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#iida - todoroki parallels
plusultraetc · 10 months
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"You have good friends, Ingenium."
pt 1 | pt 2
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class1akids · 1 year
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Iida & Shouto friendship <3
I mean at this point Iida is a professional Shouto carrier.
All jokes aside I love how well balanced their relationship is- they encourage each other for example Shouto being the one to inspire Iida during the stain fight & Iida giving Shouto a hug after his emotionally and physically exhausting fight.
I need more fics exploring their platonic friendship
Yeah, they have great parallels / foiling as regards their arcs.
Both come from hero families - but for Iida it's a positive legacy that he's trying to live up to, for Shouto it's a negative legacy he needs to come to terms with
The "meddling where you don't need to" is a message that goes from All Might -> Deku (after his fight with Shouto) -> Iida -> Deku
They both have a big brother figure whom they feel grief about, but while Tensei is a hero ideal to follow, Touya is a dark mirror for Shouto
They both upgrade through a family technique, but while for Iida, his family waits until he's old enough to make his own choices regarding Recipro, Shouto gets pushed by force way too young to learn Flashfire.
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Main Hero Trio Potential
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I would like to talk about Izuku, Ochaco, and Shouto and why they deserve better as characters. The theme of Bnha is about true heroes, asking the meaning of hero, and it's a story about how kids should learn to be better heroes, not just as jobs but as real heroes. Deku, Ochaco, and Shouto are characters who are shown their overwhelming empathy abilities, and kindness. The meaning of hero is saving others so it fits, they are naturally kind people who want to people but at the same time, they are more than that. They are not just good kids who always do right. Their characters are more than that and I would like to focus on how the story could/can/should focus on that.
Izuku;
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Izuku is a character who is always shown as a kind kid but his main flaw is he is really obsessed with heroism too much. On one part; he hurts himself and makes him unable to see the flaws of society but on another part; this is the reason he could see Shigaraki as a victim. He didn't just magically see Shigaraki’s childhood/past, his one look was enough for him to want to save. Once again, let's remember that Izuku is the only one who talked about ‘saving the villain’. Not even Todoroki’s or Uraraka’s thought about it. It's just Izuku finding an excuse to save anyone.Another interesting detail is the difference between class 1 A and Deku. Compared to blessed kids or ‘normal’ kids, Deku doesnt seem to belong in there because he is an outcast. He is not golden child, a not lucky kid who was born with an amazing quirk, he is the kid who is constantly rejected and bullied by society and people for something over which he had no control.
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Deku is a lot like league of villains. Shigaraki is literally his foil. Deku is like Toga who obsess and imitate their idols. Both Touya and Deku idolized their abusers and it lead them to self destruction because they feel worthless and they do everything they do feel worthy. Deku is like Spinner who is just ‘normal dude’, bullied for something he had no control. Deku is like Twice, failed by hero system.
The thing about Deku and what makes him different is he is or at least he was written to be challenge against system and even the world. He would save Shigaraki even whole world said No. He would speak up for abuse victims and started questioning the system he blindly followed and even Allmight. I mean remember the time Deku call Allmight out for hiding things. Remember the time he called put Endeavour for what he did at spor festival. Remember the time he asked Allmight what Shigaraki said about not being able to save everyone.
Since Deku is written to be outcast, it makes more sense him to empathize with people like league, just like Batman who had ‘one bad day’ and wants to help people/even villains because they had ‘one bad day’ too, just like him. If Deku’s unable to criticize the system challenged and let him have the great potential he always has would be amazing.
Ochaco;
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Ochaco gets less screentime she deserves, she gets shine whenever she gets involved with Toga and thats the thing. Even though, Ochaco seems to have character flaw (that her repressing her own needs), for some reason, story doesnt focus on it enough. The parallels between Ochaco and Toga is more than just ‘romance’. Ochaco isnt just repressing her romantic feelings, Ochaco is repressing any kind of ‘negative feelings’ to not be burden to others. She displays toxic positivity, she always notice people’s feelings because she pay attention to them all the time because she cares. Story should’ve this part of Ochaco more. Same as Toga who was once just like good, well-behaved girl like Ochaco but had mental breakdown at some point. Its fine to talk about romance and honestly, IzuOcha can be great, if it gets developed properly but their story is more than that and deserve focus on how to neglecting your own needs for others make you end up crazy.
And another interesting detail that wasnt talked enough. Remember when Shigaraki talked about ‘how heroes hurt their families only to help strangers’ and guess who isnt doing that? Ochaco. She always prioritize people around her and honestly, that actually makes her true hero but its hardly mentioned. Deku and many heroes should learn this from her. Ochaco is kind of hero who is also reminding of the humanity of heroes and honestly, let her interact with Shigaraki or Dabi, let Deku interact with league of members more, they have so much potential in there.
Shouto;
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I think the most important part of Shouto’s story and the difference between him and other kids is his goal isnt really getting stronger. Every hero kids focus on trying to be more tough, stronger (well, thats how heroes are raised in this society like soldiers) while Shouto is getting softer because he was already treated like a tool as child so he knows thats not gonna work to be better heroes which is something Deku and Ochaco lacks. Shouto desperately wants to be invidual, just a person with feelings and by focusing on that, thats why he could easiely see the similarities between him and his villain brother. He can speak up his mind more than others. He is a lot more honest and his dark feelings than other characters.
I think this is why his character arc is a lot about inviduality. He is one of the prime examples of why kids shouldnt used as child soldiers and groomed. This could go anywhere. He or other characters who knows his story could speak up about why they shouldnt use kids for this.
Just like Ochaco, Shouto is kind of hero who prioritize family and invidual feelings over strangers, something Deku needs to learn. Tododeku has potential there. Honestly, Shouto and Ochaco would get along well since they have so much in common and Ochaco would realize when he was in trouble and Shouto would know how to show his graditute.
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Of course, other hero characters and hero students have interesting potential too. Bakugou doesnt need villain foil, his dark foil is Endeavour, he is supposed to learn not to be like him and him learning Todoroki story and being called out for his actions could actually be good start of his change and redemption. He could learn the real meaning of winning and be the one who can turn toxic competition to healthy one.
Aoyama and Deku’s quirkless arc could’ve exlpored with this tratior plot, instead of ‘you being quikless is the reason you can hold one for all’. Iida’s obsessions with rules eventually could turn into questining them so that he can help his friends. And honestly characters like Monoma and Shinsou’s story would be really interesting to explore. And honestly Endeavour’s story makes more sense as villain. Dark heroes like Hawks and even Lady Nagant or corrupted side of hero society hsould’ve explored and adressed more.
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What getting away of their potential is simply author’s writing story as black and white. Story stopped adressing the social issues which became the biggest fall of almost all charcters. At some point, kid heroes vs adult heroes shouldve happen, not necessarely as fight but as mindset. Deku’s getting bullied because of being quirkless isnt exlpored and since heroes have to be right, heroes lost their character flaws. Deku used as narrative tool to make heroes better, you can tell its not Izuku is talking, it is author’s talking and defending bad heroes. Since Izuku is good person and mc, he always is right so he is used for this purpose. It ruins Deku’s character more than Ochaco and Shouto because Izuku is the kind of character who supposed to empathize with villains side because he was once outcast too.
- The scene Deku rejected Toga only happenned to make Toga-Ochaco interaction. Dabi doesnt need Endeavour’s appravol. We could get a scene where both Toga and Dabi give up on their obsessions to help league and Shigaraki since league is exist in story for a reason.
Ochaco isnt explored well because author doesnt know how to handle female characters. I think Shouto is luckier compared to those two since he is not written to be outcast like Deku so it makes sense for him to not think about saving them and he is not female character so he gets better fihgting scene and more screen times but his character is not explored and his feelings is not explored enough, despite being one of the main characters. Other than this, someone else already mentioned this before, i think Shouto’s liking and worrying abour Endeavour doesnt make sense. I mean, how could you care about someone whom you doesnt have one good memory with? I didnt think about this before but they are actually right. I always saw Dabi as proof that Shouto still secrelt despises his father but respressing it because of system and eventually confronting it which would be better writing, in my opinion. Unfortunately, story started to focus more on power and less on characters.
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Well, we dont know how story will goes or end up but at least, i really wanted to talk about their great potential as heroes. Especially Deku, Ochaco and Shouto. Their characters is actually interesting and they have great potential both as heroes and characters. I also want those three to hang out together with villains at the end.
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Todoroki has progressed full circle in 352!!!
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A parallel reaching back to the sports festival!! Look at Shoto making progress in his personal & academic growth!!! You can literally see the weight has been lifted off his shoulders & the new life in his eyes!
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seagreenstardust · 1 year
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When Katsuki Bakugo needed saving, Izuku came up with a plan where Todoroki, Iida, and Kirishima went rocketing across the sky to reach him.
When Izuku Midoriya needed saving, it was Katsuki, Todoroki, and Iida who went rocketing across the sky to reach him.
Both times, our Twin Stars decided to set their own needs aside and allow the other’s trusted friend to take the lead in bringing them home. Izuku knew Kirishima was the right choice to get Katsuki away from the league quickly and safely, and Katsuki knew Iida was the better man for the job of catching up to Izuku and bringing him back.
Can we please just take a moment to appreciate the parallels. Please.
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I love that every time Ochako and Deku talked about saving Toga and Tomura, they explicitly said that they couldn't forgive them for hurting so many people, including their friends.
But they still wanted to save them.
They had a whole conversation about how it was super weird. Shouldn't they want them dead? It was paralleled with Shouto saying he wanted to know what Touya's favorite food was, with Iida and Bakugo contributing to it.
The kids feeling a bit guilty because they want to help people in need, no matter what. It all being right before the reveal that Aoyama was the UA traitor, when class 1A decides that they wanted a future with Aoyama in it even after all he did. The kids slowly realizing that the answer to live a good life is to defuse those situations and find a way for everyone to live and heal on their own time.
When Deku explains that maybe the key is in trying to understand why the villains are doing what they are doing. When Ochako says that she never considered how Toga saw the world or how it could affect the way she attacked; not everyone saw the world like them, which means that not everyone could reach the same conclusions.
When Shouto asked Touya why he never came home and Touya was able to finally tell his story. When the Todorokis reunited to talk together about their family, their past and future. When Rei showed she knew that Touya only wanted to be seen and considered by his dad. When Ochako understood that it was all Toga wanted to, to be considered a person, not a monster. When they all realized that it's not that the League refused to see as much as they couldn't. Their hurt and their trauma kept them anchored in the past, blind to their surroundings, lashing out like a wounded animal to anyone.
Deku explained to the vestiges that he tried to connect with other villains and couldn't because they did not want to. Not everyone wants to be saved, they say. There's a possibility that Tomura doesn't want to be saved. Would you kill him if that's true? And Deku doesn't want to because his powers are not to kill, but to save. He says that he will figure it out if that's the case, but he reaaaally wants to save that crying kid.
From then to now.
To the vestiges sacrificing themselves to open a path to Deku to reach Tenko. To Hawks thinking about what Ochako said about wanting to see everybody smile. To the Todorokis joining forces to stop Touya because it's their responsibility, not only Shouto's.
From a world ruled by assumptions and apathy and misconceptions and violence, to a world that is based on understanding, communication and responsibility.
I love what it all means.
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mettywiththenotes · 11 months
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Okay okay okay
So Hawks clearly isn’t giving up, right? He’s just not. That’s not who he is, so of course he’s going to keep fighting. With the panel of Hawks holding the sword, with the sounds of the Twice rampage in the background, it really seems like he’s not going to go down that easy
Hawks saw “Twice” come out of the portal and his reaction was this
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Total panic, right? He killed Twice for a reason - to prevent mass destruction from happening because, knowing Twice’s quirk and what side he was on (what side he was sticking to), he knew how chaotic the war could get. So seeing Twice come back? You can see the panic inside of him. This is not what he wants. We know he’s willing to kill “Twice” again
Fast forward to this chapter
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All other threats are gone. AFO is gone. There are no Villains or Noumu in front of him. Dabi has been taken care of. Yet Hawks still stands because there’s one more Villain that hasn’t been taken care of, and that’s “Twice”/Toga
While we could say he’s only standing here to protect Tokoyami from the oncoming Twice’s that will surely attack them once they spread further, there’s no way he’s not going to be involved with the Twice clones anyway. And I don’t think Hawks would just stand there and wait for someone to take down Toga - he’d probably try to do it himself
So I think there’s a possibility that Hawks could go after Toga and try to kill her before the clones can spread further. I also think there’s evidence to Hawks joining the fight and attempting to repeat history
Hawks has already been through killing Twice. There’s a chance he’s willing to do it again based on the fact that he’s done it before. Something along the lines of “I’ve done it once, I can do it again. Only I will bear the burden of it”. It’s not farfetched at all for Hawks to do so because he wants to spare anyone else from having to kill. “I am willing to be corrupted” and all that
(He’s probably ready to face Twice, to deal with the image of taking him down again, but could he do the same with Toga? With the reality that he wouldn’t just be taking down the image of Twice, but a young girl too?)
Also, the narration says that the Heroes cannot falter
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Who’s someone who won’t falter, no matter what the task? Who is willing to corrupt himself, willing to cover himself in blood for a brighter future? Hawks. I feel that the text is practically calling his name for him to enter. Also, the Todoroki’s are out for the count, Iida looks like he’s done too. The only Hero shown here willing to stand up and not falter is Hawks
There’s evidence for this Toga-Ochako fight paralleling with the Twice-Hawks fight
Firstly, Toga is on Twice’s side. She is quite literally Twice in this parallel. Someone who looks like him right now, someone who activated Sad Man’s Parade, someone who has shown care for members of the League in these moments
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Someone who, as chocolate-biscuit has pointed out here, has the same hole in her mask just like Twice did
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And what does this fight also have in common with the Raid one? A third person is shown ready to fight
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Dabi was the only one shown running towards the fight, and Hawks is the only one shown so far who is actually up and still willing to fight
The red sparrow dream
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That dream has always reminded me of Hawks, because of the specificity of the animal. It’s not just a bird, it’s a red bird. Red like Hawks’ wings. We know Hawks doesn’t have his wings right now, but also notice that the wings aren’t important to the dream - the type of bird is mentioned specifically, but the bird specifically uses its feet and its beak. Also notice that birds can represent the freedom to fly away, to escape, but this bird doesn’t use its wings and do that. Instead, it chooses to stay and inflict harm
I know this may just be a small coincidental thing, but still, I think there’s a potential for it to be connected to Hawks somehow
Finally, Horikoshi has said Ochako and Hawks are both “beacons of hope” in the final war arc. Hawks, who didn’t give up fighting against AFO and protected Tokoyami from getting his quirk stolen, and still refuses to lay down. Ochako, who won’t give up on Toga. She wants to save people from the Villains and the war but she can’t ignore a Villain’s cries either
How interesting would it be if we had both “beacons of hope” clash in their fights to protect and save people?
Of course, this is only a possibility, though I think it does have the potential to happen. I would personally love to see Hori dive into Hawks’ character involving Twice again, and putting him up close and personal with someone Ochako wants to save would be so interesting to watch
But, let’s remember that I’m theorizing based on 2 panels of Hawks lol. We’ll have to see what happens next, but again, it’d be really cool to see them all come together this way and fight against ideals and saving vs killing
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sapphic-agent · 8 months
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Let's Talk About Shinsou
*Note: Lmao, do I tag this as Anti Shinsou or Pro Shinsou??*
Despite being a pretty popular character overall, Shinsou seems to be under a lot of scrutiny with my fellow Bakugou antis. And I understand why. Our first introduction to him isn't a pleasant one; he's first shown taunting Class 1A about being attacked by villains (a generally traumatic experience) out of jealousy. It's also been noted that Aizawa spends more time training him than his actual class (though, this is more of an issue with Aizawa than Shinsou). Personality wise, he (subjectively) isn't pleasant or very entertaining either.
I'm impartial to him myself as I don't love him or hate him. He's just... there really (a fate many characters suffer). But you know what I think of when I think about Shinsou's character? Wasted potential.
My Hero Academia is constantly tossing the term rival around the show. There's the rivalry between Izuku, Bakugou, and Todoroki which is why they became the main trio (don't @ me for this I'm speaking technicalities here). There's also the infamous (one-sided) rivalry between All Might and Endeavor, a driving force behind not only Endeavor's actions against his family but a large part of the overall plot of the show.
When I first watched the Sports Festival and Izuku's match with Shinsou, I was positive they were setting them up to be rivals.
No, I don't mean the "rivalry" Izuku has with Bakugou (Bakugou stans don't @ me). I don't mean the friendly rivalries he has with Todoroki or Iida either.
I mean a straight-up rivalry. Where they don't become friends. Where they don't get along with or like one another (maybe a grudging respect at the most). I was sure Shinsou was going to be someone to constantly challenge Izuku; not only on a physical level, but ideologically too.
The Sports Festival partially set this up by calling attention to the similarities between Izuku's past and Shinsou's. While Izuku was discriminated against for his lack of quirk, Shinsou was treated differently and outcast because he had a "villainous" quirk. But they take on two different attitudes. Shinsou is bitter and full of contempt while Izuku was optimistic and determined to help a world full of people who shunned him. The show was deliberately setting up parallels between them.
But this dynamic is almost non-existent. Whatever interaction they do get is towards the end of the manga (Shinsou was introduced in the Sports Festival, an extremely early part of the series and in the show he's non-existent until season 5). And there's none of the previous complexity there was before.
Even if Shinsou was unlikable overall, it might have been worth it for him to be Izuku's real rival. His opposite not only in personality and attitude, but also heroics. Izuku can rely on his strength and the powers OF A give him, Shinsou would have to rely on his skills and brain. Their quirks are somewhat opposite to one another (at least in how they use them). Seeing them have to work together even though they'd usually approach things differently would have been way better than what we usually get.
I think that dynamic would have been a lot more interesting to watch than the trio or whatever you can Izuku and Bakugou (I will not refer to them as the Wonder Duo because wtf is that).
What do my fellow antis think? Would Shinsou have been a good rival if written well enough? Is there anyone else you would have preferred? Personally, I'd take anything over Izuku and Bakugou.
*Note: While we're on this topic, I think Monoma could have been Bakugou's rival. Someone who's calm and collected to contrast Bakugou's temper and whose quirk can easily rival his. I would have preferred that over subjecting Izuku to abuse under the guise of rivalry. I really wish Horikoshi would have kept them separate and allowed them to grow as heroes on their own without their toxic, codependent relationship. Maybe I would have tolerated Bakugou more. Monoma also isn't bothered by Bakugou so he wouldn't have had to go through the same thing Izuku did*
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Incomplete list of changes I would make to mha if god gave me the ability to do so
So
Shinso is Midoriya’s main rival/foil among his classmates and actually gets a proper arc, Shigiraki can continue to be his villain rival
No Bakugo, he’s not plot relevant at all after the first episode. We will vaguely refer back to him in the final season with a shot of him staring at one of Deku’s battles from like a store or something but that’s it I want him gone
Female Shouto Todoroki
Also less in the whole Todoroki family arc about how sad Endeavour is that his family hates him for abusing them for their whole lives and more about the Todosibs complicated relationships with each other and Rei
No villains for the entire first season its just focused on UA, the competitive environment and how Izuku adapts to that and also his blossoming friendships
No Toga Ochako foil, there’s no reason for them to be foils sans ‘girl’. Idk develop that one gas villain (Mustard?) or whatever and have him be Ochako’s foil
Give Toga a proper character about self identity or whatever instead of just that love bullshit, idk she can foil someone else, I like villain hero foils but Ochako Toga was not it for me
The first villain the UA kids would fight is Stain. This isn’t just bc the Stain arc is one of my personal favorites, but I think it would be a cool transition between a mainly school focused 1st and partially 2nd season that would mainly worldbuild and get us into hero society and graducally exposing the flaws in that society. Given the LoV are basically just a bunch of people who are the result of the cracks in hero society I think it would be a nice seguway
Also Iida Tensi should actually be a corrupt hero.
Stain Iida parallels!!
Aizawa is actually forced to realize he’s a shitty teacher and has to undergo a character arc to be nicer to the people around him and realize that trauma does not make people stronger, it didn’t for him and it won’t for his students
Midnight is given development as a mentor and hero beyond boob jokes and dying
Also, like... if you want to make Mineta a character people don’t want to see die the second he’s on screen just have him gradually grow out of being so perverted?? Like a joke here or there is okay I guess but as the series goes on he should also get development lmao
Significantly more of 1A and 1B should be from hero families. Nepotism baybee.
More focus on some of the topics in heroism set up earlier in the series, like how heroes are paid based on who gets credit for taking down a villain and things like public image and charisma and how that allows for more corruption to fester
Either develop Aoyama more and make us care about him or make someone else (ie Ochako, refer back to my ‘why Ochako should have been the UA traitor post) the traitor who we actually care about
Keep Izuku analyzing quirks jesus fuck let him think instead of just be a plot device
More worldbuilding in general tbh
Let at least some of 1A ultimately become vigilantes after realizing the system is corrupt and made to benefit the people in power and heroes in this world are just functionally superpowered cops and that’s not the right type of system to see as morally infallible- *I am shot and killed by Horikoshi*
There’s more but I’m tired, please add at your wish
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doodlegirl1998 · 9 months
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Ok, so this might be a super minor thing but it has being bugging me. Is it weird that despite Ochako, Iida and Todoroki being Izuku's closest friends, they never call him by his first name and vice versa? And the fact that it's Bakuhoe of all people to start doing that after his poor excuse of an 'apology' when we all know he isn't Izuku's friend at all (and really, they never were to begin with).
This is ignoring that Ochako calls him 'Deku' (which I'm not a fan of).
In Japan, people don't really call each other by their first names unless it is with someone they have a close relationship with, whether with family or close friends.
Hi @ultimateemerl 👋
No I wouldn't say it's a minor thing to be bugged by, I am bugged by it too. More so by the injustice of it all, let me explain.
Bkg gets to call Midoriya "Izuku" and be praised by the narrative for 'knowing Izuku the best' and being "the closest" to Izuku when really all he did was;
Physically, emotionally and verbally abuse Izuku all his life for being quirkless (which if you take Quirklessness as disability coding makes a very ugly picture.)
Tell him to kill himself.
Destroy his property.
Scream at him all the time and invent a new slur ("Deku") just for him (this continues into UA.)
Blames All Might for Izuku's low self esteem when really it is in large part his fault.
Physically attacks Izu at the slightest provocation. I.e Izu being proud of Black whip apparently deserves a ninja star head piece to the skull according to Bakugou.
Makes jabs at Izu whenever he can, bc fuck Izu's feelings. Even after the lip service manipulation of an apology, Bkg deems it appropriate to say, "A quirkless child given a quirk, sounds like someone we know," in reference to the Aoyama Situation. Yeah, sounds like a great, thoughtful close friend there. Izu is "lucky to have a friend like that" right Author / All Might?!
Follows Izuku everywhere and keeps tabs on him, in true abuser fashion. (Follows him when Todoroki takes Izu to talk, unjustly joins Izu in the OFA meetings just to shit on the past holders and Izu himself. Joins in OFA training which Izu learnt nothing from and Bkg seemed to use it as an excuse solely to beat Izu up.)
Those are just the eight things I can think of at the top of my head, as to why Bkg doesn't deserve to be anywhere near Izu let alone have the privilege of calling Izu his first name.
Todoroki, Iida, Uraraka, Aoyama all deserve that privilege more being Izuku's true friends and it would show their bond closening over time which would have been nice to see.
Izu of course is Todoroki's first friend and Todoroki being as blunt as he is could have asked for the privilege of calling Midoriya his first name while offering his own after inviting him to his home which would have been nice to see.
Uraraka is meant to be the love interest canonically so having her only ever canonically call Izuku "Deku" really puts a sour taste in my mouth. Have her instead like Iida insist on calling Midoriya his last name at first then she could as their bond grows (and they become besties) offer her first name to him.
Iida of course is a bit stricter but it would be nice to see him soften to Izuku and offer his first name as well.
The Aoyama reveal should have been built up more by give Yuuga more screen time - we should have seen Yuuga POV on Izu's situation and focused on their parallels. I would like to have seen Yuuga offer his first name to Izuku and them have that close bond.
With Bakugou he doesn't ask for the right to call Midoriya his first name even after the apology - he just takes it without asking.
Because Bakugou, the abuser he is, believes it to be his right to do so. That signifies to me that, coupled with all his other actions, despite what the narrative wants us to believe he hasn't changed at all.
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theloganator101 · 6 months
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Just read part 17 of the Breaking Point series and I wish I didn't.
It paints Uraraka as the bad guy for rightfully being protective of Izu and sceptical of a 'reformed' Bakugou.
It even mentions that Todoroki was punched in the face by Izu when he was protective of Izu and hateful of Bakugou - and are we meant to buy this is Izu? Izu has never once canonically decked anyone in the face outside of a sanctioned fight - not even those who hit him first like Iida. He especially wouldn't hit Todoroki for such hatred since Izu would / should see all the Endeav parallels in Bakugou.
I also hate how it makes Bkg an abused bully and Mitsuki an abusive alcoholic to explain away his nasty behaviour when in reality he has no such explanation for his behaviour in canon.
The story ends with Uraraka being disciplined by Aizawa and Hound for "going too far with being protective."
Her Parents even join in with apologising for her behaviour with her mum pleading the school to get their daughter help before she ruins anymore friendships.
Am I meant to feel good about this ending?
Uraraka even had a sad backstory in this to explain such protectiveness - when she was a kid her dads friend was injured at work and he became a bully to her and her parents while he stayed at their home.
She was very sympathetic in this yet the story did its best to villianise her and for what? To glorify "reformed" Bakugou.
Bkg is a spoilt brat. That's it. That's the only canon reason for his abuse. He doesn't deserve 'excuses' or a 'protective friend Izu' - he deserves expulsion and to be yeeted out the story without dragging any of Izu's actual good friends through the mud.
I was lucky to stop reading after the first part and just skimmed through some of the other parts to see what happens, but this would've made me mad.
But seriously why would the author portray this in their story? I mean after what they saw what Bakugou did and say, they have every right to be skeptical of him and wanting to make sure their friend doesn't get hurt again!
There never should be a reason why a person is the way they are sometimes, sometimes they're just horrible people. Simple as that.
This is how you know the author is biased towards Bakugou and doesn't want to punish their favorite character, but will happily drag the other characters down in order to paint Bakugou in a more sympathetic light.
If you're gonna write a story where you wanna reform Bakugou, at least dish out some actual consequences and have him earn it! Because of course people are going to be weary of him after what they discovered! Of course they're gonna want to protect Izuku from him so he doesn't go through what he's been through the last decade!
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class1akids · 2 days
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BNHA 421 leaks - The Final Villain is DEPRESSION
Welp, I guess I can cross the Todoroki combo off my bingo... (I wish it got a double spread at least - it's the first one ever (but we know how allergic Hori is to put any of Shoto's key moments on a double page).
I also wish Toya was there too. Btw, not cool how Hori offscreened the whole family stuff, but I guess being coy about what happened to Toya is a sure sign that he'll be showing up too - possibly with Toga, Spinner and Compress). Maybe there is something more there, at least pikahlua's TLs show that the leak summary left a lot out and Toya may be on his way to Recovery Girl. I'm still keeping it on my bingo that the LoV will show up.
Sero yanking around the Todorokis and calling Shoto gangimari face is kind of funny, but also doesn't have enough build-up to fully land what Hori was likely going for.
Also, the way Shoto and Izuku are finally on the same battlefield and still zero interaction. Izuku reacts to every secondary minor character, but god forbid we get his reaction to Shoto's first win or his appearance on the battlefield.
Otherwise, things go as I expected. Shoto showed up (though no power-up sadly), so all the naysayers can shut up. Also, that puts an Origin Trio combo on the table.
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Deku has OFA embers only. I'm really not that worried - probably ready for some quirk awakening or will get a quirk back. He won't be flipping burgers, don't listen to the naysayers.
Him reciting the All Might merch coordinates is cute.
The moment with Aoyama is a...parallel.
If anyone worries, Iida, Uraraka and Bakugou will show up too. I expect Tokoyami and Hawks as well. Remember how Iida wouldn't pass the provisional licensing exam until all his classmates did? I'm sure Class Prez Iida will personally princess carry Bakugou into the final battle if he needs to, to ensure that all of A-gumi is accounted for.
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MHA FIC REC LIST
Because apparently this is a thing that people do; so, I’m going to list the best fics I’ve ever read as well as why, exactly, you should read them. It’s a very varied collection, but you’ll find a lot of dimension/time travel, as well as Todoroki-family centric fics here.
Dragonborne — Ojiro/Shinsou. Set in an AU where Ojiro’s quirk isn’t just Tail, but something insane and awesome, actually. This fic has incredible writing and a very compelling plot that gets PERFECT around the middle of the story; if you are someone who likes either Ojiro or Shinsou for no good reason, this is the fic focusing on them that you’ve been looking for. 125k, complete.
Mild-Mannered School Teacher/Adrenaline-Junkie Vigilante — Fuyumi/Miruko. Fuyumi becomes a vigilante and runs around vigilanting with Dabi, without realizing who he is; she gets a girlfriend along the way. Check this one out for a peak f/f ship and lots of Todoroki drama; funny and emotional at the same time. 136k, complete.
Back To Me — no ship. A story about Kurogiri finding Shirakumo, or maybe about Shirakumo finding Kurogiri. Either way, it’s a rollercoaster; mental conflict abounds as the man of mist tries to figure out who he is, and villain-hero conflicts aren’t exactly making doing so easy. 214k, in progress.
Quirked — Erasermic. Izuku travels to a parallel dimension where no quirks exist, and manages to bring a quirk along with him. Despite not having had one before. What else to do than to become a hero? This is the vigilante Izuku story to surpass ALL vigilante Izuku stories, full of fresh and interesting ideas as well as a carefully evolving plot. 133k, in progress.
Cracked Glass — no ship. Essentially a Promised Neverland AU, but it takes place in a dimension parallel to canon; when said dimension collides with canon, it begins the first chapter of a brilliant disaster. Ojiro stans, this is another fic just for you. If you’re not an Ojiro stan, read this anyway and become one. 192k, marked incomplete, but it more or less is finished.
Dermabrasion — Dabihawks. This is a world where Shouto goes looking for Touya, and wouldn’t you believe it, he finds him! Naruto is vaguely involved. No, that wasn’t a typo of Natsuo. SO MANY GOOD TODOFAM FEELS. God, this fic is excellent; really explores the dynamics of everyone in the family in wonderful detail. Yes, everyone. All the Todorokis get screentime here. 410k, complete.
make this feel like home — Tododeku. A story about the three younger Todoroki siblings trying to get along over the holidays; eventually, they drag the oldest brother in too. Short but sweet, funny, and hits you right in the heart. 26k, complete.
Cair Parallel — Shinsou/Kaminari. If you don’t ship them (as I do not) you can simply ignore that part; and it is beyond worth it, for this fic’s magnificent story. It’s gotta be one of the most creative things I’ve ever read. Modern no-quirks AU, but the gang plays dungeons and dragons; so many varied character arcs, all developing with an equal amount of focus, and so much humor alongside the complex relationships. If you’re of the opinion that Iida needs more fics where he’s a main character, well, I am too, so come check this out. 590k, complete.
Artificial Parenthood, Affectionate Brotherhood — no ship. If you read only a single fic on this rec list, read this one. It’s metaphorically every single chaotic Dabi-gets-deaged fic you’ve ever read, but combined into a vaguely coherent narrative that’s glued together by innovative word usage, that good old Todoroki angst, and Bakugou. There’s also time travel. There are so many thoughts in this story, and they’re all condensed tighter than a steel rope. I can read this again and again and again, and I still don’t know if I’ve found everything this has managed to express. Probably not. If I had to say the story was focused on anything, I’d say Dabi, Bakugou, and the escalating terror of existence. 208k, in progress. (the other fics in the series are worth a look, too.)
The World Ended Before It Could Begin (Time Doesn’t Heal All Wounds) — no ship. Shinsou time travels back from the Nomu apocalypse to save the world, and runs directly into a pre-Dabi Touya. Events proceed with a lot of confusion from there as Shinsou tries his best while trying not to rope his friends into danger as well (he does not succeed) and with no intention of gaining a family (he gets one anyway.) Lots of family feels and humor here; Touya goes undercover as Dabi at one point, which is hilarious. Also: duck feet. 72k, complete.
Lost In The Darkness — no ship. Shigaraki kidnaps Bakugou at Kamino, but instead of the events we all know, there’s an earthquake, and they both fall in a pit and die. Okay, they don’t die. They do become besties, though; a hero-villain team up that’s determined to change the world and recruit each other to their respective sides, Bakugou and Shigaraki are like a pinball machine that wrecks everything else around themselves for the better. The League attempts redemption, Midoriya and Kirishima try their best, and the Todoroki brothers get dragged into the situation one after the other. If one thing’s clear, it’s that no one’s life will ever be the same again. 394k, one chapter left.
Ignite to the Call — no ship. The dimension travel is premium here, my friends. A group of UA students wake up in a world that’s both similar and different to their own; where reality could have gone, if one thing had changed. What is that one thing? Surprise, no one knows! Featuring Izuku as Shigaraki’s little brother, Dabi as a guy who wants to know why Shouto froze him in an iceblock, a collection of teenage runaways and dangerous animals, one or quite possibly two ghosts, A Great Escape Plan, and copious amounts of kidnapping. 600k, in progress.
Bakugou Bewitched — no ship. I can think of no better way to describe this fic than the term Platonic Bakudeku; the friendship is strong in this one. In summary, Bakugou is inflicted with the curse of obedience from Ella Enchanted. (I’ve never watched Ella Enchanted.) It makes his life increasing flavors of difficult, and the relationship between him and Midoriya is the most twisted spiked thing, and also stronger than the hardest steel. These two are inseparable—to Bakugou’s great distress. If you want a fic that treats the Bakugou-Izuku relationship like the insane shard of intensity that it is without once touching the line of romantic, this is the one. There’s also lots of neat Bakugou family content, which I don’t see often. 155k, complete.
sunshine in the library — Shinsou/Izuku. A vampire AU with the most beautiful feels, this fic is coming for your heart, and dragging a new OTP along with it. The plot is best described as a bundle of awesomeness with Shindeku the main and magnificent focus. Featuring: Izuku as a guy way in over his head, Shinsou as the brooding vampire who needs some light in his life, and Iida and Uraraka as vampire hunters who are rather unhelpfully misguided. They’re trying their best. The plot that’s planned out for this fic is fifty two forms of brilliant, and I can’t wait to read it all. 46k, in progress.
Where your love has always been enough (for me) — Enji/Rei. Endeavor time travels after his death to twenty years in the past; to a time before he broke his family. He doesn’t break it this time. Endeavor redemption arc, and a Todoroki family where only the father holds the weight of what he had once done. Where sometimes there’s a second chance. I dunno, but maybe the Todorokis need a little less angst inflicted on them, every now and then, and positive emotions, instead. You’ll definitely feel positive emotions reading this. 160k, in progress.
This Is Why We Have The Rules — no ship. Kirishima makes an entire chapter worth of accidental innuendos, Iida almost becomes the overlord of UA out of sheer exasperation plus a lack of sleep, and Ojiro is the only normal student in class 1A. That’s it, that’s the fic, and it’s one of the funniest things I have read in my entire life. 8k, in progress.
Soulmates and Wormholes — Kiribaku, Tododeku. It’s a modern AU featuring the well-loved soulmates trope; but with a twist, and that twist is parallel universes. This fic is consistently hilarious throughout and tells a compelling story that only gets more and more interesting every chapter, and I cannot wait to see where it’s going. It’s excellent. 76k, in progress.
And that’s all for now! Thank you for reading!
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whentheresmoonlight · 5 months
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Why Katsuki reads as queer coded.
Long before I shipped bkdk, Katsuki read as a queer character to me. Not meaning that Hori was assigning a sexual orientation to him but that he has qualities that parallel or make sense within the common narrative of the (western, I'm reading this through a western lens) queer experience. Here's why:
Disclaimer that this isn't to say that these traits make someone queer or that Katsuki is being intentionally written as queer, it's just reading Katsuki through a queer theory lens 👍
1. Perfectionism
Katsuki, if nothing else, is an incredibly hard worker. It's clear that in middle school, he worked to be at the top of his class. While he's a naturally intelligent and talented guy--as we see with his early skills in both sports and kanji in flashbacks--it's implied that he works for it. He doesn't have to work as hard as Izuku does, but it seems as though he works harder than, say, Todoroki does. I interpret this due to the way he berates his friends for underachieving in class. He knows that he's inherently smart, but he also knows that he achieves what he does via hard work, and so--as with Izuku in the flashbacks--he doesn't understand why his peers don't achieve the same.
Perfectionism is a classic queer-coded trait because it's a shield. If I'm otherwise perfect, no one can hate me for the thing that makes me different. It's a queer impulse to try and disguise "negative" traits with armor in the form of positive traits. You see this in people who are bullied becoming the class clown, for example, using comedy as their armor. If a queer person is afraid of not being loved for who they are, there's an impulse to be valued for what they can offer. This can manifest in overachieving and overcompensating so that they are never looked at with scrutiny, so that they can never be found out.
Katsuki makes himself scrupulous. He has an interest in maxing out every merit-based skill that he can so that he is no longer able to be scrutinized. He even takes advantage of popularity despite not liking people, as it's social capital and makes him more untouchable. He doesn't ever want anyone to look deeper than the skills that he offers. And when this strategy is interrupted, we see--
2. Anger
Anger comes from fear of vulnerability. In the context of the queer experience, this can easily be a reflex to keep people at a distance, as the perfectionism does, and a manifestation of repression. For Katsuki, it's both.
I don't think I need to put much explanation into how anger distances Katsuki from others. People's first impression is to fear him and then either avoid him or follow behind him. This collapses somewhat at UA, where people don't fear him, but it keeps him from forming bonds with people on any other basis than mutual respect. There's not a lot of intimacy like we see in, say, the early Todoroki + Iida + Izuku dynamics.
There's an argument to be made that Katsuki's explosive personality is a nature/nurture mix from his mother. That he's mirroring her behavior and that's basically it. No repression or fear involved. But we don't see enough of his parents/childhood to really spell that out. What we do get a good view of is his early desires from Izuku.
In those aforementioned flashback scenes, we see Katsuki not simply being confused when Izuku is unable to juggle a soccer ball, skip stones, or read kanji--Katsuki is upset by it. He's having strong feelings that he doesn't understand (not necessarily romantic! They're young!) and he covers them with anger. This continues through to middle school, when Katsuki is angry that Izuku is applying to UA, angry when they're paired against each other in the first partner exercise and Izuku has some success, when they're paired together for the final exam. These are BIG feelings and what for?
At first, Katsuki wanted Izuku to be on his same level, in the flashback scenes, and he was let down when Izuku wasn't. Then, after the river scene, Katsuki switches, and wants Izuku to be pushed down, to prove his own superiority in the face of Izuku's inherent goodness. This pairs his need to be perfect with an inability to face his admiration for Izuku. When he begins to see enviable qualities in Izuku, he represses those positive impressions. Whether or not you're reading bnha through a bkdk lens, there is repression here. Katsuki doesn't want to feel that there is something desirable about Izuku, that there's something he could be given by Izuku. That feels unsafe to his sense of self, and hence: anger. Anger, which is a trait also found in--
3. Masculinity
Masculinity is different culture to culture, and I'm not cultured enough to unpack the differences between western and JP representations of masculinity, so we're just gonna cast a wide net here.
Katsuki's parents are fashion designers, yet Katsuki pursues the absolute most violent career path that exists. And yes, this is because being a hero is the best (meaning very public to a young child with the trappings of fame and valor), and because his quirk is compatible with it, but that's not where the story ends.
All Might is Katsuki's role model. And yet, the persona Katsuki takes up is nothing like All Might's. As stated earlier, Katsuki is smart. He's smart enough to recognize that All Might is kind, friendly, generous, and likeable and that those are inextricable parts of his brand. And yet, Katsuki goes out of his way to instead be cold, mean, and unapproachable.
Again, wide net, but these are masculine traits. They keep a person closed off and inaccessible. They make it impossible to get close enough to really see a person. This is the same kind of shield that the perfectionism provides: armor against intimacy and scrutiny.
And, of course, the thing that a man can never be is weak. Weak is feminine. For a man, weakness is queer.
Katsuki's greatest fear seems to be being found out as weak. We begin to see him unpacking this, as he begins to admit to himself that Izuku is stronger than him, but, of course, we also see just how much work goes into him unpacking it. It only comes from honest self-reflection about himself, his bad defense mechanisms, and his relationship with Izuku. With introspection, he fears weakness less.
In conclusion
Queer theory is about heteronormativity and what it means when a person deviates from the norm into queerness. Katsuki's story in bnha is very much one of a character having many layers of armor to make him free from scrutiny, and slowly peeling those off to reveal his imperfections. This is the queer arc of a character being closeted, to a character coming out. Again, it's not to say that Katsuki is literally in the coming out process, it's to say that his narrative arc is a very queer arc, and it always felt that way to me. And, of course, as a bkdk, I see both those original closeting moments and the coming out moments as pretty much all being linked to fundamental interactions with Izuku.
Tbh, this theory is still a little half-baked. I don't know enough about queer theory, and I'm lacking a bit of cultural knowledge to give Katsuki the full breakdown. But before I had a single bnha ship, it was my impression that Katsuki was gay coded, and I've had these thoughts rattling around in my brain for over three years and I finally wanted to get them out (after a previous attempt that tumblr ate, rip). Maybe later on I'll do an analysis about who I think that Deku's experience is all about compulsory heterosexuality, hehe. Thanks for reading!
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dekusheroacademia · 2 years
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Why Izuocha works and how it fits the BNHA main theme - An analysis
As said before, I will stop posting Izuocha, I have seen one too many homophobic insult and one too many hateful anti bkdk posts. I wrote this draft before my decision, and the idea of finishing it makes me nauseous. Still, it is almost complete, so here you are, my last Izuocha post.
It will have manga spoilers
WHY IZUOCHA WORKS - THE MAIN THEMES OF BNHA
I wrote this thinking of old shounen I watched, from Dragon Ball to Slam Dunk, Saint Seiya, Naruto and many others. In some cases, we have canon ships, or romances, in some others we don't. In most cases, some female characters are usually relegated to the category of romantic interest and there they end up kind of trapped - mainly in the sense that most of the interactions they have with the protagonist are about that specific romance.
In my opinion, Uraraka almost falls into the trope, before jumping out of it. A change of mind from Hori? Or maybe he wanted to write her like this since the beginning, given that he loves avoiding tropes.
Friendship and OFA
The main theme of BNHA, or one of the main ones, is friendship. For Deku, in particular, friendship comes as something precious and scarce. Uraraka falls right in the center of this theme. While Izuku has old friends (Bakugou) and new friends (Iida, Todoroki etc.), Uraraka remains the first person who positively accepts his friendship.
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Even Iida and Todoroki are initially hostile to Deku, given that they work in a very competitive environment. Uraraka, instead, is the first one who gives a hand without expecting nothing in exchange and without distrust.
More importantly, she is also placed front and central in one of the main weakness that Deku has: his relationship with his new power, AFO. All Might sees Deku as a hero, once Deku saves Bakugou, but he is the only one. Bakugou himself, after being saved, doesn't really care for Deku's heroic ability. Iida distrusts him, the teachers seem harsh- Uraraka is the first person after All Might who truly believes Deku can be a hero.
And by first (well, second) person I mean in the whole world. Deku saves her at the entrance exam and she believes in him so much that she tries to convince the teacher to let them in the school.
This reciprocal support and friendship can be seen numerous times, for example during the tournament when Uraraka is the one who lifts Deku's spirit at the cavalrly battle, but also is represented by the parallel between Uraraka's speech and Deku's entrance to the school.
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Where Bakugou was Deku´s first save on the path to be a hero, Uraraka is literally the gate to the path to becoming a hero, the UA school.
This is not just Uraraka helping a friend, but it is also her making sure that Deku knows she still see him as a hero and that he is still considered a hero. Similar to what she obtained (for him) when she fought for his admission. Horikoshi does love his parallelisms!
Admiration - Inspiration - Imitation
Another main theme in BNHA is the theme of admiration and ispiration. Uraraka is the character who gets the most development out of the ship. Canon crush, in this case, is one of the ways Horikoshi fits another puzzle into his big collection of "admiration" that BNHA revolves around. Starting from the tournament, we have Uraraka admiring Deku's spirit. Of course she wants to be a hero, but we see the difference in seriousness between Deku and her (especially during their first test with AM). So it is at the tournament where we see that Uraraka admires Deku's spirit because he is "always looking ahead to the next challenge".
Deku inspires Uraraka.
This is a central theme in BNHA. It can be found in many other relationships. We see it, of course, with Deku and AM, we see it with Deku admiring Bakugou and Bakugou being inspired by Deku into being a better hero, with Todoroki inspiring Momo by letting her know how much he trusts her, in Bakugou inspiring Kirishima and his unbreakable, etc.
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And of course, as said before, the big inspiration being All Might for Deku, Todoroki and Bakugou, all three the only non villain characters to have an "origin" chapter around them WATCHING All Might and the way All Might inspired them. That is why those three are the mains characters who can also inspire others.
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In BNHA, we have almost a net that goes from character to character, to inspire everyone. Starting with All Might, and Deku, but also Bakugou and Todoroki, the whole class and more ends up being touched by AM's (and Deku's) idea of being a hero. Here is a little representation of it. For example: Bakugou inspiring Kirishima, and Mina and Kirishima inspiring each others. Deku inspiring Ojiro and Todoroki, Todoroki inspiring Momo etc.
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Uraraka is also one of the few relationships where the inspiration is reciprocal. In my opinion it only happens for Uraraka-Deku, Kirishima-Mina, Bakugou-Deku, Mirio-Deku, Tetsutetsu-Kirishima, Jirou-Kaminari.
In the case of Uraraka and Deku, Uraraka can inspire confidence in Deku, and Deku inspires motivation in Uraraka. Of course, the fact that Uraraka's new meaning for the name "Deku" is someone who can do things is the literal explicit representation of her influence over Deku.
Now, these relationships of inspirations all lead to different journeys. For Todoroki it is a journey of self acceptance and acceptance of his family, for Bakugou it is a matter of becoming a better person and a better hero... etc.
In general, these journeys often pass through the theme of imitation.
The biggest one being Deku so blinded by his love for AM that his imitation leads him to... not realize he can use OFA with his legs. Imitation is also pretty common among most characters too. We have Mina who "copies" (affectionately) Kirishima's unbreakable in a new move of hers, we have Deku using Bakugou's anger (copying it) against the villains and then copying his moves, we have Todoroki using a version of Endeavor's move, Deku using his legs like Iida etc.
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The obvious one, in the case of Uraraka, is the way she adapts her costume. As for some of the other cases, this imitation is not just practical but comes from her character's evolution.
She initially wants to see people smile, be able to see them happy and she knows heroes can do that. Having a good job could also help her parents and bring a smile to their faces. She starts a bit hesitant, but being inspired by Deku she decides to copy his determination (I believe the reason she wants to be stronger after the tournament is also that). She sees how he saves people, she also herself fails to save people, going through the same hero journey Deku went through (ex. Deku failed to save Bakugou at Kamino).
Hiding her feelings, putting them aside, is just part of this journey. Because in BNHA affection, love, care, often revolves around inspiration/admiration/imitation, we have Uraraka being fit in here with her crush just like a puzzle piece. I'll come back to it in the last part, about Toga, but for now I want to add that the similar path is actually interesting because Deku and Uraraka are then apart for a big chunk of the manga.
And yet they both reach the same conclusion, going from taking hero work seriously, to wanting to save, to move before she can think, Uraraka also arrives at her need to save villains, at being able to see villains as people. This is something that only her and Deku share.
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2. Toga
Toga is not there to take Uraraka away from the crush or to be a random villain, and she is definitely not a way to show Uraraka that her crush is unhealthy - the opposite.
Uraraka is not controlled by her feelings. She was able to put them aside, for now, because they were distracting her. And this is part of her wanting to be at least a little bit like Deku, able to focus on the job because the job is important, it is saving lives. I think it is also important to remember that Uraraka doesn't put away her feelings randomly, but she does so during saving-training to get her license.
Toga instead is absolutely controlled by her feelings. She obsesses about them, about her crush for Deku and Uraraka, so much that he hinders her job. She cares little for it, she sneaks out and changes into Uraraka to be able to see Deku, then se uses Deku's blood just to be able to trick Uraraka
Toga wants to be like her crush, in everything, it is possessing them and being them. Uraraka's desire to be more like Deku is still her having her own personality. She is insipired by Deku, she wants to be like him, but when it comes to it... she wants to save people because of her own understanding and experiences, she wants to save villains because of what she is and what happened to her.
Other parallel qualities are the way Toga's crush comes from intuition, one look and she decides Deku is her love (simply because of how he looked similar to someone else), one look and she sees that Uraraka is like her, so she loves her too. Instead, Uraraka's crush comes with time, she actually needs someone external (Aoyama and Mina) to aknoweldge it before she realizes, it also comes from understanding, from understanding Deku's spirit and his motivations... so much that this understanding leads both her and Deku through parallel roads: the need to save heroes.
And when the time comes to confess, Toga is quick to discard her feeling at the first flaws (well, flaws for her). Uraraka instead doesn't let go. Deku's biggest flaw (also said by Bakugou) is that he is selfless, to a fault, so much that he thinks he can do everything if he only pushes through. When encountering this flaw (when Deku leaves the school), Uraraka is the one who is shown by Hori both reading his letter and deciding to find a way to get Deku back. And she follows him, with the class, until he is back and safe.
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As said, her love is not as flimsy as Toga`s feelings. But she is also not a copy of Deku, she has understanding of her feelings, of what Toga might be feeling herself, because of her journey, and maybe that is how she could save Toga.
To conclude, I just wanted to show that Uraraka's crush is not just another "shounen crush/romance". It is there because it is Uraraka's piece in the whole mix up of admiration/imitation theme of BNHA. It fits both in the story, and within the rest of the characters. Even if she has less screen time, she is still an important part of the narrative, not only that, but her love/crush is an important part of it.
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deusvervewrites · 1 year
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Brass Knuckles X Underground Todoroki X Mighty Vigilante X Iida Himiko X King Explosion Murder X Stolen Explosion Underground Gremlins GO! If I am not mistaken that makes: Izuku, Todoroki, Yagi, Himiko, Bakugou, Shinsou and Knuckleduster himself + his Friends all in one big, scary pile of feralness. (I am taking some liberty with King Explosion Murder X Stolen Explosion. This Bakugou would still want to be a hero and simply join his best Friend in becoming a underground/vigilante menace, not to mention the Knuckleduster parallels. This Undergound Gang would probably hunt AfO with the fury of a million suns.)
Horrifying
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