reboot. Della didn’t buy those choir robes for nothing. Though the joke here is simply that they can’t kiss because they have big noses. GET IT. Though I have seen incompatable noses end marriages. 

See I told you his honker got bigger. Okay onto the 3rd thing from this bit. 

C) The Flamingos, who retract into themselves while Donald adorably copies. What a boy. With that I can move on from this segement thankfully and onto... an even worse one!.. wait... 

3. The Littlest Gaucho: The Boring One  This one’s a leftover from Saludos Amigos, likely because that one already had a Gaucho Bit with goofy and because it’s not very good. But Disney was strapped for cash so use everything you got. And yes I advocated for using everything in my review of life and times part 1.. but that’s more for a shared universe and left “Oh hey I found this short in our garbage let’s put it in another movie to save money” way. I appreciate being cheap, I myself am unemployed and right now these reviews are my source of income, but you could’ve just you know.. let the film be shorter? You didn’t have to waste animation leading inito this bit.  This one is the story of a young boy, as narrated by his older self who can somehow see through the veil of time and yell at his younger self. How? 

But it dosen’t really help the story as i’ve seen far better interactive narrators and ones clearly editing history. Especially since, despite ending on a VERY sour note, How I Met Your Mother was a pro at this. It’s not the film’s fault, but even back int he 40′s I swear they could do this better. 

It’s the simple story of the little Gaucho finding a flying Donkey, befriending him, and then entering him in a jockey race which they win. There’s one or two good gags here, but it dosen’t have the cutness of the previous segments and only one or two good gags. It just feels like filler and if I watch the film again, which I probably will, I will fast forward past this. Thankfully after this we finally get a break. 

4. A Song For Bahia: They call him JOSEEEEEEEEE.. and he’s Donald

Jose enters! Donald’s next gift is a book from Brazil that’s smoking..mostly because so’s Jose. The two friends reunite, with Jose in a story book asking Donald about , what I assume is Jose’s home state of Bahia, one of Brazil’s 20 states and spelled Baia in this movie for some reason.  We then get an absolutely beautiful sequence of Jose’s voice actor singing about Bahia and showing off how beautiful the country is through gorgeous animation. It’s a really marvelous segment and really pretty to look at. And once that segment’s done the film starts to pick up in energy, though unlike the Gaucho segment, the Bahia song is actually good. 

5.  Os Quindins de Yayá: The Sleeper Has Awakened.. and by the sleeper I mean Donald’s Penis.  There’s a few bits here. We start with the wonderful song, “Have You Ever Been to Bahia?”.. which is almost entirely Jose asking that to donald who says no, with some fun mindscrewy animation.. the film has not BEGUN to mindscrew, but we’ll get to that. 

Also for this segment Jose apparently has Jamie Madrox powers.. or he’s from Cragg.. either way, Donald hasn’t been to Baia so let’s go. The boys take a train, the Arucan messes things up again, etc etc and soon their in Baia where two major aspects of the film show up: Blending Live action with animation, and Donald being really horny. It’s not to a creepy degree outside of one segment, we’ll get there, but Donald being really into live action women is a major part of three segments of this film. If your wondering while Daisy had debuted, she wasn’t the ETCHED IN STONE, presence she’d become for Donald. Which I don’t have a problem with, I love them in Ducktales 2017, their one of the few tolerable aspects of the quack pack’s i’ve watched, and they were great in House of Mouse. I”m just saying some works don’t really have her around in them (Donald’s spy and papernik adventures), while other more charming and eligible women are, while others have her as outright abusive (Legend of the Three Caballeros). I’m not against Donsy when done properly, again huge fan of the Ducktales 2017 version of the couple, I just dont’ think it has to be mandatory. The fact the Italian comics made Donald a fairly likeable alien queen as a love interest proves it. 

But yeah here Donald’s thirsty as fuck, can relate, and thus we get our next musical number.. and that blend of live action and animation. I will admit, especially on second viewing.. it’s pretty obvious their mostly using a green screened animated backdrop with the charcters on it. The other segments are much more integrated. That being said.. i’m perfectly fine with it, as Disney was on a really low budget, only able to get financing for package films like this since their main financer wouldn’t given them money for anything but shorts, so it was a workaround, not to mention having a mass talent exodus over the strike and World Fucking War II to contend with. So cheeping out on ONE segment in a large film, and STILL having it come out good is fine just fine. And it truly does, the segment centers around Yaya, a cookie seller and the object of Donald’s affections, though he gets mad when a guitar man slips in and woos her instead for a bit before eventually leaving her alone, with Donald getting a kiss. But while parts of that clearly haven’t aged well, it’s an utterly joyous and fun musical number in an already fun musical, and Aurora Miranda who plays Yaya, and is sister of Carmen Miranda something Disney actually put in promotional materials.... come to think of it I didn’t watch the trailer.. I’ll get to it in a moment. Point is, Miranda is very talented and it’s  VERY fun number. Have a listen since the sequence itself is WAY to long to put video of up on youtube. 

And having watched the trailer during that music break, it’s not bad, I expected more cringe. The most I got was them calling the women “latin american lovlies” which.. seems.. wrong. But with the romance of Bahia setting and Donald dragged out by Jose, we can get into our next segement as, over halfway in, we finally get our third Cabllero 

6. The Three Cablleros: Who Say So? We Say So!

HERE COMES THE PANCHITO Ladies and Gentleman and Others! HERE COMES THE PANCHITO! the moment you’ve been waiting for! HERE COMES THE PANCHITO! the pride of Mexico! HERE COMES PANCHITO! Panchito Pistoles! 

When then meet Panchito who joyfully shoots guns around, because stereotype but thankfully he’s also joyful, jubilant and likeable much like his pal Jose. Panchito’s just a thoughtly likeable character and next to his smooth talking pal, it’s easy to see why the two became huge fan favorites. And thus we get our title track. 

IT’s a beautiful, fun segment, that while some portions, such as Panchito’s yelling or “some Latin baby’ haven’t aged particularly well, is still a fun colorful number with amazing music and great gags, that utterly sells our boys camaraderie. I have no notes, ten out of ten flawless classic number. Who Say So? I SAY SO! Also given both boys kiss Donald at some point.. yeah these boys are bi as fuck and damn i’ts awesome. 

7. Mexico: Bored Again, Naturally.  Donald then gets a pinata and we get a short story about a bunch of kids going around to places only to be told “no shelter no posada”. Like the Gauchito bit.. it’s pretty boring and nonconesquential and only gets a leg up due to being far shorter and a little adorable versus not really as adorable as the segement thinks it is. The kids end up at a party with a pinata. We do get a fun sequence after this nothing of a story of Donald batting a pinata around while the boys mess with him a bit. It’s fun stuff.  Out of the PInata we get another storybook, and another slow segement of Panchito singing about mexico which is a less fluidly animated, and thus far less entertaining, version of the Bahia song.. diffrent song, same premise of a bird melodically and beautifully singing about his home land, but less engaging because it’s just still images. I get they were low on budget but while I can forigve that for the Yaya sequence.. this one.. I just can’t as they not only already did this, but did it less good the second time around. The song is lovely though, and I do miss a time in our culture when we looked at Mexico with fondness and didn’t have a FAR too large portion of our population think anyone from there should go back where they came when they come to our brave country to find shelter, aslym and opportunity just because they didn’t go through “proper channels’ even though that’s difficult. WHat i’m saying is fuck our immigration policy for the last 4 years, and bless the president-elect for planning to fix that ASAP. I felt it was worth mentioning in a review ABOUT a Mexican character who, in the reboot, is an immigrant to America. 

8. Everybody Dance: Another fun number. 

We’re onto Mexico and it’s time for another musical number

So our heroes dance, Donald hits on some more women.. stuff we’ve seen before but it’s still a fun beautiful song and unlike the last bit while the animation has clearly aged enough to be more obvious, it still looks great next to the various live action dancers and blends real well. A fun time that gives us more great music and another reminder from donald that...

I mean I get being thirsty as shit, again can relate.. but the next segment takes it from Donald and the Boys being kinda horny to. 

9. The Beach: Donald Gets Creeptacular

Yeah this bit is .. less endearing. The boys fly the serape over to a beach, and divebomb the girls, which isn’t a sex act.. that i’m aware of. But yeah chasing around several women, and donald leaving the Serape to chase them around old beach movie/benie hill/trying my patience style. It’s cringe is what i’m saying as a man literally chasing a woman around is considered flirtitng here and that’s all kinds of EUGGGGHHHH. The previous segments had Donald be kind of respectful in his woman chasing: while he was pretty horny, he also tipped his hat, flirted a bit, asked to dance you know, normal shit.. not decided “let’s chase them with a serape that will turn them on!’ jesus.. yeah not much to say here either just.. really creepy. But we have not reached peak horny donald yet.. oh no. 

10. Donald’s Surreal Revere: WHAT EXACTLY THE FUCK. 

Dora Luz appears in the sky of Mexico after the boys exit the book and flip to Mexico’s night life... just go with hit and Donald swoons over her before joining her int he book and after getting a kiss from her and swooning over her.. has an acid trip. I .. I don’t know how else to describe Donald’s surreal reverie. It’s clear Walt just told the animators do whatever. I will TRY to describe this sequence as best I can, but I make no promises except what I describe is exactly what happened, see for yourself.

Okay so after Dora’s magical floating kisses, just go with it, kiss donald he explodes, in a rocket blast clearly symbolizing his errection, then becomes a neon sign and a hummingbird, just go with it, tries to kiss Dora’s image appearing on a flower, then Jose and Panchito BURST out of the flower with tiny chipmunk voices and gun violence, a SCREAMING TECHNICOLOR TRANSTION, dora singing the song in the middle of a flower again , donald making out with the flower but it turning out ot be panchito with a giraffe neck saying “Some fun eh kid?”, donald falling through a sea of ladies, donald chasing the ladies on a serape. Donald’s disembodied head looking at the ladies before bursting out of the picture to chase them GOOD GOD DID WE NEED MORE OF THAT?! The boys ending up on female bodies and them some sort of horse abomination. Then we get into what must of inspiried a young david Lynch as donald kisses the flower agian, then ends up in one as they replay a creepy whispery recording of either Jose or Panchito saying pretty girls while we see still images of the girls from the beach. Hummingbird Flower Donald then has a romantic duet with a lady because WHY NOT at this point, then multiple donalds before he spins away. We get one last number with donald dancing with living cacti that turn into mini donald’s that’s slightly more sane and finally this bit is done. IN conclusion. 

I just.. I have no words. The giant mess of text up there should explain it and I purposfully didn’t divy it up as i’ve been trying to do more often, as it deserves to be one long string of nonsense. I just.. it’s beautiful to look at but what the hell was that. Is this going to happen every time Donald and Daisy have sex? Is this what Donald’s brain is like all the time? Did Panchito inject him with pure liquid acid?

So yeah we thankfully conclude the film after that with 

14. The Wrap UP The boys horse around with a bull and then heartwarmingly watch fireworks together.. there isn’t much to add it’s jsut fun to watch and a nice pallete cleanser after loosing my sanity. Isn’t that right keith david?

You always say that! So...

Final Thoughts: I’ve made my thoughts on the various segments clear, but what of the film as a whole? As a whole.. it’s pretty fun. Is it the best film Disney’s Produced? probably not. But it’s a fun, brisk 70 minutes, hampered by a few slow spots and some weird horny bits, and various segments feel like an acid trip despite having never taken acid. But our boys easlly anchor the surreality and thirst and all three have great chemistry both comedically, friendship wise and romantically. It’s also very easy to see why this film and it’s cablleros got big in Mexico and Brazil as the film seems like a love letter to both, and is fairly respectful. WHich for the time, sex tourism aside, is pretty damn inspried. So yeah in conclusion, this is a really fun memorable film, it was even better on a second watch and it’s an enjoyable colorful reminder of Disney’s package film era, which I might dig into a bit.. I just may have to borrow a copy of make mine music.. guess what just got added to my list of “why the fuck isn’t this on disney plussss?” 

Regardless this was a fun review and auspcious start to the ride of the Cablleros. if you’d like to comission your own movie or tv review, hit up my ask box or submit box or shoot me an ask to get my discord. You can also join my patreon, patreon.com/popculturebuffet, Until then you can check this space for the various ongoing series mentioned and regular Ducktales coverage every monday. Until then, Adios, with a christmas message from my personal fourth Cabllero

#the three caballeros #donald duck #panchito pistoles #jose carioca #bahia #mexico #donsy #opus the penguin #bloom county #ducktales #aurora miranda #disney #disney plus #disney + #disney+ #comissions #ride of the three cablleros

[popculturebuffet]

Jingle Belle: A Very Special Jingle Belle Special or A goofy holiday comic and a long tired rant about the animation industry

Ho ho ho and merry Christmas as we reach the final stretch of Christmas reviews and it’s all Christmas all the time for the rest of the week for obvious reasons. So we’re starting off by wrapping up Jingle Belle for the season with one more comission. While it’s from my usual client, It’s via patreon as for 5 bucks a month you can get a review a month of your choice. But since that hasn’t taken hold just yet, and won’t till next month, he asked to swap it for this month and here we are.  Not much to cover though this is the very comic where Jing hopped publishers from Oni Press to Dark Horse. The whys I genuinely do not know and at the time, I just know it’s weird to talk about Dark Horse these days. Their not dead nor entirely irrelvant, Resident Alien, which I really want to check out as it has a really engaging premise, is getting a tv show that I also want to check out as while i’m not sure if it’ll be good, it’s still Alan Tudyk playing an alien who can barely pass for human and it hilariously shows. Whenever that streams i’m not missing a second of that and we all know it. And Umbrella Academy, started during bigger days for the company, is one of netflix’s hottest shows and one of many shows on my to do list I haven’t gotten to because I procastinate like no one else and as taking an entire month to get to the newest loud house shows to the point another one popped up, it bites me in the ass a lot. Point is their not GONE in relevance.. but at the same time they’ve lost the huge tide of liscences they road in on. Except for the Joss Whedon stuff, Marvel’s pretty much taken EVERYTHING from them via various deals: Star Wars, Conan and now Alien. Their still standing and makes good art books and clearly given Resident Alien good content, they’ve lasted this long their not going anywhere, it’s just really weird to think about. I will however give them huge credit for giving out tons of comics in early quarantine, and being easily the most generous company next to marvel. I.e. one of the few that actually gave out full collections. 

But yeah at the time this was probably a safe move as Dark Horse had a love of one shots and likely a larger budget. Hence why from here on out the stories are in living color, and have a slightly diffrent art style to boot. Granted the character would shift artists but now it’s got a clear more cartoony art style I like a lot better courtsey of Jose Garabaldi. So yeah with christmas on our heels, let’s ring a ding jing, it’s A Very Special Jingle Belle Special. 

We won’t be covering the backup for this one though it is quite good, it’s just not what kev asked or paid for. 

We open on a parade!

While batman foils the joker’s poisioning scheme, Santa rides on a float proudly and   Jing is hanging out on the back grumpy. It’s a great introduction for new readers showing Santa being big and jolly and what you expect while Jing grumps in the back with a “Sheesh, Daddy”. That’s how you establish a character well in only a few panels. IT’s really great is what i’m saying. Some teens pop up but don’t belivie her about being Santa’s daughter and when going to a christmas shop to try and find figures of her, the owner claims he dosen’t.. and well violence insues. You’ve met jing right?  Anyways Jing is understandably a wee bit absolutely livid the world dosen’t know about her. Her parents sure but her? Nope. And it’s easy to see why: She’s the daughter of the world’s most famous man.. but despite all the holiday lore and junk she’s just the part he likes to hide from people.. or that’s how it feels. While he ducks it, she even gives him a nice save fatty it’s clear that even if she brought it up to rile him a bit.. she does feel on some level like he likes to tuck her away and hide her because he’s ashamed and because she’s not perfect. Granted she does act out and stuff, but she’s still his kid and i’ts still gotta sting. Though she has the perfect idea to fix this: A christmas special. Santa suggests just doing good deeds but Jing is right: her idea is better. Mostly because, as cyncial as this is.. more people are going to pay attention to a good holiday special than a celebrity’s kid doing charity and for far longer. A good christmas special just sticks in the brain and sticks with you forever. It’s why Santa Claus is Coming to Town and A Charlie Brown Christmas have lasted decades or why my list of best chirstmas specials is pretty weighty. They just stick with you so while this can’t possibly end well.. her plan is actually a really good one this time. 

So Jing takes her friends off the line to help her animate it, stop motion styles and they remind her of her LAST christmas special. 

I mean I’m a sucker for any refrence to Star Wars Holiday Special. You’d think after several decades of jokes at it’s expense, with tons of youtubers, many of whom are dead to me but that’s besides the point, tackling the thing without it getting stale, that we’d eventually grow tired of mocking it but .. no. It’s a bottomless well of what they were thinking. The only question left is why isn’t it on Disney Plus.. I mean.. you made a second one as an affectionate parody and in lego. Kids are going to know about this now. Just put the thing up. Even edited down or just some clips. You put Rise of Skywalker up there, you’ve proven your threshold for shame when it comes to this franchise is vast. Just person up and do it.  But Jing’s learned her lesson.. stop motion only and to follow the bouncing formula to sucess. So in the special which sadly isn’t all stop motion and is just drawn to resemble the specials, probably for the best but still, Jing and her animal pals are sneaking into a town where christmas was banned! Meeting the chirstmas legion of doom.. well okay that’s what i’m calling them. Burgermeister Budweiser! Bungle the Abominable Snow Monster! Frost Master and Heat BLister! The Frost Fakir.. wait the what?

........

I mean where do I even begin? I know this was during the war on terror, I know that.. but still I expect better from Paul Dini for a crosses the line twice joke than “hey let’s just make bin laden into an ice wizard!”. I mean South Park made fun of him too, but they went all out with a looney tunes homage. Put effort in. And even years after he died the lonely island did this beautiful thing in the film pop star: never stop stoppin, which you should watch seriously watch it it’s underated. 

Point is you can do better and if you don’t have room to do better then just.. don’t. You could’ve put in a t-rex in a top hat and monocle.  That would’ve genuinely been better... because it’s better than everything ever btu that’s besides the point. There’s also one last addition to the rogue’s gallery thank god. 

He hates her too. Now that gag is actually reallyf ucking funny. What’s also funny is how she solves things. By singing a nice and frinedly song about friendship to reform the villians.. or rather lure them over a bridge to get eaten by her orca friend. 

So Jing after showing it to her dad heads to market it with him trying to warn her netoworks haven’t aired this kind of thing in years. But she faces the greatest threat to all of television: network executives, who keep offering advices and basically change the thing all together for stupid reasons and think cartoons should only be for kids despite it wokring in the past. Aka the hells animators STILL go through. I think Paul was projecting just a wee bit with this one. Given again IT HASN’T CHANGED since then, I can’t blame him. Seriously Harvey Beaks was canceled, among MANY ohter nick shows including rise of the tmnt just because it wasn’t an instant hit, Cartoon Network and warner keep trying to make dumbed down remakes of great shows, and Disney, among other networks, is fairly homophobic and while finally allowing some gay on the network this year had to be fought and outright refused it on ducktales for no adquate reason, caring more about monney and the bible belt than doing the right thing. So yeah as you can tell this bit got to me a bit and was hard to read because it. hasn’t. changed. 16 years and not a lot has changed other than more women are getting a chance. And granted the “kids are our only audiencce argument” isn’t as strong and several shows are powered by other demographics it’s still an issue and still the reason several good shows have gotten the boot and why the jeph loeb era of marvel animation was terrible. Because guys like him thought it should JUST be for kids and the lowest common demoninator of htem. You can be clever and be for kids dammit. 

I apologize slightly for that it’s just something that’s been on my mind as shows dwindle and with ducktales gone the standard forbearaers for children’s animation are all pretty fresh faced. It’s just a lot to take in and i’ts been on my mind a lot. 

Back to the actual story the result is a pretty purtrid cutesy special.. Jing reacts how you’d expect, destroying the tapes covertly with a herd of musk ox and destroying the tape. But they find the 70′s special and we end on that which is pretty funny. The only thing I really don’t like here is the ending. The rest of this special is really good: it’s clever , has some good satire and some really funny jokes especially that hook one. The ending just feels a bit weak.. like yes Jing wanted to be noticed but it’s not really an unsympathetic motive and while she does some shady stuff the villians still basically win by airing her terrible holiday special all over again. It’s just not satisfying.  But yeah overall another pretty decent holiday comic with some good jokes. I”ll probably see Jing again next year, and it was fun getting to dip into these comics. THeir not my faviorites, but their still pretty decent and if the complete collection ends up on sale on comixology or you see it in a bookstore and you think it’d be up your ally i’d buy it. Again not my faviorite thing ever, but still enjoyable enough. Coming up this week of holiday cheer: ducks, more ducks, superheroes, and a best of list. 

Until next time: Courage. 

#animation #comics #reviews #jingle belle #paul dini #christmas #santa claus #dark horse comics

[jewelridersarchive]

She-ra & Reboot Culture

Why do we love seeing new versions of the same thing? Is it simple nostalgia? Is it the desire to engage with some sort of content that once moved us in a new and different way? Is it new creators wanting to stamp something they loved from their own childhood with their mark? Or is it all of the above?

I’m not immune to loving reboots. I devoured the new DuckTales on Disney XD, I’m reading the new Rainbow Brite comics from Dynamite, I’m watching the new iteration of Will & Grace, and continue to watch My Little Pony: Friendship is Magic. Reboots are fun; they not only allow fans who loved something to have a nostalgia party, but also allow potential new fans entry points into what sometimes appears to be never-ending streams of content (I’m looking at you, Transformers). But things seem out of hand when even ReBoot, the mid-90s CGI cartoon, has a reboot on Netflix (ReBoot: The Guardian Code). Have reboots become the “safe,” risk-averse way companies can cash in on portfolio properties that already have known fanbases? It’s the equivalent of an artist only drawing fanart because they know it will get thousands of likes versus hundreds on original content.

And I fully admit some level of fatigue with franchises that just keep chugging along, seemingly forever. Every movie that comes out seems to want to be a tentpole franchise builder. Or a reboot of an existing franchise, or a soft reboot that only takes some elements going forward, or an alternate universe or…well, you get the idea.

I love original content. One of the best shows I watched this year was Alex Hirsch’s Gravity Falls (yes, I know I’m rather late to the game). It was a bright spot of originality, something new and not tied to any other content or previous iteration. Many of the anime I watch and enjoy are either original or straight adaptations of an existing manga. I think original content and ideas are important in entertainment. They allow a generation to experience a piece of entertainment in its prime, and have something uniquely “theirs.” Kids of the 60s had Star Trek, kids of the 70s had Star Wars, kids of 80s will always be the original audience for Jem & the Holograms and He-Man/She-Ra, kids of the 90s will always have X-Men TAS and Sailor Moon. (And PGJR, of course haha). No matter if they are rebooted down the road or not, that original experience belongs to the original viewers.

Which is why it’s always hilarious to me when people who hate on the new version of something say “It’s ruining my childhood!” Your childhood is whatever it was, frozen in time. Those original cartoons obviously still exist, and if you have the desire you can watch most of them. A reboot doesn’t destroy the original, no matter how many changes it makes to the original idea. The best reboots can often give us (as adults) what we thought we were watching as children. And often, the reboot can drive traffic back to seek out the original, as adults want to share with children the version they loved at that age.

Which brings us to She-Ra. I didn’t watch any He-Man or She-Ra as a child, for whatever reason. I found He-Man & the Masters of the Universe through the 2002 anime-influenced incarnation (also a great reboot IMO), then went back and watched the 1983 cartoon, followed by the 1985 She-Ra: Princess of Power. I loved it all. Sure, sometimes it was goofy, and there was lots of animation reuse in the older versions, but the core concepts were really strong. They are classic good vs evil, freedom vs tyranny stories, told with engaging casts and crazy creative worlds.

I powered through all 93 episodes of She-Ra during the summer of 2010 while I studied for my board exams. It holds the special place of being the series I turned to to relieve the stress of studying. I love the 80s fantasy girl designs, the color schemes, the powers, the sheer kookiness of the side characters. She-Ra was the OG American magical girl, and I finally understood what all the fuss over this franchise was about. She-Ra feels iconic in the way that characters like Wonder Woman and Sailor Moon do. Yes, she starts out as a spin-off of the successful He-Man franchise, but he makes very few appearances in She-Ra’s cartoon.

But after her initial run, She-Ra remained a virtually dormant property for the next 30 years. He-Man had two different reboots in 1991 and 2002, but She-Ra was stuck in limbo. Only once the Masters of the Universe Classics collectible figure from Mattel released in 2010 did She-Ra finally see the light of day again. Story-wise, the bios on the back of the toy packages gave us a little info about She-Ra’s further adventures, but it wasn’t until the 2012/2013 Masters of the Universe comic from DC that She-Ra comes back, this time in the guise of the villainous Despara. It’s a dark but interesting take on the characters; an exploration of what being raised by the Evil Horde would really do to a person.

Interestingly, this seems to be the jumping-off point for the new “She-Ra and the Princesses of Power” animated series from Dreamworks and Netflix. This show takes as its central theme the relationship between Adora and Catra. When Adora finds the sword that lets her turn into She-Ra, she leaves the Horde – an organization to which she has devoted her life. Almost more importantly, she leaves behind Catra, her best friend. It’s this broken relationship that informs the emotional tone of the rest of the show.

Unlike the 80s version, this time around the Rebellion knows Adora’s identity as She-Ra. It’s an interesting change – shows of the 80s were obsessed with secret identities, and sometimes it could get ridiculous making up excuses for what happened to the other identity of the character every time. Thankfully, that is avoided here, and instead of angst over whether or not you can let people know the real you, we are treated to relationships that ask whether we can accept someone who we know has wronged us before.

Much has been made over this update’s reworking of the body types and ethnicities of the main princesses. While I confess not loving all the updated designs and missing the 80s fairytale warrior goddesses of the original, I understand and fully support the change. Reboots are about viewing something old through the lens of today, and audiences of today want to see themselves in the media they watch or read. We can’t (and shouldn’t) go back to mostly-white casts. The world is a rainbow of colors, and the show feels richer for including them.

Speaking of rainbows, I have to mention the new show’s decidedly queer bent. The relationship between Adora and Catra is somewhere between ex-best-friends and ex-girlfriends in tone. Netossa and Spinerella, long shipped by the fandom, are finally outed in a true relationship this time around. Other characters like Scorpia, Bow, and Entrapta all tap into queer mannerisms and norms as well. The end result is unlike anything else I’ve ever seen in children’s entertainment, and I couldn’t be happier. I wish I’d had something similar as a child, but I’m grateful today’s queer kids have their own heroes.

When we talk about a successful reboot, what are we looking for? Here’s what I think a good reboot need to accomplish.

Bring the characters and concepts of the original property up to date for current audiences.

Explore the characters or world in new and different ways.

Add depth to the original concept.

She-Ra and the Princesses of Power does all of these in spades. I think it’s the nicest treatment an 80s female-driven property has gotten in a reboot. The show is full of strong characters with interesting dynamics, great writing, and interesting world building. Yes, some of the episodes can be a bit predictable and the designs are not always my favorite, but everything works together toward a greater whole. I won’t spoil the story for you, because seriously if you haven’t watched this, get thee to Netflix and enjoy!

For the Honor of Grayskull!

Chris

P.S. Can you imagine getting a ✨Princess Gwenevere and the Jewel Riders✨ reboot that brought all this to the table? I’d die!

Read the complete blog at The Jewel Riders Archive! http://www.jewelridersarchive.com/posts/she-ra-the-princesses-of-power-and-reboot-culture/

#jewel riders #princess gwenevere and the jewel riders #princess gwenevere #unicorn #unicorns #animation #kenner #doll #dolls #mattel #She-ra #she ra #princess of power #motu #masters of the universe