I think one thing that separates witches from new agers is that new agers will try to repress negative thoughts and emotions so that they 'draw more positive things into their lives' and 'boost their vibrations' while witches will work hard to process their negative thoughts and emotions in order to better understand themselves and their feelings.
New agers focus on separating themselves from their humanity claiming to be above humans and here to aid them, them themselves being free from flaw. Witches recognize their humanity and try to see their flaws and work towards their betterment rather than assuming themselves to be the ones free of flaw and blaming others for their own misdeeds.
One definitely involves a lot of repression and denile while the other tries to see their flaws and see how they could do better.
Hey if anyone is interested please interact and share your thoughts, I want to flesh out this idea.
Calling in the expert discussion-ers
@windvexer @a-witch-named-crow
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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
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Truths that Co-Exist
Barbie (2023) is a giant product placement that profits off nostalgia.
The writing is profound and life-changing and understands why we seek nostalgia in a way most nostalgia-driven entertainment doesn’t.
The film is self-aware about how even now, Barbie dolls set incredibly unrealistic beauty standards. Their “body diversity” does not even scratch the surface of what that phrase really means. I don’t expect this to change.
The film still made a beautiful statement with the scene on the bench about how societal beauty standards are narrow and restrictive! And that beauty comes from experiencing life and the marks it leaves on you!
Its feminist statements are validating. Many of us see our reality onscreen, and the great thing is that it includes how cishet men fall down a pipeline of toxic hypermasculinity. It also shows the solution, and allows men to express themselves despite what society expects them to be.
The film is a capitalist venture.
The cast (aside from the leads) and crew were probably overworked and severely underpaid during filmmaking.
We can still appreciate that something fun was made, and we all made another wonderful memory where we and our loved ones went to the movies color-matching in pink.
We should not feel guilty about seeing ourselves in this film.
Meanwhile, support the WGA and SAG-Aftra strike.
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i think one of the things the pjo show has understood the best so far is specifically the isolation and insecurities that come with being neurodivergent, and how it reflects onto percy. the book touches on it a lot, but i think rick really wanted to push percy's own internal struggles more obviously to the forefront for the show.
Percy references again and again how inattentive and zoned out he is constantly, and how he blames himself for being stuck in his own world. He feels crazy and misjudged by everyone around him just for having what everyone else presumes is a very active imagination, hyperactivity, and a brain that works differently. and when people do acknowledge his differences, even attempting to spin them positively to him, like Sally and "Mr. Brunner," it only makes him feel worse, because again the only thing they can tell him is that he's "special," inherently other, something he's come to associate with being an embarrassing and shameful thing, with Nancy calling him "special" as an insult. I've seen "special" thrown at nd kids as an insult by their peers over and over again since I was little. So Percy can't help but believe it's a negative thing, no matter what the adults that do support him in his life try to tell him, because it's been internalized that he's just different in a way that's bad and inferior, and that that there's a reason he's lonely and troubled and delinquent. Even if it was a positive thing, like Sally and "Mr. Brunner" insist to him, he feels inherently isolated and confused and wrong in the mortal world for being different, and like there's nothing that can change that or make him normal.
We see Percy break down in front of Sally after being expelled about how he's terrified something's irrevocably wrong inside him now. And his immediate reaction of rage and confusion when the only thing she can tell him, once again, is that he's special. And I think that is really going to resonate with a generation of nd people who've experienced these types of scenarios.
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It really dawned on me watching episode 17, just how important this sequence of events is to Kabru and Laios' relationship, and how. Well. That's for a different post. I want to keep this one free of spoilers. (Certified Safe For Anime Only™)(There are spoilers for episode 17, tho. Obviously.)
Kabru's main concern has been, at least in part, revealed. He wants to figure out if Laios is capable of defeating the dungeon, and, if so, if Laios can be trusted with the power that might confer. The answer to his first question is simple. Yes. If anyone can defeat the dungeon, it's Laios.
The second question is where things get interesting. Can Laios be trusted with power?
In the aftermath of Laios' first fight with Toshiro, Kabru learns that while Laios has no particular respect for the law or conventional wisdom, he does have the humility to consider that his judgment might be flawed if he encounters conflict with someone he respects.
That is the face of a man taking notes, and I think he's making a cautious mark in Laios' favor. Laios doesn't really understand Toshiro's opinion, but he's listening.
Then, in the fight with the Falin-Dragon chimera, Kabru voices dissent—disgust, even—with Laios and Marcille's priorities.
You can practically see the Dragon Age style approval rating drop. Kabru disapproves. Minus fifteen hearts. If it had ended like this, I think Kabru would have lost all interest in Laios. Someone who would sacrifice a dozen lives out of sentiment can't be trusted.
Laios' response, and the way it builds on Kabru's earlier observation, is crucial.
He listened. And even better, he didn't listen blindly. He applied critical thought to Kabru's argument. What Kabru hears from him isn't just "I'm sorry, you were right," but also, "I understand and respect your position and priorities, and here's a very good argument for why killing what I still consider to be my sister is not in our best interest."
He processed Kabru's criticism and came to his own conclusions, and he did it fast. Not only that, but he's right. Kabru hadn't considered the potential consequences of killing the chimera.
Laios proved in this one exchange that he 1) isn't blinded by either his pride or his prejudice, 2) has the strength of character to not just fall back and surrender to someone else's judgment when he's uncertain, and 3) is smart enough to tactically outhink Kabru.
This is why Kabru is so invested in Laios liking him that he forces himself to eat the harpy omlette. This is why Kabru takes Laios' hand and makes sure he knows he wants to see him again. He doesn't understand Laios, and he still has strong reservations about him. Laios' interest in monsters scares him. But Laios has proved to Kabru that he might be capable of being the person Kabru needs him to be.
Top Ten Pictures Of The Moment He Won You Over (Taken Just Before Disaster).
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