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#ikevamp jpn spoilers
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One More Wedding YEET
Aight y’all there is a new event in two days, and because I’m losing my mind as it features all three of my golden boys in one, I’m definitely going to be yelling about it soon. But I’m not only screaming about that aspect right now.
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The rest is under a cut as usual so I don’t spoil content for anyone:
Naturally because the clap of my ass demands it I made a beeline to Comte’s event story. The preview goes into the fact that it is their one year anniversary, and on the day of that anniversary there’s a big party/ball where all the pureblood vampires gather. Because it’s a special event, it appears Comte can’t simply ignore it--so MC offers to go with him. 
Here is where I started screaming out loud:
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Because Comte says “Normally humans aren’t allowed to attend such gatherings, but you’re my wife so :D” Now, while that is very sweet, notice. Humans. Not Allowed.
My brain was like: lmaoooo watch they gonna be haters, I just know it
AND LO AND BEHOLD. WHEN COMTE INTRODUCES HER?
“This is my wife, MC.”
“....You’re not a vampire.”
SCREAAAAAAAM I FUCKING K N E W IT. I JUST KNEW THESE FUCKERS WERE LIKE THIS
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Comte’s 4th Birthday Story Event: Before the Clock Strikes Midnight
REEEEEEEE Ik it was a long time ago but life has been a [redacted], so I figured better late than never HAHA
So without further ado, anybody who’s curious feel free to click for more--I’ll put it under a cut for spoilers as per usual~
So in this story it’s the usual, a few days before his birthday, and they’re discussing a bump in the road. Essentially, it appears a friend of Comte’s is going to be celebrating a wedding, and as such he’s going into the suburbs/affluent part of the region to be able to attend. It’s only a few hours away from the mansion, but he will be gone for a few days with the arrangements made for his stay. 
While this wouldn’t typically be an issue, MC has some things to take care of and opts out of attending with him (preparing for his bday probably LMAO) and Comte is immediately big sad. My favorite dramatic fool is already pouting, though he fully accepts and respects her decision. Besides which, he fully intends to be back in time to celebrate his birthday as well. He notes that he’s always admired how driven and independent she is, and has no intention of getting in the way of that. He’s just going to miss her, is all.
He says as much, figuring there’s no point in hiding it: “I really wanted to bring you with me to attend…but I suppose it simply can’t be helped” … “That’s not it…I guess I’m just wondering if you’ll miss me as much as I’ll miss you while I’m away.” 
And MC’s just like “Aw, it’s okay it’ll only be a few days.” While Comte’s response is a very mature, high-pitched whining sound at a frequency only King (Theo’s dog) and Theo himself can hear. When MC tries to reassure him once more, his Hamlet impression continues: “Even the prospect of a few days away from you feels unbearable.” 
Naturally, as any man do that loves his wife, he draws her close and proceeds to bang the living daylights out of her. I would offer details, but I have no deets to give beyond: [Well MC, it appears I won’t be letting you get much sleep tonight.] 
Brief intermission for the vague sounds of fangirl cardiac arrest. 
The scene opens again to him doing his walk of shame (the slut) down the walkway and into the carriage that will take him to his friend’s house. His thoughts carry the regret of burdening her with his desire, though MC is pretty much on cloud nine and unable to stop thinking about the heady night they shared in a good way. Bruh and the sly look when he figures out why she looks like that--I’m boutta call the police, he is going to make women and men alike act up. 
MC scrambles to cool his already returning desire by insisting he will be late if he indulges any further, and he laughs and agrees easily–albeit with the slightest hint of reluctance. My favorite part in this exchange is that he kisses her forehead, adding that it’s because she’s the most adorable person in the world to him (a moment of silence for our uwus). 
Fast forward to Comte trying to get home after the festivities are over. Problem is, it’s been raining like a mOTHERBLEEPER, and as such carriages have no safe way to traverse the roads at the moment. He waited out the first day as patiently as possible, but after the second–and no sign of stopping–his Leeroy Jenkins instincts kick in. He notes to the coachman that he’s aware he’s asking a lot, but they fully intend to take the long way which invites the least risk–and the rain is ebbing, even if the progress is slow. 
It’s interesting because there’s another echo of his main story in this moment. He essentially showcases a desperation to return before the day ends, though without context it’ll probably seem a little strange, so I’ll do my best to explain. Basically, in his main story, MC notes that she doesn’t really care how different they are. Different time, different species, different experiences, so on and so forth. She hammers home that what matters is that the present is something that they actively share. It’s theirs. And no amount of divisions he desperately tries to draw will change that fundamental reality. 
And it’s a little moving to see how deeply he takes it to heart? I think it’s one of those wonderful phenomena, personally–the way a person can influence how you think and act with their sentiments. Sometimes someone says precisely what it is we need to hear, and it changes us–while it can be for the worse, it can also be for the better. He notes that he spent so many birthdays; among the people serving his house when he was little, raising hell with his friends in his younger days, so on and so forth. Not unlike Leonardo, he says that after so many “special” days the faces become a blur, the festivities lose their luster. It’s just another day, at this point. 
Note, one interesting thing here that stands out to me is that I feel like this is a reflection of both of their larger struggles. Where Comte can’t stand the relentless flow of time rendering him the only constant (and something of a ghost, never fully present), Leonardo can’t bear birthdays because it means remembering people who still mean the world to him, but are long gone. People he can never see again, never laugh with again, never share his life with again. And I think that’s a very profound pain, an anguish that just keeps on settling its weight. (Oh, Sisyphus…)
Comte’s is similar, but different. He actively works to keep his distance-- unlike Leonardo, he approaches immortality in the pragmatic way. He knows getting close will hurt, so he opts out of that–keeps a step behind, an easy smile on his face. Betrays only fragments to anyone, always has his guard up. But the downside of being so guarded means you eventually feel hollowed out and alone; nobody truly knows or understands you. There is a distinct loneliness in that approach, where memories only become reminders of how nothing ever improves and how bereft you are of warmth. 
Leonardo, at least, gets to have the joy of being known from time to time. But loss and estrangement from those people means double the pain in the long run, because he loved them fully. Comte chooses to live in the cold to protect himself, but ends up in a kind of catch-22; the cost of forgoing loss means a constant deadening of his own feelings. It means living in a kind of fog, where there is a distinct discomfort in the silent obscurity of your own heart. 
There’s something I’ve come to believe in my short course of living, so I guess I still need time to determine how true it is. But…I feel like, when people live this way, where who they are is a lie or it’s at the very least carefully concealed, we in part start to become that lie. I think it’s fascinating because Comte seems to have so much personality to him. He’s dramatic, he’s thoughtful, he has a sense of mischief about him, he has strong ideals, and he has an even more ironclad moral grounding. And yet, when he talks about himself, he always uses descriptions that hinge on emptiness. Like he’s worth so little, worth nothing. And that’s what I mean–he’s been trying so hard to glide on the surface that he has come to believe he really is equivalent to something that ephemeral. Like there’s nothing more inside him, or if there is, that it will never be worthy of much. I think it really speaks to the ways behavior impacts the psyche, even though the opposite tends to be considered the only possible cause and effect relationship. 
He’s so determined to live for and in the future while he’s in the present, that he forgets to enjoy himself and really live. And while that approach is certainly understandable, I do think he loses parts of himself along the way. Only to be rediscovered and placed back into his hands by MC: [Today–this moment–our now, I don’t want to miss it for anything.] And that's not even touching on how quick she is to make them a we; she's not letting him keep that distance. It’s not “you have the ability to share this day with me” it’s “we’re here and in this together.”
I feel like what I love about this is that it’s not only about how sweet he is on MC, but also about how much he’s truly living again for the first time. His defenses are slowly inching their way down, he’s letting himself hope and want things and look forward to things again. The thing about being a responsible person is that–while responsibility is all well and good–sometimes you become so mired in doing the right thing and planning the most optimal outcomes that you just aren’t thinking of yourself anymore. That is, if you ever were to begin with. He went from the careful cultivation of a life as an aristocrat, to a life that spoke of more freedom and fun beyond those iron wrought gates, before he returned to the structure of what he knew. Freedom speaks to him I’m sure–we all need it in some measure to survive. But I do think a good portion of that was unfulfilling for him after a point. It was only feeding the void that was beginning to form inside him. He was instinctively retreating into himself to avoid pain, and in doing that the only result was feeling like a coward and a fake. He wasn’t happy, he wasn’t able to be himself, and nothing was fulfilling–every single day just another forward march. 
I think it comes as no surprise he took up Vlad’s initial invitation so willingly. 
But then I digress, back to the story. There’s another timeskip and it finds him racing down the hall of the mansion. He’s hoping to make it in time but knows he’s racing against the clock, and fully expects MC to be asleep by this point in the night. Midway along his path he thinks he spots MC and falters in his step, blinking. He decides to hang back, watching the figure enter his room with a great deal of curiosity and resists every urge to burst in after her. He hears MC speak into his pillow, her voice muffled but clearly despondent: “I miss you, Comte. I hope you get back home soon…” 
Comte pretty much dies right there. I literally have no better explanation for it. He freezes, his heart sputters and stops. He’s just completely taken aback. 
And then, naturally, he goes about feral with desire as is his modus operandi: “Oho, I heard something incredibly cute just now. Were you also having a hard time spending so long apart?”
MC: “…!”
[Startled, she turns around and her eyes widen and widen.]
MC: “Comte, how...”
Comte: “Took a detour in areas with less rain.”
MC: “?? Wouldn’t that still be hard in weather like this?”
Comte: “I told the coachman I wanted to see you as soon as possible. Even if it was only for a second, I wanted to spend today with you…”
[Everything I was thinking while in the carriage spills out of me long before I can help it. I am reminded again of just how utterly irreplaceable an existence MC is in my life.]
Comte: “Even so, it seems interesting that I would find you in my bed”
MC: “...! A--Ah, I’m so sorry for entering without permission!”
[I quickly grab hold of her before she can scramble out of my bed, coaxing her to sink back into the sheets.]
In between a lot of intense making out and [redacted], the larger overtone is that her reciprocated ardor just destroys him inside:
MC: “It was...because I couldn’t stop thinking about you, about wanting to see you…”
Comte: “!”
[You know just how to drive me mad with desire.]
Comte: “I’m the same...the first thing I did was look for you. Even though it was only a few days, your voice, your body, everything...I missed you”
[Because today, our ‘now’--I never want to lose a single moment with you as long as you’re by my side...]
Comte: “I’m so happy to be able to be with you, right here and right now.”
It gets funny too because Comte is trying to take it slow, but when she tells him “Happy birthday” and goes on to say she was so glad to greet the day he was brought into the world by his side, he just loses all control LMFAO. It ends with them getting more heated and [redacted], to the point where he doesn’t even hear the clock strike midnight. 
And if him being the cutest and sexiest romantic wasn’t obvious enough, he spends the next morning just sighing blissfully with her in his arms:
[The next morning, when I wake up, MC is still fast asleep. I mean, given she only fell asleep a few hours ago. I’m still reveling in the afterglow of a sweet night filled with her cries, the way she looked at me and held me. MC...]
[I relax to the sound of her breathing steady with sleep, stroking gently at her hair as I hug her from behind.]
Comte: “I’ve had countless birthdays. In an endless life, I was convinced it was just a day that would come and go every time.”
Comte: “It was only after meeting you that I could understand there was no such thing as an overlapping or identical moment. I don’t want to miss a single second by your side...that’s what I think now.”
[I admit the truth of my heart, brushing a kiss against her cheek. Over and over and over again, showering her in my affection--]
But dun dun dun!!! MC was awake the whole time, so when she fidgets a little at how ticklish his kisses are, he 👁
[Oh, I see. Well then, two can play at that game...]
Comte: “Your punishment is to stay in my arms just as we are...how’s that?”
He gets his mischievous (and hilarious) revenge for being revealed (HORNY TIME), though it’s so suffused with love it’s hard to call it revenge hahaha. She reminds him to go easy on her because they have his birthday party to attend later, and he agrees~
Honestly after such killer hurt/comfort spice fluff, I can only tremble at the thought of what his 5th year bday story will be
It’s either going to be Some Angst^TM or even more killer fluff, and either way that means my days are numbered
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hey so I’m not trying to be gross but this genuinely something that I wonder about like how does mc survive on her period in a mansion full of vampires? Especially with a pure blood like Comte or Leonardo like can’t they sense it? sorry if this is weird I’m just genuinely interested In like pure blood and vampire lore and like what they pick up on especially comte as he’s a fave. I’d love to hear your thoughts as always I love your posts and I hope you’re doing well and staying safe and healthy 💛☺️
Haha, please don’t worry! 😂😂😂 I’ve often wondered about the very same thing, and while I don’t have any canon answers, I can offer the most likely scenario from my understanding of the game. Hope you’re doing well too, lovely, thank you! Stay safe out there~💛💛💛
Given what I know, and the fact that blood is only a small component of the discharge that comes with one’s period, I’d wager it poses a low risk generally speaking. I think the plan would be to make sure everyone’s on guard and has been keeping up with their usual doses of Blanc/Rouge (no waiting until you starve, Jeanne, yes that is a threat) but otherwise everyone proceeds as they normally would. I think it would be hardest on the vamps who are most sensitive to the presence of blood/have a harder time controlling their thirst, like Isaac and Arthur. 
Purebloods have been canonically established as having a much lower tendency to bloodlust by comparison to lesser/turned vampires, so I very much doubt Comte or Leonardo would react much. A blip on the screen for them, nothing more. (I often categorize Jeanne as the closest to pureblood level reactivity because his ability to control the thirst is exceptional; the only time he has ever come close to attacking MC was when he was at a point of intense starvation.) I think the only time her period could potentially become risky is if one of them was starving (and therefore reacting on the level of base instinct) or grievously injured. If they have feelings for her or she’s in a relationship with one of them, it may make them want to bite her more, but I don’t think they’d necessarily act on it. I’d assume most of them would be reluctant because MC is already losing blood as it is? Better to be safe than sorry, and all that.
As for whether or not they can anticipate it, I’m really not sure? It’s possible they might sense hormonal changes, but given I haven’t seen them react to anything so slight I can’t be sure. Purebloods I’d say it’s a coin toss; it’s very possible they can sense it before it comes--but I just have no way of knowing for sure. Lesser vampires, I very much doubt it. 
That being said, you bring up a very timely contention (for me) as of late. Which is to say: what are purebloods capable of sensing? I’ll be elaborating on a recent JPN collection story event that included Comte, as it had a very interesting tidbit that I’d like to share with y’all. It isn’t a huge spoiler as I’ll be focusing on the pureblood lore that was included, but for those who don’t want to see it I’ll be placing it under a cut. (Also some slight spoilers for Comte and Leo’s main story rt).
Mandatory spoiler warning:
So this last event featured MC and her suitor taking care of a child for a few days, in which they act like a pair of surrogate parents. Naturally, being a feral Comte stan, I got his story. In it, both he and MC are taking care of a young girl named Emma--the daughter of a fellow aristocrat (a friend of his). At some point during the story, MC accidentally loses sight of Emma while hanging up the laundry. MC searches the entire mansion but can’t find her anywhere, and she begins to panic when Comte encounters her. Alarmed, he gently asks her what’s wrong and she explains what happened. There’s a brief pause [”...”] and then he says “It’s okay, MC. Emma is–”. Comte then leads her to the gazebo where the little tyke is fast asleep, taking a midday nap in the shade. Naturally MC is relieved to see her safe, but also a little baffled as Comte led her directly to Emma. 
MC: “I’m so glad she’s okay. But…how did you know she’d be here?”
Comte: “Purebloods are good at sensing/detecting nearby human beings.”
And I ????? Granted it’s possible it got translated incorrectly but...I really don’t understand how else he would have known exactly where she was? If MC asked around and searched the entire place and still couldn’t find any trace of her, how would Comte have just known in an instant? Additionally, if he spotted her before he found MC panicking, then I doubt he would have just left her there without an adult/guardian nearby--he would have either stayed there or taken her with him. 
So this makes it plenty plausible that he really did just sense her presence in the vicinity. But........like..........howmst in the fuck. Is that even possible. I have no idea, but I find it a little shocking that I’ve only discovered this now? I mean maybe I missed it somewhere else where this tidbit of lore came up, but as far as I know they don’t discuss it much? The most I remember is Comte giving very clear indications that purebloods were able to sense each other, but I assumed that was restricted to purebloods only...
That being said I’ve been thinking about it and, well, there are at least three pretty strong instances in the game that could affirm his claim in this story. Namely: the beginning of the story itself (Comte’s POV of the prologue), the kidnapping incident in Comte’s main story, and the beginning of Leonardo’s main story.
I remember @a-maidens-dream asking about something very interesting in Comte’s POV story, and at the time I was a little unsure what to do with the information--it wasn’t aligning in a way that made sense. But I think this might help that tidbit fall into place? I think that Comte really hadn’t realized she followed him into the door until she was already in the mansion, and as such this ability to sense humans would explain why he knew she was there before Napoleon even told him anything. If purebloods can sense human people, then he would know a human being entered the house because of the species signature; the only human person living there otherwise was Sebastian. I’m not sure if the sixth sense is acute enough for him to be able to differentiate between human people. (My guess is that it’s not that specific, or if it is, the pureblood has to know the person very well to be sure.)
Building on that, this is a subtle distinction, but it still stood out for me. In his main story route, both MC and a fellow aristocrat (a woman she was friends with) are taken to these small cabin things in the middle of the woods. All Comte, Napoleon, and Jeanne have to go on is the general location of these hideouts. They decide to split up; Comte goes one way, Napoleon and Jeanne go another. I find this instance particularly interesting because Comte’s POV indicates a kind of loss of rational thought--he is 100% in a panic state, just moving to satisfy one objective: save MC before time runs out. This suggests that Comte very much could have been relying on that sense to pinpoint her and her assailants. We have no evidence to believe he was ever a soldier or somebody with extensive experience in tracking--or that knew the landscape well. But he only trusts she’s alive and unharmed for sure when he has her in his arms again, suggesting either that this sixth sense has its limits (in regards to specificity of the person being detected) or that his judgement in that moment was too compromised for it to be clear.
The last one, and perhaps the funniest possibility of the three, lies in the beginning of Leonardo’s main story route. Iirc, Leonardo spends much of that time hauling MC around the mansion to interact and properly situate herself in the mansion’s social dynamic. While this may just be a coincidence, MC notes that she actively tried to hide from him and make herself scarce, but whenever she tried no amount of stealth worked. One can certainly argue he just paid attention or asked other residents about where she was, but I do think it’s worth considering? I need to re-look at the chapters, but I seem to recall her trying to hide in a garden shed and he still found her immediately and just picked her up and walked right back out. 
Tl;dr: So does this mean Comte/Leo can sense when MC is on her period? I have no idea, but at this point I really can’t be sure what abilities they do and don’t have!
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Comte’s One More Wedding Event (full release)that should have just came out in Japanese Version. Could you translate it or summarize it, please? Thank you for your time.
I can't believe you want to give me this kind of power, but if you insist 😂💛
That being said, because my translation skills are rough at best, I'll be summarizing and selecting specific parts to discuss if I feel a need to quote directly.
If you don't want spoilers for Comte ES, run!
Y'all. Y'ALL. REEEEEEEEE I LOVE HIM. NOBODY LOOK AT ME I'VE BEEN CRYING ON AND OFF FOR DAYS
ANYWAY
So this particular event begins with MC bringing Comte a letter as he thanks her. One glance at the return address tells him that it's a pureblood gathering invitation, and upon opening it he's right. He shrugs it off and says he'll reply to it later, setting it aside.
MC, perceptive as ever, asks if he's declining the invitation. Comte explains the nature of the party and how only purebloods are allowed to end. Furthermore, the gathering takes place on their first wedding anniversary--and he would much prefer to spend the day with her.
Comte: “MC, any gorgeous evening party–no matter how beautiful–means nothing to me without my wife at my side. The place I belong is with you.”
MC: “Er…”
His gold eyes are steady and unwavering as he looks at me, and my heart skips a beat.
Comte: “Anywho I have no intention of attending this party, as it also overlaps with the date of our anniversary. Our first wedding anniversary is an important day, and I want to spend it with my beloved wife.”
Comte smiles winningly, all while staring straight at me.
MC, however, finds herself conflicted. Given how little she knows about purebloods, she wishes she could attend the party to better understand him and the community he's a part of. She admits this, to Comte's great surprise, but feels bad about it because she doesn't mean to ask something impossible of him. (One of the requirements of the party is that you have to be a pureblood vampire to be invited. ON WEDNESDAYS WE WEAR PINK) Comte clarifies that--because she's his wife--she's welcome to attend alongside him. He offers to take her with him if that's what she wants.
MC: “Are you really sure it’s okay for me to go, though?”
Comte: “Certainly. But I would never force you if you were uncomfortable, of course.”
MC: “No, I don’t hate the idea!”
Comte: “But I’d understand if being surrounded by purebloods would be rather nerve-wracking for you…And so many of them have a superiority complex a mile wide; they’re a prideful bunch. While it may not be all of us, there are enough that it might be stifling for you to be around them.”
Comte: “In light of all that, are you certain you still wish to go?”
[I know he’s just doing his best to prepare me for what I might face at a party like this--he doesn’t want me going in with the wrong idea. It’s very likely he had intended to decline the invitation to spare me the discomfort, and the burden of making a choice that would affect/limit him too. The concern in his features makes me melt.]
The part I love most about this scene is that this is just the beginning of so many attempts on his part to prepare her realistically, but also support her decision. As much as he wants to go with her he's never going to put her in the position of deciding for the both of them. He knows there's a great deal of pressure to face among such a forbidding/traditional society, and if she needs more time to prepare for that--he wants to give her the space to get used to something so unfamiliar. In truth, I don't see him ever asking her to go if she didn't want to--even if it stung to have that part of him rejected...
MC considers for a moment, but she's resolved to understand him and his people better. She explains as much, and Comte brightens at the confession.
MC: “I’m sorry if it’s a bit much to ask of you, but thank you…!”
Comte: “I should be the one thanking you, now I look forward to the gathering.”
MC: “You’re…looking forward to it?”
When I tilt my head quizzically, le Comte draws me close with a faint smile on his lips.
Comte: “I’m excited to introduce you as my wife.” (SCREAMS AND CRIES)
This gets INSANELY cute because he gathers her close to him and she just gets very bashful about it. She apologizes--saying she knows she should be more used to it given they've already been married a year now, but his response is so sweet: “Why apologize? I’ve always thought my wife is the cutest.”
They both think back to their wedding ceremony at the mention of how long they've been together, and MC's eyes find the flower pins she gifted him on top of his hourglass (which fking one he has like 300).
Some background for anyone unaware: when Comte and MC got married, MC gifted him these flower pins--they were flowers that were preserved (in metal I think? idk exactly how it works they just look metallic in his outfit art). She explains that they're an attempt to symbolize her love for him, in that she intends to remain unchanging in her feelings forever. I find it's also an apt metaphor for MC herself; it's not unlike her agreement to become a vampire to stay with him.
MC: “You’ve been taking good care of the flowers I gave you.”
Right next to the hourglass lie the preserved flowers I gave him. They gleam in the light with ease, clearly polished and looked after–not a speck of dust on them.
Comte: “With those you swore your love to me. Isn’t it only natural that I’d take good care of them?” (LISTEN COMTE YOU AND I BOTH KNOW THE REALITY OF THE MALE SPECIES QUIT PLAYIN)
After that scene there's a timeskip to the night of the party--and after everyone celebrates their anniversary in the mansion all day--they hop in a carriage. MC is a little lost in thought, preparing herself for what's to come. When he asks if she's nervous she fully admits to it, but with a caveat. She's nervous because she doesn't know what to expect and she's concerned about committing a social faux pas, but she's not afraid or anxious.
Before I came to this time I had absolutely no concept of what an elaborate dinner party looked like–and besides which, this time it’s going to be a room full of purebloods. I’m nervous, sure, because I’ve never done this before--but it’s not quite anxiety or fear.
MC: “As long as you’re beside me, I’m invincible–anytime, anywhere.”
I can navigate anything: unfamiliar social circles, even an entirely new era of time. Because Comte is always so steady and reliable, always there for me, my anxiety ebbs and I can shine–be the very best I can be.
Comte: “MC…”
Comte looks absolutely moved by what I have to say, directing a gentle, tender look at me.
Comte reiterates his previous warning, that they might be weirdos and/or rude because they're stuck in their ways. He knows their discriminatory nature is wrong, but he believes in her ability to overcome those things--and fully intends to support her. He also lets her know what to expect in terms of the schedule: mostly mingling, and dancing is reserved for the very end of the party only.
Gatsby hour begins and MC marvels at the enormous venue sparsely populated by people dressed to the nines (I can only imagine how Comte dressed her up for this event in light of that LMFAO). Comte tells her he's going to get some drinks, and MC agrees to wait for him. In a classic lowkey queen move, she retreats against a nearby wall to take in her surroundings. She feels a certain intensity to be surrounded by people who look so young and beautiful, and yet carry the experience of lifetimes within them. She also notes the slightest permeating scent of blood in the air, assuming most of the people in attendance are drinking Rouge in their wine glasses.
When Comte returns to her, he offers her a glass of red wine, and she takes it with a smile.
MEAN GIRLS TIME!!!!!
So these two ladies approach le Comte yelling about how long it's been since they've seen him, and about the rumors that he got married. Without missing a beat he confirms it's true, and introduces MC to them as his wife. MC offers a greeting and a curtsy, but the women openly spurn her because she's not a vampire lmao. ("Who put you on the planet" energy, essentially). I still can't tell if they were acting like insane mother-in-laws on Comte's behalf, or out of jealousy--or weirdly both.
All casual dismissal, the women sashay away from us, dresses swishing.
[It seems like I really won’t be accepted as Comte’s life partner so long as I remain human…]
Comte: “…I’m sorry. I’m afraid that is the usual attitude of pureblood vampires. Not all of us are like that, but they still made you feel uncomfortable ;;;;”
MC: “That’s not something to apologize for. I’m happy to attend such a lovely party as your wife.”
I don’t want to ruin the occasion for him, so I beam at him.
Comte: “MC…” His lips descend close to my ear, pressing the lightest kiss against it.
Comte: “Thank you, MC…I’m happy, too.”
While Comte is full of uwus and love for his wife, she notes he stops there--likely because it's a public venue. (And I'd wager respectability politics, given a lot of old school people tend to say horrible things at the slightest sign of PDA lol. It would give them all the more reason to be nasty to MC.) MC notes that no matter how small the gesture or how often he extends his affection, it always sets her heart racing (what a damn mood) and they both gear up to greet everyone else. They're both like ganbatte!!! at each other and it's really cute, haha.
[No matter how many times he does things like this, I’m always caught off guard. I imagine we’ll be this way forever…]
Comte: “Here we go, the party’s only just begun. Let’s get to it and enjoy ourselves. No need to hesitate, it’s our wedding anniversary after all–this is a time for you to smile.”
MC: “Haha, thank you very much! Then I’ll definitely enjoy it to the fullest!”
We continue to greet and chat with other purebloods, the night goes on while I sample some of their food–
At some point MC separates from Comte to use the restroom. When she exits to rejoin the crowd, she hears the voices of those two women that openly rejected her earlier. They basically talk about how Comte and MC will never last or have a meaningful relationship, and that Comte is wasting his time not breeding more master race pureblood babies for the community's future. (Not remotely surprised Leonardo does not like them at this juncture lmao)
While MC was well aware she'd face some level of disdain, she admits that it still hurts to hear--and doesn't want Comte to see her upset. So she walks out to a nearby balcony to look at the stars and cool off before returning to his side.
Comte: “MC.”
MC: “Eh…? Comte, when did you get here?”
Comte: “You hadn’t returned for a while, so I went looking for you.”
MC: “Ah, I’m sorry to worry you. The stars were so lovely I couldn’t help but linger a bit to enjoy the sight of them.”
When I try to hide my gloomy feelings, he stares at me.
Comte: “You seem upset all of a sudden. Did something happen? Did someone…say something to you, by any chance?”
MC: “Ah, I can’t hide from you it seems. I guess I am a little upset.”
Comte: “…”
Comte: “MC, do you regret marrying me?”
MC: “!”
MC: “That’s not the case at all. No matter what finds us in the future, I’ll never regret having married you. I’m glad I met you, Abel–that will never change…”
When I tell him my heartfelt feelings, he gently wraps his arms around me.
Comte: “…Me too, MC.” The voice that murmurs at my ear is filled with such ardor that my heart melts.
Comte: “It might have been too much to ask of you to come here. But no matter how difficult the truth may be, it’s an undeniable fact that I’m a pureblood.”
Comte: “I was so happy that you wanted to know more about me–to know me better–that I was spoiled by your words. And yet, as a result of that indulgence, I hurt you…”
MC: “…No. That’s not it. Abel, I’m not familiar with vampires. But this last year, I was with a pureblood who’s kinder than anyone else I know.”
I have no innate fear or dislike of purebloods–because the person I love more than anyone else in the world is a pureblood vampire.
MC: “That’s why I’m not afraid, or dreading any of this.” It might seem outlandish, but his presence was like magic; it was enough to give me the strength to have courage and find kindness for the people around me.
MC: “No matter who stands in my way in the future, I will do my best to be recognized as your partner someday. Didn't I tell you before? I'm invincible anytime, anywhere, as long as you're there with me!”
Upon hearing her resolve to stay with him, he feels the need to renew his vow to her too--telling her that he'll always love her as well, and that his feelings have only grown since then. One important bit to note in his confession is that he fully admits he had a hard time coming to term with what he was, he's only a little more accepting of being a pureblood because her existence redefines what an eternity means to him. He explains that, while no end of time used to be an upsetting and hollow concept to him, the fact that his long life will be spent cultivating his love for her gives him the strength to face his reality.
They kiss and MC acknowledges that life--no matter how long--always has its ups and downs. Sometimes there will be rough times, like when those Mean Girls women were actively nasty and unfair to her. And sometimes there will be joyous times, like how Comte just repeated his vow to her so sweetly. But more than anything, it's important to live in the present moment as fully as possible, and she deepens her kiss with Comte accordingly.
After what I assume to be an excellent make out, they return to the venue and rejoin the group of vampires. Now then, because it's Comte and Comte refuses to take any shit he reveals his ace in the hand. Premeditated and all cunning expectation, the show begins:
After reaffirming our feelings for the other, we return to the hall. When we wandered around to greet people today, there were also vampires who were kind to me. For those that remain perturbed by my presence, they continue to sneer at me as though I were an eyesore.
[I don’t care. Comte’s by my side…]
Comte: “…That’s right, MC. There was one thing I forgot to mention.”
MC: “Huh?”
Comte: “A short while ago, you said something about doing your best to earn their approval. I wouldn’t even worry about it, you’re perfect just as you are. Everyone here just doesn’t have the slightest inkling as to your charms yet. For those with the ability to see, feel free to show them as many times as you like.”
MC: “Comte…”
At that very moment, a waltz begins to flow into the hall.
Comte: “Oh, is it time to dance already? MC, shall we?” (Oh Is It TiMe To DaNcE aLrEaDy, damn clown)
MC: “Yes.”
In time with the melody, we begin to waltz together. When I'd first arrived to this era, the steps and the dance itself were unfamiliar to me. Now when I dance with Comte it’s nearly effortless–natural as breathing.
[Comte has taken me to so many evening parties at this point. Thanks to his impeccable leading any uncertainty in my step is elegantly disguised.]
Comte: “MC.”
As we danced, he called my name--crooned it softly.
Comte: “…Have you noticed? Everyone is watching us.”
At the sound of this new information, I look around.
[Oh, it’s true–everyone really is looking at us…]
And it’s not like before, tinged with displeasure and contempt. It’s like they can’t look away from us now, dazzled and intrigued.
MC: “Makes sense–you’ve always been a very graceful dancer, Comte, it’s impossible not to find it captivating.”
Comte: “No. Without you as my partner, I can’t enjoy it nearly as much as I do now.”
He grins as he says so, the sentiment reflected in his buoyant step. Beautiful, noble…and above all, lively. Even though I’m always by his side, I remain endlessly captivated by that smile and movement.
Comte: “We are more in tune with each other than every other pair here, don’t you think?”
MC: “Haha, that’s right!”
I think le Comte is lovely no matter who he’s dancing with, but I’m sure I’m the one who gets along with him best–I think so, because his golden eyes reflect no one else but me.
[No matter what anyone says…I won’t give up this position to anyone else.]
When the song is over, and the dance is finished, the hall is filled with the raucous sound of applause and cheering. All these people are looking at us and their eyes are shining.
[I wonder…if maybe our feelings for each other were transmitted more clearly after that dance? The mere thought of it makes me feel ticklish and delighted.]
After their lovely display, the Mean Girls ladies approach MC to apologize as everybody is leaving for the night. MC accepts their apologies and says she wants to find a way to get along with them moving forward, though they're still pretty reluctant (probably only apologized to save face).
Differences in lifestyle and family tradition...I think there are many reasons why they can’t accept me. I don’t think it’s easy to understand the breadth of the gap between us; I’m sure I’ll need more time to be able to bridge those differences.
[I don’t know the way of life or struggle of the pureblood people yet. But…I want to understand.]
Even if we are endlessly different, I don’t want to give up on finding some sort of compromise. Next to me, le Comte smiles silently. For the foreseeable future--as long as it may take--I want to prove that I can make this person happy.
I deadass can't stop laughing at the fact of Comte standing next to MC all :)))))) (y'all he is emitting BOSS M U S I C)
After that, Comte and MC also head into their carriage and head home:
Comte: “MC, thank you.”
Le Comte remarks on the way home in the carriage.
MC: “…? I haven’t done anything worth thanks.”
Comte: “For today, for coming with me. And--up until now and from now on--for being by my side. I wanted to thank you again.”
He leans over from where he sits next to me and entwines our fingers together.
MC: “…Abel?”
Comte: “…Today is not just the day of the party, but our wedding anniversary too, right? From here on out, it’s time for only us two to be together.”
This is essentially where the premium story ends, and then it moves into the epilogue. I'll give some tidbits from the epilogue, just because it was so endlessly gratifying. Other than them having the smash of the century, it's mostly Comte going overstimulation feral service top. But there are so many really romantic moments during the shameless fking ;-;
The more he kisses me, the more my need for him spirals out of control. As if to entice him I twist my tongue with his deeper and deeper.
Comte: “MC…”
He exhales my name on a single heated syllable, and I can tell by the way he’s looking at me precisely what it is he wants.
Comte: “MC, what do you want to do…? I want to make you happy tonight. Do you want me to be kind? Or take you with reckless abandon?”
MC: “Abel…please do as you like. That’s what would make me happiest. :>”
Comte: “…I see. So you want to be made a mess of, is what you mean.”
MC: “Mn, aah–”
When his hands trace my sides seductively, my sensitive body reacts on it’s own.
Comte: “…You’re really cute, MC. Tonight, I’ll remind you the joy of being mine again.”
---
Comte: “Always so sensitive. Just the slightest touch, and you cry out with such a sweet voice…”
MC: “Well, it is your fault…”
[Because if Abel touches me like that…He spoils me and leaves me in an endless sea of pleasure, building up to that crest–fading–and building up again…because he loves me so dearly.]
Comte: “My fault, is it?…I like the sound of that.”
With a bewitching smile, he makes short work of his tie and button down. Even the most casual gestures like this are done with such grace that it becomes sensual. I’m drawn to the sight of him revealing more and more of his skin, thinking he’s far too much of a tease.
Comte: “…If you look at me with such desirous, greedy eyes, I’m going to lose control myself, MC.”
----
MC: “I…all I do is take from you…” I’m embarrassed because I’m so inexperienced that all I do is drown in the pleasure he gives me.
Comte: “…If you really think so, then you’re too unaware.”
MC: “Mn–ah, hah…”
Comte: “I’m the one who can’t stop wanting you…MC.”
When he leans over to murmur in my ear, his voice is suffused with desire–breathing shallow. From the gap between his lips, I can see the fangs which have never broken my skin…
MC: “Abel…do you want to bite me?”
If the answer is yes, then I’d be delighted. A vampire’s hunger for blood is often tied to romantic feeling. If he wants to suck my blood, then that’s all the more evidence that he loves me.
Comte: “That’s right. I want to sink my fangs into your soft skin…To taste your blood, to know your body and soul--I want to make every part of you mine.”
MC: “Mn…”
He drops a kiss to my throat, tickled by his tongue as he licks there–as if to taste me.
Comte: “But…”
Only I am reflected in his eyes.
Comte: “The only thing I want more than biting you is to take good care of you. I don’t want to impulsively take anything from you.”
MC: “Abel…”
....
Comte: “Someday…I will make you into a vampire. But, right now, I want you to stay exactly as you are.”
The heat of him coupled by that serious look...my heart is swept away.
Comte: “So…can you bear with my hesitation for just a little while longer?”
MC: “Yes…forever. I’ll always be yours.” I replied, wrapping my arms around his back. He squinted, as if he were staring at something dazzling.
Comte: “I’m always hesitating, but…MC. I will absolutely never let you go. I swear my love to you forever, my dear wife.”
----
The last part of the epilogue is confusing because I'm not sure if it's intended to be an actual dream or Comte just messing with her, but here goes:
[Morning already…?]
At the sensation of sunlight, I open my eyes.
MC: “Eh!?”
Comte: “Are you up, MC? The defenseless face you make when you’re asleep is adorable, but when you open your eyes and look at me that’s also lovely.”
He was lying in bed, unlike last night, wearing the same outfit he had on for our wedding.
[Ah, I’m most likely dreaming.] When I realize it, I get a ticklish feeling in my chest and can’t help the smile that finds my face.
MC: “Haha…”
Comte: “MC? What’s wrong?”
MC: “No, I was just thinking you really will always be by my side. I’m glad to see you in my dreams like this…I’m happy.”
Comte: “…Haha, that’s right. I’m happy too. But…it’s not always a dream right?”
MC: “Er…”
His voice easily makes my heart flutter, like sweet sake.
Comte: “Would you like to see if it’s a dream? …Once again, with your body.”
My heart thunders under his sultry gaze, covetous gold eyes beckoning me closer. (COME HITHER FUCK)
MC: “Yes, Abel. As many times as you like…take me.”
I know dream-like, impossibly happy days will continue as long as I stay by his side–
-----------------------------------------------------------------------------------
There is so much going on here that I don't even know how to encompass all my feelings other than to say MARRIED COUPLE G O A L S. AAAAAAAAA I LOVE HIM SO MUCH HE'S SUCH A DOTING HUSBAND!!!!!!!!!!!!!! PUT A RING ON ME S I R
I really love the endless reciprocity coming from MC, lmao. She very openly wants to respond to his efforts, wants to make him happy too, is just as desirous in their coupling. I also love how much personality and spunk she has??? I was fucking d y i n g when she was like:
MC: "Aren't the stars so nice." Comte: "Adorable that you'd try to out-fake the king faker. What really happened." MC: "Damn it."
It's been a long time since I've gotten this much serotonin from a story m a nnnnnn
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Hi hi!
I really love your incorrect quotes! They are always so funny! And i just found out that you've played the jpn version of ikemen vampire... so ONLY if you don't mind i've gotta a question: can you tell me more about Charles? I mean like his personality, his past and maybe if he is a villain?
For what i get; he is like a fusion of Arthur and Vincent but a little bit yandere?
All thing that i like in a boy😋
Thanks
Sure! I mean my knowledge is limited given that he is the last main story in the game to be released? Right now Faust is the newest route, and Vlad came before him--so Charles will officially close out the main story (as far as I am aware).
That being said, I do know that Charles is generally a pretty genki boy on the surface, and does tend to have a yan obsession when it comes to MC (showcased most heavily in Dazai’s route). He seems to view MC as somebody who can “save” him; considers her someone very bright and lovable though the feelings are essentially very one-sided. I don’t think he’s the type of person to mean harm? But he is capable of getting carried away with his feelings, and imposing them where they may not be appropriate;;;;
He has a v distinct worship for Vlad, and seems to believe in the “perfect, peaceful world” that Vlad insists he can create. Faust and Comte reveal that Vlad’s promise is a lot more hollow than Charles is willing to acknowledge, but Charles is so desperate to avoid/redeem the sins of his past that he stops seeing reality. In this way Charles seems susceptible to delusion when it comes to what he wants, so I think Arthur is an apt comparison in that regard. They both have an uncanny capacity to look the other way to satisfy themselves, not really caring who/how someone suffers in the process.
As for Vincent, I can see how he and Charles maybe share a kind of idealism? But I think Vincent is more realistic/down to earth in a lot of ways, and less out of control. Where Charles is perfectly happy to kill Dazai to be with MC, I doubt Vincent would ever resort to that level of extremity, for example.
Charles is very fond of Faust as well. Despite Faust’s typically cold and clinical nature, Charles freely tells MC not to listen to his intimidation/curt language, and reveals that he really does care about people. Faust treats Charles much like a reckless, somewhat foolish younger brother--all lowkey affection and concern for the little guy.
Charles @ Faust: nice big brother that seems very concerned when I eat laundry detergent
Charles @ Vlad: nice dad who will bring world peace :) it’s okay that he kills people
Charles @ MC: nice lady who’s love and attention I want forever, all the time, pls pay attention to me, I will die without her love (I will also kill anyone that wants her romantically that isn’t me~)
Charles @ Comte: nice ex-friend of Vlad’s who makes Vlad sad, can’t we be friends again?
Charles @ Shakes: who were you again (or, alternatively, Vlad hasn’t killed your turncoat ass yet? lol)
As for whether or not Charles is a villain, I find it really just depends? If you can convince him there is some adequate reason to hurt people (as Vlad does) he will, so that can make him villainous. If he needs to hurt someone to secure what he intensely desires, he won’t really think twice. Dazai’s lowkey persuasion reveals that he is more unstable than he appears on the surface, that doubts lurk beneath the surface--so I’m not sure how much of his extremity is Vlad’s mind control? After Dazai/MC try to get through to him, he concedes he was being entirely delusional and apologizes.
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Comte AU Event
Aight because I have Comte brainworms (is this a surprise to anybody I sure hope not), there’s something I’ve just been thinking about a lot ever since completing one of the story events a month ago:
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The cover art being very sexy aside, I naturally did Comte’s story event and I have yet to move on. Namely because of one specific line. (Disclaimer: Keep in mind I don’t mean to say I’m an expert, I just translate for fun--I don’t have the same prowess as an official linguist. That being said starts the circus music let the show go on)
"...it amazed me. You never stopped trying, never stopped helping others or gave up on them--even while every day was a living hell for you."
This is the line I want to dive into, but before I can really talk about it, we need proper context. 
Event spoilers below:
This event is a little different since it’s an AU, so the mansion and its residents don’t exist. (Comte lives in the mansion on his own, but it’s not the same one we know.) Instead Comte, Leo, and Arthur are stand alone suitors who have turned MC into a vampire. Because MC has no clear memory of how and/or why it happened, MC is seeking vengeance against her paired hottie--and fully intends to end their life one way or another.
Aside from how sexy revenge is and how much I love the enemies to lovers trope, Comte’s entire storyline gave me more life than I can humanly convey. Here goes nothing!
So it begins with MC knocking on his door and Comte answers it and literally just stares at her silently like some kind of Furby. MC starts out by saying she’s been trying to narrow down the bastard that ruined her life and her search has finally brought her to his doorstep. She basically demands the truth from him and he just keeps. Staring owlishly (lmao). He eventually relents and tells her that a conversation is much better held inside, and invites her into his home to talk. 
She's sus as hell but enters the house, and he asks if she's had blood. This stops her in her tracks, shook, and her monologue drifts to explain a few things. When she woke up years ago, a new vampire, she had instructions to approach the Rouge/Blanc dispensary for what she needed. The staff there told her that everything was paid for, and she continued to receive support from an unnamed benefactor. She asked them for the identity of this person, but they were beholden to customer confidentiality. As such, she's been searching for information to narrow down her target for years until she finally found him tonight.
Despite the years it doesn't mean she's any more comfortable with her new existence. She notes that she still tends to stick to drinking Blanc--only drinking Rouge (in other words, blood) when she has no other choice. When Comte puts the Rouge on the table, she becomes notably unsettled. She's thirsty, but she won't concede to his request that she drink it; she refuses.
(I feel like he can probably tell because he's her sire/because of his experience with vampires). Comte--naturally--refuses to let her go hungry, so he knocks it back and kisses her to get her to drink it. He lets go as soon as she's swallowed it, and doesn't resist when she shoves him off. She rails at him about how awful he is for doing that, he agrees. She asks if he was the one that killed her parents, he confirms with blasé indifference. She's fuming quietly, but she notes that he doesn't really look happy or triumphant about it. What he's saying isn't reaching his eyes; his gaze is distant and sad. And it's confusing her. Isn't he supposed to be the enemy?
She's lost in her thoughts and unresponsive until there's a loud cry from outside the house, the shriek of a nearby owl. She snaps out of her daze to see that she still has his hand in a vice grip from when she shoved him off, and his skin is blanched--she cut off his circulation from the pressure. She releases him, startled, but he says nothing. 
She's trying to sort out what's going on, and doesn't have enough information to really piece anything together. She wants to hate him but things aren't making sense. Why did her parents have to die in the first place? Why does he bother keeping her alive at his own expense? Even just now, what he did felt more like an attempt to get her to eat than anything else. Why isn’t he more malicious? This MC is desperate for answers, and she says as much: "What are you hiding…?" 
Comte doesn't answer her, just averts his gaze and remains silent. MC decides she won't do anything until she learns the full extent of what happened the night she was turned. Furthermore, she's well aware of Comte’s status being a problem. If she goes too far without proper motive, the aristocracy could come back to bite her in the ass. (The implication here is that she's more concerned about being wrong and living with that regret, rather than any necessity to protect herself. The state of his gaze--the melancholy there--keeps eating at her. Until she knows why, she won't move forward.) 
Comte is shocked that she demands to live alongside him in the mansion, but he doesn't take any issue with it. He says the mansion is pointlessly huge for one person anyway--she's welcome to stay. Either way she wins with this arrangement: either she gets the truth or she finds an effective way to destroy him by the end. And so their little cohabitation begins!
After a timeskip, MC recounts how she's been spending her days in the mansion. She's been tidying around the house, both in the hopes of finding evidence and/or in the hopes of repaying all the years of living on his assistance. He doesn't stop her, letting her do as she pleases and keeping his distance.
One day, she's about to step out into town to grab some groceries. Comte approaches at the front door, cautioning her to be safe--there have been many reports of scuffles/dangerous encounters. MC brushes him off, unsurprised he knows what's going on in town. He's very well connected to the aristocracy, and she notes that he's often at dinner gatherings and parties when he's not home. She insists she can't let her guard down, that he can't be trusted; no matter how kind he is to her face.
Another day, he asks her to attend a ball later in the week. He tells her she's under no obligation to stay with him while they're there, just that he wants her to take some time and relax--to have fun. She tries to insist that going to something like that would be more stressful than fun but he won’t hear of any protest, walking away before she can fully reject the outing. (Comte, an idiot, speed-walking out of the room: and that is what we call finessed). She sighs, thinking she'll be nothing but a burden to him given her lack of knowledge about events like that. She doesn't really know the proper etiquette or how to dance, it’s completely out of her depth.
Surprising no one at all Comte buys MC a dress and accessories to match regardless, and when she comes down the staircase leading to the front door he's awestruck. He tells her she's beautiful and she's miffed by the raw sincerity, trying to remind herself that he is eeeeevil. He knows how to talk to women given his status, he's just smooth talking... (She's trying to convince herself, essentially.)
And so they go, and she's a bit of a wallflower. He leaves her alone--doesn't want to bother her--while she sticks close to one wall. Several men ask her to dance, but she politely declines. Her monologue explains that, given what she is and the fact that she’s only living for revenge, she sees no merit in trying to court human men. She sees it as irresponsible and inevitably disastrous, and…
[Given the nature of what I am I just can't. I can't fall in love with a human man. Besides, the only person I really want to dance with is...as much as I hate it, my line of sight keeps drifting to Comte. Suddenly he looks up and meets my gaze, but I hurriedly look away--my heart pounding in my chest. Why. In a room full to the brim with people, why do my eyes keep looking for him. Whatever, time to go cool off for a bit.]
She leaves the ballroom--mortified at herself--to get some fresh air. Not five minutes into trying to figure out whatever the hell is going on with her shitshow of a life, a man appears asking what she’s doing alone. And da da da d a Zelda treasure chest sound effect he whips out a knife covered in blood and tries to stab MC. Naturally, because I’m an idiot, my first thought was:
TW: knife attack
TW: homicides by serial killer
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But it turns out our local serial killer remains nameless in this event, so I can point no fingers. MC is panicking about needing to run and frozen in place from the shock, but Comte appears to pull her out of range--knife sinking into his back. He doesn’t react much to the violence as the attacker runs away, yanking out the knife and focused on checking her for any wounds. She’s still reeling from how quickly he reacted, and he reassures her (probably at the sight of her bewildered/worried look) that law enforcement is on alert in the area. They’ll find him, they’ll arrest him. 
She tries to ask him why. Why would he protect her like that? His first instinct was to take the hit and ensure her safety first, and it doesn’t make sense. Comte reassures her again, joking that purebloods are sturdy. See? The wound’s already healed c:
[Even though I've been spending all this time trying to get my revenge on him, my heart stopped when he was attacked. As if to reassure me, frozen and speechless, Comte smiles gently. This person.......I can't do it. I can't kill him without meaning, without being sure of the truth.]
"...Comte, I can tell you're a good person. What happened that night, so many years ago?" Because even now, he's still protecting me. "Please...tell me the truth. I want to know." 
[I know this isn't the time or place, but if I don't know I can't worry about him with a clear head.]
TW: human trafficking and drugging unconscious
Comte concedes and goes into what happened that night so many years ago. Apparently he was acquainted with her parents long before the incident, and they fell into debt as a result of gambling. He approached their home in the hopes of paying them a visit, checking up on them, only to encounter tragedy. They intended to sell their daughter off and the man they ended up making a deal with more or less slaughtered them all in cold blood. The reason MC doesn’t remember any of this was because her parents drugged her the night it happened. No consciousness, no resistance.
"In that room suffused in the odor of blood and despair, I found you, MC." Her pained, struggling cry is what led him into that room--and seeing how desperately she was fighting to survive, he turned her against all his better judgement. Feeling certain she would hate him forever for the choice he made compounded by her terrible circumstance, he bailed, leaving her instructions and resources to survive on her own. 
"Sold off by your own parents, attacked by a serial killer, seconds from death. I thought....I thought telling you about it would only bring you pain, that it would leave you numb from the shock and despair. That's why I kept it from you.”
"...After turning you, I was consumed by regret. I felt certain you would hate me for the choice I made. So I left." [When I don't know what to say, he keeps talking.] "But I was worried about you even so. I tailed you quietly, making sure you were getting along okay. I was fully aware you wanted to kill me for what I'd done. Even so, I wanted to check on you." 
And that is where the line comes in.
"...it amazed me. You never stopped trying, never stopped helping others or gave up on them--even while every day was a living hell for you."
He admits that he fell in love with her after a point. And she’s baffled, considering she’s been looking for every reason to tear him apart--assuming he was the perpetrator when he actually saved her life. She protests immediately, asking how he could possibly feel that way after the level of vitriol and judgement she’s levied against him when he was only trying to help.
"That's not true at all. At heart, you're a very kind young lady. You haven't raised a hand against me all this time. And even when you considered me to be a repulsive presence, you were worried about me." 
At this MC is conflicted--because his words are a further extension of his equanimity. He’s well aware that he brought about all the confusion by not being honest, but it’s also clear there was no ill intent involved in that decision. He was concerned; hitting her with that level of misfortune and senseless terror all at once could have been incredibly destructive to her health. (This isn’t to say he made the ‘right’ decision; I don’t think there is any right decision in the face of such a complex situation. Given he takes full responsibility for what happened and does his best to help her, I think that’s a fair response.)
This is essentially where the common rt ends. But because I’m feral for Comte and enjoy talking about him, I’ll finish up the summary and then go on to do my analysis.
After that riveting assault, MC is feeling very lost about how to move forward. Her fury at Comte’s injustice has all but evaporated, which means a complete re-evaluation of how she’s going to move forward from now on. Does she continue with her revenge anyway, still angry for the dishonesty? Or does she try something new?
If you do the premium end that means choosing to forgive Comte and climb him (as he deserves). Therefore I, being an intellectual, chose to ride him into the sunset.
The premium end begins with Comte taking her to another ball because the first one kind of went to shit and he feels bad about it (retraumatization was not in the plan...). And so MC basically does the same thing as the first time, just vibin and taking in the scenery, thinking things over. Comte’s concerned about her not having fun, so he approaches her to ask if she’s feeling okay. He makes it clear that he really doesn’t mind if she dances with someone else--even if he admitted his feelings for her. She doesn’t owe him anything, and he has no intention of imposing on her future.
"Whatever it is you choose to do, I don't mind. I just want you to be happy"
[This person is so, so gentle...His words penetrate deep and settle with warmth over my heart, my chest light.] "Comte I.......I don't want to dance with anyone but you." [I still don't know what to do about the future, but for now I think following what my heart is telling me is the best move] 
"!!!....well then, if you insist..."
Comte’s just:
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He’s beyond shocked, but accepts her invitation when she confirms it’s what she wants to do. Leading her in all his infinite grace, MC marvels at his ability to dance so elegantly--even with a partner who’s deadweight, like her. She also finds it astounding how easily he makes her forget what they are, how easily she just enjoys the moment; no turmoil, no lingering in the worst of her miseries. She’s just...having fun? For the first time in so very long.
[Comte murmurs in the short distance, clear remorse on his face--as though he can't help it.] 
"MC, it's kind of you, honestly. That you'd give me the time of day, that you'd agree to dance with me. But I...I'm the one that turned you. There's no denying or escaping that fact. If it's you, I'm ready to accept any consequence. If you want me gone, you're free to attack me. If you just want to be as far away from me as possible--to live your life in peace and solitude--I will do everything in my power to help you." 
[He said it as if he was trying to convince himself. Like he was trying to remember why he couldn't assume more of this single dance together, why he couldn't let hope emerge from this single shared moment.] 
[.....I'm not that kind, Comte. I asked because it's you.....Feeling his warmth beneath my hands, I come to a decision.]
There’s a timeskip, and then MC--being the badass that she is--knocks on Comte’s door the night of the crescent moon. He lets her inside more than ready to accept her judgement, whatever it may be. MC asks about his feelings, seeks to confirm that he still loves her before she confesses herself. 
"Comte. Comte you said--that you loved me right?" 
"Yes that's correct...no matter how much you might hate me, these feelings won't change. I love you." 
[Hearing those words again sets my chest on fire. And I decide to tell him my honest feelings.] 
"I love you too. But......I've held a misguided grudge against you for so long, is it okay for me to love you now?" 
[Can that misunderstanding really be forgiven? Am I allowed to love you? Comte's eyes widen, and the breathtaking gold of his eyes shimmer/waver.] 
"...shouldn't that be my line? I mean even despite the circumstances, I still made the choice to turn you :o Can you really forgive me?" 
"...If I'm honest, I still have a hard time drinking blood and I'm a little scared of an immortal life. But......I think if I could spend that eternity at your side, I could find the means to smile again. And....the thing is....I also want to see you smile, to make sure you remember how to smile." 
".................." [Le Comte stared at me, before extending his hand. And he hugged me so, so tightly.] "MC......." 
[In that single word all the raw emotion of ten years can be heard. It was an indescribable sound--one that spoke of an unimaginable, impossible love. This person loves me so very dearly.]
The event ends with them biting each other as proof of their bond, essentially a vow to stay together moving forward. It felt very much like the shared act of biting was a promise of love, how vampires might get married or commit to each other romantically. The summary essentially ends here.
Here’s where the semi-meta comes in, because I literally just can’t stop thinking about the implications of this event. 
"...it amazed me. You never stopped trying, never stopped helping others or gave up on them--even while every day was a living hell for you."
I just...I just don’t even know where to begin with how hard this line hits. Comte’s MS conveys this sentiment powerfully too, but there’s just something about them choosing to emphasize it yet again. The reason Comte falls in love every time has to do with his MC’s strength, her ability to surmount remarkable obstacles with so much poise. She’s deeply in tune with her reality, but no less relentlessly positive. She won’t burden others with her problems, and she’ll do everything in her power to move forward in constructive ways.
Even when every day was a living hell. Both Comte and Leonardo perceive eternity to be something of a curse; an endless sentence. Whether it means suffering boredom, reliving tragedy, or going nigh numb from the loneliness--being an immortal creature isn’t always sunshine and rainbows. 
And that’s exactly why I think he fell in love with this MC? I don’t think his feelings would have run half as deep if it was just anyone. He doesn’t strike me as the type to get attached easily. Because if he’s going to have a life partner, he needs someone who's going to be able to roll with whatever life throws their way for conceivable lifetimes. Somebody that loses heart quickly or is easily prone to delusion would suffer eternally, and the last thing he wants is to subject a person to that. MC gives him hope certainly, but she’s also emblematic of a kind of fortitude he both needs on a personal level and she would need to be beside him. It’s interesting because it’s a responsible choice on his part, but also just very befitting of his nature. He’s somebody that staunchly believes in the ability of good to prevail, but he’s also realistic about it. He knows doing the right thing isn’t necessarily easy; he does it because he could never live with himself if he did otherwise. 
(Think about Comte’s approach with Jeanne. It meant years of being on the receiving end of hatred he didn’t deserve, but he didn’t mind if it meant Jeanne could find a way to heal. It’s not the most practical or immediate solution, but it is the most restorative option. Comte doesn’t care that he spends years living alongside Jeanne’s outspoken displeasure and even violent outbursts. Why? Because it’s all a means to a greater, better end. If he has to suffer a little discomfort, he’s willing to make that sacrifice. That’s the thing with Comte; intentionality is everything. Comte’s intention is to help. Whether that’s a short or long process, a smooth or rough process, he’s going to do what he can within his means.)
That dynamic is reflected in his respect for this MC who is filled with fury on behalf of all the life that she lost unfairly, her relentless pursuit for the truth of what happened to her. Notice, she’s more interested in truth than retaliation. She refuses to lay an intentionally violent hand on Comte until she knows beyond a shadow of a doubt that he was worthy of being on the receiving end of that retribution. Who does that sound like? If you guessed Comte himself, then you see where I’m going with this. What MC and Comte have in common is that they have a sharp emotional fortitude that they keep under tight, rational control. They will react with sizable passion or hurt or warmth--but their externalized reaction will vary depending on the situation. If it’s a minor annoyance, they have the patience to diffuse and try to alleviate the problem. If it’s on a larger scale or it’s an egregious violation of their personhood, then they up the ante accordingly.
Think about it. MC appears on Comte’s doorstep full of righteous rage and even when he confirms what he’s “done,” she hesitates. Her emotional intelligence is telling her something isn’t aligning properly; something isn’t quite right. She forgoes immediate revenge for proper answers instead. MC and Comte have this kind of balance, where they are more than happy to hear people out--but there is a limit to that propensity. Push them too far? They’ll bust your head. I guess I’m particularly interested in the way Comte seems to yearn for that kind of identification with a partner. Somebody who has similar values: not merciless, but also won’t bend when a situation requires confrontation.
All that being said, there was one more aspect of the story that I was endlessly interested in. I’m going to link the post here, in that it’s tangentially related to this meta; it really made me better able to articulate what I mean to say. 
“Never let generosity hold hostages; courtesy is an essential tool, but a cruel master.”
I’m gonna let that sink in for a moment.
I’ve been thinking about this a lot, because it’s very rare that I read something once and I’m forced to read it several more times before I begin to understand it. My interpretation of that line is to say that benevolence can showcase your good will to others; it can be a reliable proof of good character, and a way to help someone. But the problem comes when people do conventionally/perceived generous things with the explicit intent of repayment by some measure. While it is only responsible to care for others as they care for you, you shouldn’t make impossible sacrifices with the expectation that the other person is indebted to you--especially if the other party had no ability to consent to that sacrifice.
How does this apply to Comte in this event story? Er, in almost every way humanly (vampirely?) possible, in my view. Comte turns MC into a vampire after seeing her plight, largely because he gets the impression that she was fighting for her life--had impossibly survived against all odds. The situation is complicated though. MC wasn’t fully conscious when it happened, so she doesn’t have a proper understanding of how everything went down. So what does Comte do? If he can’t bear to face her or reveal the truth of how horribly she died, he at least gives her every means to survive and makes sure she’s doing okay since she’s technically an orphan now. He doesn’t interfere with her life, or demand recognition for the life he gave her. He fully understands that she wasn’t able to properly consent to his decision in that split second moment, and even if she had he doesn’t see it as a debt she owes him now. He was able to help save her life for at least a little while longer, and so he did. It was as simple as that. He had the ability, she had the need. That’s the end.
But Comte’s emotional acuity doesn’t just end here. Even when she comes after him to kill him, he doesn’t respond with anger because he knows full well he hasn’t explained. Sure he’s sacrificing their relationship (the ability to get along on half-decent terms) but if it means she can find a reason to live, then so be it. He doesn’t lord that sacrifice over her head by any extension; he’s just sad about it because he thinks she’s a wonderful person, and he doesn’t want to be estranged from her. But in his view, her needs supercede his wants.
He doesn’t force her to do chores around the house during her stay, she does it to keep herself busy and search for the truth about his intentions. He even asks her to take breaks and look after herself first, more concerned with her well-being than the state of the mansion. At the ball, he doesn’t force her to linger around him or dance with him despite inviting her there and giving her the dress/jewelry to attend. He leaves her alone as she wishes, only glancing at her to make sure she’s doing okay. When he takes the hit from the violent stranger--a knife straight to the back--he jokes about being s t r o n k, never once blaming her for the wound he sustains no matter how brief.
He explains that he didn’t tell her the truth because it was incredibly traumatic, and it’s only in the safety of the moment--after years of having conceived of her own selfhood beyond the event--that she’s able to take the weight of what happened without falling apart. The premium end just keeps hammering this shit home. He openly tells her she doesn’t have to dance with him at all, that she doesn’t owe him anything just because he likes her. He’s aware it’s unrequited (he thinks) and he doesn’t go on and on about all the sacrifices he made for her with the expectation she’ll reciprocate. He just did what he wanted to do, nothing more. If she feels the same way by some miracle, that’s amazing! If she doesn’t, as it would be valid if not, that’s fair too; no hard feelings.
She has to be the one to invite him to dance and insist. She’s the one that smiles fondly when he’s telling her that she can choose whatever outcome she pleases, even if it means wanting to live as far as possible from him. There is no guilt trip, no expectation, and no pressure. She has the freedom to leave or stay. It is entirely dependent on her own will. For the first time in a lifetime of loss, her agency is restored to her. That’s huge.
She even admits that she feels bad about being so angry when he really was just trying to help, now that she can understand what he’s doing. And he’s openly shocked to hear it. He had no intention of expecting or asking for an apology. He understands it was his own imposition, both biting her and obscuring the truth, that led to her setting her mind on vengeance. 
I’ve probably hit it home harder than necessary, but Comte just feels like the epitome of good will in the best way possible. One can argue he’s a little selfish for keeping the truth from her for so long, but honestly? Given the horrific trauma of her situation--and his personal fear of making her miserable for an eternity when all he wanted was to give her a second chance away from all that hurt--I feel like his reaction was closer to considerate and reasonable. Comte doesn’t sacrifice anything he isn’t unwilling to give, or anything that would cripple him to give. Furthermore, he doesn’t make love out to be a kind of 1:1. He recognizes that while he might know her well, she doesn’t know squat about him. And, as such, he doesn’t expect her to trust his intentions or reciprocate his feelings in any capacity. It’s just a delightful surprise when she does. When he tells her that he loves her that first time, it’s an explanation. Not a guilt trip. He knows she won’t be satisfied years of protecting her simply because “he wanted to” and he promised her the truth, so he tells her. Not only that, in the aftermath he repeatedly reminds her she isn’t bound to him. She commits to him before he relies on any kind of active bond between both of them.
I don’t know, maybe I think too hard about it, but I feel like the older I get the more I see a shortage of this kind of fine-tuned caring about the other person in a relationship. I guess I just enjoy seeing a man give a woman her health and agency without treating her wellness/happiness like it’s a burden to his life? First and foremost Comte really is concerned with her self-actualization before his feelings can have any place in their relationship. And even when he does confess his love, it isn’t a way to force her to feel indebted to him; it’s an attempt to erase any false pretenses. MC loves him, not because she has nowhere else to go, but because he’s proven himself time and again a worthy companion. Always putting her first, always worried about her feelings, paying such close attention that he sees her to the core of who she is despite her iron front--kind, beneath all that hurt. They spend so much of this event really listening to each other despite such difficult circumstances, and it leads to a deep and abiding love against all odds. And I find that incredibly moving...
Oh and, before I forget? Let me circle back for a moment:
"...it amazed me. You never stopped trying, never stopped helping others or gave up on them--even while every day was a living hell for you."
The best part about this event is that--while Comte says this about MC--this is also precisely the reason MC falls in love with Comte too, even if it’s never stated outright. Because despite how lonely and tired he may be of eternity, no matter how many troubles he’s facing himself, he never stops trying to help and support others (namely MC) in any way he can.
Drops mic
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Hi! I was wondering how long do we have to wait for the Vlad's team introduction?
Hello!
As far as I know I think the current JPN app has the Vlad team boys on their second birthday story, so my best guess would probably be between the second and the third year of the game's release?
Let's see what I can dig up here...The timestamp on the Vlad team reveal reads July 30, 2019, so about two years ago now. Given that information, that would mean JPN Ikevamp had been out for two years before the big bads were introduced. (We are currently on the fourth year cycle of bday events moving on to the fifth, so the game has been out for almost four years exactly now). If the ENG ver chooses to go by the same timeline, it is very likely they could be introduced before the end of this year.
I do remember that their video reveal came out before Shakespeare and Comte's route, because Vlad heavily comes into play when they take the stage as suitors (pun not intended but still delightful so I left it). Shakespeare main story preview was released on August 23, 2019 as well--aligning the time frame with my memory of events. After Jeanne's route the route order was Shakespeare, Comte, Dazai, Sebastian, Vlad, Faust, and presumably Charles--who will likely be announced in the future (maybe the winter? idk).
My best guess would be:
This summer the Vlad team reveal is thrown down, then Shakespeare route is revealed, and the winter route would be Comte after that.
ENG Ikevamp has been roughly following the timeline of the JPN ver for the most part, but they've also been doing things a little differently--so I can't really guarantee all of this will hold true. This is all the info I got~
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i have to ask because im lost asf i just started playing ikem vamp and its been like two months and a half? i guess and i want to know whos faust, vlad and charles please enlighten me bc i see people talking about them and i feel so left out since looking through all the characters i dont see them or those names on display?
No worries at all, friend! I hope this reply is informative without being too confusing 💕💕💕
Your bewilderment is perfectly understandable, given the three characters you mentioned: Vlad, Faust, and Charles, were all released exactly one year ago for the second anniversary of the Japanese game's release! (The Japanese Version of Ikevamp is about 2 entire years worth of content ahead of the English version. For example, in the Japanese app it is currently the third anniversary of the game's release--not the first.) As such, those three characters are temporarily exclusive to the Japanese version--they won’t be appearing in the English version for another year, at least!
More details about who they are beneath the cut (I’ll be doing my best to minimize spoilers, but talking about them usually necessitates some level of spoiling future content): 
That being said, that doesn't clarify who they are, yeah? Let me get into that! In several routes there are allusions to an unnamed antagonist; somebody who is turning people from the past and causing the residents of the mansion a great deal of distress as a result. For instance, in Mozart's route, we run into the famous Antonio Salieri; Mozart's historical rival in composing music (and esteemed colleague). There is no explanation in regards to his origins (and we know Comte didn't turn him), and he leaves peacefully with no larger conflict in the end of the main story.
This, however, is not the case in every route. Resurrected historical rivals/acquaintances range from seeking reconciliation to deranged with vengeance. When the more violent/desperate characters come into play (as with Isaac or Jeanne’s route), questions arise as to who is targeting the residents of the mansion (who other than Jeanne would recognize Gilles de Rais? and who turned him if it wasn’t Comte?) This unnamed pureblood who is turning human beings from the past is revealed right before the release of Shakespeare's main story--largely because he starts to play a more major villainous role in the routes that come after. His name is Vlad--or as he's more colloquially known;Vlad the Impaler, Vladislav II of Wallachia, the Romanian legend of vampire mythology.
We learn Vlad's larger motivations in Comte's route, and he essentially has two discrete goals that we can identify as of now:
1. Finding the secret of immortality in order to turn humans into pureblood vampires (lesser vampires are only partial immortals; they can survive for hundreds of years, but eventually die--purebloods cannot die no matter how many years pass). Reason why? Because pureblood loneliness go brrrr
2. Ruling humanity via unilateral despotism, more or less (he loves humanity in a...weird way....). He says to Comte that he wishes to turn/use the talented men of history in order to sway humanity into eternal nonviolence. Essentially, he wants an international state of surveillance that all leads back to him to create world peace. He develops this aspiration after seeing a devastated future in the time-traveling door (he made the one in the mansion with Comte, and he made another one when they parted ways in his castle disguised as a cathedral). He believes that control is the only true method that will save humanity from itself, and will preserve the beauty of the world he loves so much (once again, he’s;;;;;; really weird..........it’s like how White Men^TM believe Lord of the Flies is the Ultimate Truth in regards to how society “inevitably” functions when like...society has constructs which are technically malleable if the people making decisions give enough of a fuck? Anyway ignore me, I just can’t help it Vlad is such an incel clown sometimes jklghdd)
Now then, Faust and Charles are two lesser vampires from the past who were turned by Vlad. They seek to further Vlad's goals and are at least partially under his control (he is able to manipulate people's perceptions/thoughts/dreams via a kind of telepathy). They often act in Vlad's stead and spy on the residents of the mansion. Faust is a pastor/doctor who is doing research to accomplish the immortality Vlad is seeking for humanity. There are only allusions made to it, but he experiments often on the vampires Vlad has created (including Vlad, and probably Shakespeare too given his...affiliation) to achieve this end when he’s not fronting their cathedral. (If this sounds mafia-like to you, congratulations! You get a cookie!) He is presumably the German alchemist Johann Georg Faust noted in historical records, though given the game’s writing it is highly possible elements of his personality are somewhat intermixed with the literary figure “Faust.” 
Charles is based on the historical figure Charles-Henri Sanson, who was the royal executioner for Louis XVI and High Executioner for the First French Republic. (Essentially, he was tasked with killing enemies of the crown and the newly founded government before and after the transition period of the French Revolution. The man saw rivers of blood, one can only imagine...) He is our genki French guillotine baby who just wants everyone to get along really, really badly. Problem is Comte = k n i f e at Vlad and seeks to protect his children, so Vlad’s castle remains a dumpsterfire danger zone where three vampires + 1 insurgent live in absolute chaos. If Comte is the sweet, responsible father of the game Vlad is basically like...that single mother who has children she does not properly supervise/feed and the neighbors are always inches from calling Child Services.
Bonus: In case you were wondering what they looked like, you can see them integrated into the Japanese game’s intro screen with their respective character summaries. They are listed in the following order: Vlad, Faust, and Charles.
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hello !! i hope you had/are having a really wonderful day ♡ i have a little ask abt comte, and you seem the expert :D recently i saw a fan translation of a profile about comte where it listed his « speciality » as « violin » so as a violinist myself i am literally SOBBING rn — i need to know if this is accurate/has ever actually been referenced in game???? thank you sO much and i love you and your blog very much !!!!!! ♡ ♡ ♡
Hiya love! I’m having a wonderful day, I hope you are too! :D 💖💖💖 I’m more than happy to reveal the veracity of this claim, but I’ll be putting it under a cut just in case people want it to remain a mystery for the future~
As to Comte playing the violin, I have excellent news! I can confirm that it has been referenced quite openly in the game, specifically in the “Something I Did Not Know About Him” Collection Event Story! In Comte’s character specific story, MC is walking the halls of the mansion and hears the poignant strains of the violin coming from Comte’s room (surprise! Not Mozart this time!). When she says his name in surprise he looks up, equally surprised to find her at his door.
Then she apologizes for prying/interrupting, saying she just started following the moving sound before she could think better of it. He replies that there’s no need for apologies--that he’s honored--and she conveys that she didn’t know he could play. He tells her that he learned when he was but a young lad, and she kinda squints. And he’s like ??? MC you do realize that I grew up just like any other person, I just stopped aging after a point. And she’s like I mean y e a h but I can’t really imagine it, you as a young kid. 
He goes on to say that there was a point growing up in which he learned pretty harshly that human beings aren’t like purebloods/vampires in general. (I think it was somewhere in his teens; given the time frame his MS offers I don’t think he was a fully grown man quite yet) Following that revelation, he sought out a way to reach humanity, desperately searching for a way to bridge the gap. The first thing that he found which he thought could speak to that wish was music, and he learned to play the violin all those years ago. This knowledge gives MC pause, and she notes "I guess I never realized just how much pain I might be causing him, being here..."
MC then asks him to play one more song, one more for her, so that she can remember it for as long as she lives--a memory to cherish. He stares at her briefly, bewildered, before he happily obliges, and the event story ends there. c:
You’re so very welcome!! I’m so glad you enjoy this blog~💖💖💖
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Hi again! I come to you today with a question that may simply be a continuity error, but I'm still interested in your thoughts! In the main story, le Comte *knows* it was MC that came through the door behind him. Yet in Comte's "One Night, Beneath the Crescent Moon" POV story, he said he "...had no idea of what would happen next... That she would end up using the same door and end up stuck on the other side." What's your take on it? Thanks in advance! 💛
Hiya! First off I wanna apologize for how long it took to reply oTL I had originally drafted a response and then lost it when I accidentally closed the tab, and whenever that happens I always have to like sufficiently mourn the words I lost 😂😂😂
But to answer your question! If I’m entirely honest, I can’t remember what it was Comte said exactly in the Main Story in regards to her entering the door. There could be a lot of explanations for him saying he “knew”: continuity error, him wanting to put her at ease by seeming “in control” of the situation (while he’s screaming internally), or maybe even him wanting to cast some doubt as to whether or not he’s a person that can be trusted (aka the whole like “MC nooooooo don’t trust me I’m a vampire very bad very scary run away” kind of like Leonardo). 
All that being said, given the evidence we have and the stories I’ve read from his POV--esp that Crescent Moon one you referenced--I’m most inclined to believe that he had no idea she would follow him that day at the Louvre. If anything I really don’t think he ever anticipated any human person could follow him through the door? Because remember Sebastian (and the suitors for that matter) only manage because Comte is their escort. Sure their will to live on was strong enough that he could hear them, but they had no capacity to approach or find a door on their own as far as we currently know. The door was closed when MC found it; this suggests that Comte fully closed off that avenue to make sure nobody wayward stepped in by accident. He did the responsible thing and he left long before he could ascertain her safe journey through time, but she still managed to make it across somehow.
That’s why I think MC’s mere existence is earth-shattering to Comte. I mean we have all the good basics: a lovely lady, sweet and hard-working, means well and does her best. And these attributes all do matter, for sure. But the door is perhaps a greater catalyst in their romance than we might have first anticipated.
There will be some semi-hefty JPN rt spoilers below the cut for Dazai and Comte, so I’m just going to keep it under wraps just in case there are people who want to remained 100% unspoiled:
TW: Mentions of suicide in Dazai’s rt
The reason I say this is twofold, based on information provided by Dazai and Comte’s Main Story route. In Dazai’s route, remember that the focal point of the story is that Dazai wants to go back in time to kill himself as a baby so that he can never grow up to write his books or cause anyone pain in the near future--essentially, suicidal ideation to a frightening extreme. One of the main reasons that he fails (though MC plays a significant role in stopping him, too) is that Dazai’s will to kill himself is too weak. In simpler terms, this means that--no matter how much he insisted he wanted to die, the truth of his heart was revealed in his constant hesitating and difficulty going through with it. This is very often a reaction from people who need sizable psychological assistance to overcome trauma; they don’t usually want to die, it’s more that the pain of surviving their experiences is outweighing any possible joy they can find in living. 
But back to the most important part in bold. When Dazai asks about being able to use the door to travel through time, Charles confirms that it’s possible to travel without a pureblood escort. HOWEVER. This type of travel is very, very difficult unless you have an intense sense of willpower. I imagine the implication here is that you have to have an overwhelming desire and firmly believe it’s where you want to be in order for the travel attempt to succeed at all. (I don’t think the tethering point necessarily matters, but there is a suggestion that strong bonds between people--whether platonic or romantic--can serve as powerful guideposts when the door is distorted.) In other words, the reason Dazai relies on Charles’ moral bankruptcy is because Dazai knows he doesn’t feel strongly enough to go through with the suicide. He needs someone else who has the sheer determination and unbending will to see it through when the door opens. 
This is why Dazai is forced to ask Charles to accompany him, even though Charles doesn’t necessarily want to kill him. For Charles, this is less about a desperation to kill Dazai and more about his intense obsession-love for MC, and his willingness to do anything to receive her love/attention in return. In Charles’ view, since MC is ostensibly in love with Dazai, removing Dazai from the picture permanently is ideal. While Charles’ judgement is clouded and a little horrific, he is nonetheless rock steady in comparison to Dazai’s nonstop wavering. Dazai knows that he’s fickle on a personal level; one moment he wants to die, another he’s too afraid to let go of what he does care about or upset anyone. He’s at a point where he doesn’t know what’s right or true anymore and he’s floundering, which is honestly fairly common among those who share his lamentable condition. (Most people don’t have a death wish--it’s more a combination of circumstantial problems and healing that has remained in stasis that constitutes the extremity of that behavior.)
Moving right along, Comte’s route also features a similar testament to willpower, believe it or not. This happens in the last few chapters of the main story. Basically, Shakespeare dumps MC on Vlad’s doorstep and she’s more or less suffering the latter’s monologuing for a good while. Not long after that Comte appears and nearly shoots Vlad in the head, the bullet just grazing his cheek. Comte demands that he let MC go, and Vlad--in a classic sadistic act of compliance--wrenches open the door and just tosses MC into the freefall of distorted spacetime.
Now this is dangerous to MC’s life in and of itself, but there’s a key element there: distorted spacetime. In this main story the door never returns to its normal state after that first month period. Rather, the expanse of the door is too dangerous to be traveled even by a pureblood, let alone a human being. The chances MC will ever be able to escape in order to survive are closer to zero than any other number. Remember that Comte is immortal. If he gets stuck on his own, he can’t die and the damage to his body is always more than able to heal when he’s back to safety. (He even warns Leonardo in Leo’s MS that the danger of getting stuck in some kind of pocket in spacetime is still too significant to be ignored, though I can’t be sure if that’s due to Leonardo’s inexperience with time travel/requirement for an escort, or just an inevitable risk you juggle anytime you travel through the door.)
Of course Comte leaps in after her to try to save her, but presumably their entry point is long gone now (Vlad shut the door), so they’re just kind of floating in amorphous time. They do and don’t exist. Comte is understandably distraught because MC’s life hangs in the balance; if they don’t find a way out, she is almost certainly going to die. Comte admits that--while he hates the fact that his very existence is a danger to her, he still doesn’t regret finding her by any extension. MC protests, naturally, that there’s nothing to regret. Circumstances be what they may, she loves him. 
Now, here is the key. While Comte is trying to think of a way out, MC is thinking hard about wanting to return to the mansion. Her mind reflects an acute, intense desire to return home to the place where they both belong. And wouldn’t you know it? They both suddenly tumble out of the door in the mansion and onto the carpeted floor, whole and alive, sputtering in disbelief. Comte is baffled at first but it can only give way to immense relief that she’s safe, and he just immediately breaks down.
The only reason the two make it out unscathed is because of--I can only assume--MC’s overwhelming will to live on with Comte and return to the mansion. While it would have been natural for her to be overcome by fear to the point where she could make no productive decision, or even humor the concept of focusing on their home, she does it all the same with immediate success. That’s also part of why I think Comte just 100% caves into both of their feelings in the next chapter. He saw firsthand that, not only does MC keep a level head under duress, but she also has the overpowering will necessary to survive amongst vampires. And it was perhaps this unshakeable will in the first place that landed her in the late 19th century all those weeks ago.
It’s interesting because, honestly? Her entry through the door is more or less a hinge point for their romance. While it obviously isn’t the only reason he cares about her, it definitely is one of the bigger reasons he even feels safe enough to court her in earnest in the aftermath. It is literally only after this event that he confesses everything. Why he created the mansion and the men. How he’s really felt about her and himself all this time. What Vlad showed her and the implications of Vlad’s existence. And finally the truth about what he wants. He wants a relationship with her, but he keeps being held back by the fear that he’s too much. That the demand of being by his side will outweigh any happiness she might find choosing him. (Granted MC and I find that preposterous given how attentive and considerate he is, but you know). But after seeing her pull off surviving Vlad and traveling through the door by her own willpower again? I think it sufficiently lessens his doubts as to whether she could handle a future with him. It gives him the courage to just ask her: Do you want a future with me? Can you handle the demands of a vampire that cannot accept a mere human lifetime to be in love? 
And so this is why I have unceasing Comte brainworms ladies and gentlethem. I need to go lie down before I start crying again, I love him oTL
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Hello! Sorry if my English is not as good 😅, but I really love your insightful thoughts about the characters and how you describe Comte 😍. If it's not an annoyance, I wanted to ask something about Charles (I know his route is not out yet and there is not much information about him). I've been seeing in some posts that Vlad did something to him in Dazai's route (i'm not sure what really happened) and i'm really curious about it, because even though it's known that Vlad uses his powers against his people, i can't really picture it due to the way Charles acts towards him with so much affection ?🤔 or admiration... (I guess it's because of his personality or trauma, behavior that it's different from Faust, who acts cautiously with Vlad) So it's something i'm truly curious about. Sorry for bothering you and Thank you!
Welcome welcome! Please don’t worry, I had no trouble at all understanding you, your English is great! ❤️❤️❤️ As for what I know about Charles, my information is limited due to the nature of his content so far--I haven’t seen a ton about him quite yet. But in Dazai’s route we get a glimpse into his situation due to his increased screentime there.  
I’m just going to put a spoilers warning here for Dazai’s JPN rt, since that’s where I’ve learned the most about Charles:
Charles is indeed a very affectionate and generally genki boy as far as interpretations go, but there are heavy implications that Vlad is manipulating him on a profound psychological level. I say this only because there is plenty of evidence that Charles’ behavior isn’t quite his own at points, and because Dazai himself proves it to be true.
One piece of information that is necessary before delving too deep is that Charles finds MC’s handkerchief at one point early on and develops a sudden curiosity/desire to see her. While a person could just assume he was curious, I don’t personally believe that curiosity went without surveillance or intervention--since Vlad was there the whole time.
My best guess is that Vlad wanted to find out more about MC and perhaps use her as bait to manipulate Dazai (or threaten Comte), but Dazai already offered him something interesting in wanting to warp the flow of time--so Charles’ relationship with her was only collateral in the end. While Charles did have some level of sincere feeling for MC, it’s later revealed that it was ostensibly an obsession and did not operate on a normal level of personable feeling.
The way Dazai further proves that Charles’ mind has been manipulated is that, when Dazai begins to suggest that Vlad is essentially a con-man that intends to use Charles for murder no matter the cost to his mental health, Charles reacts with unnatural distress. It’s not the kind of refusal a person would normally have at the suggestion of someone’s betrayal of their loyalty, where they reject it and are uneasy but otherwise aren’t physically controlled by the emotion. Charles seems unable to mentally handle the suggestion that Vlad’s intentions aren’t good at all--that he’s lying--to the point where Charles nearly collapses from the intensity of the dissonance between his own mind and the parts Vlad is forcing into obedience. 
There is also a scene following Charles’ intense mental distress where Vlad essentially interrogates Charles as to his loyalty, and gives the overtone that any kind of disobedience will be swiftly destroyed if he sees it. Faust tries to protect Charles as best he can, but his power is limited compared to Vlad’s.
Furthermore, Vlad is Charles’ sire (aka Charles’ creator as a vampire)--if he can command and manipulate Shakespeare as well as people extraneous to him so easily, I really doubt Charles would be beyond his control. The only reason Faust seems to have more agency and stability is that Faust is highly attached to his own internal emotional compass and what he believes in. (The keyword here is “seems”, if I’m honest I’m not 100% sure if Vlad isn’t still there in his mind, subtly manipulating him to the darker sides of his nature.) Charles, as much as I love him, seems even more susceptible to the emotional/motivational overtones of others around him. I mean Faust even uses a similar tactic to help Charles, in that he slowly walks him through to the solution, and Charles never once questions his judgement or thought process because it feels right to him. If you think about it Shakespeare is much the same way; he’s so obsessed with the creation of his plays and public reception to them that he is easily manipulated because he lacks personal grounding. Vincent, despite his gentle nature, is not half so susceptible to this manipulation because he is immovable at his core. There are moral lengths he will not go to no matter the intentionality, and his inspirations come from deep within. Even Dazai is too mentally strong to be controlled due to his immense love for other people. Vlad also cannot control him because he loves MC so deeply he would never betray that trust, the only single time he betrays it is when he seeks suicide (which is more about fighting his mental illness and self-harm than it is about hurting MC).
If I’m honest, I think Charles may want to believe in the best of Vlad. But I don’t think that necessarily means that Vlad is not manipulating him to his own ends, or that he isn’t causing Charles significant psychological distress/dissonance throughout the game. Charles seems like the type to want to believe in people even if he knows that belief might be misplaced. As for Vlad, I have little to no reason to believe he is not hurting Charles. He does not consider Charles his son in any capacity, and openly treats both Charles and Faust like tools to a greater end. With Vlad, only the results matter--the means are irrelevant.
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@thedollarstoresatan​
Hiya! I’ll be placing this ask under a cut because of major spoilers in regards to Comte’s rt and identity!
As far as I know there aren’t any major historical figures named Abel from Comte’s era of birth--I think he was only intended to be an adaptation of the historical figure Saint Germain. That being said, I wouldn’t be at all surprised if he and Vlad were intended to allude to Cain and Abel (the biblical brothers). But otherwise I have no idea; there doesn’t seem to be any special association or intention behind the name other than the implications provided by its etymology.
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Masterlist Time!
As promised, here’s a list of posts that include my writing and/or my analyses of the game.
Analysis Posts/Meta/Translations:
My impressions of the first three suitors
My impressions of the rest of the suitors (cont.)
No thoughts just me simping for Leo
My thoughts on the new three/antagonists Charles, Faust, Vlad
First Impressions of the Bois vs Current Impressions
Comte Loves Strong Women Don’t @ Me
Comparing Comte’s Protectiveness to that of IkeSen Mitsuhide
What do I think of Ikerev’s Edgar Bright?
So what’s the deal? Why doesn’t MC get turned into a vamp more? (mild spoilers for Comte’s rt inside)
Do pureblood vampire bebbehs drink blood?
How do I feel about Leo refusing to turn MC? (Tl;dr: understandable, but bad)
My first vs current impressions of the Ikesen lads
Why don’t Dazai and Arthur like each other?
MBTI Designations for the Suitors
MC Deserves Fang Rights
Implications of Isaac’s Being an Aberrant
Why do Comte’s bank account be lookin’ like that yo
Comte’s Wild Side (includes some mild event and comte rt spoilers)
Push and Pull: How Comte struggles between Emotion and Rationality in the course of his MS
Household Electricity in Ikevamp
What language is everyone speaking??? (The answer: yes.)
Does Comte’s real name have any special meaning or allusion? (This has mentions of Comte’s real name so SPOILERS KIDS)
Personal rt rankings and Thoughts on Arthur
How would Leo react to MC agreeing to Comte’s offer to turn her? (includes a lot of Leo character analysis too)
Sebas Rt Theories (these were all predictions I made before reading the JPN MS)
Predictions for Rt Releases Based on JPN Order
About Comte being able to meet future versions of himself; more time travel conundrums (with sizable Dazai rt spoilers)
Comte’s second bday story meta: how is Comte a gentleman? Or is he not?
Comte ES MC!Vamp AU analysis bc I have brainworms
Comte’s 4th Birthday Story (My Heart Will Go On)
Comte’s 6th Birthday Story (dreams do come true)
Asking the real questions, How Old Is Comte?
Comte's 6th Anniversary Collection Story (VAMP MC WOOOOO)
Comte's 6th Anniversary Story Set (uwu)
Comte's One More Wedding Event
Comte Drama CD Translations:
Track One (Balcony Soliloquy)
Track Two (Golden Retriever Meow Meow Hours)
Track Three (Slaps Comte's Little Pizza Hands)
Headcanons/Fanfiction:
HS AU for the boys~
That time of the Month thoughts
Purebloods Deadpool Baby Hands (Oh the Joys of Regeneration)
Horny on Main for Comte
How would time travel work for a turned MC?
BEACH DAAAAAAAY
Ikevamp Suitors and MC with their Baby
How would the suitors feel about modern times?
How Dem Bois Laugh (Dazai’s can be found here bc I am Idiota)
Fistfights: Who wins when Comte vs Vlad, and Comte vs Leonardo?
How would Sebastian react to losing a loved one suddenly?
Gen Z MC with the Bois
Among Us: Mansion Edition
Suitors with Meme-Monger MC
V Affectionate MC Confessing her undying Love to the Suitors (this one includes Shakespeare, Jeanne, Leonardo, Napoleon, Mozart, Vincent, and Comte)
Dazai MBTI Analysis
Love Bites: Comte/Leonardo/Sebastian
Alphabetical Fluff Headcanons:
Mozart:
C,U,Y
Isaac:
A,K,S
B,C,F
L, T
Leonardo:
B
E, I, K, L, N, O, W, Z
Comte:
C, H, J, L, S, Y
B, F, K, L
A, G
Jeanne:
Q, T, Y, Z
Sebastian:
G, H, J, P, U
Vlad:
C, N, O, S
Theodorus:
B, I, L, U, V
J, M, O
Napoleon:
B, C, H, K, M
F, N, O, Q, T
Shakespeare:
C, F, I, P
Vincent:
A, B, D, K, P
Route Spoilers/Route Summaries:
Misc Yelling about Jeanne
Does Comte bite MC?
Is Jeanne Jared, 19?
Jeanne’s Pet Tiger, Cherie
How possessive is Comte? (in terms of IkeVamp canon)
Comte and Jeanne hacer las paces (make amends, so to speak)
Comte’s Wedding Event
Suitors at the time of their human deaths with Comte: what aligns with our history and what doesn’t?
Explaining who Charles, Faust, and Vlad are for newer players
What happens if Sebas and/or MC stay in the mansion? How does their absence affect the future, and do they die in the past?
Comte’s real name
Comte’s Kidnapping CG--what’s the cinch?
Comte’s MS Romantic Ending
Comte Event before his MS release
Comte jealousy event (Comte do be a beast sometimes)
Comte Purple Moon Event (”the puppetmaster that cursed my [REDACTED]”)
Vlad Character Page translation (not mine, a link to further info)
Sebas RT Spoilers Agonizing
Can Comte play the violin?
Request to Spoil Dazai’s RT (more reader discretion advised, it’s fairly intense)
Spoilers for Sebas’ rt end: does he return to the future?
A Statement on Sexual Assault in relation to Arthur’s MS (there are trigger warnings, but even so reader discretion is advised)
For those of you that would like to join in my hubris and try to translate JPN rts: 
My method
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YO SEBAS’ ROUTE HAS BEEN ANNOUNCED FOR JP I CANT WAIT!!! Do you have any theories of what could happen in his route?!?
Haha, yes, I saw this morning! For those who haven’t yet seen the announcement, it has been said that Sebastian’s route will be coming to the JPN version of Ikevamp on August 25th! It’s very exciting news, and I can’t wait to get started translating after I finish Dazai’s.
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Honestly I’m finding this so many degrees of hilarious because I was like “oh ya I’m curious” at first, but after seeing that character introduction video with the lil forehead kiss and the horny as all HELL biting, I’m SLAMMING the horny button holy shit??? (I have that card CG in the JPN ver of the game on my phone and. lord jesus. That scowl. WILL HE STEP ON ME ONEGAI AKIHIKO)
Putting the rest under a cut bc is long and has some JPN ver spoilers:
That being said, let’s address the second part of the ask, shall we? Theories! If I’m honest I’m not surprised Sebastian was next on the docket, but I do admit I’m thoroughly surprised by the CG of him biting MC in earnest--he visibly draws blood on her neck and shoulder. This raises so many questions that are likely to be reiterated endlessly until his rt comes out in full, the most pressing of which is: does Sebastian turn into a vampire? Or is he just really into sadistic foreplay?
If I’m honest I sincerely don’t know if he’s fully turned, only because I’m trying to sort out the information we do have. Why turn into a vampire if the goal is to be with MC, who is also human? If we follow this course of thought, it doesn’t seem to make much sense, does it?
But then our boi Sebas is different in terms of his internalized conflict when compared to the vampires. Granted I may turn out to be wrong about this, but I think the two focal points of his route will be as follows: insecurity and the pursuit of knowledge. Remember that the reason Sebastian (our dearest Akihiko Sato) agrees to Comte’s proposal at all is his insatiable curiosity. I mean just think about it. If Comte told all that stuff about the mansion to someone in modern times, they would probably just figure he was a crazy person and go on with their day. But Sebas, the absolute madlad, agreed; he wanted to see if it was true, and to learn everything he could about people who exhibit extraordinary talent. 
I foresee that this, however, may become a double-edged sword. Curiosity killed the cat, as they say. What I mean to say is that it could be very possible he might turn or undergo something similar to the changing process in order to experience what it’s like firsthand (whether to prove he can handle it or because he wants to understand the residents better/gather info). Furthermore, while Sebastian is curious--with no malicious intent at all--this doesn’t mean that envy is impossible in this kind of scenario, either. Admiration and envy are like two sides of a coin; depending on how one interprets information, they can skew to self-consciousness or inspiration. Given the content I’ve seen for Sebastian so far (and man has it been limited as all heck) I often get the implication that he truly does feel inadequate in some ways compared to the other men. As soon as MC chooses him a kind of overwhelming awareness of his normalcy begins; the implication that he is the wrong or lesser choice. Knowing this, I truly wouldn’t be surprised if problems arise as a result of this self-effacing.
(Note: I don’t think that about Sebastian at all, personally! I think he’s very mindful of others and really astute--to say nothing of his skill when it comes to the domestic sphere. I don’t think just anybody could do what he does, and he sells himself far too short. I always think of how the men call him the Ninja Butler and praise how capable he is, how they freely admit the place wouldn’t be the same without him. Sometimes I wish Sebas could see that, though I understand his concerns as well ;-; I’m always torn bc I’ll be like “I understand but alSO N O”)
Besides those latent insecurities, time to expand more on the pursuit of knowledge. In one way this drive might feed his self-derision; he might believe that the more he is able to do and understand and study, the more he can be of use/help other people. (Put simply his value as a person = the increasing extent of his knowledge in an almost linear relationship; without it he is nothing). On the other hand, I think he just genuinely enjoys collecting information the way he does! He likes assessing all the different ways people behave and why, and how this contributes to how they think and who they are. More insight offers him more ways to preoccupy his endlessly moving mind, but it also offers proximity with the subject in question. This to me is absolutely key--I think so much of his studying the great men is linked to his admiration, his wish to be like them and/or his wish to be close to them.
I’d like to address a quick reference to the drinking event that recently released in the ENG version of the app, if only to expand on/clarify where this is coming from. It essentially featured Sebastian and Napoleon sharing a drink together at a bar and in it, Sebastian speaks to the way that he encountered Napoleon in his life, and the reason why he grew so fond of him. He speaks to a childhood entirely detached from the people of his own time, roving through the shelves of libraries, reading endlessly to fill that void. It was a quote by Napoleon that caught his eye and inspired him, and ostensibly the words of people long past that gave him the strength to keep moving forward. This information, coupled with his strange excitement in Isaac’s rt introduction about how Isaac used to throw hands with people who mocked him seems to bring to the forefront a few things for me. 
Sebastian is highly, highly individualistic: he doesn’t seem to care much about what is conventional or normal, only in what brings him joy and makes others comfortable/happy. His life is highly internal, but I sense no anti-sociality in this removal from societal expectations. He just lives his own way and tries not to trouble anyone. (This is also highly notable in his acute impatience with Dazai’s shenanigans/ineptitudes now and again; while he doesn’t always scold or explode, he shows a sharp and surprising impatience with willful/harmful/irresponsible behavior.) He’s tactful and measured, but highly excitable under the right circumstances. He also doesn’t seem to think much of his own life re: self-derision. Think Leonardo’s rt ending: he insists that the serial killer focus on him and not on MC, he tells her he has no qualms with dying if it means she’ll make it out alive. MC has to be the one to tell him to think more of his own life. As such I wouldn’t put it past him to have enough nerdy reckless energy to test the waters of being a vampire (all the better if it helps him understand the great men).
Comte once said it in an event story a few months ago, but I think he really hit the nail on the head in some respects. He says something to the effect of “His curiosity is admirable, but please Sebastian--some things are to remain private.” Sebastian doesn’t intend to be intrusive or malicious, he just likes knowing things for the sake of knowing. It’s about the cones answering his nerdy desire to piece things together, not stepping on people’s toes. (It’s nice too because Comte seems to understand this and doesn’t see it as a shortcoming/nuisance, he just tries to nudge Sebas in a different direction if he starts prying too close to people’s personal business ;-; pls pardon the Comte love I just can’t help myself)
Enter Johann Georg Faust.
Now then we know very little about the reserved priest doctor, but there are tidbits of information that we can work with (or at the very least, stand out to me a lot). The one I would like to focus on for this explanation is the little blurb that appears when you open the Ikevamp app and it’s loading, providing something like trivia facts for each character. In the ENG app we got those early, but we don’t have the ones for our antagonists. Iirc, Faust’s reads something to the effect of “will often sneak substances into their (as in the castle residents Vlad and Charles’) food to test the effect of his concoctions on vampires.” There have been hints that Faust is to be our mad scientist of sorts; that he is experimenting under Vlad’s orders to find a reliable way to transform a human being into an immortal equivalent to that of a pureblood. But I have mentioned on more than one occasion that I really don’t think Faust is only doing all of this for Vlad. He has his own curiosity that is seeking to be alleviated, perhaps he is satisfied with having another puzzle dumped in his lap--a means to distract himself and exhaust his faculties. 
(One has to wonder if Vlad turned them under the same principle of desperation, and if that were the case, what Faust and Charles might desire more than anything else...Is Faust operating on a kind of necessity to atone? Has he simply given up hope that scientific advancement can happen without someone getting hurt, and so he does his best to balance the good and bad wrought by his explorations? Is he trying to bring someone back himself, is he trying to stall Vlad’s efforts in his own way? I really can’t be sure; there are just too many unanswered questions when it comes to Faust...)
This is where Sebastian and Faust begin to overlap. The pursuit of knowledge, an insatiable curiosity, a capacity to overreach the bounds of appropriate civility/decorum to get the information they want. It could potentially serve as a temptation for Sebas; become a vampire by Vlad’s hand and you can watch history over the span of generations. Assist in the development of an immortal, and you won’t even need someone like Comte to walk you through the different eras of time--you could explore yourself. While Sebas seems to be motivated more by service to other people, there can be no doubt that this could cause a great deal of friction. He will have to work to remind himself why he’s doing what he does and what it means to him, and whether or not becoming a vampire is truly what he wants.
But, there is also the issue of Vlad’s telepathic manipulations. Is it possible that an encounter with Faust (and by extension, proximity to Vlad/meeting Vlad head-on) could result in Sebastian being turned/experimented on without his knowledge? I.e. Vlad using his compulsion and sending him home with a word or memory of what happened. Though that’s certainly not the only possible explanation available. The other thing I was thinking about was a mechanic that was introduced in event stories prior to Sebas’ MS announcement. In the event story, MC and her suitor of choice encounter a street merchant that boasts a serum that can turn people into vampires. They, of course, don’t believe him--but the vial is procured and MC either purposefully or accidentally is exposed to it (i.e she knocks it over and it shatters in Leo’s ES). For a brief time, she exhibits vampiric qualities; she feels the thirst for blood as acutely as any of the other vampires in the mansion. I.e. In Napoleon’s ES, Sebas notices something wrong with MC when they’re just pouring vials of Rouge--the usual prepwork--and she runs out of the room looking dazed. Her odd/new instincts are only alleviated when she bites and drinks Napoleon’s blood, but after that single episode she shows no further signs of vampiric qualities. It’s a temporary but acute transformation. While I have no specifics as to how this is possible, I have to wonder if something similar might be done to Sebastian; whether as a means to test him (does he really want this? find out after the commercial break) or a kind of trick/trap laid by the antagonists. I remain unsure, but these are the two most likely explanations that come to mind if he hasn’t been fully turned.
As to whether or not his vampirism will be permanent, I’ve genuinely been oscillating on that one. I think it’s certainly possible given his intrigue (I never see much fear in him) with vampirism and his probable enjoyment with the prospect of an endless life learning about things (I can literally hear Leonardo screaming internally and I’m ngl it’s sad and funny). But there’s also something about the bite CG that speaks to strain/alarm, to surprise--that he wasn’t at all aware of the changes within himself--and I have to wonder if it might put him off of the prospect (like that he lost control/hurt MC)...Essentially I think it will just really boil down to how the symptoms come about (temporary or permanent), and how much his affections for MC might deter that curiosity/possible wish (if temporary, he might not touch the prospect again--if permanent, THAT WOULD BE SO FUCKING SEXY BECAUSE I’d wager the rest of the route might be MC trying to help him adjust/recover IN A SEXY WAY).
(Note post-translation: I fucking HATE IT HERE. The bite CG text says smth to the effect of “The bloodlust is unbearable--stay away from me; I don’t think I’ll be able to keep from attacking you.”) In light of this information, I am this 👌 close to launching myself straight into the sun. OFC his route is gonna be sweet as all shit and then it’s just gonna go downhill from there with angst. WHYYYYYYYYYY AKIHIKO (at least his voice is mega sexy and heals my wounds OTL) It also says something about “a fate that is greatly moved” so that does suggest a more permanent change than the temporary alternatives I mentioned (though we all know how Cybird loves to jerk us around so I’m leaving that up for debate)...this shit better be hurt/comfort or i s2g im throwing hands
AAAAAAAAAAAAAAA THE ANTICIPATION IS KILLING ME!!!!!!!
Here’s hoping he’ll make for a delightful surprise! I’m looking forward to it c: 
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