Can I request a Raphael x angel MC please 🥺
The Gabriel x Michelle and Lucifer x Michael were so good 😭😭
I'm stuck with you and your scenarios now 😠
You're welcome, dear~! I see my total eclipse of the brain bring some good after all. I hope I will be able to fulfill this request. Rafael is on the verge of being a character I dare write for, but let's try.
It was all your fault, that you make Raphael feel so special, then forget about it, and after all, you died. Lowly, pathetic human being. How dare you? Do you think he will forgive you for this? Tsk. Not only stupid, but naive, too. You are lucky that you chose to be reincarnated in heaven. Maybe there's still a chance for your pitiful soul.
And *maybe* you will repent if stop teasing him and start to suck.
Even though you were below him, licking his piercing and letting him tug at your hair, you knew who was boss. Poor, unaware angel. Blessing? Being the chosen one? Good joke. Only few strokes and his tip was already covered with whitish ooze. You raised an eyebrow and snickered.
“And who is the pathetic one?”
He grabbed your hair harder.
“Shut... up. Do your work.”
“Truly pathetic…” Your tongue stroked his trembling manhood. “Swayed so easily.”
“Enough!”
As you opened your lips once more, he thrusted deep inside your mouth. Smiled vindictively as you chocked. He wanted you to lose your breath, to finally be quiet, and obediently end the act of his ascension. As cruelly, as holy. New madness hitted his insides as you murmured with a trickle of saliva ran down your chin.
“Better…” Those full cheeks, clenched throat and murderous intent in your eyes make you both dirty and perfect. Perfect to be used. Clouded with pleasure, he thought that he found his new favorite toy.
All Raphael stans! Let me redirect you to @livelaughlovesubs and her wonderful fics - here you got first and second part. I assume you've already seen it, if not, check it out~ She can write and catch his personality way better than me
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How Eddie wins over Mr Harrington (by barely trying)
(in ten simple-ish steps)
Basically, how I imagine Steve's dad to be. I kind of think they have more in common than they don't, and maybe his son being queer is the *kick* that he needs to be a better human being (just like Nancy was for Steve).
Richard Harrington unexpectedly comes home from a business trip to find his son in flagrante delicto on his couch with an immediately antagonistic young man, (Edward, he later discovers), he waits in the kitchen, seething with disappointment and rage. Steven takes his things and leaves without a word, leaving the Munson boy to very purposefully throw Steven's house key at Richard's feet, keeping eye contact as he does so. The disrespect is blinding, and that night Richard drowns his anger in whiskey.
Days later his son comes home to collect his remaining belongings, supported by the Munson boy and his uncle. Wayne Munson is a enigma; on the one hand, clearly a soft liberal, but also a no-nonsense, sensible veteran with family values. Edward doesn't acknowledge Richard at all, too focused on guarding Steven from him. He watches his son cry like a child in the backseat, half listens as Wayne encourages him to keep in contact, and inwardly flinches when he sees Edward glare at him through the car window. He's not sure why his chest aches. Steven chose this path, he tells himself. Steven chose this.
Richard returns again to Hawkins, some weeks later, detouring past the store his son works in. He finds himself parked opposite, watching as Steven dances childishly with a female colleague through the shop windows. He's smiling and laughing and Richard's chest aches again. The passenger door opens and that boy gets in without permission. 'Stevie doesn't need you', he says, bold as brass in leather and covered in tattoos and chains, 'but he'll forgive you if you ask'. It hurts, and the only way Richard can breathe again is to invite them both to dinner later in the week. The subtle relief on Edward's face is immediate, and Richard hates himself a little less, though he's not sure why. He spends the drive home wondering at what point his son's life became unknowable.
Dinner starts awkwardly. Steven barely speaks, but Edward refuses to be quiet. He's a vocal young man, argumentative and strangely principled. They have polar opposite opinions on politics, and while Edward's not shy about his opinions, Richard is more than his equal on the topic. It's the sort of conversation Richard enjoys, trading viewpoints and internalising their differences. The evening ends on a warmer note as both Steven and Edward shake his hand as they leave. Formal. It's only a few steps to the car, but he notes that the boys hold hands nonetheless, as his wife tightly holds his. Middle ground, he thinks. They're not condoning the relationship of course, but accepting it for now. There's time for Steven to come to his senses.
Richard next meets Edward when he has to visit Thatcher's. His driver side tyre has a slow puncture, and although Edward's working on another customer's car he swaps with a colleague so he can see what the issue is. A simple 'he's Stevie's dad' gets him a family discount, and Edward changes the tyre himself when it's deemed too damaged to repair. As he works, Richard learns through his unending monologue that this job is temporary, as Edward's internship at the tattoo parlour doesn't pay, and won't for at least another year, that he needs the money now, as he and Steven are saving for their own place. Richard's immediate instinct is to give them the money himself, but knows it wouldn't be accepted. He takes comfort that Steven's in good hands at least. The Munsons seem to be a practical, friendly people.
Weeks later, when he's back in Hawkins again, he bumps into Edwards uncle, who's insistent on getting coffee and clearing the air. Richard guiltily confesses he's not comfortable with the idea of his son being one of them, that he's not sure he ever will be. Wayne simply points out that at least he's trying, and to keep trying. Apparently Edward's father didn't even do that much. Richard later relays the encounter to his wife, of how overtly proud Wayne is of Edward (my Eddie, he'd said). Richard's not felt proud of Steven for a few years now, only infuriated that he's intent on throwing his life away, but Wayne had plenty of happy stories of him too. As parents, they feel equally guilty and spend the evening drinking and reminiscing on Steven's childhood. It feels like they're reminding themselves of their son more with every day that passes.
He's still in town on the following Tuesday evening, and decides to take Wayne up on his offer and visit the bar that he recommended. He discovers that Edward's a talented musician. Even if it's far too aggressive and loud for Richard's own tastes, there's dedication, commitment and passion in each of the boys on the stage. He remembers his own music idols, how passionately they preached against the war in Vietnam, and he wonders when exactly it was that he stopped noticing the injustices of the world, when it was that his business suits became a comfort instead. He's quickly cornered by Wayne, Jim Hopper and David Jones ('my son's on the drums', he says, proudly). But they're all proud of their boys, he adds, and equally appalled by their music tastes. He goes on to say that the parents take it in turns to keep an eye on the boys each week, after what happened earlier in the year. Richard's in utter shock after hearing that there was a murderer on the loose not long ago, and plans to stay in town more after hearing that both boys were involved. He's clearly out of place and out of touch, but they're kind enough to not mention it. He buys the drinks for the remainder of the night, as penance. He has nothing else to offer, but hopes that's enough to start. His son could have died.
As is habit now, when he's in town, Richard drives past the video store to glimpse his son through the window. Further down the street he catches Edward balancing takeaway coffees whilst trying to open the door to the tattoo parlour. It takes moments to pull over and offer his assistance, and it hurts when Edward is surprised by the gesture. Richard's invited into the shop, and although Edward's busy, 'of course he has time for his father in law'. The phrase knocks him emotionally off balance, but Edward doesn't notice, simply updating him on their house hunt, and inviting them to the house warming, pending Stevie's approval. He shakes Edward's hand when he leaves, and when he turns back to his car, notices Steven quietly watching him from the window of his store. He waves, and after a moment his son waves back. He's alive, and there's hope, at least.
He and Kathleen invite the boys and Wayne over for dinner. He sees Steven smiling in the car as they arrive, and although it's faded by the time Richard opens the door, it returns tenfold when he shakes Edward's hand and greets him with 'hello son'. Richard's still very much uncomfortable (especially with how 'hands on' Edward seems to be) and if he finds himself in the kitchen knocking back a few more drinks than usual then it's his own business. It's worth it at the end of the night, when Steven invites them to their housewarming, and actually seems to want them there. He feels Wayne's approval through their goodbye handshake, and it makes him feel as though he's on the right path.
Jim Hopper lets them in through the front door. It's a small house, clean and characterless, and full of people Richard doesn't know. In the yard, Steven's at the grill with some other boys his age, and Edward is in the middle of the lawn, spinning a curly-haired teenager around like he weighs nothing. They look happy. Settled. Edward spots them first, waves them over and starts introducing them to the other adults. Steven brings them drinks, is beaming behind his sunglasses. (He can't remember the last time Steven smiled at him.) Hours later, when they leave, Edward shakes his hand and thanks them for coming (for trying, but that's unspoken), and Steven hugs him for the first time in so, so long, burying his head in Richard's shoulder like he used to as a child. Kathleen cries on the drive home, and he's not much better, but they're happy tears. He's a slow learner, Kathy too, but they're learning.
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Tim is fine with being protected. It comes from being the least trained in a family full of people with borderline supernatural skills, it comes from playing backup, from being the eye in the sky during so many missions when he has more support skills than those better equipped to be boots on the ground. It comes from being on so many teams with so many people with so many powers and it comes from being practically family to household names. It comes from being the one Robin that’s always there for Batman to play it safe with.
Tim is not fine with a civilian putting himself in danger. It’s not because it’s Bernard, he tells himself, over and over again. It’s any time it’s someone with less training, less armor, less experience in the field. Anyone with fewer weapons, anyone with fewer allies, anyone who can’t see the split second decisions the villains are making with someone else’s life on the line. Anyone who didn’t devote themselves to this, who didn’t look at the symbol of the Bat and agree to be part of the venture, paring off every extraneous branch on the journey until the pike is honed smooth, ready to throw.
It’s every civilian, but it’s one civilian, one with a lopsided smile and the most textbook perfect punch he puts his whole weight behind, a body at peak physical health but without the kind of reflexes scarred in day after day he needs to stand his ground. Smooth skin, few scars. Hands soft despite the callouses and gentle, carefully applying stitches, bandages, injections they’re not yet used to holding. One civilian with ridiculous, almost unintelligible good luck wishes, and no fashion sense, who talks too fast to keep himself safe when he’s in someone else’s sights.
But Bernard knows people, he knows places, he has a name with weight where Robin’s doesn’t matter much and Tim Drake’s even less, and he’s willing to throw it around Tim like the shield it is. He puts his body in between Tim and harm, and still that easy smile, still those eyes shining with some kind of hidden plan, some words unspoken because you know that once they are, they’re going to be good. He doesn’t tell Tim the way out. Tim isn’t supposed to have the kind of skills he needs to navigate a situation like this, so why let him in on the secret?
From everyone else’s perspective, Tim is soft and small and spoiled, Tim is the kind of kid who doesn’t even know himself enough to be sure he wants to hold hands. A rich kid who’s never gotten his hands dirty, a pretty little trophy on the arm of someone whose gaze holds the weight of the world when he carefully measures his words. Someone there to giggle when Bernard asks if they’re absolutely sure they really want to do that.
Bernard knows who he is. Bernard knows what Tim would throw himself bodily between, knows how much he would give, how much he has given, for his friends, and his family, and Gotham. How much he would give for Bernard. He knows that Tim would fight tooth and nail, and how well he knows where each tooth and each nail fits for maximum damage, to keep himself alive those few seconds long enough to wait for help. Bernard knows what Robin can do, would do, will do again once they’re out and safe and free.
But Tim knows just how fragile the human form is. How many bones there are to break and how many pints of blood there are to lose, how deep scarring has to go before it’s impossible to move. He knows the spots that hurt and the spots that harm, and he knows that the bravado is just a façade. That if anyone sees through Bernard’s act, sees through his ploys and appeals to an authority that scares him as much as his audience, that Bernard has just as many points of vulnerability as anyone else who’s lain broken and cold before him.
Tim will be the princess in the castle, and Bernard his knight, but for all the things he knows a dragon can do. Tim can count the dragons around them. Bernard can, too. Bernard’s been a dragon on his own, or else the child of one, and he knows firsthand the burns they leave, and still he sweeps across the ash like it isn’t even there. It’s Robin who can do something, Robin the wizard with ancient tomes and sage advice, but Tim is the only one here, and no one ever wants the princess to rescue herself. He has to let Bernard be his knight.
But Bernard speaks the magic words, and Tim does trust him, places his life so carefully in his lover’s hands and closes his eyes against the chill, and Bernard takes that gift for what it means, carries it with all the weight it has and tucks it up so gently against his own heart. Tim isn’t always the one with the way out, and he isn’t always the one who can do the protecting, and he’s used to that. But he slips his fingers through the one hand he thought he’d always be able to hold without being led by it, and lets that perfect image shatter. There’s no keeping Bernard away. He’s already involved. More involved than Tim ever was, in some ways, and less in the ways that Tim can still keep him out of it. Not safe, none of them were ever safe, but not as fragile as the snowglobe he was trying to frame the picture with, and there are more angles than he was prepared to watch. Still, Tim has contingencies. And the contingency, now, is to let Bernard protect him for once, just like he promised he would.
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