I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
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Workforce B7 Au
B'Elanna and Seven start living together out of concern for B'Elanna living by herself so far along in her pregnancy (B'Elanna initially takes this as an insult, that Seven doesn't think she's a good mother because Seven does not phrase her concerns well but she is genuinely concerned about B'Elanna and her child.)
They both mutually agree that if they find a romantic partner they'll just live separately again but as the months wear on they realize they've become more and more attatched to each other, their feelings taking a romantic turn which frightens them both.
B'Elanna still goes to that diner place Tom works at and considers them friends. He eventually asks her out and B'Elanna, thinking that she's probably being a burden to Seven and confused by her feelings towards the other woman, accepts though she doesn't have romantic feelings for Tom.
Seven is upset by this though she knows she shouldn't be so she tries not to express it but eventually they have an argument which ends in them both admitting that they like each other romantically. They hesitantly kiss, hold hands, ask if they want to really commit to this...yes. The answer is yes.
Then strange men in a ship tell them they're members of an organization called Starfleet or whatever?? Then they're taken to sickbay and their old memories return.
This leads to both of them having private freak outs about the fact that they felt so strongly attracted to each other and so...happy, with one another when all of the more complicating aspects of their relationship weren't an issue.
This is a double edged sword for B'Elanna specifically because without all the history between them she truly didn't feel any attraction towards Tom and if she's being honest with herself - when was the last time she did...?
Dun dun dun! You know this episode ends with B'Elanna staring out a window or something, wondering about what she should do...what it all means....
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one function of bringing their father back, aside from giving some insights into arthur and his struggle when it comes to his identity and place in the family while also giving a certain pretext to his 'becoming' (rather than being inherently like his dad (whatever that would mean anyway), he makes choices that get him on that path regardless) in later seasons, is ... to show that tommy, specifically, isn't like him.
polly's line about tommy possessing his father's devilment and his mother's common sense, and that he should let her win, is pretty rigorously followed through then. he's compared to her by charlie in s2, and what we find out about her (which is admittedly sparse) always aligns with whatever tommy's going through at the point (his increasing mental instability, his seeing 'ghosts', his suicidality).
and what their father does by the end of the episode is having manipulated arthur into stealing their family savings (and it wasn't just five bucks out of the piggy bank, but rather a considerable amount) and then leaving them, once more, behind for america, never to be seen again.
the following episode takes this up again, but inverse, when, finally, grace suggests they leave together (for america as well!) and tommy declines for reasons that remain generally true for the rest of the show. that he has people he loves and people he needs to protect.
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What I'd really love to see is a svsss au where shen yuan had the immense powers from saiki k.
Like, svsss is already a romcom of a guy shunted into a fantasy world with meta knowledge and immense power for no reason apart from 'make a happy ending' as a fairly thick veneer over an absolute hot mess of a tragedy with a happy ending, red flags galore, complete with a protagonist completely removed from the concept of romance and resigned to his fate of being abandoned by the people around him because of the circumstances he was 'born' into, but he's funny about it.
The disastrous life of saiki k is a fast paced crack comedy about a guy granted immense power for no reason with meta knowledge of the world as a thick veneer over something a little darker and traumatic with a happy ending, complete with a protagonist completely removed from the concept of romance and resigned to being ignored by the people around him because of the circumstances he was born into, but he's hilarious about it.
Now I don't think it should be a 1-1 transplant of saiki to the svsss world, but to imagine an sy with those powers who didn't manage to find loyal friends, who moved out to live alone as soon as possible to avoid issues with his powers, who gravitated to web novels because of their regular updates as opposed to being constantly spoiled for books with finished endings. An sy who despite his ridiculous levels of power died alone in a stupid way and woke up in a world filled with people who also had immense and varied powers, dealing with the prospect of immortality when his own powers are still constantly growing and interfering with his life, but be silly about it.
I want to see a sy with telepathy still failing to understand what lbhs deal is because of his own denial, a sy with the power to crush mountains with a finger trying not to blow down walls with a sneeze because someone put him on a mountain FILLED with plants in SPRING, an sy who deleted an entire country from the planet aged four trying to dodge overly enthusiastic maidens he keeps saving because he doesn't want to steal from the protagonist and also no, lady, please. Shen yuan sitting in the water prison absolutely deadpan as people try and scare him with 10 iq stories about the acid waterfalls. An sy who hares around the peak trying to avoid being spotted on valentines day as he redirects unwanted admirers and improves his disciples dates just so they can all have a good day.
An sqh who really, honestly truly doesn't know how pidw was made real, honest!! All he could do was see ghosts! It's not his fault the story he wrote to make rent turned into all of this!! But because you're here can you pretty please make some ice, I'm in desperate need of air con and my king hasn't showed up in weeks!
Sqq and sqh playing telepathic chess during boring meetings and sqq leaving him to suffer when sqh is asked a question even though he himself knows the answer.
Lbh trying everything to get shizuns attention and discovering his total weakness to his cooking. Like, will let you cheat in class levels of bribery.
Sqq stalking dourly through fields of aphrodisiac plant because he's raised his body temperature high enough to burn out any pollen before it gets too close and the system just despairing at getting this man to do something interesting.
Cat!sqq transforming back as fast as he can because he's got a meeting in half an hour and having to rush around trying to find something to cover the cat ears he didn't manage get rid of.
Shen qingqiu pulling out his limiters and dropping the mask to reveal a deity in the shape of a man, something crafted purely of psychic energy and burning fury, determined to hold maigu ridge together and keep the realms apart with his will alone, to save luo binghe if it killed him again. A shining aura stretching miles, glowing like a star, halting the earthquake with his bare hands.
Sqq seeing a bug and freaking out so hard he teleports to the northern demon realm and lands in a slushy pond, and sqh nearly giving him away because of how hard he's laughing.
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post-canon every single member of kimcom likes to spoon kim dokja. nonsexually. it's just nice to know he's alive and there and feel his chest rise and fall within the circle of your arms. try to do something stupid now asshole. oh you can't? because of my octopus impression? that's right. take THAT. however i will make one exception for yoo joonghyuk. yoo joonghyuk may want to spoon kim dokja, but he never gets the opportunity because kim dokja wants to spoon him more. so the sleeping arrangement is yjh>kdj>all other kimcom members on rotation. actually i take it back there's one other household member who doesn't want to spoon kim dokja and it's yoo mia, but that's fine because she's one of the only people (besides kim dokja) who yoo joonghyuk would be comfortable spooning. so there's probably times when it's yma>yjh>kdj>today's lucky winner.
incidentally this is also the order for the doing-each-other's-hair train because while yoo mia WILL allow other people to do her hair, no one wants to because she always compares their skills unfavorably to her brother's. and she's really articulate about it. just utterly scathing. one time her criticism was so devastatingly, accurately incisive that she made lee hyunsung cry. yoo joonghyuk spooned him that night to cheer him up and yoo mia was so mad about it that lee hyunsung had to leave the country for a couple weeks. the household learned a valuable lesson that day. it's best not to disturb the delicate spooning/hair-train balance.
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