Why is your blog suddenly labeled as mature content? I saw that pop up on my screen when I clicked on your account and I got confused
I don't understand what you mean. I looked around my settings and don't have anything about that turned on or even any flagged posts. Could you show me what you mean somehow?
5 notes
·
View notes
*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
212 notes
·
View notes
if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)
an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.
my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.
which is really sad given all that he has been through.
56 notes
·
View notes
I'm not sure why my baby sister (who is 12 which means she's actually only 8) knowing things related to my hyperfixations that she's TOO YOUNG FOR perfectly in the age range to know about deals me so much psychic damage. But just when I thought i'd recovered from her watching bnha (it's FINE young teens are literally the target audience for shounen this is normal-) she looks at me today and goes "Hey. You ever heard of heaven's offical blessing?"
Me, having 50 different crises at the same time: uhh yeah i've read some other stuff by the same author. Why?
Her: oh no reason
Me: do NOT read mdzs do not do it you are a BABY and also if you do that I will die do NOT uhuh
Her: my classmate said books 1 and 3 are fine but 2 and 4 are super sad.
Me: oh interesting! gottagobye!
and then I ran to my room like a coward.
15 notes
·
View notes
🎃
🎉
⌛️
📚(if you don’t mind a second set of questions!)
🎃 Do you write fics for certain holidays? Which is your favorite holiday inspired fic?
That one's pretty easy, because I've only written one - Weather Outside is Frightful, for Hudson & Rex fandom, which isn't even technically a Christmas fic, it just happens to take place around then.
🎉 What leads you to consider a fic a success?
Hmmm. Good question....I think if I want to reread it? Even after writing it, and reading and editing for months (or years in some cases), if I want to go back and read it and I can just sit back and enjoy it like someone else wrote it for me instead of nitpicking or wishing I'd changed things, etc. I would consider that a success. I don't think I would count kudos or hits or reviews, just because those are so WILDLY dependent on external factors - the size of the fandom, the primary readership in the fandom, whether or not they're interactive, etc.
⌛ How long does it take you to write a fic, or a chapter?
HA! Anywhere from 20 minutes to 20 months. There is no standard, I wander in and out of fandoms so fast they might as well be revolving doors stuck on high. It also greatly depends on if I already know what's going to happen, or if someone spurs an idea in the reviews. My Groove, man.
📚 Would you ever want to turn writing into a career?
Maybe? I am working on a few original things, but I also do not have the grace to deal with fans of a large success. Nobody is going to tell me what I should or shouldn't have done, what my characters WOULD do or HOW they feel, and I would not be polite about it, which would get me the wrong kind of attention fast, because I don't have a polite way of telling people "well, that's because you're stupid". But I also am stupid fond of my characters and want them to live in at least ONE other person's head besides mine.
4 notes
·
View notes
*clears throat* excuse me, my boy over here is the literal manifestation of my fantasy whimsy and all that rainbow-shooting stuff including my down badness except applied to every gender ever haha if you wanna ask i also have asks open lol Anyways, i think your art is really cool :3
Nice job on the gender vampire
does that say ‘take your stuff’ LOL
hi! Thank you, glad you like my art! And mah boi! ^^
I enjoy your shoop da woop blast
5 notes
·
View notes