#i mean dislike it but in my opinion it was consistent from a-z even if it's Not what somebody may have wanted

[ssaalexblake]

honestly? considering 13′s general level of touchy feely (as in, touch averse in that she wants her personal space respected at all times even if she doesn’t necessarily appear to hate touching itself. She’s fine touching other people.) and how only the people she is very close to are allowed to casually grab or touch her, then the level of touching her and Yaz are at by the end is actually incredible compared to where we started? 

(she does -in emergency situations- sometimes not really pay attention if people grab her, but I mean Casually.)

I mean, sure, she’d stand shoulder to shoulder and huddle with people, and She’ll reach out to people, but instances like in Rosa where she brushes Graham’s hand off her shoulder are larger in number than just that one most notable moment. She shoos away graham and ryan’s hands in ITYA when they’re trying to stop her falling on her ass. She stops Yaz grabbing at her in the tsuranga conundrum when the Pting is approaching (and then immediately huddles yaz against a wall with her own body. That’s fine but the pawing at her is Not). By S12 these moments have stopped for the most part if only because the fam pretty much entirely stopped touching her (i presume they noticed her dislike of it). They still casually interact physically between the three of them, so it Is them reacting specifically to 13. 

A couple of times Yaz reaches for 13 only to be pushed away in a moment of emotion. 13 can’t deal with Yaz reaching for her to stop her going to set off the bomb in the timeless children. She’s panicking and inconsolable in Once, Upon Time when Yaz tries to get through to her and comfort her both with words and a gentle hand and rebuffs both these things in her emotion. 

But then, literally the Next proper moment they get together (non holo related) 13 runs at Yaz and launches herself into a hug, and when Yaz relaxes and hugs her back. That’s their Moment. When 13 actively reaches for Yaz and when Yaz reaches back. 13 melts to it instead of backing away like a twitchy touch averse cat. 

And I guess this is a long winded way of getting here but, while I don’t disagree there wasn’t a lot of physical intimacy between the two of them in the last few episodes, I actually Do disagree with people saying that was anything new and was a response to the ship being (more) textually canon. 

Because?? They never really touched before then, either. Not in any way that really actually mattered positively beyond that hug. 

Outside the hug, imo the only really Notable physical contact they’ve had was in a negative way with 13 blatantly yanking herself out of Yaz’s grasp (TTC, O,UT). Sure, 13 grabbed her hand in It Takes You Away, but It wasn’t intimate. It was actually portrayed as something that shocked Yaz, imo, which says things by itself. 

In lotsd the close but not touching is blatantly being used to stoke the sexual tension. They still do huddle, though, and are physically close. 

And then in tpotd we get what I personally consider an embarrassment of riches, tbh? A handhold to save a life with a line that i’m reasonably sure was supposed to juxtapose a line from the master in spyfall pt2 but in a positive way instead of negative like it was with him, an inverse repeat of the glass cage scene in spyfall part one with them reaching to each other through the glass barrier but with awe instead of fear. The Bridal carry across the threshold. They are basically embracing in the scene where 13′s hand starts to glow, Yaz grabs her arm (which is, ngl, the most notable touch to me in the sequence) and 13 does not pull away, she leans in and cups her cheek. They casually touch each other, it’s in no way one sided, 13 doesn’t have to have the power here. 

So I guess, No, they didn’t touch a lot by any conventional standard, but by 13′s general standard of physical intimacy and casual touching, I think she pretty much let Yaz be all over her. 

#dw shit #yaz x 13 #i am bound to have forgotten at least One moment of relevance here don't @ me i don't have #encyclopaedic knowledge even if i do have a good memory for the details #but like. 13 is not touchy. to make her overtly so would make it ooc imo #and to make yaz suddenly disrespect her boundaries would Also have been ooc #i mean dislike it but in my opinion it was consistent from a-z even if it's Not what somebody may have wanted #yaz tends to reach for 13 in moments of panic and 13 rebuffs it and suddenly 13 stopped rebuffing it. #(also. notable. ryan Asked 13 if there would be hugging in rotd. she said yes. a request is not a grab) #he gave her the power in the whole scene #i apparently have feelings here #dw meta

[destinyc1020]

I don't know if you'll even post this, but thanks for letting me vent I guess ?

This isn't directed at you, but to Tomdaya fandom in general today. I'm really disappointed in how many blogs are making fun of Timmy's body/appearance in the B.Vogue pics.

Everyone HATES when people make fun of Tom, and that's always slammed and called out as wrong. So why are the same blogs doing it to other people?

Its OK to not like him or the pics (they aren't my favorite either), but making fun of how his body/face looks is not ok.

Lol, honestly I haven't been seeing what other Tomdaya blogs have been saying about Timmy lol. Maybe I don't follow them? Cuz none of the ones I follow have even mentioned him today from my recollection hahaha. 😅🤣

Again.... I KEEP saying this: When you claim something is going on in blogs/the internet/twitter, etc. I'm more likely to actually believe you if you have REAL RECEIPTS or screenshots with proof backing what you're actually saying. Cuz without it, how am I supposed to know

that what you're saying is even the truth?? 🥴 🤷

With that said, I'll just say right off the bat that I like Timmy! I have nothing against him. I think he's cool. BTW....Have you seen my blog?? I tease everybody just about lol. 😅🤣 Usually it's all just light-hearted fun and not anything serious or malicious or anything against the person at all... I usually don't take things that seriously. Some things just make me chuckle, that's all. I even tease Tom and Zendaya from time to time lol. 😅 I teased them for their silly "shenanigans" during their breakup, I tease Z and sometimes call her "HoboDaya", I teased Tom about his silly rebounding flings lol, and for being a simp for Z, and I consistently tease Tomdaya for being simps for each other lol. Again, nothing harsh or mean....just light-hearted ribbing from time to time. LIGHT teasing is actually usually a form of endearment to me I guess?? 🤷

Believe me, you will know if I really HATE (hate is a strong word) dislike someone I'm talking about lol. It's pretty obvious when I DON'T like someone I think. 😤

With that said, while I don't like when some fandoms are mean and make fun of other actors/actresses just to build up their faves, at the same time, those same blogs/fans are entitled to their own opinions, just like you're entitled to yours! 😊

If you don't like what someone is posting, you can always unfollow them. Like I said, I haven't seen a bunch of Tomdaya fans/blogs making fun of Timmy's body, but I don't think anyone should body shame someone. At the same time, I thought there was that one picture in the shoot that just looked a little strange to me lol, but hey...maybe some people liked it? Everyone has their own personal taste. But bottom line: Idk about other people, but I personally don't have anything against Tee-mo-tay lol... I just lightly tease just about everyone on my blog at times lol.

And I agree w/you... I think that teasing someone JUST because they're not your "fave" is not right. And no, I don't like it when people do that to Tom either.

Now, if people have valid reasons for not liking that particular celebrity/actor (like they're a certified douche for example), then that might be a different story. 🤷

[boop-le-snoot]

PARTY FAVOURS | CHAPTER 5

Rating: Explicit.

‼️TW: Reader is EIGHTEEN! Recreational drug use, smoking and alcohol consumption, deeply internalised self-loathing, very questionable moral standards. Daddy kink taken half-seriously. BDSM themes in later chapters - explicit content will come with it's own TWs. FIRST PERSON POV.

Summary: You're Peter's classmate, a child of rich and famous but uncaring parents. Getting paired up for a lengthy project with the boy was an interesting turn of events and you don't know whether to feel blessed or cursed when you develop, seemingly, a perfectly normal, harmless crush on Tony Stark. Fueled by feelings of inadequacy and boredom, your life spirals out of control - and you're lucky your newfound friends are there to pick up the pieces even if you cannot find it in yourself to believe these amazing human (and not so human) beings voluntarily give you more than a fleeting glance and an offhanded thought. And they brought cake!

A/N: Revenge is sweet but a well-timed dick joke is sweeter. xoxo gossip girl. Please supervise one Bucky Barnes on the internet. Questionable music taste. Detention is the price we pay for justice. Bruce Banner is too precious for this world, too pure.

THE TAG LIST IS NOW OPEN! @another-stark-sub ​ @mostly-marvel-musings @vozit​ @littlegasps​ @pilloclock​ @shereadsinquiet​ @downeyreads​ @hermione-grangers-wife​ @individualistfem​

Beta read by the lovely and patient @miscmarvelwritings ! 🎶🎵I love you biiitch ain't ever gonna stop loving you biiitch 🎵🎶

"Initiate phase one," I added a growly undertone to my whisper, holding my phone inconspicuously, as if I was making a simple phone call. There was no answer but I didn't expect one: I was testing the voice recorder app that I had downloaded for the sole purpose of documenting and relaying the inevitable fall of one Flash Thompson. 

Making my way through the crowd of students during the busiest time of the day, I made the most intrigued and outraged facial expression I possibly could. Spying my targets, I leaned against a nearby wall, putting a hand over my mouth in fake outrage, keeping my eyes wide and trained on the opposite wall. Just as I had predicted, the two sophomore girls started giving me side-eye by minute two of my staring and finally approached me as I contemplated the wall for whole five minutes.

"I'm sorry, are you okay?" The brunette asked, her blonde friend hanging a step back.

"Yeah, totally," I mumbled. "I'm, like, shook beyond imagination, but nothing, like, bad."

The girls traded a curious look, seemingly coming to some sort of conclusion. The greedy gleam in their eyes had me internally cheering. "What happened?" The blonde one asked, coming closer.

"I'm not sure if I should tell that to anyone," I stammered, watching them bodily move forward. "Well, okay, I can't keep quiet. But you must never, ever speak of it or I'll get expelled or something," I said nervously. They both nodded so rapidly it reminded me of Funko Pop figurines. "You know the senior guy, Flash? Brown hair, kinda hot?" Again, they both nodded, conspicuously grinning. "I think I just saw him in the closed girls bathroom on the third floor with, like, some brunette from Ms. Johnson's History class," They both gasped. Predictable. "But that's not the worst! They were like, y'know," I made an obscene gesture with my hand and they instantly covered their own mouths with their palms in shock. "And the chick was like 'is it in yet?' and he was like 'yah' and I just closed the door and ran, oh my god I hope they didn't hear me," I squealed at the end, playing the part of a mortified teenager.

All three of us giggled uncomfortably for a moment. The blonde girl stared at me suspiciously. "And what were you doing there?"

I faked a nervous stammer, looking around briefly and showing them my lighter for a moment. They both gasped and nodded in recognition. "Don't tell anybody or my mom is going to have kittens," I pleaded. Both of them nodded solemnly, noticing their own group of friends approach. I used the brief moment to get lost in the river of pupils and by the time they turned around to introduce me, I was already at the opposite part of the hallway.

For the time being, everything seemed peaceful. There were a few giggles and side-eyes directed towards Flash Thompson but nothing out of the ordinary. He was disliked by most of the student population even if nobody dared to admit it outright. I took care to walk around without my earbuds for the day and pulled out my phone to record the most interesting conversations around me whenever I caught the tell tale signs of a gossip mill beginning to run its course around the school.

"Oh my god, I heard about this girl that was caught fucking Flash in the girls bathroom and she literally said 'is it in yet', can you imagine the shock, jeez!"

"Some chick literally just rejected Flash because his dick was too small."

"Rebecca from AP chemistry told me someone saw Flash's micropenis. Poor guy!"

"I wonder if his girlfriend dumped him because he can't do shit, I mean, he doesn't look like the type to eat the kitty."

Those were just the highlights of the Friday afternoon. Come the weekend and the news of Flash's unfortunate condition will make the rounds through every single group chat that the school has and by the time Monday rolls around, nobody will have a clue who started the rumour in the first place. I had to carefully select the girls who were to distribute the rumour and I was happy with the outcome: Marissa and Layla with their squad of chatty, bored rich girls were the perfect choice. I thought they would jump at any opportunity to cause drama and I was right.

It was sufficient to say I was bristling with pride as I cut and compiled the audio track from today's school day before sending it to the group chat.

Clint, Peter and Natasha appeared online as soon as the message delivered and I was delighted at their response. Romanoff's kind words, specifically, made me all warm and mushy inside. I didn't resist the feeling, basked in it even as I did a happy dance around my room. Peter's nonsensical string of emojis was another point of laughter for me. 

It wasn't exactly the smartest way to go about killing Thompson's reputation... Alas, simplicity is the way to success when it comes to large crowds of teenagers. That tiny little vindictive part of me was very much looking forward to the weekend and the results of the inevitable distortion of the rumour I had started. Who knew, maybe by Monday Flash Thompson would not only have a micropenis but horns and hooves as well.

Near bedtime, I had all the avengers send me their regards and thumbs up. I answered the flurry of texts as quickly as I could but there was no point in keeping up with ten or so people constantly streaming their questions, opinions and comments. 

I settled on a single easiest response: pulling my dad's old uni sweatshirt over my tiny lacy pajamas to preserve some modesty, I settled in front of my mirror, turning on my Bluetooth speaker to play "Boss Ass Bitch". In true gen-z fashion, I put on my best resting witch face and solemnly lip-synced to the song's eponymous chorus. My eyeliner was sharp enough to cut paper and my prismatic highlighter glittered enigmatically in the cold light of my blue lava lamp.

The response was, once again, delightful and I genuinely belly-laughed at the adults' attempts to meme after Peter. His blushy face emoji started a whole nother conversation that I didn't participate in but watched from the sidelines with glee, snorting every time his friends and mentors gently teased him about the very obvious crush he harboured on me. 

Seeing Peter starting to go absolutely nuts, I interjected with an offer (more like a dare) of a lip sync battle. He jumped on the bandwagon, immediately going offline to undoubtedly film an epic video of what I thought would be dorky-dancing to some hipster song. I was pleasantly surprised when it turned out to be a pre-recorded tik tok video of him and Ned fighting with lightsabers while mouthing the words to Fergalicious that played over the Imperial March.

Weirdos. I still followed him on the app, though, it was pretty funny.

Bucky interjected with a very well executed rendition of "Bring Me to Life": he was wearing his full Winter Soldier get-up, complete with an AK-47, dramatically serenading Steve who looked seventeen shades of done with his partner's antics. Wanda's following twenty second voice message consisted of nothing but pure hysterical laughter, summing up everyone's reaction to the video. Bucky was going to go viral one of these days...

Obviously, I had good competition and nobody else seemed to want to participate so I rearranged my surroundings a little bit and stood up at my full height and swapped the old sweatshirt for a cute crop-top hoodie. My thigh-highs were on display and with my make-up, I looked like a proper internet e-girl. I leaned against the mirror as I mouthed along to the song with my best interpretation of the famous Lucifer smirk, seasoned with a tiny bit of angelic innocence: "Doctor, doctor, give me the news, I got a bad case of loving you..."

Needless to say, I won the competition. Eventually Wanda joined in, looking menacing and ominous with her dark clothes and Natasha's red hair flashing somewhere in the background; even Tony did a round (AC/DC as his soundtrack of course) with one of his Iron Man suits but nothing beat my stunt and the reaction that it caused.

I had accidentally called out Bruce with the choice of my song and his teammates gave both of us a lot of cheeky comments about it. We relented and flirted with each other a bit as the conversation flowed into more mundane discussion; I said my good nights somewhere between Tony's bitching about the hobbies of my generation and my nightly skincare routine. The little green heart that I'd become accustomed to over the past few weeks greeted me just as I was about to lock my phone.

Bruce was really too precious for this world. My crush on him was different than the one on Tony, it mellowed out in comparison. I wanted him to hold me, to stroke my hair, to call me his darling and wrap me up in one of those dorky button-ups that he insisted on wearing in spite of Tony's unwanted, however very valid, fashion advice.

For all that's worth, the scientist probably knew or at least suspected and had the good grace to play along just enough to satisfy my deep need for attention... Without crossing any actual lines. It was frustrating, it was disappointing but I had virtually nothing to complain about. Besides, I didn't want to lose the quirky friendship that we had. Banner was, probably, the least judgemental person I knew and I wasn't about to trade that for an awkwardly stolen kiss.

Monday and Tuesday passed in a flurry of giggling and snorting every time Flash walked by. His girlfriend broke up with him, very publicly, accusing him of cheating and he didn't even deny it - just insulted her and stormed off, leaving even his friends looking lost and clueless. I started dragging Peter and his two pet nerds along with me just about everywhere I went in case Thompson decided to do something stupid again. If judging only by the looks he was throwing our little company, he was on his way to figuring out who began nibbling at his reputation.

The week was coming to an end and the rumour began dying off, slowly. That just didn't sit with me, I wanted the fucker gone. Due to the obvious time constraints, I approached MJ regarding Peter - after a brief argument, we came to an agreement regarding Peter's safety should I need to leave him alone in the hallways or at lunch. 

I needed to do this alone so if I got caught, I won't drag them down with me. Granted, I would probably get something like a suspension and the school will attempt to call my mother (she never picks up) but that's about it. That's where her reputation comes in handy-people consciously avoid dealing with her, she can be that unbearable.

But first, I needed to get a teacher that's on my side. After carefully considering the candidates, I settled on my Social Studies professor - he taught the college-level classes and was overall a very chill, nice dude. And he disliked bullies with a flaming passion. So it didn't take me long to work him into a righteous fury - just a quick chat over a cup of tea in his homeroom and a few pictures of Peter's bruised face, complete with my own pleading puppy eyes. We agreed Mr Davies would "accidentally" leave the teacher's lounge unlocked during third period and I would sneak in. The plan wasn't foolproof but if it worked, not only Flash, but also his whole misogynistic, bigoted family would go down.

As I was leaving, Mr Davies looked up at me with a bright smile: "Give them Hell, alright?" And I suddenly noticed he was, in fact, very attractive. The smile brought out the fine wrinkles around his mouth, the crow's feet around his eyes - he smiled a lot. Silver strands mixed in with the wooden brown of his hair.

I let my eyes slide over him briefly before baring my teeth in return. "I owe you one," I don't know what possessed me to say that. My mouth really had a mind of its own sometimes. The room suddenly became hot.

"Sure," He replied, totally oblivious.

On Friday, I made myself a small nest in the empty classroom opposite the teacher's lounge and sat waiting for the signal from Mr Davies - he'd tap on the door once and I'd quietly go inside the teacher's lounge, retrieve Thompson's file and make my way back to the empty classroom to grab my backpack and carry the file to my locker for further examination. 

The first part went successfully and I managed to snag Thompson's file. It was heavy and hefty, all the evidence of his rowdiness compiled into one flimsy plastic folder. There were A LOT of pink slips and I rejoiced internally: at least there was a paper trail of his exploits. The principal didn't do anything about it which was... If not against the rules then at least frowned upon; the plan was to take copies and anonymously submit them to the school board prompting at least an investigation into the blatant disregard for Flash's immoral and illegal behaviour.

On my way back I stumbled upon the principal herself which got me not only a stern talking to, but a whole detention for skipping class. Whatever, I was too elated from potentially ruining the life of a dumb fuck who ruined my friend's face.

Surprise came in the face of Mr Davies, who, having heard the commotion in the hallway, stepped out of his class and saw me being lectured by the principal. 

"I'll take her for the detention," I heard the familiar voice behind me. The principal nodded solemnly and I had no choice but to sigh in resignation. "Three thirty, be here," He nodded to me, walking back, looking way too smug for his own good. So I wasn't the only one excited about the successful completion of stage two of my nefarious plan. Cue evil laughter.

#tony stark x reader #tony stark x y/n #bruce banner x y/n #bruce banner x reader #stephen strange x reader #Stephen Strange x y/n #bun writes #party favours #author doesn't advocate for small dick jokes but tbh the abusive fucker deserves it

[crusherthedoctor]

Sonic Heroes: Sweet or Shite? - Part 1: SILVER

There are some heroes I like. And there are some heroes I don’t like. But why do I feel about them the way I do? That’s where this comes in.

This is a series in which I go into slightly more detail about my thoughts on the heroes in the Sonic the Hedgehog franchise, and why I think they either work well, or fall flat (or somewhere in-between). I’ll be giving my stance on their designs, their personalities, and what they had to show for themselves over the course of time. Two things to keep in mind:

1. These reviews will be focusing mainly on game portrayals. Though alternate media will occasionally be mentioned, it'll be for the sake of adding onto a point if a portrayal is similar enough, or to compare and contrast if a portrayal is different enough.

2. These are just my own personal thoughts. Whether you agree or disagree, feel free to share your own thoughts and opinions! I don’t bite. :>

Anyhow, for today’s installment, I decided to challenge myself by starting off with a complicated one. Born from the future, and never content to stay put in said future, it's the saviour whose debut came from the most unfortunate game... Silver the Hedgehog.

The Gist: Once upon a time, in the distant future, there was an idealistic young hedgehog named Silver, gifted with the power of telekinesis for reasons unknown. With his amazing potential, he was truly destined for a wonderful, prosperous li-just kidding, it was shit.

“All two of us.”

For as long as he knew, the world was forever plagued by Iblis, the terrible Flames of Disaster. Cities stood in ruin, flames stood high, the floor was lava... it was a bitter life to be certain, all thanks to Iblis. Not even defeating the titular creature did much good, since it would simply come back to be a shitty boss fight another day. What was he - and his friend, Blaze, a character we definitely never saw before and definitely didn't have a completely different backstory before - to do?

Trust the first person he sees, of course. Even if they look like they might be related to the same Flames of Disaster that he fights so constantly.

If he had eyelids, he'd be winking at the camera.

This mysterious fellow, Mephiles the Dark, informed Silver that if he were to wipe out Iblis for real, he would need to take a trip into the past, and eliminate the root of the problem... Sonic the Hedgehog? That was what Mephiles claimed, yes. What was his proof? There was no proof.

That was good enough for Silver.

Oh look, it's Fleetway Sonic.

After an elaborate series of events, which should sound exciting but really isn't because it was just Silver going “Iblis Trigger grrr” in varying tones of voice, he was finally able to corner the blue hedgehog... twice! And despite having less fighting know-how than the hero who saved the world plenty of times, he effortlessly came close to killing the blue hedgehog... twice!

This looks like a jobbing for...

Why twice? The first time was halted by Sonic's friend Amy Rose, who Silver had met beforehand after she mistook him for Sonic, an understandable mistake that even the keenest of eyes would be forgiven for making.

The second time was also interrupted, this time by Shadow the Hedgehog. There's only room for one controversial non-blue male hedgehog in this franchise, sonny boy. Actually, his reasons were more benevolent than that: he wanted to show Silver the truth about what was going on, by time travelling to the incident that gave birth to Iblis. Why was one able to to this, so long as more than one Chaos Emerald was present? No one knew.

That was good enough for Silver.

“I challenge you to a dumb-off.”

As it turned out, Iblis was one half of a sun god called Solaris, the other half being the aforementioned Mephiles. The Duke of Soleanna wanted to reunite with his late wife by harnessing Solaris' power, which succeeded from a certain point of view since he's dead now too. The resulting blunder split Solaris into two halves. One half was all brawn, with little capacity for intelligence. The other half was Iblis.

Understanding the error of his ways, and after making peace with Sonic, Silver went back to the future to try something different, which consisted of doing the same thing he always did. Luckily for him, the script decided it would work this time, albeit at the cost of Blaze sacrificing herself... Maybe? Sort of? It’s not entirely clear what happened to her, and it’s not like this was the last we ever saw of her.

~La laaaaaa, la laaaaaa, la laaaaaa, heading to a better game, la laaaaaa~

But ohhhhh nooooo, turns out THAT didn't solve anything either! In the present, Sonic was killed by Mephiles, after the latter realised he should probably do that already if he wanted to make any progress at all with his plan. This incident led to Iblis being brought into the present, and they fused to become the omnipotent Solaris once more. Such power... such divinity... such devastation...

Actually, he was really easy. The antlion from Underground Zone was harder.

Manchild robots - 1, god of time - 0.

With their super forms in tow, Silver, Shadow, and the revived Sonic joined forces to defeat Solaris, with Sonic in particular going the extra step in retconning Solaris out of existence entirely. Since time itself reset, meaning Iblis was no longer a memory, Silver's timeline was given a second chance. What was he to look forward to in this new, promising future?

Shit.

The Design: Let's take a closer look at Silver's appearance, shall we?

Or rather, a certain thing that's wrong with it.

He's holding up fifteen fingers.

Yes, you all know what I'm pointing to: the hairstyle. Let it be known that I'm very aware of the intention behind this design choice. It's supposed to be based on the Japanese Red Maple Leaf, which holds a lot of relevant symbolism for Silver's character. This is a fine idea in theory, and I can respect the intent and the creativity.

But here's the thing: If it looks like a ganja leaf, people are going to say it looks like a ganja leaf. I know some fans will gnash their teeth at me saying this, but the fact of the matter is that intentions and ideas, no matter how good they may be on paper, don't always translate well into the final product. Unleashed Secret Rings Black Knight Sonic '06 in general is certainly no stranger to showcasing examples of that, and Silver's hairstyle is no exception. There are ways to incorporate symbolism in a character’s design without making them look like meme bait in the process, and no amount of “umm ackshually” will change that, I'm afraid.

That said, there's another reason why I'm staying clean of Silver marijuana: it doesn't work for a hedgehog character. With the other hedgehogs, their hairstyles are simple and get the point across: Sonic's goes without saying, Shadow's is more angular to befit a slightly rougher hero, and Amy's is a cute bob cut of sorts. But Silver? Even without the ganja, you've still got the two tentacles making up the back of his head.

I'd rather not be reminded of hentai quills, thanks.

“I thought Crusher-san would like it :’(”

I do find it hilarious that they went through numerous designs for Silver, and this was what they chose to go with. Some of his prototype designs may have fared better had any of them been used instead... but we didn't end up with any of those ones. We ended up with this one, therefore I'm judging this one.

But don’t worry, it’s not all bad with Silver...

The Personality: As far as actual character goes, Silver's personality is as straightfoward as most characters in the series, yet it's no less interesting, because it took a while for it to fully evolve to what it currently is. The seeds of his character - a good-natured yet awkward and rather insecure kind of guy, who doesn't fully understand how the present time works - have always been there, but it was often downplayed in earlier titles due to him being hungry for Iblis Trigger blood... or being an arsehole for no reason.

Although to be fair, everyone in Rivals is an arsehole for no reason.

Eventually though, after the writers gave him a Snickers, these traits got more opportunity to shine. Mostly in side media admittedly, but it's been noted in the games as well. With no Iblis to angst over, he's proven to be a surprisingly bubbly chap, who just wants to know how you're all doing, fellow anthro kids. And whereas his naivety was previously used for intended tragedy to benefit the evil plan of a guy who thought taking the -istoph- out of Mephistopheles would make him inconspicuous, now it's been used for a bunch of low-key contexts that do a much better job at endearing him to the player.

Finally, something I can relate to.

Hell, he even seems to have learned from the Mephiles incident, as he was quick to make it clear to the next shadowy deep-voiced anthro with demonic eyes he met that he wasn't gonna fall for any of them fibs no more, ya hear?

“YouTube and Twitter don’t count.”

All in all, it works well enough, in my opinion. His personality does pave the way for some funny and wholesome moments, and since they’re no longer trying to build him up like he’s Shadow 2.0, he's nowhere near as much of a tool as he was before. So I guess you could say... I like it?

Does this mean I can say that I like the character as a whole then, design and '06-induced idiocy aside?

Well, not quite...

The Execution: This is where the complication part comes into play. We know now that I like his personality, not so much his design, but that's only the half of it. It would be more accurate to say that I like his personality... and dislike everything else.

Aside from that, obviously.

For starters, the creation process for his character and story was summed up with, in their own words, “Think Trunks from Dragon Ball Z”. So he comes off as rather lazy and uninspired. Now I'm not expecting my Sonic characters to be 100% unique, there's always going to be similarities to other franchises no matter what you do, even if subconsciously or by complete coincidence. Taking inspiration in itself is no big deal at all.

But... was that it? Copying a DBZ character to such a blatant extent? Was there no other thought put into it?

Naturally, this ties into an overarching problem: the franchise's mid-00's habit of trying way too hard to be the anthro Dragon Ball Z. Sonic has had DBZ influences since the early days, with the Chaos Emeralds and Super Sonic, but it didn't assimilate itself into every waking aspect of his universe. It was merely an additional flavor that added to the complete package, in the same way that a Death Star with a moustache didn't mean the franchise was suddenly Star Wars the Hedgehog.

But come the turn of the millenium, nearly every main title in the series ended with Super Sonic and/or Super Shadow saving the day, while everyone else either stood around being useless, or only helping in ways that no one actually cares about. Including the in-universe President apparently, since only Sonic and Shadow were featured in the photo on his desk.

Amy smiled. “I guess the rest of us can go fuck ourselves, huh?”

This reached its peak with - of course - Sonic '06, with Silver in particular being an obvious result of this then-ongoing trend. And yes, it would be unfair to use him as a scapegoat, considering it was already a problem long before he turned up. But moreso than even Shadow, it's an era that Silver is forever a relic of, for better or for worse.

But it doesn't stop there. Since Silver is considered a mainstay character, his gimmick of being from the future also creates problems of its own, because in order for him to make further appearances, he keeps turning up for little explained reason, and thus he suffers the Deadly Six problem of being shoved into places where he doesn't belong, for fanservice's own sake. Take Sonic Colours DS for example, where he went back in time JUST to check out Eggman's theme park... Okay...?

On one hand, I’d visit it too, since it's made by Eggman. On the other hand, I’d stay clear of it, since it's made by Eggman.

And when there IS a justification with more weight to it? It's just recycling the '06 routine of trying to avert his ruined future, which isn't much better. The cause may differ depending on the story, but if his future is a permanent shitehole for one reason or another, he might as well cut out the middle man and stay in the present altogether, since that's where his friends are anyway. But they seem intent on not doing that, despite the future schtick being a noose around his neck at this point.

In hindsight, maybe this was a hint to how the rest of the arc would turn out.

And then there's his dynamic with a certain purple cat... No, not Big. The other one.

“I’m here, by the way.”

Simply put: I don't like this dynamic. At all. Or rather, I don't like how they keep milking it. Blaze's backstory was radically changed to justify her presence in Silver's future, and it really shows, since she barely even shows up half the time, as if the developers themselves forgot she was in the game. But her backstory has since been restored to her original alternate dimension interpretation, so hanging around with the grey hedgehog is all good now, right?

To be brutally honest, I probably wouldn't care for this dynamic regardless. But I would be more willing to tolerate it, and I'd refrain from groaning every time they're seen together... if they weren't intent on playing it up so much in spite of '06 being wiped out, sometimes with a bit of commentary involving their thoughts and memories, which only succeeds at making things more confusing. If Blaze is around, Silver will be nearby, and if he's not at first, he will be soon enough. This franchise does have a problem in general with restricting who's allowed to interact with who (I personally believe Sonic Heroes may have led to this, or at least it accelerated it), but I'd argue it's at its most insufferable here, with Blaze's potential and her entire world taking a backseat to being the sidekick of Ganja Man.

And you might say “Well, it's part of the franchise now, so you'll just have to accept it”. To which I ask: Have you accepted Two Worlds? Have you accepted Solo Sonica? Have you accepted Sonic's friends not doing much as of late?

Yeah. That's what I thought. “It’s just how it is” doesn’t mean you can’t criticise it.

Meanwhile, Marine is lucky enough to get so much as a shout out.

So yeah, I have quite an extensive list of grievances involving poor Silver. But... very little of it has to do with him, right? They're all indirect problems that he just so happens to be linked to, as opposed to someone like Chris Thorndyke, who is genuinely a shit character through and through. This is more comparable to Tails being bitchy in Lost World, or Amy being manipulative in Chronicles, or Sonic being a smug dumbass in IDW, or Shadow not wearing a Hawaiian shirt in Boom. Frustrating, regrettable, but not really the character's own fault.

Yet even after all that, there's one last kick in the teeth... How do you fix all this? And how do you fix it when he's since gained a sizable fandom, many of whom like him for these very attributes? If you leave it as it is, you're stuck with this big, awkward mess that everyone pretends to ignore. If you try to do something about it, you'll get complaints about disrespecting the True Silver Spirit, and you’ll get questions about why you didn't create a new character instead... And if you did use a new character for the sake of a clean slate, THEN you'd get complaints about not using Silver.

It's a tough call to be sure, and it's such a shame because like I said, I do appreciate his personality, so I can't say he's bad outright. But with all this... clutter, I can only put him in the average category. So, in he goes.

Crusher Gives Silver a: Thumbs Sideways!

Well, I'm glad this one's out of the way. Putting my thoughts into words with Silver was harder than it should have been. I do slightly regret starting this series off on a rather downer note, but rest assured, it's a lot more positive from this point onwards, since while I have higher praise for some heroes more than others, the hero characters as a whole fare a lot better than the majority of villains not named Eggman.

I guess you could say that I hope to show why Sonic's friends aren't as shitty as the haters would suggest. ;)

#Sonic Heroes: Sweet or Shite? #Opinion #Sonic the Hedgehog #Silver the Hedgehog

[viroro-kun]

My Review of the Pokémon Sun & Moon Anime (2019)

[The following post is a repost of a thread originally published on Reddit in November 17th, 2019, titled “My final review of the Pokémon Sun & Moon Anime”, which I’m sharing here again for archival purposes. I may eventually do a new one and this post is meant to only reflect my thoughts at the time. It will also not be updated with later information to keep it consistent with the original] About two weeks ago, the Sun & Moon series of the Pokémon Anime concluded after a run of three years, ending up as what's probably one of the most controversial entries of the show, with fans either loving it as a fresh take on the series or disliking it for several issues that cropped up over time. Now, after reviewing the series for the length of the aforementioned three years and at the eve of the beginning of the newer series, I'd like to pass my personal, final judgement of the Alolan series. Now, first of all, I think a preamble is necessary: all of what I will explain is my opinion and nothing else, and this isn't meant to be senseless bashing of the Sun & Moon series, either. I treasure striving to be objective and analytical above all else, and while I of course can't claim mine will be an absolutely perfect and objectively correct review, I will do my best to share my thoughts on the matter, while explaining why I feel this specific way.Secondly, I'd like to address an argument I've occasionally seen brought up, that due to Sun & Moon's seeming focus on comedy and slice of life it's not possible to compare it to previous seasons. And while that may apply for some specific choices it made, I don't believe that's the case: it was still set in a new region of the Pokémon world, still had Ash undertake the local region-wide challenge, still had a structure involving unimportant self-contained episodes (which we could call 'filler' in an useful but technically inaccurate definition) surrounding the plot-based ones, and still ended up with a League at a climax for it all. Therefore, at least on a structural and plot standpoint, there are enough commonalities to make a comparison possible, and that's where I plan to dig in particular to explain my stance.

Before I move to the meat of it, however, I want to spend some words of praise for some things I feel this series did right or at least deserves some compliments for, overall. First of all, I think that Sun & Moon does great in mantaining a chill, comfy atmosphere which to a degree makes it stand out from previous seasons, and I understand why this was appealing for some previous fans of the series. Most of the cast is pretty likable on the whole with particular props to Ash's Alolan Pokémon team managing to mantain lots of expressivity in all situations, and the series has a decent willingness to explore some concepts previous seasons only lightly touched on. The show also foregoes a lot typical Team Rocket shenanigans for different kinds of plots, making it great for people who find their usage stale and played out by now, and the simplified art style allowed for some pretty good sequences both in battle and out. At its best, the series can produce some of the best moments of this Anime as a whole, and it was at least the first series to let go of some limitations that were just weighting the show down at this point. While I think several of these pros also have indirect cons attached to them (especially in terms of tone and character usage), these are all things I feel need to be pointed out in positive for the series.With that said, I'd like to begin my proper dissection of the Pokémon Sun & Moon Anime.

Pokémon Sun & Moon - A Pokémon Anime in an Identity Crisis

1. Plot Pacing and Development: The Problem of the Stationary Setting and the "Happy Bubble"

Everyone who has heard of the Sun & Moon Anime is probably aware of its biggest break from tradition: rather than being an adventure series, this entry in the long-running Pokémon series decided to take place in a single location with occasional detours by having Ash enroll in the Pokémon School, shifting the general tone of the series towards a more slice of life approach. This had a significant effect on how the story developed, but in my opinion, if there's a fundamental issue of the Sun & Moon series, it's probably this one. Because rather than committing to the change, the writers appeared to want to have their cake and eat it too.

Specifically, adventure series and slice of life have radically opposed mission statements: for the first, progression and rising action are an important, consistent story engine moving the plot forward; the second is instead far more laidback, focused more on enjoying the moment and offering low stakes and drama more often than not, especially Sun & Moon's chosen brand of it that's closer to a sit-com than a proper slice of life. Pretty much, adventure series have a degree of development in them, while slice of life is defined by the lack of said development.

Now, I'm not saying Pokémon characters were always amazing examples of character development, or that every series prior was well-written. But the structure itself was sound, as you had Ash embarked in a defined goal of winning the League as part of his vague dream to become a Pokémon Master, having filler adventures on the way, but always undertaking rising action from the first to last Gym and occasional rivals, until the climax of the journey at the League (and in Kalos' case, the Team Flare arc). We see Ash, and occasionally his friends, actively train, fight or improve on the path to their goals, while the narration itself always reminds us of what the current major objective is. Even when the episode doesn't actually contribute to the larger story, the viewer always has a reassurance that the next objective will be reached eventually.

The structure of Sun & Moon, by comparison, is inherently more passive more often than not, as you have Ash and the others waiting for the plot to happen to them. Instead of having Ash actively seek a new challenge, you see him sitting down and wait for something specific to make him go and progress, and so does everyone else, with only rare exceptions. The characters are effectively static until the plot decides to move them, and while this could superficially resemble the previous structure (as both have a progression that could be defined as arbitrary), the Sun & Moon series barely, if ever, reassured the viewer to still remember the goals it set up, or even what the next one to come is.

Now, inherently, the characters being passive recipients of plot isn't a bad thing, it's just how slice of life stories tend to work. The problem of Sun & Moon, however, was that beyond the vague and SoL-friendly concept of Ash at the Pokémon School they still had Ash pursue the Island Trials (and in fact, he's impressed by the concept of mastering Z-Moves before he even enrolls in the school), which gave the show a problem: it wanted to be a chill story focusing more on small time hijinks than big adventures, while still taking on a structure that demanded to follow the rules of an adventure series, creating an inherent contradiction.

What I mean is that, since the Island Trials were still part of Ash's stay in Alola, the show was still supposed to abide to the rising action leading to a climax, giving the show a direction that it had to fulfill by its end rather than have an open premise with occasional plotlines (example: GeGeGe no Kitaro, where the open premise is 'Kitaro deals with evil Yokai' with every other longer plotline spinning from there). It's something that pretty much prevents the viewer from fully enjoying the more quiet romps, because in the mind of a viewer expecting progression, these are just a diversion over the more important goal Ash has in the region. Now, in fairness to Sun & Moon, the show seemed aware of the tension and made sure to tie each Trial Ash did into either school trips or wanting to get specific Crystals, but beyond making it seem like Ash didn't care much for something he claimed he wasn't interested in (especially with wanderlust being a previously estabilished character trait of his), this ran into another big issue of Sun & Moon: rather than a sense of rising action, pretty much every Island Trial Ash did was narratively unrelated to each other, especially once it was revealed that Ash didn't need to complete any of them to access the Alola League, in contrast with how every badge was important and necessary in previous regions.

This specific issue wasn't however unique to Ash, but rather a persistent problem in pretty much every element and story arc of the series: be it Ash's quest, Guzma's struggles, Rowlet's rivalry with Hau's Dartrix/Decidueye, Lycanroc's rage issues, Lillie's goal to be able to touch every Pokémon again, the Necrozma and Aether arcs to even the Alola League and anything in between, almost all of them had only the bare minimum of buildup and either ended as soon as they got teased or happened to be sidelined for a large amount of episodes before they got their due focus, if not both at once. While some of these arcs ranged from alright to pretty great (Litten's pre-capture arc dealing with Stoutland's passing, or the Guzma-related segments of the Alola League), there are quire a few (chiefly Necrozma) that were ruined by a combination of lacking setup work and the feeling that, simply put, nothing mattered that much. Sure, the arcs could be mentioned here and there, and some can set up things for the future (like how Aether leads to the Ultra Guardians), but on the whole, the arcs are effectively done-in-one in terms of lasting impact. Unlike how in previous shows you could've had stuff like Ash's and Dawn's intertwined journeys, here you have Stoutland lose relevance in terms of influence to Litten as soon as he dies, where save for Stoutland brief cameo as a spirit on Poni Island his storyline got shifted in the unrelated rivalry with Kukui's Incineroar.

This last example, in particular, brings up another of the big issues of Sun & Moon, one that can be divided in three parts: plot pacing, plot segregation, and the "happy bubble".

In regards to plot pacing, one of the most notorious problems brought up for this series is the fact that, to put it simply, each plotpoint will only progress when the show decided they have to, which led to things like Lillie going almost an entire real time year between getting her Z-Crystal and then her Z-Ring, or Ash doing absolutely nothing about his Lycanroc's raging issues for getting dirty for close to thirty episodes before they happened again in the Ula'Ula arc, during which neither character gave any hints of even thinking about these lingering elements in any way even if it was clear setup to be followed on. This, coupled with the aforementioned lack of a constant reminder of the next destination, just made for a frustrating waiting game in terms of the next major point of progression.

A related issue is the plot segregation, or specifically, how each major arc is effectively removed from the others, from Kiawe and Sophocles' occasional focus episodes to more important stuff like Lillie's Pokémon phobia, her and Gladion's later interest in finding their father, Lana's desire to create a balloon to explore the ocean with, Ash's Island Trials, and so on. It made these characters feel like they exist in their own separate paths, never to intersect, something the evolution episode in the Poni Island arc somewhat exemplifies since Sophocles' and Lana's efforts happen on completely distinct plotlines and locations. As I explained above this also happens with major arcs, like how the Necrozma arc's only contribution to the wider narrative was sending Poipole home (and given its later offscreen evolution and power up, one could make a case the arc had a negative impact on the series). The segregation also had the effect of having the plot act like something flat out doesn’t exist unless it has been directly showcased, leading to such goofiness as Kukui's best friend Molayne not being invited at his wedding in spite of being Sophocles' cousin, or how absolutely no one was in Poni Island during the Manalo Festival buildup. A good example of the difference, I feel, is this: in previous series, we could've had Serena relate to Ash with her Master Class loss at a significant point of his character arc during the Winding Woods episode; in this one, Mallow only revealed her mother issues after Lillie's entire arc revolving around her mother was resolved, with the two never comparing notes. The closest we get is Ash relating to Lana for his problems with Lycanroc using Continental Crush in Ida's first episode and Lillie trying to help out Ash during his fallout with Rotom, both of which refer to things that happened to them either mostly offscreen or entirely there.

The plot segregation was, in particular, noticeable with the decision to associate three of Ash's Alolan Pokémon (Torracat, Dusk Lycanroc and Rowlet) to specific characters as rivals, with the Pokémon driving the rivalry rather than Ash himself (who had otherwise rather civil, mostly friendly interactions with Kukui, Gladion and Hau). On paper, this should've guaranteed that every Pokémon had their moment to shine, but effectively, it meant that each of them were restricted to mostly their specific rival in terms of focus post-Aether. Lycanroc got Olivia's Grand Trial, the Ula'Ula arc to itself and then the rivalry with Gladion's Midnight Lycanroc, but no other significant usages; Rowlet got roles in the first two Grand Trials, but then spent almost one hundred episodes before its second focus episode, and beyond his friendship with Meltan it only got Hau's battle and a part against Kukui to itself; Torracat was the one absolutely done dirty here, as beyond the Stoutland appearence in Poni Island and the Totem Lurantis battle pre-Aether, all his following focus moments rely on the rivalry with Kukui's Incineroar, with only occasional minor scuffles to its name and a bit of the Guzma battle to its name. That would already be bad enough, but the fact that until the League there's no battle that requires Ash to involve more than two Pokémon (with most of them requiring him only one), Ash's team never actually gets to act as a team until the very final battle of the series, furthering the lacking sense of cohesiveness. Year two of the series was particularly bad in this sense, as most major battles were fought with either Pikachu or Lycanroc while Torracat and Rowlet barely did much.

And lastly, one persistent result of both the plot pacing and the plot segregation was a phenomenon I like to refer to as the "happy bubble," or the tendency of the Sun & Moon series to confine major conflicts and bad moments for the characters only to their specific focus episodes. In previous shows, you could have moments of self-doubt or worry linger even outside dedicated episodes (Dawn's depression for her losing streak, Ash's rivalry with Paul affecting him, and his increasing worries in the latter part of XY being clear examples), but due to Sun & Moon's commitment to fun times before everything else, it means the characters aren't allowed to have any conflict or moments of darkness to later conquer unless they're the focus, and even then resolving them quickly. See how bubbly Lillie is even when she's scared of Pokémon unless the episode is specifically about her, how she never even thought about her father until Gladion reminded her, how Ash's confidence and his relationship with Lycanroc are only focused on in Ula'Ula and then never again, and most noticeably the fact Mallow's dead mother was treated as something that tore her for years but it was only ever directly dealt with in one episode, to the point she's the only family member on Bulbapedia listed under characters of the day. The problem of this bubble is that it pretty much makes it hard to invest in the emotional struggles of these characters because they end up feeling like throwaway moments which are then functionally forgotten, with no sense of constant growth. Characters get their moments, the audience gets invested, and then it's forgotten, with only few and far-in-between moments of exception, and that's another thing making each conflict feel segregated from each other.

If I could sum up everything in one sentence, I'd say this: Sun & Moon is composed by a myriad of pieces, some excellent, some average, some awful and everything in between, that all exist mostly in a vacuum. I'll return to this topic in a bit, as there's another important aspect to touch first.

2. Characters and Their Development: Too Many, Too Little, Too Late

Another aspect of Sun & Moon that's often brought up is the decision to have a main cast of six counting Ash, with the game Trial Captains Mallow, Lana, Kiawe and Sophocles alongside plot-important character Lillie turned into Ash's classmates. These characters have been as much a point of praise as they were of criticism, with some fans absolutely loving this group while others couldn't absolutely stand them. I feel the best way to tackle this is to first list how I feel each character was handled in terms of planning and development, before going into their relationships and the rest of the cast, starting with the humans and then going through Ash's Pokémon before closing on Ash himself. I will say to start with, however, that none of these characters is inherently unlikable the way they started as, and most of their later issues came solely from their handling down the line or flaws in how they were approached.

2.1) The companions

Among the companions, Sophocles was probably the one that made the poorer first impressions, as beyond sharing the same type specialty, his game background as an inventor and his Anime presentation as a programmer that sometimes built things gave him a number of unfair comparisons with Clemont, not helped at all by an introduction episode that ranks among the worst ones of this group. That said, I feel by the end he actually ended up being one of the best characters of the group in spite of heavily scattered focus, for one major reason: he's one of the few characters of this group to have a consistent character growth that plays in his dream and that's easily noticeable as the story unfolds. Early on, he starts as the timid, insecure kid that gets easily scared of the dark and needs people and Pokémon's support over everything, but between his first few episodes and the later clarification of his interest in space, it's clear that his development was actually aimed towards him growing into a more independent and confident person and trainer. He goes from being unable to tell his friends that he's not actually leaving Alola after a misunderstanding and only getting his second Pokémon as a gift from Ash to slowly take an interest in rising Charjabug, first with a race and then by evolving it, then deciding to gain a Z-Crystal and a Z-Ring, learning to use it, and ultimately take part in the League in spite of knowing to not be on the same level of his friends, yet still putting his all, with a nice interlude where he takes things into his own hands during the Celesteela mission, and with the race he does to gain his Z-Crystal leading him to confront and surpass his fear of the dark. While still pretty scattered and sidelined, I feel he's a character that's been developed well-enough and that in his post-series aim is actively working towards his dream in a new but productive way by visiting Mossdeep City's Space Center, and definitely my favorite of the Alolan kids as he clearly developed into a better person by the end through a straightforward, traceable progression.

Lana is probably up there with Sophocles in terms of being one of the best characters of this group, and I'd go as far as saying she's probably the best non-Coordinator/Performer Pokégirl out there. While Sophocles ranks high due to getting good personal development, Lana ranks high because, while on paper her dream of creating a big balloon to explore the ocean with is simple and a tad silly, it is something she puts clear effort into and that she never loses track of through the whole series, even with a fairly noticeable void of attention in the mid-series stretch. Between being the first of the non-Kiawe classmates to get a Z-Ring and a Z-Crystal, learning how to use Hydro Vortex, then evolving Popplio to Brionne and then Primarina (while dealing with a Kyogre along the way) while also getting Oceanic Operetta, she's consistently focused on her improvement, and always the best female battler of the bunch. The only thing that really penalizes her is that while her dream is technically achieved, she ultimately gets Oceanic Operetta with offscreen training and they never make a point to highlight that as a big moment, and while her skill development is solid, she remains exactly the same character throughout the series from the first and last episode. An entertaining character for sure, but one that just gets stronger and not much else. Still, she's easily one of the best female leads this series ever had, and a good example of how to make a non-Coordinator-esque female character work well after the pitfalls Misty and Iris fell into.

Kiawe is not far from them, with a pretty solid run slightly marred by a few issues. Specifically, he's probably the best battler of this group that isn't Ash, but he's distinctly characterized as having two "modes" as a character: either the serious, spiritual follower of Alolan traditions, or the one that started popping out more often later in the series where he's an overreacting ham to rival Cilan. I personally feel Kiawe's better moments tends to come from the first mode, not only because he stands out better in a funny sense by being the straight-laced guy in a cast of wacky people, but also because he's the best character to explore the more spiritual angle of Alola, the element that truly makes the region stand out compared to previous ones featured in the series. Unfortunately, beyond the fact the slice of life romps tended to favor his wacky angle more than the serious one, Kiawe is penalized by not quite having a true arc to develop through: he wants to become a stronger trainer and claims so, but all his episodes ultimately end up involving unrelated matters: he catches his Marowak, learns to use a Z-Move with him later on, and ends up getting his Charizard back into working shape after he undertakes Fini's trial to save Ash, but while each of these are overall good showings and he's probably got the best League run of the cast in terms of prowess and skill, they tend to remain isolated instances. It also doesn't help that while his hot-blooded rivalry with Ash can be fairly entertaining and it's teased from episode 2, it ultimately culminates into an underwhelming showdown in the penultimate episode that barely feels like an afterthought. I'd hardly call him a bad character and he still does pretty well even with his issues, but one that could've been handled better on the whole.

A far different story is Lillie, a character that, I feel, suffered from several different issues all at once. To address the elephant in the living room first, let it be said that while they share traits, Anime Lillie and Game Lillie end up being fairly different characters by the end, and while I think Game Lillie is probably one of the best creations of GameFreak, my opinion on her Anime self couldn't be more different, and it's not due to straight comparisons between each other. Now, Lillie doesn't actually start badly: the fact that she has a phobia of touching Pokémon from an unknown source at first actually gave her a nice direction as a character in a way similar yet different from Lana, but it didn't take long for Lillie's major issue to show itself: things happen to her rather than her working towards stuff proactively, and the majority of the time her struggles are resolved by feeling sad or believing really hard with extremely few exceptions. This started already before the Aether arc, where while her episodes were good, they all relied on the exact same formula of Lillie unable to touch Pokémon, being unable to do so and feeling sad about it until she can in a spur-of-the-moment situation, which started to make her episodes feel stale.

The Aether arc seemed to finally change things as it heavily revolved around Lillie, but to anticipate some things I'll delve into more detail later, the changed circumstances ended up weakening both the conflict and her character, making her come across as too unlikable. But beyond that issue, the problem of the Aether arc is that it ensured that Lillie was completely healed of her phobia due to the actions of others rather than herself, which killed off all her character potential and left her with nothing to do for the rest of the series (while the conflict with her mother was completely brushed under the rug after this arc introduced and hastily attempted to resolve it). Sure, she 'grew stronger', and got a Z-Ring and Z-Crystal, but the majority of important things of the Mohn arc were actually dealt with by Gladion, while her own help ended up amounting to still, once more, feeling really hard rather than active work. But the biggest problem of her character is that all of her major achievements derived from either someone else (Silvally healing her phobia by saving her, Gladion actually defeating Totem Kommo-o, her Z-Ring being borrowed from her father, Gladion finding Mohn's Zoroark) or facilitated by outside assistance (her one victory in the League's Battle Royale coming from effectively killstealing a Salamence Kiawe weakened, her battle with Tyranitar having the assistance of a Totem Sandshrew) which made it hard to think she earned her development or truly grow stronger when she ultimately always ended up relying on someone else, especially given her tendency to never act unless prodded (see how she seemed perfectly fine not touching Pokémon for years until Mallow and Ash actively tried to get her to do it, nor try to learn why she has the phobia in the first place, nor thinking about where her father may be). This, alongside the tendency of the series to play up game moments like the Lillie and Solgaleo moment or her change in dress and hairstyle to show her resolve while sapping all the meaning they had in the source material and the habit of the characters to praise Lillie for anything she does no matter how minor or trivial, ultimately made her a character that was borderline insufferable to follow, especially for the classmate pushed as the most important beyond Ash.

The worst of all main characters, however, is without a doubt Mallow. While I have several issues with Lillie's handling as a character, at least her faults come with how the show decided to approach her, while I feel by contrast Mallow was only allowed breadcrumbs of just about anything, something already shown by how she had to wait until episode 18 for her first true focus episode. Back in the earliest episodes I thought her interest in making Aina the most popular restaurant in Alola could've given her a drive as a character similar to the one Lana and at the time Lillie had, only for the story to be content with leaving her where she is. Between the fact her Bounsweet evolved twice in ways that were respectively too sudden and rather unrelated to her and the habit of her focus episodes past her first to focus away from her more than on her (having to share screentime with her brother 'Ulu and Oranguru, specifically), it felt like she was added to the cast because they had to, and while the last year of Sun & Moon tried to put a patch on the problem by giving her emotional moments with her mother and her League match with Lana, said patches had the effect of not feeling very genuine since her mother, as I mentioned above, only really figured in one episode, while Mallow suddenly being afraid of Tsareena getting hurt when she fought in Ultra Space and in other instances just fine just feels like an awkward attempt at giving her an emotional moment that doesn't gel with her characterization too well. If we add onto it that she only mastered her Z-Move during the League itself, her Z-Crystal was gained just by making a burger, and the Shaymin she cared for after meeting her mother effectively did nothing afterwards until its deal was resolved at the last possible second during the final credits of the series because 'Ulu found some Gracidea with no input from Mallow proper, Mallow ended up feeling like the most mishandled characters of this crew, whose character and development felt more like isolated moments than anything cohesive.

The Pokémon of the cast outside of the major ones don't really warrant much talk, the best of the bunch being Kiawe's Marowak for his vibrant personality and good feats, while everyone else ranges from pretty much not too focused on (Turtonator, Charizard, Tsareena, Togedemaru), useful for development but otherwise kinda dull more often than not (Primarina, Vikavolt, Snowy), cute but pointless in spite of heavy buildup (Sandy), and pretty much useless (Shaymin, Magearna outside of being a McGuffin), mostly getting occasional cute moments than anything substantial or productive for their trainers.

2.2) Ash's Pokémon

Beyond the classmates, there's the matter of Ash's Pokémon as well, and I'd like to spend a few words on the Rotomdex. On the whole, he was never the most important character, but I'd say the best way to describe him is that he's a likable character that happened to star in some rather poor episodes: while his overreactions could get annoying sometimes, for the most part he was likable enough, and his existence ensured that Ash would lose his oft-criticized trait to scan Pokémon he already saw that made him come across as dumb, and some of his moments and hobbies made him pretty endearing. His only real problem is that his focus episodes usually tended to focus on rather stupid plots aimed only to comedy, and while three of them are at least arguable, his last true focus episode happened to be one of the worst episodes of the series due to how out-of-character Ash acted under the possibility of Rotom leaving. None of the issues of these episodes were Rotom's fault, but as a minor character, it was somewhat unfortunate for him to receive such a short end of the stick focus-wise.

Going back to Ash's actual Pokémon, beyond the eternal Pikachu, I'd say the one most worth of consideration overall is Torracat (or Incineroar, but he never fought under the form), both in terms of praise and criticism. I say so because, before his capture, Litten seemed to be given unusually large focus, including being the first of Ash's Alolan Pokémon to debut and appearing for several episodes even between his major pre-capture arc, which being among the most tragic and involved capture circumstances seemed to point towards Torracat being the 'ace Pokémon' of the region, only for things to change once Lycanroc entered the picture. To put it simply, Torracat has some rather solid episodes and a personality that very much matches Ash's own, but he often feels like he's only given breadcrumbs of focus. Between only taking part in one minor trial and no Grand Trials, not getting his own associated Z-Crystal until right before the League and having it used only twice counting the test run of it, and his rivalry battle being the only one in the Alola League to happen in the middle of a match rather than at the end of it (which lead to a rather goofy division of him getting declared winner and then fainting after evolving just so it couldn't technically be considered a tie even if it functionally was to preserve his triumph), it feels like the poor Pokémon is never given enough of his due, and while I enjoy his drive to surpass Kukui's Incineroar and especially the way the plotline was figuratively used throughout the Ash VS Kukui battle, it just seems like Torracat is always last in priority in terms of Ash's Pokémon, which makes even his good moments feel like afterthought even with nice bits like his relationship with Lycanroc, especially with how, as touching and well-executed as it was, Stoutland's effect on Torracat is forgotten as soon as it happens, between Fire Fang being mastered exactly one episode later and Stoutland himself only being brought back twice, once as a thought by Ash and only in the second with Stoutland meeting Torracat again in Poni Island, mostly for the purpose of teaching him another move. So, in my opinion, Torracat is a case of a conceptually solid-enough character, that's however penalized both by how little the narrative gave him focus, and the fact that his arc with Stoutland and his later rivalry with Incineroar are pretty much unrelated (for why I consider this a flaw, consider that fellow Fire starter Infernape was able to have a memorably tragic backstory that did dovetail into his major rivalry perfectly, so just asking for a degree of connection isn't outside the realm of what this show can do).

And then there's Lycanroc, the Pokémon that the series wants us to consider the regional ace, which had several issues associated with him. To put this simply, I feel like he was a much better character as a Rockruff than he was after his evolution, mostly for being the perfect mix of adorable, focused, and having actually pronounced rage issues that occasionally popped up but were treated completely seriously, alongside having a pretty good showing in the Olivia battle as a rare final bout to completely not involve Z-Moves in a period where their usage was starting to become excessive. However, after the evolution (which is treated as a rare, one-of-a-kind event due to Rockruff evolving during a rare green flash yet is never actually remarked on beyond very occasional comments that he looks odd that are never treated as much), his handling changes for the worst, specifically for two of his rather ace-worthy moments: its rage form arc, and the way his rivalry with Gladion's Dusk Lycanroc was handled. The first is overall the biggest issue, because it's also symbolic of Sun & Moon's tonal issues since his major challenge to overcome as a Pokémon is the fact that, whenever his fur gets dirty, he goes on murderous rampages, always after acting goofily shocked in a way intended to be humorous, creating a whiplash effect that doesn't make clear how the viewer should find the scene given it first asks us to laugh at Lycanroc and then to be scared of him. This is also only introduced once in the middle of the Aether arc and then never revisited until the Ula'Ula arc, where it's ultimately solved by Ash bringing back memories of how Rockruff used to act about getting dirty that happened completely offscreen, only for the writers to then milk the drama some more two episodes later by now handling the rage mode completely seriously in terms of reactions and using actual rage as the trigger instead of just specifically the fur, in an episode that ultimately relied on Ash not trusting his Pokémon (when he was already somewhat out-of-character by being scared by Lycanroc's rampage after he was willing to hug his blazing Chimchar to calm him down back in Sinnoh). It's all handled in an extremely brief arc and then never again, feeling like an arc that takes elements from both the Infernape and Ash-Greninja arcs while missing the slow buildup and non-regressive development that made those two arcs work (and I'll elaborate more on it in a bit). Beyond this, his rivalry with Gladion's Lycanroc suffers of being extremely sidelined in spite of being the 'major' rivalry of the series: while the two Pokémon did fight three times, the first time was interrupted by Team Rocket (something they stopped doing for major rival battles for quite a while beforehand), the second relying on some very weird resilience by Midnight Lycanroc by not only tanking completely Dusk Lycanroc's Splintered Stormshards to seemingly no damage but also snapping out of confusion to deliver a finishing Z-Move of his own, and the third relying on a battle that was overall not too bad, but felt more like a mid-series squabble than Ash's victory at the Alola League (which is then completely outclassed in spectacle by Ash VS Kukui). Dusk Lycanroc's rivalry isn't actually too bad, but considering how Gladion's Lycanroc is the only major opponent Ash's ace got to fight post-evolution outside the Ula'Ula arc, Kukui's Pokémon (none of which he defeated) and occasional training bout, it did restrict a lot of his feats and ended up with him feeling more like an okay Pokémon than the powerhouse the writing wanted him to seem like. Coupled with a lackluster personal arc, this makes him closer to the Krookodile tier of 'possible aces' than one of the major ones like Charizard or Infernape.

And then we get to Rowlet, the last of the major Alolan four counting Pikachu, and probably the most problematic of the bunch. Much like Torracat and Lycanroc, Rowlet isn't inherently a bad Pokémon, with the first episodes neatly estabilishing two things: yes, he is dopey and loves to sleep a bit too much, but he's also a serious and competent fighter in battle that never fails to impress, making sure that neither side ultimately hurt or diminished the other. His problem is ultimately revolving around two things: he's spent a long time out of focus, and his later focus didn't exactly paint him in a good light. The first is probably the major issue at hand: while both Rowlet and Torracat were heavily sidelined midway into the series, Torracat did at least get a few token episodes to himself, while Rowlet's first real focus episode after his capture one only really comes almost one hundred episodes later. While in the early series this was mitigated by having Rowlet take part in two minor trials and two Grand Trials, this focus is all but forgotten by the second year of the series, with Rowlet reduced to solely a gag Pokémon whose greatest achievement ended up being learning Razor Leaf by sitting on a magical tree. This had the adverse effect of making his gag tries, which previously only showed either in minor matches or not during serious parts of battle, to slowly become more and more prominent. The other issue is that Rowlet had without a doubt the weakest rivalry set up and buildup of the three major Pokémon Ash obtained in Alola, as Hau and his Dartrix only appear in one episode before the League and two of the three battles Ash had with Hau involved major, non-strategy related writing contrivancies to reach the desired outcome (Ash slipping his Grassium-Z and getting distracted to fetch it for Rowlet to lose for the first one; Rowlet's Decidueye hoodie tanking a Z-Move, the overturned loss, and the sudden learning of a Feather Dance that doesn't act like the one Rowlet was trying to master for Rowlet to win in the final one). The way Rowlet acted in the Ash VS Hau battle is kinda emblematic of this, as the oft-debated overturned loss moment involved him falling asleep in the middle a match he was supposedly fired up for just for the sake of a joke and nothing else; regardless of how one wants to justify it, it doesn't change that such a thing never happened before in the series, and it ultimately involved Rowlet betraying the trust Ash put in him just for a scene the writers deemed funny, in what was supposed to be his finest hour (while Rowlet fell asleep in the Hala Grand Trial, it was only after his part of the match ended). Considering also that two of the moves Rowlet learned required the help of his adoptive flock without as much input from Ash and he ultimately ate an Everstone just for a variation of Seed Bomb that turned out to be more a liability than asset throughout the series, not even a cute relationship with Meltan and the fact that he won his last important matches of the series makes up for some of the worst excesses of tonal imbalance and inability to let jokes go in a context that absolutely have no space for his brand of incompetence-based humor.

With the major Alola captures gone, there's just the other two latecomer to discuss, and I'd like to start with Poipole/Naganadel, specifically because he's probably one of the worst handled Pokémon Ash ever owned. While the second year of Sun & Moon had several issues, none are as glaring as Poipole being the major Pokémon of the period, only to not actually do much of actually important. Starting with the fact that Ash only bonds with Poipole by proxy to begin with since Poipole interacts with and loves Pikachu before Ash even actually enters the picture, Poipole's biggest contributions to the series afterwards are acting silly for the majority of episodes and never actually getting involved in serious fights beyond one small bout with the Team Skull trio (which is estabilished as even more pathetic than the Team Rocket trio), making the fact that Ash captured him feel like a waste, especially when his focus episodes dealing more with his emotional side end up being just two, and ultimately not doing much of helpful during the Necrozma arc except leaving at the end in what at the time felt like a rather permanent farewell (as he was stuck in another dimension rather than somewhere Ash can readily access). Now, if Poipole's story ended there, he would've been odd but not too bad all things considered, but the problem comes from the fact that Poipole eventually returned right at the end of the series for no adequately explained in-universe reason during an unrelated Guzzlord attack, not only evolved but also presented as a competent and useful battler in spite of the fact none of it happened either onscreen or by Ash's efforts (unlike how Gliscor and Goodra, Pokémon in similar situations, did prove their worth onscreen before being put aside for a time), making this turn come across as an undeserved boost for Ash just so he could have six Pokémon, alongside removing the beauty of the permanent farewell Ash had with Poipole because the sheer coincidence of Naganadel's arrival and then his departure means that they may as well see each other again in the future. Among Ash's Pokémon in Alola, Naganadel is probably the crowning example of the series wanting its cake and eat it too in terms of wanting to be cute and fun and then rushing to make battles matter without the required buildup.

Meltan shares a lot of issues with Poipole, but overall to a lesser degree, mostly because his biggest problem is just coming way too late in the series and, much like Poipole, he only really bonds with Ash by proxy due to starting to like Rowlet first. Much like Lycanroc, his existence is supposedly important as a new discovery but this trait of his is barely called to attention, and coming too late in the series he only gets a few battles to his name with his contributions mostly amounting to gags rather than skill and serious fighting, alongside having the dubious honor of being the only Pokémon of Ash's Alola team to never use Z-Moves in spite of Ash fetching a Steelium-Z as a result of his final Grand Trial for no other reason than the out-of-universe one that Melmetal has never been in a game where you could use Z-Moves. Adding to the fact that Meltan only evolved right before the League finals for reasons outside Ash's guidance or influence conveniently before the last match for the victory, only to give indirect help at best and then winning a battle against a Pokémon with no feats, it's hard to consider Meltan's power boost earned and even harder to tell if he even had a significant power boost to begin with considering how little feats we have for both him in particular and Alola battles in general. All in all, a Pokémon that's been more shortserved by how late he came than actually any inherent issues.

2.3) Ash, Pikachu, and the Team Rocket trio

And with all those characters breached, we have to move on to the Sun & Moon take on Ash himself, which is, to put it simply, rather complicated to discuss. Another one of Sun & Moon's biggest talking points was the decision to amp up Ash's typical childishness to higher degrees than usual, with even his voice actress Rica Matsumoto confirming in an interview for the next series that she was explicitly instructed to play Ash as younger than usual for the Alolan series. Now, yet again, Ash having a goofier and more relaxed personality is neither unprecedented (as he was always silly to a degree, even in XY) nor inherently bad, and the problems mostly came from how the series decided to handle him later. One good thing at the start was that the take this series seemed to go for was Ash being a battle shonen-esque hero stuck in the wrong genre, with his typical behavior clashing with the more relaxed nature of the setting, which actually worked well in ensuring he didn't feel reset while fitting the new mission statement of the series. The problems really came up with how, ultimately, Ash became the series' biggest target of butt monkey-related humor (with the rest of the cast either being treated far more seriously or only occasionally being given the same treatment) and his initial competence in battling lead the way to an overabundance of 'silly regular kid'-related humor with even battles treated as mostly laughing matters, something later battles and important matches overturned to a degree that started to make Ash's handling feel arbitrary.

And arbitrary is the best way to describe Ash in this series: he can either be as good a trainer and master planner as he always was (Ash VS Olivia, Ash VS Misty, Ash VS Kukui), a heroic young man willing to go to good lengths for people he cares for (Tapu Koko rematch, most of the Guzzlord arc) while being scared and intimidated by his own Pokémon (Ula'Ula arc), a regular kid screwing up on daily tasks and willing to cheat his homework (Sophocles' early focus eps, the open school episode), a whiny little kid (the Stoutland treasure hunt episode, the Rotom farewell episode), a surprisingly thoughtful and serious boy (Stoutland's death episode, Minior episode) and everything in between, with the changes being so jarring that it feels less like this show is attempting a nuanced take on Ash and more like the show is simply not caring to stick to any portrayal depending on what the episode requires, especially when as I said above the entire premise of the show hinges on Ash not falling for his typical wanderlust (which is the inability to sit still for long and explore the world, so 'school and daily life adventures' doesn't cut it) without ever adequately explaining how, and seeming strangely uninterested in looking for new chances to grow stronger unless they happen to come his way. Arbitrary is also a great way to describe his impact on both his friends and the region, where in spite of appearing in every single episode, it often feels like Ash is irrelevant to his own show: he has nothing to do with either of Lillie's family deals, nor Sophocles' growing independency beyond occasional sidelines support and kickstarting it indirectly with the Charjabug gift, he barely did anything to support Lana's achievements beyond being there when they happened, his rivalry with Kiawe was nice but ultimately wasn't given his due, and Mallow and him barely got to have significant interactions throughout the story. Most of his rivalries in the region were carried more by his Pokémon than himself as he only shared amicable relationships with all of his supposed rivals with no real competitivity at their core (aside from Kiawe, which as mentioned was done dirty), and even when he got to be a hero it was either as part of an effort by everyone (Necrozma arc, both Guzzlord instances, technically most Ultra Guardians episodes), relying on questionably justified plot devices (Aether arc, and once again the Necrozma arc), or ultimately moving the focus away from him and his influence when you'd think the story would do the opposite (Guzma's parts in the Alola League). Adding onto that that the amount of times his Pokémon gained moves in the heat of the moment without training (a series staple that previous series tried to downplay with more onscreen training) and how his Pokémon ended up learning moves more for the actions of someone other than him than because he helped them, and Ash's handling in this region really adds up to strangely inconsequential, which is particularly bad considering how the League tried to go the other way, making his eventual achievement at the end feel hollow in the face of lacking buildup in the region and the several boosts and narrative aids he got to get there.

There's also the elephant in the living room that is Ash's development. Early in Sun & Moon I've seen people claim this series was more about Ash developing as a human being than as a trainer, which would be true... if not for the fact stuff like Ash doing chores was also alluded to and shown in previous series like AG and DP, and that during the Alola League (which should be the culmination of the series) none of it is actually remotely involved except for Ash talking of his love for the region during the final attack, while it never actually showed in previous matches (even against Guzma, which should be where this should come up given Ash's declaration at the start of it, the narrative wants us to stay in Guzma's head instead). The 'love for the region' thing also seems weird to bring up to me considering he actually spent less time exploring the region and more being holed up in one city with very occasional detours, with most of the plots ensuing around him being the sort of thing you'd see in "filler" episodes (like taking part in some competitions, taking part in a play, etc). It feels more like the series wants us to pretend the typical filler hijinks now are part of character growth rather than being just small adventures for fun. If we consider that learning to love the region, then Ash didn't really do much of different from previous series beyond sitting still this time around. And ultimately, the fact that Ash is back to adventuring now in a similar way to previous series means that if Ash ends up winning a League again in the future (which is not unlikely now that the ceiling was broken through), none of the reasons given to make his stay in Alola significant would really age well. The only arc that I feel actively tried to develop Ash as a trainer was Ula'Ula, and that still relied on some very significant moments of out-of-character behavior from Ash.

2.4) Relationships, and Everyone Else

I think at this point one recurring issue has cropped up: specifically, there are so many supposedly important characters that none of them truly got their due in terms of focus, either having to be satisfied with a number of focus episodes that barely amount to an arc or with their involvement into things reduced to just their specific deals and barely little else, especially with how this was the first series to not have all of Ash's friends necessarily involved in every episode. I feel this had a pretty adverse effect on the series' dynamics, as the already diluted interactions between the cast due to the large group ended up being even less focused on given that not all the characters were always there. As a result, we barely know stuff like Mallow's or Sophocles' relationship, or Lillie's and Kiawe's, and so on, with their own relationships to each other mostly falling into basic friendship (the ones with Ash in particular mostly falling into respect, friendliness and occasional snark at his expense), with only a few like Kiawe's competitiveness with Ash or Lana and Mallow being revealed halfway in as childhood friends having particular focus, otherwise being content with splitting the cast into 'the boys' group' and 'the girls' group' whenever they needed focused attention, and the rare occasions where the characters had some interactions. For the most part, perhaps emblematically of this series, characters mostly shared moments rather than actual relationships.

All that's left to discuss in this area is the rest of the cast, and let it be said... for a series supposedly about exploring the people of Alola, the majority of the non-main cast ranges from forgettable to rather dull, especially once we move to the lesser recurring characters. Lusamine's reduction to an overworked mother who only gets involved in matters explicitly tied to her children and occasionally the Ultra Guardians missions was a rather noticeable waste of an interesting game character, and while Kukui does have a nice presence and good usage throughout the series, the same can't quite be said of his wife Burnet, who beyond some good presence in the Aether arc and minor bits of exposition when dealing with Ultra Beasts (and in particular Necrozma) is effectively sidelined in housewife position for most of the series as Ash's 'second mother' (a position that, unlike Kukui who actively acts the part, mostly seems to come from cooking for him and being married post-Aether) with most of her funny moments coming from being a Royal Mask fangirl. Wicke has very little going for her, while Faba is probably one of Sun & Moon's worst misfires in that, after making his villainy far worse than his game self, the story acts like he should be forgiven while never actually learning his lesson, in spite of the show telling us he caused trauma to Lillie for years and how most of his contributions to anything end up boiling to minor help at best, and attempting to cheat his way to what he wants (the League) at worst. It's a horrible lessons for kids to have, and I'm not sure what the writers had in mind with this aside from keeping him around because the games' more snively and heinous Faba (even accounting for his more evil USUM iteration) also did.

Then we have the Kahuna, which are for the most part okay bit characters (even if Olivia's take was pretty weird, coming from her game self), with Nanu as the obvious standout even between the issues of the Ula'Ula arc as a jerk trainer with a point that doesn't really get 'taught his place', close enough to his game characterization, and Hapu having a decent track to development in the Poni arc (even if much like Olivia, it sacrificed her game characterization along the way). The other Trial Captains not part of the main cast run the gamut between nice to see but not particularly deep (Acerola, to a degree Ilima) and pretty much borderline pointless (Mina). Ash's rivals are a similar deal, with Hau being nice but having not too much to himself with how late he enters the series, while Gladion is an alright character whose rivalry with Ash mostly suffers of being a tad vanilla: they're on friendly terms, are strong, and like to battle each other, but beyond that Ash doesn't have much of a reason to be a rival (something even Alain had by being interested in facing Ash even if he was as separate otherwise), like the student-teacher relationship Sawyer had, or the foil status Paul shared with him, or simply being an old friend he wanted to surpass the way Gary was. Their lack of connection alongside the fact that Gladion would barely think about him unless the plot required him to only contributed to them feeling a tad distant from each other, and why their final bout at the League felt for many viewers just 'okay' rather than the earned culmination of their relationship.

And then there are the lower tier recurring characters, ostensibly Sun & Moon's selling point as, unlike previous series, only rarely did the series happen to introduce 'characters of the day' that never came back afterwards. The biggest problem is that, ultimately, all of these lower tier characters are still as flat as the characters of the day of yesteryear: in spite of appearing several times, all we know of Anela the old lady is that she used to be a dancer and likes Litten/Torracat a lot, Ulu is pretty much an even more flanderized Brock that seldom pops up, Anna the reporter mostly stuck to that role, most of the parents and relative of the classmates that weren't Lillie's remained minor characters with little of note to themselves, and so on. The only noticeable recurring guys among the bunch are probably the Skull trio (which mostly acted as a second rate Team Rocket while was even less recurring than they were in this region) and Viren as a recurring antagonist, mostly for being the kind of villain you usually saw punished at the end of the series in previous series (like Dolan the Pokémon merchant) except made recurring in spite of being arrested in his previous appearence, with no real explanation beyond 'kids' show logic'. Even supposedly important characters like Ida and Horatio mostly remain rather regular mentors and rivals with not much else to them, and are unlikely to stick to anyone but the most diehard fans. There are of course some good characters among this bunch, especially the borderline characters of the day like two-episode-wonders Dia and the Kanto weaboos in the Malie City arc, but overall, if Alola truly wanted to make this a lived in and more developed region than previous series, its inhabitants didn't give this aim any real favors, in my opinion.

3. A Dissection of the Series: What Went Wrong, How, and Why

With the biggest parts of important elements of the series analyzed, I'd like to use this final part of the review for some extra analysis of how the series went down and why, in my opinion, it ended up changing for the worse as it went along, since there's one important thing to point out: Sun & Moon, conceptually and fundamentally, wasn't a bad series. But what it does have is, beyond some big flaws, several small ones that continously added up.

Now, let's start to dissect everything, dividing everything by their year of airing.

3.1) Year One: Beginnings, Akala Island, Aether Foundation

When I say that, I have to start with saying that my opinion of Sun & Moon wasn't initially this negative, and in fact, the first twenty-to-forty episodes were actually pretty nice: while the setup is slightly different than usual and humor is definitely prevalent (in particular the oft-mentioned 'funny faces', which would go on to become one of the defining elements of this iteration, far more than any prior series), there's a steady influx of plot-important episodes, development and setup for the future to help making the series a breezy watch, with each slice of life romp feeling either productive or simply fun diversions. Among the good things estabilished here that stand out as good even at the end of the series there's definitely the spiritual angle of Alola, an angle that whenever explored truly does make the region feel different than previous ones and like Ash is effectively experiencing something he never did before, and with stuff like the first trial and Grand Trial alongside Litten's capture arc and Gladion's introduction help keeping ther pace going even in the absence of a more overarching goal in the League. Now, this stretch is hardly perfect, considering that it already shows several cracks that later expanded: Ash only decides to move to the Island Challenge when he happens to remember about it in episode 9; a lot of battles end way too quick and barely get focus except for Trial and Grand Trial (which still have a somewhat lethargic pace); Gladion's decent rival setup is ruined by an unnecessary Team Rocket attack; some Idiot Plots and empty episodes that are just dull to watch happen; certain setups and developments are rushed to the finish way too fast; and, most importantly, the removal of Trial Captains from the lore and Team Skull as a consistent presence beyond occasional moments ended up removing tentpole parts of Alola's nature in the games that the show barely fills adequately, and it opens the door to call anything the show wants a trial, no matter how unrelated to battling it is, giving a feeling that the Island Challenge is hapzardly put together. But, during these early episodes, the problems are negligible or made up for, and even nowadays, I'd heartily reccomend everything up to Stoutland's death as legitimately good.

The first crack, overall, comes from the Akala arc. At the time of its airing, it looked to be a breath of fresh air as it finally moved away from Melemele Island after a rather noticeable dip in plot important events for more filler-y hijinks, and due to prior experience with the series, it was easy to assume the cast would've remained there for a while. However, that didn't end up happening, the arc ending mere episodes after it began, after rushing through equivalents of the three in-game trials (with Ash only effectively taking part in the Grass Trial from the games while Kiawe and Lana ended up gaining his Marowak and her Z-Ring and Waterium-Z instead) until it culminated in Olivia's Grand Trial, with one extra episode dealing with evolution-related issues for Lycanroc culminating into Dusk Lycanroc. This arc already started on a bad note by only allowing Ash one of the in-game trials for a Z-Crystal, which while to a degree understandable on the reasoning of wanting him to only have Z-Crystals he'd effectively use and the seeming decision at the time to not have overlapping Z-Crystals among the main cast, ended up solidifying the 'whatever counts' feeling of the Anime Island Challenge, and a first proper episode that seemed to relish into making Ash into an even larger butt monkey than usual, including him crying like a baby upon losing in a way that would've been immature for his OS self. Kiawe's episode was the standout of this batch, as it focused on him confronting an opponent he couldn't beat and with Ash giving him support into improving, estabilishing a good challenge to overcome in a way that had become rare for the series and was good to see again. Lana's own Trial wasn't bad either, but suffered of having more challenge put into it during the fishing part than the battling part, and Ash's Grass Trial being a battle that suffered of both misplaced comedy (an example of tone imbalance I'll address more later) and an opponent that barely even moved in Totem Lurantis. Olivia's Grand Trial was also probably one of the best battles to come out of Sun & Moon, putting a focus on strategy even in an extremely slow battle and with a more-than-decent finish, with the only blemish being that Rockruff's signs of evolving only really come one episode before they develop further into him evolving, and the already-mentioned problem of Dusk Lycanroc being supposedly a new discovery that nobody paid much attention to, after which we moved back to Melemele to resume the rhythm of seeming slice of life (with at least three episodes of good importance and one nominally important).

After another brief stretch, we moved briefly to Kanto for an arc that was ultimately just nostalgic fluff for old fans bringing back Misty and Brock, which was nice even if transparently OS-pandering (to the point Misty's Azurill and even Tracey were not even as much as mentioned during the episodes), with the only really important contributions to the series beyond two cool fights in the second episode was the first mention of the Alola Pokémon League (with Kukui being reminded he'll need badges, something he seemed to not pay much attention to later) and Misty and Brock getting a promise of a visit to Alola that didn't really do much for the series beyond further fluff. After this, however, we finally moved to one of the first truly major arcs of the series: the Aether Foundation arc, or, in my opinion, where the series really started to fall apart.

At first, the arrival of the Aether arc seemed to be rather promising, seemingly keeping the slice of life nature of the series but starting to delve into the elements of the games for what people presumed to be a slow burn to a payoff loosely covering the game events. Except... that's not really what happened. Instead, this entire arc turned into about a dozen of episodes harshly abridging the entire villain arc of the games and cutting everything they couldn't fit, while seemingly following the conflicting mission statements of making the arc as loosely close to the games as possible while trying to be as different from them as possible, and this was clear from the very beginning, with the introduction of Lusamine as an overbearing mother with none of the deviousness of her game counterpart. This, however, isn't necessarily a problem as the Anime has often rewritten game characters before, but what the problem is is the fact they changed the conflict of Lillie dealing with the emotional abuse Lusamine inflicted upon her into Lillie simply being annoyed at being treated as a child and, most importantly, being annoyed at how her mother evolved her own Clefairy, something Clefairy itself didn't have a problem with, that makes her come across as a spoiled brat and losing most sympathy (especially when no one but maybe Burnet reprimand her for her callous behavior), especially when Lusamine is treated as legitimately loving her and just being too busy rather than having any malice. The problem is also that, throughout the arc, the only one blaming Lusamine for never wondering how did Lillie develop her phobia of Pokémon is Gladion, while true to form Lillie doesn't seem to hold her mother accountable for it, and in fact, only wants to uncover the truth after Nebby teleports her near Type: Null by sheer coincidence, reverting her development from her focus episodes. Nebby is another big issue, as its ownership moved from Lillie to Ash for no reason other than giving him a reason to be involved in what would've otherwise been 'the Aether family show', yet the episode wants to still play into the game by implying Lillie and Nebby have a special relationship when they share their moment.

What I feel was the biggest issue of this specific arc, however, was shuffling the actively villainous role of the plot towards Faba, where he actually manages to be menacing for a brief while before the show decides to fully portray him as a silly villain hard to take seriously (including a magical girl routine to activate an Ultra Wormhole-creating machine) even as he's responsible for Lillie's trauma in his attempt to make Lusamine happy and finding an Ultra Beast for her and tried to wipe out Lillie's memories when she seemed to be able to reveal what happened. In the midst of a sea of confusing plot holes by adaptation (why was Type: Null fitted with the mask when as Silvally he did exactly what he was asked to do and Lusamine seems unaware it even exists? Where did the RKS System ROMs come from? Why the heck did a random Solgaleo and Lunala entrust their child to Ash to begin with?), the biggest problem of this arc comes from how, in Faba's aborted attempt to wipe out Lillie's memories, Silvally's attempt to save her reminds her of what really happened when she developed her phobia (a mere two episodes after it was revealed what caused it), giving her back the ability to touch all Pokémon again, making her previous attempts to do so feel retroactively pointless and only there to milk viewer sympathy for when she lost the ability to again, alongside ensuring to keep her development path directionless after this episode barely one third of the way into the series.

The biggest problem after this, however, comes from Faba's subsequent plan that ends up with Lusamine defending her children from a Nihilego and ending up dragged into Ultra Space due to her act of selflessness, with Lillie, Gladion, and subsequently everyone else moving on to Poni Island to rescue her. Along the way, Lillie changes into what the games called her 'Z-Powered Form', which in the games symbolized her moving away from her mother's shadow, while here it means... pretty much nothing, voiding it of its significance and making it come across as either a game-pandering move or something just done because the source material did it. Another significant issue of this stretch is Ash's upgrade of his Z-Ring into a Z-Power Ring, under the absolutely important reasoning of his Solgalium-Z not fitting in his regular Z-Ring. Meaning that Ash needed a magical, seemingly important ritual to obtain something whose usefulness boils down to borderline cosmetic reasons, especially as we later see Z-Power Rings doled out regularly like they're nothing important (including one to Team Rocket and Gladion's regular Z-Ring turning into a Z-Power Ring with no one remarking about it), which is probably one of the most blatant cases of marketing dictating plot flow in the history of this series.

We then moved on to the final battle, which was admittedly decent enough beyond some strange issues of power creep (like Sophocles one-shotting Lusamine's Milotic) and some occasional bits of tonal imbalance (Teether Dance hula in the middle of a serious mission by Sophocles, Mallow and Lana), but was marred by two issues of significance: one was the decision of having Lillie's big moment with her mother possessed by Nihilego involve her giving a speech of how she hates her and how she allowed herself to be possessed by an Ultra Beast for how self-absorbed she is, which while definitely meant to come across as "the mother I respect would never fall for it" has the problem of Lillie and Lusamine never getting a softer reconciliation before this moment (with said softer reconciliation seemingly happening offscreen after everything was over, which we never heard of until almost episode one hundred), which just further makes Lillie unlikable. The other problem is the grand debut of 10,000,000 Volt Thunderbolt, a move that was only used three times that was either poorly explained or never actually received an explanation depending on how you interpret the part where it's employed in the very last major battle of the series, completely out of nowhere except for perhaps Ash's Electrium-Z shining briefly a lot of episodes ago, which was never fully explained, as is the fact Ash's Pikashunium-Z reverted after use.

And thus, after a wedding between the four-times-dated Kukui and Burnet and with Nebby deciding to leave for no adequately explained reason, with Lusamine estabilishing a task force for Ultra Beasts which involves the classmates and Lillie in the closest thing this series gave them to an onscreen reconciliation, after an arc where Lillie supposedly grew... things returned to be for the most part exactly like they were in previous episodes, almost like this arc never happened, including Lillie reverting to her regular clothes. Pretty much, this supposedly character-focused arc ended up coming across as ultimately not so important, especially when Lillie's personality remained roughly the same with the only real problems she developed from being the ones this arc itself introduced, except for now being able to touch every Pokémon.

Things seemed to just return to normal, even if this was just a prelude towards the structure of the series completely collapsing on itself.

3.2) Year Two: Ultra Guardians, Ula'Ula Island, Necrozma

Year two is the one to which I, personally, trace most of the problems of the Sun & Moon series, as the major focus of the series throughout this period ended up being the 'Ultra Guardians', a Sentai-esque team formed by the main cast under Aether Foundation supervision tasked with dealing with Ultra Beasts, and the biggest problem of this arc is that it really wasn't an arc so much as it was a loose connection of monster of the weeks plots that occasionally was brought up outside of them, but was otherwise completely separate from everything not just in terms of structure, but also in tone, as a parody Sentai with barely threatening monsters clashed heavily both with wanting to be a chill slice of life Anime and with wanting to be a battle-based Pokémon Anime. It's an arc that never fully gelled with everything else (the only I'd save being Celesteela, a good Sophocles episode and a rare character-driven Ultra Guardians romp) and ultimately ended on a pitiful note with a rather dull episode with no real oomph to it, but ended up taking the 'main arc' position and leaving the rest of the series pretty much directionless, with several major arcs stalled and, beyond Lillie obtaining her Icium-Z and an Ice Stone that then disappeared completely, Torracat and Steenee evolving, and the Ula'Ula arc for Lycanroc, and Poipole leading to Necrozma, pretty much little of major happened. Teams remained frozen, and development seemed to hit a dead end, beyond officially introducing the Masked Royal.

Between the Ilima episodes (which felt like a waste considering his main purpose at the League ended up being effectively jobbing to Guzma) and the beginning of the Ula'Ula arc proper, the viewers and the students were properly acquainted with the idea of Alola soon getting a Pokémon League, with both Ash and Kiawe expressing interest in it. This didn't send any weird looks yet, as Kiawe was estabilished as the other major battler and to have taken the trials, but this was in hindsight an important omen of things to come. In the meantime, however, Ash departed for Ula'Ula in what turned out to be a solo arc, and one that started up promising only to run into big issues along the way.

I already mentioned part of it when talking of Lycanroc, but the problem of the Ula'Ula arc is that it works on the assumption that Ash would be scared of Lycanroc's rage issues to the point of not acting, with Tapu Bulu's training giving them a moment to surpass those issues that, even with Rowlet suddenly learning Razor Leaf by sitting on a magical tree, could've even worked if it wasn't for the fact that to calm down Lycanroc and reaffirm his trust in him Ash ended up involving a flashback to Rockruff that we never saw before, making the whole affair come across as insincere. After an interlude where Ash undertook a 'Trial' that was technically the in-game Ghost one but was effectively a phony one involving Team Rocket (just furthering the 'whatever goes' sense of the Anime Island Challenge) that resulted in no Z-Crystal, the debut Electroweb, and a strange appearence of 10,000,000 Volt Thunderbolt again in spite of the whole thing being a relatively down to earth affair even with Team Rocket about to win with Mimikyu's Z-Move, this arc reached its conclusion with Ash VS Nanu, a battle that's been in equal part praised and mocked, and which I had a friend describe in the most accurate way as a well-written and interesting battle... for anyone but Ash Ketchum.

Seeing a battle taking on a more psychological bent with Nanu toying with Ash and trying to force him to give in to Lycanroc's rage mode is an admitedly interesting choice and Nanu is absolutely the best part of this battle for it, but the problem is that this requires the assumption that Ash would unconsciously not trust his Pokémon after they put the rage mode under control with trust to begin with, alongside the battle being rather visually boring and with a 1 VS 3 set up that makes it more seem like Nanu is weak than Ash being strong (especially with Tapu Bulu tossing in a Sitrus Berry mid-match). This is supposed to be Ash's big development moment as a trainer in Alola, but it requires Ash to have a regressive mindset that doesn't fit how far he's come (something Sun & Moon does in quite a few things big and small, like completely forgetting Jennies and Joys are families of clones after the Kanto episodes) and, much like the Aether arc before it, begins and ends in the few episodes it takes to happen, I already covered Poipole's issue in his character dissection, so I'd like to move on to the most important part of this year: the Necrozma arc, which among the major arcs of the Sun & Moon series it's probably the most irrelevant. Coming in after only minimal foreshadowing (including a fairly interesting hint of a connection between Nanu and Giovanni that the show never really dealt with adequately), this arc was effectively as standalone as it gets, involving events that were only briefly mentioned after it (Rotom depositing the data of Necrozma in the Stufful episode, Naganadel's return, the stadium where the League was held being called Manalo Stadium), and that tried to make a big dangerous deal without actually having much happening: beyond the biggest damage of the episode being adults feeling comedically down as a result of absorbed energy, the introduction of an Elite squad of Team Rocket led by Giovanni's secretary Matori (here revamped as a Team Rocket trio hater in spite of originally being the one reccomending them to Giovanni in DP's last episode) that ultimately did nothing significant except maybe causing injuries to Nebby that wasn't clear if they happened or not with how stiff the animation was, the baffling and unexplained return of Nebby alongside an out-of-nowhere Lunala, and a general sense of big deal where nothing much of dangerous for the cast happened (and that bafflingly replaced the Ultra Recon Squad and Ultra Megalopolis with a talking Naganadel and a generic quarry that achieved effectively the same purpose), this arc ended up feeling like a snoozefest that only resulted in Poipole staying behind in his now healed world in an overall beautifully permanent-feeling farewell, except that, in the light of future events, this choice felt like one that effectively harmed the show in the long run. Also, with Matsui being the headwriter, one might think resolving the arc with everyone sharing their energy borders on self-plagiarism considering she was also the headwriter of Dragon Ball GT, which had a similar climax (itself inherited from Dragon Ball Z).

Thankfully, even if this year was really not the greatest, the following one brought as much improvements as it did other problems to deal with.

3.3) Year Three: Poni Island, Hints of Mohn, Alola Pokémon League

The third year of Sun & Moon did not start on a good note, as after the Necrozma arc the show ended up on a shortage of things to look forward to, with several arcs still stalled and only the still no show Guzma and the League left to check out. During this period, perhaps to lead into Let's Go marketing, we started getting some shorts at the end of each episode dealing with an Eevee getting to Alola, which everyone assumed would eventually go to Ash, only to unexpectedly go to Lana in a move that made some fans sour. Sandy didn't end up doing much else but being cute and possibly allowing Lana's arc to resume by giving her another cute Pokémon to hold in Popplio's stead, but that was it for a while alongside Hau's debut as a character, in an episode infamous for being at the same time an okay rival introduction where Ash lost a fight by fetching his Z-Crystal and getting distracted to take it back, and where Rowlet ate an Everstone for a move that turned out to be more trouble than it was worth.

Beyond Misty and Brock visiting an Alola (which involved an episode where Brock's womanizing gag was blown even further than ever before) and an actually pretty decent arc starring Ash tossed into a post-apocalyptic alternate Alola to deal with Guzzlord in a rare instance of an Ultra Beast being presented as an actual force of destruction, the show finally started to move again with the Poni arc, or as some people called it 'the ultimate development arc', as the focus of this arc seemed to be the opposite of Ula'Ula being an Ash solo act by putting the focus back on the neglected companions, giving them either a new character direction, Z-Crystals evolutions, new Pokémon or in Ash's case his final Grand Trial, all tied together by Hapu opening up to the crew after starting standoffish and distant. Overall, Poni isn't on paper a bad arc, and there are quite a few episodes that are actually pretty good (Kiawe's trial among them for sure), but cramming all this development on the same island one after the other only had the effect of feeling jarring (unlike how Akala was not only still early enough, but only gave significant new things to Ash, Kiawe and Lana), most noticeably by cramming two completely separate evolution plots in the same episode in a move that slightly hurt both of them (Sophocles' feeling a tad impersonal, while Lana's lost the actual training part of it), Shaymin was effectively even more irrelevant than Sandy in the series, the Mohn arc estabilished here had some problems I'll get into soon, and the Hapu Grand Trial ending up as one of the worst 'Gym battles'-like matches Ash ever fought by utilizing the same strategy to victory as the extremely derided Brock battle by dousing Mudsdale and using an Electric attack on it, only adding the patch that 'it was just like Soak' even if no Pikachu can access that move. Ultimately, a well-intentioned arc that felt a bit too little, too late, and came at the expense of Ash's own focus before his final Grand Trial (to the point unlike the previous islands he didn't even do any unofficial trials before this one).

Following this, the next major episode (excluding a two-parter introducing Ash's Meltan that arguably ran one episode too long) was one that was both long awaited and caused some issues and improvements for the series going forward: Guzma's debut episode, alongside the formal announcement to the world of the Alola Pokémon League... and more specifically, the fact that it would be open to everyone with no requirements whatsoever, on the justification that it's not important who wins. Now, I've seen way too many debates on the topic, so I'll put it simply: regardless of if you think an open League is a good idea or not, it does mean that the various trials and Grand Trials Ash took on lost a lot of their meaning since they became self-sustained achievements that don't mean much outside their bubble if Ash didn't need to do any of them to enter the League, and this structure did cause several problems that lowered the general quality of the Alola League for a decent part of its length. When Guzma is being painted as the bad guy for considering the League just a schoolyard fight between weaklings, the viewers shouldn't be inclined to agree with him.

Another big issue of this decision is that, otherwise, it caused the structure of the series to come under scrutiny: before, and usually, since Ash is the only character taking part in the League, it's only his growth in skill that is under scrutiny, and everyone else is free to be as strong or as weak as necessary, but opening the door to everyone to join in also meant that everyone in the series came under scrutiny, and to put it simply characters like Mallow just weren't made to be involved in it even under the guise of a League for fun, something that showed in the actual execution of the Alola League and that I'll get to in a bit.

The episode after this one started the further estabilishment of the Mohn arc, and let me just say... this arc is, on the whole, probably the most disappointing of the various arcs of Sun & Moon, and that's saying something after everything I explained so far. Specifically, the biggest purpose of this arc was for the Aether family to find out about the whereabouts of the seemingly dead patriarch of the family, and supposedly show Lillie as being 'strong' after the events of the Aether arc, but in actual concept, it was just a convenient way for her to get a Z-Ring after conveniently ignoring the possibility for almost one real life year, getting it 'on loan' for almost getting a Z-Move to work in spite of everyone else requiring to pass a real trial to get theirs, and with her contributions effectively ending up still needing Gladion's help and amounting, once more, mostly to feeling sad to catch audience sympathy, while Gladion gets a Zoroark to be only used in one round of the League. But the worst part of all is that this arc, to put it simply, doesn't end. After Magearna finally wakes up and we get the not explained reveal that it knows where Mohn is, the Aether family embarks on a journey to find him... only for the series to end at that point. After spending six months teasing this storyline, just leaving it hanging like this is poor storytelling, and even with the justification that Pokémon 2019's world-hopping premise would mean the new show can end it for Sun & Moon, the series shouldn't have to rely on another one to resolve its own plots, especially one on which supposedly significant moments of the late series hinged on.

The rest of the series, however, does gain something from the open League premise, and that something is a consistent direction by having everyone get boosts in preparation for the League, which at the very least leads to some alright moments for Sophocles that play nicely in his arc and the technical resolution of Lana's arc, among a sea of strangely persistent legendary appearences that only got more and more contrived as the series went on considering they were entirely separate from each other, even the ones that led to ultimately good episodes (like the one where a Celebi led to Ash and Torracat meeting a young Professor Kukui), since it felt like a move to ensure attention that was wholly unnecessary to the story being told. But over time, everything came to a close with the start of the Alola Pokémon League, probably the most talked about arc of Sun & Moon, for good or ill.

The Alola League is unique in several aspects, both in terms of the Sun & Moon series and the Anime as a whole: for the former, it's a battle-focused arc in a region that didn't want battling to be the focus as the climax of it; for the latter, it's the longest League arc in the series' history. clocking at roughly sixteen episodes. Being a tournament arc, you'd think such a good length would benefit it, but the way the series decided to execute things left a lot to be desired, most specifically because Sun & Moon has a very mixed track record in terms of battles and for the decision to show every battle of the tournament even if just partially. There is a lot that could be said about this arc, but I'll try to aim for the big ones first: for starters, beginning the League by reducing the contestants to just sixteen using a Battle Royale was a rather poor choice, as not only that's a format that allows characters to reach high positions by just surviving rather than being strong (as seen by how James got to the Top 16 even if he explicitly didn't face anyone), but confining it to just one episode meant that pretty much every battle of it was reduced to just a series of one-hit KOs from every major characters, with all of them ultimately surviving. After that, another problem was how a lot of the early rounds of the arc ended up averaging between okay to poor battles, with the dubious honor of having Ash's first battle being completely for laughs against Faba, the only character beyond Jessie and James to get one in this League in spite of being the eventual winner. I already mentioned the specifics of Mallow's attempt to quit her match coming out of nowhere from a character standpoint and the issues of Ash VS Hau, so I'll just say that Lillie's battle against Gladion was okay but done dirty for what was supposed to be a huge moment for her in terms of development, and that Sophocles', Lana's (sans Mallow's) and Kiawe's battles ended up being okay to great on the whole. However, the fact that the first two rounds of the League only used one Pokémon each didn't help the sense of escalation at all, nor the sense of Guzma being correct in describing this League as 'a schoolyard fight between weaklings'.

From the Semifinals onward, the League improves in quality due to only good battlers remaining, though it does run into problems of a different sort: Guzma, which was built up as the major threat of the League with Ash vowing to stop him due to what Alola did to him, is not only dealt with in the penultimate round rather than in the finals, but in a battle that makes that statement ring a tad hollow since the perspective we follow during the fight isn't Ash's, but rather Guzma's, shedding some light into his confidence issues and his Golisopod's habit to use Emergency Exit whenever scared (which beyond being only halfway foreshadowed, also ends up with the bad side-effect of giving Ash a free win through Torracat, turning Ash VS Guzma into a 2 VS 1 in Ash's favor), but effectively making Ash interchangeable as a result. It's a good fight with some nice moments, but it just makes his build up as possibly ruining the League for everyone ring hollow when his presence didn't seem to ruin the League for anyone in any way, and the threat wasn't even considered worthy of the finals. Kiawe VS Gladion, by contrast, is mostly a good fight with not much else to it. However, one thing that starts to be noticeable in this part of the League is the sheer reluctance of the show to start any matches before the halfway mark or close to it, padding the airtime as much as possible with not always necessary scenes and stretching the battles along two episodes even when not necessary.

The finals having three Pokémon each meant that Ash VS Gladion ended up having a bit more meat to it in terms of battling, but Ash once again ended up getting another boost in the form of Meltan's evolution into a supposedly powerful mythical Pokémon, which would already be bad since he shouldn't be getting these kinds of boosts at the very final stage of this story (and yes, just to be clear, Kingler's deal was poor writing back in OS as well) but also comes after a gag battle rigged in his favor, a battle that required several contrivancies on his side to be won with Rowlet, and another battle with a facilitated victory in Guzma, making it feel like Ash ended up getting into each of these matches with the writing rigged on his side. The Gladion battle has some fairly good moments both from a character and battling perspective, but between the unearned evolution right before it and just the way they built up to things, Ash's victory here ended up not really feeling as impressive as you'd think this first League Conference victory should be, all things considered. A battle that just ends up as 'okay' rather than the amazing it should've been.

However, after a somewhat dull interlude involving a Guzzlord attack that's probably comprised of more stock footage than action just so Naganadel can come in to make number, we moved on to Ash VS Kukui, probably one of the best battles of this series. That said, while it is pretty good and better written than the majority of them, especially in terms of how Torracat is handling for its first three episodes, it is knocked down by being an exhibition match, meaning that beyond 'fun' and offering a good fight, Ash doesn't need to win this battle (unlike how every other major battle at this stage usually comes with adequate stakes), and most importantly how Tapu Koko forced his way in in place of Kukui's last Pokémon (after Kukui allowed Naganadel in on the pretense of being part of the family, ignoring that three-to-four of Kukui's Pokémon in this match were never seen before and his supposed Pelipper was completely excluded just because the local deity wanted some fighting), which given how Koko wasn't part of this particular equation comes across as scrunching two battles to save time. It also doesn't help that then Tapu Koko interrupts the match again just to allow Kukui and Ash to use Z-Moves again, with Ash ending up using 10,000,000 Volt Thunderbolt for the final time while praising the region, which while making for a cool finisher it ultimately makes Ash's supposed aim to master Z-Moves to defeat Tapu Koko resolved in a poor way when he only won using the Z-Crystal he never actually trained to use and that only conveniently showed up whenever it needed. Accounting for yet another boost in the form of Naganadel's return, this battle is ultimately marred once again like most of the League by the writing apparently wanting him to win at all costs and look good while doing so, strategy and skill be damned along the way.

After this followed two episodes of closure, that had some good moments (especially in regards to the Team Rocket trio) but ultimately involved a lot of contrived instances (like an Ultra Wormhole for Naganadel to return home coming just above Kukui's house) or poorly executed moments, most importantly the completely offscreen adventure of Ash and Nebby in Ultra Space, the way Mimikyu decided to let go of his killer instinct towards Pikachu, and most importantly the fact that Ash decided to leave his Alolan team behind for reasons the viewer wasn't made privy to, and which ended up having negative implications for either the Alolan team or the previous Pokémon depending on how you read it.

And that's ultimately how Sun & Moon ended up feeling for me, with several small issues that kept adding up, until the show just couldn't handle them anymore.

3.4) The Problem of Themes and Other Technical Issues

Before to move on the closing statement, I'd like to quickly address something I've often seen brought up in Sun & Moon's defense, generally its themes justifying a lot of what it does alongside exploring the region of Alola by having Ash live there. Usually, the biggest themes I see brought up about this is that Sun & Moon is about family and meeting a world and learning from it... but while the first might have some merit, the second is very much what the show has always been about, arguably moreso than Sun & Moon has been since Ash actively travelled to meet said world rather than wait until the world came knocking at his door, and there were a lot of family-oriented moments in previous series, be they siblings or relatives. I'm sure there are other, different themes that one could bring up here, perhaps some that are indeed unique to the Sun & Moon series, but there's something important to say about themes: no matter how good the message you want to spread or explore is, if the narrative has issues, you can't excuse them on the pretense of themes, especially if it starts to be applied to every single imperfection one finds in a story. Themes are embellishments that make stories better, not substitutes for good writing.

And in terms of narrative issues, Sun & Moon has, in my opinion, quite a few of them, not just the ones I explained in the first paragraph but also some important ones involving both the way episodes are written, and how battles were handled, including the way the generational gimmicks were used. In regards the way the episodes are written, there's the fact that several of them end up involving a strange structure where the plot doesn't actually begin until the halfway mark, and while this may perhaps help with a slow pace and relaxed atmosphere, it does have the side effect of making quite a few of them feel dull to watch, especially older fans used to the rhythms of the series before this iteration.

Bigger, and most pressing, are the problems of battle writing this season ran into, which go deeper than just the absolute downgrade in battle presentation, but go straight into how the battles were written. One noticeable thing that feeds into how slow the battles ended up being is the fact that commentary became just as commonplace as it used to be in the earliest series, constantly breaking the action on a regular basis rather than letting the scenes flow more often than not. Beyond that, the biggest problem is that, more often than not, the battles aren't decided by skill or strategy (though there are occasional skill-based bouts), but rather who feels a bigger drive to win or happens to fire their Z-Move last, which coupled with the removal of most of the minor battles that could go either way to mostly focus on the big ones that have to absolutely be resolved a certain way, leading to such gems as the already mentioned battle with Hau where an otherwise good Ash ended up slipping his Z-Crystal just so he could be distracted and lose due to it, or one where Gladion managed to completely tank a Z-Move only to reply by his own, out of nowhere new Dragon-type Z-Move. It made battles dull to follow more often than not, especially with battles often falling more on shows of strength or exchanges of moves with no real rhyme and reason rather than giving the impression that the trainers had any real plan behind their orders (Ash constantly falling back on relying on an incompletely learned move in Ash VS Hau being a particularly blatant case of it showing).

And relatedly, another major issue of the series overall is the way it choose to handle Z-Moves. Compared to Mega Evolution being a fairly consistent 'have the stones + have the bond = Mega Evolution' in the previous show, Z-Moves depend on several factors, from getting the pose right to having a correct amount of focus and bond with the Pokémon to if the Pokémon used them before, and as a result, the entire idea of mastering Z-Moves feels wholly inconsistent: sometimes you can have characters with perfect relationships with their Pokémon completely failing at using their Z-Moves, sometimes characters like Mallow that first chided others for not getting the Grassium-Z pose right and then ended up unable to master Bloom Doom well until the League match, sometimes you can have characters that get Z-Moves right with Pokémon they never even saw before, and everything in between. It feels extremely arbitrary, and makes 'mastering Z-Moves' feel less down to the characters' agency and more down to whether the writers feel like having them master them or not.

But, if I may say, the real biggest problem of the series is that, simply put, it often raises questions it never manages to answer satisfactorily, just creating a situations were things are left so vague everyone has to either remain confused at what happened or supplant it with their own headcanons. Counting just some of the important questions: Why did Ash choose to go to school instead of a typical journey? Why was Tapu Koko so interested in Ash? Why did Ash receive Nebby from that Solgaleo and Lunala? Why did Nebby leave at the end of his arc? Why do Giovanni and Nanu know each other so personally? Where did that Lunala come from? What's the deal with Dusk Lycanroc and Meltan? Why does the Pikashunium-Z manifest? Why did Naganadel return? Why does Magearna know Mohn's location?

I have no clue. And frankly, I'm not sure if Sun & Moon knows, either.

4. Conclusions

And with this, I reached the end of this long dissection. It probably got pretty ranty, and it may sound excessive considering this is all the result of overanalyzing what's ultimately a kids' show, but I think I covered most of everything I wanted to. So, in the end, with so much said, what are my final impressions of Sun & Moon? Well, I'd say the amount of fun you'll have with it will depend exactly from what you want of it.

In spite of all my critiques, I'm fairly aware of how people just looking for a good time to cheer themselves up with occasionally emotional moments will find definitely stuff to like. Less critical-minded viewers will also definitely find something for everyone in there, and perhaps enjoy what the series has to offer. My personal opinion is that, ultimately, at its best Sun & Moon can be one of the best entries of the Pokémon Anime, while at its worst, it can be even worse than entries like the Best Wishes series. And as someone who likes consistency in terms of what a series has to offer, I found Sun & Moon a quite irritating watch to do, and probably my second least favorite entry of the series even with its good moments.

Overall regardless of which opinion you will have ended this read in, I hope you found my thoughts interesting to read about, and whatever opinion you hold of the Sun & Moon series, I respect it, and, in case you enjoyed it more than I did, I'm glad you did.

As for me, I officially consider the Gen VII Anime a closed book. With the new series starting soon enough, I'm optimistic that things will only look up from there. Not just for me, but for every other watcher as well.

So, regardless of what the future may hold for this show, I'm looking forward to continue my journey reviewing it with all of you, hoping in better stories to be told.

#anipoke #pokeani #viroreviews #archival post #sun & moon #series review #long post

[cynicalrainbows]

What are your opinions on Mary? I like her so much, but I see people saying that liking her is like liking Ted Bundy. What are your thoughts on that?

TLDR: Like whoever and whatever you like my dear. Anyone who tries to make you feel guilty for liking or wanting to write about a character sucks, and chances are they’re also being a massive hypocrite because I BET you that THEY like a character who could have similar claims made about them too.

Big long essay under the cut.

So when speaking of Mary from a fandom perspective, I think it is important to remember that there are different versions, if you will. There’s Mary Tudor, historical character. And then there’s ‘Mary Tudor as part of the ensemble of Six’ (because even if she doesn’t appear in the musical, existing in the fandom means she becomes a character rather than a real life historical figure, if that makes sense.)

And also, when using the word ‘like’, I think it’s important to remember that saying ‘I enjoy writing this character’ or ‘I enjoy coming up with scenarios for this character’ or ‘i think this character is interesting’ does not mean ‘if this character were a real person, I would support and endorse their actions unconditionally’.

AND finally to remember that engaging in fandom for the purposes of entertainment is not and should not be a sort of moral test in which we all compete to find The One True Character who is Best and Nice and Unproblematic (and to be clear- that also means it’s fine for the individual to decide they dislike a character for moral reasons. What’s not ok is forcing this belief on others. Like how I fully understand if someone cannot read American Psycho or Lolita or whatever BUT I also reserve the right to enjoy the books myself.)

In light of this: if some people don’t want to write or read fics with character Mary in, that’s fine! And valid! And that’s just as valid if it’s because they can’t get past the burning thing as it is if it’s because they find the idea of The Kids restrictive and dull (and this is how I nearly always view The Kids.)

HOWEVER if we start getting overly moralistic on this.....well, this things start to get complicated. 

Can the irl Mary Tudor be considered a murderer? Yes, you could certainly make the argument for that. (But is Mary the only one who could be called a murderer? Absolutely not.)

Is it ok to not want to write Mary because of that? Of course! You needn’t write anything you don’t want to.

Is it ok to imply that other people are morally dubious for wanting to write Mary or for being interested and sympathetic in the irl or fictional character of Mary? Absolutely not! 

Not only is it not ok, but I find it VERY hypocritical and odd too.

I mean, let’s all face up to the elephant in the room: Six is a weird af concept and writing fanfic for it is even weirder! Like, I’m writing about historical characters living in a houseshare? I’m writing about them just hanging out and making pancakes and having fights over the tv and crying because they lost their bus pass or whatever!

And that is fine and great and SO MUCH FUN!

But.

It also means we need to accept the divide between real historical characters and the versions we write for fic (and that Marlow and Moss wrote in canon).

I like writing about Cathy being scatterbrained and easily overwhelmed and good hearted. I am aware that the real Kateryn Parr likely had nothing in common with my version of Cathy Parr. And that’s good and right.

Just because you want to write a character as good and fun and nice, it doesn’t mean that their real life counterpart was ANYTHING like that. Nor does it mean that a character you don’t like was definitely evil incarnate irl.

Honestly? I don’t think anyone in Six would stand up to tumblrs moral standard.

Not only were these real people but they were real people with enormous, inordinate amounts of power and influence, all of whom did many morally questionable things in their lives.

Which is expected. 

Some of the people did VERY definitely-wrong things: some because of the time they lived in, and some just....out of choice. And sometimes because of a mix of both.

Depending on a number of factors, sometimes you’ll be able to get over those things enough to enjoy writing the fictional character and sometimes you won’t.

Basically, there’s no point in people trying to act as if there are these big hard and fast clear moral rules for writing characters: it’s just personal preference.

Like, personally I like writing Cathy Parr best. But that doesn’t mean I think that Real Life Queen Katryn Parr was without blame in the relationship with Thomas Seymour and Elizabeth.

I can write Cathy Parr and put the real life stuff to one side. That doesn’t make me a bad person. And I apply this to everyone.

If someone says they cannot write about Mary because they feel personally that it’s the equivalent of writing about Bundy, then fine!

If someone says that writing about Mary is like writing about Bundy and ergo anyone who does it is the equivalent of glorifying Bundy, then I REALLY want to know how they can possibly be ok with writing ANY queen! 

Because after all, Cathy joined in the grooming of her stepdaughter! And endorsed some absolute awfulness in Ireland. Anne had Mary treated terribly! Jane went to see Anne die! 

I’d ask how they’re ok with writing Edward and Elizabeth, considering the stuff that THEY did. I’d ask how they’re ok with Catalina, considering the Inquisition was A Thing. I’d ask how are they ok with the concept of Six AT ALL- since didn’t everyone in it do questionable things? 

Like, to be clear: Person A does not want to write Mary bc to them, they feel it’s like writing Bundy is fine. And saying so, when questioned, is fine. (Especially if they’re replying to someone being bitchy about them writing Mary ‘badly’: I have as little time for people who bully people for writing specific characters as I do for people who get off on harassing others for writing their favourite character ‘unfairly’.)

But I do have a problem if they are telling people who enjoy writing Mary that this makes them as bad person.

I have a problem with ANYONE trying to shame anyone for what they write: characters, plots, ships, whatever.

Because really, tumblr is SUCH an excellent place for making these big sweeping statements- X is bad! Y makes you bad! Enjoying Z makes you terrible!- that really don’t make a lot of logical sense when examined. And unfortunately, the sorts of people who make these claims often don’t really GET that you can like a thing without endorsing it OR that you can dislike a thing without having to condemn it.

And that’s a real shame.

So in answer: write what you like. Tag it appropriately, clearly and consistently. Don’t let anyone make you feel guilty about it.

Enjoy it.

[willowkeyes-creates]

My TSS AU World Building

World Building Dot Points

Modern-Medieval Fantasy. By that I mean it's set in a time frame where P!ATD, Disney, YouTube and all of those glorious things exist. But there's also Kings, Queens; a more Medieval-like system that's rolled up in modern day-ish politics.

The King and Queen sit in a large castle while everyday folk have modern houses with the occasional area of more medieval-type foundations. 

Owning coaches is almost as popular and as used as owning a car. .

Some humans have magick, others don't. It's more common for two people with magick to have a kid that also has magick, but rarely they can be just normal. Or two normal people having a magick kid is just as rare.

If two people with the same magick have a child; there is no certainty that the child will have the same magick. For example; if two people with water magick have a child; they won’t have something fire related, but they could have Flight or could conjure thunderstorms.

Shooting fire from their hands, Changing hair colours with a thought, Flying, Super strength, Superspeed etc. aren't rare types of magick. They're all fairly common and most children with magick go to public schools and just have a magick class to go to.

But then there's kids who have rarer magick. Invisibility, Charmspeak, Telekinesis, Breathing underwater etc. Stronger versions of common magick can also count as ‘rare’; such as having the ability to control wind and they’re able to conjure entire tornados. .

The children with ‘rare’ magick go to the King Cygnus Aurelian’s School of Magick; a private school named after the current King’s grandfather. Everything is free to the student; including housing and they get money for food. They have to pay for extra furniture and whatever else, but the basics are all free.

The dorms are in rows of ten. Each row is assigned a letter. Such as row A goes to dorm 00-09. B is 10-19. C is 20-29. Most new children can pick a dorm to their liking.

Dorms A are restricted for special guests such as those recognised by the King and/or Queen.

Dorms X, Y and Z are restricted for those with movement disabilities and those requiring, fortnightly or less, therapy sessions.

Children can change rooms at the start and end of the year. Only certain exceptions can change dorms during the year.

There are some exceptions to who can be enrolled. Children who have shown that they either need special training with their magick -for example, they can’t control when they can light their hands on fire- or have exceptional grades, have the CHANCE to go to the school as well. They cannot apply for the school, only chosen.

Children aged 12 and above are enlisted to the school as the majority of the populace's magical community have powers by their twelfth birthday. Those who are found any older than that and have hidden their powers for one reason or another are rarely punished for doing so. .

Magickal creatures and Fae are rather rare for humans to find. Unicorns, fairies, mermaids, dryads and even dragons aren’t an everyday sight. When they are seen; they're commonly killed without hesitation. Humans have believed for years now that the majority of magickal creatures are out to get the human-race.

That belief started when they started hating Botanokinesis; more commonly known as ‘Plant Magick’. It's a VERY powerful magick that no one has a full grasp upon; they don’t even know the magicks specifics. The people who had it never seemed to grow tired after using their abilities, managed to never get lost, avoided even the most sudden of ambushes and could even attack a hundred foes at once. None who had this magick told anyone else how it worked.

Eventually even the three main Royal Families began to fear them and when one person with this magick had been reported to have killed a small family, they were all hunted down.

The hunt had led to an extensive search through forests, where they found tons of magickal creatures that had attacked the armed forces on sight. This caused rumors that the ones with Plant Magic were killing the soldiers and using the creatures as a decoy; and so they had killed a lot of creatures by the time the hunt ended.

There is a chance that another person with Plant Magic can be born at any time, but they had simply stopped appearing two hundred years ago; the same year that the hunt had ended. .

All Fae can understand the Dragons language (shortened to ‘Fae speak’); with some also being able to speak it.

The majority of the Dragons are led by a mysterious figure known as the Dragonwitch; who is rumored to be several thousand years old. Humans don’t know if they are a humanoid or a Dragon.

She is both. A witch with a large range of magic and the ability to change into a Dragon. No one knows her birth name, even herself, but Dragons and the Fae call her by a different name that the Humans don’t know.

Human and Fae World’s

The Fae world is at least twice as large as the Human world. No one knows which came first, but the Dragonwitch believes that they came into existence at the same time.

The Human world consists of five main continents, with three Royal families governing over them. The Aurulien family control the two largest continents. The Ambersworn family controls one, which is the third largest. With The Fujisaki family controlling the smallest two.

The Aurulien’s and the Ambersworn’s have constant disagreements. The Fujisaki have never chosen sides.

The Aurulien’s have the most history connecting them to the Fae. The Ambersworn’s continent rarely sees Fae, most likely because they are the most violent towards them.

The story starts on one of the Aurulien’s continents; where their castle and where the main School is.

.

The Fae world has nine main continents.

The Fae haven’t had a Royal family in decades. The majority are led by the Dragonwitch, with small groups of clans (most with Dragons as their leaders) that dislike how she runs things.

The Dragonwitch controls all nine main continents, with the rebel clans scattered across them.

The last Royal family (who were dragons) were chosen by the forest, and so that’s what the Fae are waiting to happen.

Humans do know that they have no Royals and that the Dragonwitch is in charge. They don’t know how Royals are made. .

Humans know that the Fae are connected to the forests but aren’t able to see any Fae communities from the sky or by satellite. They theorise that they use magick to move between worlds; but they don’t know how or what magick they use.

A few humans have come back to talk about seeing these communities but are never able to find them again. .

The forests and larger mountains create secret roads that most Fae can see; the ground lightly glows points in the direction of where to go. Some Fae can also hear the quiet voices of the forest and use them to guide them.

The paths from the Human world lead to random places in the Fae world. Even if two paths are a few kilometers apart, it could lead to two different continents.

The forests have been known to remove and create paths if needed. Such as, if it senses a large group of humans coming towards one and inevitably find it; so it gets removed. It adds more roads depending on weather and how many Fae are in the area- there’s a lot of variables.

And yeah! That’s the world my story (that I haven’t written much of yet...) is going to be placed in. Feel free to ask questions, give tips, all around talk about it because I’d love to hear people’s opinions!

@ladyedwina

#willowkeyes writes #willowkeyes TSS AU #world building #fantasy AU #modern-day fantasy AU #the AU doesn't have a name yet... #but i am slowly working through it!

[venus-says]

Kamen Rider Zero-One Episode 24

I feel like this grasshopper has jumped a bit too far. 

So, I knew I'd get disappointed by his episode, and I think because I had my expectations low that I ended enjoying what I watched quite a lot.

The plan was okay, the execution was quite decent, to someone who has been consistently liking this show this was probably a very good pay off for this journey. But that's not my case, so while I still enjoyed this episode quite a lot of the key moments didn't work very well with me.

In the end it all comes down to timing, I would absolutely love this episode if this was the climax at the end of this arc, they had everything here that they needed for an arc finale. There's the moment where everything converges as we remember the past victims of the week, Aruto overcomes his difficulties and gets control of Metal Cluster, he defeats Gai conscientiously for the first time, they even have Horobi escape and the announce of the new(?) general finally stepping out of the shadows in the preview of the next episode. It's the perfect conclusion for the second arc and the perfect lead-way to the third arc. Except that we're still in the middle of the ZAIA plotline so whatever we get related to it from here on now will feel empty and pointless, at least to me, which is a shame because this ending got me hyped and I feel like this hype can slowly die if it takes too much time for them to touch gain in whatever will be the motivation set by the villains in the next two episodes.

Of course, they may be making something new and anticipating the final arc so the next 24~25 episodes are entirely focused on building up for the finale, which I admit is something I'd be really interested to see actually, but it would still have the problem of the ZAIA arc being done without an official conclusion so it would still not be the ideal situation, though in this case it's easier to "fix" this problem if that's really what they're doing.

Allow me to bring up the issue of timing again to talk about the big moment of the episode. To make the weapon that would allow Aruto to control Metal Cluster Is needed help from other Humagears that had a higher level of contact with Aruto to lend out their "goodness" to infuse that sword with all that data that could go against The Ark. This on itself it's a good idea, and even the lead up to it with the Actor humagear deceiving Gai and the astronaut and the constructor invading the old metsuboujinrai base to gather information on the Hiden Metal was very cool. The thing is that when Is pleas to her fellow humagears to use those blank keys to collect the "good data" they made it so that it would feel like a cathartic moment, except that it fails on that because most of those Humagears didn't get to return out of their own episodes so the audience isn't attached to them so when they bring back Aruto's experiences with those humagears it doesn't feel as strong as it could've been.

Maybe that's just me nitpicking but it really saddens me to see how much more efficient this scene, and the whole episode for this matter, could've been. I feel like I've said this before but I think this sums very well my experience with this show and all the frustration I have, I see that they have good things going on, they have interesting concepts that they're playing with, and they do a fair job with what they give us, but I can see that with a little more planning it could be all SOOOO MUCH BETTER. I don't remember where I saw, and this may be wrong information (please correct me if I'm wrong), but apparently they design the toys first and the writers build the story of the TV show around it, and I feel like a lot of my timing problems may come from this. But I don't wanna say that this is definitely the case here because while I do some level of research, since I'm still going through the older seasons, and I wanna get to each one of them in the dark as much I can so I know that the opinions I'm posting are my own and that I'm not reacting to the shows on a certain way because someone else's influence, I still look at things only in the surface.

I think that's it for my rant, I didn't expect to go on for so long about the things I disliked because despite all that I had a great time while watching the episode, but I guess since these are problems that I've been having for quite some time it's hard for me to control myself. XD

But just so that this post isn't just a bunch of negativity with praises sprinkled here and there let me say I'm hyped as hell for whatever is coming next. Giving the show credit when it's due, they've been slowly building up Fuwa and Horobi, I feel like in this episode Horobi had got under Fuwa's skin more than he ever did and now that Horobi is free again I'm more than ready to see what they gonna do it and how these characters are going to interact going forward. Call me naive for dreaming, but I hope they will set some kind of secondary storyline for Fuwa and Horobi and we'll see that develop along with whatever the next step for Aruto will be because Fuwa and Yua have been in the backseat doing barely anything for way too long, and if they gonna thrash on Yua like what it seems to be the rule for the female Riders in this franchise, I hope that at least Fuwa gets to shine on his own and not just be there while Aruto is the only character in the show that gets some exposure. Also, at the end of the sequence where we see all the humagears progrise keys we see the key for Matsurida Z #5, now that metsuboujinrai back in action does that mean he'll make a comeback and they'll try to turn him into Assassin version 5.0? I'd like to see that.

I don't know if this can be considered a proper review of this episode, most of it was me complaining and say how excited I am for the future of this show, but thanks for reading it anyway. If you have anything to share please do it in the comments, I feel like in this post more than the other I really wanna see what other people are thinking. See you all around. o/

#Kamen Rider Zero One #kamen rider

[williamjwatson]

Production Bias and OWL 2020

There’s… admittedly… a lot the Overwatch League has to iron out and polish in how they run, produce, and broadcast the league if they want the league to live up to the vision that they believe is possible in the long term.

I could be here forever if I wanted to go into all of it, but I want to focus on an insidious problem that I don’t think the broadcast/production staff realize is hampering the full potential enjoyment a lot of fans could have watching the games. (As the majority of league viewers are based in North America, I will be focusing on the American, or the “main” broadcast stream and social media channels.  I can’t comment on the other broadcast streams in other languages because none of them are in languages i am fluent in, so I won’t.)

That problem is Bias.

Bias emerges in many ways in OWL production.

There are overt examples:

Montecristo’s relentless dunking on the Houston Outlaws and insisting the team, its players, and its fans are trash during official broadcast and even as he is commentating Outlaws matches in a role he should be neutral in. The unified desk beating the “NYXL choking in all playoffs meme” to death while conveniently forgetting NYXL are the only two time back to back stage champions in league history, and even when the term “choking” technically isn’t relevant because they are simply being outclassed by a team that has consistently shown they can handily beat NYXL meanwhile few other teams get negative treatment as enduring Bren’s fervent backing of the Shanghai dragons, reason be damned Soe’s blatant favouritism of the Atlanta Reign in all situations because she simply loves that team more than any other.

Some of these examples can be entertaining as hell.

Others are annoying to have to be subjected to, especially if your team is the target.

There’s also much more subtle examples of bias, and these emerge more in the choice to include or omit things in production, the manner teams are discussed in desk segments, and with a whole season of footage and posts, clear patterns emerge:

The desk discussion about san francisco shock being notably more hype than discussion about vancouver titans despite both teams having the same trajectory and success over the season as a variation of above: framing every titans match as “who can defeat the titans???” meanwhile every san francisco match is “can the shock continue their streak of dominance?” as if one team inherently is a villain who must be beaten down and the other is a protagonist whose dominance is expected and accepted as the new normal as a caveat under this: being very respectful of super’s tears after stage 1 finals, and mocking bumper’s tears after stage 2 finals the desk’s respect and levity given to taimou’s mental struggles being a bench player in a meta that doesn’t cater to his skills and celebrating his return, while his teammate, EFFECT was not afforded the same respect when he had to go home for his mental health in season 1, and his return to season 2 was very much lukewarm in comparison trend towards mixed teams being lauded for performing well in a majority of their games, meanwhile full korean speaking teams get lukewarm responses even when they’re doing well, and downright mean responses when they don’t do well (there are exceptions because sometimes the records speak for themselves, ie: justice and mayhem) notable difference in how successes and failures are presented when discussing non-korean players and korean players the fact Montecristo keeps being scheduled to cast Houston Outlaws games despite his obvious and very vocal disdain for the team (this could be scheduling chance rather than choice, but even so, it makes it much harder than it needs to be for outlaws fans to enjoy watching their team play the game and the fact this isn’t seen as a problem is an unconscious issue) comparatively little or no footage of teams who don’t do comms in English being featured on the incredibly popular comms check videos, thereby hampering fan engagement and ability to relate to at least 1/3 the teams in the league (how hard is it to hire a translator to sift through footage and add subtitles?? the dragons and spark seem to do this with ease? and official broadcast shouldn’t be lacking in such resource??)

Generally, having bias isn’t necessarily a bad thing.

Bren’s fervent belief in the dragons, even carried over as a meme from stage 1, is incredibly entertaining with the props and the ribbing, and in a way, Bren has his own redemption arc when the dragons really broke through that wall this season and won their first game, then kept winning until they won stage 3 entirely with stellar hardcore play.

The pre-show picks for the day are an entertaining segment, and gives the desk and analysts a chance to justify to the viewers and each other why their pick to win is the correct choice.  Sometimes it gives fans insight into what past performance, play style, and analysis should be accounted for.  Sometimes it’s just a blatant show of bias, and you know what, that’s fine. Sometimes it’s even entertaining as hell.

But sometimes Bias isn’t fun, and when the running joke about your team, or your favourite player keeps being featured even when the context is no longer there, or the talent who clearly doesn’t think much of your team keeps getting airtime to dunk on your team because some portion of viewers or production thinks it’s funny, the show stops being fun to watch.

The problem is amplified when it becomes apparent that you can’t avoid this bias if you intend to continue watching the league.  As there is only one single official English stream, featuring the same rotation of commentators and analysts and desk talent, fans have no choice but to listen and go along with the flow that the main production has set up for them, or avoid tuning into pre-and post game coverage and discussion, and watch on mute, missing out on content and strategic analysis that allows them to engage with other fans, or better understand the game at an esport level and why results turned out the way they did.  (Or watch Avast’s stream instead, which doesn’t show league footage and isn’t beholden to professional standards like official broadcast and also it’s not the OWL official broadcast which means fan disengagement.)

As an extension of that, with what the league chooses to post and broadcast, there’s also no way to access additional content the league chooses to omit to post unless your team takes the initiative to make that content themselves (Hangzhou Spark  and Shanghai Dragons open mic are both treasures and official comms check is missing out by not including their footage, among other teams: where is mayhem? dynasty? NYXL?)

So why am I discussing this? OWL is doing okay, and you can’t please everyone, right?  I obviously have my opinions, but otherwise it’s fine??

Well the thing is, OWL still very much has aspirations to grow.

I haven’t forgotten that 20 million dollar buy in.

Neither have the investors, I don’t think.

With the shift to a travelling rotating homestead schedule in four divisions next year to directly hit hometown markets and grow local communities, OWL clearly means to grow and get bigger, and that means attracting more fans and viewers and consumers, and keeping the existing fans they have.

Next year, leaving the Blizzard arena, bias no longer becomes an asset, it becomes an active, growing problem.

A significant portion of fans already find it very hard to watch and engage with pre-and post game coverage.  Fans that no longer engage with desk talent centric content, and maybe even watch games on mute are very much on their way to disengagement from the league entirely.

Furthermore, it will be significantly harder to recruit fans to support teams if the official league broadcast makes a point to tell them, before they are even engaged, that their home city team is trash and they should feel bad for thinking of supporting them for x, y, and z reasons.

Additionally, with the shift next year to local market games, the attention on the league will be amplified, and with it will come an expectation of professionalism.  There’s a clear lack of polish in this area, notably.  What happens when the Outlaws Homestead happens and Monte is not only scheduled to cast, but spends the entire time dunking on the Outlaws?  How does that look to local stakeholders?  How are Outlaws fans gonna have a good time at their own homestead while the official broadcast does them dirty?  How welcome does the broadcast feel to fans who don’t have means to attend their team’s homestands, and must engage via the official broadcast stream?

Given the single official broadcast in this language, and no announcement yet to expand the casting and desk talent cast, production needs to iron out their problems with bias, and that starts with stepping back and realizing they have a very obvious bias problem in the way they present narratives, decide what content is shown and promoted, and how often the talent team overtly supports certain teams while on air in an official capacity.  Professionalism also needs to level up, because a recent debacle on air already received negative response in the twittersphere directly from team organization stakeholders.

If the overwatch league wants to reach out to more fans, and continue growing while retaining the fanbase they already have, broadcast needs to become far more neutral in how they present the esport with this singular official broadcast, or create local based versions of official broadcast.  Unfortunately, option two is unfeasible because there is a lack of such experienced casters in the sport at this time to have the equally biased 20 local commentator broadcasts going at once.

With the singular official broadcast, this means neutral commentating without snide comments about teams casters obviously dislike.  This means desk consciously making the effort to present equal narratives to teams with similar trajectory, or equally flipping back and forth over time so a “villain” narrative isn’t constantly only dumped on one team all season.  This means hiring Korean and Chinese speaking editor or translator to help get equal team representation in fun quirky “get to know the team” segments like comms check in an official capacity instead of making the non-English speaking teams do extra work within their organization to pump their own versions of official content themselves. (Hangzhou and Shanghai may do their own open mics, but the point is they shouldn’t HAVE TO to get the same quirky fun coverage out that English speaking teams get to take for granted)

They’ve done a lot this year, expanding Danny and Emily’s roles beyond that of simply translator to give that extra interviewing representation to players who don’t feel confident speaking English, and giving them airtime to connect with their fans.  This is already mitigating the interviewing bias of last year, and giving more screen time to players who don’t speak English primarily (the Diem Carpe segment comes to mind).

I think they can do more, and I believe they have to if they want the League to live up to what they want it to be, so every fan of every team can enjoy watching as much as they can.

Source: Production Bias and OWL 2020

#esports

[slothcritic]

Dragon Ball Z Abridged - Episode 7 Review

Humor that doesn't let up. This episode is non-stop, action-packed, and delivers on everything it tries to do.

The cold open for Saiyans? On My Planet? (It's More Likely Than You Think) has a continuation to the "are we there yet?" skit, capped off with the Saiyans collapsing a building and cratering into the concrete, thus finally arriving on Earth. It's simple dialogue but the pacing, the delivery and the fact that it closes off a running joke makes it a wonderfully effective opener.

[Title Sequence]

Most of this scene has comedic and plot-relevant heft to it. Nappa glasses a city because he hates awkward silences and we as viewers are reminded that the Saiyans are here for the Dragon Balls. The "epic foreshadowing" joke however just feels needless and clunky. I wouldn't say it's out of character, Vegeta constantly begrudges Nappa's idiocy, but perhaps this line should've been written with less flashing bells and alarm signals reading "HEY GUYS, WE'RE MAKING A JOKE OVER HERE."

After a brief back-and-forth with Gohan and Piccolo, Krillin shows up, and... goodness me his voice is squeaky. Let me take a timeout from discussing this episode in a self-contained context. I'll criticize the microphone quality or the writing or the weaker visual gags or the editing missteps, but it's important to point out that not all of the show's improvements have been made through technical means. The cast has also improved personally as voice actors over the years. These contrasts are most notable in characters like Vegeta, Krillin and King Kai. Their modern voices are rounded out much better on delivery, whereas from the outset they're scratchy, unrefined, or even muddled. This also matters partially in-context of the episode itself, because goodness did that voice take me out of my viewing experience.

Krillin and Gohan catch up on how their respective year of training has been. While Gohan has no qualms about his stay with Piccolo, we're treated to distant laughter and an ominous pair of eyes in the background while Krillin undergoes what I can only assume is a PTSD-induced flashback.

One Fight Club reference later, the Saiyans finally meet the main ensemble of Piccolo, Gohan and Krillin.

"Hi."

Appreciating Nappa's role in this series is not exactly an uncommon or niche opinion, but I don't feel the urge to dismiss his humor or succinct, faithful-to-character writing just for the sake of being a contrarian or trying to get a reaction out of people.

I can see it now - "Nappa's characterization as a bumbling oaf is wildly inconsistent with the idea that he would've been a Saiyan General, or one of the most respected military mights in the universe. Vegeta would've been well aware of his character and annoying tendencies from a very young age and would've gotten the hell out of dodge the second he was capable. This depiction is nothing but a transparent flanderization of an originally unremarkable character created for the sole purpose of having a quotable, marketable personality with viral potential in a show that has so far been 'mildly entertaining' at it's peak."

Let me be clear. This is a parody. It’s meant to be pointlessly funny about certain topics. It’s meant to breathe life into creative interpretations of characters for the sake of humor. If I don’t think it’s funny, I will be critical of that. But I see no point in disliking something that I think is funny purely because it is either “popular” or, dare I say it, a “mainstream” opinion.

Vegeta is the kind of person who needs a strong sidekick who's subservient, loyal, and doesn't question orders. Nappa checks most of those boxes across both the original series and this one. Additionally, unlike a lot of other jokes or attempts at humor in this series, Nappa's very simple writing has consistently been a hit. Aside from the Arlia montage with no music, I can't think of a single line of dialogue or joke that Nappa has said that was a complete, useless dud. If it works, it works.

"So, you guys are the Saiyans?" "No."

I want to put on the record that I paused the episode after Nappa said "Hi", wrote for ten minutes on that, then resumed the episode and this line played. I immediately had to pause it again because I was laughing. Just the sheer childishness or petty playfulness that constantly surrounds Nappa and his counter-play with Vegeta injects something completely new and wonderful into this series.

The jokes don't stop after this one. This skit continues with the rule of threes, a callback to Vegeta being a prison bitch, a nerd joke, a eunuch joke, and more. I don't want to talk about all of these individually or I'll be here all day, but let's put a bookend where Nappa reads their power levels. These are all excellent jokes that keep up with the consistently funny pace set by Nappa's introduction. Perhaps the weakest skit is the two Saiyans snickering at Piccolo. It would probably work better if redone now, but the delivery on the laughter isn't entirely convincing enough to flow like everything else does. That said, the joke that an asexual race wouldn't have genitals lands pretty neatly within Nappa's ballpark of humor.

The idea that the Saiyan's power levels are measured based on units of Raditz, and the notion that they can actually grow beings with the same power level as Raditz, is hilarious. Nappa's "Taa-daa" after the Saibamen are revealed is like icing on a very dramatic cake.

I've gotta say I'm with Tien on this one - As someone who grew up in the city where they filmed the Fraggles, I take offense to the implication that they're obscure!

"More bald people!" - I have no idea what Toriyama has against drawing hair (let alone facial hair), but this is a very recurring trend in his art style and I'm glad TFS made fun of it. A cameraman earlier had made the same joke, but it wasn't Nappa saying it, so it was automatically less funny.

Another extremely iconic scene, and at the time a complex visual gag for what the series has done so far, is when Nappa throws the Pokeball at Chiaotzu. The fact that Vegeta deals with so much of Nappa's annoying shit but plays along here just makes this scene so much better.

"That's because you have to damage it first."

This joke has questionable veracity with only Nappa and his “lul so random” take on Chiaotzu’s appearance, but these concerns are immediately dashed by Vegeta, and this is why the dynamic works - Nappa on his own would just be too much stupidity, but Vegeta's deadpan counterbalance provides a nice anchor to reality and solidifies this joke even if Nappa is the one carrying it.

I'm actually rather surprised they didn't draw any comparisons to the Saibamen being Pokemon either. There's six of them, they're all vaguely creature-like beings of adequately short stature, and could quite literally be described as pocket monsters because they can be grown by seeds you keep on your person.

Yamcha lands on the scene with his big damn hero speech, and then immediately one of the Saibaman uses Self Destruct on him. No fight scene, no escalation, just immediate death for you good sir. The scene lingers on Yamcha's corpse while Krillin sheepishly cheers in the background, and that's where the outro plays.

Conclusion

Holy hell this was a good episode, even in retrospect. Almost all of the jokes landed, the pacing and consistency was on point, and we finally have some dramatic gravitas with the Saiyans arriving on Earth. A lot of this episode disappears fast because of how much it draws you in with the interactions and back-and-forth between all of the characters. It's succinct, it's well-written, and the balance and coordination of different kinds of humor play into each other wonderfully here.

If I had to say anything negative about this episode at all, it might be that some scenes played out for too long. While the "humor floor" and "humor ceiling" are definitely a lot higher in this episode than in almost every other episode, there is some variation in joke quality. As I said, nearly every joke in this episode works, but how much does it work? We've reached the point where if the jokes were athletes in a 100m dash, they're no longer breaking both of their legs at the start, but someone still has to cross the finish line first and last. This is also a very dialogue-heavy episode. That can be a good thing, but there's little attention elsewhere in the production of this episode. Things like non-obligatory or joke-dependent sound design come to mind. The video quality is also rather poor. KaiserNeko does switch over to high quality footage for Season 2 and onward, but in Season 1 it's very easy to see the frames shaking or jerking as they spice entire scenes back and forth for their lip flaps. Everyone still has cheap mics.

With that said, I feel like this is a landmark episode for TFS finding their style and settling into a confident stride for the rest of the series.

Score: 80

Passing Thoughts

"You're a prince?" "No." "Fuck you Nappa."

"Oh my god, he blew up the cargo robot. AND THE CARGO WAS PEOPLE!"

"Those readings are useless." "You mean like YouTube friends?" - OOF. That was a great line in 2008, and I personally still think it is, but does YouTube even have a friend system anymore? Or did that get integrated by some other Google platform?

#slothcritic #DBZ #Dragon Ball Z Abridged #TFS #teamfourstar

[trashyptxgurl]

Larry Vs Zarry and more rants

Okay this is a rant that no one asked for but no one in my social circle cares enough about this to hear me out so tumblr will be a decent substitute.

I hate larries. First they try to make everything about Larry like it is so far fetch but they are gripping onto that theory tight. They are so blind and so adamant and anything that debunks any of their theory sets them off. The entire Larry fandom is so toxic that they even affected harry and Louis’s friendship. To be very honest I never liked Louis because he craved so much attention especially in the early days. He probably saw that many fans were invested in Larry and decided to add fuel to the fire by doing stuff purposefully on cameras. It’s so ridiculous. He even admitted himself that he was insecure about being obselete when he left the band as it is pretty evident that the more popular members of the band did not include him. He wanted to be relevant and did this by hopping onto the Larry BS. After it got out of control and compromised their actual friendship and even his relationship with his gf then did he start denying all the Larry theories. Louis was just milking it. Did y’all noticed how harry ignored Louis the last 2 years in the band? They barely even talked. Y’all say its the management but y’all watch too much tv man. Those things don’t happen in real life to such an extreme level because that’s not humane and they know that they can get into a lot of trouble doing that. They won’t go so far by not allowing them to talk H doesn’t even glance at Louis. Y’all keep saying that Louis’s backhanded comments are sassy well they aren’t they are just straight up rude y’all clearly don’t know the difference. Watch drag race and see how sassy is done. Sassy is being witty but if u say the ‘joke’ again and again it’s just being mean bro. Anyways I’m not here to define what sassy is. H did not deserve all those comments in the early days especially the ones about his mum it’s not appropriate at all. If u notice, Z never participated in the ‘hot mum’ convo and stopped teasing H’s voice after doing some impressions of harry in 2011. Harry was just tolerant and a nice human so he didn’t do much about it. Of course as he got older he knew he didn’t have to put up with the bs Louis gives him and started to take matters into his own hands.

Not to go off on Louis I’m sure he is an decent human privately but whatever I see on camera I dislike. His fans are also delusional. Since I’m alr going off on Louis might as well say everything. The main reason why Louis fights to stay relevant was his limited vocal skills. He has a nice tone to his voice I admit. I quite like it. But it’s just so unreliable. I laugh everytime I see a Louis singing like an angel compilation appearing on my ig because even in those clips he was off tune. Imagine his normal live performances. Idk maybe I just have a more sensitive musical ear because of my musical background but literally almost everytime he sings it’s bad. His fans keep complaining about how he never really got many parts in songs during 1D and most were given to H and Z and even Liam. He prob would be given more parts if he sang with technique and consistency as good as Mitch grassi( who has a similar temperament to Louis) but he doesn’t. He has a shit range I prob have a wider range than he does (and I mean the lower range as well); he has shit technique as you can see his voice get more hoarse as time goes on as he pushes too hard for the notes and often strains to hit the notes; bad at runs and the one time he was given a run in a song he screws up during almost all live shows or doesn’t even sing the runs; often off tune like so off he literally has 3 lines and can’t stay on key I can continue you know. Of course I can understand if you’re insecure. (Maybe stop wasting time on fuelling Larry and practice ur technique? Attend vocal lessons?) you want to prove me otherwise? U can watch the live performance after he went solo. Lmao with no one to hide behind and singing with another inconsistent singer (bebe rexha no hate tho I love her songs but she has problems singing live sometimes) the performance was an utter mess. Okay enough with Louis talking abt him is hurting my brain.

The thing I like about the zarry fandom is that they’re so Low key and very patient and friendly. They are always trying to find new content to share and keeps to fandom only. They know that if Z and H knew about such speculations and theories we made, their dynamic may change as well So zarries keeps it to themselves and RESPECTS THEIR PRIVACY. That’s why we Low key panicked when the articles about harry being the inspiration behind fingers came out. You can support your fandom, you can come up with your theories but if you start going off on other fandoms randomly, you are being defensive for nothing. When larries say “I’m just sharing my opinion” but goes off at other fandoms for sharing their’s isn’t that hypocritical? I don’t know why these minute feuds happen there are more significant things happening don’t y’all have homework and exams to deal with? Why do you have to defend them so strongly? Sorry sweetie they don’t know who you are probably never will.

Now the actual ships. Larry were clearly best buddies in the early days. Zarry (maybe not as bff as Larry )but they were very comfortable around each other and were very close ( they slept in the same bed and cuddled during an interview like full on nuzzle into neck Shit) but if u see the interview when the boys were asked to identify who the food thief is, the boys were outing Harry being a food thief but Louis of course had to say some cheesy thing about how he can take his food. Liam was like but the other day you said... CLEARLY Louis had complained about Harry stealing food but once again he was MILKING LARRY. Have you seen Harry say anything like that to Louis? No not really. Maybe said he was funny once or sth. With Zayn, yes many occasions. Saying he is intelligent, funny, pretty, missing his eyes when the question was not even for him???? The list can go on. All Harry had done was deny the Larry rumours again and again and again. Zayn even stepped in multiple times to deny the rumours as well. I mean man watch zarrydocumentary, mah edats or any zarry channles and the Miami incident omg that was so compelling. The eating disorder era and harry not saying weigh like asfghjk y’all won’t know till y’all watch the vids man. Okay I shall end this off with I hope ig stop showing me Louis/ Larry content cos just because I like Harry doesn’t mean I like any of those two things. Everytime I see it, it’s just pisses me off. If u even read this u have gained nothing from this.

Have a great day. :)

#anti larry #anti louis #zarry #zayn #harry #one direction #ships #yea come at me larries

[mr-entj]

1) welcome back! You were missed! 2) Do you think certain MBTI types are prone to certain problematic behaviors and 3) if so which ones really bother you or you dislike?

Thanks. Yes, certain MBTI types show trends when it comes to problematic behaviors. My top one for each cognitive function:

High Te (ENTJ, ESTJ, INTJ, ISTJ): The Sledgehammer

Summary: Uses a one-size-fits-all solution for different sized problems.

Example:

Using brute force to power through situations that might require more patience, finesse, and reflection.

“This worked great for me, you’re dumb not to do the same.”

“Don’t pursue a career in art, you’re going to be poor. Go into business, law, or medicine.”

Impact: The problem with being a hammer is that you’ll start to see everything and everyone as a nail. It also makes people feel like their opinions and points of view are less valuable than yours. It also falsely presumes that the choice which yields the best output objectively (example: the job that yields the most money) is the best. It negates the reality that people have different indicators for success because there isn’t only one correct answer to every question.

Solution: Incorporate subjective variables into your objective logical frameworks.

High Ti (INTP, ISTP, ENTP, ESTP): The Hamster Wheel

Summary: Invalidates everything in a perpetual logic loop.

Example:

“Why? Why? Why? Why? Why?” x1,000,000

Impact: You succeed at winning debates but fail at solving problems. Whether or not you can rationalize the validity of money doesn’t take away from the fact you still have bills to pay at the end of the day. Whether or not you can rationalize the value of grades and traditional education doesn’t take away from the fact you’ll be denied entry into many careers without the right qualifications. Whether or not you can rationalize that having children is a logical idea or not doesn’t take away from the fact that many people aspire to be parents. The validity of other people’s goals, dreams, concerns, and issues are not contingent on whether or not they can explain them to your satisfaction.

Solution: Create solutions, answers, and actions for every hole you poke in other people’s logic– not more problems.

High Fe (ENFJ, ESFJ, INFJ, ISFJ): The Guilt Trip

Summary: Guilt trip. verb. to make (someone) feel guilty, especially in order to induce them to do something.

Example: Self-explanatory.

Impact: This is manipulation. You’ll get on people’s nerves and make them miserable because you’ve forced them into situations they didn’t willingly want to enter or participate in of their own accord. Secondly, you haven’t provided solid concrete reasons and logic for why someone should do something, it’s an argument made without taking into consideration the other person’s comfort or needs. 

Solution: Explain clearly and transparently why you want someone to do something (yes, it’s really that simple).

High Fi (INFP, ISFP, ESFP, ISFP): The Cloudy Mirror

Summary: Judges people for things they don’t want to be judged for.

Example:

“I wish society wouldn’t judge me for not wanting to have children and not wanting to be a housewife.” [Proceeds to judge people who want to have children and want to be a housewife]

“Not everyone wants to be rich in life, we all have different definitions of success that should be respected.” [Doesn’t respect people who want to be rich in life, automatically think these people are greedy sell-outs]

Impact: This is hypocrisy. It also comes off as illogical and presumptuous when people’s intents and motivations are automatically filled in by you. Some people buy sports cars because they actually have a passion for driving– they’re not necessarily materialistic. Some people seek high-paying careers at the expense of personal passions because they have obligations and goals they’d like to reach– they’re not necessarily greedy. Some people like traditional gender roles in relationships because that’s their personal choice– they’re not necessarily oppressed and/or close-minded. 

Solution: Accept that “conformity” in behavior, goals, aspirations, appearance, etc. doesn’t equate to misery and/or lack of authenticity.

High Ne (ENTP, ENFP, INTP, INFP): The Whiplash*

Summary: Chronic quitting and the inability to commit due to impatience and lack of discipline.

*Whiplash: noun. a neck injury due to forceful, rapid back-and-forth movement of the neck, like the cracking of a whip.

Example:

“I’m going to do A, B, C, D, E, F, G, H, I, J … Z!” [Does none of it]

“Let’s do this. Let’s do that. Let’s go back to doing this. Let’s go back to doing that.”

“I want to have six-pack abs! I’m going to be SHREDDED.” [Exercises and eats well for one day then goes back to bad habits the next day]

Impact: People stop taking you seriously because you can’t execute on your promises, it dilutes the weight of your words and it corrodes respect (ex: “Yeah, uh-huh, sure you will, buddy.”). No one is immediately an expert at something the first try– seeds take time to grow and you’re no exception to this rule. Developing expertise and skills require time, commitment, and consistency. Results don’t happen overnight.

Solution: Underpromise and overdeliver– don’t overpromise and underdeliver.

High Ni (INTJ, INFJ, ENTJ, ENFJ): The Nutcracker

Summary: Hits people below the belt using knowledge those people shared against them.

Example:

Someone is insecure about their weight, you insult their weight.

Someone is insecure about their skin color, you make a comment about their skin color.

Someone tells you a secret, you expose it.

Impact: People won’t confide in you for fear you’ll use what they told you against them. This creates barriers to having close and meaningful friendships because people will view and treat you like a ticking time bomb they can’t let their guard down around. Understand that certain topics and comebacks are off-limits no matter how you feel about the person at the moment; certain words and actions have a lasting impact on your relationships. Memories fade but scars last.

Solution: The nuclear option should be your last resort, never your first.

High Se (ESTP, ESFP, ISTP, ISFP): The Blindfire*

Summary: Leaps before they look.

*Blindfire: noun. The term referring to the act of operating a firearm without looking at what one is shooting at.

Example:

Winging it, all the time.

“Go go go go go!”

Google Search: “Donald+Trump”

Impact: Your lack of foresight and lack of planning will set you back even further from your goals because immediate rewards and instant gratification often only provide short-term benefits that rarely last. There’s a proverb that’s applicable here: “measure twice, cut once” which means that investing time and energy up front to do it correctly the first time will save a ton of time, money, energy, and grief later down the line.

Solution: Stop, drop, and roll think if the path you’re on actually leads to where you want to go.

High Si (ISTJ, ISFJ, ESTJ, ESFJ): The Helicopter

Summary: Micromanaging, nitpicking people to death.

Example:

“Write the email but let me review and edit before you send it.”

“What are you doing right now? Where are you going? When are you coming back?”

“I noticed when you loaded the dishwasher you put the spoons and forks in before the pots and pans, you should put the pots and pans in before the spoons and forks.”

Impact: Half the internet is writing posts complaining about you, the other half is writing posts complaining about having to read all the posts complaining about you. Micromanagement saps people of confidence and motivation, it also increases the chance that the bad thing you’re trying to prevent will actually happen. Additionally, you’ll feel paranoid and anxious that something will go disastrously wrong if you’re gone which results in burnout because you’ll always need to be there to keep an eye on things. This is counterproductive for everyone involved.

Solution: Choose your battles wisely– focus on the “what” (the goal) and not the “how” (the method).

#mbti #intp #infp #entp #enfp #infj #enfj #intj #entj #istj #estj #isfj #esfj #istp #estp #isfp #esfp #mbtiq #faq #mine #myers briggs #problematic behaviors

[hotelconcierge]

The Subprime Directive

no one likes us / i don’t know why

I.

Trying to extract useful information from the 24-hour thinkpiece cycle is like trying to learn English by listening to low fidelity death metal: the signal to noise ratio is very, very low. (Admittedly, kind of a silly comparison—one imbues the audience with depraved bloodlust for unspeakable atrocities, the other is a genre of music.) The cacophony of 40,000 anhedonics exhausting every topical combination of syllables would be enough to institutionalize the Dalai Lama; words are infectious; once you find yourself forming political opinions about internet memes, your life is game over, A + B + Select + Start. I mean damn, I love pattern matching as much as the next former toy-sorter, but sometimes it’s okay to accept that a cigar is a cigar and a butterfly in New Mexico was having a bad day.

If you do want to stay “informed,” instead of doing something worthwhile like working at a soup kitchen or practicing the yo-yo, my advice is that you train yourself to zoom out. No one post-puberty will make a significant error of deductive reasoning. Nothing horrifies a teenager like hypocrisy: the first thing we learn out of Eden is how to circle A —> B around into Z —> A. Logic is easy, ask any expert on Aether. Nor will anyone worth rap battling commit a decisive factual error. Our flat earth has enough case studies to support even the most whacked ideology, ask any schizophrenic. Further, we humans of latitude have practiced the art of the squeal since our first lung expansion. We may be terrible at diagnosis, but we are the GOAT at identifying symptoms. So when you roll up your sleeves to shadowbox with a Bad Argument, you are going to face an internally consistent worldview backed by genuine hurt and fitting examples. This is why change is so difficult, and why other people are so infuriating: the problem is not bias, it is incompleteness. The only way out is to spot what is not included, the lie of omission, which requires perspective. Any given data point is both true and meaningless, a straight line across points makes you Nostradamus. Most arguments are nonsense, but when everyone chooses the same type of nonsense, that tells you something very interesting indeed.

With this methodology in mind, it is my contention that three of the most prevalent post-election news trends are designed with a single goal in mind: to prevent you from looking too closely at this picture—

—while humanity gets crunched into Google AdWords and fed to Cthulhu. The end of all things will be search engine optimized, at least we can take comfort in that.

Trend the first - Fake news: “Solving the Problem of Fake News” (New Yorker), “Donald Trump Won Because of Facebook” (New York Magazine), “Fake News Expert On How False Stories Spread And Why People Believe Them” (NPR), “Students Have 'Dismaying' Inability To Tell Fake News From Real, Study Finds” (NPR), “How Fake News Goes Viral: A Case Study” (New York Times), “How to Destroy the Business Model of Breitbart and Fake News” (New York Times), “The plague of fake news is getting worse -- here's how to protect yourself” (CNN).

Trend the second - Post-truth: “This Article Won’t Change Your Mind” (The Atlantic), “Why Facts Don’t Change Our Minds” (New Yorker), “Why facts don’t matter to Trump’s supporters” (Washington Post), “Why People Continue to Believe Objectively False Things,” (NYTimes), “Why We Believe Obvious Untruths” (NYTimes), “It’s Time to Give Up on Facts” (Slate).

Pause—why do these articles, I suppose it’s too meta to call them “fake news”, exist? I mean, human intransigence has been around since at least the 1980s. And yes, Breitbart sells souls wholesale, but for every article penned in blood by Mephistopheles there are 666 million (Snopes confirms) incorrect tweets, tumblr posts, reddit comments, and Facebook memes. Where do people really get their news? The Urban News Network has no wish to enter such murky waters, nor do they want you to ponder their 2016 election blindsiding and whether, perhaps, maybe, their self-righteous sensationalism even contributed to this abhorrent outcome. No, quite the opposite:

Private browsing and Adblock if you must click the links, these sites will give your computer herpes.

Denunciations of “fake news” both aggrandize the media and flatter their readers—who, after all, are being informed by the Pulitzer-winning journalism that America needs. This crowd is even more pleased by articles on our innate resistance to facts, social science skin flicks brought back pay-per-view. Fake news is a concrete, solvable problem, but “Post-truth”—and note that anyone who uses this phrase is not just drinking the Kool Aid but is doing a keg stand with it—“Post-truth” is cozily fatalistic. “Some people, they just can’t handle facts. What can you do?” Needless to say, every human intransigence piece references the Trump administration in either the first or last paragraph, except the Atlantic piece, which compensates via a cartoon illustration of a Trump supporter being unable to handle facts.

It’s comforting to know that everyone else is dumb, else Facebook would be out of business. But imagining that 3/4ths of the U.S. is occupied by orcs is actually a little scary. It’s too many people to hate, and they have guns, and besides, it’s no fun to be disliked. “Why would they be angry at us?”

Trend the Third - The Oxy and the Pity: “The Original Underclass” (The Atlantic), “2 of a Farmer’s 3 Children Overdosed. What of the Third — and the Land?” (NYTimes), “‘Deaths of Despair’ Are Surging Among the White Working Class” (Bloomberg), “Study: Communities Most Affected By Opioid Epidemic Also Voted For Trump” (NPR), “Orphaned by America’s Opioid Epidemic” (Washington Post), “Disabled, or just desperate?” (Washington Post), “Why The White Working Class Votes Against Itself” (Washington Post).

Not everyone absorbs information through the cultish repetition of buzzwords. So, to accommodate visual learners, the Washington Post has been kind enough to provide photos.

He returned in torn jeans and, with nothing better to do, went outside. He limped to the truck and fiddled with jumper cables. He set a fire inside an iron bin and burned some trash. He inspected a sheet of aluminum he had found, wondering how much he could sell it for. He walked into the woods and walked out. He looked at the road. A car hadn’t passed in a long while. It was 1 in the afternoon. The day already felt over. (Washington Post)

Madie Clark looks in on her granddaughter Zoie Pulliam, 10, and a visiting relative at their home in South Charleston. Clark moved into the bedroom where her daughter Amanda Pulliam and son-in-law Austin Pulliam died of heroin overdoses. (Washington Post)

This is poverty porn. Orphaned kids and burning trash and mothers trailing secondhand smoke and framed pictures of Jesus. Sunburns and Frito-Lays and rotting teeth and AM country radio in waiting rooms. Dead grass, chronic pain, highway-Walmart-highway tessellated on a map. The loss of manufacturing jobs. A people devoid of purpose, seeing no option but to kill the pain or else themselves.

If you think the above paragraph is accurate, then I bet you think rap music videos are an accurate depiction of urban black life. It’s a stereotype, a stereotype constructed for your convenience. There are more things in heaven and earth, Horatio, than are dreamt of in your half-forgotten high school reading list. I don’t dispute that Dogville is accurate for some portion of the white working class. But it’s far from the whole picture.

Per fivethirtyeight: Clinton did well in medium-income, high-education counties; Trump did well in high-income, medium-education counties, pictured above. No one in a town of 95k median income is so overwhelmed by “economic anxiety” that they spaz out into intravenous heroin. #MakeAmericaGreatAgain is predicated on education, or lack thereof—class, not income. And to the neutral pH water crowd, that’s terrifying.

Different monikers have been proposed for the Urban News Network audience: blue tribe, White People, upper middle class, Aspirational 14%. For simplicity, I’m going to use “liberals,” but please do not interpret the following blast of vitriol as “conservative,” “leftist,” “anarcho-marxist,” or otherwise politically motivated. You will not find a policy proposal here. This is a critique of people.

The alt-right contends that a liberal belief in “multiculturalism,” uttered as a slur, is undermining the foundations of civilization. They’re delusional. Liberals don’t believe in multiculturalism at all. In its purest form, liberal ideology only recognizes two types of people: liberals, and the tragically misguided—who, if not for their brainwashing, would listen to hold music and take Zoloft like any sensible person. Oh sure, you can consume your culture. Dress how you will, eat your ethnic food and celebrate your ethnic holidays (how exotic!), place your religion on the mantlepiece, complain about white people on any number of white-people-owned forums and newspapers. Be as cultural as you want, as long as you choose cash or credit and don’t contradict the superculture. Zizek voice:

“The tragedy of our predicament, when we are within ideology, is that when we think we escape it, into our dreams—at that point, we are within ideology.”

Liberals do not want to look at cultural values, they do not even want to acknowledge that cultural values exist, because that would mean they have a set of cultural values, and ain’t nobody gonna FaceTime that abyss. So how do liberals explain the people who read magazines about car radios? If the FOX demographic contains human beings with thought-out opinions, then they are terrifying. But if they are would-be Tesla owners who have been cruelly deprived of Cotillion lessons, who have been tricked by Steve Bannon into liking Harley-Davidson and hydromorphone, who, as the saying goes, are “voting against their own interests”—then nothing needs to change.

As of late, this blog’s essays have been obsessed with a particular theme: how, in a capitalist society, defining yourself against something perversely encourages that something to exist. Your freakout alerts enemies, exes, and passing contrarians that they should rush to the other side; your panic deepens; soon enough you’ll pay the opposition to set up their bowling pins just so you can see them get knocked down again. But if/when your rage congeals into boredom and it’s time to silence a group once and for all, a different tack is required: pity.

The media coverage of the opioid epidemic aims to turn rural America into an Oppressed Group. It is the final bombardment of a culture war campaign that has been going on for decades, spearheaded by 600 episodes of This American Life crying “Look, even these savages have some nobility!” The Hallmark cards for Trump voters are not an attempt to heal a divided nation, they are Liberals Going Their Own Way. We want other groups to be post-truth, deprived of free will in an incoherent and unjust society, because this allows us to completely ignore them. For their own good.

Sam Altman of Y Combinator asked Trump supporters to explain to their vote. A few highlights:

“He is not politically correct.” Note: This sentiment came up a lot, probably in at least a third of the conversations I had.

“He is anti-immigration.” Note: This sentiment came up a lot.  The most surprising takeaway for me how little it seemed to be driven by economic concerns, and how much it was driven by fears about “losing our culture”, “safety”, “community”, and a general Us-vs.-Them mentality.

“He is anti-abortion.” A number of people I spoke to said they didn’t care about anything else he did and would always vote for whichever candidate was more anti-abortion.

I humbly submit that NONE OF THESE ISSUES were discussed in the run-up to the 2016 election. “Political correctness” prompted an eye-roll and a mention of a rogues gallery weakman (e.g. Milo Yiannopoulos). Immigration was always discussed in terms of economic anxiety or xenophobia/racism, never in terms of “loss of culture.” As to abortion...“What is this, 2004? Who cares?”

I have no idea if Altman’s sample was representative, methodology not printed, standard disclaimers apply. But I am concerned. As Hollywood liberalism disappears deeper and deeper into its own fractalizing asshole, those outside its cultural sphere—in America, France, England, and elsewhere—will feel progressively less heard and respected, which will prompt liberalism to bury its head all the more. “How come the white working class uses government programs while railing against handouts?” Because you are the government. They’ll take what they can, but they’ll be damned if they beg for it. “Why are all these hicks voting for authoritarianism?” Exercise some basic cognitive empathy, please. They’re not voting for authoritarianism. They’re voting for fuck you.

All I’m asking for is honor in dueling: when someone raises a specific complaint, address that complaint, not what you think that complaint should be. I’m not saying that you have to be nice to Trump supporters. I’m not saying their opinions aren’t—arguably—myopic, evil, stupid. But it's far better to say that someone has stupid opinions than to say that someone is so stupid that they are incapable of having a meaningful opinion. Liberal insistence on the latter has turned political discourse into a vacuum where everyone can scream yet no one feels heard. You should see what it’s done to their kids.

[dramioneasks]

Hi, I'm not sure if this has ever been asked before or if I'm allowed to even ask it, but does anyone have any tips on writing fanfics? Im attempting to write my first one after reading dramione for years and finding it really difficult 😩 if anyone could help me I would really appreciate it!

Congrats on starting your first story! There are a lot of writers on tumblr who’ve shared their tips and advice, and there’s a wealth of articles linked on Pinterest too if you search for “writing advice.” Really though, there’s no teacher like experience, so the more you write, the better you’ll get. 

Some of the admins here are Dramione writers. Some of us have written fanfiction and original stories but aren’t regular HP writers. Some of us aren’t writers, but we’re all voracious Dramione readers. 

These are my own thoughts, and perhaps some of the other admins will chime in:

On Process - figure out what works best for YOU. 

To outline or not: Some writers swear by detailed outlines, and if you have a lot of characters and are juggling multiple subplots, you may need charts or outlines to keep track of everything. JK Rowling had some pretty detailed charts for her books. Other writers tend to fly by the seat of their pants and will take a spark of an idea, start writing, and see where it goes. George R.R. Martin falls into this category. There are pros and cons to both, and it really comes down to finding a method that works best for you. 

If you work best with a strict outline and will stick to it, then there’s probably no harm in posting as you finish a chapter. If you are a fly-by-the-seat-of-your-pants-er, then you may want to hold off on posting until your story is closer to complete. Once that chapter is up and shared, it’s there for all to see, and it’s much harder to go back and re-write if you find you’ve written yourself into a corner or you want to make major edits later on. 

If you start posting a story and you build up an audience, you’ll get comments like, “more please!” and “when are you going to update?” Yay! That means people like your story! 

If that seems like the sort of thing though that would make you anxious and give you a lot of pressure to produce more content right away, then consider finding a few good betas to give you constructive feedback as you write and wait to post the story until it’s complete or close to complete. 

Some people swear by a strict writing schedule where they set aside time each day to write, and others write only when they feel moved to do so. There are no right or wrong answers for process. Go with what works best for you.

On characterization:

The plus to fanfiction is that your characters and universe are well known, so you don’t have establish your characters and their personalities too much unless you’re elevating a minor canon character to major character status or adding an original character (OC). The downside to fanfiction is that your characters and universe are well known, so your readers probably have their own opinions about who these characters are and what constitutes “in character” behavior. 

In a fandom as big as HP and with a pairing as popular as Dramione, that means that no matter what, someone is going to dislike some aspect of your story. That doesn’t mean you’ve done anything wrong. It just means someone has a different opinion about what they think would/should/could happen. 

If you want to deviate wildly from canon, then look at what your characters do and say in canon and give some thought to what a reasonable development in their behavior could be if X, Y, or Z happened. If you want to write a dark Draco, then what would need to change from canon to make him that way? Perhaps he suffered great punishment for failing to kill Dumbledore, and it hardened him. Perhaps he witnessed his mother being tortured and chose to close off part of himself to power through the awful things Voldemort would expect him to do. If you are writing post-war/EWE Dramione, then what happened to your characters after the Battle of Hogwarts that led them to where they are at the start of your story? You don’t necessarily need to describe that action in the story, but do give some thought to what they did and how those actions and the war itself affected them. People change as they grow up too, so how does age change them? 

As a reader, I’m willing to read stories that seem pretty far removed from canon in terms of characterization, provided the author makes that leap for me. If Draco is dark, then tell me what made him that way. If Hermione is a bitter, underachieving mess, then tell me what happened to her to lead her to that point in her life. 

On Feedback (betas)

Even professional writers have editors, and they’re designed to give you feedback and help you produce a stronger story. There are many wonderful readers in the fandom - some who are also fanfiction writers themselves - who are happy to beta [edit] a story for you. Some people use the terms alpha and beta, but I’ve always used beta to mean someone who can provide feedback on any aspect of the story, from characterization and plot to grammar, spelling, and punctuation. Some writers have multiple betas, and some use only one. It’s all about finding what works best for you and your beta(s). 

It can take time to find a good beta who works well with you, but if you find one, be open to what he or she has to say. A good beta might be able to find a plot hole you’ve missed or help you with you writer’s block.  

Fanfiction.net allows users to create beta profiles, and I believe that Shaya Lonnie has a list of people who are willing to beta HP stories too. I was asked to beta after I left a lengthy review on the author’s story, and I know plenty of writers who’ve found betas that way. 

Try to be clear on what it is you want from a beta - is it spelling, grammar, and punctuation? Checking for consistency in little details in a very long story? Suggestions on plot? What kind of turn around time do you expect from your beta? Do you want a response the same day? Within a few days? Do you want someone to edit your chapter in Microsoft Word using tracked changes with lots of comments, or do you prefer more general suggestions? The more openly you can communicate your expectations, the more effectively your beta can help you.

You don’t have to have a beta if you don’t want one or if you want to start sharing your story before you find a good beta, but many writers find it helpful to have that extra input.

On Feedback (reviewers)

How often do you go online and leave reviews of restaurants or contact a company’s customer service department? If you have basic good service that you generally expect to get, then if you’re like most people, you probably don’t comment all that often. The people who contact customer service are generally there to register a complaint or to comment about something truly exceptional, but there are usually a lot of otherwise happy customers who don’t really say anything. The same is generally true for fanfiction. You’ll probably have a lot more readers than commenters. 

As big as the fandom is, don’t be surprised if your reviewers contradict each other. For every reader who wants more smut, there’s probably another who could do with less. For every reader who loves the marriage law or head boy/head girl trope, there’s another who hates it and thinks it’s overdone. So what do you gain from contradictory feedback like that? I’m of the “take what helps you and leave out all the rest,” mindset. If you really want to write a story with smut, then write your smut, and if people don’t want that, they’ll look for a different story. 

Some writers believe strongly in writing the story they want to tell, regardless of how popular it is or how many reviews it may garner. Others who have an established audience may prefer to tailor their stories to their audience and write what experience tells them is popular. My personal opinion is that you should aim for a good balance - tell the story you want but be open to reader feedback. If you are consistently hearing, for example, that the pacing is off in your story and action is happening much faster than seems realistic, then you may want to consider slowing down the progression of your characters’ relationship. For OTP stories, I often see the opposite, by the way - the writer seems to enjoy the characters being in the happy, fluffy romance part of their relationship, and the story stalls a bit with multiple chapters of them dating but little plot movement.

It’s natural to be defensive when someone says, “I like X, but Y doesn’t really work for me,” so sometimes it’s helpful to step back and consider if there’s any useful information in a review. On the flip side, we all love to get, “OMG!!!!!! I LOVE IT SO MUCH!!!!!” reviews, and it’s always good to know that someone likes what you’re writing, but that kind of review doesn’t really give you much useful information to help you become a better writer or develop your story.

On length:

If you’re just starting out, a one-short or short story might be less intimidating as a first attempt, but if you feel compelled to write a long story then go for it! There are plenty of fanfiction writers who started out with longer stories. 

There’s no right or wrong answer about chapter length either. Some people like to have a consistent chapter length. I personally prefer that chapter length be organic and reflective of the action, which means some may be only 1,000 or so words and others could be 10,000 words or more. 

We get a lot of requests on our site for stories that have a certain number of chapters, and we tend to sigh when we see those asks because the number of chapters isn’t really indicative of the length of the story. A 10 chapter story could be 10,000 words or less, or it could be 100,000 or more, so don’t get too hung up on the number of chapters.

On sharing:

When you’re ready to post your story, consider sharing on multiple sites to build a bigger audience. Fanfiction.net, AO3, Hawthorn & Vine, and AFF are some of the main sites for Dramione fiction, but be open to livejournal, tumblr, and others. 

Tag your story appropriately when you post it. If you have graphic violence or rape, most people like to know going in that it’s going to be part of your story, as these are common triggers for people. If you have graphic sex or violence, err on the side of caution and rate your story M/E/NC-17, depending on the site.

Be aware that not everyone reads the author’s notes many writers post at the beginning of their chapters, so perhaps try to limit how many you post/how long they are. Even if you provide valuable info in an A/N, odds are you’ll have readers who scroll right past it. 

As a reader, I totally understand that creativity doesn’t always flow on a schedule, and that “real life” often interferes with fun hobbies like fanfiction. However, I also read a truly shameful amount of fanfiction, and if a story hasn’t updated in a few months, I may have to go back and re-read at least part of it to remember where it left off when I last read it. If you can update your story frequently and with some consistency, it may be easier for you to build an audience.

Finally, when you share your story, SHARE IT WITH US! Send us an ask with a link to your story, and we’ll include it in our tags.

Happy writing!

-Elle

#anonymous #general questions #fanfic writing #tips

[itzryyo]

More

          I am currently on a bus heading into the city for a field trip and am trying to maintain my sanity while also attempting to distract myself from the fact that I didn’t go to the bathroom before we left and traffic is real.        

          Someone asked me the other day, “So, like, what is your obsession with Drake all about?” My first reaction was to answer their question with a question and ask “uhh…why aren’t you obsessed with Drake?” To be fair, they were justified in asking me because I have a propensity to be incredibly all-or-nothing when it comes to my affinity for certain things (i.e., Chick-Fil-A, the Mets, Titanic & The Dark Knight to name a few.) I’m not really sure where it comes from, MOM, but it’s been that way my whole life. While I don’t have a vast array of interests, the things I am interested in, I commit to whole-heartedly. However, when it comes to music, we are talking about an entirely different entity.

          While TV shows, films and books can influence, art can inspire, and sports can invigorate, I contend that nothing touches the soul the way music does. When I’m in a good mood, Bruno Mars or Justin Timberlake will enjoy that mood with me. If I’m feeling melancholy, it’s much easier to have Boyz II Men or Dru Hill help me out than it is to plop down on the couch, put on “Eternal Sunshine of the Spotless Mind,” and commit to watching the whole thing. You know exactly what I’m talking about. You know what it was like when you heard “Burn” by Usher for the first time and he, word for word, expressed exactly how you felt about your current, 3-week-old high school relationship. Yes, we all wanted to be Spider-Man the first time we saw it in theaters, but do you still feel that way if, for some God-forsaken reason, TBS is airing it on a random day off? Probably not. But what about if “Bye-Bye-Bye” comes on the radio randomly while you're driving in the car? I guarantee you are gracefully moving your right arm from right to left while opening and closing your hand just like Justin, J.C. and the rest of the boys did. Whether your music is on shuffle and that ONE song comes on or you have listened to “Someone Like You” for the 32nd time in a row, music infiltrates the soul and is an uncanny medication for the heart. 

           Okay, but there's a lot of really good music, Ry, why the fix on this particular artist? I'm glad you just asked [in my imagination.] The power of music lies in one's ability to relate to it. I'm honest enough to admit that I have a tendency to think my opinions are unerring. I'll quickly discredit an artist or band because I personally don't like it, but to completely discredit another's experience or admiration because of my subjectivity is irresponsible and ignorant. I will never understand an artist like Future. I was disappointed when Drake did an entire album with him. But I've talked with people who have explained that (when they can understand what he's saying) they really relate to his songs. More power to 'em. A lot of people don't like Drake. I've heard (and argued) many people who dislike him for a myriad of reasons ranging from being "soft" to "not struggling enough" to "sounding the same on every song.” I can't make anyone like the guy and that's not why I'm even writing this in the first place. Remember: Traffic. Middle-schoolers. Full bladder. Voila.

          Reverting back to a previous point, music invades and harps on human emotion. I grew up with a variety of musical tastes because I was raised by an all-white family while almost all my friends were minorities. My uncle introduced me to Pearl Jam, Nirvana, The Doors and The Beatles. My mom played “American Pie”, Goo-Goo Dolls, Alanis Morisette, Sheryl Crow and Matchbox 20 on our road trips to Ohio in the summer (she also can rap “Public Service Announcement” and “Rapper’s Delight” word for word.) My dad blasted The Fugees, Jagged Edge, Ginuwine and Joe, while my friends and teammates got me well-acquainted with Jay, Mobb Deep, Dipset and DMX. This plethora of music has made me appreciative of all musical genres. Thanks to Apple Music and Spotify, all these artists are accessible with the touch of a button.

          If I had to choose, R&B and Hip-Hop would be my first two choices on what to listen to for the rest of my life. D-Block on my way to basketball practice and Brian McKnight while I fell asleep. “Fortunate” by Maxwell when I had a crush and “What They Want” by DMX and Sisqo when they rejected me. This was the routine growing up.

          I was sitting in my bedroom as a 9th grader the first time I heard “Cry For You” by Jodeci. If I put it on right now, I would feel the exact same way that I did the first time I heard it. So when Drake made a song referencing one of the greatest R&B groups of all-time, let alone one of my favorite songs, the connection grew stronger.

          Finding an artist who tapped into both genres with equal prowess was a dream come true for me. Add to that dual threat an artist who is biracial, grew up a single child in a single-parent household, raised by a white mother, and now you’re starting to reflect my actual upbringing. The funny thing about growing up biracial is that there never really seems to be a middle ground. Within the black community, I never felt “black” enough, as though it was my own doing that I was raised by a white mother; as if somehow it was my responsibility to earn my blackness more than those darker than I was, and until that validation was given, I couldn’t fit in. Flipping to the other side, when your entire family is white and your tan doesn’t go away in the winter, you stick out. I couldn’t style my hair like my uncle Jim’s. My little cousins never got asked if they were adopted. I was an anomaly for actually knowing the words to “Iris” by Goo-Goo Dolls. Considering all that, when Drake says “I used to get teased for being black and now I’m here and I’m not black enough, ‘cause I’m not acting tough or making stories up ‘bout where I’m actually from,” it hits home and it hits home hard.

          I didn’t grow up with any male presence consistently in my life. I taught myself how to shave. My mother taught me how to play sports. Nobody taught me how to fight, or “be a man.” I learned the definition of strength by seeing the women in my life bounce back from heartbreak and hardships. I also learned how to be really in touch with my emotions. I am a feeler. I feel every emotion in every crevice of my heart. So when this same biracial artist, who was raised by a single, white mother, explodes onto the hip-hop scene but is making emotional music, I cannot help but look up to him. When every attack and knock against this same biracial artist is that he’s too “soft” and is “too emotional,” my confusion swells. “What do you mean ‘too emotional’?!” Ironically enough, the very same people who bludgeon Drake’s music due to its overt honesty and raw emotion are probably the ones who can relate to it more than anyone else.

          Yes, the trap music is entertaining, but I can guarantee you that most of the men slandering Aubrey’s name have made more drunk calls to their ex (thanks Marvin’s Room) in a few months than they’ve ever pushed drugs, been gang affiliated or actually held a gun. Does this mean that those artists that promote that at the forefront of their records don’t reach people? Absolutely not. Kendrick Lamar, Jay-Z, Big Pun and others grew up around gangs, drugs and violence and speaks on things I have never seen or experienced in such a way, but there are plenty of people who have, which is the beauty of this whole music thing.

          Back to Aubrey. In a world immersed in the superficial, is not authenticity a breath of fresh air? Hasn’t the complaint in the hip-hop community always been a lack of credibility from certain rappers and artists? So now, we have someone who owns their identity, not trying to be something that he isn’t, and he’s not welcome here. So when Drake (referencing his friendship with Lil’ Wayne) says, “Weezy been on the edge, you n*****s just need to chill, if anything happen to papi, might pop a n***** for real,” people balk at the claim. Why? Because he makes R&B music and that is apparently synonymous with weakness. I don’t like guns and I am not a promoter of violence, but I’m a believer in defending the people closest to you. This is also a reflection of the frailty of masculinity in the 21st century, but I can’t let my ADD take me there.

          “But Ry, he isn’t real hip-hop. He talks white!” What do you think my friends used to say to me all the time growing up? The. Same. Damn. Thing. So yes, I appreciate Drake “talking white” in interviews because that’s the voice he was born with. I can’t help the way my voice sounds and it’s ridiculous to think I’d have to change it to meet a social standard. In a culture that watches, critiques and pounces on every single thing people do, Drake has never once strayed away from embracing all of the cultures he was introduced to growing up. He didn’t make apologies for making songs like “Doing It Wrong” and putting them on the same album where he put “Lord Knows.”Also, “Shut It Down” and “Uptown” are distinguishable, but not mutually exclusive. They both came from the same artist and they both hit when you put them on.

          I spent an inordinate amount of time growing up trying to establish which race I wanted to affiliate myself with full time. This artist and this music shattered that notion. From breakups to ball games, homages to family and anthems for friends, there is no area of life where there isn’t a soundtrack to go with it. That is a very comforting feeling for someone who struggled with having to choose between which culture to embrace. The dichotomy of having to choose one or the other was onerous but having someone burst into the industry that showed me, through their music, that it’s okay to fully embrace both was liberating. Is every song a hit? Um, actually…okay, maybe not every song. Was Views a great album? Eh, not my favorite. But that’s the beauty of music. You get to go on that journey with an artist and watch them grow and explore and hopefully, their last album doesn’t sound anything like the first, because that’s what growth is (Hi, Kanye fans).

          It doesn’t really matter what he puts out these days because as a fan, I’m always expecting the best and as a person, I’ll always be grateful for the lessons I learned from the music. As a fan, I’ll always want more. More emotion, more vulnerability, more bars and More Life.

[jollylollylily]

Like...why?

I can get if Beyoncé is not your “ thing” but the reasons some of y ‘all list for not liking her are just… just say you have no reason for not liking her and go. From saying she can’t sing, she doesn’t do “enough” for her people (or any people) to calling her overrated is so…show me on the doll where Beyoncé hurt you, boo. 

Fine. If your personal opinion is that she can’t sing then you can have that. To everyone else, she surely can and shows it off the more she grows as an artist. Like…clear examples exist of her singing be more than just one dimensional. For example:

Or This! ( Also note the BLACK members of her ALL FEMALE BAND. Also note that she is doing charity work by performing for sick children at a children’s hospital. I will get to the criticism that she does not do any in a minute.)

I could list many more but acapella singing kinda shows that she can sing but go on ahead and keep up the narrative that she “can’t sing.”

Next up is the idea that she does not do “enough” for her people. Oh boy…am I gonna have fun debunking this one! First off, a lot of what she does do is not publicized as with many celebrities. She only came out and listed some of her charitable contributions after Harry Belafonte accused her of not “doing enough” in an interview he did back in 2012. So…on to the contributions (which she released to a little underground and fledgling newspaper called “The Wall Street Journal.”) !!!

“An abbreviated list of the unselfish work Beyoncé has done and continues to do.” The list included co-founding The Survivor Foundation “a multi-purpose community outreach facility in downtown Houston”; donating “100K in 2008 to the Gulf Coast Ike Relief Fund to aid Texas victims of Hurricane Ike”; performing in “MTV’s Hope For Haiti Now! Benefit in addition to making a generous monetary donation,” among many other charitable activities.”

If you pay close attention to the locations she donated too, you may notice a high case of melanin. Why? Because she donated to black people. Gave back to black people. Way before BLM was even a thought, she was doing her part to help her people. For example, The Survivor House, started in TWO THOUSAND AND FIVE, was made for the sole purpose of helping survivors of Hurricane Katrina in Houston,Texas region. The foundation also built a set of apartments for Hurricane Katrina survivors in Houston. 

“ The project is a 43 unit, single room occupancy supportive housing facility for at-risk populations designed to provide permanent living accommodations for women and men who are taking significant steps in improving their lives after the traumatic effects of personal and natural disasters. The apartments will provide “a safe place to live” for all residents.”

Per the latest article I could find, which is from 2014 (updated in 2016), she has donated SEVEN MILLION DOLLARS OF HER OWN MONEY TO THE APARTMENT COMPLEX.

Oh, we are not done yet!!! Essence Magazine did an article on other charitable contributions she has made. (Jay-Z is included as well but I will highlight Beyoncé’s work) 

Beyonce’s Trip to Haiti (it happened in 2015)

“Last week, Beyonce ventured to the poverty-stricken nation of Haiti, where she surveyed the damage and destruction that still plagues the country five years after a 7.0 magnitude earthquake hit. Bey alongside Valeria Amos, the United Nations’ humanitarian affairs chairwoman, met residents who were still recovering and was able to see firsthand all of the work that still needs to be done.” 

Beyonce’s BeyGood Foundation

“Touching everything from the unemployed to the sick, Bey’s BeyGood foundation aims to make the world a more beautiful place. Her new initiative is currently raising money for the thousands in Nepal who were affected by the recent 7.8 magnitude earthquake. The superstar raised hundreds of thousands of dollars to fight for gender equality worldwide, given school supplies to students across the nation and hosted food drives in Houston (and she shows no sign of stopping!).”

Beyonce’s Partnership with Goodwill

“In 2013, Beyonce partnered with Goodwill to tackle the unemployment crisis. “Goodwill helps people get back to work by providing education, job training and placement,” Beyonce said in a statement. “I wanted to team up with an organization that puts people first and works every day to help them improve and re-establish their lives,” Beyonce said. She encouraged her devoted Beyhive to donate clothes and electronics that would help disadvantaged people search for jobs.”

Beyonce’s Phoenix House

“While prepping for her role in Cadillac Records, the 2009 biopic detailing Etta James’ tumultuous life, Beyonce was introduced to Phoenix House, a rehabilitation center for recovering drug addicts. Bey became so enthralled with the organization that she donated her $4 million salary from the film to foundation, and went on to open an affiliated cosmetology school, which offers Phoenix House residents a seven-month training program to learn real-world skills.” 

Oh yeah...almost forgot about the Beyoncé Cosmetology Center she opened up, in partnership with her mother, Tina Knowles, in Brooklyn, NY that helps recovering drug addicts get back on their feet. 

STILL NOT DONE!!!

 “CHIME FOR CHANGE, founded by Gucci, is a global campaign to convene, unite and strengthen the voices speaking out for girls and women around the world, with a focus on using innovative approaches to raise funds and awareness for Education, Health and Justice projects. Through the power of crowdfunding, CHIME FOR CHANGE has funded more than 400 projects in 86 countries through 144 non-profit partners reaching hundreds of thousands of girls and women around the world. CHIME FOR CHANGE co-Founders Beyoncé Knowles-Carter and Salma Hayek Pinault continue to lead the campaign with its coalition of partner organizations.” ( I am aware Selma is hella annoying after her “all lives” mattering Jessica Williams a couple weeks back but again, this is about Bey.)

She also raised money ($82,000) for The Flint Water Crisis

And this whole ass list of organizations as well.

Last, and certainly no least, is the $1.5 million dollars Tidal will be donating to Black Lives Matter and other social justice groups. 

So like…Beyonce clearly cares…a lot. She also gives…a lot. She shows up and out and she does not have to. She could just perform and collect her check like some other artists do but she realizes that she can do more. And she does. Often.

But back to this idea that does not do enough for her people. Her mere existence as a black successful woman does enough for her people. Yes, I am aware that colorism plays a role in her success but she has never touted her skin color as something “special.”  She just exists as a proud black woman. She fully embraced and yelled that from the rooftops with the majestic and glorious gem that is “Lemonade.” That album celebrated black women, black love, black struggle, black strife, black life.(Lest we neglect to remember her having the mothers of Trayvon Martin, Oscar Grant, Mike Brown and Eric Garner not only in her video but bringing them to the VMA’s with her in 2016.)   She absolutely did not have to do that album. She could have given us another “Beyoncé”(which was a celebration of her embracing feminism) album and her fans would have been just as satisfied but no…she gifted us with “Lemonade.” I know other artist have done unapologetically black albums and I’m sure those were great albums. But, we are on Beyoncé and her album right now. It means something to have a global artist such as herself remind people that she is, in fact, black as fuck. Southern black. Black with a side of mo’ black. A black woman living a black life with her black husband and black baby(soon to be babies!!!)  Also…lil’ side note: (the, now deleted, tweets from dreamhampton that talks about both Jay-Z and Beyonce donating money to help bail out Ferguson protesters.)

Now, oh now…on to the very idea that Beyoncé is “overrated.” 

“overrated

adjective US

/ˌoʊ·vərˈreɪ·t̬ɪd/

(of something) considered to be better than it really is:

After seeing the award-winning movie, we decided it was overrated.”

 How? HOW??? So help me God…I will never get this one. She gives consistent albums every time she comes out. She tours. She sings. She sings and dances at the same time. Like…I don’t even know how to properly address this baseless lie with sounding like I have a “BEY STAN 4 LIFE” tattooed on my forehead. But like…her albums go gold or better. Her albums always seem to be relevant to the times and also seek to do more than simply “provide music.” Her music provides a soundtrack to life. To her life mostly but we can glean life lessons from it. From the the grossness of male entitlement to a woman’s body with “Yes” (go listen to it again, my fellow Bey lovers and bask in the early peaking of her feminism.) She gives us visuals along with her music!! Like, visuals that propel the already great music to another level. Over the top or subtle and subdued theatrics. All while look gorgeous as hell ( Side note: I saw a man say she look “regular.” I took one look at his picture and knew Jesus still had work to do on me because the words “shit explosion of a face” crossed my mind.”)  What is overrated about any of that???

Listen. Beyoncé is not above reproach. No one is but…the reasons people list for disliking her are so common when you have literally no reason to dislike a person. She can sing. She contributes her time and money to charitable endeavors. She is not overrated because…she just isn’t. She gives us a complete show. A complete package. Michael Jackson did the same thing and no one calls him “overrated.” Prince did too. Yet…somehow we are here…with me writing this dissertation because this wave of dislike keeps trying to wash ashore and no…just no. 

P.S. Let us remember that just yesterday,a white artist, Adele, stood herself on stage and praised Beyoncé for being. Simply being who she is. Acknowledging Beyoncé as an artist she loves, respects and realizes that Bey deserved to win album of the year. 

Then… she continued to praise Beyoncé even after the show…

It’s twelve minutes and she mentions Bey any chance she gets and I love it.

#beyonce #queen bey #bey #beyhive #beyonce knowles #beyonce giselle knowles #beyonce giselle knowles carter #beyonce knowles-carter #yonce #lemonade #queen 🐝