#it will arrive a few days late | Explore Tumblr Posts and Blogs

mostlysignssomeportents · 4 months

Text

It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

#pluralistic #copyfight #scotus #mickey mouse #public domain #ip #contract #trademark #tm #jennifer jenkins #copyright #disney #nominative use

6K notes · View notes

racke7 · 11 months

Text

Today I got confirmation from my boss. This summer is going to absolutely suck for me.

#vacations are starting up (i will take mine late) so now i'm gonna have to fill in for two guys #next week i'll have to take a 4 hour car-trip to get there at 7 - and then i'll be stuck there until at least thursday #(i might also be stuck there friday - message not entirely clear yet) before taking that 4 hour car-trip back #and then like.. the next five weeks i'll be working 2+ hours away and so i'll be staying overnight mon-fri #(since the alternative is to wake up at like 3.30 every day and go to bed pretty much instantly upon arriving home)#so... yeah. this summer is going to suck a LOT. (and that's without remembering that we'll probably be hitting 30C semi-regularly)#(and i'll likely be working outside pretty much all the time. and definitely won't have air-con even when i'm not)#i guess we'll see if my laptop can still survive a few games or if i'm fucked on that count too #(thankfully i already have mobile-internet bcs it's literally the only type offered for my apartment for some reason)#personal stuff

0 notes

heich0e · 5 months

Text

yuuji calls sukuna a lot.

it's almost like second nature to him now, muscle memory even, so many years since getting his first cellphone; any time he finds himself idle, maybe on his walk home after his part-time job, or on a break between his college classes, he picks up his phone and dials his older brother without thinking. they never talk about anything of importance—maybe just what yuuji did that day, or some gossip he overheard, or what the two of them should have that night for dinner—but he still makes the call.

sukuna always acts annoyed when he answers, greeting him with a characteristically terse 'yeah, what?' that yuuji never pays any mind to. but he still answers the call—at least most of the time—and that simple truth speaks volumes in and of itself.

sukuna's phone rings at a few minutes past 1am, and his little brother's name lights up the caller ID.

"yeah, what?" sukuna snaps groggily, holding his phone up to his ear. he'd passed out on the couch soon after he got home from work, a half-drunk and now room temperature can of beer left abandoned on the table in front of his spread knees. yuuji's babbling starts as soon as the call connects and his brother greets him, and it takes sukuna a moment to make sense of him.

"—'n now i can't finder!"

"the hell are you talking about, dumbass?" the elder of the two grumbles, scrubbing a hand across his face. his brother's voice is panicked and hard to understand.

"we got spliddup at the bar, 'n now i dunno where she is anymore—"

"don't know where who is? fuck, are you hammered?" sukuna complains, sitting himself upright on the sofa as he wipes sleep from the corner of his eyes, suddenly a bit more awake than he was when the phone first rang.

yuuji says your name with a croaking, worried voice, and sukuna sighs exasperatedly. he stares down pensively at the can of beer he forgot to drink on the coffee table, then his eyes flicker to a framed photo hanging on the wall across the room—the glass smudged, frame slightly crooked, and photograph sun-bleached from the years it's spent hanging there.

"just..." he grunts as he pushes himself up to his feet, "fuckin' send me the address and stay where you are, idiot."

it's not hard to find his little brother once he arrives to the address yuuji sent him—especially since the youngest itadori brother is waiting (as promised) right by the entrance of the familiar bar near the university campus where both you and yuuji attend classes. it's still busy for so late in the night, but the clubs are closed now and little bars like this are the only places still open. sukuna's not even sure what the difference is anyway, because the lights here are still dim and the music is loud and there are still people dancing off to one side of the establishment, so the distinction between the two seems tenuous if not entirely negligible. but as someone who's spent his fair share of nights in bars just like (and including) this one, he's usually not really one to complain.

but tonight's different.

yuuji is teetering a bit when his brother arrives—an unusual sight, considering he's usually pretty good at holding his liquor.

"shit, how much did you drink?" are the first words out of sukuna's mouth when he approaches.

the youngest itadori's cheeks are flushed as pink as his hair, and he grimaces in the wake of the eldest's question—he's always been a terrible liar, especially when it comes to his brother, so he doesn't even bother trying to deny it. sukuna doesn't wait for a response in any case, turning his head towards the thick of the crowd and letting his eyes scan through it.

he doesn't see you.

"where'd you see her last?" he asks, leaning towards his brother to be heard over the music.

"by the bar!" yuuji replies, raising his own voice to overcome the bass. "she said she was getting one last drink, but she never came back to the table."

yuuji's lip wobbles a bit as he concludes his sentence, but he sucks it quickly into his mouth and catches it between his teeth.

"and you looked for her?" sukuna asks again.

"all over," yuuji nods, letting his lip slip out from between the bite of his incisors to reply. "fushiguro's doing another lap. nobara's checking the bathrooms."

sukuna ruffles a hand through his hair, suddenly realizing it's probably a mess from his rudely-interrupted slumber. "maybe she just left or somethin'."

"she wouldn't do that, you know that," yuuji says firmly. there's an insistence burning behind his eyes as he looks to his older brother, and it's the most sober he's seemed all night.

sukuna rolls his eyes, even though he knows yuuji's right—you'd never leave on your own, much less without so much as a goodbye. the two of you have been joined at the hip for long enough he's almost surprised that yuuji wasn't able to find you with some weird telepathic form of echolocation. he swings an arm up over his little brother's shoulders pushing him down a little just to tease him, before using his grip to tug him towards the crowd.

"you track down that little sea urchin friend of yours and i'll take a look around. meet me back here in ten minutes or text me if you find that little pest, alright?"

the bar is harder to navigate the further in sukuna travels from the entrance, the bodies pressing closer together with every step he takes away from fresh night air. he's pissed off, but that's not out of character for him. he's more pissed off than he usually is, considering not even an hour before he'd been peacefully sleeping at home, and now he's glaring at some drunk college kid who just almost spilled their beer on him.

"move," he hisses through his teeth at the wide-eyed kid whose life he can practically see flashing through his eyes as he shoulders past him. sukuna would be lying if he said the look didn't improve his mood at least marginally.

as sukuna weaves through the bodies in the bar, his eyes don't stop looking for you. it's almost startling how quickly he can rule people out—how definitively he can say that someone is or isn't you with just a passing glance. he starts to doubt himself as he reaches the far corner of the bar and begins to round back towards the entrance, an annoying, grating irritation in the back of his mind. worry, maybe, if he were the type.

then he sees you.

just the faintest glimpse of your profile, caught behind the shoulder of the man who has you backed into a corner by a pillar, hidden mostly away from the crowd—at least as hidden as anyone can be in a place like this.

sukuna feels his lip curling into a furious sneer as he takes a step towards you—people move out of his path wordlessly as he trudges over to that dark corner where you're tucked away.

it's only when he gets a bit closer that he's able to read the lines of your body properly. you're teetering, just like yuuji had been—the two of you had probably enabled each other in your intoxication that night like the stupid kids sukuna knows you both to be. but you're also distinctly uncomfortable, pressed up against the wall as if to put as much distance between you and the man hovering over you as you possibly can. your eyes glance off to the side, like you're searching uselessly for an escape.

instead, they meet his.

"sukuna," you gasp out in surprise, and the man you're speaking to glances over his shoulder in confusion. he seems annoyed, and a bit nervous, when he spots the man (taller, and broader than he is) standing behind him with a scowl.

sukuna hears the relief in your voice when you say his name. reads it behind your glassy eyes.

"what are you doing here?" you ask, reaching out towards him clumsily.

the man in front of you puts a hand on your waist—possibly to steady you, more likely to stop you—and it makes sukuna see red.

"hands off," sukuna snaps, wrapping a hand around your upper arm and tugging you into his side away from the creep.

"who's this? you said you don't have a boyfriend," the kid asks you, jutting a thumb towards sukuna accusatorially.

you mumble something quietly in reply about him being yuuji's brother, tucking yourself a bit closer to sukuna as you say it.

"your brother?" he asks as his eyes squint in confusion, having clearly only caught part of your explanation. "you're ditching me for your brother?"

sukuna's anger flares again at the entitlement this little brat has the nerve to display so flagrantly. the older man's hand slips down to your waist on instinct, and then lower still to the curve of your ass, making a show of how his big hand grips into the flesh beneath it. you squeak quietly at the contact, turning and hiding your burning face against sukuna's chest. he keeps his hand right where it is.

the stranger's eyes widen at the inappropriate display before him and sukuna leans in close with a vicious, almost manic grin.

"we're very close."

#sukuna x reader #jjk drabble #jjk writing #big brother!sukuna

5K notes · View notes

toxicanonymity · 11 months

Note

that scream blurb that you posting about Ghostface being unconscious and the reader testing to see if he’s hard…. you have to make the full fic now pleaseee omg it was so good

Every inch

1.4k / m!ghostface x f!reader / from blurb.

SEQUEL: EVERY INCH 2 🔪 THREEQUEL: 3

Slasher master list

Warnings/notes: I8+ noncon (ghostface unconscious) somnophilia. Based on the car scene from Scream II, but it's modern day (cell phones exist). You can HC this as anyone but he's night walks coded if you read my other stuff.

Your skirt grazes his robe as you carefully stretch your right leg over the driver’s seat, trying not to touch him, trying not to wake him up. It’s tricky crawling over Ghostface to get out of the car. He smells faintly of weed and sweat. You’ve never been close enough to smell him before. You’ve never been close to him at all for more than a few seconds, always with his knife in hand. You hear him breathing behind the mask and assume he’s knocked out from the impact of the crash, but can't know for sure.

He could be pretending for his own amusement, planning to taunt you then stab you at any moment. You’re going to have to open that car door sooner or later - it’s the only one left you haven’t tried. It'll definitely make a noise. You hover there straddling him, delaying the inevitable. Straddling Ghostface, you think to yourself. Is this a nightmare?

You slowly lower yourself into his lap, throbbing at the possibilities of what might await you. Your heart pounds in your chest. You put your hands on the edge of the seat to pull your body closer and your heart nearly stops as your inner thigh softly nudges his hand. But he doesn’t wake up – or if he does, he doesn’t show it. Emboldened, you lower yourself a little more until your damp panties arrive at a warm bulge in his robe and your breath hitches. He’s only somewhat hard, but obviously packing. He still doesn’t move. His chest is rising and falling with his breaths. You know he’s alive. Unable to resist, you lower yourself a little more. You tilt your hips and gently grind yourself against his package.

What if the nightmare became a wet dream? It’s always turned you on, at least a little, but especially lately. It’s been harder and harder to separate arousal from fear. You’ve wondered if it was a sexual thing for him, the way he pursues you. Stabbing is penetrative after all. Does the thought of killing you turn him on? Would it turn him on to wake up to you straddling him? After all, he’s only a man. Why not, you think. This could be your best chance to find out. This might be the most power you’ll ever have in the situation. You’re turned on thinking about it. If you’re mere seconds from potential death, you have nothing to lose. Plus you're curious what's under all this, and it's too risky to lift up his mask.

Fuck it feels good, and the fact that it’s Ghostface, the one who’s been stalking you, killing your friends, trying to kill you - that gives you such a rush. The tables have turned. You’re on top of him now. You look around for his knife and it’s landed on the floorboard along with his voice changer. You reach down to grab it then quickly stab it into the back of the driver’s seat at an angle so you can grab it if you need to but he won’t know where it is. Then you return your crotch to his and a bolt of arousal slices through you when his hard package swells against you. Holy shit he's hung. You slowly roll your hips against him, grinding into him, trying not to be too aggressive, but it’s hard to control yourself.

His breathing changes and your heart jumps to your throat. You wonder, Is Ghostface seduceable? It might be your best shot if you're already getting his dick wet when he wakes up. But there's always the chance he reacts violently, and now that you're up against him, it's clear you'd be no match for his strength.

Then you have a thought. You carefully lift his gloved hand, and he doesn’t react. You lift the dead weight of his heavy arm all the way above his mask, and he still just sits there, breathing. You pin both his hands above his head, between the metal pegs of the headrest. His hands are large and the two of them together barely fit through the gap. Then you slam down the headrest, pinning him there by his wrists.

His mask moves. He seems to look at you. Then a soft, low sigh. You lower your crotch again and he’s harder. You rub yourself against him slowly with your hands braced on the seat and have to stifle a moan in the shoulder of your dress as you grind against him and his cock swells even harder. A soft groan muffled by his mask makes you wetter.

You’re going to have to have him. This is your chance and you can’t resist it. Your inner thigh muscles begin to fatigue as you push yourself off his lap to hover again. You lift up his robe, exposing PJ pants. Strange and not at all imposing, but convenient. You arrange the robe behind his raging erection, then take a deep breath and pull down his waistband. His stiff member stands at attention. You cover it with your warmth before the cool air wakes him up. A stab of desire shoots through your core as your wet panties meet his hard cock. You rub yourself against him and your clit throbs. Your core aches to be filled.

You pull your panties to the side and nestle the swollen head of his cock at your entrance. Then you sink down and fail to suppress your gasp at the stretch. He moans but doesn’t move. Your body makes way for him as you slide down and sheathe him entirely with your cunt. His cock is nice and thick, it makes you feel so full. It’s crazy this cock has been under the robe the entire time. You wonder if you could just fuck from now on. If he’d agree not to kill you - that is, if the threat of it doesn't turn him on.

You rise up, then sink down on him again, his size making you grateful for your ample wetness. You lift and lower yourself and roll your hips into him. You try not to breathe too heavily as you feel it building in your lower belly. You start to ride him less restrained, unable to resist fucking yourself on his nice, hard cock.

His mask begins to move as though confused, and he grunts as he tugs at his arms, unable to free them from the headrest. He’s groggy and weak. You’re not going to stop. You're too close to coming. You greedily keep filling yourself to the brim with him.

His mask looks right at you. “Always wanted this cock,” ghostface says weakly, making your heart race. “Knew it.” Then it echoes from the voice changer on the floorboard. Always wanted this cock. Knew it. He tugs at his hands more violently, then gives up.

“Nasty girl,” he says, voice getting stronger. Nasty Girl.

He thrusts his hips up powerfully and you moan uninhibited. He thrashes his arms and stabs upward with his cock, bouncing you on his lap with the power of his hips. Your whole body tingles and tenses, then you bite your own arm as your walls clamp down around him. You come on his dick, then pull yourself off and he groans in frustration but has no way of getting you back.

You open the car door and you’re torn about whether to make him come or leave him with blue balls. You decide to jerk him off as a power move. You kneel into the open door frame of the car. You wrap your hand around his girth and fuck his fist. “All ya had to do was ask,” he says. All you had to do was ask. You grab the voice changer and throw it down the street. Now he's nothing but a man with his dick in your hand.

“Woulda given you every inch," he says. Maybe every inch of his blade. He nods down to his crotch. "Now you know." His voice is coming back to full strength, smooth and low. It's a voice you can't quite place.

You know you should stab him while you have him tied down, but you're thinking with the wrong head now, unable to bear the thought of this cock going to waste. You slow your hand way down and edge him mercilessly. His big, stiff cock twitches in your hand and you can tell he's dying for more.

You take your phone out of your bra and take a short video of him trying not to whimper, dick sprouting out of his unimposing pajama pants. Then you finish him off and take a dick pic selfie with cum all over his robe. You take the knife out of the back of the seat and leave him stuck in the car.

Thank you so much for reading and engaging. Even if you're reading this way later I would love to know your thoughts in a comment! Knowing what you liked helps me write more. 🖤🖤

Thanks @darkscape for helping me brainstorm his tagline.

#ghostface x reader #ghostface smut #ghostface x you #slasher smut #slasher fanfiction #cw noncon #tw noncon #cw somnophilia #night walks #ghostface #slasher fucker #billy loomis x reader #ethan landry x reader #toxicanonymity ☠️#mickey altieri #dark fic #ghostface ☠️

11K notes · View notes