The fact that Leo can go literally anywhere on earth to be alone with his thoughts at a single moment’s notice is something that shakes around in my head all the time. Like, portals and teleportation are amazing and convenient abilities both in and out of battle, but they could also so easily be used to run away as well.
I don’t think Leo ever would, at least not most of the time. He loves his family too much, and is too dependent on their love and attention to cut himself off so suddenly like that, but it’s a very real possibility nonetheless.
It’s a good thing Leo’s overall temper is more on the mild side and he prefers going to his room or something to complete solitude, because it really is dangerous for a kid to have the ability to isolate themselves like that at their fingertips.
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i don’t get the appeal of an incest ship if you’re only ever going to focus on the good romantic feelings and not the icky negative ones. the resentment the feeling of being trapped shackled wanting out and away from the person who knows so much too much about you since before you even knew to not allow it but at the same time you can’t imagine living in a world without them being away is like tearing a limb a piece of your soul you will never again be complete without them. no one else will ever understand you the way they do no one else will ever get so deep under your skin and you may hate it but you hate the thought of them not being there even more you can’t stand to see anyone else get to a part of them you didn’t and even worse when they get it before you. you push and you push and you push but when they let go it’s like you’re free falling and it doesn’t matter how far away you run you will never be far enough away because you carry them inside you everywhere you go. you tell yourself you want nothing more than to get away but they’re the only home you will ever have and you won’t ever let anyone get that close you’re already moulded to only fit in perfectly with them and you didn’t have a choice but this is who you are. there’s nothing you could do to make them let you go but there’s nothing you could do to make them let you go. you want to be so close to them you want to merge your bodies into one you hate how crowded you feel when they’re in the same room like they’re sucking in all the air and there isn’t any left for you and you want to get away so you can just breathe but you don’t even want to breathe in the air that hasn’t passed through their lungs first you hate that you feel this way you wish you could claw it out of your veins but then who would you be without it without them you want so much and it’s so ugly and you’re ashamed of how raw that need is how you want every part the good the bad the human you wish none of this had ever happened you feel dirty you never even had a chance to find something else be something else but then you look over and you love them so much so much and when it comes down to it nothing else was ever going to be enough for you anyway.
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anyway dune part 2 has induced in me a feeling of great anxiety about the next movie. I'm afraid Denis is going to drift away from the the original story, especially with his announcement to only be making Dune Messiah next which is not the conclusion of the story at all (Children of Dune is really the natural stopping point and the “conclusion” of Paul's story) and makes me feel like the focus is being shifted from what Frank Herbert wrote to something else entirely.
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hey! i was just going through your blog, and i saw a post about ice&carole and mav&goose. i looked a bit more but i couldn't find a post about your take on mav and goose's relationship, so i wanted to ask what it was. if you have answered this, i'm sorry about asking you again. imo i think what they had was wayy deeper than friendship but complex and probably not romantic, but again, i just wanted to know your thoughts on it.
thank you! and this blog has probably been one of the best finds i have ever come across on tumblr, i'll be sad to see you go.
yeah, i was really trying to be suave and subtle and mysterious about it with this parallel
like, you should be able to figure it out for yourself.
but luckily for you i looooove beating dead horses. to a problematic degree.
the full story of my vision of mavgoose (moose?) is in the completed draft of the extras that are coming out on Saturday. about halfway through. But i want to bring it back to the internal craft-of-writing debate i brought up yesterday—my inability to summarize, or to cut superfluous sections that don’t really matter.
I’ll stick it under the cut for spoiler reasons, but i wanna show the simple first draft of this scene versus the complicated, heavier final draft. And I want to ask any of you, if you’re interested—as a reader, which is more impactful? which should i end up publishing?
the simple first draft:
then i kept turning it in my head thinking of different ways to edit it to say something slightly different, to get a little more specific, coming up with things to add, and ended up adding like five extra paragraphs. which is this:
about 1/4 of the final draft (by which i mean, this is about 1/4 of the whole final discussion scene, but the goosemav-specific content only goes on for about another graf [omitted bc spoilers]):
(so to answer your ask explicitly, i actually don’t think they were anything deeper than good friends. imo there’s no evidence that they were anything deeper than good friends, especially with maverick blowing goose/goose’s wishes off soooo many times [‘she’s lost that lovin feelin;’ volleyball; refusing to do the responsible thing at least twice even after goose tells him it puts his & his family’s livelihoods at risk…bro all he does is blow off goose]. see me bitching in the tags for more on this)
obviously in my head the complicated in-depth version ⬆️ is the True version, the version of events that really Happened. i think the writing is in some spots much more compelling. But it just doesn’t make for a particularly good reading experience when it’s surrounded by like 3/4 pages of other discussion of history! sometimes too much of (what i think is) a good thing turns that good thing bad! & this is a major keystone dynamic of my whole series so i just want to get it right, for my own peace of mind. I guess im asking you to be the harsh editor i wish i had sometimes, if ur interested in doing so—this is genuinely a major major problem i have with my writing, i can’t ever just leave well enough alone 😭 please let me know if simpler is better/less is more in this case! do i publish the short vague “the reader fills in the blanks” version or the long boring “here’s EXACTLY how i see it” version?
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when i learned how to bake, i could not have foreseen the consequences: my grandmother, who has been making brownies/cookies/etc for our family my whole life, actually doesn’t and has been using betty crocker quick mixes this whole time. and now that i have tasted the forbidden fruit of self-made brownies that are so squishy and delicious, the storebought mix ones taste like sand in my mouth. sand made with love! but sand.
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for a bunch of people who supposedly love supernatural, huge chunks of the fandom sure seem afraid to love it in earnest without adding asterisks to their own interest, considering how often people apparently feel the need to disclaim that it’s Bad or everything good about it was supposedly an Accident
society if everyone could just perhaps stop making posts about and/or giving hundreds of notes to posts about how much Potential the show had but how Poorly Executed it supposedly universally was. alas, technology does not allow me to mute a specific flavor of post so instead I must complain
but whatever, RIP to those people but I am different. as always I’m wearing a shirt that says “ask me about how supernatural is an incredibly unique piece of media that will never have an equal and that made television history; infamously stretched and played with the boundaries of various genres just because its creative team thought it’d be cool; was introduced as character-driven and maintained that to great success; and boasts a remarkably cohesive vision as a body of work that is testament to the skill and dedication of those who crafted it even though its creative teams transitioned through several shifts, adapted around industry uncertainties, changed the narrative in response to organic and noticed potential, and were limited by network interference”
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