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#totally untrue and also completely irrelevant to the matter at hand
coquelicoq · 2 months
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post-canon every single member of kimcom likes to spoon kim dokja. nonsexually. it's just nice to know he's alive and there and feel his chest rise and fall within the circle of your arms. try to do something stupid now asshole. oh you can't? because of my octopus impression? that's right. take THAT. however i will make one exception for yoo joonghyuk. yoo joonghyuk may want to spoon kim dokja, but he never gets the opportunity because kim dokja wants to spoon him more. so the sleeping arrangement is yjh>kdj>all other kimcom members on rotation. actually i take it back there's one other household member who doesn't want to spoon kim dokja and it's yoo mia, but that's fine because she's one of the only people (besides kim dokja) who yoo joonghyuk would be comfortable spooning. so there's probably times when it's yma>yjh>kdj>today's lucky winner.
incidentally this is also the order for the doing-each-other's-hair train because while yoo mia WILL allow other people to do her hair, no one wants to because she always compares their skills unfavorably to her brother's. and she's really articulate about it. just utterly scathing. one time her criticism was so devastatingly, accurately incisive that she made lee hyunsung cry. yoo joonghyuk spooned him that night to cheer him up and yoo mia was so mad about it that lee hyunsung had to leave the country for a couple weeks. the household learned a valuable lesson that day. it's best not to disturb the delicate spooning/hair-train balance.
#i love how often the webtoon shows people giving their injured teammates piggyback rides#like yeah that is way easier than a bridal carry. good weight distribution#but also it means when they go into Spoon Mode they're like. hey this is familiar!#anyway kimcom totally has a schedule for who gets to spoon kim dokja because otherwise shin yoosung and lee gilyoung would#resort to murder#also han sooyoung was hogging him and pretending it didn't count because it was her clones doing it#(classic excuse. it wasn't me. it was my clone! my clone stole the cookie from the cookie jar! my clone ate my homework!!)#kim dokja figures out that there's a schedule but he thinks it's like. a chore for them instead of something they're fighting over#because he is an idiot 😎👍#the other sleeping arrangement is kim dokja lying on his back and one person on each side cuddling up to him#that's the default when yjh isn't around for kdj to spoon. which doesn't happen very often#if anyone asks no i did NOT start crying the last time someone spooned me because i was incredibly touch-starved. utter lies#totally untrue and also completely irrelevant to the matter at hand#orv#omniscient reader's viewpoint#my posts#f#kdj#orv spoilers#i guess??#kimcom in the situation room trying to strategize how to turn him back into a squid so they can all have a tentacle to cuddle#kim dokja only has two hands and like ten people who want to clutch him to their bosom...but what if he had MORE than two hands?#he has before and he can again. as god is their witness
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The I in Vampire: Joss Whedon and the Philosophy of Identity
by Dan H
Monday, 21 September 2009
Dan almost manages to say something nice about Joss Whedon~
Recently I did two things. I read The Pig That Wants to be Eaten - a nicely accessible book of philosophical thought experiments – and I watched Series five of Angel (review forthcoming from Kyra or myself, special exclusive spoiler preview, it’s shit).
One of the infuriating things about S5 of Angel is its blatant disregard for any of the show’s prior mythology (to be fair, this was partly due to network pressure). The girls at Boils and Blinding Torment get particularly furious about this, complaining about the way it craps all over the notion that vampires are in any way different to regular people. To quote them quoting Buffy
To paraphrase almost every character in Buffy ever: A vampire is not the person they appear to be. They walk like them, they talk like them, they have access to their memories, they might even do their hair like them, but it’s not them.
Which is pretty darn clear, and is, as the girls observed, spelled out in the first episode, and about every five episodes thereafter.
The thing is, while it’s spelled out like that, it’s pretty clear that it’s not like that. Jessee pops up in the second damned episode and seems quite convinced that apart from being “connected to everything” he’s still the same guy he always was. Angelus, while evil, still has a lot of Angel’s basic personality traits (“it’s just … you’re still the only thing he thinks about” is I believe how Willow describes it). Not only is there textual evidence against the whole “demon in a Xander suit” theory (and very little to support it except maybe that scene in series two where Angel’s “inner demon” beats up that other demon inside Angel’s body), there’s also some fairly fundamental problems with the whole idea of something that has your appearance, memories and personality being, in any meaningful sense “not you”.
Memory, Continuity, and Tom Riker
The question of who “you” actually are is a horrendously difficult one in philosophical terms. In practical terms, you know that you’re you, other people aren’t you and that’s an end to it. In the world of the philosophy of identity it’s far trickier.
One of the thought experiments presented in TPtWtbE is the teleporter problem. Suppose you go through a Star Trek matter transporter. It scans your body, and reduces it to data. Then it blasts you into atoms, and reconstructs you miles away from (presumably) completely different parts. None of the characters in Star Trek seem remotely bothered by this but it raises a lot of difficult questions. If the person who is reconstituted at the other end of the teleporter is made from completely different atoms from the person who went in, in what sense are they the same person?
The problem is compounded by the fact that the person who goes into the teleporter and the person who comes out are in fact capable of living independent lives. In a relatively famous episode, it is discovered that exactly that had happened to Riker. A transporter accident had split him into two people, both with exactly the same memories and experiences, and both believing themselves to be the “original” Will Riker. The Trek episode neatly dodged a lot of the nastier problems involved with this kind of conundrum by having the “other will” be one who had been stuck on a remote planet for several years, making it fairly clear to one and all that the Will Riker who has been, y'know, on TV all this time is the real one.
A similar idea crops up in The Prestige - Tesla's teleporting machine doesn't destroy the original, so you always get two copies, an Hugh Jackman solves the problem by drowning himself. This creates a terribly haunting image in the original film, but it's interesting that in many ways the machine functions identically to the “real” teleporter in Star Trek. It's just that the way it disposes of the “original” is less neat.
I understand that the way a lot of philosophers resolve such issues is with a concept called “Continuity of Consciousness” - broadly speaking if the individual coming out of the transporter remembers being the person who went into it, they can be said to be the same person.
Of course there are arguments against this definition (the two Rikers and the Tesla machine highlight one of them) but it's still extremely useful, and it's very interesting when applied to Buffy vampires.
The Buffy vamp remembers its human life. This is described in early episodes as “having access” to the human's memories, with the implication that the vampire knows itself to be a demon, and simply uses the human's memories to trick people into thinking it's something else, but this is clearly untrue. We witness the transformations of several vampires, and all of them clearly genuinely consider themselves to be the person who got bit, not some alien parasite. They have, in a word, continuity of consciousness. Not only that, but no vampire ever displays knowledge or memory of having existed independently as a demon.
Of course once a person becomes a vampire they are changed - they lose their soul (which seems to have a rather nebulous effect, certainly it doesn't seem to alter their sense of identity very much) and become Evil, but you can't really say that they're different people except in the metaphorical sense that we are all “different people” when we are – say – drunk.
This has particular consequences when it comes to little things like moral culpability.
Blame, Responsibility, and Evil
Even if you accept that vampires, whatever the show might say, are the same people they were when they were alive, it's still perfectly reasonable to say that they are the same people but evil(it's also perfectly reasonable to argue that the “but evil” segment of that sentence renders them not the same person at all, what isn't reasonable is arguing that they're suddenly a demon occupying somebody else's body – whatever the text says, Buffy vamps clearly don't work like that).
But even here we run into a bit of a stumbling block. Okay, vampires are evil. They kill people, because that's what they do, hence the slayage. Except that repeatedly, starting lest we forget in series two when Spike turns against Angelus, vampires have shown that they are capable of choosing to do good – or at the very least not to do evil. Now frequently they choose it for selfish reasons: Spike helps save the world because he likes being evil in it, and later fights demons because he enjoys hurting demons. The vampires at the dodgy place Riley goes to avoid killing people because it helps them stay under the radar. Harmony goes on the cowblood because it's a condition of her employment at Wolfram and Hart.
Now on the one hand, this makes the vampires that actually do kill people way more reprehensible. On the other hand, it makes killing vampires on spec a little bit dodgy. Yes, some vampires kill people, but a great many of them don’t, either because of artificial constraints (a chip in the head) emotional constraints (I haz soul! It make me sad if I do the killing!) or rational self-interest (killing people will get me fired, killing people will make them less likely to let me feed on them repeatedly). These, not to put too fine a point on it, are pretty much the three reasons that regular people don’t go around committing murder.
Now true, vampires are still much more likely to kill people than humans, but to get all formal logic about it, you can’t say that all vampires are killers – they are clearly capable of choosing not to kill – which leaves you only with “some vampires are killers” which is kinda useless. This means that staking vampires the moment they rise is basically a form of racial profiling. It’s effective racial profiling, to be sure, since they’re mostly going to go on to be mass murderers, but it’s much less cut and dried than the original remit of “a demon in the body of your friend”.
Dolls, Identity, and Consent
The whole philosophy of identity issue gets even more interesting (and even more problematic) in Dollhouse. Is that me saying something positive about the show? Well yeah, sort of. The actual philosophy of identity bit is kind of interesting – and on some levels it seems to be what Joss is interested in (q.v. the “it makes humanity irrelevant” speech in Man on the Street) – unfortunately because Joss is pathologically incapable of writing a show that doesn’t have EYE YAM TEH FEMINISTS scrawled all over the front in crayon, he muddies the water by making it something that is also about the abuse of women by men who aren’t him.
The problem with Dollhouse (why yes, I am recycling content from an old article) is that it brings up a whole lot of important rape myths and then not only fails to challenge them, but dips the whole thing in a the kind of abstract philosophy that dickheads use so that they can accuse feminists of being “too emotional”.
To quote one blogger whose name, weblog, and other identifying features I have totally forgotten: “the thing I love about this fandom is that you can always find somebody willing to argue that it isn’t rape if she was brainwashed”.
The problem is that “it isn’t rape if she was brainwashed” is actually part of several interesting philosophical questions about identity, free will, and perception. The problem is that rape is not in any way the right subject to be using as a vehicle for these questions. The concept of consent and complicity is complex enough in real world rape cases that it doesn’t need imaginary supertechnology muddying the waters. The abstract philosophy of the Dollhouse contributes to, rather than challenging, the prevailing notion that consent is so vague and ill-defined that anything short of a clear “no” counts.
One of the things I really liked about The Pig that Wants to be Eaten was the way in which it tempered its abstract content with pragmatism. In its discussion of the
Ship of Theseus
, for example, the author points out that the identity of the “real” ship depends on what you want to do with it. If, for example, you were looking for forensic evidence in a murder investigation, you would want the physical components that had been present at the time of the crime. If on the other hand you were looking for Theseus himself, you'd want the ship that was actually in his possession.
The abstract, philosophy-of-identity stuff in Dollhouse is at odds with the simple, practical fact that the Dollhouse is all kinds of fucked up. If the Dollhouse was more benign and less rapetastic, it could explore some of the interesting ideas about identity which are – in theory at least – part and parcel of the show. Unfortunately the nature of the Dollhouse makes abstract theorizing about identity an offensive disservice to its victims. Yes, you can wonder to what extent Echo's imprints are real people with volition, and to what extent therefore they are moral agents in their own right capable of, amongst other things, consenting to sex. The problem is that the house's “brainwash and bone” routine is so close to real-world date-rape that it becomes genuinely uncomfortable.
Which is a shame, because the actual ideas are rather interesting.
Themes:
TV & Movies
,
Sci-fi / Fantasy
,
Whedonverse
~
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Arthur B
at 14:18 on 2009-09-21
A similar idea crops up in The Prestige - Tesla's teleporting machine doesn't destroy the original, so you always get two copies, an Hugh Jackman solves the problem by drowning himself. This creates a terribly haunting image in the original film,
Uh, actually
the novel came first
. Though you are right that there's a particularly striking image that results from this, if it's the same one from the novel I'm thinking of.
That's a nitpick though, and I completely agree with the rest of your points here. I think the conclusive thing is that, whilst not a compulsive
Buffy
-watcher, I've seen at least a season or two's worth of episodes, and I've
never
even caught an inkling of the idea that vampires are not basically the same people they were before the Embrace (TM White Wolf) but with kewl powerz, simply because I never saw an episode where it was explicitly stated. Which I suppose is another good philosophical question: if you cut out the episodes which make the "they're different people" thing explicit, and a viewer can't work out that vampires are different people from the humans they used to be through observation, can it really be said to be true?
(The best example of using this plot point right, in my book, is
Dracula
; part of the reason the vampirisation of Lucy is so horrifying is that vampire-Lucy is so utterly different from normal-Lucy.)
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Dan H
at 15:36 on 2009-09-21Sorry, you're right, the use of the word "original" in that sentence is entirely specious. I think in my head i was using "original" to mean "before it was co-opted to be an example in a short article about the philosophy of identity".
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Niall
at 22:37 on 2009-09-21Must ... resist ... urge ... to debate ... Buffyverse ... mythology and metaphysics ... must ... resist ...
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Jamie Johnston
at 23:36 on 2009-09-21Ooh, interesting. Hmm. Yes.
Two very
obiter dicta
:
On the rape / brainwashing point, I sometimes wonder whether it wouldn't help to make the same sort of distinction as is made in law between theft (taking another person's property without permission) and fraud (using deceit to trick another person into giving you his property). The word 'rape' was until only a few decades ago almost entirely confined to violent and plainly non-consensual violation. That, of course, is only because society hadn't got far enough in reducing toleration of that extreme form of sexual abuse for it to even begin seriously looking at less obvious forms. But it does also, rightly or wrongly, cause a certain trickiness when we use the same word to denote sex where there is ostensibly consent but the consent is vitiated by, for example, incapacity. On the one hand using 'rape' in this broader sense is strategically shrewd because, now that everyone pretty much agrees that 'classic' violent rape is wrong and is a real problem, saying that something else is also rape immediately challenges people to think again about that other thing and may well shock them into new understanding. But on the other hand, as with assertions like 'meat is murder' or 'property is theft', there is a risk that people simply say, consciously or unconsciously, 'No, that's plainly not literally true and therefore I can ignore whatever point underlies it'. Whereas more progress might be made by treating the two things as separate and concentrating on getting people to acknowledge that the second is also bad. One might say that to some extent this panders to the tendency to regard 'fraud-type-rape' (if I can for the moment call it that without seeming to imply an actual analogy or to trivialize the whole business with my sloppy terminology) as less bad than 'theft-type-rape', it might at least make more progress in solidifying a consensus that 'fraud-type-rape' is actually wrong to some degree. I don't know, but I wouldn't be surprised if there was a time when theft was recognized as bad but fraud wasn't; nowadays, though, fraud is often regarded as actually worse than theft because it involves an abuse not only of the institution of property but also of human trust. Anyway, perhaps this isn't the right article for this line of thought...
The second thing is that the two links in the article don't work because in each case the URL they're trying to point to has somehow got the URL for the Ferretbrain articles index tacked onto the front, in addition to the usual quotation-marks-coming-out-as-'&8221' problem.
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http://belmanoir.livejournal.com/
at 00:47 on 2009-09-22Actually, the Tesla machine functions entirely differently in the book--the duplicate that is created in the book is not really capable of functioning independently, so the philosophical/ethical issues are still present but very different. The movie DID come up with the image Dan is discussing.
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Arthur B
at 01:25 on 2009-09-22Ah, I was thinking of the image right at the end of the book, but now it occurs to me that that only happens in the framing story, which wasn't included in the film.
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Robinson L
at 22:00 on 2009-09-24It's perfectly simple, Dan. Removing the soul counts as an involuntary alignment shift to either Neutral Evil or Chaotic Evil (I don't think there are many vampires I'd characterize as Lawful Evil). Side effects may include some changes in personality which go beyond those associated Character Alignment, although this has only been documented in one case (Angel), and as you point out, it's not like he's a different person—more like the same person under radically different circumstances.
Now, vampires can act outside their Alignment (Harmony trying to stay friends with Cordelia in Season 2 or 3 would be an even better example), although Spike takes it to ridiculous levels in
Buffy
Season 5. Evil is just the default.
Contrast with Russel T Davies' depiction of the Daleks and Cybermen in the new
Doctor Who
. You kind of have to admire the guy for sticking to the concept that they're without personality and totally evil—no matter how blisteringly dull this makes them as villains, or the stories they appear in. Whedon, on the other hand, through out the whole “vampires without personalities” angle (probably without even realizing what he was doing) pretty much as soon as it threatened his ability to tell an entertaining story. There's probably a lesson to be learned in all that.
Interesting question about whether vampires can be considered monsters in the moral sense, even without souls. Of course, ever since Season 2 (still referring to
Buffy
), I was wondering why the couldn't just restore the souls of all the vampires they encountered. Or at least a couple, like the Alternate Willow from Season 3.
If the Dollhouse was more benign and less rapetastic, it could explore some of the interesting ideas about identity which are – in theory at least – part and parcel of the show.
Yes, but they would also have to make the plots and characters and dialogue and trivialities like that more
interesting
, too. Even without the unfortunate implications of the Dollhouse-as-human-trafficking angle, there's still the
Dollhouse
-as-fecking-boring-tv-show issue to contend with. Without an engaging
story
with which to prevent it, all the deep philosophizing in the world is so much wasted screen time.
@Jamie: Really? The links work just fine for me.
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Jamie Johnston
at 22:54 on 2009-09-24
Really? The links work just fine for me.
This is because someone has fixed them. Presumably for the sole purpose of making me look silly. :)
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Rami
at 06:37 on 2009-09-25
This is because someone has fixed them. Presumably for the sole purpose of making me look silly. :)
Not at all. I've added some smarts to the Ferret so it shouldn't happen again.
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Arthur B
at 15:04 on 2009-09-25I confess: I used
seeecret poweeers
to dive in and fix the links for everyone's short-term convenience.
Which isn't to downplay the importance of Rami's unique ability to alter the ferret at will, or Jamie's keen bug-spotting powers.
TEAMWORK!
(picture of Captain Planet and cast goes here)
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Jamie Johnston
at 16:04 on 2009-09-27Go Planet!
Incidentally, I do wonder sometimes whether it would be kind to newcomers if it said somewhere on the site who has the secret powers. Or indeed who the editor is. But most of the time I enjoy the fact that it doesn't.
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http://pozorvlak.livejournal.com/
at 22:19 on 2009-09-29You might be interested in the Less Wrong post
Timeless Identity
. Spoiler warning: it turns out to be a sales pitch for cryonic preservation. But it's good up until that point.
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Dan H
at 11:18 on 2011-01-10Sorry, I know this is an old post but I was just playing with the Random Article function and I've just found the article linked from the bottom of this comments section.
ARGH ARGH QUANTUM BULLSHIT RAGE!!!
Firstly: you know somebody is a nutbag when they say "as we have seen in..." followed by a link to a post on their own blog.
Secondly: you can't solve the transporter problem by reference to quantum mechanics. Not only does quantum mechanics not really apply to macroscopic bodies, but it ignores the fundamental question of what identity is by clinging to the (completely false) notion that it is somehow impossible to distinguish between particles.
Thirdly: I love how this long winded nonsense about "rationality" ends in something little better than Pascal's Wager - sign up for cryonics because if you're right you get to be immortal and if you aren't you don't lose anything.
Fourthly: GAAAAH QUANTUM BULLSHIT RAGE!!!
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http://orionsnebula.blogspot.com/
at 17:41 on 2011-01-10The "less wrong" guy, Eliezer Yudkowsky, is fascinating. A lot of his stuff seems to be totally nutty, or at the very least exceedingly pretentious, like "the ten virtues of a rationalist." That said, some of his writing is really good.
http://yudkowsky.net/rational/the-simple-truth
is a hilarious essay on epistemology that I found pretty convincing.
He also wrote a Harry Potter fanfic:
http://www.fanfiction.net/s/5782108/1/Harry_Potter_and_the_Methods_of_Rationality
which I thought was quite funny as well, even if he occasionally stops the story to complain about JK Rowling's plotting.
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Dan H
at 18:43 on 2011-01-10
The "less wrong" guy, Eliezer Yudkowsky, is fascinating
Fascinating he might be, but I find people who cite "quantum mechanics" in support of their personal ideologies extremely irritating. Quantum mechanics says nothing about the nature of identity except as it relates to sub-atomic particles. You certainly can't use quantum mechanics to prove that psychological continuity is the essence of human identity and you certainly-certainly can't use quantum mechanics to prove that psychological continuity is the essence of human identity by using it to argue, falsely, that physical continuity exists where it doesn't on the basis of the erroneous belief that all electrons are really the same electron.
Quantum mechanics *does* say that "identity" is not a measurable property of particles - when I say "this electron" what I really mean is "the electron that currently has these properties" and if I look at the electron again and its properties have changed I cannot meaningfully describe it as being either the same electron or a different electron.
The same ideas can be applied to human identity as well, and funnily enough they have been for years going back to the original Ship of Theseus. Quantum Mechanics doesn't offer us any new insight into the issue. Just because it is true that the identity of a sub-atomic particle depends only on its quantum numbers, that does not mean that the identity of a person depends only on the quantum numbers of the particles in their body (certainly it cannot be a *necessary* component of identity because I am pretty sure the quantum numbers of the particles in my body are changing all the damned time).
Sorry, personal bugbear.
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http://orionsnebula.blogspot.com/
at 19:03 on 2011-01-10I don't disagree with any of that--I just really wanted to take the opportunity to pimp his epistemology essay, which is not about quantum.
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Dan H
at 19:21 on 2011-01-10Yeah, the epistemology essay is pretty cool, although it gets a bit straw mannish towards the end. Then again, if it's good enough for Galileo...
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http://orionsnebula.blogspot.com/
at 05:16 on 2011-01-11I see I should have specified why I find him "fascinating" in my first comment. I was going to, but didn't because I was too hungry.
On the man's main website he says that he "wears two hats." One writes about the "fine art of human rationality." Now, this is an insufferably pretentious way of putting things, and some of his articles follow suit, but most of his writings are actually quite good. What particularly strikes me is his phrase, "intelligence and learning are worth nothing if used to defeat themselves." He talks about the danger of trying to confirm ideas, various cognitive biases, and then, (this is the one that really got me thinking) the fact that even studying psychology is dangerous if you're not scrupulously honest, because the more you know about how people rationalize, the more easily you can find reason to discredit anything you don't want to believe.
The other hat is "concerned with artificial intelligence." And everything he says about this appears to be goats on fire. He supposedly works for the "Singularity Institute," a "public charity funded by individual donations." Sounds like a con man, except he's too obsessive.
It's just a jarring juxtaposition. I can't wrap my head around the existence of a person who can write at length about how to do good science, the cognitive flaws that generate wishful thinking, and the difference between a real explanatory theory and vague pseudoscience--then turn around and hit you with cloning, quantum baffle and singularities.
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markipwiwer · 6 years
Note
Hey, came here from AO3, on your Dantistache stories. I've had this idea kicking around for a while, where Anti and Wilford kidnap someone "as a joke" and Dark reads them the riot act for it. Also, can you have some mention of "We weren't gonna keep him/her overnight, what's the harm?" (BTW, I am E_K_Hannila on AO3.)
Finally got this done since I got inspiration recently aha
-
Anti and Wilford looked almost too happy for Dark to believe they weren’t up to something. He usually questioned their every move, every motive, and USUALLY they weren’t doing anything too wrong. So it felt good that they weren’t being questioned, at least not yet.
But after Dark noticed Wilford filling a plastic water bottle that was never seen again, he had to ask.
“Wilford, I know you and Anti are up to something. I am not a fan of surprises and you know it. So I expect you to tell the truth before I find out myself.”
Anti stepped in, glitching slightly while looking at Wilford from the side. They’d just come out from the basement - maybe not the best place to be doing anything suspicious, it wasn’t very inconspicuous - and Dark had met them just outside. His arms were crossed, this wasn’t good.
“No, no! No surprises here, Darky! Don’t ye worry yer head about it, just workin’ on a little project of our own!”
Wilford fumbled a tad before backing Anti up.
“Yes… yes! A project that may ed up being profitable for you too, Darkling. Just leave it up to us, nothing to worry about!”
Dark looked the opposite of convinced.
“If it involves my finances, then surely you’d understand me wanting to take a look?”
Oh shit. He was being overly civil. Too nice. He knew something was up. Anti and Wilford exchanged a concerned glance, and Anti wrapped a hand around himself.
“Ugh. This wasn’t even my idea.”
Anti turned around and opened the basement door, stomping don the steps like a teenager having their weed confiscated.
Dark cocked an eyebrow at Wilford and Wilford puffed out his chest, despite looking worried.
“He said some rather uncouth things, Dark!”
Dark grunted.
“Just show me. Now.”
The last word was a little more commanding, and Wilford lost the puff in his chest, before turning with his metaphorical tail between his legs, heading downstairs. Dark followed close behind.
Sitting at the bottom of the stairs, tied to a chair with rope, duct tape over his mouth to complete the look, was…
“You kidnapped the theorist man?”
Dark sounded a little shocked. Anti shrugged, as if he was just as confused as Dark. Wilford attempted to explain himself, having difficulty looking Dark in the eye.
“His name is MatPat, and he said some very mean things! He made a whole video about us, about ME, and he said I took Celine away! Like I snatched her against her will or something! Which is VERY untrue, that’s not how it happened at all! And it’s not like he’s your every day conspiracy theorist either, he’s got a lot of subscribers! Not as many as us, but still… We weren’t going to keep him for long!”
Dark barely looked at the scared man, breathing heavily through his nose, hair matted to his forehead with sweat, regarding his as nothing but a mistake of Wilfords.
“Wilf said he might have an Ego. His fan base kinda made it a thing, or whatever. But no sign of it.”
Oh, right. The sketch that formed that security guard Ego. Sometimes Dark swore this community latched onto any time Mark wore a new uniform. But it was irrelevant.
“Wilford, I shouldn’t have to explain this to you. You cannot just kidnap and torture someone just because they said mean things about you on the internet. You’re over a century old, this is just childish.”
“But you do that all the time!”
Darks form snapped slightly, and Wilford regretted trying to speak back.
“I do what I do to command respect. This is just bullying. This is pitiful, playground nonsense. The information about your life and relationships is almost exclusively speculation. If you honestly think he was trying to offend you, then maybe you should attempt to be slightly less narcissistic for once in your life. Unfortunately, now he knows about us.”
Anti cut in, since Wilford looked a little downtrodden.
“I really don’t think he’s gonna try to really out us. He’d sound nuts and he has a kid now too, he’s not gonna endanger ‘em for some Youtube thing.”
Dark took this into consideration and gave Mat another look over. His fists were balled up, knuckles white and eyes darting back and forth rapidly between all three Egos. It was obvious he was terrified. He didn’t look beat up or anything, just shaking in fear.
Dark sighed.
“Wilford, send him home. If he comes out with anything else, it’s your problem to fix.”
Wilford looked at Anti, almost shocked that he was getting off the hook this easy. He wanted to question it but he wasn’t about to wait for Dark to change his mind.
Wilford summoned his knife, cut the ropes free and poofed for all of two seconds before he was back again and poor Mat was left alone in his home, figuring out how the hell he was going to explain this to his wife.
Dark looked at Anti this time, while Wilford was still reeling a little, waiting for the anger to set in.
“Don’t encourage him.”
And that was it. Dark walked off, upstairs to do more paperwork and watch that damn video again.
Truth of the matter was, he didn’t totally appreciate Celines depiction in the video either. But Wilford didn’t need encouragement.
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