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#im not good at analysis posts and it shows
tomwambsmilk · 1 day
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need some of my succtuals to play red dead to elevate the fandom discourse just a little bit. I'm drowning in x reader smut over here and I need at least one (1) of you with whom I can discuss themes and motifs and what the hell is going on with d*tch v*n der l*nde
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ichijokaoru · 4 months
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me and my partner sit in my living room at 2am having such deep conversations about the themes and motifs and parallels of kuuga and then i log on to tumblr and the extent of what i can articulate in a text post is 'wahh!!! i love kuuga!!! godai and ichijou should make out sloppy style'
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haemosexuality · 3 months
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small brain: the scene where jayce gets it on w mel and the scene where sky asks viktor out and he refuses are paralleled to show that jayce has decided to focus on politics (mel) and neglect his partnership with viktor, while viktor continues to focus on science and experimentation (as well as poiting out viktors growing isolation from those around him).
big brain: the scene where jayce gets it on w mel and the scene where sky asks viktor out and he refuses are paralleled to show that viktor is not interested in women and is gay. and in love with jayce.
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mafufuu · 2 months
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i compare childrens literature to pd pcs
!! spoiler for like, so many episodes of prime defenders god knows how many, but def s2 finale, if youre not done scroll away at rapid speeds !!
Childhood
    Peter Pan is a tale of growing up. Dakota Cole is someone who might have done that too fast. The story follows the Darling children, primarily Wendy and their adventures into Neverland. Wendy seemingly wants to stay a child forever, though when faced with Peter Pan, the embodiment of childishness, her mind is changed. Dakota can be considered childish, with his intellect, black and white sense of good and evil, and extremely kind heart. Yet, it might be that, as opposed to Wendy, he is clinging to whatever remains of his childhood.
     As a kid, Dakota was quite reckless, skipping school, climbing roofs, and whatnot. He’s like Peter Pan, filled with childish whimsy and a lack of care. He befriends a girl, who joins him in the shenanigans. It’s like the early bond of Wendy and Peter. But soon, the consequences of this immaturity become evident. Like how Wendy comes to see Neverland’s flaws. One day, when climbing a roof, the girl falls. Dakota tries to pull her back up, but soon his grip gives out and he goes down too. 
    Couple this with the death of his parents, and likely other factors, Dakota has gone through the kind of stuff that would kill off a childhood. But this is “his” fault, he wasn’t able to save her. Dakota wakes up after the fall, and he runs from wherever he was. He holds this notion that a hero, like the ones he sees in the media, saves everyone. A lofty childish ideal, but one worth admiring. Dakota has grown from where he started, he no longer sees good and evil as two separate entities, holding the idea that the ‘villains’ deserve to be saved too, and that they can be met with forgiveness as opposed to punishment. 
    Peter & Wendy says in the end childishness must be let go of. I reckon that it’s okay to have maturity, yet still hold the whimsy and joy of a child.
Belonging
     Pinocchio is a story that has been warped over time. In this case, I will base this off of the basic sanitized version most people know. It focuses on a wooden boy, the titular Pinocchio, who desires to become a boy of flesh and bone. Vyncent is someone who (as of the beginning) felt a lack of belonging in the world of Prime, and wanted to be accepted. What lies in both is a desire to change.
    Pinocchio starts out as a wooden boy crafted in a woodcarver’s shop, a fit for what he is made of, surrounded by similar things. Vyncent starts out in the world of Fauna, where magic is something everyone has, where people can just have pointy ears and no one questions it, where adventuring parties slaying dragons are usual, where he is normal. Where they belong and are accepted.
     Though, they both leave those places of comfort, intentionally or not. Pinocchio ventures out to become a ‘real’ boy, and Vyncent falls through a portal. Soon after, he somehow ends up in jail, then gets recruited to join the Prime Defenders. He does not know the customs of Prime, but he goes with how things are, while using some of his knowledge from Fauna, to attempt to fit in. The heroes are beloved by many, they belong.
     Vyncent embarks on his journey with William and Dakota, forging friends and foes, and maybe, a home, along the way. He finds a place where he can belong. Vyncent goes to visit Fauna, and he is beckoned to stay, in the place where he is from. Yet, with how he would be separated from the Prime Defenders, and how The Greats’ power remains in his sword, he chooses to leave. The Blue Fairy fulfills her promise of acceptance to Pinocchio.
    Interpretations say Pinocchio holds the message of ‘disobedience is bad and being good will be rewarded’ which in some scenarios isn’t untrue. But, to me (and Guillermo Del Toro), it is an anecdote saying if you stay true to yourself, you can be loved, you were always what you wanted to be, realizing it or not.
Curiosity
    Alice in Wonderland is about a girl falling into a strange and foreign world. William Wisp is a boy that got thrown into a hectic journey nonconsensually. For Alice, it is Wonderland she journeys into, for William it is the side effects of dying and getting revived.
     It begins with being out in nature, seeing something strange, and deciding to follow it, then falling, be it being out on the river bank, seeing a white rabbit running late diving into its rabbit hole, or going on a late night hike in the woods, and spotting a will-o-wisp, and chasing it off a cliff. Then, Alice is in Wonderland, and William is falling with strange sights surrounding him. He looks around, seeing bright colorful lights, floating islands, be they holding fountains, a field of greenery with a mother and child walking together, a man on a throne of paperwork, you name it, all things to write home about.
   Both William and Alice leave their places of wonder, though they do return. (Admittedly I’m not sure how well the events of the sequel lines up with William’s character development.) William’s adventures outside of the spirit world do not halt, however I am not focusing on those. When the base burns down, Mallard Conway whisks William away to show him his domain, being an endless graveyard housing everyone he cares for, and himself. Wonderland is certainly described to be a weird place, meaning it is also likely not devoid of horrors.
    Both of the two are out of knowledge, attempting to solve the mysteries of these strange places they wound up in. They both can be mean at times, though are generally decent people, and they want a way out.
    William’s journey through the spirit world and as the Wisperer continues. Ranging from forcing Dakota to fight a smoke samurai, then being forced to eat the soul of aforementioned samurai, to dying again, to learning he is decaying and bloodless after punching a wall and seeing strange imagery, a lot of things, and not necessarily good ones. Like how Alice continues traversing Wonderland.
    Eventually, he dies a third time. He is faced with his final challenge, his trial. He stays with his old ways and runs, and runs, though eventually faces the fight head on, with all the growth he's gone through. The battle is simply happening when Clarence retrieves William to give the latter a second chance at being alive, though more in between alive and dead, as would Alice’s sister wake her up from the dream, and she leaves Wonderland.
    There isn’t really a clear moral to this one, though it may have various themes and interpretations. This is but a tale made up to amuse youth. Though Wonderland may be fun, it has its downsides and things can go south, but the only constant is change, so things will be okay.
Home
    The Wizard of Oz explores the narrative of Dorothy, a girl who lives in Kansas who’s life is turned upside down in a cyclone, Ashe Winters is someone who was just living in suburban New Haven, who’s life was turned upside down by the metaphorical cyclone that is the Prime Defenders (and eventually becomes one himself). 
   Dorothy soon becomes part of  a group, making a quartet, one with three others who doubt their possession of  certain characteristics.  A tinman who treats all life with the greatest of care. A scarecrow who doubts his wit and overanalyzes. A lion, one who houses bravery but chooses to run, until told otherwise. Though Dakota, Vyncent, and William might not be the best embodiment of their trait I assigned among the group, they all have it for certain. Then there’s Ashe, who desires the comfort of family, in these scenarios, not necessarily blood relation, more companionship, familiarity, and support.
    After many trials and tribulations, the Prime Defenders make it where they need to be, fighting Overlord. They won, however their victory came with a sacrifice, Ashe gave himself up to the Trickster so they’d win. Despite how little time they spent together, Vycnent, Dakota, and William are determined to get their friend back. They fight, and they fight, and they fight, until they’ve won.
    All Dorothy desired was to go home, and Ashe wanted connection. These two things are quite similar, Dorothy was not seeking a building, but her aunt and uncle, and home is people, the kind you can connect with. That is what the Prime Defenders are to Ashe. He is one of them. Dorothy and Ashe return to their places of comfort, Kansas, and the Prime Defenders. After all, at the end of the day, there’s no place like home.
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jeppyposting · 3 months
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I FEEL THE ASOUE BRAINROT BEGINNING IN A VERY SERIOUS WAY. im in my notes app analyzing these characters i hate it here. and I CANT STOP WATCHING DANIEL HANDLER INTERVIEWS, i adore him!!! i love listening to him speak so much i wish i could have a conversation with this man grrrrrr
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smithsparker · 8 months
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can we agree that katara gets way too much hate even today
youre so fucking right... that girl was just doing her best she was 14!!! fighting in a war!!! she trained herself (mostly) to become one of the most powerful waterbenders in existence . she cared so much for her friends and her brother and felt responsible for all of the gaang but was also again. a 14 year old girl . she was a teenager. whose mother died. whose dad was away. during a WAR. id like to see you doing better than her, i couldnt even do better as a 14 year old in my own boring life tbh
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bluegarners · 9 months
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so so so interesting to me how ppl gauge alternate worlds and its reflections on a character on that scale of morally good versus evil...
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br1ghtestlight · 2 months
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apparently that james somerton plagerism guy returned to youtube/patreon and he posted a video about how queer identity is protrayed in bob's burgers...... and i really really hope he stole of my stupid analysis posts about this exact topic for his vid bcuz it would be hilarious. i want my bob burger analysis posts to be stolen for profit. its always been a dream of mine
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4giorno · 3 months
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uhhhhhhh any tv moments that match up to cas running for his life carrying jacks body transitioning into THAT new intro card? no? i didnt think so
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note-boom · 2 years
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Okay, I just read Volume 20 of the manga and I have a lot of thoughts...but one that I really want to spit out is about Akutagawa's death.
During the fight, he CONTINUOUSLY brings up Dazai. How he wants Dazai's approval. How he's going to LIVE and make it back to Dazai. How he doesn't have much time left so he really needs that approval before he expires. Basically, him (ironically) associating living and Dazai together. To get Dazai's acknowledgement is to live.
And yet.
And YET.
His death wasn't an accident, at least not entirely.
Even Fukuchi acknowledged that from the beginning, taking into account the space-time sword, Akutagawa's plan was to let ONLY Atsushi escape.
Did Akutagawa know he would be instakilled? I think he strongly suspected it considering how Fukuchi was doing his best to kill them.
Essentially, what I'm saying is that provided all that context, Akutagawa basically CHOSE to die when throughout the whole fight his only thought was to live, live, live (for Dazai). The arc isn't over yet (and I honestly have little faith this will happen) but I'm gonna hope anyway that this is symbolic of Akutagawa finally letting go of his deep desire to live for Dazai's approval and maybe starting to build something new...a new reason to live?
As in, him choosing death - choosing ATSUSHI - was his way of saying, "Okay. I see only one of us can make it out...I can't fight this man and beat him (which he did say). I won't live for Dazai's approval now. I can't. So I'll instead choose to die so that there is a chance Atsushi can save the world and clear the Agency's name."
Basically, I'm playing on the age old death and rebirth motif to say Akutagawa dying for Atsushi rather than living for Dazai's approval is his way of growing from his past obsessions and perhaps beginning to build a new reason to live (by dying for it heh...).
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tlanwen · 2 years
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lines, lines it’s all lines. but what if you cross it over into a loop. and now you’re stuck.
meta dump on sideblog, sorry, but im still not over the phone-ringing-as-psychological-torture bit in episode 6. Like its been So long since i’ve watched a show that’s been so narratively compact and well put-together.
>here we are, In laying himself bare in front of Wang telling him about the time his father confessed to him, and how following that key point in his life he decidedly put an end to their communication- he let his phone ring incessantly into the night but would not pick up (because of course, we can’t have In doing anything that might benefit himself and no one else in a situation. he has to be the martyr).
and here we are again! 20 years later- wang confessing to him (while adopting his own father’s voice in order to speak to in, to //get// to him in at his most vulnerable ((this child is a victim but a victim that loooves to play with fire. oh my god is he ever culpable in the All of it at this very moment. the double take i did when he referred to himself as siam. fuck me till next tuesday that was Hard to swallow)), in shuts down, and on cue- the phone rings. and it rings, and just like two decades ago, In just lets it ring.
such a good way to cut to one of the main points of this show- these people have been stuck in a time loop for the past 20 years and they’ve dragged wang into it as well. It is decidedly difficult (if not impossible) to move on from something you never talk about.
Mol won’t talk about siam and sees too much of him in her son (remember the talk in episode 1/2? her frustration at seeing something in wang, just beneath the surface, the same thing she never fully understood in siam??), ergo Wang can’t hear about his father, leaving him effectively parentless because let’s face it mol is more of a “friend” to wang than a parent (ooh the pent up resentment he has towards mol. i haven’t seen this in a show like. ever, maybe. the low-key & at times unexplainable outbursts of frustration with his mother that she can’t understand. this child is angry that you are only his friend. kids don’t need a friend, they need a parent.), and now that Inthawut is in the picture Wang has once again kind of taken on the role of his father in this weird off way. with neither of them, he isn’t allowed to be himself, he’s ended up being this fuzzy disfigured shadow of his dad (that he didn’t even know! none of these people truly knew the man whose absence stopped their lives dead in its tracks! mol certainly didn’t because siam hid it from her, in ran away when siam chose to show himself for who he really was, and wang didn’t even get the chance! im going insane.)
i love it i love it so much when showrunners trust their audience and their show-watching abilities. it’s like, hey, we know you’re watching a show and maybe you’re invested in these characters as if they’re real people- but here’s an element/callback to something we’ve fit underneath the surface of this piece of media; this thing that you are watching, it is a story after all- do you remember?
n it’s like yes yes i Do remember!! i See!
i dont know how to finish this off in a cohesive way but- i may have been spoiled by many recent dramas having happy and satisfying endings but it hit me when i finished ep. 6 that this one very much. might not have what one might call a happy ending. it’s still too early for me to call it. That being said, honestly all i can hope for in terms of a //happy ending// for 180d is both in and mol recognizing and wanting wang, as he is, not the idea of siam in his place. he deserves that at least, and all three of these people deserve to exit the loop they’ve been walking for far too long, even if it means some lines uncrossing
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idk how ppl came up with long-ass meta posts like a week after ofmd came out i seriously didnt have anything insightful to say abt this show until, like, the end of may. i know im out here making post after post these days but it's basically just bc ive been fermenting in ofmd since March 29th, 2022. like im not smart enough to analyze media without having other people's opinions as a starting point so for the first like two months after i watched this show all i did on here was reblog stuff and ramble incoherently in the tags sometimes
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neurotypical-karen · 2 years
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Having thoughts about The Boys that makes me want to become a videoessayist because the run-on paragraphs upon paragraphs of opinions I have about this show would make for an absolutely deranged post
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sheepinthebigcity · 2 years
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man remember when i thought jake and the neverland pirates was gonna be good it wasn’t even the good pirates dont steal thing that got me it just felt very... capitalist...
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whomst-the-hell · 2 months
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i was thinking about it and i realised that i had sort of subconsciously been under the impression that atla was one of those star wars situations that tells you anyone can be magic but in actuality every major plotpoint just ties back to one single family every time (some of you may be saying “but rey wasnt a skywalker!” to which i respond “who was the primary antagonist then wiseguy” but this post isnt actually about star wars so fuck me ig) anyway what im getting at is, other than zuko, whose major theme is his relationship with his family and therefore with his nation as a whole (and also he was actual royalty so it was inevitable tbh), every single other main character’s parents were not explicitly benders, or were nonbenders. aangs parents arent ever even shown! i mean for a show where its canon that magic is genetic, they do a waaaayyyyyy better job at delivering the “anyone can be a hero” storyline than media that actually textually tells that story lmao
not only is the show about children, its also about lots of marginalised groups. all the characters are POC, toph is blind, katara is a girl (toph is obviously also a girl but her character doesnt really explore misogyny like katara ykwim?), sokka is just some guy even in the context of the magic system, even aang — the literal chosen one!!!! — is just a random kid who also happens to be the reincarnation of the most powerful spirit in the galaxy or whatever (thats a recurring theme of the show actually), and zuko ,who is the most nepo baby protagonist, isnt actually the prodigy of his family and is instead frequently upstaged by his little sister lol
like it would have been so easy to do a “and guess what the reason toph is such a great bender is because she’s secretly king bumi’s great niece!!!!!!” reveal, which is such a classic plot twist that tbh its barely a twist these days, but instead toph was a badass specifically because of the unique perspective she gained by being disabled and the way that allowed her to connect with the world around her ie the badgermoles — thats a way stronger story! the only relationship reveal we get (other than i guess aang learning he’s the avatar which kind of maybe counts??) is zuko learning he’s related to roku which. i mean he was already a nepo baby so it doesnt detract from his agency really and in fact reinforces his recurring “there are two wolves” conflict, which up to that point was mostly shown through azula and iroh (think his ba sing se fever dream wherein there were two dragons inside him voiced by azula and iroh respectively one advocating good the other evil, foreshadowing the final conflict of the season where he must choose between azula and iroh and he backslides in his moral arc by choosing azula which is a really cool narrative choice that tbh now that im thinking about it i probably should have made this tangent its own post but we’re here now ig)
also i was thinking about how bending is genetic but also skips generations (neither kya nor hakoda is a bender, and we dont know of any grandparent other than gran gran, who is a nonbender, and i think its a dominant gene bc ursa wasnt a bender to my knowledge but zuko and azula are, so probably neither kya nor hakoda had bender parents, but obviously katara is a bender, but sokka isnt, plus there were identical twins in the volcano episode where only one was a bender which does confuse me scientifically but i dropped science so whatever) and bending is shown as common enough that probably everyone has atleast one ancestor who is a bender so tbh it sort of circles back to being random lol
this post is really just me thinking out loud (well not. out loud. bc its written. you get it) so it might not be coherent but idk its another way that atla is very clever and has effective storytelling and creates themes subtextually etc etc ok thanks
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the-horrors-69420 · 4 months
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Well i was completely yanked out of my Christmas day downward spiral by the latest Hot Topic Of Discussion so... anyways....
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