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luxaofhesperides · 1 month

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I'm not sure if you're still taking Ghostlights requests, but if you are: Dick asking Duke to take Haley to the dog park for him in order to set up a meet-cute for him with the guy with the weird green rottweiler

And if you aren't, just know that you're doing great and I appreciate the hell out of you

“Oh, shoot!”

Hearing Dick rush around as a frantic mess is not uncommon while he’s in Gotham. There’s too many people wanting to spend time with him that he ends up pulled in a bunch of different directions. Dick’s always in a rush, always busy, always making time for people because he has more love than Duke has ever seen in a person.

Dick’s also got pretty good time management skills after years of doing this. He’s only cutting out a few minutes early for their designated three hour catch-up session.

That doesn’t mean he’s going to do it gracefully, though.

“Almost lost track of the time!” he says, moving to the couch to pick up his jacket. “Hey, Duke, can do you me a favor while I’m out?”

“Sure, what is it?”

“Can you take Haley to the dog park? I usually take her twice a week around this time, but I totally forgot to include that in my calendar this week so I’ve got plans with the Titans just outside the city, and no time to take her out.”

“Yeah, man, of course I can take her to the dog park. The one attached to Robinson Park, right?”

Dick nods, shoving his shoes onto his feet. “That’s the one! Her treats are also in the bag hanging next to her leash. Oh, and she has a friend at the dog park! Don’t be scared when you see him, he’s just green.”

“Oh…kay?”

“Great, thanks! Bye, Duke, I’ll see you later!”

And with that, Dick is gone, closing the door to his safehouse as he dashes into the hall.

Duke is left alone in Dick’s Gotham safehouse, blinking dazedly at the empty space where he once was. He’s certainly a whirlwind of activity when he realizes he’s going to be late. He’s also skilled in just saying things and leaving before any questions can be answered.

Haly jumps up onto the couch next to Duke. They share a look, then Duke shakes his head. “You have to deal with that every day, huh?”

Haly, the good girl that she is, doesn’t say anything bad against her owner and just puts a paw on Duke’s thigh, her tail wagging.

“I hear ya, girl. Let’s go to the dog park to meet your green friend, I guess.”

He has no idea what that means, honestly. Is Dick just talking about a dog that got its fur dyed green? Or is Haly’s friend like… a mutant dog?

Well, he’s not going to find out by stalling.

Duke pets Haly, then stands up and walks to the door. Her head perks up as soon as she hears the jangle of her leash being moved, and then she’s running to the door, looking up at him expectantly. Smiling, Duke slips the harness onto her, then attached it to the leash. He gives her another quick pet before shoving on his shoes and grabbing her bag of treats and waste disposal bags.

He double checks that he has his phone, then takes hold of Dick’s spare safehouse key and steps out into the hallway with Haly. She waits patiently as he locks the door, checks that the lock holds, then runs down the hallway, ripping the leash right out of his hands.

“Haly! Wait! Stop, girl!”

She happily ignores him and goes straight for the elevator, leaving him to run after her and quickly scoop up the leash as soon as he’s close enough.

“Of course you’re a little escape artists,” he says to her, “Just like your owner.”

Haly woofs softly, then stands up and scratches at the doors of the elevator. Shaking his head, amused, Duke pushes the button to call the elevator and wonders if Dick has to deal with this every time they go to the dog park.

On one hand, it wouldn’t surprise him since Dick is absolutely the kind of guy to give in to his dog’s every whims and spoil her rotten. On the other hand, Duke fully believes that Haly is smart enough and cute enough to misbehave only when Dick isn’t around so he never believes people when they try to tell him about all the mischief she’s caused.

Dogs and their owners really do reflect one another. The internet was right about that.

Duke makes sure to keep a tight grip on Haly’s leash once they leave the apartment building. The streets are busy, as they tend to be on weekends, and the sight of Haly straining against her leash, ready to run, brings a smile to more than one face.

He plots the route to the dog park in his mind, then starts up a light jog, tugging lightly on the leash to prompt Haly to follow him.

It’s nice to run just for the sake of it. Haly makes a good running partner as well.

How long has it been since Duke had time to relax and not be prepared for the worst? All the running he usually does these days is to catch up with criminals or run for his life. Being out during the day, moving through the city, without any lives in danger? Genuinely nice and relaxing.

Maybe he can offer to take Haly to the dog park from now on. Join Dick whenever he goes. Create a set few hours where he doesn’t do anything but enjoy being outside in one of the few places where the smog of pollution and chemical toxins isn’t so thick in the air.

He’ll just have to make sure Dick doesn’t agree to something else during those days. It’s still strange to think that Dick could forget to do something involving Haly when he’s such a good dog owner and a pro at juggling various responsibilities and a busy schedule.

Well, they all have off days. This must be one of Dick’s.

The sidewalks get wider once they reach the street that leads to the park. Families fill up the space, walking with strollers in front of them or lined up at a food cart. The vivid green of spring fills the grassy fields that lead to the large patches of trees, marking the edge of Poison Ivy’s territory. Clovers decorate the ground, bees moving from flower to flower.

There are other dogs on walks as well, making circuits around the park or running after toys. Duke spots a cat in a walking harness as well and wonders if he can convince Damian to get one for Alfred the cat.

The dog park is on the other end of the park, as far away from Ivy’s territory as possible. The fenced off areas are separated into big dogs and small dogs, with a helpful guide as to which dogs go where posted at the entrance.

Duke slows to a walk, breathing deeply to help settle his heart rate back down to something normal. Haly walks by his side, tail wagging, as she watches the other dogs run back and forth behind the fence.

She’s still small, just growing out of puppy size, so Duke leads her into the small dog area, carefully making sure the gate doesn’t open enough for any quick dogs to make a break for it. He walks over to a bench and sits down before undoing the harness on her, setting her loose.

Haly licks his hand once, then darts away, barking lightly as she joins the other dogs tumbling around each other.

Amused, Duke leans back at watches as the other dogs sniff her, then do their funny little bowing stomps, moving back and forth before running off so she can give chase.

He figures staying for an hour will be good enough. That should get the most of her energy out, and then they can make the long trek back to Dick’s safehouse so he can pick her up before he heads back to Bludhaven. Pulling out his phone, Duke settles in to wait, keeping half his attention on Haly just in case any of the other dogs decide to get a little too rough.

The first twenty minutes pass peacefully. Haly runs around and the owners of the other dogs give her pets when she runs up to them. One even went over to Duke to offer him a pack of fruit gummies.

Then a loud bark fills the air and Duke jerks upright, watching with wide eyes as a colossally large dog, green and glowing and slightly transparent, comes barrelling down the street, headed right towards them.

He doesn’t have time to yell Haly’s name before the dog is in the fence. None of the other dog owners look alarmed, though, so he watches carefully, prepared to jump up and save Haly at a moment’s notice.

“Cujo!” someone yells from down the street. A guy with dark hair comes running up and smoothly jumps over the fence. “Cujo, how many times do I have to tell you not to run off like that?”

The green dog, apparently Cujo, barks happily.

“And you’re too big for this park right now, buddy. Shrink, boy. It’s time to be small.”

And then Cujo… obeys? The dog shrinks, and instead of being the size of a bus, it’s now small enough to be carried in someone’s arms.

Green dog is not enough warning for all of that. Dick owes him so much for this.

Actually, he’s kind of shocked that Dick never mentioned this to anyone. Surely a giant green dog would get people’s attention. Why is this the first time he’s heard about it?

“You new around here?” someone asks, and Duke turns to see the person who gave him the fruit gummies.

“Kinda? It’s my first time coming to the dog park. I’m looking after Haly, that one right over there.” He points out Haly, who is running in circles around Cujo.

“Ah, I see. Dick mentioned someone new would be coming today.”

Duke narrows his eyes. He’s starting to get the feeling that he’s been set up for something, but he’s not sure what.

“I’ll give you the spiel we tell all newcomers, in that case,” they continue. “Cujo is a ghost dog. Poor thing died during some animal testing, far as we know. Danny looks after him, since Cujo got attached to the kid years ago before he moved to Gotham. He’s a kind one, but very nervous, and we’ve all got an agreement to keep quiet about him and Cujo round this parts. You better be holding your tongue, as well, ya hear me?”

“Sure thing,” Duke nods. “My lips are sealed.”

He’ll just ask Dick about the ghost dog situation and do his own investigation if needed. But Cujo is just a dog, and his owner is just a guy. Nothing threatening, nothing requiring a Bat’s attention.

“Good,” they nod. “I’ll get out of your hair now.�� They’re gone before Duke can reply, adjusting the hat on their head as they head back to their group in the back left corner of the dog park.

Satisfied that things are under control, Duke relaxes back into the bench, watching Haly and Cujo tumble around with the other dogs, barking happily. Haly’s still growing into her paws, so she trips and falls often, but gets up without a moments pause, ready to keep playing.

From the corner of his eyes, Duke catches sight of someone walking towards him.

He looks over and finds Cujo’s owner—Danny, wasn’t it?—approaching. Their eyes meet, and Danny offers him a sheepish smile and a wave. His eyes are a dark blue that seem to glow with some otherworldly light, and Duke can swear he sees something shifting around him, as if the air has turned visible and twists around his body like wisps of smoke.

“Mind if I sit with you?” Danny asks, and Duke moves to the side a bit.

“Go ahead,” he says.

“You’re Duke, right? Dick told me about you last week.”

It’s looking more and more like Dick is up to something, and Duke will need to get his revenge. “Did he? All good things, I hope.”

“Aha, yeah, all good things. Um, actually I think I should apologize? I maybe said you sounded like my type so Dick promised that he’d get you here somehow. Sorry if this is messing up your plans for the day.”

Oh. Oh!

Well. That’s interesting.

Duke quietly shelves his plans for revenge against Dick and takes a proper look at Danny. He’s shy, but with a bright smile, glowing eyes and strange smoke curling around him still, and messy black hair windswept from chasing after Cujo. There’s a flush in his cheeks and his long fingers fiddle with the string of his dark red hoodie.

“Don’t worry, I didn’t have any plans today. This is way better than just sleeping all day.”

“Well, I don’t know about that,” Danny laughs, “There’s nothing I like more than being able to sleep all day. That would fix me for sure.”

There’s a loud bark, and Danny’s eyes snap back to Cujo, who is growing bigger. “Cujo!” Danny yells, voice sharp. “Shrink down, or we go home.”

Cujo grumbles, whines, then goes back to being little. The green dog only has a moment to look sad before Haly is tackling him, sending them back into another chase around the park.

“Sorry about that,” Danny says, slouching against the bench.

“It’s all good,” Duke replies. “So. I’m your type, huh?”

Danny’s cheeks turn a deep, charming red. He looks away, then nods and ducks his head down.

“And that hasn’t changed after meeting me?”

Danny shakes his head, then peeks over at Duke, gaze slowly moving up his body until he meets Duke’s eyes. “Definitely hasn’t changed,” he says.

Now it’s Duke’s turn to feel his cheeks burn, flustered and pleasantly surprised by Danny’s boldness. It doesn’t help that Danny is cute, someone he can see himself falling for.

“Good,” he says, then knocks his knee against Danny’s. “I wouldn’t mind getting to know you more. On one condition.”

“Oh? And what would that be?”

“Tell me what Dick told you about me. I wanna make sure he wasn’t sharing an embarrassing stories about me. If I’m gonna make a fool of myself, then I’ll do it myself with no outside help.”

Danny’s laugh is bright and warm and sends butterflies dancing in Duke’s stomach. “Fair enough!” he says. “And you know what? I’ll trade you for embarrassing stories. Trust me, I have so many. Nothing you’ve done can be worse that the dumb shit I do on a regular basis.”

“Woah, woah, woah, confident, aren’t we? Don’t say that until you’ve heard about some of the stupid situation I choose to throw myself into.”

“Please, I’m an younger brother. If anyone knows how to be stupid, it’s me.”

“I’m part of the disaster that is the Wayne family. I think that has you beat.”

“My parents are mad scientists and my dog is a ghost. Try again.” The teasing smile on Danny’s lips makes him want to be reckless, to keep pushing, to go down this path as far as he can. Duke can’t remember the last time he clicked with someone so instantly, to be so comfortable with them so soon.

Damn. He’s gonna have to thank Dick for this, isn’t he?

As if on cue, his phone buzzes in his pocket. Duke pulls it out with an apologetic smile to Danny, who leans back a bit to give him some privacy.

The text that pops up is from Dick. It’s a photo of him and Danny from the side, heads bent close together as they talk with bright smiles. He can just make out the wild red curls of Kori’s hair.

“I’m gonna put jello in his socks,” Duke says cheerfully, already looking around to find where Dick is hiding.

He probably already moved locations, the ass.

“What’s up?”

He holds out his phone so Danny can see the screen. Danny stares at it, then looks around, then stares at the screen again.

“...Is he watching us?”

“Yep.”

“...Should we do something about it?”

Duke shrugs. “I mean, I’m up for hunting him down and tackling him if you are.”

“I can do you one better,” Danny says with a sharp grin. He whistles, and Cujo comes running over, Haly at his heels, and he skids to a stop to sit before Danny. “Cujo. You remember Dick?” Cujo barks, as if answering. “Fetch! Go fetch Dick!”

Cujo jumps to his feet, grows from the size of a pug to a bear, and takes off for the art instillation farther into Robinson Park. Moments later, they hear a yell followed by loud laughter, and Cujo and running back, Dick hanging from his mouth, with Kori, Donna, and Roy following after him at a leisurely stroll.

“I think we’re gonna get along great,” Duke says. “He’s gonna wish he never set us up.”

“That’s the way to do it,” Danny agrees.

“Say, wanna grab lunch together tomorrow?”

Danny blinks, then blushes again. “What, like a date?”

“Yeah, as a date. You up for it?”

“How could I say no? I was promised embarrassing stories.”

He watches as Cujo drops a rumpled looking Dick to the ground, half his shirt soaked with saliva. He dramatically mimes being shot in the heart when he sees them both looking at him, and goes limp when Kori picks him up and tries to set him on his feet.

Then he tries to act very calm and cool as Danny leans against him. “Think he’s gonna follow up on our date?” Danny asks in a low voice.

Duke closes his eyes and tries not to despair. He didn’t even think of that. “Worse. He’s going to tell everyone else, then we’ll have every available Wayne kid stalking us on our date.”

“Guess I’ll have to rely on you to chase them off, huh?”

“Or we can sic Cujo on them again.”

“Or that,” Danny nods. “It’s always effective.”

He’s really going to have to bring his best to the date tomorrow, just to stay a step ahead of everyone else. Maybe he’ll ask Barbara for a favor and get her to lead them off? And if Bruce gets involved, then Duke is fully prepared to flashbang him, grab Danny, and run.

It’s going to be a disaster.

It’s going to be fun.

He’s already looking forward to it, and from the mischievous smile on Danny’s face, he’s not the only one.

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #prompt fill #my writing #dick is so great i love him sooo much. most amazing loser guy ever <3 #him befriending danny at the park bc hes investigating the guy with the green superpowered dog thats making everyone nervous #only to find that danny's a sweet kid whos stressed out and doing his best and cujo is a ghost dog who died years ago and only wants to pla #really tugs at his heartstrings and dick from then on is one of dannys closest friends #the other dog park regulars slowly get used to danny and start talking to him too after dick does and also grow super protective #dannys got a whole squad ready to protect him if duke doesnt treat him right lol #waynes vs dog park regulars: FIGHT #jk they just give very mild shovel talks that are mostly 'treat him right hes had a rough life and deserves love and happiness. or else'#thanks for the prompt!!

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rox-of-iu · 11 months

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ayoo guess who finally sat down and caught up with cultivate B)

is me. so you know what that means.

spoiler warning for cultivate ch 30-37

there was actually.... more things i wanted to draw but I already did so many I had to physically restrain myself hfsjkkdh anyway yes can you tell i love this fic very much

yet once again. cultivate by the wonderful @neonghostcat

#liushen #cultivate #cultivate: slow life on a monster infested mountain #mu qingfang #tagging him as well since theres lot of focus on him lol #and shen jiu as well u have to excuse me I love them they're meow meows #there was gonna be more sj content also but he ended up being cut in the end #wait- hdfdfhkj probably shouldnt talk about cutting something and SJ in the same sentence lmao jhfksdhfk ok bad joke sorry #anyway aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa absolutely deceased with all that has been revealed and covered in the past few chapter #actually dead wonderful powerful talented incredible showstopping never seen before #my most favourite part of cultive is its mysteries without a shadow of a doubt they're so intriguing and the reveal is ALWAYS sooo satisfyi #so the chain reaction of so many answers of the big ones tm? chefs kiss MWA #speaking of mysteries i never mentioned it before because I didn't know how to incorporate it without it being awkward but #for the longest time one particular piece of info has been rotting in my brain #and it was the off-hand comment on of the aqueduct by LQG #it is SO SILLY but THATS the one that has been just spinning in my brain FROM THEN ON ALL THE TIME it is indeed not the actually much coole #checkovs guns that have been setup nooo it was THIS hjkjsdfhksd I HAD TO KNOW where that was going AND NOW I KNOW I CAN REST EASY jsdhfkd #so yeah absolutely wonderful chapters indeed beautiful powerful #also some of you may noticed that time and time again I keep switching up the seniority between bai zhan and qian cao #and i have to formally apologize for that it is in fact not out of lack of attention to the text I'm just shdjkas #if im not mistaken qian caos position is not set in stone in canon so its free for grabs to put it in any of the free spots on the list #so i should respect neonghostcats (beloved i am so sorry) list in this case but i physically couldn't bring myself to write mqf as shidi #HSAJHS im sorry i am so biased and from doctors family i cannot put him in my head in peak seniority so low I'm sry i am legally not allowe #so lets just pretend i wrote it correctly ok sadhkas eyes closed xD #OOF th etags got long this time but im just SOOOO EXCITED WITH THIS FIC AND GOT FEELINGS OK BYE #anyway neonghostcat godspeed recovery buddy!!#also i hope using neonghostcat isnt like....calling u by your full name hdkfh but no idea to which parts i should shorten it either so hah

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mamawasatesttube · 1 month

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hot take but the timkon dynamic is Nothing like the superbat one. this is the most superficial comparison tbh

#rimi talks #id elaborate but i only have one hand to type with rn bc the other is on my dog he wants pats <3 #but timkon is much more like clois imho.#not just saying that bc i adore clois but like. tim & lois are v similar in many ways #tim literally says sooo many times he isnt like bruce and does not want to be like bruce. lol

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badnewswhatsleft · 3 months

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2023 september - rock sound #300 (fall out boy cover) scans

transcript below cut!

WHAT A TIME TO BE ALIVE

With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.

WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham

You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?

PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.

Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?

PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.

You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?

PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.

You seem generally a lot more comfortable celebrating your past success at this point in your career.

PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.

You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?

PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’

On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?

PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.

The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?

PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.

Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.

PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.

Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.

PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.

It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.

PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.

We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?

PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs). PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.

Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.

#the cover is so funny. like theyre cute but that is genuinely bug angle. that is bugs under a rock angle. THEYRE ALREADY SHORT KINGS #fall out boy #pete wentz #patrick stump #andy hurley #joe trohman #time capsule #read the charts #ANYWAY GO HERE. GO READ HERE. BECAUSE I SPENT A LONG TIME TRANSCRIBING EVEN THO TRNASNCRIBING SUCKKSSS #i looped the spell soundtrack like 5 times and got jusmpscared by track9 every time. and then i put on smfs<3 #patrick's comments about the mythologising of fob lore is so interesting #listen baby i know ur fed up and it's not ur fault but u have to understand. the story of ur band is on some genuine fanfic ass other level #the way they talk about neal avron is sooo funny #imagine being producer for this young band. and theyre brilliant but theyre also twentysomethings(derogatory)#also the way pete talks abt swift. lol. also why does he answer the q when patrick was the one in the studio lol???#ALSO also. pete being afraid of british ppl (valid and true)#and patrick pretty much taking to the uk like a duck to water (also valid and tru) is sooo funny #i rlly liked this interview i wiiiiish i got the bundle w the photobook and whatever but i was way too late :(((((((((

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crybaby-bkg · 10 months

Text

Being in the forest, you’ve come across all kinds of things, people, beings. You, being one of them, a fairy, an olden one of your kind, the kin that’s far and few to find just lurking around. So you’re special, held in high regard to those who frequent your area of the forest, respected and highly praised. Most know to bow and smile without teeth when they see you, except for one.

He’s new, you suspect, with his too big green eyes and tilted head. He takes in every part of the forest, mumbling to himself, picks at his bottom lip. His hands rests on his hips, and you notice his chest is naked and his lower half is covered in thick, dense fur. It tapers off into shiny hooves that he taps into the soft grass, and you wonder when the last time you saw a satyr was.

He’s a pretty one, you think, with thick curly green locks and curious eyes. His ears are pointed and they twitch in your direction at your giggle when he trips over a tree root. His gaze swivels over to the flower you rest on, and he perks up at the sight of it, clumsily making his way to you.

Everything’s all giggles from you, until he picks up the flower you rest on, mouth opening as the flower comes quickly to his mouth. Before he can devour you, you screech at him, something in your old tongue that nobody in a thirty mile radius could understand. But he stops, pulling the flower back, his curious green eyes widening when he finally makes out your camouflaged body sitting prettily in the bud of the flower.

“Have you no manners?” You ask, voice a huff that makes the satyr’s head tilt in the other direction. He blinks a few times before his eyes widen in excitement, mouth dropping open as he takes you in.

“You’re a…” his voice delves off, as he realizes what kind of fairy you must be. One he’s only heard of in tales, ones that are as old as time. He can’t believe he’s seeing one in real time, much less almost eating one!

“Give me your name, and I’ll forgive your indiscretion.” You offer him, chin jutting out in his direction. He knows he shouldn’t, knows you guys are full of tricks, that he should only admire from afar. But you’re so pretty in that ethereal type of way, and so, so tiny in his hands, that he wonders just how much damage you could actually cause. So he bites the bullet, doesn’t even realize that with just a name, he’s sealed his fate.

“Izuku. My name is Izuku.”

Izuku, or Deku as he likes to be called, has become so subservient to you as the days go on. Carries you everywhere, despite your wings working perfectly fine. Feeds you the fruit from trees without a single complaint, bathes you in the lakes despite his face always turning so red.

He even touches you the way you like to be touched. Lets you stay in his palm, figure hidden behind thick trees, a patch in the openness of the forest where only you two reside. He holds his thickest finger above you, watches with intent vermillion eyes as you lay on your back in his palm, rubbing your tiny little clit all over the pad of his finger. He could crush you in this position, but all he can think of is how immoral it would be to kill an ancient fairy from trying to shove you on his too big cock.

And despite using his big fingers to get you off for so long, it still isn’t enough. He’s surprised, one dusky morning, when he enters that patch in the forest that’s become you guys’ special spot, and doesn’t find you sleeping on a leaf. No, instead, Deku finds someone who looks eerily like you, only bigger in size—so, so much bigger.

Your hair looks so soft and your skin glows an eery golden haze around it. Your wings look iridescent in the slithers of morning light, as they flap lightly when he enters the thicket. Your body is bare, and it only feels that much intenser when everything is so much bigger, so easier to see in the broadening of your skin.

Your eyes are devious, with a downright cruel smile. You stretch where you lay, yawning a little, flipping on your back as you look at Izuku upside down, body bare and on display. It makes him think back to how hard he would have to strain to look in between your legs, now looking away at just how clear everything is.

“It’s time to prove your usefulness to me, Izuku. Are you ready?” You ask in a voice so sultry, he thinks he might melt on the spot. He should’ve known better than to give an ancient fairy his name, knows he’s spellbound to you and your every wish for eternity. But a part of him wishes he only would’ve met you sooner.

“I’m more than ready.”

#I’ve had this idea in my drafts for like 3 weeks now #but kept forgetting about it and then I got lazy lol #love this idea tho I’ve been wanting to write about fairy reader for a while now #but couldn’t think of anything else!!#it’s something about too big clumsy satyr izuku with this tiny conniving lil fairy that he always carries around #that just makes me :(((((#he’s so beeg but sooo gentle #omg and when you try to kiss for the first time while you’re still tiny #his eyes squint so much and he’s got this big pucker on his lips #he can barely even feel your kiss but it’s soft and light and he thinks he’s in love #and he’s so easy to tease #AHHHHH I NEED TO LAY DOWN!!!!!!#I wont him so bad #—new treat in the streets! 🍫#deku treats! 🍬#also if anyone wants to talk more about this then I’m more than happy to 👀

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