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lilblueorchid · 3 years

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Thought process and easter egg on the Digimon Anniversary Illustration!

Hello everyone, today I feel like explaining some stuff over my Digimon Illustration, mostly why I drew thing this way or point out some little details and easter eggs you might have missed. ;)

Click on read more if you want a LENGTHLY explanation with a lot of rambling from me, or if not you can just enjoy the process gif. <3

The Digimon illustration was a special one for me for different reasons. Firstly, obviously, Digimon! It was a show I grew up with, and I find it quite fitting that after a tough year of graduation movie under a pandemic, in which I really experienced the pain of growing up, I ended up finding back Digimon.

Secondly, as a child, I remember spending HOURS looking for fanarts online! I would save all the ones I found pretty and keep them preciously, i still have the folders actually haha. While pursuing art, I always had in mind thatI wanted one day to make a fanart my child self would have gone crazy over! And, i think I achieved that with that one haha.

Anyway LET’S START! Shall we?

First off : the illustration process

When I do an illustration I always do a quick draft first, and most of the time, in colors. I think I’m more of a “color” person than a “line” person, I tend to need to see colors quickly in order to see if it’s ok.

For this one, I’ve always had in mind it would be a double illustration, with the older Tai’s silhouette acting as a frame for the children illustration. It was a bit tricky, I had to make the children illustration fit nicely into his silhouette, it was hassle around the neck area, that’s why I made little Taichi stand up haha. Also used Mimi’s hat to balance the picture : the bottom part is very heavy and there’s only sky in the upper part, adding the hat helps making it more balanced.

The character were the longest and the most challenging part by far. As you can see I had 3 different steps : super rough, they’re almost like stickmen and smiley face, a more detailled one in which I figure out their actual pose and anatomy, then a last one in which I fix some proportion, add details and clean. Fun fact I don’t clean over a new layer... i just erase the unwanted part of my sketch. :’D

I did a quick pass over the BG after that, then I colored the characters in flat colors before rendering them. It was a back and forth between the BG and the characters to make sure everything was working together nicely.

Now was the time to render the BG, I did the tramway first, the flower field after. Fun fact, I did my flower field study in order to know how to approach the flowers in this illustration! If your have the time, i totally recommend finding a photograph close to the kind of BG you wanna do, and make a study of it so you can try your hand at it first and go into your own BG later with an idea of how to approach this.

Adjust colors, add flower petals and butterflies and emotional text, slap over a paper texture, and THERE. You have it! On to the next part now...

The meaningful details and easter eggs

Be aware there will be spoilers for Digimon Adventure 01 (but I assume you already know it), but also for Digimon Adventure : Last evolution Kizuna, which is the conclusion of the first serie. So read at your own risk!

The tramway is obviously a reference to the end of Digimon Adventure 01. The kids used it to go back to their world, so It was their goodbye to their Digimon at this moment. In Kizuna, Tai and Matt find the tramway trapped in crystal in Menoa’s fake memory world. Hinting that had they been caught by her, their memories would have brought them back here.

Tailmon has Kari’s whistle! At the end of Digimon Adventure 01, Kari gives it to her as a memento.

When I drew Sora, I had in mind how she was in Kizuna, very stressed out by her mom’s expectation, which led her to neglect Piyomon. She realized it too late, and after that she refused to fight because she wanted to keep Piyomon with her as long as possible. Tragically, she was the first one to lose her Digimon. Here I tried to convey a softness and a kind of “I won’t forget to appreciate you” vibe in the way she holds Piyomon’s hand. As for Mimi and Palmon, in Digimon adventure 01 Palmon was very emotionally affected by Mimi’s departure, so, a hug was fitting. :’)

The screens on the Tramway display DA for Digimon Adventure, and also 01.08.1999 which is the date of the children’s journey’s beginning. :)

The little drawings also show the 8 crests.

There are butterflies flying over the illustration, it’s a reference to Butter-fly, the first Digimon opening, by the late Koji Wada.

"I'll become a happy butterfly, and ride on the glittering wind, I'll come and see you soon. “

Now, let’s the see the counterpart of the illustration. The one with the grown up Tai from Kizuna.

I made him wear the hoodie he had in his very last adventure with Agumon.... but truthfully the reason is that I think hoodies are cool lol. And the hood’s volume gave me more space in the silhouette, which made it easier for me to do the other illustration inside.

You don’t see it clearly, but he is holding his Digivice, albeit the darkened version once his partner bond with Agumon is broken. The Tai in this illustration has already lost Agumon. (Yes it was painful for me to go fetch the screenshots)

He is also holding his dear signature google he used to wear as a child. Fun fact, I rewatched the older movies, and as a kid he even used to sleep with it, how cute haha.

Also yes, the crest of Courage over his hand, which is his own. I’m so dumb I realize I should have made the time counter from the movie instead of the crest for a maximum emotional hurt impact.

And the quote is from one of the trailer for Kizuna, I think.....................

But then you go : Oh that illustration is so depressing then! Well. Yes. But no. but yes. But not really.

One of my favorite shot of the movie is this one : this is after Tai and Agumon learn their time together is limited. Agumon asks him if they will have to go separate ways once Tai is all grown up. Tai doesn’t answer, and takes him to eat something instead, as Agumon was hungry. In this shot Agumon eats to his heart content next to Tai, who’s not eating at all and just watches him fondly. I love that the framing doesnt show agumon. It’s a foreshadowing of their unavoidable separation.

At the very end of the movie, Tai write in his thesis about Human and Digimon’s relationship that Agumon was like a part of himself.

In a way, Agumon symbolizes childhood, the carefree days we would spend as a kid, with our big dreams and hopes. When you grow up, you tend to forget those simple emotions because you get swallowed into the stress of studies, figuring out your carreer, your life path. Just like us, Tai forgot this part of himself. In the madness of growing up, he lost Agumon.

However, it’s not the end. He will pick himself back up. He will move forward in life despite his worries and incertainities, and he will find himself again. Therefore, he will find Agumon again. The kids in the illustration are waving goodbye, but it’s not goodbye, it’s a see you later. In the meantime, Tai is holding on to these precious memories, until they meet again.

#Digimon #Digimon adventure #Yagami Taichi #Digimon adventure : last evolution kizuna #illustration process #kinda analysis #listen im actually writing this for myself #I spend 4 days on that illu with a lot of feels and I need to write them down #This is basically what my close friends have to endure each time I get an obsession

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mochibuni · 3 years

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2020 Fanart Year In Review

@floraone tagged me to do this, so let’s see what mine is like! If you’re an artist, please fill this out for yourself!

1. Number of started vs number of completed fanart this year

As of today I’ve posted between 40 to 50 completed pieces and colored sketches. I’m still really shocked at this number and I’m not sure how that happened. I have way too many WIPs, I use a work flow program to keep track of all my projects and I am afraid to look at it right now. XD

2. Most popular piece of fanart this year

This varied by platform, but these three were towards the top or at the top across my accounts.

3. Personal Favorites

OKAY it was actually this one, I was really charmed by Wrong Hordak and I thought this came out so cute! I’d like to do more in this style someday, if I can figure out how to consistently do so.

4. Characters Drawn Most, in order of frequency

Uhhhhhhhh...I think it was Mako?

5. Most Used Color Scheme

Pink, green, and purple.

6. A piece of art that was challenging

This one, because I don’t color like this anymore and it was hard to try and do it again.

And I suppose the time I decided to draw 10 people in one piece. That was dumb don’t do that.

7. An area you feel you’ve improved

I’m still REALLY REALLY bad at men, but they got slightly better this year and that was my art resolution. Otherwise I have been consciously trying to portray race and body diversity better in my style, while also trying to be respectful about it. Because of BLM I started a series of black magical girls and I truly adore the few I was able to draw and some of the designs I’ve sketched. I want to be better about faces and bodies, and that’s something I’ll add to my focus list for 2021.

8. A piece of art you’re really proud of

I just love everything about how this one turned out and I have no idea how to do it again.

9. New things you tried out this year

Always trying to find a coloring technique that works for me. I think I found a few options, but we’ll see how consistent I am with any of them rofl

10. Something you learned this year

I want to say coloring, but I’ve gone through a few techniques and haven’t retained a whole lot. I learned to pick a different background color though.

11. A comment that touched you

Everyone said such nice things after that thing that happened and how much I’m wanted here. Aside from my own imposter syndrome that 2020 lovingly gave all of us, in general I’ve been having a hard time finding a place to nestle in to after Tumblr went really downhill. I’ve made my way back here a bit, reluctantly, because this is still a terrible place for artists, but it is also the place I feel most accepted at.

Someone also wrote that my green jacket kiss was A+ shitposting and I am very proud of that.

12. Something that inspired your art this year

Black Lives Matter

13. Something that you want to try out next year

Begrudgingly I should practice backgrounds......

Maybe get back into traditional art though. I have been making plans for my corner of the office and thanks to some wonderful patronage this year I’m starting to purchase those items!

14. A goal of any sort for next year

Male bodies, diverse characters, more exclusive art for patreon....maybe quit job and take commissions and stream art? Who knows!

#life with mochi #mochi draws #meme

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livinginsunnyhell · 3 years

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Ask game for fanfic writers! ⌨️🖊📓📝

1. What fandoms do you write for?

2. What pairings do you write for?

3. What is your most popular fanfic?

4. Do you write original stories as well?

5. What fanfic of yours should everyone have read?

6. What is a fandom you will never write for?

7. What is a ship you will never write for?

8. Archive of Our Own, FanFiction.net, Wattpad, Tumblr, etc. which platform do you prefer?

9. What are your favorite fanfics?

10. How do you stay motivated to finish what you’ve started?

11. What’s your longest fanfic?

12. Do you want to break your readers‘ heart or make them laugh?

13. What is your planning process?

14. What have others criticized about your fanfic?

15. OCs or no OCs?

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

17. Do you use/follow advice from writing blogs/posts?

18. What is your favorite writing prompt?

19. Dead or overused tropes?

20. Can we get a list of all of your current available fanfics?

21. What’s your shortest fanfic?

22. Do you listen to music during your writing process? What music do you listen to while you’re writing?

23. Long chapters or short chapters?

24. How many WIPs (work-in-progress) do you’ve got?

25. How many WIPs will you finish?

26. First-person-narrative or third-person-narrative?

27. Do you take requests?

28. I will name you three things (drunk Ian — shared bachelor party — Gallavich): write a paragraph or two!

29. What’s more difficult? Fanfics or original work?

30. What writing software do you use?

31. Do you use beta/sensitivity readers?

32. Past or present tense?

33. Do friends and family know that you write fanfics?

34. How did you find the magical world of fanfics?

35. What is your favorite review?

36. Did you ever delete a work of yours?

37. Did your work ever get plagiarized?

38. Do you partake in any fanfic/writing events? (Big bangs, zines, NaNoWriMo, etc?)

39. Collaborations or working solo?

40. Do you have any rituals before uploading a fic?

41. What is something you don’t like about your writing?

42. Rudest review?

43. Guilty pleasure tropes and scenarios?

44. Does fanart of your fanfic exist?

45. Do fanfics of your fanfic exist?

46. Few long essay reviews or many short reviews?

47. What fanfic of yours is truly underrated?

48. What is your favorite sentence that you’ve used in a fanfic?

49. Where do you draw inspiration from?

50. Can we get a teaser for an upcoming chapter?

(Don't feel obligated to answer. Thought if you're into these kinda things, that'd be a nice ask. ;))

Oh this is so nice!! Thanks for sending this @annansmith

I chose a few of them to do.

1. What fandoms do you write for?

Currently, I’m writing for Shameless (Gallavich) but I’ve written for:

Veronica Mars (LoVe), Veep (Amy/Dan), Arrow (Oliver/Felicity), Once Upon A Time (Hook/Emma), The Old Guard (Joe/Nicky), That 70′s show (Hyde/Jackie), Sons of Anarchy (Tara/Jax), Vampire Diaries (Klaroline), Hart of Dixie (Zoe/Wade), Gilmore Girls (Rory/Jess), X-men (Rogue/Pyro), One Tree Hill (Haley/Nathan), and a few others.

2. What pairings do you write for?

Now I write Gallavich.

But I’d say my top ones I love writing for now (my fanfiction writing has spanned about 14 years) are Dan/Amy, Veronica/Logan, Klaus/Caroline, Mickey/Ian.

3. What is your most popular fanfic?

My most popular fic on Ao3 is The Course of True Love (Arrow) and on FF Of Bloodshed, Babies, and Epic LoVe (Veronica Mars)

4. Do you write original stories as well?

Yes, I do. I’m working on a book, well, two books. But it’s going very slowly. The first is a memoir of my travels from around the world and the second is a vampire urban fantasy one. We’ll see how it goes, but I’d like to finish them by next year and see if I can get them published, but it’s hard so who knows.

10. How do you stay motivated to finish what you’ve started?

Well, recently I’ve really been trying to finish everything I write. I have a lot of WIPs from years and years ago and even within the the last year, so this answer is pretty new. Basically, I focus on one fic at a time and write a little every day to stay motivated. Now, I try to update once a week on a certain day. I think comments/reviews and kudos and people being genuinely encouraging helps though. It’s also what’s gotten me considering finishing my older fics.

11. What’s your longest fanfic?

Of Bloodshed, Babies, and Epic Love (over 165k)

13. What is your planning process?

Now, it’s different. I have a doc of ideas and I wait to see which one I can’t seem to shake. Then I plan out each chapter with a few sentences and I have a list of things I want to focus on in the story. Usually, each story now has a kind of theme to it and a main focus. I sometimes will just want to write a certain situation/scene/focus and the story is born from there. But what really helps is writing down chapter 1, 2, etc. and having a sentence or two for what I want to happen. It doesn’t always go according to plan, but I never get writers block or forget what happened in previous chapters now.

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

Probably a mixture of fandom (or my personal) headcanons. I don’t start with prompts unless it’s a challenge or sentence starters. Usually, I have a scene I already want to write in my head and then I sit down and write it.

17. Do you use/follow advice from writing blogs/posts?

Yes, I’ve read several books on writing. My undergrad was creative writing too, so I learned a lot there. I also follow writing instagram accounts which are helpful. I take everything I learn with a grain of salt and I see what is best for me. The best advice I heard recently was short sentences and so now I’m experimenting with that.

20. Can we get a list of all of your current available fanfics?

There’s a lot from many different fandoms. I used to be on FF.net as Psyc0gurl0 and now I’m ProstheticLoVe on a03. I like writing on ao3 better cause it’s easier and I love the tagging process. Plus the gallavich fandom on there is unreal. So to think about going back to ff.net to finish my WIPs seems like such a process now.

Currently though, I’m writing an Ian’s POV 5 chapter fic called Chocolate. It’s not out yet, but it’ll focus on Ian from 1x06 to 1x09 or so and how his feelings for Mickey change and evolve. It’s the second part to a series called Chocolate and Cigarettes. Mickey’s POV was Cigarettes.

22. Do you listen to music during your writing process? What music do you listen to while you’re writing?

Yes, I listen while writing but I need silence while editing. I have a Love (lol) playlist. It’s basically all the love songs that remind me of couples I ship. So for example, The Acid is in there a lot because their music is great, but also Basic Instinct is so haunting. Overall, I like all music except country, so sometimes I’ll listen to my larger playlists while writing.

23. Long chapters or short chapters?

So this has changed over the years. Initially, I wrote short chapters, then when I got back into fanfiction while writing klaroline they got a lot longer and now it’s just basically where the chapter has a natural ending. So the chapters are between 4 - 10k words depending. I try to get over 4k though. Right now, once I’m done with my current fic, I really want to write something over 100k.

24. How many WIPs (work-in-progress) do you’ve got?

A lot...none in Shameless though. Well, I guess my current one, but I haven’t posted that yet. I’d say I probs have about 10 WIPs spanning different fandoms. I know. But my goal for 2021 is to pick two and finish them.

25. How many WIPs will you finish?

Not all of them. Some of them are from years and years ago. But I’d like to finish the ones that I still get reviews on. So there’s a SOAs fic I want to finish cause that fandom is so lovely. I also want to finish a klaroline one cause that was fun to write. And my Amy/Dan ones I’d like to finish. I would like to finish my Veronica Mars ones (I have two) but they need a lot more attention, so when people message me about them I tell them the planned ending.

28. I will name you three things (drunk Ian — shared bachelor party — Gallavich): write a paragraph or two!

“Fuck, Mickey, I probably shouldn’t have had the third Hot Toddy,” Ian grimaced as the world around him spun.

Mickey laughed at him and wrapped an arm around his shoulders. Ian wanted to think his future husband just wanted to pull him closer, but he had a feeling it was to steady him.

“Probably should’ve cut you off earlier,” Mickey said tugging Ian closer.

Ian wobbled and plopped down on the back steps of the porch. Mickey followed suit a moment letter and they both looked out toward the backyard where the Gallaghers, Balls, and a few of the Milkovich cousins were alternatively huddling around a fire, drinking, and dancing.

“I blame Lip for making us have this stupid shared bachelor party in the first place,” Ian grumbled.

Mickey kissed him on the forehead as Ian lay his head on his shoulder. “It’s Sandy’s fault too.”

Ian hmmed in response and Mickey knew he was going to fall asleep any moment. He ran his hand up and down Ian’s arm and watched as Debbie bounced over to them.

“Jesus, you aren’t even married yet and you two are like an old married couple. Are you going to come dance or what?” she whined.

Mickey looked down at Ian, whose eyes were already closed, and then back up to Debbie. She was watching them with knowing eyes.

“We’ll dance at the wedding. Go grab Lip, I need his help to get Sleeping Beauty upstairs.”

Debbie turned to go get her eldest brother and Mickey looked back down at Ian. In his sleep, he nuzzled Mickey’s shoulder, breathed deeply, and a gentle smile appeared there.

3 more days and they’d officially be husbands.

34. How did you find the magical world of fanfics?

I was about 10 and my cousin used to write a buffy the vampire slayer zine. There was a link to a site called buffyworld.com or something like that. And I found fanfic that way. There was a link on the site to ff.net and that’s how I stumbled across that. I stayed there for many many years until my second time in the veronica mars fandom around 2014 when I was lead to a03 and then I’ve been there ever since. On and off, my writing has fluctuated through the years based on my personal life.

49. Where do you draw inspiration from?

Everywhere! omg. It’s insane. Gallavich I love writing for. There’s so many different facets to them, but truly everywhere I find inspiration. I have a whole doc of gallavich ideas that have stemmed from other fanfics, headcanons from me and other people, rewatching episodes, what’s going to happen in s11, cute moments i’d like to see happen, holidays, and just general life. I saw a pic of WW2 vets who were in a long term relationship and i was like mickey and ian! another idea is born.

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paperwick · 5 years

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Artist Interview with Kallie LeFave

Last week I got to sit down and interview an artist I admire, Kallie LeFave. Her work has inspired me for a while, and she very kindly agreed to take the time to chat with me about her social media, past struggles, and how fanart has impacted her freelance business.

Kallie Lefave is a self-taught illustrator with a focus in fantasy, and has been successfully freelancing for nearly 7 years. She has a keen eye for color and shape dynamics.

D: You're pretty active on social media, at least from what I've seen on Twitter. How many platforms do you maintain?

K: Right now I'm active on Twitter, Instagram, and Tumblr, all of which I can be found under @kallielef

D: How much of your day, or week, do you devote to your social media? Not just posting and retweeting/reblogging other's work, but also creating the artwork you use on social.

K: Well, my schedule has changed a lot with a toddler, but I'd say right now I devote about 2-3 hours of the day to creating work along with posting to my platforms. So, perhaps 30 minutes retweeting/reblogging/liking art and maybe 1-2 hours painting and drawing.

Weekends I get a little more free time, so maybe 3-4 hours then, but that can always change with a kiddo.

D: I believe it! Starting a family will shake up any schedule for sure. Has it impacted your approach or your artwork in unforeseen ways?

K: Oh, definitely! I waited (and contemplated) on having a child for almost ten years because I was worried about how it would affect my time to create. My daughter had some complications, a breathing issue after she was born which made my brain switch gears, and all my focus went towards her. For a while I found myself frustrated needing a creative outlet, but ultimately having a child helped me learn balance and selflessness. Because of her, not only do I have a more structured and valued appreciation for time dedicated to creating art, but being around a child really has expanded the way I look at and feel about art.

D: Oh wow, even in retrospect that’s scary to think about, I'm glad things worked out! It sounds like it's really changed things up for you. Did you struggle with balance before you had your daughter?

K: Yes, I did struggle, but in the sense that I had so much time on my hands and not enough discipline, and I would overwork myself. My schedule was a hodgepodge of doing studies, learning more about digital art, learning and practicing fundamentals, free art and commission work. Now, I know for the most part what to expect of the day and myself, but also that everything can change and I need to make the most of the time I'm given.

D: That's encouraging, I feel like it's a pretty common problem among artists to struggle with discipline and overwork. Do you have any general advice for people who are facing those same troubles?

K: Yeah, for sure! I always look at a creator like George R R Martin and Stephen King; both incredibly talented and creative artists, but very different disciplines when it comes to creating. I had a professor once tell me that I had a "dancing brush", which she said meant that I traveled a lot around a painting, not settling on one thing for too long. That's very much how my mind feels, constantly dancing and entertaining ideas. If I feel myself getting too overwhelmed or overworking something, sometimes I just have to verbally tell myself to stop and move on, otherwise I'll just get stuck. If I'm afraid to try something or don't have the confidence, or lack of motivation, I like what Even Amundsen once said, "f*!%$ it, Let's DO IT!"

D: Ha ha, I like that a lot!

K: Yes, it's on a sticky note on my computer!

D: How long has it taken you to build up a following? Was there anything that kick-started that process for you, like a shift in what or how you posted content? Or has it been a steady increase from the start?

K: I started working in digital art in 2014, where I began scanning in penciled drawings of all the Hobbit characters, and that was my introduction into fandoms. It wasn't until about a year later when I discovered A Song of Ice and Fire, along with the Game of Thrones series, that I really got invested in a fandom. That's where I created a piece of Sandor Clegane "The Hound" and Arya Stark, posting on Deviantart and got one of their Daily Deviations. I didn't know what that was at the time, but saw that it brought in a lot of new followers and interest to my work. That was exciting, I love having conversations with people and the fan art engaged me with so many other fans. So, I had a small following start there which grew a lot for some time in the GoT fandom. After that, I created works for The Hobbit and Dragon Age fandom, which I'm still currently creating artwork of, but I'm not certain my following has grown very much-it's been steady, but small. That used to disappoint me some, that I didn't have a huge following, but I kind of like my small groups; I get to spend more time talking to people and less pressure on myself.

D: Fan art has been a large part of your online work, how has it informed your professional work? Has having a fan-base built on fanworks impacted your business significantly?

K: A lot of the work I do professionally is because clients found me through fandoms, and it's definitely impacted my business. But one thing that is always flattering and fun are the clients who want me to create their original characters or concepts. For them to feel confident enough in my abilities to recreate their ideas means a lot and tells me I must be doing something right! That also helps give me encouragement to create my own characters, and hopefully one day make solely original content to sell (like Pete Morbacher, Charlie Bowater, Eli Baum, Valentina Remenar, Lois van Baarle, and Minna Sundberg).

D:Do you have a commissions page?

K: Thank you very much! At the moment I don't, but I'll be setting something up in the near future. I'll definitely let people know when I'm taking commission work again.

D: As a self taught artist, how do you feel about the art college dilemma? Especially with online course schools like schoolism and CTRL+Paint available?

K: Ha, I was just reading about the topic in imagineFX magazine. I went to school for traditional art with a focus in abstract expressionism and conceptualism. I'm not sure I really learned anything, unfortunately, BUT the discipline, structure, connections and social networking I made at that time were helpful. I think a lot of digital artists would agree that going to art school has those same benefits and can help a lot of people who are lacking in discipline, creating a daily syllabi and have a hard time meeting people. But also, I have taken a few self taught Schoolism courses, and loved them. I think if you have the time to invest in courses like that (or the free ones like ctrl paint), and are willing to be disciplined, they can be very effective. In short, I feel both traditional and online schools have a lot to offer, it’s just a matter of what you're willing to invest in.

*when I say I didn't learn anything from school, I mean the fundamentals or "how to paint", haha. I did learn a lot otherwise.

D: What has been the most challenging thing for you in art?

K: The first thing that comes to mind is building up a memory of what I'm trying to learn or practice, like how light hits the planes of a face or how a figure should look when turned at a certain angle. I still have to reference things as my memory can betray me lol, but I'm starting to see things being remembered and clicking.

D: Is there someone lately whose art has really inspired you? Or some recommended reading you'd like to share?

K: A lot of the Pixar/Disney art teams, like Mingju Helen Chen, Corey Loftis, Minkyu Lee. I'm learning a lot about shape language looking at their art. There's always Charlie Bowater, too, who I think is a bit of a wizard with her brush. Art related reading-I have been listening to Bobby Chiu's "The Perfect Bait" on youtube, hopefully it will be in print again one day because it's a very resourceful art book. Non art-I read devotionals daily, currently one about the ego and it just helps keep me grounded.

Kallie has a lot of great insight, and is just an incredible artist. You can find Kallie’s work on most social media platforms under her handle kallielef:

https://twitter.com/kallielef

https://kallielef.tumblr.com/

https://www.instagram.com/kallielef/

#kallielef #interview #artist interview #artists on tumblr #social media #twitter #instagram #tumblr #fanart #freelance #business #interviews #2019

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brinytrolls · 4 years

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heyy!! i really like your work and think you're SUPER MEGA cool, and hope you get REALLY good at animating!! drawing is the first step, so making it move is the next haha. (once i save enough for a tablet i'll practice a lot!!) but i have a question: how do you improve as an artist? do you actively seek out critique or does it come with time and sub-conscious decisions to not do the bad thing anymore? what did you do? love you, keep fredding on!! ----some stupid idiot who wants to be anonymous

thank u anon this is super sweet!!! it means a lot<3

also ive been an animation student for 5 years now so i know a little bit but probably, less than i should.....i do Not practise enough

as for tips! let me try and compile a short list of things that help me!

• u hear it all the time but its true-practise practise practise!!! sketchbooks, digital, whatever strikes ur fancy. practising is the MOST important thing u can do

• understand and research the basics. you dont need to be an expert on anything, god knows im not, but its good to know a bit! this includes but isnt limited to:

colour theory! why colours go together, what colour schemes look good, etc. heres some basics on it! personally

[i also find symbolism of colour just as important. obviously symbolism varies from person to person and culture! but heres a quick guide on the usual symbolism of colour. if something sounds wrong to you though, mess with it yourself!]

tthe form of subjects-this means drawing basic shapes, and using them to construct [basically] anything! the idea is its much easier to draw and move around a series of cubes and cylinders, than a whole human body. heres a guide on how form works.

draw a box is a challenge recommended to me by my lecturer for improving on drawing shapes and forms! i highly recommend it!

value and lighting are important! heres an explanation on value. im not sure much can be done to cheat lighting and value, except for master studies (we’ll get to that shortly!) and observation.

the most useful tip on value ive learned, is to turn your art black and white, and see if it all has enough contrast without colour. if not, time to work on the values!

composition, babey. how subjects are arranged in a piece. heres a bunch of stuff on it [im still learning this one...rule of thirds i will Die for tho]

anatomy! this is the hardest shit. i still dont get it. my lecturers recommend andy loomis [heres a pdf of his figure drawing book] idt his way was quite up my alley, but u never know!

• speaking of anatomy-life drawing is an INCREDIBLY useful reference. so goddamn useful, u dont even know. they help u figure out anatomy! this includes gesture studies, and more detailed things. i recommend googling how a typical life drawing class goes down/tips for it

life drawing classes are very difficult to access atm, so here are a couple of online resources! [all of these will obv contain nude bodies]

croquis cafe-contains free videos that simulate a life drawing class! videos are more useful than images. has a variety of ethnicities and body types, which is wonderful!

line of action- a site with a variety of images on figure drawing, animal drawing, as well as hands & feet, expression/face focus, and environmental things. you can set it to play as a slideshow for as long as u like, or set it up to be similar in timing to a real life drawing class

online stock photo artists such as senshistock, who has compiled a useful little list of similar accounts over here!

• reference reference reference!! references are so incredibly useful, and anyone who tells you using a reference is cheating is wrong on every conceivable level. reference from photos, from movies, from videos, everything.

something ive had to do in every level of art education is recreations and master studies.

this means collecting artists work from professionals-be it historic painters, movie screenshots, concept artists, anything!

it makes you focus on their compositions, how the lighting works, the colours used, pretty much everything.

this is useful bc it can 1: get you out of your comfort zone and 2: make you use new techniques you might never have considered

online tools such as designdoll and justsketchme have poseable models for you to pose as you please and reference from! suuuuper useful, especially for perspective poses.

• experimentation! fuck around. use brushes youve never used before, try a new medium, collect every free sample from the craft store and just Do Shit with it.

• absorb every goddamn piece of art u have ever come across, and save what you enjoy.

and i mean save everything you enjoy. u like a movies lighting? a certain shot? an outfit? a random piece of fanart u came across? save it! look at it, figure out what it is u like

make a private pinterest board or a folder on ur computer, save everything.

absorb and yank bits from art u enjoy. obviously dont imitate someones entire style, but if u like the way someone draws hands, or noses, or eyes, reference it. recreate it. see what u like, and incorporate it into ur own art

art is a big mess of taking things u like and making it ur own

• study professionals! animations, artists, illustrators. they know what they’re doing.

heres a useful resource with a lot of rare concept art from animated movies! i go here a lot.

buy art books, or acquire pdfs of them, im not a cop, i dont care

• as for critique, i do look for critique, and pay attention to it, but it’s important to know not to take it personally. and i recommend asking people whos opinions you value!

i think thats all i can think of right now in terms of General Art....

if u want me to elaborate on anything or show me art, ask for help or just talk art stuff [character design is my fav and my speciality, ive been studying it for a while 👀] please dont be afraid to dm me or just send me another ask!

best of luck anon, i rly hope this helps! :D

#thats a lot of writing im so sorry #fredspeak #long post #Anonymous #ask #text

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so-shiny-so-chrome · 5 years

Text

Witness: Battle_Cat

Creator name (AO3): battle_cat

Creator name (Tumblr): fuckyeahisawthat

Link to creator works: https://archiveofourown.org/users/battle_cat/works

Q: Why the Mad Max Fandom?

A: Fury Road blew my goddamn mind. I like action movies and female action protagonists, but nothing has ever quite hit me like Fury Road. I couldn't stop thinking about it. I had never written fanfic and didn't know what ao3 was, but the characters just wouldn't leave my head. I started seeking out meta on Tumblr, and many of the people who were writing and sharing great meta were also writing fic, and at some point I started thinking, hey, this is a thing I can do. And then I did it, A LOT.

Q: What do you think are some defining aspects of your work? Do you have a style? Recurrent themes?

A: Smut smut and more smut, lol! And sometimes action. I really like writing about intense physical experiences and the emotions they generate. I come from a screenwriting background, so I tend to be terse and am always thinking about how to say the most with the fewest words possible. I love writing characters who find it very hard to talk about their feelings, so Max and Furiosa are pretty much perfect for me.

Q: Which of your works was the most fun to create? The most difficult? Which is your most popular? Most successful? Your favourite overall?

A: Ahhh I can't pick between all of my children! AO3 statistics says Zero to Sixty, my Max-and-Furiosa-get-together fic, is my most popular by hits, kudos and bookmarks, which is not surprising given that it was written early in the fandom. I don't think I can pick a favorite but I have a lot of love for: Desperate Measures, Her Reputation Precedes Her, Hard Run, Tough to be Tender, and Scarf Thing. The only fic I'm still slightly unhappy with: Equinox. I feel like I set up some great tension and then wrapped it up too quickly.

Q: How do you like your wasteland? Gritty? Hopeful? Campy? Soft? Why?

A: Hard but with some humanity left still.

Q: Walk us through your creative process from idea to finished product. What's your prefered environment for creating? How do you get through rough patches?

A: Most of my short pieces are really just a single scene, sometimes with setup and aftermath. Sometimes I'll start with an image (like one of @youkaiyume's excellent smut drawings) or a concept or idea for the scene. Something short, like under 2,000 words, I will ideally sit down and write in one draft, maybe in a day or two. I don't do a lot of drafts, although I do somewhat edit as I go. Something longer like a multi-chapter fic, I usually have a separate Word document with notes and a very rough outline. I usually have the ending or the big climactic scene in my head before I've got everything in the middle figured out. If I'm struggling with something, I'll usually step away and just let my brain chew on it for a while, until I figure out what about it isn't working for me. I learned in grad school that your brain can be doing a lot of creative heavy lifting while you're off doing other things.

Q: What (if any) music do you listen to for help getting those creative juices flowing?

A: I'm not much of a music person, tbh. I have gotten inspiration from fanart, Tumblr submissions and kinkmeme prompts, though.

Q: What is your biggest challenge as a creator?

A: Finding enough time and energy to write. I'm someone who needs big chunks of time to let my brain get into the creative state and this whole having to have a job thing is a real drag.

Q: How have you grown as a creator through your participation in the Mad Max Fandom? How has your work changed? Have you learned anything about yourself?

A: When I saw Fury Road, I had been in a serious writing drought for the better part of a year. I was frustrated and feeling very hopeless about the filmmaking world. Even under the best of conditions, filmmaking is an incredibly slow process with a lot of gatekeepers. Being able to just write something, put it on ao3 and get instant feedback was an incredible breath of fresh air. I remembered my love of writing and found a whole new creative community. I started exploring a new genre, erotica, and learned that I love it. I started writing prose again after a long period of focusing on screenwriting, and gained a new appreciation for what can be done in the short story format.

Q: Which character do you relate to the most, and how does that affect your approach to that character? Is someone else your favourite to portray? How has your understanding of these characters grown through portraying them?

A: Furiosa is the character who lives in my head most vividly. She has a lot of characteristics I tend to put in my original female characters: a certain ruthlessness and hardness; hypercompetence combined with standoffishness punctuated by a few key moments of vulnerability.

Q: Do you ever self-insert, even accidentally?

A: I don't really like talking about characters as self-inserts. I think every character has some part of you in them whether you're aware of it or not.

Q: Do you have any favourite relationships to portray? What interests you about them?

A: Maxiosa for sure. I already had a pattern before Fury Road of writing hard women and caring men, so Furiosa and Max fit right into that. They are both incredibly damaged people who have been the victims and the perpetrators of violence, have a lot of self-loathing, have been isolated in various ways for a long time, and are used to having no one to trust. Bringing those two people together and watching them slowly allow themselves to trust each other is very powerful.

Q: How does your work for the fandom change how you look at the source material?

A: Fury Road is an incredibly rich text and there are so many things that are only hinted at, left unexplained or implied. I've lost count of how many times I've watched it at this point, but there are always more details to notice and spin headcanons about.

Q: Do you prefer to create in one defined chronology or do your works stand alone? Why or why not?

A: For MMFR, I started out writing mostly short smutty one-shots. At a certain point it made sense to start stringing them together, and the ones that take place in the same timeline are now roughly in order in the series Together. It happened organically, though - I tend to write my longer stories non-chronologically anyway, so at some point I realized I was constructing a giant smut novel.

Q: To break or not to break canon? Why?

A: Ehn, I am pretty agnostic on this. Sometimes sticking to canon can be a fun limitation you impose on your story. Other times, ignoring it can be a fun what-if.

Q: Share some headcanons.

A: Ace definitely lived. Nux definitely died historic. Valkyrie is alive in some of my stories and not in others. Dag's baby is a girl and she names her Angharad. Max comes and goes from the Citadel, staying for increasingly longer periods of time. Furiosa often wants to leave, but feels too much responsibility to the new Citadel to ever let herself.

Q: If you work with OCs walk us through your process for creating them. Who are some of your favourites?

A: I haven't created a lot of OCs in the Mad Max world because the canon characters are just so interesting to explore. But when I do they just kind of pop up. Biltong from the story Her Reputation Precedes Her is a personal favorite.

Q: If you create original works, how do those compare to your fan works?

A: My original works are mostly on the action/thriller/horror spectrum. I had never written smut before MMFR, but to me, it's very similar to writing action. You're telling a story through high-intensity physicality and the emotions surrounding it. In my original works, I mostly write female protagonists in high-intensity situations, so it made sense that MMFR would catch my attention.

Q: What are some works by other creators inside and outside of the fandom that have influenced your work?

A: @primarybufferpanel 's Orbit was my fandom gateway drug. @primarybufferpanel, @sacrificethemtothesquid, @lurkinghistoric, @v8roadworrier, @thebyrchentwigges, @thatonezombiecosplayer, @youkaiyume, @ecouter-bien , @bethagain, @fadagaski and @yohunny have all created things that I find inspiring, epic, thrilling, heartbreaking, hot, funny or all of the above. And I'm lucky that I've gotten to know many of them online and in meatspace!

Q: What advice can you give someone who is struggling to make their own works more interesting, compelling, cohesive, etc.?

A: Stop and ask yourself: What does this character want? Why are they doing what they're doing right now? Concretely, what are they trying to achieve? What are the obstacles? What are the consequences if they don't get what they want? If a scene or story isn't working for me, usually it's because I don't know the answer to one of these questions.

Q: Have you visited or do you plan to visit Australia, Wasteland Weekend, or other Mad Max place?

A: I've been to Wasteland Weekend 3 times (2016, '17, '18) with Clan of the Boltcutters, and plan to go again in 2019. It's been so cool watching our camp and the festival grow and change each year. I had never been to anything remotely like Wasteland before I got involved in the Mad Max fandom, and now I can't imagine it not being part of my year. Australia...maybe someday.

Q: Tell us about a current WIP or planned project.

A: While I've been writing in the Venom fandom lately, I do plan to come back at some point and finish Closer, a story I really liked writing that I just haven't gotten time to get back to. I also have a few lingering MMFR projects that will hopefully be completed later this year.

Thank you @fuckyeahisawthat

#Mad Max Fandom Creator Spotlight #Mad Max Fandom Spotlight #fury road fandom #Mad max fandom #mad max fanfic author spotlight #mad max fic #fury road fic

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