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#in my slow era. and that's okay
khytal · 8 months
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Omg??? The way you draw??? Especially Hattori Heiji???? Where have you been hiding these skills??????
I love how you draw him it's so yummy I want to nomnomnom the art! 😭 smooth, pretty lines and colours 🤤💓💓💓
The Gosho boys need to be drawn by you... 🥹💗
Kaito, Hakuba, Shinichi...
*wink*...and Makoto? *wink*
I'm pretty sure you'll do them justice if you ever considered drawing them 💌
thank you! ;<; I haven't been drawing much recently (outside of zine work) bc I'm spending a lot of my time watching detco lmao. but I just finished ep1029 the other night so I'm getting really close to being caught up on the canon episodes, which means I'll finally be able to get back to doing art a bit more regularly again x)
I have drawn other detco characters (got a few small comics in my files) but I'm waiting until I do more to post those lol. and magic kaito is on my list for later o)-<
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rubbish78 · 1 year
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Frank Iero shredding and Gerard Way...looking...
Sydney, Australia | 03/19/2023 (x)
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myuminji · 3 months
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hello I hope you are having a good day! I was wondering if you were still planning to do international pre-orders for the woowoos? I would love to have some little guys of my own 🥹 I love your art so much!
HI HELLO!! so sorry for the late response but update: yes I am! I've just been extremely slow at it bcs of irl school + comms + imtooscaredtoapproachthemanufacturersihavecripplinganxiety bUT!! I FINALLY BRAVED MYSELF AND I DID IT!!!! I had a talk and I think I got the gist on how to go about from here so I'm getting to it!!
I'm currently thinking of making a few more merchs (iirc someone wanted a full-body standee so I'm here to serve 🫡‼️) though it'll be slow...
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and I've revamped the design of my old charms, though I have leftovers from the previous batch that I'm planning to sell as grade-B charms! (like, 5-7 ish? it'd be nice if they can find a home...🥹)
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(I'll reprint the miniwoof zine + additional pages and—no promises yet—a small tiny Vashwood compilation zine of my previous artworks, comics (revamped), and some extra stuff!)
I hope this will keep you on your toes...apologies for being slow abt this... 🥹🥹
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desertfangs · 1 year
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Daniel & or / Lestat
Opening sentence/prompt: Both Marius and Armand had warned Daniel not to let Lestat be a bad influence on him, and yet here he was.
5 lines whomst? Thank you for the prompt! I hope you like where I've taken it.
Both Marius and Armand had warned Daniel not to let Lestat be a bad influence on him, and yet here he was. With Lestat. Surrounded by fans who’d swarmed them in the middle of the Adventura Mall in Miami.  
Which of course was no accident. Lestat had encouraged it. Courted it. Was now clearly reveling in it. 
They’d come to the mall for an innocent enough reason: Lestat, having seen some new trendy sunglasses, was now determined to get a pair and he couldn’t do so on Night Island, even though Daniel was sure they were sold at the shopping center there. No, no, that was no fun and besides, they were already on the mainland. And Lestat wanted to see another shopping mall, wanted to revel in the accoutrements of modern life! Or so he told Daniel.
Daniel suspected he just didn’t want to go back to the Island. He’d come out of the room he’d been holing up in and had found Daniel in the parlor, where Daniel had been listening to music on his walkman. Lestat had pulled his headphones from his ears, bent down way too close to Daniel so that their noses almost touched, and said, “You have your hard-won immortality and you’re spending it on the couch?” 
Daniel had glared at him even as his pulse had raced at the closeness of his face, his breath on Daniel’s skin. He’d set the walkman aside, grabbed the keys for one of the speedboats, and brought Lestat over to Miami.
The sunglasses in question had been on an ad near a bus stop, sending them on their quest. They’d only been at the mall for maybe ten minutes when the speakers, which had been playing a selection of current top 40 hits, starting blasting one of Lestat’s songs. He stared humming along—loudly—and several people recognized him. By the time they’d reached the fountain in the middle, Lestat was loudly saying that it was one of his best songs and he was glad people had not forgotten him. 
The crowd had swarmed around them, asking for autographs, a few tourists pulling out cameras to get photos. Lestat had jumped up onto the ledge of the fountain, using it as a makeshift stage, ever the rockstar. And he looked the part, too, in his leather jacket and violet sunglasses, his blond hair loose around his face. Daniel looked more unassuming, his own blond hair short and feathered, in a gray sweatshirt and jeans. He stood on the floor in front of the fountain, awkwardly positioned between the group of onlookers and Lestat. 
Lestat signed address books and receipts, and, for those who had the tape on their person or ran to the music store to buy a copy, the linear notes from their cassette cases. Someone even produced a copy of his book. 
Just last night, Marius had been telling Daniel how important it was for their kind to keep a low profile, especially after what Lestat had done. This was the opposite of low. And the last thing any of them wanted—the last thing Armand wanted—was for people to come looking for them in Miami. Not just curious mortals who probably didn’t really believe, but people like the Talamasca, or intrepid reporters hoping to chase down what happened to the lead singer of The Vampire Lestat and finding their private island.  
“Where have you been?” someone called. 
Daniel searched the crowd and saw that a teen with facial piercings was the one who’d asked. 
“Ah, well, I’m afraid that’s a secret,” Lestat said, with a big wink. “But you’ll be able to read about it in my next book!”
The crowd went wild and shouted more questions, asking if there would be another album, new songs, what the new book would be called? Daniel spotted a security guard near the edge of the crowd, looking bewildered and unsure what to do. Clearly having a celebrity jump up on the fountain and draw an audience was not common place here and he had not been trained for it. 
Daniel had been so focused on the security guy that he hadn’t noticed Lestat was talking about his concert in San Francisco, and then suddenly he’d grabbed Daniel and yanked him on the edge of the fountain beside him. 
Lestat threw his arm around Daniel’s shoulders and gave him a conspiratorial wink. “Do you know who this is?” 
The crowd looked blank, no doubt racking their brains to think of everyone discussed in Lestat’s memoir, in which Daniel did not appear.
“How many of you read Louis’ damnable book, Interview with the Vampire?” Lestat asked. 
A few people whooped and hollered at that. 
“This is our infamous little reporter boy. The one who started it all.” 
One or two people looked impressed. Most looked uninterested. Daniel felt heat creeping into his neck and cheeks. 
“Don’t be shy, Daniel! Address your fans.” 
Daniel did not think he had many fans in that crowd and didn't dare read their thoughts to find out. He waved awkwardly. “Hi, it’s been great to see you all, but Lestat has an errand to run…” Daniel started. 
“Sing a song!” someone yelled. 
Daniel gave Lestat a warning look. Marius was already going to blow a gasket when he heard about this and he doubted Armand was going to be thrilled to hear Lestat had been parading around Miami announcing his whereabouts, either. 
Lestat shot a questioning look at Daniel. Daniel frowned, suspecting that trying to talk him out of it was liable to make things worse. 
“Unfortunately, without my band, I fear the show would not be up my rigorous standards,” Lestat said. “You’ll have to wait for my reunion tour!” 
Relief washed over Daniel as the crowd made disappointed noises.
Lestat let Daniel go, and Daniel jumped back down off the fountain, followed by Lestat himself. 
Daniel snaked through the crowd and Lestat managed to extract himself from their grasp, calling that they should look for his next book in stores soon.
“Was that really necessary?” Daniel asked. 
“Danny boy, let me impart to you one of the great lessons of surviving the centuries,” Lestat said, putting a hand on his back, the pressure of it reassuring through his sweatshirt. “Have fun.” 
Daniel looked at him. “Fun doesn’t always have to be reckless.” 
“Pfft,” Lestat said. “Reckless! I’ve been holed up for weeks. I’m allowed to stretch my legs.” 
Daniel didn’t bother to point out that no one had kept him holed up in that office. “There’s just been a lot of talk among the others lately about how we should conceal our existence.” 
Lestat gave him such an incredulous look that Daniel stopped walking. Lestat spun backwards to face him. “Ah, but don’t you see? The more rules they make, the more determined I become to break them all.” He grinned. He had a charming grin and beautiful, penetrating blue-gray eyes that made Daniel want to stare into them for hours. With looks like that, Daniel could see how he’d gotten away with everything that he had. 
“You’re going to get me into so much trouble, aren’t you?” Daniel asked.
Lestat winked. “Count on it.” 
He took Daniel’s hand and dragged him on toward the sunglass store. 
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dazesanddoodles · 1 year
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agent stone my homicidal sweetheart
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gotta ask, whats your favourite bizarre headcanon that has zero or maybe even negative canon backing/basis. mine is that ophelia is the result of a magic accident and only has odin's genetics
THIS IS THE FUNNIEST ASK IN THE WORLD AJDJSKSD LOVE THAT HC FOR YOU
I’m trying so hard to think of what would count as bizarre. I have so many AUs and so many of them are joke-y, lol.
OH WAIT I JUST REMEMBERED my hc that Owain once propositioned Gerome purely and only because he thinks Inigo would hate that they got action before he did and he was pissed at Inigo at the time.
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yantao-enthusiast · 4 months
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MY COMPLETE TTPD PREDICTIONS
disclaimer: this has been posted on february 9th so whatever information comes out afterwards i will not be privy to so don't flame me if something contradicts any of this (or if something has already come out and i'm just. stupid). and this is also predictions so likely most of it will be wrong. so
(also this is really really REALLY long so be prepared if you wanna read!!!!)
general predictions:
k so just gonna put out there first my vibe check: i'm thinking definitely florence and the machine (obviously) and noah kahan and "carolina" vibes for the album. all very instrument heavy, alternative folk vibes. that's my two cents on that
so now for the extensive part. i have this theory that ttpd and midnights will be sister albums? like evermore and folklore, i imagine they're in the same realm of themes and songwriting of each other, like hindsight and reflection and this solemn isolation, while still having completely different production styles like rep/lover. there'll be a comparable amount of literary prowess (yes english major!!) like shown in midnights but deffo full power this time. i think ttpd will be much more mature than midnights, as i believe most of it will be written about the more recent times of her life, rather than midnights having lots of references to events long past.
one of my reasons for the sister album theory is the track "who is afraid of little ol' me?". to me, this reads "anti-hero", "sometimes i feel like everybody is a sexy baby and i'm a monster on the hill; too big (another parallel?) to hang out, slowly lurching towards your favorite city", sort of the antithesis to that idea that she's this scary looming figure or someone who comes in and ruins their time at a football game for just existing perhaps..... but i'll get into that more later about my analysis of each track
reason numero dos is the track "down bad", which could be an obvious reference to "hits different" since they're both obvious slang.... yeah this once i don't really need to explain
now three i will once again be using "hits different" as evidence (i will be using it a lot through this whole thing actually)!! during the bridge of this song, she mentions someone turning their key in the door, thinking it's her lover, or maybe the ever ominous "they" have come to take her away. a couple of tracks on ttpd could definitely connect to someone taking her away, like the tracks "fresh out the slammer" and "guilty as sin?", which following this timeline, would make perfect sense, wouldn't you think?
four is because... joe alwyn. the "tortured man" himself. midnights, the moments they weren't about the obvious past, many have made the point of connecting them to joe. and many of them were about how they got there, some pieces that weren't included in rep, lover, folk, ever, and some about how they inevitably fell apart until "you're losing me". which might just be the perfect transition into ttpd. where even in the titles, there's a desperation there to fix that relationship. the one where in many past albums (rep/lover and folk/ever ALSO sister albums btw), and midnights especially, she writes about clearly putting so much effort and time and love into. in "hits different", she says, "moving on was always easy for me to do," yet throughout that song and in the ttpd tracklist, her grief of this relationship is obvious, much more than even most of her albums via the tracklist alone. does this sound emotionally devastating to you yet? because it does for me!!!! (joe alwyn count your fucking days)
five, and final for now: "the manuscript", a bonus track and also the final track in this bonus edition. now, this might be a stretch but i'm sure you're familiar with "dear reader", the closing track on midnights (3 AM edition)? this manuscript could very very well be what this dear reader has been reading perhaps..... or definitely some sort of parallel in that respect. there's a couple different definitions to manuscript, which are:
a book, document, or piece of music written by hand rather than typed or printed. 
an author's handwritten or typed text that has not yet been published. 
now this could mean "the manuscript" is something written by hand, which could easily fit into the poet era. but it could also be part of "dear reader", a sort of p.s. addition that she didn't say in that song. both of these theories? very plausible but we'll have to see...
now that we have that out of the way...
TRACK PREDICTIONS:
this track list is, as i'm sure everyone is aware, insane. and everyone who has been invested in this relationship, thinking that they were gonna get married and everything, screaming off the walls april 2023, is preparing unhealthy amounts of tissues. so i guess now is the best time to put out an opinion!!!
once again, all predictions which means probably not true and might not align with any information that comes out at a later date! and this is all my interpretation!!! i'm just putting it out there!!!!! okay!!!!! okay!!!!!!
Side A:
"Fortnight" featuring Post Malone
maybe this is starting off strong but i have NO idea what the vibes are gonna be. post malone??? maybe it's like a noah kahan situation but other than that? no idea since i don't really keep up with post malone or know how he'd fit on this track
i've heard theories here and there so i don't have much to say personally other than hearing the theory about how it might be how she had disappeared for a two-week period in between eras tour shows. i think it could also be a reference to "exile" or "the great war", how those are terms often heard in similar situations. my ultimate prediction for the production is something like "cowboy like me" and "safe and sound" in a way? like lonely guitar, tumbleweed in the middle of the desert energy. it's likely a more mellow track to start off, an introduction to the album.
"The Tortured Poets Department"
the title track!!! i obviously was excited about the album title alone and the placement makes me wonder how "fortnight" will be sort of the more palatable opening track and this track will be more harsh .
the title is likely a reference to the recently resurfaced interview talking about how joe alwyn has been in a group chat with some other actors called "the tortured man club", which i referenced earlier. which i'm not gonna be mean. but i hope taylor will say it for me.
maybe it's just my hope but i hope this is a song that builds, similar to "your needs, my needs" by noah kahan. maybe it starts out quiet, the calm before the storm, trying to be nice, then it sort of delves into this idea that she's a writer, made to write scathing lines and beautiful cuts in the form of metaphor. you're the "tortured man"? she's this tortured artist, writing like it would kill her if she didn't. she's absolutely fucking insane. all this escalation with the production swirling in a storm with her. do you see the vision??? is the vision visioning yet???? is this thing on
"My Boy Only Breaks His Favorite Toys"
now this is one of the tracks where it's very clear the bargaining starts.
this is a common thing in toxic/abusive relationships, where "i hurt you because i love you" rhetoric, or the "tough love" concept. where it's "yes, he hurts me but i know he does it because he loves me", which is a horrible idea, of course, but to the victim, they may think that all relationships have flaws, some give-and-take.
now, this song could be about someone else from taylor's past. she could be referring to more mental/emotional abuse, breaking being more of a metaphor, i'm not sure. but i'm definitely very intrigued and concerned. (lowkey, i think there could be a connection to "high infidelity", just from the things mentioned in that song but there's no real evidence)
i think my prediction, from the title, it might be similar in vibes to lana? i don't listen to as much lana, i've only started really listening to her recently, but it could be like something from what i've heard from her "ultraviolence" album, both in themes and production.
"Down Bad"
as i mentioned before, there's obvious similarities in title name to "hits different". once again, per my midnights/ttpd sister album theory, i believe this will be the flipside of "hits different". "oh my! love is a lie"? nope, she's down bad baby!!!
there might be similar themes but my prediction will be her thinking she won't be able to move on, as seen in "hits different", and does everything in her power to make sure the two of them stay together, even overlooking things that hurt or disrespect her, like in the previous track.
as for production, i'm thinking once again lana del rey style but i don't think i could give you more than that, sorry y'all
Side B:
"So Long, London"
gee i wonder who this is about. i really really really
okay so track five. the awful, godforbidden, heart-wrenching track five. with the title "so long, london". rip london boy. rip cornelia street. rip lover.
i don't think i can say much here. it speaks for itself. the fandom has gone nuts enough. i'm going nuts. production? sad. "i hate boston" renee rapp vibes. i'm not fucking ready for this y'all
"But Daddy I Love Him"
back at it again with The Bargaining. also the reference to ariel (i'd seen this theory elsewhere) where she had traded her voice for a chance with this man.... aha..... i wonder if mayhaps we could be hearing about never talking about joe directly, keeping them on the down low......
maybe we'll be hearing the production pick up to be sassier, maybe even her playing a bit of a character/story in this song? or this could be a really really sad one where she's begging that she loves him and she doesn't want to leave and it's almost like a lullaby, like "last kiss" or "new year's day". either or. this album might wreck me btw
"Fresh Out The Slammer"
as mentioned before in my connection to "hits different", it was the metaphorical police after all, because of course joe wasn't there. now, of course, this theory could be completely wrong.
the prison metaphor, which could definitely be a callback to "he can be my jailor, burton to this tailor", as now most happy things in that six relationship have soured. an additional interpretation could mean she had escaped this slammer of the relationship and "hits different" is the grief coming back, trying to be happy about escaping but she's really not. but Who Knows. i'm making shit up. i'm also an insane writer. take it with a grain of salt.
this i'm excited because it's giving southern badass, it's giving first taste of freedom, get me a rifle, a pack of cigarettes, and my cowboy boots, time to exact my revenge of all y'all who put me here!!!!
"Florida!!!" featuring Florence and the Machine
if you couldn't tell from my excessive y'all's, i am indeed a floridian.... can you believe it.
honestly i have very little idea what this might entail but the exclamation marks give me hope i won't be sobbing. there's a theory out and about how she went to florida soon after the breakup for the tour so i'm wondering how that connects, what she's talking about in particular or if she just really loves disney world
my only indication is florence and the machine so i'm hoping it's something in that realm because i do like their songs!!! oh it might also be country-adjacent, considering florida (derogatory) (but it's fine since i like taylor swift country)
Side C:
"Guilty as Sin?"
back at it again with potential prison metaphors. also perhaps a religious reference. which might be relevant to people calling her "demonic" or that she's "strayed from God" or whatever radical Christian bullshit they're on today... or perhaps joe or someone had tried to put the blame on her for something and she's like ????
anyways this could go a few different ways but the question mark has me thinking this might defy my expectations. idk i don't trust it
i honestly have no clue on the production. gun to my head if you asked me for the correct answer, 9/10 my brains will be painting the adjacent wall. but bc this is silly and jolly i'm gonna guess this is gonna be a bit of a classy clapback song since i'm going with the midnights sister album theory and there's a bit of those in there
"Who's Afraid of Little Old Me?"
i've basically already given my thoughts on this. she's literally just a girl. a grown woman at a football game. an international superstar who sings her silly little songs that she wrote with her super serious english major. she's putting so much carbon in the air by flying private? aww sweetie are you trying to blame taylor swift for something you should be blaming on big corporations AGAIN? silly you! educate yourself :)
anyways. so moral of the story is she's literally just a girl. and i hope it's not sad but it could be, like "anti-hero"'s sister.
i hope there's some sort of nature-esque feeling to it. like crickets chirping in the background, leaves rustling. i think it could definitely be like the vibes of a little girl who you've heard urban legend about like carving out the bowels of anyone who disturbs her but she's actually the sweetest little thing. that could be poetic asf. maybe i should be a writer (has not touched my long-term project document in a month)
"I Can Fix Him (No Really I Can)"
and you know what. she's so real for this
as a certified attempted fixer, i feel qualified to say this will be a banger. lowkey. i'm begging for a little sexy guitar and drums action. maybe even something a little sultry idk.... gives me that vibes
also yes. more bargaining. but she's SURE she can fix it. and if i know anything, i know i trust taylor swift
"LOML"
see guys, she fixed him? see? see? she so fixed
um so yeah i'm mostly piggybacking on others' theories about this about "loml" not standing for "love of my life" and instead perhaps "love or my life" or "loss of my love" or something adjacent... so um ackshually this will 99% percent be depressing
i have strong feelings about piano here. i think piano will be the main instrument. one: because joe. joe piano. joe piano exile. joe exile. okay. two: because ballad. piano ballad..... guys this is basically a formal essay if you haven't noticed
Side D:
"I Can Do It With A Broken Heart"
so guys i'm starting to believe there may not be happiness on this album. if there is, there is "happiness" by taylor swift and we all know how that goes.
this is sad but badass. she's writing albums, she's on the highest grossing tour ever, she's fucking heartbroken. y'all. an icon. round of applause. i want to give her a hug.
i'm thinking it could be something a bit like "billie bossa nova"??? i have no basis for this assumption. none of this is based on anything. but that's my guess
"The Smallest Man Who Ever Lived"
once again putting the L in joe alwyn.... ricky when i catch you ricky when i
if i hear anything. anything at all about joe needing to belittle her to feel bigger. if there was ANY sort of attempt to make her smaller because he was insecure about his life. i will not be responsible for what happens
it's giving piano, once again, for obvious reasons. but it might be a bit of a builder. but like a soft building song. like "you're on your own, kid". obviously different productions but yk what i mean.... me and my sister album theory bullshit
"The Alchemy"
girl you can't say "never beating the sorcery allegations" then put this as a track like you're really
i don't really have too strong opinions on what this is going to be like except this maybe having some connections to "labyrinth" and "glitch"? my initial thought is something about her and joe's chemistry, maybe about how it died, or something to that extent.
and also no idea on what it might sound like but i'm thinking we might lean into more florence and the machine vibes so yippee
"Clara Bow"
hey so if you know anything about clara bow, or if you're like me, you've seen so many tumblr girlies tell you about the emotionally devastating life of clara bow due to this track name. um
this will definitely be an amazing closing track (at least for the standard edition). it might kill me in the process. but if taylor does one thing right, it's her usage of historical storytelling, as well as the ties and connections to taylor's life will be immaculate. and from what i hear, i might be sobbing my eyes out as well so that's great
i'm feeling strings on this, like violins and all that, soft and tragic. i know clara's story, at least what i've heard, reminds me of "the lucky one" so that might be thrown a bit in there but overall i have a feeling that she's about to call the orchestra
Bonus track: "The Manuscript"
me and the cd i ordered bout to go crazy
i don't really have much else to say since i said most of my piece earlier, connecting it to "dear reader" as per my theory. maybe we'll be leading into a more hopeful note, considering her relationship with travis, or maybe i'm just delusional and i know i'm gonna cry to this
my thoughts on the production i think, as per "dear reader", a bit more minimal, soft like a nurturing hand. it might build but i think overall, it might be the light at the end of the tunnel, the "hey, i know you think it's the end of the world but p.s. i love you and you're gonna get through this". (watch it end up ripping my guts out and spitting on my body)
FINAL THOUGHTS:
though i swore i wouldn't clown, i did think rep tv was about to be announced on grammy's night. i think many of us did. but this is easily just as amazing of an announcement and whether it's like my predictions/wishes or exactly the opposite, i'm really excited to see what world she's invented next for the swifties to dive into! please if anyone has any predictions that are different or adding on, give me your theories.... i want to know...... and ofc thank you taylor for being the gift that keeps on giving and giving (the amount of albums she has released within the past two years alone... insane) (WHILE DOING IT WITH A BROKEN HEART!!!!) and please pretty please have at least one kind of not sad song on this album please okay thanks i love you
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stardustedknuckles · 1 year
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I have been getting fucking bodied by spring this year, no lie, but it's nothing short of a miracle that I just walked outside to 93 degree heat and thought it felt good. I've been heat intolerant my whole life and I'm not sure which change enacted in the past 9 months has taken that down, but I have never once walked out into anything above 80 and thought anything except "Jesus fuck all my energy just flash evaporated like water on a stovetop." I've never walked into heat and felt a little more awake and alive.
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zhuhongs · 10 months
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sooo funny, i got home from dinner with my brother to a text and i was like !! hope its the text i was expecting but no it was a different text and i was like "":( i don't want a text from you! rn" and then went to walk my dog but then halfway thru walking my dog i got the text I actually was looking forward to and was like. yayyyyy
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wanderingandfound · 1 year
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What they don't tell you about running up that hill to make a deal with God is that your calves are going to mutiny the next day.
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magicwithineleteo · 2 years
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i miss writing sm but i’m saur unmotivated and tired
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non-operator · 3 months
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okay... let me start off with "I'm sorry" because I lied and I'm bored, gave H*llavu B*ss a go because my feed is full of it and HH now and I have no impulse control and I also can't leave things unfinished. And HB is free on youtube; I can technically pirate hh but I don't want to be in that much effort for that...
And like, I think it's the same as I feel about that one song from HH. It's not that great, though I guess I can see why people like it? But in a "I don't think you people ever moved past deviant art era plot and art". Which, to be nice, isn't bad by itself but objectively speaking, there is better media and stories out there. All in all, I'm giving it a 2.5/10; I think the best way to summarize HB is that it's a show made for people who were already in love with it before watching it, not a show that tries to win over its audience.
Plot
It is episodic, so I will admit that plot isn't that big of a factor in the series. But I will say that it loses sight of its premise pretty fast. Like, it's advertised and set up as a "wacky hijinks in a found family assassination business", but after the first few episodes or so, it stops showing them doing work/killing people and how they go about that, and focuses more on what happens around or outside of work. For example, ep 6 and 7 just doesn't even show them working and skips straight to the aftermath and what they're going to do after work. The Spring Break episode does show them working, but it glosses over it; IMP is more like a plot device than a premise. Ep 2 straight up has them doing other stuff (aka bodyguarding, something that is explicitly said to be not a service IMP offers). Fuck it, even the Harvest Moon Festival ep is not work-related. For a show that is supposedly centered on IMP and the main cast killing humans on behalf of sinners with a grudge, it doesn't actually interact or play with that concept. And I think it basically drops completely out of focus in Season 2.
And like, I can understand if the show wants to make it more about character dynamics than the business, but the pilot (and ep 1 kind of) promises to explore that *through* IMP work. And that leads into the next big problem with HB
Character
I feel like everyone except Blitzo is underdeveloped, especially the women in the show. We get a lot of insight into Blitzo's motivations and emotional baggage and how he copes with that in unhealthy and asshole-y ways. But literally everyone else is kind of thrown under the bus unless it's relevant to Blitzo. The only character that kind of escapes this treatment (but not wholly) is Moxxie.
But Millie is only defined by how she's Moxxie's wife, and basically nothing else. Loona-- does have some more characterization than Millie, but her biggest-- and basically only-- role in the show is being Blitzo's difficult adopted daughter; her character arc about idk getting more in-touch with her feelings and being more expressive is centered around how she feels about Blitzo. And then the side characters: Octavia and Stella. Octavia is also about being a daughter to her father, and that's kind of it! Even though she's struggling with her parents' (incoming) divorce, she's only shown to be interacting/having an emotional connection with Stolas; Stella is never in the picture. Stella is-- just a major bitch, and that's it. That's all she has to her character.
But Octavia and Stella are side characters, so I can accept them having pretty flat personalities, but Millie and Loona? Those two are part of the main fucking cast. How are they being sidelined this hard??
I think a lot of the show revolves around Blitzo, so if the characters don't matter to him or don't bounce off well with him, they kind of get shafted by the writing. Like Millie. She is just generally so easygoing with Blitzo's antics that there's nothing for Blitzo to really react to there, so she's just essentially a background character.
Speaking of, almost all the characters and relationships are kind of built to parallel Blitzo and Stolitz (we'll get to this ship in a minute). Like, Moxxie is supposed to be a nice foil to Blitzo because they're both afraid of rejection, but they deal with that in opposite ways; Moxxie is polite, professional, no backbone because he doesn't want confrontation lest it lead to rejection whereas Blitzo is crass and a dick about everything so he can push people away before they reject/hurt him. And they both want to be loved, but Moxxie has a healthy relationship with Millie whereas Blitzo has no such thing in his life, so another contrast. And also daddy issues.
This is okay on its own. It makes a compelling dynamic between Blitzo as a boss and friend to Moxxie.
But then they do this for almost every character?? Loona (basically) has daddy issues and can't express herself that well because she's under-socialized and Trauma, Octavia is a daddy's girl and is too emo to communicate her feelings, Stolas has daddy issues and also communication issues, Fizzarolli has daddy issues (when he doesn't need to???)
And then there's the fact that it feels like the other relationships we see are supposed to work as parallels/foils to Stolitz as well? Moxxie and Millie and happy and healthy and committed, unlike Stolitz. Fizz and Asmodeus manage to work around that class disparity/power imbalance because they can communicate with each other, unlike Stoliz. They kind of just function as a "this is what Stolitz could be if they got over themselves and talked"
And generational trauma and the desire to be loved can be a major and shared theme, but there should at least be nuance between each representation of it?? These are literally all the same in that it boils down to "I don't know how to ask for proper intimacy".
Ships
There's only one main ship and it's Stolitz, and... I find it compelling?? But it's just not executed well enough. They just rush through the development, so when the show actually reveals that there's mutual attraction, it just feels like it comes out of nowhere and the audience has to do a lot of the legwork to figure out what the fuck happened from point a to point b.
It's also like, it steals a lot of attention from other aspects of the show. I feel like a lot of Season 2 episodes kind of focuses more on that relationship in favor of other characters who need screen time and development (like Millie)
I could give a really long analysis on Stolitz, but I'm just going to say that the problem kind of just boils down to the show doesn't sell that they actually feel genuine affection for each other. I can see them projecting their own emotional baggage onto the other and using each other, but there's no transition from the transactional relationship they have in the beginning to liking each other as people. In fact, I don't think they even know each other outside of sex and work. Which is bad. Because I can buy them fucking up communicating their wants and thus settling for fucking each other for "professional" reasons, but if the show really wants to sell this ship, there has to be something genuine between them that draws them to each other.
Which is to say, Stolitz is a ship for people who already love and want the ship, not for people who are just There. As in, the show seems to make the assumption that the audience wants this ship to happen and that the ship will happen, so they don't really take the time to establish a solid foundation and growth arc for it. It just feels like big emotional or romantic moments without the actual necessary context to make it work. Which is just a problem for the general show.
Pacing
It's bad. It's so bad. I can understand leaving arcs unresolved for a bit so that there's suspense or whatever, but they keep adding more arcs and problems while leaving unfinished plotlines unfinished. Only to then resolve it super quickly. Like ??????? It's all so cramped and rushed-- but then they sometimes slow it down in the worst way possible in that it just kind of ignores previous developments for a one-off episode or something (like S2 Ep 2 where they just ignore the Stolitz drama for wacky adventure in the human world and Stolas and Blitzo are just acting like nothing wrong happened). (And I Know! I know they showed details in the background that explain that this happens because both of them are ignoring the problem, but even so, they shouldn't be acting so casual with each other; it should be made more clear that they're both still uncomfortable but *acting*) (and something that changes the relationship should be shown to the audience clearly? Not just put in as "blink and you'll miss it" text messages??)
And sometimes this rushed pacing leads to info-dumps or telling, not showing. Like with Stolas' focus episode where we learn his backstory. It's not super bad, but it weakens the impact of big plot moments; we just hear Stolas saying he endured his loveless marriage for his daughter, but we. never really see that...? The times he's with her when she's a child doesn't count because Stella's not a picture in that. The one time we kind of see something related to this statement is when Stella's kind of being loud in the kitchen and he checks in on her sleeping peacefully, but like. That's not really and example of him enduring Stella's temper and insults for Octavia's sake. He hasn't even seen Stella at all before he drops by Octavia's room. The next time is when Stella is throwing an imp at him in the kitchen and Stolas is trying to be... nice? reasonable? But at this point, I think it's clear to Octavia that her parents don't love each other. And even then, we never really see him paying attention to her or expressing concern about what Octavia might think or feel during the fight, or trying to reassure her that this is just a normal spat between married couples afterwards as damage control. We can just take his word for it, but it's just not as powerful. I'd say the same goes for when we learn about Moxxie and his father/traumatic childhood. Would've been great to see how he struggles with that specifically or had more clues to that before we see him completely resolve to stand up to his father.
It just feels like the show itself expects the audience to be completely in love with it, so it doesn't really bother to develop its world or characters until Big Emotional Moments and at that point, it just gives the necessary context to pull it off real fast, so everything just feels so... compact and dense and not very natural. It's not trying to sell itself to a new audience, it's catering to an audience that's been supporting them since the pilot.
#can't say much about the character designs bc I'm going to be honest. i'm not that good at doing it#and i have low standards. my thoughts are literally 'they certainly Look' and that's it. I go 'that's an imp. that's a hellhound. okie'#they don't make me go 'wooowww amazing design' but they don't make me go 'that's horrible and lame'#best i can describe my feelings is that the designs just rank as mediocre to me. there's nothing really original or inspiring about them#but there's nothing i can say is particularly like. blasphemous or atrocious#and the songs.#they're okay?#there's some that i like and some that i don't and other where i'm like 'i guess it's good? objectively? but it's not really my taste?'#like. they fucking got a broadway singer?!?! and Jafar from aladin?????? that's fucking wild to me#but i don't actually care for the songs as much as i care about the writing#and the writing is.... bad. there's no other way to put it#I can see the potential. but on god. they need to slow things down and let things develop naturally#or take the time to put their scripts through another round or two of editing#but i can kind of see why people like it. it's like. middle school era catnip#but also so much stuff about characters and worldbuilding that's left untouched or unaddressed#it might as well be free real estate for fanfic/fanart#but for me at least. it's too poor quality that i can't even feel inspired to play around with it#there's nothing of substance there to even play with. you might as well just write your own version of hb
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kolsmikaelson · 22 days
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— ART DONALDSON NSFW ALPHABET
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NOTES — been deep in my mike faist era for the longest time and i’m so obsessed w art it’s bad, so here we are! hope you enjoy <3.
WARNINGS — 18 + content mdni, fem!reader, not proofread
join my taglist or follow @rodrickhefley to see when i post
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A = Aftercare (what they’re like after sex)
needy as fuck. he’ll grab his shirt that had been tossed to the floor to clean you up quickly before tossing it back onto the floor and just wrapping himself around you, keeping his head on your chest.
B = Body part (their favorite body part of theirs and also their partner’s)
he looooves his arms, he always liked them, but maybe how much you like them is what made them his favorite. he’s obsessed with your legs, he loves the way they feel when they’re wrapped around his head while he’s eating you out or how they feel wrapped around his waist when he’s pounding into you.
C = Cum (anything to do with cum, basically)
he loves to cum on your tits. it’s his favorite place to cum, other than inside of you.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
the two of you met in college, when he was much less experienced, so one time when patrick is visiting he recruits him into teaching him how to fuck you better. art knew he was alright but he wanted to be great for you.
E = Experience (how experienced are they? do they know what they’re doing?)
not super experienced, sure he’d fooled around some before he met you but that’s about it. with some help from patrick he definitely knows what he’s doing.
F = Favorite position ( goes without saying)
cowgirl. he’s a tit guy and loves that he can see your tits bouncing in his face while you’re riding him.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
it can go either way, usually he’s a little on the goofy side, but sometimes, after a bad match he’s not in the mood to be goofy.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
not clean shaved by any means but he keeps everything under control.
I = Intimacy (how are they during the moment? the romantic aspect)
the most romantic. showering you with love and affection is all that he wants to do <3.
J = Jack off (masturbation headcanon)
used to jerk off so often, but as the two of you got older he did it less and less but maybe that’s because you were always there to do it for him.
K = Kink (one or more of their kinks)
praise kink (giving or receiving), size kink, spit kink, little bit of a mommy kink if he’s feeling really needy.
L = Location (favorite places to do the do)
his dorm, his car (but only if parked in a decently secluded place), or the shower.
M = Motivation (what turns them on, gets them going)
winning gets him going, the adrenaline from the game and from winning gets the best of him every time.
N = No (something they wouldn’t do, turn offs)
no choking, you specifically, every once in a while he’d be okay with you lightly squeezing his throat while you’re on top of him riding him.
O = Oral (preference in giving or receiving, skill, etc.)
definitely prefers giving, he’d spend as long as you let him finding out what makes you tick, exploring every inch of your cunt, but he’d never turn down a blowjob if offered.
P = Pace (are they fast and rough? slow and sensual? etc.)
both! but usually fast and rough.
Q = Quickie (their opinions on quickies, how often, etc.)
he loves them. a quickie before a match or before you leave for class, always put you both in a good mood.
R = Risk (are they game to experiment? do they take risks? etc.)
yes and no, it just depends on what you or he wanted to try. but he’d always at least consider it for a while if you were to ask to try something new.
S = Stamina (how many rounds can they go for? how long do they last?)
2-3 rounds usually, sometimes it could be 4. he lasts a decent while, as long as he gets you off first then he’ll let himself cum, though sometimes he’s cum in his pants when he’s eating you out but really it’s a win-win situation.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
he’ll use your vibe on you every once in a while but usually he’s not huge on toy usage. but he’s not completely against it either.
U = Unfair (how much they like to tease)
he gets better at it over time but you’re usually the one doing all the teasing instead of him.
V = Volume (how loud they are, what sounds they make, etc.)
so loud, he’s always whimpering and whining and moaning in your ear.
W = Wild card (a random headcanon for the character)
just like patrick, he’d try and feel put how you felt about having a threesome with patrick, because at the end of the day, whether they’d admit it or not they’re not complete without the other but that doesn’t mean he loves you any less, because trust that man to be absolutely obsessed with you.
X = X-ray (let’s see what’s going on under those clothes)
a good 5-6 inches soft, and pretty girthy too. and he knows just how to use it.
Y = Yearning (how high is their sex drive?)
pretty high. he’s obsessed with you and obsessed with fucking you.
Z = Zzz (how quickly they fall asleep afterwards)
oh he’s out like a light. his eyes are droopy when he’s cleaning you up but the moment his head falls onto your chest, he’s done for.
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© kolsmikaelson : please do not copy, repost, or modify any of my content.
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stylesparker · 9 months
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closer than friends
PAIRING: Sam Winchester x Fem!Reader
WORD COUNT: 5.3k
WARNINGS: season 1/2 era, friends to lovers, sweet love confession, Dean being Sam’s wingman
A/N: my first supernatural fic is finally here!!! It’s been a long while since I’ve had the motivation to write, and I’m so glad I was able to get this out and share it. Please reblog if you enjoy!! <33
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"How many times are you gonna shift in your goddamn seat, woman, jesus christ." Dean glances over at you from the wheel for the fourth time, watching you rub your eyes and knock your shoulder into the side of the Impala's door again.
"It's not my fault the passenger seat isn't made for comfortable napping, Dean."
You hear Sam chuckle from over your shoulder; this makes you look back to find him comfortably nestled into the corner of the backseat with his sweatshirt tucked in the crook of his neck so he can lean against his door without discomfort.
You huff, "I don't want a word from you."
"Says the girl who called shotgun and fought for the front seat all morning."
"What did I just say?"
Dean rolls his eyes, "Okay, knock it off. We're finding a place to sleep tonight."
While Dean focuses back onto driving, you try your hardest to find a suitable position that would allow you to sleep for awhile up until you guys made it to whatever hotel you were staying in for the night. You'd like to blame the Impala for your sleep deprivation, but you've slept in it before just fine, so you know the car isn't the problem. Even though you're going on just over 36 hours of no sleep, your mind won't shut off. The events of the case you were working on for the past couple of days play like a movie in your head, reminding you of how it ended over and over again.
You swallow quite harshly, and shift in your seat again. Something soft smacks the back of your head and you whip around to see what Sam's hit you with, but it's just his sweatshirt, and he's already leaning against the side of the car like he was before, almost as if he hadn't moved at all.
You mumble out a quiet "thank you," and you don't bother to even listen for any sort of reply before you're stuffing his sweatshirt underneath your head and forcing yourself to go to sleep. It's not long before you hear Sam's soft breathing from the backseat signifying that the boy has finally fallen asleep himself. You almost gave up until you saw Dean turn down his music just a little, side-eyeing you as he looked between you and the road.
"Is that better?" He asks.
"It was fine before."
"I'll keep it like this anyway."
You hum in response, and he goes back to humming his own tune to follow along with the music. With Sam's soft breathing in the back and Dean's low humming, you finally find something else other than your mind to focus on, which ultimately leads to your eyes lulling shut and you drifting off to sleep.
When your eyes start to peel back open again, the car is stopped and there's light rain patter on the wind shield. You lift your head causing Sam's sweatshirt to lightly fall into your lap, and at the same time the door opens revealing a slightly wet Sam waiting for you.
"C'mon, we're here."
"Slow your roll, Sammy, I just woke up." Your head lolls back onto the seat, and you let your eyes close once again, forgetting about Sam who's standing in the rain waiting for you to get out.
"Alright, let's go."
You shiver and grumble a slight protest as you feel his cold hands slip underneath your body to grab you and pick you out of the Impala. He knocks the door shut as he cradles you close to his chest as to not drop you, and as he locks the car. Your ear stays smushed against his front as he carries you, allowing you to feel the soft pitter patter of his heart beating in his chest.
"What time is it?" You mumble sleepily.
"Close to ten."
"That's it?"
"Yeah." You nod, not replying this time so you can nod back off in his arms. You're back to being fast asleep once again by the time Sam reaches the room Dean picked out for you, and he tries tucking you into your bed as gently as possible so he doesn't accidentally wake you up. In the short process you only mutter something unintelligible to Sam's ears as he finishes pulling the blankets up, so he ignores it and kisses you on the forehead, bidding you a good night before he retreats back to the room he's sharing with Dean for the night.
It's much later when you're rudely roused from sleep by a nightmare; you sit up straight in the bed with your hands by your sides clawing at the sheets, your eyes wide and unfocused, much too scared to figure out where you are or how you've gotten there. It takes a second to realize you're in a motel room, and now, the sheets that were once neatly laid over your body are haphazardly thrown towards the end of the bed, practically hanging off and hitting the floor. You take a shaky deep breath in and out, taking your trembling hand and placing it over your heart in an attempt to regulate it.
After a couple minutes your breathing is sort of back to normal, but your shakiness hasn't stopped. At that point, you're aware you won't be falling asleep again anytime soon, so you sit up further and throw your legs off the bed to go and find something to busy yourself with. In the corner there's a chair that you notice has your bag on top of it, and there's a small table next to it with a notepad. Your curiosity pulls you towards it, and when your feet reach the table, you're able to make out Sam's sloppy handwriting.
If you need us. - S
Next to the writing is a key card, which you can obviously assume is the one to their room. You pick it up and turn it over a few times, debating on whether this dream was something worth needing them for. In your head, needing was the same thing as bothering and it was never used as a positive term. But you know that if you spend another minute in that bed you might actually start crying and drive yourself crazy over the dream, so you take your chances and hope one of the boys will let you sleep in their bed or at least talk to you for awhile and get your mind off of it.
When you open the door and step outside, you become acutely aware of the cold air on your arms and legs rather quickly, and you begin to wish you were wearing a sweatshirt instead of one of Sam's shirts and a pair of shorts. The chill encapsulates you, making you hasten your step towards the room down the hall with the number specified on the key card. Once you make it to the room, you're pushing yourself up on your tip toes because, despite your sock covered feet, the ground is still horridly cold and you're hoping to get off it as soon as possible. Although, you find yourself unable to let yourself in once you find yourself standing in front of the door. You give it a good five minutes before you work up the nerve to finally pat the key card on the handle to allow yourself in the room. Once you've pushed open the door a crack, you're able to perceive a bed-side lamp turned on, and Sam leaning against his headboard next to it.
His head snaps up from his book at the sound of the door being pushed open, but he relaxes when he realizes it's you.
"Hey," he says softly. He's in the brown sweatshirt you were passing back and forth earlier, and he's weirdly still in a pair of jeans, but at this point you're used to seeing Sam and Dean wearing their jeans to bed.
"Hi," you respond back, even softer.
Sam likes to think he's pretty good at perceiving your body language, especially after knowing you for so long; so when he notices your trembling hands, your flushed cheeks, and your frantic eyes, he knows that you've had a nightmare.
He's not gonna ask why you're there since he knows why, so he only pats the side of the bed next to him and asks, "You wanna' join me?"
You're quick to nod your head and cross the room to join him, and it's only then when you're on the bed that you notice Dean isn't in the other one.
"Where's Dean?"
"Oh, he left to drive around. He's probably at a bar, or sleeping in the car somewhere." He says casually.
You hum, "Couldn't sleep?"
"Neither of us really could. He asked if I wanted to come with, but I didn't really feel like leavin'." Sam left out the fact he didn't want to leave you here alone, since he doesn't like leaving you anywhere by yourself. Dean doesn't either, but he doesn't get fussy over it like Sam sometimes does when you fight them on it.
"I can't either," you say quietly.
With some of your hair dangling in your face and your flushed cheeks, you look sort of delicate in Sam's eyes. You look sad, but when you look at him you have a gentle smile covering your lips, and when you look away your mouth curves downward again, only slightly, to where you might think he won't notice, but he does.
Sam's always stayed observant of you, even when you think you're the one who takes all the mental notes of him.
He reaches out, lifting the hand closest to you and letting his palm rest gently on top of your shoulder.
"You okay?" He almost looks like a puppy when he asks, and it's pitiful. For you mostly because he's cute, but why should he look like that when you feel like you're gonna start crying any minute.
You don't even want to answer because if your mouth opens you're either gonna say you're fine, or words describing the terrors you experienced in your sleep are going to come pouring out of your mouth and you won't be able to stop until you're a sobbing, pitiful mess and you could not handle being that way in front of Sam.
You couldn't.
But looking at him looking at you so fondly, it's like he's trying to tell you he'll comfort you the only way he knows how and he's gonna fix all your problems with a touch or two alone. Like the way he wants to hold you will melt all your fears into nothing and the way he wants to kiss you will make you forget any of it even happened. His eyes speak more than words could express in this moment and you don't even care if you seem desperate, or needy, or anything really. You allow yourself to fall forward into his awaiting arms, and when your head meets his chest, you can't help the first sob that escapes your lips.
You sound so tired, and the way that you're crying so harshly makes him feel like you're tearing yourself apart inside, like each breath is ripping off another piece of your heart.
"Honey..." he breathes out gently, wrapping his one arm around your neck and his other only comes up about half way so he can hold your head close to him under his chin. You've fallen completely into his side, your head against his chest and one leg practically in his lap, but he doesn't seem mind. “Do you… want to talk about it?”
You consider it for a moment; you probably would feel better opening up to him about the case you just worked, considering he was also there and knows how hard it was, but you also know opening up to Sam makes you feel close to him. Intimate almost. You’ve never been one to share your thoughts or feelings generously, and you think that must have just came with the messed up childhood, since Sam and Dean are pretty much the same way. But as the years went on, the boys got much better at opening up to you than you did them. Although, if there was anyone that could get you to talk, it was Sam.
Today, you decided, would not be one of those days.
You shake your head, "I'm okay, I'm okay. I'll be fine." You know by his soft sigh that he doesn't believe you, but luckily he doesn't push it. "Can we just stay like this for a little while?" You whisper shyly, despite knowing he wouldn't say no to you.
"Yeah," he strokes your hair softly, "Yeah, of course."
You lay comfortably against him as he slowly but surely calms you down, holding your head and rubbing your arm gently as you let out sad little sniffles. Once you've relaxed, you murmur something into his chest that he thinks might have been a thank you, but before he can ask you've already fallen asleep.
About an hour later after the two of you have fallen asleep, Dean unlocks the door and enters the room slightly shitfaced but more so tired. He freshens up in the bathroom so he doesn't wake up feeling even worse in a couple of hours, and he doesn't even notice you're there until he's trudging out of it, eyes wide and feet frozen to the floor as he takes in the image of you and Sam cuddled up to each other in Sam's bed. He manages to put his fist against his mouth just in time to cover up a surprised laugh, taking in the sight of his little brother in the same bed as their best friend.
"This is gold." Dean smiles mischievously, pulling his phone out of his pocket to capture the moment. "Just friends my ass." He mutters.
...
"Dean, if I have to hear you say that girl's name again one more time, I'm going to chop your head off. I don't care how good she was at su-"
"Alright, alright, let's quiet down shall' we?" Sam pats your shoulder and looks around the cafe to see if anyone heard you bickering with Dean about last night's one night stand. Dean laughs loudly as he lets himself into the corner booth that the three of you chose while you were walking in.
"What, you nervous someone's gonna hear us, Sammy?"
"It's 8 in the morning, Dean. Let's be a little respectful."
You hide your giggle, "Yeah, Dean."
Dean rolls his eyes, glancing at Sam as he ever so casually throws his arm over the back of the seat behind you, looking at the side of your face to see if you've taken notice. You're picking your nail, completely oblivious. He almost rolls his eyes again.
"Well," Dean straightens up, "Let's see what we have on the menu today."
"Don't act like you're not going to get the same exact thing you get every day," you comment, not even looking up from your nail.
"What's with the attitude, sweetheart? Didn't sleep well?" Sam's smile quickly turns to an annoyed frown as he makes eye contact with Dean, silently sending him daggers to keep his mouth shut.
You squint your eyes at him and open your mouth to come back with a retort, but the waitress walks up before you get the chance to say anything.
"Are y'all ready yet, or would you like a few minutes?" She asks kindly.
"Can we have a couple more minutes?" You say, since the three of you haven't even taken a look at the menu yet. She nods and retreats, leaving you alone with the boys once again. Sam and Dean grab their menus and you quickly realize there isn't a third, so you go to call the waitress back, but Sam nudges you just before you do.
"It's fine, just share mine." You huddle close next to him, resting your chin on your hand as you survey the food options as Sam does the same. He's so close his hair just so slightly grazes the skin of your cheek. Dean raises his eyebrows when he notices Sam's leg has started bouncing and he covers up his laugh with a cough just as he did last night, busying himself and acting clueless as the two of you look up at him.
"You alright?" You ask jokingly.
"Yup, totally fine. You guys ready yet?"
"Yep. How about you, Sammy?" He clears his throat and doesn't say anything, but he nods his head in response, which has you eyeing him weirdly. You choose to ignore it and let Sam order for you while you kick Dean under the table to stop being flirty with the nice waitress, and he only winks at you before he gives his order too.
When the waitress departs from your table, Dean lets his eyes follow her just for a second before he's turning back to the two of you, and he gets this questioning look on his face when he realizes the two of you are blankly glaring at him with the same narrowed eyes.
"What," he throws his hands up in defense, "I can't admire a good-looking woman?"
You and Sam glance at each other with a knowing glance right before you look back at Dean and say, "What's with you today? Why are you acting so..."
"Strange." Sam says. He leans forward on the table, "Why do you look like you're up to something?"
"Huh? Me?" Dean points to himself, "I'm not up to anything. I'm just being plain old me."
"Yeah, sure." You laugh him off and start a side conversation with Sam that has the two of you forgetting about Dean for the moment. Dean always knew Sam liked you; it's so obvious, at least to him. But he wishes he'd realized before how clearly obvious you are too. He doesn't know if he wants to throw up or throw a party.
...
A couple weeks later
"One or two rooms?" The lady asks.
"One please." Dean replies, handing the lady one of his debit cards that probably had some weird made up name on it. When Dean turns around with his debit card and the key in hand, you and Sam are looking at him weird like a couple of toddlers.
"Really? One room? Since when have we done that?" You questioned.
"Since you and Sammy boy over here started sharing a bed every night. I'm not gonna pay for two rooms when you don't use yours." Dean quickly catches on to how he's embarrassed the two of you so he adds, "and besides, I'd rather you stick with us anyway. Keep the team together." He pats your shoulder with a smirk and leaves the two of you behind. Sam spares a glance at your face and he's a bit surprised to find that you're just as taken aback as he is, but you don't say anything and you follow Dean rather quickly.
The three of you head back to the Impala to grab your bags before heading to the room, and when you go to take out yours, Sam slides in front of you and grabs his in one hand, and yours in the other.
"Sam." You say impassively.
"Yeah?"
"I am fully capable of grabbing my own bag."
"Oh I know. I'm just getting a quick work-out, since you know, your bag is like 50 pounds from all the clothes you carry.
"It is not, I barely bring anything with me!"
"You might be right, but if I may ask, how many of the shirts in here are actually mine?"
You pretend to think, "Um, probably like two. Maybe three."
A wide grin spreads across his face as he laughs at you, "Now you're lying! Half my wardrobe is in here!" Sam pushes the cracked door open with his behind and holds it open for you, standing to the side with his foot on the door. Dean's bag is at the end of his bed and he's already crashed on the bed nearest to the door.
"Hey, it's not my fault your clothes are more comfortable than mine! I don't know who decided that men deserve softer clothes."
"Well, in that case," he dropped the bags, "be my guest."
"Oh, how sweet. I like how you think you had any choice in the matter."
"Haha, very funny. Do you want the first shower?"
"You can take it, I had it the other night. Besides, I need to figure out which shirt I'm stealing tonight. I was thinking of the blue one, or actually, maybe the green-"
"Oh my god, I'm leaving." He rolls his eyes, but you can see the amused smirk on his face as he heads to the bathroom, and gently closes the door behind him. You giggle to yourself as you pull out his blue shirt from your bag and a pair of pants since it's a bit chillier tonight.
He's out of the shower pretty quick, and when he emerges from the steamy bathroom, you're next to Dean's bed whacking him repeatedly with a pillow.
"I told you to stop snoring!" You yell at him.
"Hmph, stop hitting me, crazy woman!" He mumbles sleepily at you. You stop hitting him when you notice Sam watching you, and he wants to laugh at how cute you look, like some kid who's got caught doing something they're not supposed to.
"What, he was bothering me."
He smiles, "I don't doubt it."
He doesn't realize that you froze mainly because he came out in a pair of sweats and no shirt, with his hair dripping wet and a towel around his shoulders. Dean peaks his eyes open and grumbles when he notices the way you're looking at him. You hear Dean, which breaks you out of your temporary trance.
You drop the pillow and give him a sheepish look, "I'm gonna- I'll take my shower now." You nod, promptly leaving the room after you grab the clothes you had set out on your bed. Sam watches you leave, more than a bit confused might he add, suspicious of the way your mood had suddenly changed. Once he hears the water running and the curtain pull back signifying you're in the shower, and can no longer hear him, he settles on the bed and asks Dean a question.
"What happened?"
"You happened, you idiot."
"Excuse me?"
"You heard what I said. I'm sick and tired of watching you two pine after the other when you clearly love each other, so for gods sake- no, my sake, tell the girl you love her and get on with it!"
Sam's face is hysterical, and if Dean weren't so tired right now he'd be laughing, but he's exhausted in more ways than one, so all he can do is shut is eyes and hope his little brother makes a move on the girl who's been his practically since the day they met her.
"D-Dean... I can't just-"
"Yes you can, and you will." Dean finalizes. "At this point I'll just do it for you. It's unbearable." Sam huffs loudly, flopping back onto the bed.
He lays there and stares at the ceiling for awhile until he hears his brother's soft snores coming from the other side of the room; when he sits up and runs a hand through his hair, he hears the shower turn off and your light humming become more audible.
He takes a final deep breath just as you walk out of the bathroom with your hair combed nicely and your warm pajamas, perfectly ready for bed. Not exactly ready for your best friend to confess his undying love for you. He wants to crumble at the sight of your smile.
"You okay?" You ask gently. "You look a little pale."
"Yeah, yeah I'm fine," he waves you off, "When am I not fine?"
You laugh softly, "Do you want me to answer that?"
"Actually no." He gives a soft laugh of his own before his eyes land on his brother again, thinking over the words that were spoken to him just minutes prior to you walking out of that door. You were so near, so close to their conversation, and you have no idea. He can't help but think that maybe you'll be taken aback, shocked beyond belief, or traumatized enough to the point you yell at him and leave him for good. Or, maybe... possibly... there's a small chance you do feel the way that Dean says you feel, and in just a few moments the entirety of your relationship will change. Well, no matter what it'll change.
He just hopes it's what he feels it might be.
Sam's face snaps up to you quickly, like he's just had a sudden thought, and his eyes hold yours for a beat too long before he asks, "Can we go outside for a second?"
"Uh, yeah. Sure." He gets up and takes long strides towards the door, you just a foot behind. He opens it and leaves it open for you to slide through, and he's standing there with his hands in his pockets facing away from you. You give him a questioning glance, but he doesn't see it.
"You have the key?" You query.
"Um..." he pulls out the card in his hand to make sure and you giggle at him, but he just nods, putting it back in his pocket, gulping strangely, "Yeah, I got it."
"Okay." You whisper softly, closing the door quietly behind you. You're silent for a moment, giving him a second to see if he'd speak first, but he doesn't. "You okay, Sammy?"
"I'm in love with you."
Not even a beat later, those words exit his mouth, and everything changes. The atmosphere that was once light, comfortable, and knowing, has shifted to one of fearful eyes, harsh breaths and unspeakable tension. His hands, once unafraid to grab hold of you, now remain glued to his side, flexing and itching to reach forward and touch your skin. His heart is beating so fast he feels like it's getting torn out; each individual piece of it being sliced and picked carefully from his chest as if he were on an operating table.
He can't tell if the look on your face is fear or shock. Probably both. But he doesn't know if it's good or bad and it's scaring him.
"Say something." He breathes out, with a drop of desperation.
Your mouth, hung open for a brief amount of time, now closes, and you gulp just like he did before he uttered those five little words.
"What did you say?" you murmur, looking like you just got pulled from space.
He repeats himself. "I'm in love with you."
You don't say anything again, but he continues.
"You don't know how long I've wanted to say that." He interrupts himself with a laugh, a scared, almost detached sounding laugh, but one nonetheless. You stare at him as he goes on. "For weeks I've had these moments where I look at you and all I can think about is telling you how I feel, but then some part of me ruins it and then I forget about it until you do something again that makes me want to say it again."
"Which, I swear is every two seconds because all you have to do is look at me with those eyes and all I want to do is grab your face and tell you how much I love you, how much you mean to me and how I can't stand sleeping next to you one more night without you knowing that I can't sleep without you anymore. I need you by my side, tucking your head under mine. It's not that I can't because I could, but I don't ever want to again. I could live a hundred lifetimes, all of them with you in them, but if you weren't mine, if you were someone else's, I wouldn't dare live another."
When he notices the tear streaking down your face, he finally reaches forward to hold your cheek in the palm of his hand. Your own comes up from your side to grip tight onto the wrist that's holding your face, and he can tell that you've noticed he's shaking.
"Sam..." Your voice comes out unsure, "Are you sure?"
"Am I sure?" He questions you, giving you an incredulous look. "Sweetheart, I've never been more sure of anything in my life."
You're holding onto him so tight, he just knows what you're going to say next.
"I love you." You thought it would come out a whisper, but it sounds stronger than you expected. You close your eyes, letting out a sigh of relief. "Oh, Sam, I love you so much."
His smile is brighter than a thousand suns, and his forehead drops against yours, staying there as you breath the other in; this new confession bringing in a wind of fresh air that has you feeling like you've both earned a pair of new lungs.
"I thought you might say that." He utters quietly, making you laugh and hit his chest lightly.
"Oh, shut up. Then why were you so scared, dumbass."
"I was confessing my love for you, either way I'm gonna be nervous!"
You smile cheekily, "Your love for me..."
"Don't act like you didn't know." His other hand comes up to hold the other side of your face, tilting your head up more to see you clearly.
"Maybe. But I had my doubts too." You confess.
Sam shrugs, "Well, without Dean I probably wouldn't have said anything for another decade, so-"
Your mouth drops open, "You finally gained the courage because Dean forced you to?" Sam stays still as you gape at him, and he smiles nervously.
"Does it help if I was thinking about it first?"
"Oh my god." You groan dejectedly and drop your head forward onto his chest. He holds the back of your head as he shakes with laughter.
"Okay, okay, be mad at me, whatever. Am I getting my kiss now?"
"Who said you were gonna get one at all?"
"Don't mess with me."
"I wouldn't dare."
...
The next morning, Dean groggily peels his eyes open to the morning sunlight peeking out of the curtains, and grumbles, questioning the time. It's around 8 am, which surprises him because he would have expected you or Sam to have woken him by now. At the thought of you guys, he turns over and manages to find himself alone in the dingy motel room. The bed covers are torn from the top of the bed, more settled towards the end of it, showing that you guys obviously slept in it, but there's no sign you or Sam are even still here.
Suddenly, he hears the low growl of his Baby pulling up outside, making him swing his legs out of bed and trudge over to the door. He swings it open, getting ready to yell at the both of you for going anywhere without him, even if it was breakfast, but his eyes widen and his jaw drops at the sight he's seeing.
You and Sam are standing close together near the trunk, leaning against the side, but mostly the other. Sam's hand, that isn't holding the grocery bags, is holding your hip, and you're looking up at him with a mischievous look in your eye. Sam says something which conjures up a giggle out of you, which then has Sam smiling brightly at the sight of you. He leans down and kisses you straight on the lips, holding you there for a moment before he pulls away to catch his breath. Both of you stand there, unaware of Dean's eyes on you, but neither of you would even really care if you did.
Dean's shocked expression turns to one of accomplishment. He nods, satisfied, and smiles like his brother just did. He sighs.
"Kids."
3K notes · View notes
gracieheartspedro · 4 months
Text
More Than Friends
Tumblr media
how to help the Palestinian people
pairing: best friend!ellie williams x fem!reader (set in the jackson era)
description: you and ellie have been friends for awhile. while at a party for tommy’s birthday, you try to catch the attention of your crushes. sadly, they are all over each other. in a childish effort to get them to pay attention, you two try to make them jealous. 'cause that always ends the way you think, right?
word count: 3.3k words
warnings: MINORS DNI! this is 18+, smut, wlw, f!receiving oral (reader), fingering, jealousy, semi-public sex, dirty talk, tons of nicknames, no mentions of reader's appearance. talks of sexuality, but it's vague. reader wants to fuck whoever, it doesn't matter lol. let me know if I missed anything!
author's note: I wrote this after watching one too many ellie edits on tik tok. it was written in two hours, so it's not my finest work but it scratched my little ellie itch. okay, much love xoxoxoxxo
“So… you really like Dina, huh?”
Her face twists immediately at the question. She throws herself back in the wooden chair, cursing under her breath. Her arms cross over her chest, her t-shirt riding up a bit above her jeans. 
You saw the way Ellie looked at Dina. She looks at her like she hung the moon. She was always fumbling over her words around her, nervous to say the wrong thing. When she did try to flirt, it came up awkward and strained. And you understood her predicament because you were the same way about Jesse. 
You both were pining after two people in a committed relationship.
“It doesn’t matter anyway,” She mumbles, gesturing towards the center of the room where Dina and Jesse slow danced. He was leaning down to whisper something in her ear and it made your stomach flip. “She would never go for me.”
You felt bad for Ellie. She was everything you wished you were yourself; beautiful and funny. You felt like you were the only one, besides the Millers, who got her dry humor. You two had met in class about two years ago, now. You were a newcomer to Jackson, arriving about two months prior with your mom. When you got seated next to Ellie, you could tell her give-no-fucks attitude would mesh well with your give-too-many-fucks attitude. Over the years, you two had really rubbed off one another. You two were inseparable. 
“You’re the whole package, Els,” You say before nudging her shoulder with your elbow. You two are moping at a table near the exit of the food hall. It was Tommy’s birthday celebration, so everyone in Jackson got together to plan a big bash for him. Ellie felt obligated to come and your mom was pretty close to Maria. More time spent with your best friend wasn’t time wasted, so here you are. 
“At least she shows you the time of day,” You say under your breath. 
Jesse had been pretty flippant with you. He could never remember your name, let alone that you two shared the same street in Jackson. You also once shared a table at the mess hall. He was so tall and strong. Your crush on him was more physical than it was emotional. He was funny, sure, but you mainly just wanted to get him alone. 
“Why are we doing this to ourselves?” She ponders, finally looking away from the canoodling couple across the room, “We could do so much better!”
You know she’s just trying to convince herself of something she doesn’t really believe. The tone of her voice changes when she’s lying. 
“Like who? Slim pickin’s out here, Ellie. We have them and maybe 4 other undesirable people. There’s always the butcher’s son, he always had eyes for you.”
She grabs her cup from the table in front of you, “Yeah, men are… not my type.”
You turn your body so your legs are nudging her thighs, “Then, you really don’t have any choices.”
She nods her lips in a thin line. “I wish I could just.. Just go up there and talk to her. Ya know?”
“Why can’t you?”
“The same reason you can’t just go up and talk to Jesse.”
You roll your eyes, leaning forward on your knees. Your body is practically in her bubble, but she just sits back with her arm over the back of your chair.
You and Ellie had no real boundaries. You had no qualms about physical touch and Ellie never said anything or seemed to mind. You two have shared a horse countless times and even a bed. She never steered away from you.
“Well, Dina will talk to you if she sees other girls talking to you,” you state, reflecting on the last time everyone in Jackson got together. Some random girl came up to you two and as soon as Dina saw Ellie laughing with the other girl, she scrambled across the room to see what the fuss was about. You saw the same glint in her eyes that Ellie had. 
For some reason, it made you kind of jealous. 
You never tried to explore those knee-jerk emotions you had for Ellie. She was your best friend and you were positive she never felt romantic feelings towards you. Plus, you weren’t sure of your feelings about your sexuality. You always told Ellie you just liked who you liked, not really putting any importance on what was between their legs. You weren’t very experienced, but you had hooked up with both genders and liked it all equally.
“That was a coincidence, bug.”
That stupid nickname that she called you. Born from the one time you practically attracted every infected in the area with your scream over a huge beetle. She could not let it go and ended up calling you bug, just to annoy you. 
You finally look up at her freckled face, waiting for her to crack a smile. When you squint at her with contempt, she smirks. 
“Why don’t we find another girl and test the theory?”
She glances around the populated party, “Everyone here is over the age of 40.”
You turn back to the crowd of people around you and see that she’s right. 
You mull it over, your brain working to find a way that you both could get their attention. You two could simply say fuck it and go watch a movie and forget this stupid encounter happened. Joel would probably chew Ellie out, but when doesn’t he do that? 
Your next idea is something dangerous but something you had thought about before. You had never brought up the idea to Ellie because you were afraid of her reaction. 
“What’s your idea?”
She could read you like a book. You pursed your lips, wondering if you should even propose the idea to her. 
“How desperate are you?”
She laughs out loud, completely taken aback by the query. “Jesus, what are you thinkin’?”
You lick your lips, trying to make sure the idea comes out as a whisper.
“Why don’t we make them jealous? Just you and me?”
“How though?”
You bite the inside of your cheek, “Well, I’m a girl.”
You glance back at where Dina and Jesse were just dancing. They are both now facing you two’s direction, Jesse engrossed in a conversation with Tommy. Dina is just sipping from her glass, not really staring anywhere specific. 
You look back at Ellie who’s also looking at her, but meets your eyes when your face gets closer to hers. 
You would tell her how beautiful she was all the time and she just would roll her eyes and change the subject. You were physically attracted to her and there had been a couple of times you had thought about kissing her and wondered what her lips would feel like against yours. 
But she was your best friend. 
“Wrap your arm over my back,” You are still positioned, your elbows on your knees, your knees facing her thighs, “And rub it.”
She furrows her eyebrows, but she submits and brings the arm that is slouched over the chair to your lower back. You nod, watching as her lids lower. Her hand creeps up and down your side, her fingers grazing your ribs, up to your side boob. “Now what, bug?”
“Now, slowly move your hand up my back,” She does it as you’re speaking and the movement makes the hairs on your arms stand up, “Grab the nape of my neck.”
“Why are you making me do this?”
You lift up off your hands, bringing your face closer to hers. She doesn’t budge, sitting still and only focused on you and your words. 
“Because,” Her hand grabs the back of your neck, before slowly bringing it forward to collar bone. The gentleness of her touch and the fact that it’s your Ellie, makes every sense heightened. You don’t even realize how her touch is making you feel until you see her crack a smile. 
“Because why?” She whispers, her voice teasing. 
“Cause I want them to see you touch me.”
It comes out needy and desperate. Her eyes change when it slips from your lips, instead of being playful, she’s looking at you like you’re her next meal. She leans forward, her face millimeters from yours. 
You had never talked to Ellie like this but at this moment, you were completely transfixed on her. She was wearing a flannel over her shoulders covering her usual gray t-shirt. The sleeves were rolled up exposing the tattoo Cat did on her a year ago. 
You always thought it was hot, the way it trailed up her arm from her delicate wrist.
Her jeans are ripped and her legs and man-spreaded like she was carrying something in her jeans. 
And she smelled like pine. You loved it when you got the privilege to sleep next to her because her linens always smelled like her. You would love the idea of getting into bed with her right now.
“How do you want me to touch you?”
You chew the inside of your lip, “Any way you want to.”
She chuckles before brushing her hand down your exposed arm, “Is this for the bit or do you want me to genuinely touch you?”
You notice her being sincere. You think back to all the times you joked about sleeping with Ellie, and while at the time you chalked them up to being jokes, deep down, maybe it’s actually what you wanted. 
With the way she’s looking at you now, you prayed on every star that she would continue pushing your buttons. That somehow she would forget Dina even exists and realize it was you all along.
“Hey guys,” Her voice brings you out of your horny daze. It was the last voice you were expecting, and you can tell by the look on Ellie’s face, she is thinking the same thing. 
“Oh, hey Dina!” You quip up, not moving all the much to ensure she sees Ellie’s hand on your bicep. 
“You two busy?” The way she asks is almost too demanding. You glance back over at Ellie whose color is draining from her face. 
You shake your head, finally sitting up. Ellie’s hand doesn’t leave you though, instead, it just drops to your thigh. You try not to acknowledge it, as you notice Jesse coming up behind Dina. But now it feels so heavy against your legs, the weight of the situation finally hitting you. 
It worked. 
“We are just talking,” Ellie manages, her voice cracking. 
Jesse comes up behind Dina, wrapping his arms around her. You’re suddenly grateful that Ellie’s hand is still on you, the jitters hitting your system subsiding by the physical feeling of her being so near. 
“Looked like more than that,” Jesse jokes, his smile taking up a lot of his face, “You good Ellie?”
“Ellie was just telling me about the patrol she just went on with Jesse,” You explain quickly, making sure to look at Dina and not Jesse. “She told me about the infected y’all ran into!”
“Oh yeah, shit was crazy,” Jesse squeezes Dina tighter, “We gotta get back out there again, Ellie. You were a beast at taking those suckers down.”
“U-uh yeah, absolutely.”
You grab her hand as a reassurance. The exchange gets awkward quickly, none of you knowing what else to say. 
“Well, we should get goin’,” Dina says tapping Jesse’s arms, “See you two around?”
You two just nod. They walk away, not saying much of anything else. You stare at the wall, humiliated by the last 10 minutes of your life. You were unsure if you could even look Ellie in the eyes again. 
Ellie huffs loudly, sitting further back in her chair. “Well, that failed.”
You start to agree until that little bit of Ellie that’s rubbed off on you starts to come up your throat. The not-giving-much-of-a-fuck is creeping up on you. 
“Did it? Because I think it went exactly how I wanted it to.”
You finally return your eyes to her bewildered expression. You pull her hand off your lap as you stand up, yanking her up after you. 
“You wanted it to go like that? What was the point?”
You pull her closer to you before raising your lips up to her ear. Her hair is tucked behind the crest of her ear, so it tickles your nose a bit before you speak. 
She turned you on, so now you needed her to do something about it. Here’s to not giving a fuck. 
“The point was to get you to finally touch me.”
The temperature in the room rises a million degrees. Ellie’s eyes light up at the statement and you know that was exactly what she wanted to hear before Dina came up to you. 
You start to pull her towards the kitchen door, right near your table. You remember finding a hidden supply closet back there last Christmas party. Your skin was on fire as you dragged her through the appliances to the somewhat large closet. It was practically empty, void of anything anyone at the party may need, so it was safe. Plus it had a lock. 
As soon as the door shuts behind her, Ellie’s on you. Her lips hit yours and it was exactly how you imagined it. She was quick and eager with her kisses, her tongue plunging into your mouth immediately. She was grabbing your hips, pushing you towards the wall where all the brooms and mops were. You try not to trip, giggling as you pull her face closer to you. 
“So this is what you wanted?” She pulls away from you for a breath, “Using making Dina jealous as a ploy to get to finally kiss you?”
Your hands find the spot above the hem of her jeans, right under her t-shirt. Out of instinct, you start to unbutton her pants. 
“Actually, that wasn’t the plan.”
Her eyes are trained on your lips, “Is that so?”
“No, but you were playing the part way too well and I realized something.”
“What did you realize?”
The overhead light was so dim but you could still somehow see her cute freckles. 
“That I want you more than I want anyone else. I need you to touch me more often.”
She chuckles, her fingers still pressed into your hips, “Well, bug, I’m touching you just like you asked.”
She drags kisses up your jaw and neck. You try not to fall apart over that alone. Ellie always talked about how inexperienced she was, but she’s probably the most tentative kisser you have ever encountered. 
“Can you touch me here?”
You press your hands to the zip of your jeans. She looks down at your body to where you’re touching and she clicks her tongue. 
“Ask politely, baby, and I’ll do anything you want.”
The nickname change makes your heart stop. 
“Can you, my sweet best friend, touch me and get me off? Please?”
She groans at the question, a sound you never thought she’d make for you. 
“Of course,” She grabs the belt loops of your pants before yanking them down your legs without resistance, “What are friends for?”
You know you’re soaked by the way she smiles up at you. She gets down on her knees, looking up at you, as her hands slowly start to spread your legs. You are standing against a wall, watching your best friend’s face creep close to your center. 
It’s the hottest thing you’ve ever seen. She pulls at your panties, toying with the fabric before you take matters into your own hands and pull them down your legs. 
She brings her lower lip between her teeth, “This wet for me?”
You could slap the stupid smirk off her face, but before you can even say something snarky back, she slips her digits between your glistening slit. Your body practically buckles at the prodding, so you brace yourself against the shelf next to you.
Your normal reaction to feeling good is to close your legs together tightly, but Ellie has her left hand mounted to your inner thigh, keeping you open for her, while the other one is slowly creeping up to your weeping hole. She’s gentle when she puts one finger inside you.
Once your body reacts around her, she pulls her finger out to inspect how wet you are. After she’s satisfied with her findings, she adds another which causes you to mewl at the sensation. 
“Ellie, please,” You beg, trying to get more friction. She’s not letting you do anything but watch. 
“Mmm,” She hums before moving her face closer to you, “Love to hear you moan my name, bug. You wanna be a good girl? Keep begging.”
You never took Ellie as someone who loves to hear her sexual partner beg, but it turns you on even more. 
You watch her close in on your clit, her tongue finding the bud and flicking it a couple of times. The moans that come out of your mouth are so deprived. Her fingers slip so seamlessly in and out of you, that you try to remember a time you were so wet. Nothing comes to mind because all your brain is thinking is Ellie, Ellie, Ellie. 
“Please, please,” you plead, trying your best to egg her on so she goes faster. It works because she picks up the pace fucking you. Her mouth suddenly closes around your clit, and she sucks. 
Your one hand is still gripping onto whatever is next to you, but your other hand has to rest somewhere. Her short brown locks are right there, so you grab on. 
Her mouth leaves your clit, and instead, her tongue licks up and down your weeping hole. When you bring her closer in, her nose starts to stimulate your sensitive bud. 
The sounds are so wet and depraved, you’re sure the bubbling in your stomach is about to come to a tipping point. You find yourself grinding forward, trying to get friction on your clit again. Her nose prods the spot over and over again as you grind down onto her face. 
Ellie hums as she fucks you, trying her best to push your limit. You know you’re close and you are sure she can feel how tight your pussy is gripping onto her fingers. She knows you’re close so she kicks it up a notch and shakes her head between your folds. That motion alone sends a tidal wave within you crashing to the shore. You pull her hair so hard, you know it probably hurts but fuck, you needed her to feel how good she was making you feel. 
The white-hot feeling starts to subside and you are panting like you just ran a mile. You finally release Ellie’s head, letting her come up for air. Her lips are saturated with your slick and it looks like she’s drunk on you by the way her eyes are half shut. She pulls her two fingers out of your tight hole, making you whine at the emptiness. 
She stands up, bringing her two fingers up to your lips. 
“Wanna see how good you taste?”
She’s so fucking dirty. It gets you so riled up. 
You grab onto her wrist and bring the fingers up to your mouth. You suck them dry, giving into how absurd this is. 
“You’re a freak, too,” She beams at you, before bringing you into another feverish kiss. You were so mesmerized by her. She grabs onto your hips, pulling your naked bottom half to her still-clothed legs. 
“Why didn’t we do this sooner?” You grumble, still recovering from the drilling you just had. Her hands travel up your sides, under your t-shirt. She is holding onto your ribcage, looking at your exposed tummy as the shirt rides up. 
“I didn’t think you’d go for me, especially when guys like Jesse are your type,” She explains, so enthralled by the way your body looks to her, “I don’t know if I can let him have you, now.”
You smirk, your hands twisting around her shoulders, “Oh, I see. Well, if he can’t have me, then Dina can’t have you.”
“Well, thank God they have each other, then.”
1K notes · View notes
f0point5 · 9 months
Text
Max Verstappen x bestfriend!reader Masterlist
She’s still bejewelled - Y/N finds out F1 wag pages are once again speculating she is dating her best friend, Max Verstappen
It’s (not) a cruel summer - Y/N and Max enjoy the summer break
August slipped away - Y/N does a Q&A to catch up with her followers after summer break
Burning red- Lando puts his foot in it
Holy ground - Fans discuss their excitement to see Y/N and Max interact at Zandvoort
I’m the one who understands you - A window into Max and Y/N’s home life
It turned into something bigger - Y/N’s comments about her childhood friend, Mick Schumacher, lead to a social media firestorm
They’d say I’d hustled, put in the work - A look at Y/N’s podcast, Dirty Air(time)
Shake it off - Determined to forget her worries, Y/N goes out parting with Max and Lando
They say home is where the heart is - Fans discuss how Y/N and Max love being roommates
(We’re) in the club doing I don’t know what - Fans look back on Max and Y/N’s Club Rat Renaissance
Pauses, then says, (he’s) my best friend - Y/N spends the day in Amsterdam while Max does press at Zandvoort
How evergreen, our group of friends - Snippets of Y/N and Max’s other friends on the grid and beyond
We’re faster and never scared - It’s a dramatic Friday in the Zandvoort paddock
I watch Superman fly away - The drama continues as Y/N and Mick have a run in in the paddock
Long live all the magic he made - Y/N supports Max as he equals the record for most consecutive wins
Remember the footsteps - A look at Y/N and Mick’s lifelong friendship
He has his father’s eyes…his father’s ambition - A look at Y/N’s relationship with Jos
I love your handshake, meeting my father - Fans discuss Jos’s perspective on Y/N, and her relationship with Max
And maybe it was egos swinging - Everyone speculates about the cause and consequences of Y/N and Mick’s falling out
I fell from the pedestal - Y/N becomes the subject of internet trolling after her fall out with Mick becomes public
Don’t know how long it’s gonna take to feel okay - Unable to deal with the stress and trolling, Y/N goes home to Switzerland, cutting off Max
My reputation’s never been worse so - Y/N’s absence sparks concerns amongst those closest to her
If someone comes at us, this time I’m ready - Y/N’s friends publicly support her as the hate continues
You don’t want to know me, I will just let you down
My words shoot to kill when I’m mad - Mick and Y/N finally talk
Something in your eyes says we can beat this - Max has a tough start to an important weekend, but his luck is about to change
(We) saw something the can’t take away - Y/N is there as Max wins at Monza and breaks another record
This is life before you know who you’re gonna be - Netizens discuss Max and Y/N’s enemy era
20 questions, we tell the truth - Y/N catches up with her followers after a hectic couple of weeks, and meets a man in Monaco
On a Wednesday, in a café - Y/N’s podcast with Daniel leads to some interesting revelations
Do you really want to know where I was? - Y/N and Max spend a day at the factory as rumours begin to swirl
I make it look oh so easy - Y/N and Max choose different confidants as they both attempt to avoid the elephant in the room
You’ll find me on my tallest tiptoes - It gets harder for Y/N to keep her secret
Slow motion, double vision in rose blush - Y/N gets back in the saddle while Max watches from the sidelines in more ways than one
Carnations you had thought were roses - Two of Y/N’s secrets are revealed
Didn’t it all seem new and exciting - Max leaves Y/N behind in Monaco as she reflects on her date
Loose lips sink ships all the damn time - Y/N heads to Switzerland for a special appointment as her relationship with Max is put under a microscope
I don’t wanna miss you like this - Y/N and Max deal with the distance between them differently
Your finger on my hairpin trigger - Tensions run high as Max has a bad day on track and Y/N gets defensive
Takes one to know one - Y/N’s much needed talk with Elliot is interrupted by an explosive qualifying in Singapore
I want to tell you not to get lost in these petty things - Max’s streak comes to an end and he and Y/N look ahead to Suzuka
Forever going with the flow, but you’re friction - Max asking Y/N to fly out early to Japan leads to tension and Y/N turns to Daniel for advice
I drive down different roads - Fans, and Y/N, speculate about her budding relationship
(They) knew what it was, he is in love - Netizens set out to prove that Max is in love with Y/N
(We) counted days, I counted miles, to see you there - Y/N arrives in Japan and is reunited with Max
Balancing on breaking branches - Max receives an unexpected delivery as Y/N answers questions from the media and her mother
It’s you and me, there’s nothing like this - As Max gets back to business as usual in Suzuka, wag social media does it’s thing
My (baby flies) like a jet stream - Max has a good day on track and Y/N’s Vogue article goes live
I can read you like a magazine - The internet reacts to mentions of Max in Y/N’s Vogue article
He’s passing by, rare as a glimmer of a comet in the sky - Red Bull securing the WCC is overshadowed by the revelation that Max hates podcasts
The lingering question(s) kept me up - Y/N does an Instagram Q&A
I just may like some explanations - Y/N answers more questions
How you held me in your arms that September night, the first time you ever saw me cry - Set in 2017, we learn what led to Y/N’s dad being dropped as Max’s sponsor, early in their friendship
People started talking, putting us through our paces - When Y/N is spotted out with Elliot, Instagram, Max, and Lando react
I don’t wanna touch you - Y/N finds herself short of breath on her padel date. Later, she appears on Max’s stream
(I) will never make my parents’ mistakes - Y/N’s dad hears about her dating life, and her mother weighs in
Drinking on a (yacht) with you all over me - Y/N and Max kick of his birthday celebrations with a day on the water, while Elliot changes his tune
I’d pick you up and we’d go back in time - Y/N and Max bring in his birthday somewhere special
We’re gonna be timeless - It’s Max’s birthday, but Y/N isn’t the only one planning surprises
Take the moment and taste it - Max enjoys a birthday boat day with family and friends, and Vic makes an accidental discovery
There’s glitter on the floor after the party - It’s the morning after night before. Max and Vic discuss Y/N’s letter
Movin’ on was always easy for me to do - Y/N and Elliot meet up to talk and Y/N’s friend weighs in. Y/N’s tweets irritate Max
Your eyes look like (being at) home - Y/N goes riding, Lando proposes plans, and Max has plans of his own
No I didn’t hear the news, ‘cause we were somewhere else - Max and Y/N arrive in Doha, but rumours about Max’s Monaco exploits follow them
You heard the rumours from (your friends) - Max attends Media Day while Y/N hangs out with an old friend
‘Cause they don’t know about the night in the hotel - Max’s GQ interview exposes an interesting part of Max and Y/N’s past
I was dancing around, dancing around it - Y/N and Clara celebrate Max’s on track triumphs
(You) stand up, champion tonight - Max becomes a three time world champion
This life is sweeter than fiction - Max wins in Qatar in a physically gruelling race
Life makes love look hard - Back in Monaco, Y/N is seen out with Elliot, and he makes a bold suggestion
Can we always be this close? - Y/N and Max have a chill day at home and while Twitter notice Max made an admission in an interview, Y/N makes an admission to Victoria
Inescapable, I’m not even gonna try - Y/N and Max spend a day at the factory, where both realise they may have something to work on
You go talk to your friends, talk to my friends, talk to me - Y/N’s podcast with Oscar comes out, on the same day she finally films one with Max. Meanwhile, Max uses the sim in an unconventional way
Yes, I remember what you said last night - Y/N’s plans for COTA baffle Christian, and Y/N learns an unexpected fact about the past
Take out, then take me home - Y/N prepares for Austin, and an interview with Max comes out
Love’s a game, wanna play? - Y/N tries her hand at padel after watching Max compete, and Max steams with Redline
Rosé flowing with your chosen family - Clara and Y/N spend the day together, and Clara becomes determined to finish what she started in 2017
(We are) a flight risk, with a fear of falling - Y/N and Max head to the US
Ain’t it funny, rumours fly - Y/N heads to a Ferrari gala as rumours swirl about Max’s next career move amid reports of infighting at Red Bull
As if I don’t already see (it) - The circus settles in to Texas and Y/N’s dad weighs in on Elliot
Can you see right through me? - Y/N and Elliot make a king and awkward paddock debut
I’ve been sleeping so long in a twenty year dark night - Y/N sheds light on her dating history while she and Elliot struggle to adjust to life in the paddock
It’s morning now, it’s brighter now - Y/N reaches out to an old friend for support. Meanwhile, Daniel tries to support Max
The moment I could see it - Max takes another win in Austin while Elliot reaches his breaking point
You’ll find the real thing instead - Y/N and Elliot have an honest conversation
In the name of being honest - Bonus part where Y/N answers Instagram questions after the Austin GP
I’m asking you why - More of Y/N’s post Austin Q&A
You’ve got a girl at home and everybody knows that - Y/N and Max are suspects in the wildest paddock rumour yet as they wrap up their trip to Austin
You learn my secrets and you figure out why I’m guarded - Y/N gets brutally honest with Mick as Max plays goalkeeper twice
You saw the truth in me - Max cuts it close before media day as reports surface of security threats in Mexico
They tell you that you’re lucky, but you’re so confused - Max attends a gruelling media day as Y/N deals with the heat of Mexico
Laughing with (your head in my) lap, like you were my closest friend - Everyone has a tough quali day
This is the golden age - Maxico delivers another win, and Y/N celebrates with tequila
(You would never) me darling, but who could stay? - Y/N and Max arrive in Brazil for a short break before the race
No one has to know what we do - Max and Y/N fall off the map and enjoy some private time
I can’t say anything to your face - Max and Y/N continue to leave each other flustered and Max starts press for the Brazilian GP
The way you move is like a full on rainstorm - Max takes pole in difficult conditions and Y/N gets near her breaking point
We were cards sharks, playing games - Max wins the sprint and Y/N wins games of her own
🚨I’ve had to add a second masterlist for all posts after this point. That can be found here 🚨
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