it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.
yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.
it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.
how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.
chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?
how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.
"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.
i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.
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You know what hurts my soul a lill bit.
Like.
Henry says if he had the time, he'd sit Bunny down and explain everything to him. This is right after they scare Bun in Henry's house, when they show up all bloody, and Henry's like there was no time to explain because anyone might've seen them- but what about later?
I can't stop thinking about: what if you just TOLD him what happened? Bunny's biggest issue, according to Henry, was not the fact that they'd killed somebody, it was that they'd excluded him. (Personally I also thinkk it was bcs of the "several very unkind things" he'd written in his stupid little diary but sure henry, whatever helps u sleep at ni8)
I just feel like Bunny would've been less annoying about the whole thing and possibly even slightly concerned (about the cops finding out or something) because then he'd feel like he could still be implicated bcs he'd realize he had no alibi that could be confirmed and his previous involvement with the greek class would make him suspect too, and if he didn't realize it, Henry would 'remind' him of the fact.
It's just that...I know Henry was very disillusioned w Bunny towards the end, like he hated him, couldn't stand him, felt suffocated by him- but that was still someone he'd, at one point, cared about. I think Bunny at least deserved a fucking chance.
Instead of Henry avoiding him (ish) and avoiding the topic after Rome, why didn't the fool try to talk sense into Bunny? I know he was mentally exhausted, but the way his mind was like, going straight to murder makes me think he'd probably thought about it before too 💀💀
Even the actual murder bro like. Like. You lure him in and then you just suddenly shove him. Bunny didn't get a chance to plead for mercy or anything, or to promise he wouldn't tell anybody, so on so forth. I mean, Henry could have tried a scare tactic (pretending like they were gonna kill him to drive the point home, make him understand his position) but no, he jumped to murder immediately.
I suppose I can try and see where Henry was coming from. He didn't like to overcomplicate things, and maybe threatening Bunny would backfire like everything else did, maybe embolden him more. I get the impression that Bun was the sort to get worse if he was treated badly, even if he deserved it, but maybe being reminded of his own mortality would knock some sense into him. I know he was childish and immature and it makes me think he was one of those ppl you'd have to talk to nicely and try to appeal to his sense of friendship/loyalty for him to be nice, return the energy. Idk guys, I just wanted to get this thought out og my brain.
Also not to put the blame solely on Henry. My man was tired. Why didn't the other losers try and be like "Lol wtf. No." I know Henry was like their boss or whatever, admired yada yada but like...? He wasn't the dictator sort, like they couldnt talk to him even if they wanted to. This is why I think each one of them is just as bad as the other. I mean charles was showing hesitance before the murder and then after he was the most (visibly) regretful, even richard expressed some grief (or maybe he only did so in the book to seem nice) but yeah yeah yeah idk where im going w this but u get my point
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question: how do you find your research/sources? yours and dancing disasters' icemav fics are so inside baseball i love it, but how do you go about doing research?
I just read a lot & google stuff I don't know & am curious about. not that hard to start learning. and in terms of reading I've been interested in military history & milfiction my whole life. mostly related to the US army, actually--im extremely new to naval history and naval literature; all of that interest was driven by top gun. I've also been fortunate enough to visit a lot of the places I write about--ive been to Pearl Harbor a couple times & San Diego MANY times, for instance, and I've toured a few aircraft carriers and military bases. I've also finally bitten the bullet and kinda shifted my career path towards aerospace, so I've been learning a lot just by working in the aerospace & defense sector/spending a lot of time with people who do.
that's obviously not to say that I am somehow Educated in all this stuff. im pretty open on this blog about me being young & naive & wrong much of the time about how the real world works. so, you know, a lot of shit I just Make Up according to my preconceived notions of the military & the world.
here is my recommended military/navy reading list, some fiction and some nonfiction.
someone also asked recently if I had read anything good in the last 6 months--yes!! three new additions to my reading list: a) Billy Lynn's Long Halftime Walk by Ben Fountain. So goddamn good. If you have to read only one novel about the Iraq War, make it this one. It's more about America than it is about Iraq. b) Redeployment by Phil Klay. This one is a collection of short stories about Marines in Iraq, written by a USMC vet, talk about inside baseball. Crazy amounts of jargon in here, basically a "to-google" list. won the national book award which idk if it deserved, but it's good. c) No true glory: A Frontline Account of the Battle of Fallujah by Bing West. currently reading this one, really well done so far, talks a lot about how fucked the US strategy was in Iraq with Fallujah serving as a metonymy/case study for the war itself.
again... this is all mostly close-quarters-combat (infantry) literature, I really am not that interested in the navy/Air Force that much outside of top gun lol
though I did recently remember that in early 2022, before I was into top gun, I read "Wingmen" by Ensan Case, which is actually a gay US naval aviator romance set in WWII published in 1979! it's really authentic and kind of sad, obviously, since it was a 1940s navy gay love story published in 1979. I don't actually think Wingmen influenced how I wrote wwgattai or how I think of TG/TGM but I just remembered that I read that book in February 2022 and going "oh my god they were wingmen" so maybe you might find that book interesting.
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been watching some infinity train video essays recently and come across a common criticism of book 2 that has absolutely floored me because it demonstrates a fundamental lack of understanding about what book 2 even says about personhood and reality. i feel it’s relevant to point out that most of the people who have this criticism are also unaware or dismissive of the trans-coding of lake’s character, because like.... the critiques are a) ‘lake’s number being a reflection of jesse’s was a cop-out’ and b) ‘lake being a metal person in the real world doesn’t make any sense’. and it’s like.. you just watched an entire narrative about how arbitrary constructs of personhood designed to demean and marginalise people are Bad and Dumb and there will inevitably be people a system doesn’t accomodate for, who deserve accomodation on account of their existence, and your takeaway was ‘well they didn’t make the metal person a real person. they didn’t assimilate to the status quo in a bona fide capacity’. like what the fuck lol
to elaborate on what i mean; lake being a chrome person is an integral aspect of who they are and their journey is never a pinnochio-esque ‘i wanna be a real boy’ self-loathing misery-fest (book 2 said fuck your transmedicalism and also, hey, as a disabled person, nice). by book 2, lake is adamant that they are a person and merely wants to be treated as such. lake is treated as a second class citizen on the train because of arbitrary social structures designed to ‘maintain the balance’ between the prime and mirror world, as mace puts it. it’s a social construct presented as an innate, intrinsic truth of the world by corrupt authority figures; have i mentioned trans-coding yet? lake’s journey wouldn’t be anywhere near as impactful as it is if they constantly lamented the literal make-up of their being, if they had to relinquish a fundamental aspect of their all-important identity to ‘truly be a person’. like, lake is not Becoming a person; they are a person, and they’re escaping a system that falsely refutes that.
this is why lake’s number is actually a genius writing choice, and very definitley not a cop-out. lake’s number is created on account of their physical being, can literally only exist in the way that it does because lake is reflective. to be told ‘you are a reflection, so you can’t have a number’, and then get a number not in spite of being a reflection but because of literally being reflective..... trans-coding. and also the only way to do a meaningful narrative about personhood. any notion that lake is not already fully a person on account of.... you know, existing and stuff undermines every aspect of their character and it’s genuinely baffling to me that some people don’t get that.
like, it’s apparent that the train (an artificial construct) cannot give a denizen (social construct) a number (also a construct, but an important one in the social system). it literally starts collapsing in on itself when lake and jesse apparently invent t4t in the number car, because it has not considered how to accomodate for people who exist outside of a narrow scope or binary (haha). to have lake somehow (?? how would you even do this lol like tell me your alt ending if you’re gonna prattle this nothing criticism) Become a passenger and get their number that way undermines their incredibly powerful assertion, again and again, ‘i am a person,’ ‘i’m my own person who is getting off this train’. because that says that this fucked up social system is in some way objectively correct and lake has to assimilate to it, when it has been actively violent against them, and dehumanises every single denizen on the train. which we have been told the entirety of book 2 is innately bad.
and also, it adds so much to the jesslake dynamic that i think evidently goes over certain people’s heads. lake and jesse are both the titular ‘cracked reflection’, both attempting to establish a sense of identity independent from others, and that’s a big factor in their closeness and understanding of one another. jesse’s second number scrolls from irrational number to complex number back to irrational number (square root of two i’ll get to you) because his problem— which is in turn lake’s problem— has threatened and cracked the train’s rigid system. it cannot comprehend it. jesse and lake together essentially take a shit on the train because like yeah, lake’s number is ‘just’ a reflection, but that is literally the point. oh my god why can no one understand basic symbolism like throughout the show we see lake’s face reflected in their own hands and we go ouogfoghgou i seeeeee they don’t have a number on their hand so we see them instead, yes yes personhood and identity i see. but the second people see a reflection of a number they can’t grasp what is simple but powerful in its meaning????
lake is a person. because they are a person. number is ‘proof’ of personhood on train but the thing that we’ve always seen in lake’s hand is them, the reflection of a reflection, and that’s their personhood, and now they’re cheating the system with another reflection like hello!!!!!!!!! they’re not meant to assimilate into the system literally anyone who thinks that is stupid and shouldn’t be allowed opinions. i am so sorry but holy fuck book 2 was like ‘lake’s personhood is innate and has always been there and they do not have to assimilate into a cruel system to escape it nor do they have to relinquish who they are to obtain freedom because there is nothing objectively flawed about their personhood, only objectively flawed perceptions of them by others’ and some people were like ‘ok but. the gender binary is real obviously’ and it’s like did you miss the bit where we brutally murdered the two cops emblematic of... well, cops, and also arbitrary oppressive social structures that are peddled as fact. holy shit. book 2 sweetie im so sorry that cis people don’t understand you like i do.
just to expand on that point a little more analytically; i’ve seen some people say that they thought lake’s number was a cop-out because it was ‘cheating the system’, but you’re sort of meant to think that. the train’s system is innately flawed, this is something the show makes apparent throughout its books. lake is cheating a system they cannot legitimately win at. ‘well couldn’t any denizen just write a number on their hand and ask one-one for an exit?’ idk maybe. i hope some of them try it and succeed. the train is an arbitrary construct, it is conducted, its judgement is not objective or perfect. why the hell should lake play by the rules when the rules are literally ‘you aren’t a person lol <3′. you guys are spouting some alarmingly right-wing rhetoric if you posit arguments like these. ‘oh but one-one can’t be evil though :(’ i don’t think one-one is evil, i think he’s a mostly well-intentioned robot that doesn’t fully grasp the complexity of what he’s attempted to create a clinical system to ‘solve’.
final point: if you think lake should’ve like?? become flesh??? when they got off the train, first of all you hate comedy and second of all, read above. this is not pinnochio!!!!!!!! the only ‘problem’ with being a reflection is the artificial construct of what ‘being a reflection’ means, and lake has rejected that, and they’re made of chrome, and that’s a fact, and they consistently utiliise that aspect of their identity to further their journey to the point of their exit from the train literally being manifested via the reflective nature of their hand. they are disproving everything that everyone says about them not by rejecting that aspect of their identity but embracing it. ‘you’d just go into the prime world with your... metal skin and, what? high school? prom?’ yes motherfucker!!!!!! suck on it!!!!!!!!!!!! some of you need to work a little harder to um.... Understand what a text is saying, and Comprehend subtext. again, this is not pinnochio!!!! good god. fuck me.
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