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#i think it's like a book series or something? i see you post about it sometimes
ladylannisterxo · 1 day
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... the one where spence takes an interest
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Pairings; Spencer Reid x fem!Reader
Words; 0.6k
Warnings; one use of Y/N but this was written back before I stopped using it lol but other than that, none, just fluff!
Summary; {requested} "Not to pester you, I had this thought and wanted to share is all, but could you imagine talking to Spencer about something you're really excited about (like a movie/tv show/game or something) and the next day he starts talking to you in length about it, and it turns out he went home that night and read/watched everything he could on the subject."
A/N; goodness, I wrote this years ago on another blog and since I've been rewatching Criminal Minds, I figured I'd go ahead and post it again (cause why not?)... the one and only thing I ever wrote for Dr. Spencer Reid ajdhsakdshak
{ masterlist }
You didn't plan this. Really, you didn't. But you know how it goes when you start binging a new tv series: just one more episode... and then before you know it, it's 2:00am.
Now you're sitting in the bullpen. It's 8:00am and you're constantly rubbing at your tired eyes and chugging coffee like your life depends on it.
And Spencer is wearing a curious expression, already extrapolating possibilities as to what could have kept you awake last night.
But he doesn't mention it. Not when the team is discussing the new case, not even on the jet en route to your destination. He waits until it's just you and him, paired off to go talk to the medical examiner about the latest victim.
"Are you okay?"
"Hmm? Oh yeah, just a little tired."
He smiles warmly, offering you an amused glance before fixing his eyes back on the road. "I gathered. What kept you up?"
"You know, I just..."
But then you realize you don't want to tell him, not really. To you, staying up super late to watch a tv show seems embarrassing when compared to how he most likely spent his night.
You imagine that he read around six books, most of which were probably in a language you didn't understand. Or maybe he called his mom to check in with her. Or maybe he had nightmares himself and so he thinks that's exactly what happened with you...
Any scenario you think of infinitely sounds better than oh, you know, I just stayed up super late watching some trashy guilty pleasure tv show because I have no self control.
"Nothing really," you settle on, "it's dumb."
"Try me."
So you cave, mostly because you're too tired to fight. He listens intently as you tell him about the new show you found, how it's completely ridiculous but it allows you to step out of your life for a bit and relax.
He doesn't say much, just nods along as you talk and before you know it, you've arrived at your destination and it's back to work.
Spencer actually doesn't mention your conversation again for the remainder of the case and finally, the unsub is in custody and the team is back home to enjoy a nice, long weekend.
You don't see or hear from Spencer during this time but first thing Monday morning, he's greeting you as you step off the elevator with a cup of coffee and a bright smile.
... and then he tells you he spent the weekend watching the first season of the show you mentioned and to his surprise, he really enjoyed it.
To say you're confused is an understatement but you listen as he discusses every character and what he thinks of the current story arc.
"Spencer," you laugh, resting your hand on his arm and halting his speech. "Not that I'm not thrilled to talk about this but I really wasn't expecting you to go home and watch an entire season of a show just because I mentioned it."
He smiles sheepishly, eyes lingering on where your hand still rests on his arm.
"You were really excited about it though."
"And?"
"And it seemed important to you... so it's important to me."
A smile pulls itself across your face and you open your mouth to respond when you're both interrupted by Garcia letting you know there's another case.
"Hold that thought," you inquire.
"It's impossible for me to forget it."
And just like that, you're discussing trashy tv with Dr. Spencer Reid during any downtime that you're granted. You gush about your favorite character and he theorizes future story arcs while simultaneously pointing out behavioral inaccuracies.
"People do not speak like that in that kind of situation, Y/N."
"It's tv, Spence, it's supposed to be unrealistic. That's what makes it fun."
+ Bonus: if it's a series that is currently airing, you both come into the office the next morning and excitedly discuss every single thing that happened and then theorize on what could possibly happen next.
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a-a-a-anon · 8 hours
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appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.
i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.
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some specific accolades/accreditation/fun facts:
Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)
Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."
a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)
Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."
the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance
Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)
Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)
Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"
she and Rik chose the bands (x)
Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)
facts from the blu-ray commentary tracks:
Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair
Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)
Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting
Lise came up with Neil's flowerpot covering in Nasty
Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol
Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)
this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)
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i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!
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bugeyedfreaks · 2 days
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So for a month or two, I took a break from looking at eBay for Powerpuff Girls merchandise (as I’m want to do) and wouldn’t you know it, I missed out on something that I desperately would’ve wanted to buy. 😩
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STYLE GUIDES!!! Uggghhhhh!!! 😭
I’m incredibly bummed about missing out because I’m so intrigued by these! So, if you don't know, these aren't guides for anything to do with animation: these are guides on how to use assets for stuff such as advertising and merchandising. It seems that the one on the left is a style guide created after the movie, and it looks like the middle one must have been from the beginning of the series’ run. I’m placing the one on the right in the middle of the two… but like, when? Why did they make another one? Was that one made before the movie (actually, I think the other one might have been supplemental art for the middle one or something… but I’m not 100% sure)?
I doubt whoever purchased them is going to scan them and put them online (so sad!), but maybe I’m wrong. These are so cool, and I really wish I could take a peek and see how these were all written, and what all the differences are between the different design styles and branding guidelines. And I want those CDs! I need those .eps files! 😩😩😩
Nowadays, with the newer Powerpuff Girls stuff, I’m sure people are just getting a PDF and some kind of file cloud link sent to them with all of this information. You don’t get cool physical books like this anymore. Maybe one day they’ll pop up on eBay again and I can snag one of them, but it would’ve been so awesome to get all three at once. See, these are a LOT better than rancid cereal!
EDIT: I deliberately queued this to post before I tried bidding on a style guide I found that was still up for grabs for the PPG movie (not that I don’t love you all but I really, really wanted it and I was 100% prepared to share it here anyway)… and I lost the bid today. I’m even more bummed out! Ugh! 😭
Honestly, if you’re someone who is in possession of one of these or knows someone in possession of them or if you know if anyone has posted these online, please send me information! I really want to see what’s in these!
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first-edition · 2 days
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Fox and the Hound
Sum-Joffrey wants to send a message to your family after your brother embarrasses him, so he marries you off to his most unwanted man in his court, the hound. But will this marriage truly be a statement for an eyesore, or will it grow into something more. 
Cw for chapter- pregnancy, 18+ words and themes overall. Slight angst, brief mention of vomit and sea sickness, attempted r@pe, sexual assault, slight abuse, family death. Description of dying (start)
// A/N: just wanted to apologize for the broken links at the beginning of the book since i changed my username they haven’t been working but i assure you I’ll get to fixing them. I will also end up making a goggle docs with the entire book for downloading when this series ends//
previous chapter here.
CHAPTER 18
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The first thing Sandor thought about in the day was you he day dreamt of your safety and the helpless thing inside you that took your body as refuge. He silently prayed that he wouldn’t have to be away from you for any longer. It was also the last thing he thought about before sleeping and dreaming of you. 
But he was more afraid of what his thoughts would be like after his body went quiet. 
Here he layed against the rock bloddied from the fight leg broken unable to move, not that he wanted too. Breanne of fucking Tarth, a women, took him down. He had put up a good and fair fight however but he could feel his life fading before his eyes. The image of you ghosting into his vision you calling his name sweetly as his hand caressed you soft cheek. You smile that warmed his soul. 
Oh he loved to see you smile. He loved to see you happy at his doing. It feels as though you have been together for years on end when it has only taken him 2 months to fall completely under your spell. He knows he won’t survive yet unable to move to end his own hes cursed to lay until he bleeds out or dies from starvation. But at least he will go out knowing he was loved and loved back. 
————
You stand against the side of the boat as you watch the rocky shore pass by slowly. 
“Your highness.” A man speaks to you. You turn around seeing the captain of the ship. 
“We are porting to widows watch in 20 minutes.” He says you nod. 
“I sugesset her highness is tended to by a meister while we take the day to careen. Her ladyship is carrying the further heir is she not?” He asks. 
“Thank you captain i shall take your kindness to the next meisters hut.” You say giving him a smile. He nods giving you a smile back before heading to his previous post. 
Over the course of 20 days or so on and off sea you and joss have become much more that a squire and royal you’ve become friends best friends. you will laugh and dance and tell stories, you’ve told him about your childhood and hes told you about his granted his wasn’t that long ago. 
You’ve celebrated each other birthdays and you now no longer allow him to talk to you anything but plain. 
“My lady.” Joss says walking up to you leaning against the side of the ship you smile at him nudging him with your arm. He chuckles. 
”youre looking more and more like a grown man with that stubble your growing.” You giggle at him. He nods feeling the stubble growing on his face. 
“Yeah. Ill have to find a barber when we dock.” He says. 
“I didn’t say i dosnt suit you.. however the prince Marco fraud over there hasn’t kept a meal down since we got on this boat. That says a lot. Im the pregnant one.” You say joss laughs as you both look over to Marco who wipes his forehead with a cloth. 
“D-do you still think of him?” Joss asks. 
“Of course I do. Everyday i pray for his safety and health just as i do yours. I want him to meet his child preferably in this life and not the next.” You say about Sandor. 
“Would you ever take another man?” Joss asks turning around facing backwards. 
“No..why?” You ask. 
“Even if he died?” He asks again. 
“I dont think, despite out beginning, i could ever take someone else i love him too much and i love what he gave me…why do you ask?” You wonder turning to him your eyes fix on his gaze as he looks across the boat deck to Lucy who hands the prince a glass of water. 
“There’s no point in wanting something if you don’t try for it.” You say to him. He looks back to you a blush forming on his cheeks as he realizes that you know who he was talking about. 
“I-I’ll grab you coat my lady.” He says before hurrying to your quarters below deck. Footsteps make your way to you once more you sigh as you see Marco coming to you. 
“It seems that the uh. The weather for this trip has treated us well?” He smiles. 
“We’ve stayed as close to shore as we can theres been no open water without seeing land through a scoop and were guarded by two man o’ war ships when my parents sent me off to kingslanding we went the long way comanded 4 storms three men died and our sips main mask was missing by the time i arrived and still. I had to endure of that wearing a corset and looking pretty. Meanwhile your vomiting up every fucking meal you consume on the charter of a little turbulence.” You say to him. 
“And yet you still have the energy to mock me.” He snaps back. 
“Yes. Consider it being hormonal.” You bite right back to him and turn to walk off. 
“Why do you fester against me!?” He asks leaving you to stop you back facing him. 
“We’ve been not but 2 feet from each other for 23 days and you prefer to fight on my name instead of getting to know it.” He says. You scoffs and turn back to face him. Joss comes back to you your cloak in hand.
“I dont need to know your name becuase i will not be taking it, as little as you may know, i belong to another. I wont belong to anyone else but him. As a care taken prince I wouldn’t expect you to understand after all your used to feeding off a silver platter and suckling from a gold breast.” You say as joss helps you put on the cover before you both walk to the end of the boat where you’re meant to get off to port for the day. 
————
The day is spent visiting a midwife not allowing a maester to touch you, having a meal with Lucy and joss at the inn you’re staying at and exploring a little before you became to tired and went back to the room. You were unfortunately told that the careening of the underbelly of the boat would take until the night so you should leave in the morning. 
Un happy about the news you reluctantly placed yourself in your room. 
You sit in the bras bath tub alone. You pick at your nails as you lean over the side your raised belly proving it to be a bit of a challenge. Your fingers move up to your hand glazing over the ring that is placed on your ringer. The jewels within it shine against the fireplace light. 
”im sorry i still haven’t made a name for you little one.” You say speaking to the babe within you. 
“But perhaps if your a boy then i will name you after you father? Hmm, and if your a girl I shall name you something beautiful like a flower or the stars. I was going to let your father name you but I'm afraid that wont be the case and id prefer you not go unnamed.” You sigh resting your head on your arm. you open your mouth to speak once again but you hear slight bickering out side your door before it opens. 
“You cannot enter my lord she is bathing!” Joss yells out at prince marco who stumbles into the room clearly drunk you cover your self sinking into the tub further. 
“Get out!” You yell at him. Joss grabs Marco to pull him away but he turns around and lands a hefty punch onto joss’s face causing him to fall to the ground before Marco kicks him. 
“YOU DARE PUT YOUR HANDS ON ME BOY!?” The prince yells before pushing joss out of the room and closing the door behind him bolting the door. Marco turns to you. 
“Get out. How dare you enter my room like this.” You bark out at him. 
“Get up.” He says you ignore his request sinking deeper into the tub. 
“You mock me, taunt me, refuse to conform to your duties as a princes!” He grumbles as he stomps twords you grabbing your hair pulling you. you welp in pain as he pulls you out of the tub. 
“AH! LET GO OW!” You scream out in pain as you drags you. You slip on the seat floor loosing your footing. He pushes you to the floor fighting above you. 
“No- NO STOP!” You scream tears welling up in your face as you fight under him. 
“You will know your fucking place!!” He grunts as he hits you across your face. 
“Ah!” You cry out in pain tear balling from your eyes and you continue to fight him stretching his face. He bails his hand into a first and punches you across your face twice. The taste of metal hits your tounge as your lip is split under the impact. You hear faint pounding behind the wooden door of the room as joss calls your name. The sound of a belt buckle clinking. You stop your fight as he holds you down. Before the imminent pain you could experience hes shoved off you two guards and joss pounce on him as he hollers out a multicellular of curse words before being dragged out of the room.
“Your highness?!.” You hear as Lucy and two others run to you wrapping a sheet around your naked body as they help you sit up. Lucy pulls you into her arms as you sob the pulsing pain in your face far from the pain in your heart. The fear flooded illness that could’ve resulted much worse.
”h-help me d-dress.” You say getting up weakly as she helps you. 
“Are you alright did he-“ 
“No. i want to leave now. Help me dress!” You speak. She and others nod. 
“Joss.” You say before he walks out after the guards. he looks to you holding his side from the rough kick Marco gave, his face bloddied. 
“Th-thank you. We will be t-taking a guarding ship the rest of way.” You say he nods to you before walking out closing the door after himself so your ladies can help you dress. You pull off the sheet holding your stomach before they slip on your undergarments and then and easy dress and shoes. They take the small bag you had packed for the night before you all hurry out. To the shipping dock. 
You board the guarding ship with the others, a few guards and joss, despite his condition help board over your items from the main ship before taking off back to the sea
Next chapter coming soon.
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amageish · 2 days
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Reflecting on queer representation in X-Men 97 - and speculating on the future...
Before X-Men '97 was revealed, I made a post all about queer X-Men characters and the possibilities for this show... and now the show is out... so I figure I should do a follow-up! Let's discuss what happened and the possibilities for the future.
This is a long post, so I'll put my thoughts under the cut!
Part One: What We Got
Morph
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The show's primary form of queer representation is in the character of Morph. They're the main "OC" of the original 1992 cartoon - they've always been important to the animated series canon despite not having much presence in the comics - so this is a pretty bold choice from that perspective...
They are a fairly unique type of gay by 2024 mass-market corporate standards. They're sassy bordering on mean in a way that would feel very typical for the 2000s but is sort of refreshing in the 2020s... They are non-binary, though their gender is never really discussed in the show itself - their voice actor sees them as being on a gender journey, though my personal reading is that they seem quite comfortable with themself and their gender already... Everyone who refers to them uses they/them pronouns thus far, though most dialogue is written to avoid gendering them entirely.
They are also notably attracted to Logan, something reflected throughout the show though most directly acknowledged in Episodes 3 and 10. They joke about showering with Logan and, when they think they see him in the showers, they give themselves Wolverine claws to help him reach the "hard-to-reach places"... Morph then actually says "I love you" to him in Episode 10, taking the form of Jean Grey to do it.
Whether a queer character pining for the "straight"* friend is good representation or an overplayed trope is subjective, but we will see where this arc goes in future seasons!
*Logan definitely isn't straight, but Marvel Corporate and Season 1 showrunner Beau DeMayo both say he is lmao.
Cipher + Boom Boom
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I made an entire post about these two, but we also got a same-gender duo dancing at the Gala on Genosha... These are Cipher and Boom Boom - two characters who are not currently explicitly queer in the comics, but are interesting characters to read as queer IMHO! Cipher especially is a fascinating choice - the background gay is someone with the power to literally turn herself invisible lmao.
Northstar
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Marvel's first openly gay superhero made two cameos in X-Men 97 - he appears in an X-Men recreation of A Different World in Episode 4 and with his fellow Alpha Flight members (plus Cipher and Psylocke) in Episode 10. He doesn't do anything of note really, but his hair colour is correct at least - the original show mistook his hair having white streaks as a trick of the light in some famous books and comic covers as him actually black-and-white hair in-universe...
Pixie
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I'm not 100% sure if this should count, but the ever-perky Pixie turned up on Genosha in Episode 5 alongside her fellow New X-Men. As of writing, she's more of a queer-coded character than a capital-C canon queer in the comics... but she is solicited to be in the next Pride book alongside Bling! and Anole, who are canon queers, so I feel like her long-implied (and confirmed in an AU) bisexuality is likely to be canon in a couple weeks... so yeah - Genosha had a queer fae on it! Good for her.
There were a couple of other background gay characters, but nobody recognizable from the comics - there are some theories Blink and Husk were presented as a couple, but the "Blink" character appears to be a shapeshifter, so I would guess they are just OCs...
Part Two: Who is Teased
Like any modern Marvel project, we ended on a bunch of teasers... Two big explicitly queer names appear in those final moments - let's chat about that...
Iceman
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After a season of appearing in the portrait of the O5 X-Men in Xavier's office, Bobby appears in Forge's DoFP-style board of potential future teammates at the end of the show.
In the comics, he famously comes out as a result of time-displaced versions of the original X-Men team showing up. A teenage Jean Grey reads the mind of a teenage Bobby Drake, who has been obscenely remarking on his very-real totally-not-fake attraction to Magik, and tells him that he is gay. This... probably isn't going to happen in the show, but I could see them taking this as a chance to do another take on Bobby's coming out.
They also could adapt the older story where Emma Frost possesses Bobby's body and, among other things, informs him that he will not be able to master his powers to their full potential until he works through his internalized identity crisis - though she doesn't say that he is gay at the time (the Comics Code prohibiting such things was still in effect), just implying it.
Bobby's had a lot of pairings in the comics, but in the show I think he is likely going to be Morph's actual love interest. He's gay. He's also a queer jokester. They'd probably get along and enjoy ribbing each other. We'll see what happens, but that's my guess...
Rachel Summers
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Mother Askani was a shadow that lingered over the entire show and finally revealed herself in the final moments. The woman who raised Cable in a distant future alongside a cult of her worshippers, Mother Askani is a variant of another Summers-Grey child, Rachel Summers from Days of Future Past.
After decades of queer-coding, Rachel was finally confirmed as queer in 2022 when she kissed Betsy Braddock. This coming-out took around a year to be approved by corporate, but it did indeed finally happen and she even has a story in this year's Pride special. So I am hoping that she will be doing some queer stuff in the show itself...
Rachel's younger form was already present in the original show, albeit as a non-verbal cameo, so my prediction is that she has done all her time-travelling stuff and got split into her Askani and Mother Askani forms off-screen... but we will see how they adapt this character - Rachel's never really had a chance to be multi-media before, so I'm unsure how much they will streamline things.
Part Three: Askani's Partners
Rachel Summers has only had one textual girlfriend, but she's somehow still gotten around... Let's discuss some possibilities!
Betsy Braddock
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Betsy Braddock is Rachel's current and thus far only textual girlfriend. Not unlike Rachel, Betsy has some... complicated lore. While she is currently the leader of the Captain Britain Corps, she spent a lot of her publication history with her mind trapped in the body of the Japanese Ninja Kwannon, operating as the assassin Psylocke.
Yes. That Psylocke. Most Psylocke appearances are actually a white British woman inside of a Japanese woman's body. I am sorry if anyone had to learn that this this way.
In a not-so-hot take: I think the show should just skip the body swap... but with rumours of Captain Britain in the MCU and the Captain Britain Corps being a multiversal entity (it is basically the Spiderverse movie's Spider Society, but done in the 80s) there may be some red tape around the use of Betsy. I hope there isn't though as I would like to see them in animation!
Kitty Pryde
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Rachel's other big queer love interest in the comics is Kitty Pryde. Chris Claremont, the architect of what most people associate with the X-Men, has gone so far as to say that she is the "primal love" of Pryde's life and tried to imply that they had gotten married and had kids together in his epilogue for the X-Men brand, X-Men: The End. It's never been textual, but they are pretty darn gay in plenty of the Claremont stuff - including his Excalibur, the run that Kitty Pryde's design on the Episode 10 billboard is taken from.
Kitty Pryde is a complicated character when it comes to queerness. In 2020, Pryde kissed a girl and plenty of news publications ran stories about how she is finally canonically bisexual... and then, uh, nothing really happened in the comics? She has continued to be bi-coded since, but it doesn't seem like Marvel Corporate considered that kiss to be a coming out at all? Which is wild as it is, uh, a same-gender kiss, but she hasn't gotten to be in a Pride book or anything since then... I am unsure if '97 would be able to make it explicit when the lower-stakes less-widely-read comics are currently struggling to do so, but we will see?
Though speaking of Kitty Pryde being queer...
Illyana Rasputin
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Cameoing in Episode 3 via Morph and appearing on the DoFP billboard as well in Episode 10, the marvellous Magik seems set to make her 97 debut! She's Kitty Pryde's OTHER roommate who she has a soulbond with. Yeah, uh, Pryde got two of those. We love that for her.
Like Rachel, she's also a long-queer-coded woman with a history of violence, having her autonomy taken away from her, and deep-rooted insecurities which Pryde uniquely is able to help her through...
I'd be surprised if either Illyana/Rachel or Pryde/Illyana managed to happen in this show, but this is one of my favourite X-Men pairings so I had to mention it... I am a sucker for soulmate "Our subtextual queerness gives us EXTRA SUPERPOWERS" stuff and Illyana and Pryde have had some truly S-tier moments like that that I'd love to see in animation. Honestly, I'd even take it if they were just "soulmates" and they played it in a campy Xena-y way too...
Concluding Thoughts
I feel somewhat mixed on the queer rep of 97 in general. The show is super bold politically and thematically, but feels below the level of queer representation projects like Moon Girl and Devil Dinosaur or even Hulu's Runaways provided. The show thematically is so invested in queer experience, using mutant metaphor to tell a number of incredibly well-written and resonant queer stories via several characters (especially Sunspot), but it doesn't seem as interested in explicit direct queerness.
I'm optimistic we'll see more in the future seasons though... but we'll see if this post ages any better than my last one lmao.
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kyouka-supremacy · 2 months
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Mmmhh...
#(Basically rant on my last two posts)#I know I've said it before and sorry for coming off as annoying–#but I really wish we still had a central bsd blog on Tumblr like fy-bungoustraydogs or bsd-central or things of the kind.#I think now everyone rushes to post news first. And although there's merit to it in knowing news as soon as they happen‚#in the long run the death of this kind of central official content ***fan*** blogs is such a huge loss of fandom spaces‚#especially for the archiving purposes they solved. Especially today that T/witter and G/oogle have basically become unusable.#Literally. Literally. I've been doing official content archiving since I was 11#(because that's the very specific kind of mental illness I have)#and let me tell you that the quality of web search and especially reverse image search only got worse–#in a way that is very evident and noticeable. Which is crazy tbh and not how things should work.#If anyone would like to start a bsd-central kind of blog I'll be the first one to follow.#Actually if anyone actually wants to establish it feel free to contact me and I'll be more than happy to share the resources I have!!!!#It just needs to be something multi-modded for a series of reasons I won't get into right now#I just can't personally do it (not as main admin at least) because that would be modding my FIFTH active bsd blog–#and that's a little too much even for me.#On top of some ethical concerns I have regarding whether it'd be fair for me to mod a fandom central bsd blog–#when I feel like I can't genuinely share the same amount of love for the franchise other fans share#On top of. You know. Getting a degree eventually hopefully.#Then years after the blog has been solidly enstablished and aquired enough credibility it could even open a free donations found to invest–#in buying and scanning and releasing bsd content that hasn't been shared yet like the guidebooks or illustration books or everything else–#for everyone to see...#The dream. (Is realistically never going to happen) (Won't stop me from daydreaming about it every day)#((Still salty I couldn't afford the guidebooks only due to the shipment prices. I *would* have scanned and uploaded them.))#That was a long and idealistic rant. Kyotag out#Edit: *Modding my SIXTH bsd blog#Apparently I mod so many blogs I lost count of them
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rie-092 · 1 month
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FATHER, CAN I DIE?
✶﹒ platonic yandere! manhwa fathers x suicidal/overworked daughter! reader
summary : maybe they should just lock you in your room to make sure that you won't do something dangerous.
a.n : i plan to make this a series, what do you think?
abel heilon
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let's start with the most chill platonic yandere! out of the guys that i will feature in this post! abel heilon, the duke of the north with a simple mindset of 'if you mess with me then i'll mess with ya' we all know how protective he is with fiona and siegren. but just imagine, what if— just what if he has an illegitimate child who's related to him by blood that he hid from the public's eyes.
anyways, the first time he met you. he became sure of one thing. damn, you were indeed his child. with that silver hair, blue eyes and personality of yours— you were indeed his child. he can't deny that because you looked like a kid version of him. well, it's not like he is denying it tho— but what the fuck is wrong with your brain anyways?!
he doesn't know if you were abused before he met you. but why in the hell are you so obsessed with suicide anyways?! why the fuck are you even throwing yourself in battles when you were a support mage?! for the fuck sake! stop! yes, you have above average amount of mana! but the hell?! you're not as strong as fiona nor siegren! stop it!
if it's not for siegren then he wouldn't know the fact that you happily greeted the assassin that was sent by the imperial family. according to him, before siegren saved you from the assassin you even have the guts to propose to that damn assassin about committing suicide together since according to you, you have fallen in love with him— hearing that story, abel couldn't help but facepalm. (first name), you're thirteen! and that assassin is already thirty-six or worse, older!
maybe because of the stress of managing the north and keeping you safe from your suicide attempts. abel finally snapped.
look, abel likes watching you enjoying your freedom. but damn, if he doesn't do anything about this— he might end up burying you before you even reach the age of 18. he won't hurt you, he swears. that was the last thing that he will do to you. but that doesn't mean that he can't take preventive measures to make sure that you were safe.
platonic yandere! abel heilon was one of the chillest platonic yandere that existed. he will let you do anything that you want, he won't take away your freedom nor hurt you. he isn't also overbearing to the point that it was suffocating. but don't make him snap, because he can be the most suffocating and controlling parent existed.
now, on your sixteenth birthday— to celebrate it. you decided to jump onto the freezing river near the manor. you expected that you'll wake up inside your room— but no. when you opened your eyes, you were inside an unfamiliar room that has no windows. seeing that you can't use your magic, you were sure that there's a magic restricting device placed around here. what the hell is happening?
the door had opened, you looked at who it was and saw abel looking at you with a smug grin. you tried to ask him what is going on but instead of replying— abel only ruffled your hair saying that it will be only him and you from now on. and that was when you realized one thing— abel had taken your freedom away from you.
but abel didn't care. cry until you have no tears left, he doesn't care. the only thing that he cared about was keeping you alive. and this is the only thing that he know to achieve his goal. but don't worry, he will visit you everyday and give you books to make sure that you won't get bored. so, can you stop being a btch and appreciate his efforts?
he doesn't care if your eyes lost its usual enthusiasm and spark. he doesn't care if you stop eating at some point— because abel can shove the food inside your mouth to make sure that you stay alive.
oh, by the way— fiona was the one who made the room where you were staying now. she just wanted to make sure that you were safe! and the only place where you can be safe is the place where you can't use magic! so, forgive them, will ya?
“should i just cut off your arms? so that you won't be able to use your magic again?”
gallahan lombardy
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okay, as far as you know— you are not really a suicidal type of person. but for your father, gallahan lombardy you are. because for gallahan, overworking is another way to try to kill yourself after all.
gallahan is a sweet person, i swear. he won't hurt you at all and isolating you? no, no, no, gallahan won't do that! but he still couldn't help but become paranoid when it came to you. you were way too focused on studying— maybe because of the pressure that you were getting from the other people.
your sleep only lasted for two or four hours, you always isolate yourself inside the library. and gallahan didn't like it at all— look, you need to take it easy and rest. the only time you leave the library was when gallahan and tia drag you outside to eat in a cafe or buy new clothes.
platonic yandere! gallahan loves to spoil you. you wanted to buy books? here you go. want to try home-cooked foods? sure, he'll cook it for you. do you want to go to the festival with tia? alright! as long as he will go with you two.
but then, a certain event made gallahan snap. it was a normal day and gallahan entered the library to drag you outside so that you could socialize with the family. but then, he saw you unconscious on the floor, buried in the books and your nose was bleeding. gallahan was panicking, he didn't know what to do. what if you don't wake up? what if something bad happens to you? or worse— what if you die? if it wasn't for shananet who saw her younger brother's panicked face and her niece's condition. then gallahan won't be able to calm down and call the family doctor.
and what is the doctor's diagnosis? you were overworked. and after hearing that, rulac lombardi, your grandfather along with your auntie and uncles saw how your father's face darkened while looking at you who was peacefully sleeping on the bed.
and then, after that incident. you couldn't help but become confused when gallahan didn't scold you— instead, when you woke up. you saw him smiling softly at you. he didn't even ask you to take it easy. he just lets you do what you want.
but what you found odd was your father started giving you foods and drinks everytime and after consuming those things. you started feeling tired and before you knew it, you always ends up asleep. and once you woken up, you were already on your room. with tia cuddling with you while your father was asleep while sitting on the chair next to your bed also asleep.
knowing how innocent your father was, you never suspect a thing. you just kept on eating and drinking the things that he was giving to you. and you never questioned why you always get tired after it. your father loves you so much, so he wouldn't do anything— right?
plot twist, gallahan actually puts drug on your food and drinks to make sure that you will take a rest and never overwork yourself again. but a year later, you started losing your sense of sight because of it. but gallahan and tia don't care when you have them? oh, just thinking about their sweet (first name) being dependent on them was enough to make them very happy.
“sorry, honey! this is just a precaution, okay?”
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charlotte-zophie · 6 months
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Therapy conversation
Dear Fandom, dear Mr. Gaiman,
I hope this isn´t weird but i have something to confess.
Since I watched the second season of Good Omens, I've gone through so many phases that I barely recognize myself anymore.
My first reaction after episode 6 was shock, then I was disturbed because I didn't know that it was possible for a series to have such a strong influence on my psyche, I questioned myself and doubted my sanity. Then I was overcome by an incredible sadness and was really heartbroken. I felt like a pubescent teenager, in my mid-30s. I couldn't sleep properly for several days, had nightmares and my thoughts were with these two ineffable loving idiots the whole time.
And the worst thing about it was that for the first few days I was really ashamed to admit to myself and my husband that I was completely and hopelessly immersed in this world. I did nothing but watch videos, listen to sad songs, and read heartbreaking fanfictions for days. And of course I read the book again and watched the series over and over again. All in the hope that it will ease my heartache a little.
But as is often the case in these situations, after a few days in which no real change occurs, you have the thought that you will be lost in this feeling forever. But since I have 3 children that I need to look after, of course locking myself away for weeks with heartbreak wasn't an option, so I had to find an outlet for myself to channel my pain.
So I started painting a picture. By Aziraphale and Crowley. And stroke by stroke I let my feelings flow out of me and into the picture.
It took over a week until I had a motif in which I could see my thoughts and feelings expressed and then it took another week until I finished the picture. On an old canvas with paints that haven't been used for a long time, with many, many layers of old paint underneath.
But when the picture was finally finished, it really took a load off my mind. It was like I had broken a dam and was finally able to let it all out and convert it into creative energy.
But I think the most important thing was that I uploaded the picture to Tumblr and received such a response that I was incredibly touched and immediately motivated to paint more pictures.
Since that day, hardly a moment goes by when I am not holding a pen in my hand or not thinking about a new picture. I'm in one of the most creative phases in a very long time and I'm really enjoying it.
I am so grateful for the wonderful people here! Here I see that I'm not alone with my strange feelings that I still don't really know how to classify. Here I read thoughts that are so similar to mine, here I see works of art that melt my heart, here I feel understood!
And I am so grateful for the pain that showed me the way back to my creative energy!
Thank you Fandom!
Thank you Neil Gaiman!
I would have been lost without you!
Because I don't know my way around here very well, I didn't think about pinning the picture in question as a link when I created this post, but since many people have asked about it, I've pinned it here. Thank you all, love love love
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art · 7 months
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Creator Spotlight: GDBee Art (@prinnay)
Geneva Bowers is inspired by the wonders of the natural world around us, and enjoys manipulating colors to create art full of mood and feelings.
Check out our interview with Geneva below!
How did you get started with art? Did you originally have a background in art?
I’m going to say yes because that’s all I’ve known how to do. It started because I wanted to draw better horses than my sister, and it just spiraled from there. People started asking me to draw things because they saw me drawing horses. I was like, well, I can draw things that aren’t horses, and then it was just kind of all I did. 
Have you ever had an art block? If so, how did you overcome it?
I have one right now! Honestly, with time, and I also collect art books; I think I have a couple hundred. If I really want to draw something, then I just flip through those and try to steal some ideas.
Which three famous artists (dead or alive) would you invite to your dinner party?
I mean, of course Van Gogh…I’m really inspired by Impressionism and Post-Impressionism, so I would invite Van Gogh, Monet, and Julie Dillon to a dinner party.
Have you ever wanted to dive into another medium before?
Yeah, actually, I currently am! I’m trying to do more traditional painting. I used to do a lot of acrylics, but I haven’t done it in years, and now I’m kind of bad at it. I’m trying to get into actual impressionistic art with oils and oil pastels. I’m like failing, but you know, you get there. Just fail until it looks presentable. 
If there is one thing you want your audience to remember about your work, what would it be?
I guess it’s more of a feeling. I create art because I’m inspired by things around me, like certain video games. For example, I have been inspired by a Japanese RPG called Chrono Cross on PlayStation 1. They make me feel a certain type of inspiration to create something, so that’s kind of like what I’m hoping to leave behind. 
Have any of your projects surprised you with their outcome?
Yeah! I did this Weapon Faerie series where I took three prompts: a weapon, a winged insect, and an herb, which I combined to make different characters. So, a faerie with a spiked club or a butterfly faerie with a katana. I made 13 of those, and they kind of took off! I wasn’t expecting that at all.
What is the hardest part of your process?
My whole art style is coloring, like the way it’s colored… but I hate the coloring process, haha. I like doing the color combos, but I don’t like the blending and shading. That takes like one-trillion years. It’s the part where I’m most likely to give up. You know how art kind of looks ugly before it looks good? I’m trying to trust that process. 
What do you wish you knew when you started creating art that you know now?
I guess one big thing would be knowing how to use lights and darks. When I do color, it is definitely colorful, but when you switch it to black and white, you see that everything’s the same tone of gray. I’ve learned that if you just use some brighter colors and some darker shades, you create a bigger impact in the end. So, now, when I paint something digital, I make it black and white for a moment to see where all the hues are, and if something is weirdly dark or not dark enough, I can change it.
Who on Tumblr inspires you and why?
Oh, @feefal definitely inspires me. She does a lot of spooky art.
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joelscruff · 1 year
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one day i'll feel alright (joel miller x reader) 18+
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here it is... the Big One. i've been hyping up this part of my soft!dom joel series for a while now (probably too much, i'm sorry) but i'm so excited to finally share it with you guys. i just wanna note that this is not the end of soft!dom joel by any means. i wanna keep writing for these two as long as i can, just probably nothing else as long as this lmao 💖 enjoy! | masterlist summary: joel must finally face his demons when you don't return from patrol. rating: 18+ explicit warnings: fem!reader, age difference (reader is mid 20s, joel mid 50s), dom/sub dynamics (joel is dominant but not degrading or aggressive), hurt/comfort, angst, praise kink, dirty talk, bathing together, oral (both f and m receiving), unprotected p in v sex, size kink, orgasm denial, comeplay, come eating, yall this one is SO filthy be warned word count: 15k | ao3 spoilers: this contains vague spoilers for part two of the video game (and most likely for season two of the show). nothing too major (joel does NOT go golfing in this fic).
The patrol schedule is posted on Monday morning outside the community center and you're one of the first people to look at it, eyes frantically scanning for your name as your heart pounds in your chest. There's no way, you think to yourself, still searching, He wouldn't actually talk to Tommy about a schedule change.
You finally find your name and feel those annoyingly familiar angry tears begin to burn in your eyes.
"Fuck you," you mutter under your breath, shaking your head, "Fuck you, Joel."
You're no longer his patrol partner.
You briefly consider going to his house, pounding on his door until he answers and screaming in his face about how ridiculous and immature he's being, but you realize that doing so would make you just as immature. Instead, you just decide to pretend it never happened, like you never patrolled with him to begin with.
"Steve is nice," one of your friends says to you later, "I like him, you'll get along."
Who the fuck is Steve? you want to ask, but then remember that it's his name that has replaced Joel's on the schedule. To make matters even worse, you're no longer going up to the ski lodge and are instead going out past the perimeter, a patrol location known to encounter raiders pretty often. Fantastic.
--
The next time you see him is that night in the dining hall, sitting in his usual corner by himself and gulping down bites of chili like he hasn't eaten in weeks. It used to be endearing, those big bites, now it just pisses you off.
He doesn't look at you. Over the past few weeks you'd grown accustomed to him peering over at you every so often, giving you small smiles to acknowledge that he saw you and remembered what the two of you shared every weekend. Neither of you would talk about it; it was private and belonged on the mountain, which you were fine with. At least he'd give you those looks, those smiles, and remind you that you were his pretty girl, his little secret.
Now his lack of acknowledgement, his purposeful ignorance of your presence, it makes you feel sick. You end up having to excuse yourself before you do something you'll regret. Like punch someone.
--
Steve is nice, but that's your first immediate problem with him. He's too nice. He talks too much, constantly trying to fill a silence that doesn't need it, asks you way too many questions and doesn't seem even vaguely put-out when you give him the most basic possible answers. He's young, probably in his mid-thirties, and you find yourself desperately missing the long and comfortable silences you shared with Joel, his gruff sighs, his breathy chuckles, his music, his books, his age. You realize pretty quickly that you view Steve as a boy and not a man, despite him being older than you. Internally, you tell yourself you need to get a grip.
Your new patrol location isn't as bad as you'd first thought; you're stationed in an abandoned cabin in a wooded area past the perimeter. It's cozy and inviting, kind of reminds you of the ski lodge, which quickly makes you feel depressed. You both take turns circling the area - although at first Steve had suggested you do it together; you'd vetoed that immediately. Your main responsibilities are checking traps and watching out for infected. It's actually a bit more engaging than your previous patrol which you feel slightly grateful for; it's nice to feel busy. And to shut your thoughts up.
At the end of your first patrol with Steve you both walk back to Jackson together in the early morning, him still continuing to chat and tell you things about himself regardless of whether you respond. You're almost back to town when you notice that you're suddenly on the same path you and Joel used to take, the one that leads up to the mountain. You stop in your tracks.
"What time is it?" you ask, interrupting whatever Steve had been prattling on about.
He looks down at his watch, "Almost six," he smiles at you, "We'll be back just in time for breakfast."
Almost six; around the time you and Joel would usually be reaching the bottom of the mountain. Your eyes scan the tree line, brow furrowing as you search for any sign of him making his way down the path. Steve stands there awkwardly, waiting for you to say something.
"Should we...?" he gestures toward the path you're both on, toward town, and you bite your lip in thought.
"Just gimme a sec," you say quickly, still searching, "I wanna say hi to my old patrol partner."
"Aw, that's sweet," he says with a smile, and it's so earnest and endearing that you can't necessarily be annoyed, "My old patrol partner, we-" he starts chatting again, buying you some more time.
Not more than a moment later, two figures suddenly emerge from the trees: Joel and Tommy. You feel your heart start to pound as they walk down the path, neither seeing you and Steve standing there until they're almost directly in front of you. They're caught up in some kind of deep conversation, you might even call it an argument judging by Tommy's stiffness and Joel's flared nostrils.
Tommy sees you first, giving you a wave and a smile, then nudging Joel. Joel follows Tommy's eyeline and suddenly freezes in his tracks, standing still on the path while Tommy continues to approach you.
"Good patrol?" he asks, nodding to Steve, "No trouble?"
"No, sir," Steve says, eager and polite, kind of like a golden retriever puppy, "No problems whatsoever."
"Glad to hear it," he looks at you again, "Hey, mind if we meet later for a chat?"
You wonder if he wants to chat about whatever he'd just been arguing about with Joel. Intrigued, you nod, "Sure."
Joel reaches you then, pace slow and hesitant. You turn to look at him, trying not to let the anger you feel toward him completely overtake you; the last thing you need right now is to either start crying or yelling.
"Hey," you say with a stiff nod.
"Hi!" Steve says beside you, and you try not to wince as he puts his hand out, waiting for Joel to take it, "I'm Steve."
Joel simply stares at him, then his hand, and then looks at you, eyes dark and cold. His gaze slips between the two of you back and forth for a few seconds, expression unreadable, then continues down the path without speaking.
"Meet me by the stream 'round noon, alright?" Tommy says, backing away to follow Joel, "I'll bring you lunch."
You watch as he catches up to Joel, says something to him, but Joel doesn't respond and just keeps on walking ahead, pace quicker and quicker. You're still just standing there watching their forms get smaller when Steve finally speaks again:
"He's...uh...friendly."
You laugh without humor, hitching your pack up your shoulder and starting to walk, "Oh, you have no idea."
--
You meet Tommy around noon by the stream like he'd asked, crossing the bridge and giving him a small wave of acknowledgement as you approach. He's got a paper bag with him; lunch, just like he'd promised.
"Tuna fish," he says with a kind smile, chuckling at the face you make as he hands the bag to you, "It was either that or egg salad."
"The dining hall must stink today," you reply with a scrunch of your nose, but you take the bag gratefully, "Thanks, Tommy."
"No problem," he gestures toward the bench he's sitting on, inviting you to join him, "Let's talk."
He talks and you mainly listen, nodding along every so often and chewing your tuna sandwich thoughtfully. He starts by thanking you for "everything" you did for him and Maria, which you quickly dodge because all you'd done is take a patrol off his hands - a patrol that's gone back to being his again, but he doesn't mention that part. He talks about how big a help you've been, how he's glad you're here, all the basic stuff he's already told you before. You're almost done your sandwich when you realize he's talking complete bullshit.
"Tommy," you say, balling the paper bag up and shoving it into your pocket, "If you wanna talk about Joel, just do it."
He freezes, recognition dawning in his eyes as he sighs and presses his fingers to the bridge of his nose. It's a habit he and Joel share, and you can't help but feel an ache in your heart when the image of Joel doing the same thing crosses your mind.
"I'm sorry about the switch," he finally says with a deep sigh, "Joel told me to do it. Not asked, told. He was pretty obstinate, told me it wasn't workin' between you two anymore and he wasn't gonna stay on ski lodge if you were there."
The words sting, even coming from Tommy. You swallow the last of your sandwich and cast your eyes down to the stream, watching the water ebb and flow as Tommy continues to speak.
"I just want you know that if I had it my way, you'd still be up there with him," he says it earnestly, and you understand now why he'd led with all the compliments and reassurances; he'd thought you didn't know why you'd been switched.
"I know," you say quietly, "Tommy, I know it was Joel's idea. He told me last patrol that he was gonna ask you to take me off ski lodge."
"But why?" he sounds genuinely confused, "It was working so well, Maria and I thought you had a great thing goin'."
You nod slowly, refusing to look at him, "We did. But I guess he never told you any details?"
You sense him shake his head beside you, "No, I spent almost the whole patrol trying to get him to talk about it and he wouldn't. Just kept saying it wouldn't work anymore and that he wasn't gonna say anythin' else about it. Stubborn, my brother. Always has been."
I know, you want to say, believe me, I know.
"So I figured I'd ask you."
You finally look over at him then, "There's not much to say, Tommy."
"But there's somethin'," he leans forward, looking concerned, "I know my brother, I know when he's hidin' somethin'. There's somethin' he's not telling me and I want you to tell me 'cause otherwise I'm just gonna assume the worst."
"Which is...?"
He sighs, leaning back against the bench again, "I don't even know."
You touch the back of your neck awkwardly, trying to decide how to word it. There's absolutely no way you're giving him all the details - or any details for that matter - but you do owe him some kind of explanation considering he's now losing his free time again over this.
"Me and Joel, we..." you bite your lip, "We had...." you sigh and shake your head, "Okay, what I'm about to say does not leave this bench, Tommy. You can tell Maria but that's it."
"Oh shit," he says, eyes going wide, "Were y'all fuckin' up there?"
You groan, leaning forward as your arms fall to your knees and you cover your face with your hands. He's not necessarily correct, but somehow the reality is much more embarrassing to admit. You don't say anything in response, confirming his suspicions.
"Jesus Christ," he says, voice full of genuine surprise, "I was...holy shit, I was not expectin' that."
"Anyway," you say into your hands, skin turning bright red beneath your fingertips, "It's over now and he doesn't want me up there with him anymore, that's all you need to know, okay?"
"Yeah," Tommy says immediately, "Yeah, sure, of course. I wouldn't dream of -" he makes a weird noise, "God, I did not think that's what was goin' on."
"Sorry," you wince, pulling your hands away and sitting up again to look at him. He looks genuinely uncomfortable, arms crossed as he shifts next to you on the bench, cogs turning in his mind. He's probably thinking about what exactly the two of you have been doing up there when you're supposed to be patrolling and the very thought makes both of you cringe simultaneously.
"No, don't apologize, I asked," he shakes his head again, eyes still wide, "I, uh, I won't tell anybody, no worries."
"You can tell Maria," you reiterate, "I don't want you keeping anything from your wife."
"I'll tell her but I doubt she'll believe me," he's staring ahead, still in shock, "You? With Joel? I'm sorry but..." he laughs loudly, still shaking his head, "I didn't think my brother had it in him."
You make a face and stand up, "Okay, that's my cue to leave."
"No, sorry, I'll leave," he stands up as well and digs his hands down into his pockets awkwardly, "I'll uh... be at the bar, if you need me."
He goes to cross the bridge but stops halfway, turning slowly and giving you one last kind and gentle look, apologetic.
"Hey, I'm sorry it didn't work out," he says, and you can tell he means it, "You're real sweet, my brother's just an ass."
"I know," you say with a small nod, "You did warn me."
"I did," he says it sadly, looking down at the stream, "He has his reasons, though. Maybe he'll tell you one day."
"Maybe."
He turns back around and walks away, leaving you standing there alone by the stream with an ache in your heart that won't go away.
He was pretty obstinate, Tommy's words echo in your head, told me it wasn't workin' between you two anymore and he wasn't gonna stay on ski lodge if you were there.
You stare at the steady flowing water and try not to think about how much it hurts to know he really said that to Tommy. Is that how little you mean to him? How little what the two of you shared meant? You've known the whole time that it wasn't a "real" relationship, you haven't even kissed him for god's sake, but it was a relationship nonetheless. A little weird, a little timid, but soft and new and safe and warm. And all along you'd just been a distraction for him.
In the deepest parts of yourself you've known this all along, remembered how many times in the past few weeks he said that it would be the last time, that he couldn't do it anymore, and you'd just continued to persist and persist until he'd finally had enough. You hadn't really thought he'd end it, didn't think he really meant it.
The tears start flowing before you can stop them. You continue to just stand there dejectedly, staring at the water and trying to figure out what exactly it is about you that made him simply stop caring - if he even cared to begin with.
A rustle of branches makes you jump and your head snaps up, looking toward the sound. A short distance away you catch a bush moving in an unnatural sort of way, shaking back and forth like someone had been watching from behind it. Quickly, you dash forward and pull the leaves apart to find the culprit.
No one's there.
Hurriedly you wipe your face and walk across the bridge, shoving your hands back in your pockets and hoping someone hasn't just witnessed your moment of weakness. And if they have, they'd better keep it to themselves.
--
Another week passes without any acknowledgement from Joel. You decide to stop eating in the dining hall because it hurts too much, instead grabbing your meals to-go and eating them either in your house or by the stream. On one occasion you'd arrived at the stream at the same time Ellie had decided to sit and practice guitar, freezing in place when you saw her. You hadn't spoken since that one very brief conversation months ago when she'd asked about your scars. You hadn't known then what you know now.
"Hey," she'd said with a nod, then went back to strumming aimlessly on her guitar, "You can eat your lunch here, I don't mind."
You'd shaken your head and taken a step back, "No, that's okay, sorry," then you'd turned and practically run away from her, not entirely sure why.
She reminds you of Joel, you dummy, you'd thought to yourself on the walk back home, biting down on your lip and trying to keep the tears at bay this time. Everything reminds you of Joel.
--
On Saturday morning you hear a knock at your door. You're still in bed, confused and bleary eyed as you sit up and wait to hear it again, just to be sure you're not still dreaming. When you hear a second series of knocks you practically tumble out of the bed and run downstairs, blanket trailing behind you as you dart to the front door.
It's Joel, it has to be Joel, he's here to apologize, he's gonna kiss you and tell you he's sorry.
You yank open the door and feel your face fall immediately when you see none other than Steve standing there, hands on his hips. He grins at you but it falters slightly when he looks down and sees that you're still in your pajamas.
"Morning, sleepy head," he greets you, reaching forward to playfully bump your arm with his fist, "Looks like someone missed their alarm."
You stare at him, vision still slightly blurred from sleep. You reach up to rub your eyes so you can see him clearer, make sure he's actually standing there in front of you. Yup, he is.
You force yourself to smile back - something which takes a lot of effort but he seems to find genuine - and reply, "My bad, I guess I did."
"No worries," he says with another wide grin, "We got some time before we need to leave, no rush!"
You force one last smile and shut the door in his face, trying not to slam it - even though you really want to. You look at the clock on the wall over your fireplace and make a face: 4:30. He woke you up at 4:30, half an hour before your alarm.
"Steve, I swear to god," you grumble to yourself, heading for the bathroom as you drop your blanket to the floor and clamor back up the stairs; there's no point in going back to sleep, you're wide awake now and pissed.
You know who'd never do this? Joel.
After a shower and a quick bowl of cereal you head back out to meet Steve, prepared to put on your best everything is great impression again. You stop dead in your tracks as soon as you open your door.
"Listen, sir, I think you should leave," Steve is saying, voice cracking slightly as he talks to the figure in front of him.
It's still dark outside; the sun hasn't come up yet and everything is muted and hard to make out. It takes you a few seconds to figure out who Steve is talking to, the figure shrouded in shadow and half hidden behind Steve's tall form. You feel your face go pale when you hear him reply.
"You didn't answer my question," the growl is unmistakably Joel's and you grip the edge of the door in your hands tightly, not opening it all the way as you eavesdrop. What the fuck is he doing here? What question?
"I don't think I owe you a reply," Steve replies, attempting to stand his ground but sounding pretty pathetic, voice shaky and high, "I think you should move along, sir."
"What the fuck are you doing at this girl's house at four in the fucking morning?" Joel practically spits, taking a step toward Steve. In response, Steve takes a step backward. He's not a confrontational guy, you know that from the one patrol you've spent with him, "Answer me."
"I'm her patrol partner," Steve finally says, putting his hands up in defeat, "I'm waiting for her to get ready."
"Patrols don't start 'til five thirty."
"It's true, I swear, you literally met me last week!"
That seems to stump Joel, and he must be trying to figure out what to say next when you shove the door open and walk out onto your porch.
"Joel, what the fuck are you doing?" you ask, voice steady and firm. He looks over at you in surprise, backing away from Steve. Is it just your imagination or did his expression soften when he saw you? But that doesn't matter now.
You walk down the steps of your patio and stand in front of Steve, shoving him behind you lightly, "Steve, I'll meet you at the gate," you say firmly.
"But-"
"Steve. Please leave. I'll meet you in a few minutes."
"...Okay," you can't see him but you hear him walk away from you, trudging down the gravel path in the opposite direction. Once his footsteps are faint enough, you finally address Joel again.
"What the fuck are you doing here?" you repeat, "Why are you berating Steve in front of my house?"
"Who the fuck is Steve?" Joel asks; the question of the hour.
"My patrol partner," you reply, shaking your head, "I mean, you should probably know that seeing as you're the one who switched with him."
"I don't know who I switched with, Tommy did that," he retorts, looking away from you, down at his boots, "Wasn't my decision."
"Right, 'cause nothing's ever your fault, right?"
He looks back up, a glint of emotion in his eyes that you've seen only once before, "You have no fucking idea," he says, voice heavy and gruff, "Don't even-"
"Don't even what, Joel? You're the one standing in front of my house at the ass crack of dawn yelling at some guy you've never even talked to before. Steve's actually great, by the way," you're laying it on thick but you don't care; you want him to think you've moved on, "Patrolling with him is much better than patrolling with you."
He raises an eyebrow, "Is that so?"
"Yeah," you lie, cheeks going red with anger, "He actually talks to me."
"And fucks you, I gather?" he says it with a hard edge that makes your blood run cold.
You stand there just staring at him, mouth agape as he lets what he just said wash over you. You inhale and exhale deeply, feeling those godforsaken tears sting in your eyes as you take a step away from him, genuinely fearful that you might end up slapping him or punching him or doing something you shouldn't.
"Fuck you," your voice is small and broken and the tears are already flowing, "Fuck you, Joel."
His expression changes then, and you know an apology is coming. You put your hand up before he can speak, shaking your head.
"Don't," you say, firm and solid, not bothering to wipe your tears as they flick off your face into the grass below, "We're done." You turn on your heel and stomp away from him, feeling a sob wrack through you as you cross your arms and speed walk to the main gate where you know Steve is waiting.
Joel doesn't follow you.
--
Steve knows better than to question you about what happened. As soon as you'd approached him at the gate he'd seen your tears and the shake of your head when he'd opened his mouth to say something. Ten minutes later you were on your way out to the cabin again without either of you saying a word.
Now you're back on patrol with an aching heart and a huge lump in your throat that won't go away no matter what you do, trailing the perimeter back and forth with your head hung and eyes downcast. Joel's words repeat over and over in your head like a curse, damning you into a feeling of guilt that you don't think you really deserve. You haven't done shit with Steve, the assumption that you'd just immediately moved on from your sexual relationship with Joel to another man makes your blood boil. Who the fuck does he think you are?
Do you really even know him? This whole time he's remained so secretive and aloof, mysterious and cryptic. You hadn't pushed him to reveal more about himself, hoping eventually he'd open up to you, but he never did. Just kept you on a short leash with good girl and pretty girl and the way he'd look at you in those moments where you bared yourself to him.
But you're not much better, you remind yourself with a grimace, and you know it's true. You never told him much about yourself or your past. Yes, you would've, but you didn't. And you're the one who kept asking to get off with him, kept expecting more and being disappointed when he wouldn't give it to you even though he was clear about his boundaries.
"But that doesn't give him the right," you mutter to yourself, still walking through the muddy grass, deep in thought, "It doesn't make what he said okay."
No, it doesn't. But maybe he's hurting more than he lets on. Maybe this isn't as cut and dry for him as you'd thought. Why the fuck had he been snooping around your house so early this morning? He only lives a few houses down from you; had he seen Steve and felt he had to protect you? Does he actually care about you, as much as he tries to put on a front that it's only been sexual between you two and nothing more? Is that why he's been so distant?
You suddenly realize that you've gone much further than the perimeter, continuing to walk ahead instead of turning back and circling the area. You freeze, eyes scanning around as you try to discern exactly how far you've gone.
"Fuck," you mutter, turning around and starting to walk directly back the way you came, hoping it'll lead you right back to where you're meant to be.
--
It doesn't.
You'd been so lost in thought that somehow you've managed to lose the original path, the tall grass hiding any sign of your own footsteps. This is only your second time out here so nothing looks familiar; it's all grass and mud and trees and rocks. How long have you even been walking? Joel had once admonished you for not having a watch, said one day it was gonna bite you in the ass; you hate that he was right.
"Steve?" you call out, unsure if he'll be able to hear you since you don't know how far you've trailed from the cabin, "You there?"
No reply. You stop again and do another quick glance around, looking for anything that seems familiar to you. But no, this isn't the ski lodge perimeter where you'd grown accustomed to each tree, each stump, each rock. Nothing here is even vaguely telling you exactly where to turn.
You feel the dull throb of panic beneath the surface of your emotions but you quickly shove it down; you're good in situations like this, you've certainly been through enough shit to not get frightened over being a little lost. You've been lost before, you'll figure it out.
All the same, you keep track of the sun's location in the sky as you continue your directionless trek, noting that it's directly above you; noon. You have plenty of time before dark to find your way back, no sweat.
--
It must be around three o'clock when you finally make it back. Relief floods your entire body as you walk into the clearing and see the small wooden cabin sitting there still and picturesque, exactly how you'd left it. You bend down, closing your eyes and pressing your hands to your knees to take a few deep breaths and ground yourself. The panic had started to really settle in about an hour ago, but luckily it hadn't gotten to a point where you'd been too afraid to keep going.
"Steve," you say loudly, still breathing deeply, "I'm back."
No reply. You open your eyes again, heart still thumping in your chest as you eye the cabin for any sign of him. You walk over hesitantly, feeling a knot forming in your stomach when you open the front door and are greeted to a dark and empty cabin.
"Steve?" you say again, voice shaky.
No reply.
Fuck. He must have gone looking for you when you didn't come back to switch. Either that or he went back to Jackson, but you can't see a guy like Steve doing that. The way he'd stood up to Joel this morning, as embarrassing as it was, it had been enough to show you exactly what kind of man Steve is. He'd definitely gone to look for you. It's only fair that you do the same for him.
You grab a roll of twine from the cabin and start your search, making sure to mark the trees every now and then so you can find your way back again. You'd been advised in your patrol orientation not to do this because of raiders, but you doubt Tommy or Maria will give you shit for making sure you and Steve actually make it back to Jackson alive.
The thought makes the panic start to rise again, but you keep going.
--
You keep hoping you'll find some sign of Steve, but it's been about two hours and nothing has caught your eye. The twine is starting to run out and you fear you'll have to go back to Jackson without him, which will undoubtedly start a panic and a huge search party, all because you got a little distracted. This shit with Joel doesn't even matter anymore - you can't believe you let it affect you how it did. And now Steve is paying the price.
Another hour passes and you're preparing to turn back when you see it out of the corner of your eye. You freeze, hair standing up at the back of your neck when you look down to see shiny droplets of blood painting the grass.
You lean down instinctively, eyes wide, reaching forward to touch one of the many large red drops. It shivers beneath your finger, not yet fully dry. It's fresh.
Without hesitation you stand back up and pull your pistol out of its holster, cocking it and holding it steadily in front of you as you start to walk again. You have absolutely no idea what you're expecting to pop out at you; raiders? Infected? Or maybe Steve just cut himself somehow and you've taken your gun out for nothing.
A loud scream suddenly pierces the silence of the forest.
"STEVE!" you scream back, face going pale as you begin to sprint through the woods, gun still in front of you, "STAY WHERE YOU ARE, I'M COMING."
It's the last thing you say before you suddenly feel something tight grip your ankle and send you flying into the air, gun falling out of your hand. You find yourself completely upside down, entangled in a net.
Fuck. Fuck. Fuck. You sway back and forth in the thick netting, trying to find your gun somewhere below you, but you quickly become much too dizzy to discern absolutely anything. You hear Steve's scream again, further away this time, and your blood runs cold. The panic takes over and you can't speak.
Please, you think to yourself, shutting your eyes tight and trying to keep the dizziness at bay, please don't let me die before I see him again.
It's not Steve you're thinking about.
It doesn't take long for the blood to rush to your head, for your body to go completely numb as you hang there upside down, completely alone. You pass out within minutes.
--
It's pitch black when you wake up.
You're no longer hanging from a tree in the forest, no longer tangled up in a net. Instead, you're lying on what feels like a concrete floor. Your head is pounding, lips dry and parched. Your whole body feels heavy and achy, so much so that you can barely move.
"She's awake," you hear a voice say somewhere close by; it's female and sounds familiar, but not enough for you to place it.
You hear the squeaky hinges of a door opening, then a few hushed whispers that you can't make out. The door shuts again and you swear you hear the sound of a deadbolt being locked in place.
"Where am I?" you finally whisper, voice rough and broken, "Let me go."
"You're in Jackson," the female voice replies, kind and gentle, "You're safe now."
"Who are you?" you can't bring yourself to open your eyes, unsure if this person is really telling you the truth.
"It's Ellie," the voice replies, and recognition dawns on you immediately, "Remember me?"
You nod slowly, wincing at the pain as you continue to lie there on the floor, "Y-yes."
"When you didn't come back this morning they sent out a search party. Tommy found you hanging in a tree, brought you back right away."
This morning? So you must have been hanging there all night. Jesus, no wonder you feel the way you do.
You finally open your eyes then, and are beyond relieved when your vision isn't dizzy and blurry like it had been before you'd passed out. You spot Ellie a few feet away, leaning against the wall with her arms crossed, peering down at you with a soft expression.
"Steve?" you whisper.
Her brow furrows, "They found him too. I don't know the details but he was hurt pretty bad," she shakes her head, "They're gonna do everything they can."
You nod again, swallowing and wincing at the dryness of your throat, "C-can I have some water?"
"Oh, fuck, of course," she reaches behind her and grabs a bottle, then walks over to you. Her movements are slow, hesitant, and when she hands you the bottle her arm darts out and back extremely quickly.
You stare at her in confusion, slowly bringing yourself to sit up. She backs away from you again, presses herself against the wall and crosses her arms again. It's like she's feigning nonchalance.
Reality dawns on you.
"Am I bit?" you manage to whisper, clutching the water bottle tightly.
She swallows, looks directly in your eyes, "We're hoping you can answer that for us."
You slowly bring the water to your lips, mind racing. You try to remember anything beyond getting caught up in the net but there's absolutely nothing. If you'd been bit afterward, wouldn't it have woken you up? Wouldn't you feel the pain somewhere on you now?
You drink the entire bottle of water and place it next to you on the floor, then you begin to feel your body, placing your hands back and forth all over yourself and trying to find a particular spot that feels like it might have been bit. You come up blank; all that you feel is a steady ache from being numb for so long.
"I don't think so," you finally say, crossing your legs and bringing your hands to rest in front of you, "I feel okay."
"We only found you about two hours ago," she says softly, "So we weren't sure. This is where they keep people for observation, people who might be infected."
You assess your surroundings. You must be in some kind of shed; it's small and there's no furniture, only a single lightbulb hanging from the ceiling. If you'd woken up alone you probably would've thought you'd been kidnapped. Your brow furrows and you look over at Ellie in confusion.
"If I might be bit, why are they keeping you in here with me?" you ask, bewildered, "It's not safe for you."
Ellie kicks her heel and shrugs, "I don't know, they just thought you shouldn't be alone when you woke up."
She's lying and you don't know why, but you don't have the energy to press her further. What's important is that you're not alone, and you appreciate that. You watch as she inhales deeply, lost in thought, then brings her fingers to the bridge of her nose and squeezes. Just like Joel.
Joel.
"Does he know?" you suddenly whisper.
You didn't say his name but she clearly knows who you're talking about. She sets her lips in a firm line, "Yeah."
You place your head in your hands and sigh loudly, shutting your eyes tight. You suddenly feel like you want to cry, just at the thought of that big, broad, grumpy man being told that you didn't come back from patrol. Had he been upset? Annoyed? Angry? Scared?
"He's freaking out," Ellie answers for you, voice quiet, "He punched Tommy in the face."
"What?" you stare at her, eyes wide, "Why'd he do that?"
She laughs softly to herself, shaking her head, "Tommy wouldn't let him go with the search party."
Your face scrunches in confusion, "Why not?"
She looks away from you then, eyeing the closed door, "Because Tommy thought his feelings would get in the way," her voice is slightly shaky, like she might cry, "He thought if they found you dead, Joel might not come back, might try to find the motherfuckers who did it and make them pay."
You're already shaking your head, "That's dumb, he wouldn't do that."
Ellie laughs again, turning back to look at you, "You really don't know anything about Joel, do you?"
You stare, waiting for her to speak again. She adjusts her position, slowly sliding down the wall and sitting across from you with her knees pulled up against her chest.
"Joel's killed a lot of people," she says quietly, looking over at you with tired eyes, "I mean, a lot of us have, I'm sure you have too. We've all done shit we're not proud of," she thumbs a tear on her jeans, biting down on her lip, "But when it comes to the people he cares about... Joel doesn't do things halfway, never."
You swallow, "Ellie, I don't think Joel cares about me in the way you're thinking."
She smiles then, small and hesitant, but still a smile, "As I said, you don't really know much about him. Not like I do."
"But-"
She puts a hand up, "I know about the two of you. I overheard you and Tommy talking last week."
You remember that afternoon by the stream, the rustle of the bushes, when you'd pulled the branches back expecting to see someone but found nobody there.
"That was you?" you ask, eyebrows raised, "By the stream?"
She nods, "I showed up to play my guitar and you guys were already there talking. I wasn't gonna listen but then I heard Joel's name and..." she sighs, looking down at her knees, "I might not be talking to Joel right now but I like to know what he's up to."
You nod slowly, "So...you heard about..."
"The mountain, yeah," she makes a face, "Listen, I don't want the details, trust me, but I wasn't surprised when you said that, not the way Tommy was anyway," she giggles, "I love seeing him get all uncomfortable, it's so funny."
You snort, shaking your head, "Please, it was so awkward."
"He really had no idea, but I think I did, somehow," she smiles again, wistful, "As I said, I might not be talking to Joel but that doesn't mean I don't look out for him, watch him, make sure he's doing alright," she looks down again, "I'm not heartless, okay?"
"I know," you say earnestly, "I know you're not."
"I knew something was different with him. He's been so quiet and sad, doesn't talk to people very much anymore, but these past few weeks it was like he had a pep in his step, like the old Joel was coming back," she smiles at the thought, "And then I saw the way he'd look at you in the dining hall, all those little smiles. And at first I was like...gross. But then..." she sighs, shaking her head, "I don't know, I think it's cute how much he likes you. How much you changed him."
Her words elicit a warmth in your chest, soft and safe, like the feeling of being in Joel's presence. You wrap your arms around yourself, huddling forward and continuing to listen.
"We were eating breakfast when Tommy announced the search party this morning. As soon as he said what had happened I looked over at Joel. He looked like he'd just received the worst news of his life," her voice shakes again, like she's on the verge of tears, "He ran up to Tommy, started asking questions about the search, when they were starting, what way they were going, all that. Tommy told him that he couldn't come, they argued, Joel punched Tommy and then I had to practically pull them apart."
"You?" your mouth is agape, "You stopped the fight?"
She nods with another small smile, "As soon as Joel realized it was me pulling on him, he stopped. I told him I knew about what was going on, I said I'd stay with him until you came back safe and sound."
You feel tears prick in your eyes at the words, "That must have meant a lot to him."
"It meant the world to him, I know that," she says quietly, "I haven't talked to him for a long time, I'm sure you know that."
You nod, "I do."
She's silent then for a few moments, staring at the closed door again. When she finally speaks, her voice is shakier than ever, "I sat with him in his living room until they got back with you and Steve. He wanted to see you but they wouldn't let him, so I volunteered to stay with you. That's why I'm here."
She leans back against the wall with a sigh, biting down on her lip. You see tears beginning to brim in her eyes and you look away, knowing you wouldn't want someone staring at you if it was you getting emotional.
"He's lost a lot, you know," she says softly, sniffling a little bit, "He lost his daughter a long time ago, and a woman named Tess he really cared about," she takes a breath, shaky and full of emotion, "He almost lost me, too. That's part of the reason we're not talking."
You stare at the concrete floor, letting her words sink in. A daughter? Joel had been a father? And Tess, who was she? A girlfriend? A wife? Clearly someone important, and he'd lost both of them.
You've been through your share of trauma, experienced your own losses, but never to that degree. You'd never gotten close enough to someone to really feel a loss like that, can't even imagine what it would feel like. Your heart aches for him; that stoic, quiet, and mysterious man who'd let you in but kept you at arm's length... for reasons you're beginning to understand.
You stand up slowly, wincing at the aches you feel, your skin feeling prickly and uncomfortable as your circulation continues to regulate. Ellie's words cycle through your mind as you stretch, ringing quiet and tender in your ears; I think it's cute how much he likes you. How much you changed him.
"When can I see him?" you ask softly, still avoiding looking at her as you pull at parts of your clothes, searching again for a bite you're pretty sure doesn't exist.
"I'll ask Maria," Ellie replies just as quiet, standing up as well and walking over to the door, "If you were bit you'd be showing signs by now, I think you're okay."
"Ask her about Steve too, please," you add, "I need to know if he's alive."
She nods and opens the door, then goes outside and shuts it behind her. You hear the deadbolt slide back into place.
You burst into tears.
--
Ellie returns with Maria about ten minutes later, both of them looking at you with kind and sympathetic expressions when they find you standing in the middle of the room sobbing your heart out. Without hesitation, Maria walks forward and wraps her arms around you tightly.
"It's okay, sweetie," she says softly in your ear, rubbing your back gently, "Steve's okay, he's gonna make it."
Ellie looks down when she says this, and part of you knows that she knows you're not crying about Steve.
--
They walk you home slowly, Maria on one side and Ellie on your other. You complain a bit, telling them you're okay to walk on your own, but neither pay your stubbornness any mind, just keep their arms linked through yours as they walk you to your house.
You're on your street when you see two figures up ahead, and your heart starts to pound harder and harder in your chest the closer you get. Because you know who it is.
Joel and Tommy are leaning against the banister of Joel's front patio, talking quietly to themselves. You grimace at the sight of Tommy's black eye but feel relief flood through you when you see that he's smiling at Joel, clearly no animosity present.
"Look who's up!" Ellie says loudly, and they both turn to look in your direction.
Joel freezes, staring at you for a few brief seconds of recognition before he's suddenly throwing himself from the patio and sprinting toward you. You feel both Ellie and Maria release you from their grips, right before you're suddenly enveloped in the warmest, sweetest, most sincere hug you've ever received in your life.
Throughout all these months of knowing Joel, he's never truly touched you. Sure, he's touched your hand, shook it during your official introduction, helped you stand up here and there. He's touched your face once, your lips twice. And he's touched you where you longed for him to, begged him to, but only for a moment, just one touch. Gentle, tender, but never long enough for you to really feel him the way you've wanted to.
Now he pulls you close without any hesitation, no rules, no consequences. He presses his lips to the top of your head and whispers your name over and over until it sounds like a mantra, a prayer.
"Joel," you breathe, and you feel the tears start up again as you shut your eyes tight and just feel, listen to him say your name and hold you like you'll fall apart if he lets go.
"I thought I lost you," he says, voice rough and emotional, "Before I could even tell you how sorry I am."
"Shh," you squeeze him tighter, burying your face in his strong chest, "Don't worry about that, I'm here. I'm okay."
He holds you impossibly tighter and you hear the unmistakable sound of a sob rip through his teeth, tears dripping from his face into your hair. You pull back just enough to look up at him, see him peer down at you with an expression on his face that you've never seen before, impossibly soft and fond, eyes bright and yearning. Love.
"I'm sorry," he repeats, inhaling shakily, "For everything."
You shake your head furiously, "Joel, it's oka-"
"It's not okay," he interrupts, voice breaking again, "I'm so sorry. Not just for what I said yesterday, but for everything else. For pushing you away, making you feel like it was your fault, I'm so fucking sorry," he pulls you in again, his hand coming up to cradle the back of your head, "God, you have no idea how bad I've wanted to just hold you like this. I was such a fucking coward."
"You were afraid," you whisper, shaking your head, "I understand, Joel, I get it."
He lets out another sob, squeezes you tighter, "Don't let me go," he breathes, "Please don't let go."
For the entire hug you'd thought he was the one holding you, but you now realize that for him it's the other way around. You feel yourself start to cry harder as you pull him in tighter and just stand there, arms wrapped around his middle, face pressed against his chest as the beat of his heart thrums steadily in your ear. You both inhale and exhale deeply, moving as one being, one solid force. He kisses your head again and you melt further into his touch.
"I'm gonna head back to town," you hear Maria say softly nearby, probably to Tommy and Ellie, "Tommy, can you go check on Steve, make sure he's still doing okay?"
Joel stiffens at the name, suddenly pulling back from you to look over at Maria, "He alright?"
Maria nods, "Yeah," she turns to look at you then, expression serious, "He told us that when you didn't come back to switch patrols, he got worried, went out looking for you. Ended up running into a group of raiders, the same ones who set that trap you fell into. They stabbed him a couple times but nothing critical, he managed to get a few hits in himself before he got away, led them in the opposite direction."
"Jesus," you mutter, feeling guilt rush through you, "Are they still out there?"
"No," Tommy replies, shaking his head, "We took care of it. Steve knocked 'em around pretty good but we made sure none of 'em were breathin' by the time we left."
You nod slowly, still in Joel's embrace, "Tell him I'm sorry," you say quietly, "It's my fault."
"Shhh," Joel pulls you close again, rubbing your back gently, "Don't worry about that, let's get you inside."
"Make sure she has a bath," Maria says quickly, "Keep her warm, give her some food."
"I'm not a hamster," you groan, and you're surprised to hear Ellie laugh behind you. You'd forgotten she was there.
Joel suddenly pulls out of your embrace, still holding you with one arm while he reaches toward Ellie, "Come here," he says softly, "Please."
She shakes her head, taking a step back, "I'm going with Maria," she bites her lip, looks down and then looks back at Joel who's still staring longingly at her, "But I'll meet up with you later, okay?"
"Okay," he says quietly, voice still shaky, "Promise?"
She nods, gives him a small smile, "Promise."
--
"Where do you wanna go?" Joel had asked you softly, "Mine or yours?"
"Yours," you'd whispered immediately, no hesitation, "Please."
You now find yourself in Joel Miller's house, somewhere you never really ever pictured yourself. It's pretty similar to yours but there are a few differences, namely the amount of books and art. You hadn't known that Ellie was an artist; there are drawings all over his house, some in frames, some just laid around, all signed by Ellie, all beautiful. There's a picture she drew of him that he has framed on his fireplace, and you find yourself picking it up with a smile.
"Bath's almost ready," Joel says quietly behind you, and you spin back around. He looks at the picture in your hand, smiling softly, "Ellie drew that."
"She's really talented," you reply with a smile, "Wonder where she gets all this artsy fartsy stuff from?"
He chuckles, still standing a few feet away from you, "It's a mystery."
You place the picture back down and turn to look at him, feeling a nervousness in the pit of your stomach that you haven't felt around him in a long time, not since that first night together. Things are different now, it's palpable, and both of you are aware of it.
"Will you take a bath with me?" you ask quietly, unsure.
He nods slowly, eyes trained on your face, "Of course I will."
--
The bath is warm and welcoming. Joel had told you to strip down, get in, and that he'd be back momentarily with some food for you. You can't help but feel a little disappointed that he hadn't stuck around to watch you undress, but maybe it would've been inappropriate considering the circumstances.
You ease yourself under the water, a satisfied moan escaping your lips as the bath completely envelops you. He's put something in the water to make it smell good, lavender or vanilla. It instantly relaxes you, the heat of the water and the delicious smell making you feel completely at ease.
You lay there for a few minutes in silence, eyes closed, focusing on your breathing and bringing things back into perspective. You're okay, you're safe. Steve is okay, he's safe. You're both back in Jackson. You're with Joel, you're in his bath tub, he's downstairs making you lunch. Everything is okay.
Ellie's words filter through your brain again, distant but present; He lost his daughter a long time ago, and a woman named Tess he really cared about.
A light knock on the bathroom door shakes you from your thoughts. You smile, "Come in."
Joel enters the bathroom, bowl of soup in one hand and a tall glass of water in the other. He places them on the chair next to the tub, eyes avoiding you as he focuses on the task at hand. He kneels by the tub and spoons some of the soup carefully, then finally looks at your face as he brings the spoon to your mouth. You open, letting him feed you, letting him take care of you.
"Good?" he asks softly, gaze still on your face, ever the gentleman.
"Good," you say with a smile.
He feeds you a few more spoonfuls, smiling fondly at you as you eat. After a few moments of this you put your hand up, shaking your head, "That's enough for now, why don't you get in with me?"
His gaze finally falls then, looks at your body beneath the water, sees your nipples poking through the surface. He sighs, leans back a bit on his knees and shakes his head.
"I don't know if that's a good idea," he says quietly.
"Joel," you say quickly, voice steady, "Don't pull away from me. Not now. Not anymore."
He looks at your face again, expression sad and distant, "I'm afraid," he admits, "I'm afraid of being close to you."
"I know," you whisper, and you reach over to place your hand over his, stroking him gently with your thumb, "It's okay. It's okay to be afraid."
"I've lost a lot of people," he whispers, tears shining in his eyes, "I thought...I thought if I let myself get close to you, if I gave you what you wanted...I'd get attached. I'd fall for you," he says it earnestly, voice breaking slightly on the last few words, "But here I am, fallin' for you anyway."
You smile at him, soft and loving. You squeeze his hand and slowly sit up in the bath, putting yourself on display for him. His eyes don't leave yours, but he swallows and tenses his jaw at your movement.
"Bad things have happened to the people I care about," he says quietly, barely a whisper, "And you're young, you're beautiful, you have this whole life ahead of you and I'm-" his voice breaks and he looks down again, tears cascading down his cheeks, "I'm scared you'll end up like those people, dead and gone because of me."
"Joel-"
"And I'm scared I don't deserve it," he interrupts, looking up at you again, mouth trembling, "I don't think I deserve love. I don't deserve someone like you 'cause of everything I've done."
"What about Ellie?" you ask softly, squeezing his hand reassuringly, "She's alive and she loves you."
He scoffs, shaking his head, "She hates me."
"She doesn't hate you," you mean it, leaning forward to cradle his hand in both of yours, "I talked to that girl for the first time today, really talked to her, and I can see it plain as day. She loves you more than you could ever know, Joel."
"She stayed with me today," he whispers shakily, nodding slowly, "She sat with me 'til we knew you were safe."
"And you think that's hate?" you ask softly, "Joel, that's love."
He looks at you again, expression pained. You bring his hand to your lips, press a gentle and tender kiss to every knuckle, showing him how much he's worth, how much he means to you.
"I'm afraid," he repeats through his tears, watching you kiss him, "I'm afraid to want you the way I do."
You release his hand and lean back slightly in the tub, extending your arm for him to take, gazing at him with all the love and care you can muster, "Get in with me," you whisper, the splash of water the only sound in the room save for your heartbeats, both of which you swear you can hear, "Don't be afraid."
His eyes cast downward to your lips and he swallows again, then looks back up into your eyes, "Okay."
You watch as he stands up and starts to unbutton his shirt. You can tell that he's extremely nervous, his fingers trembling as he fights to get each button open.
"I'm gonna close my eyes," you say tenderly, "And when you're ready, tap my shoulder and I'll let you in behind me, okay?"
He nods slowly, fingers frozen on the third button, "Okay," he repeats.
You close your eyes and lean back, listening to the rustle of clothes beside you as he undresses. You're not used to this Joel, the one who seems powerless and submissive. You're not usually the one giving him orders, it's always been the other way around. You know he's just nervous, afraid of being close to you like this, and all you want is for him to feel relaxed again in your presence, feel like himself.
After a moment he taps your shoulder; you lean forward in the bath and feel him ease in behind you, his legs entrapping yours along the edges of the tub. He seats himself down, places his hands around your middle and pulls you in close. You feel his groin press against your lower back; you've never felt his cock before, and somehow the casual intimacy of his softness pressed against you makes you smile.
"You can open your eyes," he whispers, then presses a gentle kiss to the back of your neck.
You do as you're told, immediately seeing the way his legs are splayed out in front of you, long and strong beneath the water. You've never realized how small you are compared to him until this moment, completely enrobed in his body, heart thrumming against your back.
"This is heaven," you whisper, leaning back against him and closing your eyes again, "This is what I wanted, all along."
"I think you wanted a bit more than this," he replies with a chuckle, kissing your neck again, "And you'll get it, I promise. Let's just...let's just sit here for a little while first, alright?"
"As long as you need to," you murmur, and you swear you feel him smile against your skin.
--
You bathe together for a long time, just laying in each other's embrace and enjoying the company. Being this close to Joel truly is everything you could have ever hoped for, his strong arms wrapped around you as he noses your neck and breathes you in, holds you against his naked body like you're meant to fit there. He's so big and warm; you've never felt more safe.
At one point you scooch back a bit in this embrace, feel your ass unintentionally rub lightly against his cock beneath the water. Neither of you say anything, but you both slowly become aware of the way he hardens, begins to grow larger against you.
A few moments later the head of his cock is pulsing against your lower back. Your eyes are lidded, heavy, head bobbing backward to nestle at the base of his neck. His hands on your belly move upward to cup your breasts, holding you firmly and securely against him.
"Joel," you whisper, "Touch me."
The words bring both of you back to the ski lodge, the power he holds over you there, the way you're always at his mercy. You hope, despite the new situation, he'll be that person again for you. You crave it, need it.
"Not yet," he murmurs in your ear, "Be patient, pretty girl."
There he is.
You swallow, close your eyes and submit completely as he palms your breasts, tweaks your nipples between his fingers gently. You whimper pathetically, shuffle back against his cock again, feel the hard length of it along your back.
"You were a bad girl yesterday," he whispers in your ear, tongue darting out to taste your skin, making you shiver, "And today. Gettin' lost like that, makin' me worry..."
"M'sorry," you murmur, hands moving down to grip his thighs as he brings your earlobe into your mouth and sucks it, "Didn't m-mean to make you worry."
"I think," he whispers, breath hot against your skin, "I'm finally gonna have to punish you."
The words send tingles up and down your spine, eyes almost rolling back in your head when he sucks your earlobe again, eliciting sounds from you that only he knows how to generate. You squeeze his thighs tighter, feeling your pussy begin to pulse beneath the water.
"How?" you breathe, voice weak.
He releases your ear and noses your cheek, brings one of his hands from your breasts and rests a finger against your chin. He turns your face to the side, urging you to look at him. His eyes are dark, full of want and desire, and you know you're completely at his mercy.
"I'm gonna fuck you, baby," he whispers, "Gonna fill that pussy up with my cock."
The words send you into a tailspin, a guttural whine escaping your lips as your fingers press into his thighs, rubbing your own together to seek some purchase against your heat. He smiles, presses a gentle kiss to your temple, drops his hands and places them over yours, big and strong.
"I know that's what you want," he whispers, entangling his fingers with yours over his thighs, "But I'm gonna give it to you over and over again, gonna make you come as many times as I want, 'til you're begging me to stop, tellin' me it's too much, that you couldn't possibly come again," he squeezes your hands, licks a stripe up the side of your neck, "And then I'll give you another one."
"Please," you breathe, voice broken and full of desire, "Please, fuck me, Joel. I need it so bad."
"I know you do, baby," he whispers, "So be a good girl for me and do as I say, okay?"
"Okay," you whimper, leaning back in his embrace, feeling his cock prod your back.
"Say it."
"I'll be your good girl," you whine, trembling under his gaze, "I'm your good girl, Joel. Only yours."
He groans softly in your ear, "That's right, baby," he releases your hands from beneath his and cups your breasts again, squeezing gently, "Now, open yourself up for me."
With trembling fingers you reach beneath the water and pull your lips apart, using both hands to spread yourself for him. The water tickles you, makes you quiver in his grasp as you slowly push your middle finger inside.
"There you go," he whispers, "That feel good, pretty girl?"
"Y-yes," you whimper, throbbing around your finger.
"Add as many as you like," he tells you, "Need to be nice and open for my cock."
The very thought of finally having him inside you makes you whimper again as you add a second finger, feeling his familiar gaze on your cunt. It's so different this time, feeling how hard he is against you, being in his naked embrace while you obey his commands. This is nothing like being in his lap when he'd been fully clothed, holding you open for him. This is sex, pure sex that you know is going to last hours.
"Look at that," he murmurs when you've started to pump three fingers in and out of yourself at a steady pace, "So full for me, already ready to come, huh?"
You whimper, leaning back against his chest, feeling his wiry hair rub against your cheek. Without any hesitation he suddenly reaches down and presses his index finger to your clit, making you cry out in pleasure.
"Remember when I touched this clit for the first time?" he murmurs in your ear, circling it softly over and over, "Remember how you came just from a little touch? So sensitive, baby. Such a good girl."
His words send you over the edge, making you squirm and shake in his embrace as he gives you your first orgasm of the day, coaxes it out of you easily. You whimper when he touches your wrist, pulls your fingers out to replace them with his own.
"That's one," he whispers, sliding his index finger inside your heat, and you're not sure if he's talking about the orgasm or the digit. You're too blissed out to care, head bobbing against his neck again as he fingers you, adds a second and presses his lips to your ear, "Baby, she's so tight," he breathes, teasing a third at your entrance, "How's my cock gonna fit?"
"Mnnhnngg," you can't make words, looking down beneath the water at where he's fucking you relentlessly, fingers so big and thick compared to yours, his thumb toying with your clit.
"Can't even talk, huh?" he whispers, "Need to come again, I bet."
You don't think you'll be able to, not yet; you're so overstimulated but he just continues to fuck you with abandon, rubbing your clit with every thrust of his fingers. You arch back against him, his cock throbbing against your ass. Your fingers dig into his thighs again and he chuckles in your ear.
"Can't do that, baby," he whispers, "Play with your pretty little nipples for me, show me how hard they are."
You bring your trembling hands to your breasts, squeezing your tender nipples between your fingers and feeling another orgasm start building in your tummy. How? It's so soon since you had your last one, how the fuck can he give you another one so quickly?
He pumps his fingers steadily in and out of you, watching as you play with your nipples. He leans forward and presses a gentle kiss to the skin of your left breast, inches away from where your fingers are pinching.
"Put it in my mouth, pretty girl," he murmurs against the skin, nosing the little bumps and dropping his jaw. You whimper at his words, squeezing your breast and dropping it downward so he can wrap his lips around the sensitive bud. You groan, feeling his tongue dart out and begin to lick tiny circles around it.
Seconds later, you're coming again. You shake and shiver and then go completely still in his arms, eyes rolling back as he continues to suckle at your nipple. He removes his fingers, thumbs your clit one more time, then releases your breast with a light pop.
"Two," he says quietly, smiling at you, "Good girl."
--
Somehow you make it to his bedroom. Exactly how, you're not sure. You're so wrecked from having two orgasms in ten minutes that you feel like jelly, but you're vaguely aware of him picking you up from the bath and carrying you to his room, putting you in his bed. You lay there like a starfish, arms up and legs wide as you breathe heavily, chest heaving.
"So sleepy," he says tenderly, stroking your cheek, "You ready for bed, baby? Wanna stop?"
Your eyes snap open and you shake your head frantically, only to see him standing there with a wide smile on his face.
"I'm kidding," he says with a laugh, "Don't worry."
You roll your eyes and look up at his ceiling, "Ass."
"There she is," he replies warmly, "Missed my feisty girl."
"She never left," you say with a wink, turning to look at him; he's shuffled closer to the bed, standing over you with his cock in his left hand, slowly stroking up and down. Your lips part unconsciously, eyes going straight for the plump and wet head.
"Yeah, you wanna suck it, huh?" he says quietly, thumbing exactly where you want to place your tongue, "Tasted my come twice but never had me in your mouth, how naughty."
You look up at him from under your lashes, smiling playfully, "I'm a good girl, promise."
He smirks, "Are you? Then show me how a good girl sucks cock."
You don't need him to ask you twice. You sit up on the bed and slide forward, watching as he releases his cock and lets it bounce upward toward his stomach, big and thick. You've never been so close to it, never seen it in broad daylight like this; he's huge, so wide and girthy with a big vein trailing along the underside all the way to the head, fat and leaking. With a shiver you lean forward and suck the tip into your mouth, trying not to smile when you hear him release a deep sigh.
"'Atta girl," he groans above you, his hand immediately coming up to cradle the back of your head, "That's my good girl."
You swirl your tongue around the head of his cock, swallowing down everything he's leaking and then starting to bob your head along the shaft, reaching up to grasp the base firmly in your hand. He tastes like the bath; lavender and vanilla, mixed with a salty and masculine flavor that makes your mouth water.
"Oh, baby," he murmurs, watching as you take his entire length in your mouth with barely any hesitation, the head hitting the back of your throat without even making you gag, "That's it, take the whole fucking thing, just like that."
You're aware of the fact that you don't have a gag reflex; you'd thought about telling him a while ago, thought maybe it'd convince him to let you blow him, but you'd never been brave enough to say anything. Now, you're glad you never did. Hearing his absolute wonder as you take his entire length is more than enough.
"Oh, fuck," he groans, watching as you pull back almost all the way and then push yourself forward again to fully envelop him, the tip repeatedly prodding the inside of your throat, "Jesus fucking Christ."
You swallow around him and look up from underneath your lashes, eyes wide and burning. He looks down at you and immediately slips his cock out of your mouth, taking a step back and putting his hands up in surrender.
"Okay, okay," he says quickly, hissing through his teeth, "I'm gonna come if you keep goin'. Fuck."
You look at him with faux-innocence, eyes wide, "Did I do something wrong?"
He shakes his head, inhaling deeply and taking another step backward, "You're gonna kill me, baby," he curls his hands into fists, and you swear his cock bobs again completely on its own, like he's about to come without even being touched. The thought makes you shiver, "I know I say that all the time, but I mean it. You're gonna kill me."
You giggle, falling backwards on the bed again and stretching out your arms and legs, closing your eyes and listening as he does a quick pace around the room to distract himself from the orgasm his body is threatening to have. You just laugh and rotate your legs back and forth, feeling an immense amount of pride that you're not the only overly sensitive one in the room.
"You think that's funny, huh?" he asks you, and your eyes snap open to see him kneeling in front of you at the edge of the bed.
"N-no," you say, but your smile betrays you. He looks at you darkly and suddenly grabs your legs, pulling you closer to the edge of the bed and pushing your thighs apart, "Oh," you whimper, looking down at yourself, seeing where he's looking, where you're wet and dripping all over the sheets.
"Messy," he whispers, "Such a messy little pussy."
"It's yours," you tell him, as if he doesn't already know, "It's your little pussy."
"I know, baby," he leans forward and presses a gentle kiss to your inner thigh, "I've wanted to taste her for so long."
You quiver at his words, brow furrowing as he presses another soft kiss to the opposite thigh. He licks a stripe along the inside, just outside your lips where you're puffy and swollen. He kisses your mound, drags his tongue down and down and down until it swipes lightly against your clit.
"Joel," you moan, throwing your head back and fisting the sheets. He pulls back and you look down again to see him smirking at you, eyes suddenly bright and playful again.
"Tastes like heaven, baby," he says softly, then ducks his head down and pushes his tongue inside you with no warning.
You let out the loudest moan of your life as he begins to eat you out, tongue alternating between twisting and licking your insides and then suckling on your clit like he'd done with your nipple, circling it inside his mouth relentlessly. You writhe beneath him, so much that he has to press his hands firmly against your belly to hold you down.
The noises you're making are practically inhuman, uttering almost a completely different language under your breath as he coaxes more ridiculous sounds out of you. You quickly realize that looking down at him is a mistake; the sight of his greying curls splayed across your pubic bone and the shape of his curved nose pressed into the hair on your mound, his eyes closed in pleasure as he sucks and licks and devours, just the image alone brings you close to the edge.
"I'm gonna come," you manage to squeak out, and he pushes his hands harder against your belly, the added pressure making you groan louder than ever.
He pulls his mouth away.
"No," you breathe, shaking your head wildly with wide eyes, "No, no, no, don't stop. Please don't stop!"
He smirks at you, removing his hands and leaning backward to release you completely from his grip. You stare at him, completely bewildered.
"Joel," you cry, real tears starting to form in your eyes, but not from sadness or anger - this time, you're just horny. "Joel, why?"
He still doesn't speak, just sits there and watches you groan in disbelief, your hands coming up to cover your face. You buck your hips into the air, seeking some kind of pressure, but nothing helps.
"Joel," you repeat, "This is mean."
"I told you I was gonna punish you, baby," he says it with faux-disappointment, like he's not the one who makes the rules, "I'm the one who decides when you come. And what I just did is exactly what you just did to me."
You pout, sitting up on your hands and giving him a dirty look, "That's not fair, you told me to stop, I would've kept going."
"But if you'd kept going, how would I have been able to do this?" he asks, and suddenly he's standing up and leaning over you on the bed, knees sinking into the mattress as he hovers above you.
"W-what?" you ask, but you know the answer as soon as you feel the wet head of his cock gently prod your entrance.
"This, baby," he murmurs, and pushes himself all the way inside.
You almost let out a scream, squeezing his sheets in your hands as his huge cock practically rearranges your guts, feeling him in your stomach as he reaches his hands up to entwine his fingers with yours, plying them away from the sheets.
"Oh, she wasn't ready, was she?" he asks quietly, nosing your neck and smiling at the incoherent noises coming from your throat, "Poor little pussy, never had something so big inside of her, huh?"
He stays still inside of you, letting you get used to his wide girth and thick length, so large within you that you feel like you're going to burst. You continue to make odd noises, twitching under his grasp, and it takes you a few seconds to realize that you're coming. You're coming, just from having his cock fully sheathed inside of you.
"Three," he whispers in your ear, pressing a soft kiss to the skin there, "That's three times now, baby. Such a good girl for me."
Your pussy pulses and throbs around him, aching and burning in the most perfect way. How does he know exactly what you need? How does he know exactly what'll get you there?
"You're okay, baby," he murmurs, stroking your hair gently as you convulse around him, "You're doing so well, takin' it all so good."
You've never felt so full in your life. You've only ever had sex a handful of times, only ever actually been with two other men. If you had to compare them to this, you'd laugh in their faces.
"Big," you finally find your words, barely a whisper, "So big."
"I know," Joel kisses your temple, pulls back to look down at you with a gentle smile, "I'll wait 'til you get used to it, don't worry."
It's only then, looking up into those big brown eyes, that you realize you still haven't kissed him. He's got his enormous cock inside of you, stretching every inch of you open, and you've never kissed him.
It's like he's suddenly thinking the exact same thing. You watch as his brow furrows, lips parting slightly as he leans down and presses a sweet and gentle kiss to your lips, your eyes closing as you kiss him back with a hunger you've never known. You slip your tongue inside his mouth and he grants you entrance immediately, breathing deeply against your face as he sucks you in, lets you taste him. You can taste your own wetness on his tongue and it makes you moan against his lips.
"You're so fucking perfect," he breathes against your mouth, closing his eyes and rubbing his nose against yours, "My perfect girl, always so good for me."
"I'm yours," you remind him, voice weak and shaky, "I'll do whatever you tell me to, Joel."
He inhales deeply, removing his hands from yours and trailing them down your body to hold you closer to him, wrapping his arms around your torso and trailing his fingers up and down your back.
"You can move now," you whisper, still pulsing around him, "I can take it."
"I know you can, baby," he murmurs, "Such a good girl."
It takes a few slow thrusts, your mouth still eliciting the most unhinged sounds as he fucks you at the slowest pace imaginable, but eventually you build up a rhythm. He's so big, it's hard to believe he's actually fitting inside of you. You'd only ever seen his cock from a distance, in darkness, never realized how fucking huge he was. You can't believe you'd even managed to fit all of him in your mouth.
"I'm close," you groan in his ear, your own hands coming up to grip his back tightly, loving the feeling of having him pressed so close to you as he fucks you, "Give me my fourth, Joel, fucking give it to me."
He laughs lightly in response, pulling back to look down at you, "Not much of a punishment anymore, is it?" he says with a smirk, shaking his head, "Now you're begging for it." He slows down his thrusts, eventually stilling inside of you and pulling almost all the way out, letting the head of his cock sit inside your pulsing hole.
"Look at that," he says softly and you sit up to follow his gaze, looking down at your already fucked-out hole, his cock only connected to it via the fat head that sits nestled at your entrance, "Look at all your come on my cock, pretty girl."
You notice the white and glistening spots along his cock, feeling your cheeks go red at the recognition that it's all from you. You bite your lip, chest heaving breathlessly as he carefully pulls the tip from your hole and places it against your clit.
"Oh, fuck," you whimper, watching as he gently rubs the head in circles on your clit, his tip continuing to leak and making you even more slippery than you already are.
"Here's number four for you, baby," he murmurs, and pulls back his cock to lightly slap the head against you, the pressure immediately making you moan. He slaps it again, a little harder, and you have to bite down on your lip again to stop the onslaught of little whines you're threatening to make.
"Come," he says firmly, deliberately an order, and slaps the head of his cock against your clit one last time, delivering the final push.
Your eyes roll back again and you fall back on the bed, body twitching as you come for the fourth time, feeling his eyes on your pussy as your hole pulses and throbs around nothing.
"Good girl," he whispers, and seconds later you feel his cock slide back inside of you, exactly where it belongs, "There you go."
You lay there completely limp for a few seconds, body only moving with the thrusts of Joel's steady pace. You finally open your eyes again, see him kneeling on the bed above you. He's holding your lower half upwards, hands digging into your hips and thumbs splayed across your tummy.
"Use me," you breathe, eyes closing again, "Just use me for a few minutes."
He groans, a guttural and fierce noise that rips through the silence of his bedroom. You relax completely, melting into the sheets and letting him take what he needs, take and take and take, using you like his personal fuck toy, something you'd only dreamed about and never thought would ever actually come to fruition. Your arms hang limp and loose off the edge of his bed as you inhale and exhale, trying to get your energy back as fast as possible so you can come again.
Because you know he's not gonna let you off at number four.
After a few more steady thrusts you slowly sit back up on your elbows, looking at him through hooded and tired eyes. He can see that you're close to being completely done, smiles gently at you and slows his rhythm.
"Welcome back," he says softly, leaning down to pull you up so you're level with him. He repositions the both of you so his legs are circling you, yours coming up to wrap around his lower back as you sit on his cock. He pulls you closer, cradling the back of your head and pressing kisses along the side of your face, "I know you're tired but I'm gonna give you one more, baby, just like I promised."
"I know," you whisper, voice shaky.
He holds you in his wide arms, completely envelops you as he fucks up into you steadily, nose and lips pressed against the side of your face as he brings himself closer and closer to release, continuously whispering a thread of dirty things to you, building you up.
"Such a tight fuckin' pussy, all for me," he murmurs, "So wet and pink and perfect, takin' me so good, so fuckin' full of cock."
"Joel," you whimper, leaning further against him and letting him fuck you mercilessly, letting him push you closer and closer to your fifth orgasm, "Keep talking."
"Okay, baby," he whispers, brow furrowed, "Okay, pretty girl. So fuckin' good to me, so fuckin' pure and perfect, lettin' me fill this little cunt, lettin' me fuck it so deep," you scratch at his arm, tension building in your belly, "Waited so long for me to give it to you, begged for it for months, and now you have it. It's all yours, baby. You get this cock whenever you want now, just say the word."
He reaches down and rubs your clit with his thumb, feeling you tense against him as your orgasm overtakes you. You shake in his embrace, moaning out his name one final time before you start to come, heart pounding and chest heaving as he releases your clit and hugs you close to him. You tremble beneath him, feeling completely spent, almost boneless in his lap as he keeps fucking you.
"Where do you want my come, pretty girl?" he asks you through clenched teeth, "You still want it in your mouth?"
"Yes," you say immediately, eyes widening, "In my mouth, please."
Without another word he pulls you from his lap, watching as you fall backwards on the bed weightlessly.
"Christ, I fucked the shit outta you, baby," he says, genuinely shocked at how blissed out you are.
"You did," you reply softly, feeling a smile cross your face, "Can't move anymore."
He gives you a gentle smile, walks around the bed and aims his cock toward your face, "Here's your reward, baby, open up, nice and wide."
You do as you're told, feeling an immense amount of pride and satisfaction as you finally get what you've been craving for months. He strokes his cock once, only once, and suddenly ropes of thick white come are painting your tongue and lips, your cheeks, your chin. He groans, long and low, watching as you close your eyes and take every drop he gives you, watching it all pool on your tongue, dribble down your chin.
"Fuck," he breathes, and you open your eyes again to see him staring at you, eyes still dark and pupils blown wide, "Swallow it, pretty girl."
You close your mouth and swallow all of it, reveling in the salty taste on your tongue and in the back of your throat. You bring a trembling hand to your mouth, push the leftovers from your cheeks and chin past your lips, swallowing a second time.
"Good girl," he whispers, leaning down to push your hair out of your eyes, "That's my good girl, did so fucking well for me. Did everything I said."
"I'm yours, Joel," you whisper, voice completely wrecked, "I'm your good girl."
--
He cleans you up tenderly, pressing kisses to your skin every now and then as he takes a warm washcloth and wipes you down, pays extra attention to your sensitive spots and lets you lay there in peace. He's so sweet, so gentle, you'd hardly know it was the same Joel who walked out on you back at the ski lodge.
But it is the same Joel. He's just finally let himself have what he wants, finally let himself give you what you want. When he climbs in bed beside you and wraps his arms tightly around you, you've never felt so desired in your entire life. He kisses your face all over, whispers praises, tells you how beautiful you are, makes you feel wanted.
"You asleep?" he asks you softly, hands running up and down your arms soothingly.
"In and out," you murmur back, "You really did a number on me."
He chuckles quietly, kisses your cheek and holds you tighter, "I know. It was okay, right? I didn't go too far?"
"It was perfect," you reply sincerely, leaning back into his touch, "It was everything I ever wanted, better than anything I imagined."
He smiles against your skin, "Good, I'm glad."
You both lay there in the silence of his bedroom for a few more moments, listening to each other's breathing. He kisses the back of your neck, noses your skin and inhales your scent.
"Are you still afraid?" you ask quietly, "You can tell me, I want you to be honest."
He takes a few moments to reply, sighing deeply and bringing one of his hands down to hold tightly to yours. You squeeze his back, quietly reminding him that you're here, that you're not going anywhere.
"I am," he says softly, voice barely a whisper, "But not so much anymore. I think it'll be easier now."
"It will be," you reassure him quietly, tightening your grip on his hand, "I'm here for you, okay? Every step of the way."
He nuzzles into your hair, presses himself against you and sighs contentedly, "Okay."
You close your eyes, focusing on the perfection of this moment, the feeling of his body so close to yours, warming you up and keeping you safe. You can't help but notice how perfectly your bodies fit together, how right it feels to be lying together like this.
"By the way," he whispers suddenly, "You'll be my patrol partner again, right?"
You grin, tilting your head back slightly so his cheek brushes against your temple, relishing in the feeling of his stubble against your skin, so natural, so easy.
"I thought you'd never ask."
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i can't believe how long this took me to write but i'm so glad i finally finished it. this isn't the end of soft!dom joel, but i would consider it the end of their story, most likely. i'll probably write some more smutty one-shots for them, but i doubt i'll write anything for them again with this much detail. i feel pretty satisfied with this.
let me know what you think!!! i love hearing yalls feedback, it makes me so happy. i also have a kofi if you'd like to leave me a tip. thank you so much for reading 💖
3K notes · View notes
astrophileous · 8 months
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The Monday Pursuit
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Pairing: Derek Morgan x Female Reader
Synopsis: The three times Derek tries to find out your name, and the one time he finally gets it. Or, the story of four different Mondays that Derek spends on the pursuit of your name.
Warning(s): shy!reader, cursing, public confrontation (verbal and physical) with a douchebag, verbal and physical threats, talks of killing someone, name-calling, protective derek, a bit of damsel in distress situation, and that's it really. this is just tooth-rotting fluff 💞
Word Count: 4300-ish
Author's Note: I FINALLY POSTED A DEREK ONE SHOT! YAY! I was toying around with the idea of making this a series of connected one shots, each one focusing on the significance of a particular day (tuesday, wednesday, thursday, etc) in the progress of your relationship. does that sound like something you guys would be interested in? tell me what you think! plsss!!! don't forget to leave a LIKE+COMMENT+REBLOG
Criminal Minds Masterlist
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Derek noticed you on a Monday.
He couldn't count how many times his eyes had swept over you absentmindedly in the past few weeks. None of them ever lasted long enough for him to linger around, but somehow, this particular Monday was different.
It was different because the moment Derek's gaze drifted towards the direction where he would usually find you, he finally noticed that you were gone.
It was ironic in a way, how he only noticed you in the wake of your absence. But somewhere in the ruckus that his favorite coffee shop would whirl into every morning, Derek had begun associating the table in the corner of that place with you.
Even then, when someone else was occupying the seat at the end of his long stare, Derek could picture the scene in his head: your laptop on the table, a cup of steaming hot coffee in your hand, and a serious but adorable crease on the center of your forehead. Those three things stood out from the rest. Perhaps if he had the same eidietic ability as Spender Reid, Derek could list more details about your habits and person. Nonetheless, somewhere in his subsconscious, Derek's memories must have deemed you important enough to keep, and that was all it took for him to wonder what about you was so goddamn special.
His fog of reverie was soon broken by an interrupting voice, "She's out of town."
Derek turned his head to see one of the barristas giving him a sly smile. "Excuse me?"
"The writer. She's out of town."
"Writer?" Derek didn't know that. "She's a writer?"
"On the side. She's in grad school," the barrista said. "She has two books out and another one pending publication. She's in New York right now for a book signing."
The word impressive promptly filled Derek's mind, and judging by the barrista's expression, it seemed that the word had translated unmistakably on his face, too.
"You know, you shouldn't give out someone's information to random people like that," Derek warned.
"I don't usually, but I thought, since you're FBI..."
The surprise in Derek's eyes couldn't be more palpable. "How'd you know?"
"Dude, you've been around a while." The barrista shrugged. "Besides, I don't think she would mind."
Derek frowned.
"She likes you," the barrista revealed once they saw the confusion settling on Derek's face.
"What?"
"She's got a bad crush on you, didn't you know?"
"Uh, no?"
"Huh." The barrista put down the cup containing Derek's order on the counter. "I thought you knew. She was so obvious. I mean, I'm not sure how she hasn't burned through the back of your skull with how hard she always stares."
Flabbergasted couldn't even begin to describe what Derek was feeling. His curious eyes flicked momentarily towards your table before he addressed the barrista again, "She's a friend of yours?"
"Hell yeah, she is." The barrista smiled. "That's why I know she's got it bad for you."
Being admired wasn't exactly something new for Derek, so he struggled to comprehend why the thought of you crushing on him had triggered a wave of heat to travel up and down his body.
"What's her name?" Derek asked, trying to sound casual and nonchalant as he picked up his cup of coffee.
The barrista grinned smugly. "I thought you told me not to give someone's information to a random person like that?"
With that said, the barrista went to attend to another customer, leaving Derek to curse over his excellent ability to dig up his own hole.
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You were back in town the following week.
When Derek walked into the coffee shop the next Monday, he immediately found you huddled up in your usual seat. For one split second, Derek saw you looking up from your laptop, your eyes locking with his from across the room. But before he could offer a smile, you averted your gaze as if you couldn't wait to get away from him.
That thought didn't conjure well in Derek's mind.
Derek proceeded to give his usual order and waited by the counter. However, when he saw a plate of blueberry muffin being placed next to his cup to go, Derek glimpsed up in confusion at the awaiting smirk on your friend's--the barrista's--face.
"I didn't order this."
"No, you didn't. But do you know whose favorite dessert it is?"
Derek casted a glance towards your direction.
"Exactly." The barrista grinned wider. "Now, go. It's on the house."
The loud drumming inside Derek's chest should have been laughable.
He was never like this. Derek was always self-assured, especially when it came to flirting and courting, so there really was no reason for him to be feeling like this. But something about you had spiked the rhytmic beating in his chest, and Derek didn't like being out of his element when there was a pretty girl at stake.
Thus, with an ease born out of years of practice, Derek worked to turn on his good ol' charm. The same one that dripped from his footsteps as he sauntered over your table with his coffee in one hand and one special plate of blueberry muffin in the other.
Deer caught in headlights; that was exactly the perfect description to visualize how you looked when Derek finally placed the muffin on the table. The man smirked triumphantly at the knowledge that he affected you just as much as you affected him.
"Hey," Derek greeted almost complacently. "I heard this is your favorite."
"What? I don't.... how did you..."
You stopped speaking altogether, sending a grimace to the direction of the counter--where your friend was working--when you deduced what could probably have transpired
"I missed you last week," Derek added.
If you were abashed before, then you must have been mortified when those words slipped out of Derek's lips. You looked up at him with a gaping mouth, and Derek would have laughed at how precious you looked if he didn't have compassion for your poor nerves.
"I was out of town," you eventually managed to say.
"I heard. A writer, right? You had a book signing." Derek smiled. "That's impressive. Anything of yours I might know?"
Your face contorted after hearing his question. "I doubt it. I'm not big at all."
"I don't know. Book signing in New York? Sounds pretty big to me."
"Not as much as you would expect, to be honest."
Derek didn't know why, but he despised the sound of you downplaying your own accomplishments as if they weren't worthy of being praised. He swore he would assist in changing that tendency if given the chance.
"My name is Derek. Derek Morgan."
"I know."
Derek raised a curious eyebrow.
You cowered shyly when you realized what you had admitted. "I heard you mention it a while ago, when you were ordering."
"And you remember?"
Your bashful expression nearly compelled Derek to cheer out loud.
"Do you need something?" you finally asked, not at all mean or bitter, more timid than anything else.
"Yes. I was wondering if I could ask for your name."
"My name?
Derek nodded. "Well, you see, I wanted to ask for your number, but I figured since I still don't have your name yet, then maybe I should get around to it first."
You bit your bottom lip, seemingly in deep thought as you assessed Derek with soft eyes.
"My name is--"
Just as the answer was dangling on the tip of your tongue, Derek's phone suddenly started to ring. He internally cursed his life for its partiality to bad timings, holding up an apologetic finger as he accepted the call without looking at the caller ID.
"Hello?"
"Hey, beefcake, where are you?" Penelope Garcia asked from the other end of the line. "Hotch just told everyone to be up and running in 30."
"What? I thought the briefing starts in 30."
"He's debriefing on the plane. Another body just turned up."
"Shit. Shit. Okay, fine, I'll be there."
Derek ended the call in the next second, panic clouding his mind to the point that he failed to realize he didn't bid his usual farewell to his favorite tech analyst. In front of him, you were staring with a pair of expectant eyes that made Derek wish he could stop time to spend it by your side. Alas, such power only existed in fantasy, and Derek--frankly--didn't have enough time at hand to pay grievance over that fact.
"I'm sorry."
Your face fell at Derek's apology, even if slightly.
"God, this sucks. I wish I could stay. I haven't even--"
"Derek, it's okay," you cut him off. "Just go."
"But you didn't--"
"Derek." Your hand on the table slid forward, as though wanting to reach out to him but stopped shortly before you did. "I'm always here."
It was such a simple statement. Three small words that carried hardly any weight on their own whatsoever. But strung together, Derek knew exactly what you meant, the real meaning behind the sentence you chose to say.
You can go. It's okay. We'll continue this some other time.
Reeling from your generous understanding, Derek rushed a goodbye before sprinting towards the door. But just as he was about to touch its handle, he span around for one last look, calling out a sentence that he had pocketed safely as a promise.
"I'll see you soon."
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Since Derek's last encounter with you at the coffee shop, the BAU had been thrown from one case to another in the span of two weeks, during which Derek seemed to struggle eliminating the thought of you from the depth of his mind.
When a new Monday rolled around, Derek found himself whistling to a favorite tune as he took the morning route towards the coffee shop. The day was a gloomy one, gray and cloudy with a high chance of rain, contrasting entirely with the sunshine inside Derek's chest. In a few minutes, he would finally see you again, and Derek couldn't wait to woo you into agreeing on a date with him as his palm pressed on the door of the coffee shop.
Unfortunately, Derek's movements ceased the moment he stepped into the familiar establishment.
The atmosphere in the coffee shop struck no resemblance to what Derek had associated with the place: warm, safe, and welcoming. Instead, the taste of tension was hot on his tongue, sizzling under the thick silence that had rendered the entire room into a standstill.
In the middle of it all, just a few paces from where the front door stood, Derek had found you.
You were standing with your head down, which wasn't a strange sight considering that you often did that to avoid unwanted attention. But Derek never saw your lips quiver that way before, nor did he ever see your eyes blown so out of proportion in a telltale sign of fright.
Upon a further inspection of the room, Derek realized that he wasn't the only one whose eyes were trained on you. Every patron in the shop, including every worker behind the counter, was staring openly in your direction as well. He was a milisecond away from taking another step when the man in front of you started to scream out of the blue.
"Why aren't you saying anything? Are you fucking stupid?!"
The malicious words didn't sit well with the vituous bone in Derek's body. But it was seeing you flinch from the verbal onslaught that finally made Derek dash forward, putting himself as a shield between you and the insolent stranger.
"That's enough," Derek said as he tugged you behind his back.
The stranger looked up at Derek with an ugly scowl on his face. "Who the hell are you?!"
"If you have a problem, let's take this outsi--"
"I don't have a problem with you, dickhead. I have a problem with her!" Derek extended to his full height instinctively, trying to hide you from the brazen man. "Now, move. This is none of your fucking business!"
"It became my business the second you chose to disrupt everyone's morning," Derek countered. "Why don't you tell me what's going on here?"
"Why don't you ask your bitch, huh? She fucking started all of this."
"Fucking bastard."
Red clouded Derek's vision when he clenched the man's collar in his hand. All around him, the crowd erupted in a chorus of gasps. Satisfaction filled Derek's chest when he glimpsed the hint of fear in the man's eyes.
"I dare you to say one more word about her," Derek seethed. "I dare you."
"Derek." He felt your fingers then, twisting around a portion of his shirt, pulling desperately until Derek loosened his grip on the other man. "Please."
The douchebag stumbled dramatically when Derek finally discarded him to the side.
Derek span around, looking directly into your eyes for the first time that morning. "Are you alright, sweetheart?"
Instead of answering his question, you pushed past a frowning Derek, addressing the horrible man whose face was now crimson; either from rage or embarrassment, Derek didn't know. He didn't care.
"I'm sorry, sir." Your voice vibrated in the air. It wavered with a clear sign of tears. "I didn't... I wasn't thinking. I've caused you trouble. I'm sorry. And I apologize to everyone for ruining your day."
With that, you turned around and picked up your belongings that were scattered on the floor before dashing straight out of the door. Derek stared at your back until it disappeared from view.
"You better tell me what the fuck happened here," Derek fumed towards the man.
"You heard her. She fucked up, that's what happened."
"That's not true." A new voice arose. Derek turned his head to see your barrista friend standing behind the counter, their eyes flaming with anger.
"The poor girl spilled her coffee," another voice interjected. It belonged to an old lady who was standing at the very front of the line. "She didn't mean to, but it got all over his things. Then he just started screaming all kinds of stuff to her."
Derek closed his eyes before reopening them again, shooting daggers towards the man. "You're pulling this crap over a spilled fucking coffee?!"
The other man began to stutter. "She ruined important documents!"
"It wasn't even her fault," the barrista added. "He was too busy being on his phone to watch where he was going."
That last piece of information was the last straw for Derek.
He used his forearm to push the douchebag by the throat, slamming his back against the wall until the man gasped for air.
"You will never step foot in here again, do you hear me?" Derek pressed his elbow deeper into the man, stopping only when he started to nod frantically. "You don't come near this place, ever again. But most importantly, you don't come near her. I'm gonna fucking kill you if you do."
Derek let him go afterwards, ignoring the series of coughs that the man had fallen into while he marched towards the door.
"Don't even think for a minute that I'm gonna let this go!" the man shouted just as Derek was about to exit the coffee shop. "I'll be notifying the authorities about what happened here today. You'll see!"
The scoff Derek let out couldn't be more condescending. "Yeah, you do that. And when you do, tell them--" Derek reached into his pocket, pulling out his credentials before flashing it towards the man, "--the name's Agent Derek Morgan. FBI."
He slammed the door behind him.
Once outside, Derek's eyes darted around to find any trace of you in the midst of the morning rush hour. Eventually, he spotted the back of your head, walking away about a few feet ahead of him. Derek broke into a sprint almost immediately, squeezing himself in between the ocean of people, trying to catch up with you before realizing that he most like wouldn't be able to.
Just as he watched you turning a corner, Derek mourned the fact that he couldn't call out to you because he still didn't know your name.
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It was the second Monday that Derek didn't see you anywhere in, or near, the coffee shop.
In total, it had been two whole weeks without you showing your face at the place, not even once. Your barrista friend was as clueless about your whereabouts as Derek was. He even had started coming into the shop at odd hours during the day, or whenever his schedule would allow him to, sometimes lingering for a few minutes in the morning just in case he would catch you walking through those doors.
You never did.
In a moment fueled by something akin to desperation, Derek found himself marching towards the office of Penelope Garcia. If there was anyone who could find you--who you were, where you were, and everything else about you--it was going to be the team's tech genius.
The tech analyst wasn't in the room when Derek entered, and as he found himself standing there--alone in the silence--Derek was confronted by how ridiculous he was being.
He couldn't understand why he was acting like this. Why the thought of never seeing you again managed to lure him into considering a breach of privacy. Derek had barely even talked to you, yet whatever brief interaction the two of you had so far was enough to affect him in ways that shouldn't be possible.
Derek decided to turn around and vacant the room before anyone could catch him lingering there like an idiot, but his steps fell short when he saw Penelope standing in the doorway.
"What are you doing here, Sugar?" Penelope questioned, her eyes squinting into a suspicion-filled look.
"Looking for you, of course," Derek lied.
"Derek Morgan, I didn't spend years working with the best profilers in the country to not be able to tell when someone is lying." Penelope walked towards her chair, making sure that she was settled comfortably before swiveling around to face Derek again. "Talk to me."
"Babygirl, there's nothing to talk about."
"Oh my God. It's about a girl."
How the fuck does she do that?
"Derek, you tell me right now every single thing about this lovely creature who has captured your heart, and I meant every single thing. What's her name? What does she do? Where did you guys meet? You guys are official, right? Because if not, then--"
"Okay, Blondie, pump your brakes," Derek interfered before Penelope could vomit the entire content of the Oxford dictionary. "There's no girl."
Penelope frowned. "There isn't?"
"No."
"But you want it to be?"
Derek couldn't give her an answer.
"Mister, you tell me what's going on right now, and don't leave out any details."
So, that was exactly what Derek ended up doing.
He told Penelope about you; about the little snippets of yourself that had infiltrated Derek's subsconscious without him even realizing it, about your first proper interraction where your smile looked more appetizing than the blueberry muffin he had put on the table, and about the incident that marked his last ever encounter with you.
By the time he wrapped the story up, Penelope's face was a heap of reactions.
"You know," the tech analyst finally said, "I can probably find her for you."
"I told you I don't want that, Sweetness."
"But why?!" Penelope nearly whined. "You like her, and her friend said she obviously likes you, too. What if you never see her again? Are you seriously just going to let your story end in what ifs?"
"Of course, I don't want that. But this is not how I want our story to start, too, if there is even gonna be one." Derek gripped Penelope's shoulder, squeezing affectionately. "Thanks for the offer, Babygirl, but maybe it just wasn't meant to be."
For the rest of that day, Derek threw himself into work in order to keep his head preoccupied with something else other than the images of you.
In a few hours, he had successfully completed all of the pending case reports that were piling on his desk. A quick glance at the clock told Derek that he still had another three hours before he was supposed to go home. Sighing, Derek got up from his desk and walked towards the pantry.
"It's been four hours," Derek heard Emily say as soon as he walked towards the kitchenette. "What are they doing there?"
"She could be a reporter. Maybe she's interviewing him," Spencer theorized.
"Who's interviewing who?" Derek asked.
He headed for the coffee maker only to realize that there was no coffee left. Derek cursed under his breath before he went to make a fresh batch.
"Rossi has a guest, and they've been in his office for four hours," Spencer explained.
Derek raised an eyebrow. "Really? I didn't see anyone."
"She came in during lunch."
"Huh. A woman?"
Spencer nodded.
"Potential lover?" Derek asked again.
"I don't think so. She's young."
"Unless, he's that kind of guy." Emily smirked.
Spencer frowned. "What kind of guy?"
"I don't think Rossi's like that." Derek chuckled.
"Who is she, then?" Emily questioned.
"Is no one going to tell me what kind of guy Rossi is?" Spencer suddenly said.
"A student, perhaps? A fan? Who knows?" Derek shrugged. "Or maybe you were right. She's here to interview him."
"Oh! Here they come!" Emily exclaimed a few minutes later.
Derek turned to steal a glance at the guest that had captured his fellow teammates' interest. But just as he was about to catch a glimpse of her, Derek suddenly spilled hot coffee everywhere, flooding nearly half the counter until some of it dripped down the cabinets as well.
"Shit." Derek stared at the mess he had made in annoyance. "Fuck me."
"She's really pretty, though," Emily pointed out--no doubt about Rossi's guest--earning an agreeing hum from Spencer.
After he had cleaned up the spilled coffee, Derek ambled back towards the direction of his desk. As he was passing the glass doors to the bullpen, however, Derek saw Rossi standing in front of the elevator, waving towards the person who had just walked inside of it.
Someone who--as Derek realized with a particularly loud thump in his chest--turned out to be you.
Derek was barely able to place the steaming cup of coffee on a random desk before he made a run for the elevator. But just as he reached Rossi's side, the elevator's doors had closed, making you vanish once more from Derek's sight.
"Shit," Derek muttered. "Shit. Shit. Shit."
Beside him, Rossi was staring in open confusion. "Morgan?"
Derek finally turned towards the older man. "The girl who was in the elevator. Who is she?"
Rossi's forehead creased. "Why?"
"Do you know her?"
"She's a fellow crime writer. She was here for a consultation," Rossi answered. "Are you gonna tell me what's going on?"
"Her name. What's her name?"
"What the hell is going on, Morgan?"
"Rossi, come on, man," Derek sounded desperate, but he didn't care. "I just need her name."
Derek barely succeeded in mumbling a quick thank you to Rossi for giving him your name before he rushed straight to the emergency stairs. The entire run down to the lobby was a blur in Derek's eyes. The only focus in his mind was about getting to you.
Once he was outside of the headquarters building, Derek saw you walking a few paces ahead of him in the direction of the parking lot. He shouted your name with all of his might, seeing you stop and turn your body around from the distance, and soon enough, he had managed to close it in a matter of seconds.
Derek was a mess of panting breaths and drumming heartbeats when he finally stood in front of you. The look you gave him spoke of surprise and bewilderment, and Derek relished in the feeling of being at the receiving end of your lovely gaze.
"Derek? What? What are you--"
"I work with Rossi," Derek stated simply.
Your eyebrows escalated in surprise. "You do?"
"Yeah. I saw you earlier with him," Derek continued. "I haven't seen you in awhile."
For the first time in what felt like forever, Derek allowed his eyes to roam over your entire person, from the top of your head to the tip your toes. There was no malice in his stare as he did, just appreciation, and maybe a little bit of longing from not having seen you in such a long time.
"I haven't been to the coffee shop again. Not after--" you swallowed the lump in your throat. "I was embarrassed. I'm so sorry."
"You have nothing to be sorry for, sweetheart."
"You got dragged into my mess. I owe you an apology."
"You owe me nothing. Okay? What happened wasn't your fault. That man was just an asshole," Derek told you truthfully. "You don't have to be worried about him anymore. He's never coming back."
His last statement caused you to lift your head up so fast, Derek was scared you were going to have a whiplash.
"Nothing happened, sweetheart," he elaborated once he saw the panic in your eyes. "I just made sure to let him know that he wasn't welcome there anymore."
The breath you let out sounded eerily similar with relief.
"Thank you, Derek. For everything," you offered shyly. "Please tell me if there's anything I could do to make it up to you."
That last sentence you uttered prompted a wide grin across Derek's face. "Actually, there may be something."
Derek took a step closer towards you then, noting the way your shoulders tensed up from his proximity. His own senses were overcome by everything about you; from the slight parting of your lips, the steady rise and fall of your chest that seemed to be growing more rapid in Derek's presence, and to the sweet plus addictive smell of your perfume.
Taking his own deep breath, Derek forced the words--the same ones that he had been keeping deep inside of him--to tumble freely into the air.
"Would you like to go on a date with me?"
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1K notes · View notes
xamag-draws · 1 month
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BBR thoughts 2024
Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies
This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not
So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters
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I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash
I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted
Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it
At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do
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Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction
So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older
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I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet
When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"
But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work
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If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now
I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:
Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)
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I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat
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I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least
I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example
I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep
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I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor
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I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence
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The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers
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Some new Dolly outfits
Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days
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Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo
I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused
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One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book
An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well
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So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)
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yupekosi · 1 year
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dp x dc prompt again bc i am plagued with blorbo thoughts. should i make this a series?? anyway
so we all know that Jason 'Pride and Prejudice' Todd-Wayne is a nerd, right? no amount of muscle can hide that this fridge of a man was once the dorky little kid that was so excited to go to school he skipped out on Robin patrols to do homework.
I propose that Danny 'I Wanna Be an Astronaut' Fenton Phantom is also a fucking nerd. he gets good grades, when he's not having to juggle school, sleep, and secret ghost fighting, and he takes to engineering like a ghost to ectoplasm. he's also the exact kind of space-obsessed geeky kid that would absolutely devour every sci-fi show and book he could get, and I say that as someone who was that space-obsessed geeky kid.
so, as young teens, both boys spent a lot of time in online fandom spaces, and eventually become internet friends. Jason's into classic lit and Lord of the Rings while Danny's into comic books and Star Trek, but they get on surprisingly well. They're chatting on forums and beta-ing each other's fanfiction, that sort of thing... and then Jason vanishes.
he just stops responding to messages, he stops posting, all his accounts are abandoned. Danny is very concerned, of course, but this happens right around the time of his accident, so he has more city-destroying things to worry about than an online friend going MIA. and eventually, as he gets older, he sort of forgets about Jason, only occasionally thinking back to the kid he used to talk to, wondering whatever happened to him.
so time passes, and Danny, now a young adult, ends up meeting the Batfam for whatever reason. is he part of the Justice League? in Gotham for a Wayne Enterprises internship? superhero shenanigans? Ghost King Summoning? secret twin/son/clone bullshit? up to you!
any way, he's hitting it off with the Batkids, and at some point Jason subconsciously quotes something from one of his old, unpublished fanfics from his Tumblr days.
and Danny's jaw drops. the Batkids stare at him; you can see the gears turning in his head before he blurts out;
"You're WingingIt02???"
and something deep in Jason's brain, buried under layers of death-trauma and Pit Rage clicks.
"Holy shit, AstroloGhost??"
[once again, not planning to make this a fic, but feel free to run wild with the prompt! just give credit if you do, please! :3]
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yumeka-sxf · 8 months
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My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1
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I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.
Endo's Q&As and comments about the characters
Loid:
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I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.
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I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)
Anya:
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I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.
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He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.
Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).
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Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).
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Yor:
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Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.
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I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.
Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)
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Bond:
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I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.
Franky:
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I love that Franky does charity work. I hope we'll see that in a future chapter.
Fiona:
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It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.
Yuri:
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I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?
Information about Garden
Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.
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It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?
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So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!
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The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?
Continue to Part 2 ->
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janaispunk · 3 days
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just close your eyes
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chapter 3 • series masterlist
pairing: Joel Miller x f!reader
summary: An injured Joel and Ellie stumble into your home in the middle of the night. Against your better judgement, you decide to help them.
word count: ~2.2k
tags/warnings: post outbreak, slow burn, found family, age gap (sorry not sorry), able-bodied reader, angst, reader has a sad sad backstory and ptsd, hurt/comfort, fluff, eventual smut, vague description of an injury, implied death of a character, the angst is ANGSTING in this one
a/n: once again, i can't thank that jackson joel pedro photo enough for the inspiration that it's brought me. i hurt my own feelings with this chapter, and truth be told, it's gonna get worse from here.
follow @janaispunknotifs for fic updates and find my full masterlist here :)
dividers as always by the lovely @saradika-graphics 🤍
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Over the following days, something of a routine forms between the three of you. 
Joel spends most of his time resting, asleep more often than not, the shape of him on your couch a picture that you grow familiar with. But as his fever goes down and the skin around his injury is less red than when you first laid eyes on it, you allow yourself the tentative hope that you might have been able to actually save him. 
You’re becoming less skittish around him, getting used to his rather gruff demeanor, slowly realizing that what Ellie said was indeed true, it’s not about you. You come to think he just doesn’t like needing and accepting help.
Ellie follows you around like a puppy, eager to soak up every scrap of knowledge that you can share with her. It’s not much, you think, mostly cooking, the task of turning supplies into various meals, given the limited resources that you have in this world. You like having her around, the almost constant stream of chatter and questions never annoying you.
It fills your usual silence, helps keeping you grounded in the present. Most of the time.
Now that you have company, it becomes painfully obvious to you how much time you spend in your head, just sitting and staring straight ahead, lost in your thoughts, oblivious to the time passing. You have taken to having a book open in your lap, to make it seem like you’re reading, but you find yourself looking down at the page without seeing it, not sure when you last turned it. 
It’s not what they would have wanted, you keep telling yourself, trying to shake yourself out of it. Well, it’s not like anything happened the way we wanted, the bitter voice in your head answers.
If Ellie or Joel notice, they don’t ask about it. You hear their voices in the night sometimes, both of them sleeping in your parents’ bedroom now, since the couch was starting to hurt Joel’s back. 
You don’t lock your door anymore, leaving it ajar, just like them. The thought of someone else being down here with you is soothing you, the fear of them being a possible threat basically nonexistent at this point. Instead, a different kind of fear sets in. 
They haven’t talked about where they are going, but you know that they’re not gonna stay forever. Once Joel is completely healed, and winter has given way to spring, they’ll most likely be off again, leaving you on your own again. You don’t want to grow attached, but it’s difficult not to, while being with other constantly. 
You and Joel are taking longer to warm up to each other than you and Ellie have, but you’ve gotten used to having him around you. It’s a quiet, but trustworthy, reassuring thing, his presence in your space. Now that he’s healing, he’s someone who you trust to take responsibility, to take care of things if needed. You’re not sure how you know, but you’re certain that he is.
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One evening, Ellie finds the DVD collection that’s stashed away in the cabinet under the small TV in the corner of the room. You hadn’t watched anything in forever, not sure if it’s even still working, but her enthusiasm makes it impossible to turn her down. 
Even Joel pipes up at the prospect of a movie night, crouching down next to her to sift through the DVDs. They’re both drawn to the shitty action movies – usually not your preferred taste, but you find the corners of your mouth lifting when they both turn around simultaneously, looking for your approval of their choice. 
Joel pushes himself back up with a grunt, pressing the button on the TV and making it spring to life without issue. You settle deeper into the couch cushions, pulling a knitted blanket over yourself as you watch the opening credits play. 
It’s so comfortable, so normal, and you want to get lost in the feeling in a way that makes your heart ache. Ellie sits down beside you to share the blanket while Joel stretches his legs out on the other couch. A smile is tugging at his lips when he catches you looking at him, but it can’t hide the wariness in his eyes, mirroring your own. It’s the feeling of things being too good to be true, the fear of nothing good ever lasting, of the world crashing down around you again, that always accompanies you, and without asking, you know that he feels it too. You cast your eyes back to the screen, trying hard not to get yourself lost in the fear, but to enjoy the moments of peace while they last. 
Ellie loves the movie, her eyes wide at every action-packed sequence, gasping at every explosion. At one of the more absurd scenes, you can’t contain the burst of laughter that bubbles up your throat. You’re unexpectedly joined by the deeper rumble of Joel’s, a sound that you haven’t heard before. 
You glance at him, to find his eyes already on you, an emotion in them that you can’t place. Neither of you say a word, both quietly returning your eyes to the TV. 
When you’re lying in bed later that night, you still feel the smile on your face. 
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While your closeness with Ellie came quickly, almost taking you by storm, it’s a quiet, slowly growing thing with Joel. 
It begins with him lingering in the kitchen when you’re preparing the morning coffee, asking you questions about the place, about keeping supplies, electricity, the safety measures. He helps you with cooking, grumbling about giving something back when you protest. 
He’s gruff, no comparison to Ellie’s lively chatter and endless questions, and it makes you nervous at first. But you get used to him, his more quiet demeanor, his dry humor. You can tell that he’s trying hard not to scare you again, avoiding sudden movements or getting loud, and while you appreciate it, you also can’t help but wonder how broken you must seem from the outside. 
He doesn’t ask prying questions about your past, how you’ve come to live here all alone, though you have to imagine that he’s curious. You don’t ask him about his either, even if you do wonder how he and Ellie ended up together. It’s a quiet mutual understanding and you’re grateful for it. 
You have to believe that he had his fair share of loss in his own life, that the both of them had; an inescapable reality at this point in the world’s history.
It’s like a silent camaraderie when he catches your eye as Ellie is reading out puns to the both of you once more, rolls his eyes in a way that still holds so much love for the girl next to you, but that fills you with the urge to giggle. It stops you in your tracks the first time it happens, the sensation so unfamiliar to you that you can’t place it for a second. 
When you smile at him, the corners of his mouth rise ever so slightly as well, before he huffs an exaggerated sigh at the joke that you just heard. It riles Ellie up, just like he wanted to, you suspect. But you block out her bickering at him, busy with your own thoughts. One thought in particular, one that you haven’t had about anyone since you were a teenager. 
Joel is kind of pretty when he smiles.
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The both of them have also taken to working their way through the bookshelf that’s taking up most of one of the walls. It’s mostly guidebooks on hunting, gardening, self defense, anything that your father deemed possibly useful. Over time, you had added books from your old bedroom, the one upstairs, that you had hastily carried down the stairs, hoping for the familiar words to give you a sense of normalcy in a world where nothing was normal anymore. 
Joel sometimes talks to you about them, asking your opinion on which ones to read, discussing their contents with you. Over time, you realize that he does it when you’re zoning out, pulling you back into reality with the drawl of his low voice next to you. You’re thankful for it, not used to being cared for like this, but also mortified that as it seems, he does notice when you’re too deep inside your head.
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It’s one of those afternoons, you’re just about to start preparing dinner, when Ellie asks if you have more books somewhere, about something cool. “Like what?” you reply, an easy smile on your face. 
“I don’t know,” she shrugs, “like comics, maybe? Ohh, or something about space?” 
It takes a moment before the words register, before they form a picture in your mind, the memory of exactly what she’s asking for. You stop in your tracks, frozen on your way to the kitchen. Your toes dig into the carpet beneath your bare feet. A faint trembling starts in your hands and slowly spreads through your body. 
Ellie says your name, an edge in her voice. You’re not sure what your face looks like. 
Your wide eyes find hers, looking up at you from where she was spread out on the floor, her hair splaying out over the scratchy rug, one of your books held over her head. You had joked about how that position couldn’t be comfortable a few minutes ago. 
You see Joel from the corner of your eye, slowly raising to his feet from the couch cushions. It feels like you can’t breathe, like you’re sucking in air but it doesn’t reach your lungs. 
A large, warm hand lands on your shoulder, making you jump. Joel rubs soothing circles over your back, your name a low rumble on his lips. 
“It’s– it’s not a problem if not,” Ellie murmurs, sitting up slowly, her eyes flicking between you and Joel, uncertainty written over her features. 
You force a shuddering breath in, using the sensation of Joel’s hand splayed over your back to ground yourself. Nodding your head, you will your voice to travel up your throat. 
“Yeah no, I– just a second.” 
Joel repeats your name, more questioning this time, but you ignore it, feet carrying you into the bathroom where you quickly shut the door behind you. Skin stretching over your knuckles, you stand over the sink, gripping its edges to stay upright. 
It’s what he would have wanted. He would have been so happy to share them. It’s true, you know what. 
You’re not sure what’s worse. Going in there yourself, crossing the threshold of a room that you haven’t entered in years, haven’t even opened the door to, or letting someone else do it, let them disturb the memory of a reality that you’ve tried to preserve in there. Too painful to touch, but too important to let go of. 
Steeling yourself, you return to the living area. Ellie and Joel are sitting close to each other, both of their heads flying up at the door opening. It’s obvious that they have been talking about you. You bite your lip. 
Ellie rises to her feet slowly, takes a tentative step toward you. “Listen, it’s not that important really–” She sounds like she’s talking to a skittish animal. 
You shake your head, not trusting your voice not to betray you. With a deep breath, you cross the room to the door beside yours. One of two that you keep firmly closed. 
It creaks on its hinges when you open it slowly, your hand shaking on the handle. You try not to look around, to keep your eyes closed to the truth that nothing changed in here, and yet everything changed. It’s stuffy, stagnant air that’s been untouched for too long, but it smells like him. Like he’s still here with you. 
You don’t see the unmade bed, still carrying the trace of the last time he got up, the stuffed lion beside the pillow. Don’t see the half finished drawings on the desk, or the mess of action figures in the corner. You grab the stack of comics from the nightstand, ignoring the way your vision blurs at the edges. Move on to the shelf, smaller than the one in the living room, blindly picking out random books. 
When you step out of the bedroom, quickly pulling the door shut behind you again, neither Joel or Ellie have moved. You can’t meet either one’s gaze, don’t want to see the expression in their eyes.
Ellie takes the stack of books from your outstretched hands, murmuring a thanks, and you sense that there are more words on the tip of her tongue. Questions, apologies, you don’t know and you don’t want to. 
Turning on your heels, you escape into your own room, closing the door as quickly as you can before you collapse on your bed. Tears flood your eyes in time with the memories flooding your head, threatening to pull you under and drown you under their waves. 
You hear their muffled voices through the door, but neither of them comes to disturb you. You’re thankful for it, not needing anyone to witness you in this state. Eventually, you drift off into sleep, your mind gladly giving way to unconsciousness.
The following night is the first time that Joel has to shake you awake from a nightmare.
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thank you for reading 🤍 if you liked this, please consider reblogging, leaving a comment or sending an ask, it truly makes my day every single time!
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ebsmind · 5 months
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𝐲𝐨𝐮𝐫 𝐟𝐚𝐯 𝐝𝐞𝐚𝐝 𝐠𝐢𝐫𝐥 ❀ tom blyth x fem!actress reader
summary : reader is tom’s gf and stars in the new A Good Girls Guide to Murder (book to tv adaptation) as Andie Bell
warnings : none besides reader playing a dead girl in a tv series
a/n : i can’t believe i caved…. BUT IDC THIS WAS SO FUN TO MAKE 😼
also everyone in the orginal casting for aggtm is the same (except andie ofc)
and ofc i just wanted to tag and say thank you to my fav people on here 🫶🏻 yall are one of the main reasons why i did this 💗 @ghostfacd @marvelsswansong @goosita @maysileeewrites i love yall!!!
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ynuser a + s ❤️
tagged : @/hojay92 & @/rahulpattni27
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tomblyth so proud of you my darling ❤️
↳ ynuser i love you
↳ user1 STOP I CANNOT
ememyers my fav dead girl 🫶🏻
↳ ynuser PLS PEOPLE ARE GONNA THINK IM ACTUALLY DEAD
user1 ur literally the only one who could play andie
user2 slayed the house down houston i’m deceased
user3 please tell me you read the series before auditioning
↳ ynuser yup i did 😼
↳ tomblyth you’re such a bookworm 🙃
user4 PLS TOM CALLING HER A BOOKWORM THEY’RE SO CUTEEEE
rahulpattni27 the andie to my sal 🖤
↳ ynuser always 🤍
hojay92 MY BABIES
❤️ by creator
user5 pls if i was tom i would be weary of y/n and rahul bc they’re a little too friendly
↳ user6 u need to chill they are literally costars who play each others love interests
rachelzegler gonna read the books just so i can watch this show
↳ ynuser rachel in her bookworm era??
user7 slay
user8 MOTHERRRRR
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tomblyth quick trip to paris with lovie
tagged : @/ynuser
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ynuser you make me so happy
↳ tomblyth and you make me the happiest man alive
↳ user1 pls i want what they have
ynuser also can we pls talk about how happy i was to see the eiffel tower 😭😭
↳ user2 the video he posted of you squealing when the tower shimmered 🥺
user3 can y/n fight? bc the all black fit is doing something to me
↳ ynuser my mom made me take karate when i was 7
↳ user3 OHHHH?????
user4 god i love my parents
rachelzegler where was my invite???
↳ joshandresrivera leave the love birds alone babe
❤️ by creator
user5 rachel just like me fr
user6 tom NEEDS to put a ring on it before i do
rachelzegler just posted on their story!
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ynuser trailer for aggtm is out now!! go watch it 🤍🕵🏻‍♀️
tagged : @/ememyers & @/hojay92
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ememyers 🫶🏻🫶🏻🫶🏻
❤️ by creator
user1 BRO THE TRAILER IS SOOOO GOOD I CANT WAIT!!!
user2 y/n was born to play andie
tomblyth so incredibly proud of you!! you killed it ❤️
↳ rahulpattni27 she truly did!!!
↳ ynuser awwww thank you guys!!! i love you both 🤍
user3 tom and rahul interacting??? oh my
user4 SLAY
rahulpattni27 ❤️❤️❤️
❤️ by creator
holjay92 my baby!!! the perfect andie 🥺
↳ ynuser momma!!! ily
user5 holly 🤝🏼 supporting all of her kids
user6 just by the looks of the trailer this show is gonna be SO GOOD
oliviarodrigo can’t wait to watch!!! i miss you
↳ ynuser i miss you more!!
user7 tom being so supportive >>>
rachelzegler you played the best dead girl there could ever be
↳ ynuser bae ily 💗💗
↳ tomblyth ummm what about me???
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