GUYS.
I was watching Yu-Gi-Oh! Bonds Beyond Time yesterday
and I found something amazing
LOOK AT HIM.
HE’S DOING THE FACE.
HE’S.DOING.THE.FACE.
those animators knew what they were doing
THEY KNEW!!!
Why the fuck didn’t these two meet during the movie??? What a wasted opportunity
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Vincent Price and Robert Mitchum
His Kind of Woman (1951)
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SJOWJSKWKSI JUST CAME BACK FROM WATCHING ROTB AND HOW DID THEY MAKE EVERY CHARACTER SO LIKEABLE?????????
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Me @ the beginning today's ep: Cool, cool, the fucking annoying love triangle again, no wait the fucking TWO love triangles. Well, let's hope that's not the most interesting thing happening today.
Me @ the ending of today's episode with like half the cast dead and Genosha burning: Can I see the love triangles again?
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dont make me tap the sign
[sign that reads no one in 2001 a space odyssey was a villain everyone was acting under flawed information, assumption, and/or orders and this was a tragedy that could have easily been avoided had it not been tied up in bureaucratic red tape]
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reading lotr for the first time and today i got to the part where frodo sold bag end to the sackville-bagginses??????? i could never have predicted this. i was in class and i audibly gasped and closed the book. i was absorbed in the book and it shocked me back to reality. i can’t believe this.
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did anyone else watch ricky stanicky???
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So like... do you think Kim Kitsuragi is a clingy motherfucker if he's really, truly comfortable with someone?
I mean like, obviously he isn't. His entire personality is centered around not letting anyone ever see the truly damaged parts of his soul. He's hiding some of the shit from himself as much as from anyone else. No matter how close to someone he gets he's never gonna be comfortable reaching that deep into his mind and memories and pulling this kind of stuff up for everyone ("everyone") to see. But there's just something so tempting about seeing him drop all his walls, not being on his guard at all, pulling his partner into a quick hug every time he walks past, stealing his clothes from the hamper because that's when they smell the most like him, buying all the dumb shit that reminds him of his partner and not ever stopping to think if it was silly, tightly wrapping himself around him when falling asleep, all the tiny little shit all the time (but only in the privacy of their home and his mind), because for once he feels safe enough to just be whoever he is. Not even whoever he wants to be, just... Whoever he is, flaws and fucked up past and broken dreams and all.
Obviously he isn't, but what if he was?
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LOVE that an interviewer asked Greta Gerwig about Ryan's Ken's bizarre laugh "haa haa haaaa" all dragged out and throaty, and she said Ryan literally did that all on his own and after he did it for the first time she told him "that is the weirdest laugh I've ever heard. go for it. use it" LMFAO
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Me: *several WIP requests already in the making*
My brain: *craving Vox fluff like a desperate, starving feral creature*
The way I want him is fucking abnormal. I wanna sink my teeth into that man and THRASH
Not literally
But RAH RAHD RAHSHA GRR AHSB RAHWHSJ
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God. God. God. Holy fucking shit i love Avatar so fucking much
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Vincent Price and Joyce Jameson
The Comedy of Terrors (1963) dir. Jacques Tourneur
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going to keep this vague on purpose but playing reload has reactivated brain chemicals in me that i forgot i had.
i think i'd want to make a more thought out post later, but i think my favorite thing about reload (aside from seeing minato in full HD glory) is how much it's made me think about video games as a storytelling medium- specifically with what mechanics and game design imply for characters.
there's a lot of quality of life features added to reload that help players easily enter a flow state and get immersed in the gameplay (most notable with tartarus)! which is so dope! reload has been such a nice blend of the mechanics from both FES and portable and it feels like a love letter to persona 3 fans.
there are definitely mechanics i miss from FES (minato's ability to wield multiple weapons being one of them). i can't deny that FES has some dated mechanics that don't necessarily feel fun for the player experience... but!
i think i mostly miss things from FES because i feel like so much of minato's characterization (for me) was informed by the gameplay experience and mechanics (e.g. fatigue system). obviously there's still other ways you can put together his personality (his dialogue responses), but i think game mechanics are a bit part of it, for me.
but in spite of that, i think reload is a really nice introduction to persona 3, it's so much more accessible and has a bunch of things to help make it more fun :) so far i think i'd recommend it to people :D
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Say what you will about the Cyrano movie (and one day I'll be able to in a halfway articulate manner), but I am still mildly obsessed with "Every Letter", and I think about this ending couplet all the time...
Your letters are drawings on me from above
I know who you are and I know you are loved
Just... the idea of Cyrano and Christian receiving a letter in return from Roxanne and feeling their breath catch both with ecstasy and with bitter regret.
I know who you are...
But she can't. But she mustn't. But it would break her heart--she would never trust them again. But it wouldn't be fair to Christian. But Cyrano could never show his face again. But they already feel themselves burn under her gaze, and to meet it honestly without the armor of a soldier, of these letters, would scorch them until nothing remains. But the only true honor is to hide, even if they know it's really the coward's way out. But the only safety (if they were being brutally honest with themselves) is to hide.
... and I know you are loved.
But God, they wish they didn't have to.
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madre: can we watch Edge of Tomorrow?
me: uh OF COURSE WE CAN?
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there are Several reasons why hiro hadama from big hero 6 is a blorbo but the most prominent one, perhaps, is of course, His Peanut Allergy
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