#i cite my sources

[howaiiii]

photo study bc i need to do more of em (from "the trolley song", meet me in st. louis, 1944)

#my art #photo study #judy garland #i cite my sources #im not james somerton lmao

[chasing-obsession]

Arknights Lore Shit - Amiya Module Part 1

Amiya’s module dropped on CN and holy shit is it a big one with SO MANY FUCKING IMPLICATIONS. Beware for absolutely MASSIVE spoilers.

As always, everything I say is just my own personal interpretation of the text. Original source of the module can be found here: https://aceship.github.io/AN-EN-Tags/akhrchars.html?opname=Amiya

EDIT: Corrected a thing because I forgot that Terra had 2 moons.

The basic summary of the module is that a certain individual is reviewing memories. Probably watching space ships launch up into space. Then the memories come into focus, a giant metal sphere floating in space, waiting for it’s father. The viewer feels tears forming and the memories change to the birth of a child, the viewer’s child and all the feelings and emotions that come with witnesses said birth. Then the memories end and there’s a bunch of people yelling, asking the viewer what they saw. Did it work?

"Check his brain, I told you we shouldn't be in such a hurry, we've only just established a protocol channel for communication with the database! This has only just completed the first successful delivery!"

It turns out the viewer was actually witnessing someone ELSE’S memory. The memory of a planetary engineer.

"I said ...... I never actually used to like you planetary engineers very much, I thought you were doing flashy things ...... But I saw it. I saw your past, I shared your past, I felt your emotions, and it was ...... unparalleled."

The project, code named DWDB-221E, appears to be a repository of human history up to a certain point but relying on memory instead of texts and videos. I’m not sure why memory except somehow...

"We've learned enough, except that in the future, they'll never find an excuse to tinker with history."

The same group of scientists then debate on what to name it. They don’t want to keep calling it DWDB-221E, it sounds too cold. The scientist arguing for the name refers to the AMa project. There’s an argument over what to name it and one of the proposed names is “Black Crown” but ultimately, the lead suggests calling it “The Survival of Civilization."

That’s the summary.

Here’s the my theorizing:

First, we now know that whomever created Kal’tsit is also the same group of scientists who created the Black Crown. We know this because Alty calls Kal’tsit AMa-10 in HoSF OF-EX6:

Alty: AMa-10 Dr. Kal'tsit, please tell me... How were those special Ægirians born?

We also know this because of this line from Amiya’s module:

“I know there's a prescribed format for project numbers, just like AMa“

Second: So we have confirmation that one of the two moons hanging over Terra is fake. The question is why. What is it for? Is THAT what’s storing all the data and where Originium comes from? What’s with the fake sky then? Was Terra a terraformed system adapted to be more hospitable to human life and both the fake sky and the second moon were created to maintain the balance? Or something else? To hide it from whatever unknown entity lies Beyond? Are the humans fleeing from something or did they just really fuck up Earth? Is Enfield actually a prequel?

Third. I’m going to put money down that the Doctor and Priestess are both part of the original ‘humans’ that created the Black Crown and Kal’tsit. Most likely they are their descendants and the Doctor is the last survivor, having been kept in a pod and left buried after disaster struck, probably with or near the Rhodes Island Landship and then excavated at some point, where they basically they lived their life as a professor and researcher of Originium before Theresa dragged them into her war. 

Fourth. This is the big one. The Black Crown and how it relates to the Sarkaz. When discussing what the Confessarii’s arts were all about, I had once theorized that the Sarkaz Collective Memory was less some nebulous collective unconscious and more like a singular mass cloud storage where all the memories were just uploaded with maybe a random file name and no organization.

The fact that my analogy is... most likely not an analogy and ACTUALLY WHAT IS GOING ON amuses the fuck out of me. Anyway. If all this memory is uploaded, it needs to be stored and that’s a MASSIVE amount of data that needs to be stored and there’s no way Terrans wouldn’t have found artifacts unless... said data is actually stored in Originium. It’s a semi-organic material that’s capable of self-replicating and we know from Ptilopsis’s module and her first Op Rec, that it’s actually capable of storing massive amounts of data. But not only that, but the Originium as a memory storage device is linked to ancient Sarkaz legend.

From the Module:

If Originium really has the ability to store information, and we are able to decode and translate it, then Columbia's science and technology will surge forward by leaps and bounds!

I've encountered a bottleneck. Current electronic computational devices are not able to handle the enormous amount of information contained within Originium. I need a more suitable computational carrier...

From the Op Rec:

???: All of this information is consistent with our hypothesis.

???: With these data on hand, Rhine Lab's newest results now directly correlate with the ancient Sarkaz legend. I don't think this is an accident.

???: And if our hypothesis is verified, it will revolutionize everything we know about Originium.

???: People think that Originium is a source of energy, a calamity; They think it can be used as a weapon, with only narrow applications outside of that. But the truth may be something far greater.

???: If Originium really 'stores information,' just think about what that implies. From Originium, we will be able to read the story of this world, spanning hundreds or thousands of years, maybe even more...

This brings us back to the Sarkaz and the Black Crown. The Black Crown is clearly device created to interface with all this data and the Sarkaz are clearly somehow genetically “in tune” with interfacing with the Black Crown and these stored memories on a level that other races in Terra can’t. I suspect this is also what makes them more susceptible to oripathy than other races. So if the Sarkaz basically connected 24/7 to the data bank and have one-way write access and the Black Crown is the only way to easily interface with the data bank, then it’s understandable why the Lord of Fiends aka King of the Sarkaz is a title that can be passed on to pretty much anyone, because it goes with the Black Crown.

Amiya is the current wearer of the Black Crown, having inherited it from Theresa but with a caveat. Because Amiya is not Sarkaz, she appears to issues interfacing with the crown properly, thus the suppression rings created by Theresa and Kal’tsit. (You could also argue that the Crown is also Amiya’s arts unit and because of it’s unique properties to not just read but also ‘access’ memories, she’s able to use it to do things like copy Ch’en’s swordsmanship.)

Which brings us to the Confessarii and what all of this means for THEM. I once theorized that the Confessarii’s arts work by being able to access the Sarkaz Collective Memories and based on what Salus said in Chapter 11, it sounds like the Confessarii arts can bypass the Black Crown entirely and tap directly into the data bank. The issue is that it’s basically like a script kiddie who hacked into a heavily encrypted database and thus can only read fragments of the data stored. Shining and her brother’s arts are a little more advanced. From my readings, it sounds like they have more than just read access. They can download a whole snapshot. But just a snapshot, a moment in time, not the whole memory.

Only the King of Sarkaz can do that via the Black Crown. Even more interesting is that the King of Sarkaz can basically utilize their connection to the database to manipulate the memories and feelings of all the other Sarkaz. Basically it sounds they have root access and can either edit or upload specific memories to illicit specific emotional responses.

There’s a TON of implications for this. Shit like ‘what’s Nightingale’s whole deal then’? And ‘what does this mean for Kirsten’s dreams of breaking out into space?’ But also ‘WHY THE FUCK DO THE SEABORNE REMEMBER THE NIGHT SKY?!’

I’ll continue my musings in part 2.

#arknights #arknights lore #arknights spoilers #i cite my sources #but holy shit y'all #this is like the motherlode of lore dumps #i can't wait for what this means in chapter 12

[cemeterything]

obviously people steal things from other people it's one of the oldest tricks in the book but it still always surprises me to learn that people plagiarise because my introduction to the concept was basically being told that if i ever plagiarised anything i would be executed by firing squad and my head would be removed and displayed on a spike outside the walls of the hallowed academic institution i was attending as a warning to others

#🐉 #like they were not fucking around they were like you will be BLACKLISTED we will EXILE you there may be FINANCIAL RESTITUTION OWED #if our plagiarism software detects anything suspicious we will FLAY YOU ALIVE IN THE TOWN SQUARE #i still wake up in a cold sweat sometimes wondering if i cited my sources correctly

[emuanon34]

#James Somerton #HBomberGuy #Todd In The Shadows #ToddInTheShadows #Writeing #Writers #writeblr #Inspiration #Insparational #I cracked my skull when I was a toddler and I’m still gonna cite sources for my fic. #I was apparently trying to feed a tank of fishes on a shelf. :D #I don’t remember it but I’m also not embarrassed by it #I thought about watermarking this picture but I think it should belong to everyone dealing with imposter syndrome

[jyndor]

sliman mansour - also referred to as suleiman mansour - is a palestinian painter, sculptor and cartoonist. he was born one year before the nakba in 1947 in birzeit, which is north of ramallah. he now resides in jerusalem. mansour is one of the most famous palestinian artists of all time, and palestinian american artist samia halaby considers him to be part of the liberation art movement¹. his art focuses on the concept of samud², or "a firm rootedness in the land." he is a founder of the league of palestinian artists³.

🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉🍉

on using only palestinian materials during the first intifada⁴:

That was the philosophy of the intifada. When you read their literature and leaflets, it's about boycotting Israeli goods and trying to rely on ourselves. Most people were trying to do that, by planting their land or starting a small farm to live from. As an artist I thought, why don't we do the same? Why don't we search for natural materials to do our work from?

The mud came from my childhood memories. As a child I used to work with my grandmother when she was building beehives and even ovens with mud. And I was always around her, trying to help. So when I thought about material that I could use, mud was the first thing that came to my mind. After a while, once I started making figures, I realized that the mud also reflects the human fate with the cracks, people waiting to disappear, fall down and go away.

go take a look at his art. reblog with your favorite pieces of his.

mine is the village awakens (1988)

sources:

jadaliyya interview with samia halaby

palestinian art by gannit ankori pg. 74

dafbeirut

dw interview with sliman mansour

his website | insta

#palestinian art #sliman mansour #palestine #jerusalem #art #free palestine #west bank #artists #tumblr deleted all my linked sources 🔪🔪🔪🔪🔪 hopefully i got them all back in #spoiler alert: it didnt i had to do some a third time lmaooo #literally i never cite sources like that i always just link directly but tumblr is a fumblr

[pondering-the-blorbs]

me not believing hbomberguy when he said he might ruin some of my favorite youtubers for me and then he drops the james somerton bomb

#'teehee all my favorite youtubers are really diligent about citing their sources' #<- an absolute fucking fool #also i could have sworn he mentionrd the celluloid closet in the unrequited vid #but apparently i was just thinking of a completely different youtuber lol?? #hbomberguy

[psumnt-studentcouncil]

Murderhelion Week - Acts of Affection / Vulnerability / Watching Media Together

Murderbot watching World Hoppers with a drifting, badly damaged ART-drone, and ART watching Timestream Defenders Orion while cleaning out Murderbot’s alien infected code. @murderhelionweek

-System Collapse (Chapter 11)

-Network Effect (Chapter 20)

#murderbot #the murderbot diaries #tmbd #secunit #asshole research transport #perihelion #artmb #murderhelion #yes I cite my sources what about it #they mean the world to me your honor they do #murderbot fanart

[thottybrucewayne]

Another James Somerton lie that's super egregious to me is his lying about Janelle Monáe having to come out of the closet when Pynk came out because "Everyone got confused and thought the song was a girl power anthem when it was really Janelle's coming out song." and making a big deal about erasure and what not but it's like A. None of that is true the second that music video came out everybody and they mama said, "Janelle Monáe gay?????????????????" That was the primary reading of the music video, and it's very well-documented B. It could be argued that the music is somewhat of a "girl power" anthem too and I doubt Janelle would have an issue with that interpretation given that Pynk has a very "owning your sexuality and taking up space" message. C. Funny that James Somerton would make such an impassioned defense of an artist being "forced" to come out because he literally lied on a bisexual writer who was forced to come out after people assumed that she was some gross straight woman obsessed with gay men. James, who supposedly did alllllllll this research, lumped that author in with the "Straight woman who writes gay men's stories." in his video and proceeded to get pissy with her when she left a pretty mild comment of "Hey, after a whole harassment campaign against me forcing me to come out of the closet it kinda sucks that people are still calling me straight." Then, after very gently being called out over him erasing her sexuality to fit his narrative, he proceeded to omit the title of that author's work in his later videos and make up a lie about her being mean to him on Twitter when his audience questioned him on it. LITERALLY TALKIN OUTTA BOTH SIDES OF HIS MOUTH

This whole situation reminds me of a TikTok creator who's been called out for stealing from Black women all the time and how every time it's brought up, it's met with silence. Once, He just straight-up read out a Black trans femme's tweets without properly crediting her or asking her for permission to use her work. Making the excuse of "Well, I screenshotted the tweets and put them on the screen so..." then his fans spent days bashing her for calling him out on using the work of other creators without asking and making fun of her for having a donation up which I don't think he ever addressed outside of the occasional stray comment.

This way of "building a progressive brand" through stealing the work of marginalized writers is actually common in left circles and academia and has been an issue, particularly for Black trans femme essayists, for a while. Black MaGes (people of marginalized genders) will come out and say, "Hey! This really popular essayist ripped me off word for word bar for bar" and get paid dust because their platform isn't large enough to speak out and because their platforms are smaller, people are less inclined to care when they get ripped off. Like, it's easy for us to point at James and say, "Omg? How could he get away with stealing this much for so long?" when the answer is simple, nobody cares what you have to say if you don't have a big platform, thus nobody cares if you get stolen from and unfortunately, we're all complicit. Look at how much this situation has blown up just because a super-popular guy brought it up. If Hbomb and Todd in the shadows didn't speak on this story and these small creators made a bigger stink about James biting their shit, yall would have ignored them at best or crucified them and accused them of trying to tear down the body of work of a gay man and probably throw in something about them secretly being a kiwi farms troll trying to sew discord in the community (I know how yall get down...) at worst. To address this issue more substantially, WE have to be better about learning slowly and taking time to pour over materials ourselves and not fall into the trap of letting whatever video essayist we like the best at the moment shape how we think and feel about whatever topic they're covering. Ismatu Gwendolyn and their threadings essays on substack have really helped me personally start removing myself from the "quick learner" rat race and the need to digest as much information as possible that video essays fulfill and reintroduced me to learning slowly and with intention and reading sources for myself first without depending on the thoughts and feelings of a creator I like and agree with to color my view of things. If we work towards getting used to treating video essayists like essayists and not our parasocial besties being our beginning and end to learning on a topic, we can A. Mitigate the amount of misinformation and plagiarized work circulating by being able to identify them easier and B. Improve our personal relationship to learning so we don't have to rely on some stranger with "bisexual lighting" to make us feel smart.

Edit: Please rb the typo-less version,,,,

#thotty speaks #thotty rants #I linked Ismatu's substack because I cite my sources and am not a fawkin HACK #sorry had to get one more dig in <3

[caliblorn]

I promised to make this post months ago and completely forgot about it until the last few days (a classic!), so here I am now. Making it. And with silly art included. Yay!

As many of you know, Mannimarco and Vanus Galerion in Elder Scrolls Online are portrayed as 2E contemporaries who mirror each other journeys to leaders, out of the Psijic Order and into their own groups. ESO makes it clear that they're meant to be similar in age as well, and it does so both by de-aging Mannimarco's model for the "Half-Forming Understandings" quest, and by making it say by Vanus himself in Artaeum Lost.

BUT! If you have played Morrowind or Oblivion, you might already be familiar with Where were you when the Dragon Broke?, an account of different people's experiences during the Middle Dawn, the 1E Dragon Break. And oh! Look who it is.

(notice also he says God, not King) The Middle Dawn happened between 1E 1200 and 1E 2208. Time fuckeries as much as you want, but nonetheless, 1E ends in 2920, and we know FOR SURE that Vanus was born the first years of 2E and that he joined the Psijics as a 11 yo. So, even if we took into consideration ONLY the latest period of the Middle Dawn, Mannimarco would have been a... 700+ years old novice when he met Vanus. Very funny to think about, but an old mer having an intellectual rivalry with a teenager doesn't really scream "brilliant" to me.

I'd say the retconning of his age is also supported by Worm Saga, were he doesn't mention at all his period in the Maruhkati and makes it sound like he was either born or taken to Artaeum at a very young age.

Plus, both in Worm Saga and in the Vault's flashbacks and in every other source ever (WRITTEN FOR ESO. AHEM.) we see that his "discovery" of necromancy happened on Artaeum. Like, it's screamed into our ears a couple of times or more in the game itself.

The problem with all of this? The book that implies he lived through the Middle Dawn is still present in ESO.

Which is to me one little example of a bigger issue with ESO writers rewriting/retconning things without taking away/trying to somewhat link the original sources. But I digress, there are different ways to make this work but since some are too complicated to be discussed now, I'll just share with you what I usually go with;

Mannimarco is a great liar. Not only a liar, a politician. A sales man. A guru. He knows how to give himself prestige. What "Where were you when the dragon broke?" is to me is either fake accounts fabricated by the Cult themselves, or stolen accounts (probably from Artaeum's archives!) where his false experience was added and then sent around Tamriel.

If I had to make a TIMELINE for all the pieces cited, I would say the publication order would be "Where were you when the dragon broke" (used as propaganda by the Cult to make Mannimarco's figure important)-> "Artaeum Lost" (disproves what was fabricated about Mannimarco)-> "Worm Saga" (new attempt to give himself prestige with that "aldmer, scion of et'Ada").

#mannimarco #king of worms #god of worms #artaeum lost #where were you when the dragon broke #worm saga #eso #tes #im sweating #feel free to add stuff. There are other sources to cite but i think these are enough to make my point #tesblr #doodles #by the way fuck you Kirkbride this is your fault

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

#tma #tmagp #the magnus protocol #tmagp meta #tmagp analysis #the entities #robert smirke #smirke's fourteen #mind write a meta post that doesn’t turn into a fucking essay challenge #I literally thought about citing my episode sources here but decided that would get too FUCKING long. #anyway I’m pulling mostly from Gerry’s statement (111) and #and the Big Elias Group Confrontation (92) #and Annabelle’s statement (147) #and then finale - 196 / 197 / 200 #there are other little lines that I grabbed - tbh feel free to ask about anything I’ve said bc I feel like I’m ready to defend a thesis #I’ve been thinking about this on and off for a few weeks since the desire thing started going around #I have an obsession with Themes as they relate to Worldbuilding and now I have subjected you all to it as well #I am serious tho if anyone wants me to pull the specific parts I’m talking about (whether cuz you have Questions or you wanna ref them too) #lmk #my hyperfocus on silly media brain might as well come in useful somehow #aight peace ✌️

[beesgav]

I'm not sorry for this one

#futurama #philip j fry #fry #bender #bender bending rodriguez #digital #art #sketchbook #comic #frender ?? I guess?? #I think my favorite fry jokes are less the ones that rely on him being an idiot and more the ones that rely on him being a Fucking Weirdo #for the sake of citing my sources this is a sIimetony post but i dont want to risk it being spotted

[g1deonthefirst]

i mean the tlt fandom is constantly doing the push and pull between "john is an evil mastermind" and "john is just a normal guy with normal flaws" and i think the truth is somewhere in between. john is a fascist who's destroyed countless planets and murdered countless people, but he's a complex three-dimensional fascist because tazmuir writes complex characters and because real-life fascists are complex and three-dimensional human beings. and i do think it's important when analyzing his character not to lose sight of the fact that john is a complex person who isn't at all omniscient, but it's equally important to remember that he did choose to nuke the earth and become the god of a fascist space empire and conquer planets. he didnt just stumble his way into it!

#tlt #john #once i'm back at my apartment where my books are #maybe i'll make a proper post abt this with sources cited #but the whole 'any of us could have been john' really gets to me because. well. yes and no #any of us could be john in that john was a perfectly ordinary person. not a particularly bad person even #but no in that we are not all neoliberals with john's specific biases and massive ego #like even setting aside nuking the earth. which. idk. #i don't truly believe that We All would have recreated christian imperialism

[turtleinsoup]

i'm so frustrated

Why are ppl like this? They're getting my work for free, they could just stop reading!

I got so excited when I saw the notification, but it was just someone insulting me, uh

#should I delete that part of the story? #But he didn't even SMOKE anything #theres no endorsement of it #like #purity culture doesn't even cite sources #I'm so bumbed out rn #I should focus on my studies instead of writing anyways #rottmnt #rise fic #rise of the tmnt #rottmnt donnie #tmnt 2018 #rottmnt fic #rise tmnt #rise of the teenage mutant ninja turtles #rise donnie #donnie #rottmnt the lemonade leak #rottmnt lemonade leak #rottmnt tll #rottmnt donatello

[4waystreet]

some final girls are just some guy

#my art #evil dead #i did a presentation on vfx so i painted this as a visual :D #thanks nicky for being a source i cited btw #digital painting #ash williams

[fearforthestorm]

the fact that nobody knows that Jimmy SolidarityGaming's username is from the song Solidarity by Enter Shikari will haunt me forever. I need other people to know this information

#i have the clip of him talking ab it if anyone wants me to cite my sources im just too lazy to get it rn #anyway everyone should go listen to e:s theyre REALLY good. electro synth rock kinda vibe w really good clever words #mcyt #solidaritygaming #jimmy solidarity

[essektheylyss]

for the ask game: 🧡🖤💚

🧡: What is a popular (serious) theory you disagree with?

Until I see definitive proof that Ludinus is in fact as old as he wants people to believe he is, I will not believe it. I don't even really have an opinion on how old he is; I just don't think he's as old as he tries to suggest. And lest it be said that I am playing favorites, the thing about Ludinus is that he talks the way Essek talks in 91—and there are a lot of things Essek says at that dinner that I take with a good heaping of salt. It's this sense that they're talking around things that they would rather people not question; they're both very skilled at talking around things in a way where they aren't outright lying, but they'd rather you not think too hard about it because there's shit they're not saying. To be clear I also won't be mad if there does turn out to be some evidence in canon that he is that old, but thus far, there is nothing definitive, and I do not take the word of unreliable NPCs at face value.

🖤: Which character is not as morally good as everyone else seems to think?

I don't think this is really an unpopular opinion at this point, but Jester. Nice =/= good. I don't think she's evil, by any means! But her morality is a lot more complex than it's given credit for and I think it's one of the things that is most interesting about her. I'd actually consider her largely amoral; it's just not really an axis of consideration that she worries about. She doesn't want people to hurt her or her friends and she doesn't want something to destroy the world, but otherwise she doesn't really care much about what someone's morality is. "Just don't be evil to me" is an incredible sentiment for a reason. She cares more that Essek said they were his friends than the fact that he's the traitor they've been looking for. Ludinus is so insignificant to her despite his literally world-spanning evil plots that she has basically forgotten him six years later, even though two members of her friend group have spent the last six years trying to pin him down. Jester is hilariously amoral and I love that for her.

💚: What does everyone else get wrong about your favorite character?

[cracks knuckles] OKAY, this is where I've got receipts, because hooo boy do I have an opinion and I will be proving it.

Essek does not have an opinion on the Prime Deities. He does not really have much of an opinion on religion. He actually does not by the end of the campaign have any real issue with the Luxon, and frankly he primarily expressed issue with the Dynasty's worship because, until he got to Aeor, he wasn't certain that the Luxon was a real entity at all—which he contrasts against the Prime Deities, in fact!—and he seems to believe there is compelling evidence in Aeor that categorically disproves his hypothesis that the beacons are simply constructed Age of Arcanum devices.

Originally he is mostly concerned that the Luxon religion is used as a "crutch" which is "distracting them from what other good things they could do with the time and focus". He does specify that any religion can be used as such, but he only remarks upon the one he knows. His theory about the beacons, as of episode 91, is that they may be "artifacts designed in the Age of Arcanum that have been misread" that could be put to even further use.

He also does parrot the Dynasty party line in their first meeting about the Luxon being "the basis of how we've been able to free ourselves from the binds of the lineage the Betrayer Gods left for us", and while I do not take him at face value here (see the above commentary about unreliable NPCs), I doubt the truth of this statement is lost on him, considering his familial connections to Bazzoxan, which I can only imagine would not exactly endear one to the Betrayers, though this is only conjecture. If we do care to take him at his word here, it's not unreasonable, since he obviously has a lot more interest in the power offered by the beacons than anything else.

With all that being said, his tune on the Luxon itself has at least changed by the time they get to Aeor. He discusses iconography found in Aeor and when prompted by the Nein about whether the beacons were created by mortals, says, "I do not believe that they are made by anyone but the Luxon. They are of the Luxon. But they've been around since the Luxon's been in Exandria, which is the beginning."

So we started with him largely apathetic to religion, uncertain if this god was real, and by the time we circle back to him, he has now sided fairly definitively with the fact that the Luxon is an entity that has been around since at least the Founding. (For those keeping track at home, this is longer than Predathos has been around. In the Dynasty's creation myth, it may also have been around before the Prime Deities arrived, which is technically not incompatible with the creation myth of Exandria at large, but I digress.) Like most of Exandria, and as is perfectly reasonable for both his culture and his region, he probably doesn't have any love for the Betrayer Gods, but doesn't express much opinion if any on the Prime Deities. He has no time for religion, but frankly, he doesn't have time for much except for his own research, so it's hard to really ascribe any noted contempt to that.

Like, look, I've written plenty of religious trauma Essek fic, and I don't doubt that that element of it exists, but overall, in terms of canonical statements, it's pretty tame.

With that being said, I do want to fast forward a bit to draw attention to something else. Because I actually do think he ends the campaign with some measure of respect for, at the very least, the Wildmother.

In 140 after the Raise Dead fails, he talks briefly with Fjord about the unfairness of it. Fjord passively directs him to "if you were to ask my wise friend Caduceus..." Immediately after this exchange, Essek challenges Caleb to not accept defeat, and admits he wishes there was more that he or any of them could do, but concedes that, "Unfortunately, this type of magic is beyond my purview."

Immediately after this exchange, Caduceus asks for divine intervention.

Of course, he then spends several weeks gardening in a temple to the Wildmother, and seems to find some genuine clarity and perspective there, but I think this alone is enough to argue that, for a person as driven by empirical evidence as Essek, this sequence of events in 140 would be plenty to earn a wizard's respect.

So my formal belief is that Essek is not in fact anti-god or anti-religion, let alone against the Prime Deities. My opinion is that it's very easy to imagine him on his post-campaign travels leaving a small offering at any shrine of Melora he might pass, not out of actual worship but as a sign of respect.

#unpopular opinion meme #this got so long and it's late cuz I had to go pull receipts but I am correct on all counts 😤 #but since it's long and I did cite my sources I'll also toss it in #cr meta