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flamingpudding · 5 months

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Drake's family secret

A/N: Another story idea I had and I probably will keep working on. I kinda want to continue on it I just have no idea how or with what yet.

Tim had a secret. Well, he had many secrets but this was one he had kept closed off for a very long time now. It was one of the reasons he fabricated a fake uncle to avoid getting adopted. After all, if you were put into the system how could you possibly get found or find your last living blood relative? His family didn't know and he never intended for them to know anyway. It was a secret well-kept of the Drake family, one that even the public didn't know about. His parents hadn't thrown around money to keep anyone involved silent for nothing after all.

But Tim had had vague memories as well as found the last remaining documents years ago. The problem had been that he hadn't been Robin yet at that time and couldn't do research like he can now. Tim had often wondered if one of the reasons he had followed Batman around back then was to see if he could help him with that matter too, yet he had never brought it up to Bruce nor any of his other siblings.

In a way it made Tim feel guilty now as he looked over that old piece of paper. The only hint he had until now.

He looked over the security video of Wayne Enterprise again. Watching that group of high schoolers that was there on a school trip visit. His eyes tracked one specific student among them. If things were different Tim would joke about how the boy looked like perfect Bruce adoption material. But as it was, Tim was not going to make that joke.

Because as much as the boy fell into the stereotype of Bruce's adoption problem, the boy had facial features that looked very much like one Jenet Drake. Tim could honestly see it, sure his memories were not the best in regards to his parents but he had kept at least some photos for references. But recognizing that threw in a whole other set of problems.

For one he would need to find a way to make sure the Drake Family secret doesn't get exposed to his family too soon. Second, he needed to find a way to approach the boy without looking suspicious. Third, he was on a time limit, according to what he found the school trip the boy was on lasted for a week. Once the boy was out of Gotham it would be even harder to find a passable excuse to approach him. Fourth, he would also need a blood sample. As much as the boy's looks alone could make Tim believe it, the rest of his family was paranoid and if he was completely homestead, he also would need it for his reassurance that he wasn't wrong. Which again he kind of doubted even with this little amount of evidence. The fifth problem in this was, how was he going to break it to the rest of his family.

Because the best kept Drake's Family secret, he was pretty sure he was the last remaining person in the know, was that Tim had a little brother. A brother that was born when he was around 3 or four years old. A little brother who had never gotten to grow up with him because Jack and Jenet Drake had used their constant traveling as cover so the public wouldn't know about him. They already had an heir with Tim, they didn't need a second child. So the moment his little brother had been born he was given up in a closed adoption. Never to be seen again and never to be connected to the Drake family.

Tim only knew about him because he had vague memories about his mother's pregnancy and also had later found the papers in his parents' office when he was around ten. He remembered how upset he had been at the discovery but also how he hadn't been able to do anything about it. Though it was back then that he had also decided that the moment he could he would do everything he could to find him. Things only started to change when he became Robin and then Red Robin. Now he had the resources and knowledge to find the little brother he had never gotten to grow up with.

But too much time had passed and his parents had been thorough when covering their tracks, which resulted in Tim having been unable to find that little brother of his. Having no name and no idea who adopted him, didn't help either. But Tim had had less to work with before, yet the search had given him massive troubles, to the point that he HAD contemplated getting the rest of his family in on it.

But now that wasn't necessary anymore, there was an actual chance again.

Thankfully he had come in late today, if he hadn't he wouldn't have seen the group of High School students on a school trip in the Lobby waiting for their tour guide. He wouldn't have seen the group of teens that lacked behind their fellow students a bit. But most importantly he wouldn't have seen that kid that looked like adoption bait for Bruce. That then by closer inspection had so many facial similarities to his mother that Tim had first thought he was hallucinating.

Now he was sitting in his office, watching the group of High Schoolers getting a tour through the building through the security cams while trying to come up with the perfect plan that didn't look too suspicious as he watched the boy who could be his blood-related little brother. Oh, Damian would throw a fit if he learned about having another brother, Tim mused for a moment as he noted down the boy's, Danny's, excitement about their aerospace department. He had already decided, if Danny was not living adequately he would pull all the strings he could to get his little brother home.

So far Tim had found out that the boy's name was Danny Fenton. He would dig into that later more. He would also make sure that if Danny was his little brother, he saw to it that he was getting treated right. He had noticed how his little brother appeared overly tired and there was a bandage hidden below his shirt plus through the security camera footage, he had also seen that there was a hint of scarring on his left arm.

For now, though he had sent a message to the tour guide to end the tour in his office, for something like a surprise introduction to Tim Drake-Wayne. He would continue to build up his plan of getting to know and confirm his little brother's status from there.

#dp x dc #danny fenton #dpxdc #danny phantom #dcxdp #tim drake #Danny was born a Drake but got given up for adoption #the Drakes didn't want a second child #Tim knew he had a little brother but couldn't find him yet #The rest of the Waynes do not know about this at all #Now Tim his hatching a plan to see if he can confirm if Danny is his little brother or not #Danny has no idea what was happening #Tim got one week to figure out how to make Danny trust him #than Danny would return to Amity with the rest of his class #Danny doesn't know he is adopted #and Tim just wants to confirm it #he might not reveal it if Danny has a good life #is having your parents hunt your secret identity and having a govermental branch hunting you too a good life?#Tim's going to have a field day (and not in the good way) when he finds out more about Danny's live #unedited #no beta we die like danny

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rambles-about-minecraft-ocs · 1 month

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one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible

like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that

#zedaph #hermitcraft #genuinely i adore the clucky few project im not even done watching the episode and i had to pause and make this post #i saw impulses video first and went ''that HAS to be some sort of datapack or something-''#only to immediately go ''no. no it cant be. because this is zed #and its practically a trademark of his to push the limits of the game as far as possible in the direction least expected #not for the purpose of efficiency or spectacle or intimidation or whatever like some players who push limits #but purely for the purpose of making something so funny you cant help but laugh at whats going on #and maybe being a bit impressed that he ever thought of it in the first place''#at which point i went ''holy shit. since its zed doing this. somehow he ACTUALLY got a villager on a chicken. with no cheats. thats INSANE'#i was relieved when i checked my subscriptions to see what the next video i had to watch was and saw he would be next in line #bc if i had to sit through 19 other hermits videos before i could watch his and find out what the fuck he was doing i would have been so sa #sidenote but i feel like a zed video where he interacts with this many other people all in the same video is so rare #idk i didnt watch season 9 and i know he started collabing a lot more w/ other hermits then #so maybe its not nearly as rare these days #but like the last one that *i* saw where he interacted with this many people at once was towards the end of season 8 #when all the people he experimented on earlier in the season came back to experiment on him #and like i would like zeds videos with or without the collabs. but its a lot of fun to see him interact with people #so its very cool to me when he does it with a lot of people all in the same video

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ruporas · 1 year

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asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

#vashwood #vash the stampede #nicholas d wolfwood #trigun #trigun maximum #it took me so long to post this even after getting clarification about the maturity warning and stuff #bc i am so shy about it. SDGMKDSGMKSD I LIKE THIS COMIC BUT IM ALSO SO LIKE... AUGHHHH....#when i posted this on twitter though it was like... a few days after ep 11? ive always had the thought circling about vash deserving of #asking for things... and getting what he wants bc he never gets both. doesn't get the opportunity to ask and hardly does he get what he want #maybe the results can go in his favor but at some point along the way he'll still lose something bc nothing can ever go perfectly for him...#and he's usually the one begging and pleading with people to not. do something. it's not even asking at that point it's just straight up #please believe me. please trust me. please don't shoot that person. please don't kill anyone. please don't do it.#and wolfwood.... it was not always this lovey dovey ok. he wouldv noticed this habit miles away and they got into a fight about it the first #time they talked about it bc wolfwood is being hypocritical too. as he always is!!!! but i think as they get more intimate #wolfwood finds ways to make vash understand. smth smth insatiable want and love and desire for wolfwood that makes it much easier to ask.#wolfwood can also just be so compliant. sometimes. which is also an issue in of itself that id love to explore at some point #but he also just enjoys giving into vash fully and completely.#bc he loves him a lot. but anyway #i hope the id is comprehendible.... please lmk if there's something wrong with how im doing it asfdgkdsmgs #ruporas art

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moeblob · 29 days

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So does he, Gallagher.

#honkai star rail #hsr blade #gallagher #i based this off of how many times i used funny soda man to help be a healer with his poppin soda pop in SU #and then blade constantly just being blade as usual #its normally him saying unnecessary to my actual healer but #i kept forgetting gallagher heals and i kept healing when i didnt even need to so TECHNICALLY yeah it was unnecessary #but the amount of times blade was the recipient......#i cant use like most of my newer units in story bc i cant ascend or i run out of leveling mats so i just #get them and toss them into simulated universe for funsies cause i can match their levels better #so thats where i tossed gallagher and he is genuinely fun to play as ? like i love his punches and kicks to start the battle #funny soda man is funny (to me) and im really behind in plot still #but last time i tried to play it on my laptop and got a kickass cutscene my laptop lagged and i couldnt even see it RIP to me #so now that its like ... me trying to play it on desktop ?#i mostly get on desktop for comms and if i do much else i feel like im slacking off even if i would take a break anyway #one day i can play more story plot stuff and actually meet the funny guys #also in case you know me for Not Having Boys in HSR i need to point out #i did pull Gallagher however same 10 pull got a 4 star girl copy for someone i never use and she is at e4 now cool #and i didnt even think of the irony as i started this i just like drawing blade and i wanted to draw gallagher #so when i already had the dialogue planned and am drawing i was like OH WAIT haha im funnier than i thought #(no i am not but we can pretend)

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introspectivememories · 2 months

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too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

#lewis is unarguably more famous than nico. like i feel like this a fact. and yet every other day nico is in the press saying some crazy shit #about lewis. if i was famous i woulda shut that shit down soo long ago. my ex-bf is in the press talkin bout me constantly??? that feels #like such bad pr and yet!!! lewis has not done anything. why? cause he likes it!!! cause they've never moved on from the 1st moment they #broke each other's hearts. like this is genuinely insane.#im always so nervous to post my thoughts on brocedes cause so many of you were here b4 me and have a better understanding on them #and like being a wrong is like a death sentence to me but still please tell me if i got them completely wrong #i have a lot of thoughts on lewis and his reluctance to talk about nico... most of them being that one quote from emma #if i loved you less i might be able to talk about it more #ok obligatory disclaimer: a lot of this is hyperbole. i don't think that they're asking lewis that ? every other month #but there are like at least 5 interviews where he talks about karting like they're his most precious memories #so make of that what you will #and obv i don't know these people but as someone who's brain chemistry has been permanently changed by them #i think i'm allowed to not only project onto them but also make stupid little posts analyzing them #anyway yeah #f1 #lewis hamilton #nico rosberg #brocedes

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willowser · 1 month

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please 🥺 whenever you complete some kind of personal goal, bakugou will hook an arm around your neck and tug you into his chest and press his lips into your hair an murmur a quiet, "proud of you," 🥺

#PLEASEEEE #he's so sweet 🥺#quietly motivating 🥺 i dont think he lets you slack LOL #he seems like the kind of person to—#like if it's his day off and he's got nothing to do (not likely) he's like. what way can i help you accomplish this #that does not take away from you doing it yourself #he's one task after another #and if it's a goal and task for you then it's important to him 🥺#✿ thoughts: bakugou #and i also think he really wants to make sure YOU accomplish your goal YOURSELF so that you can reap the benefit of it 🥺#proud of yourself more confident in yourself #bc he knows you can do it 🥺

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ipostmysimpingstuffanonymously · 8 months

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You can't tell me she wasn't the cool babysitter for at least some time

#Warning headcanon dump hahahah #megumi got into fights at middle school all the time and shoko was the one patching him up #he always called her ieiri because he's shy like that and shoko just always pinched his cheek for it #the mcdonnalds one is inspired by a fic called heartbreak soldiers disappointment junkies by bby_rabbit #just megumi telling gojo he's lonely and shoko snikering at that #also hc that tsumiki wants to become a doctor just like shoko #and on her graduation day in middle school shoko braided her hair #plus the kids saw shoko go though med school and she was such a bad influence lmao #but shoko also stopped smiking because she spent more time with the kids #and shoko knowing megumi in baby size and suddenly he gets a growth spurt and is taller then her #ugh my heart #there is not enough shoko & megumi fanart out there #listen #they are baby #shoko ieiri #gojo satoru #megumi fushigoro #tsumiki fushiguro #jjk #fanart #jujutsu kaisen #IPMSSA_FoundFamily!Fanart

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starry-bi-sky · 3 months

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fast food is the best course of action after causing a scene. ᴘᴀʀᴛ ᴏғ ᴛʜᴇ ᴅᴀɴʏᴀʟ ᴀʟ ɢʜᴜʟ ᴀᴜ

(First Post Here and Second Post Here

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Danny finds Sam easily.

She's right where she said she was over the phone: standing outside on a balcony, in Gotham, at Father's many charity functions.

("Would you still be willing to fly over to Gotham, Danny?" She asks, her voice ringing clear through the speakers. Danny is already climbing out his window before she even finishes her sentence. He was just about to settle down for the night, his ghosts would know better by now than to disturb him at this time. The Box Ghost not included.)

("Of course." He says, sounding more confident than he feels. Sam was one of his best— closest friends, he would do anything she or Tucker asked. Even if it means stepping foot into his Father's city. He drops down silently, and walks through the house's ghost shield. "Would you like me to bring you anything?")

(Sam sighs through the phone, relief leaking through. "One of the veggie burgers from Nasty Burgers would be great, with their new ecto-fries. Extra salt. I'm sick of all this rich people food.")

(A small smile pulls across Danny's face, tilting at the corner as his living form falls away to his ghost self. "Alright," he says, and kicks himself off the ground, "I'll be there in a few minutes.")

("Thanks, Danny.")

He had the bag of food with him, stored in a container he had to run back to the house to get that would prevent the food from cooling during his flight over. Clutching it in hand, he floats down behind Sam and sheds his invisibility.

Being visible and being invisible always felt different, but in a way Danny can never describe, no matter how many times he tries to think about it. It's like a gut-feeling, a sixth sense, he always knows when he's visible and when he is not.

His ghost form burns away like steel wool being lit, and Danny drops the last foot to the ground silently. In his other hand lies his thermos, but filled with plain ectoplasm — lazarus water. "I have your food."

(He brought the thermos for himself — his side was still healing from his last fight with Technus. The ghost impaled him with a broken pipe, and Danny returned the favor by wedging his sword into his chest. Technus had been quite offended by him ruining his favorite coat.)

Sam jumps a foot into the air, and her hand slams across her mouth to muffle the shriek she lets out as she whirls around. "Danny!" She hisses, her voice rising in pitch, and her eyes narrow at him into a glare. "Freaking-- Tucker's right, we seriously need to put a bell on you."

"You have been saying that for years," Danny grins, sharp-toothed and jack-knifed, and passes the container over to her. "And yet I've yet to see any kind of bell." He was going to start getting disappointed at this rate.

As Sam takes the container, Danny hops up onto the railing and looks around. He hadn't seen any of Father's other children lurking around the building before he revealed himself, but that doesn't mean they aren't there. He wasn't going to fool himself into thinking that their stealth skills were poor.

He wasn't that arrogant.

...Anymore.

"Oh you will." Sam threatens, unzipping the container and grabbing the takeout bag. "I'll get you a collar and everything, we can start calling you Catwoman." When she pulls out her fries, Danny snaps forward and steals one from the box, ignoring her indignant yell as he pops it into his mouth.

"I spent my own money on these fries, Sam." He sniffs, leaning away from her with a stifled huff of laughter as she swats at him. "So they are technically my fries. And also, Catwoman would be a poor thief if she wore a bell."

Sam grumbles at him, and takes a bite out of a handful of fries. "I'll venmo you money." She says past a mouthful of food, Danny would have been disgusted in the past, when he was still new. But he's gotten used to this... normality. So he makes no reaction to it. "How does three hundred bucks sound?"

Danny immediately frowns.

"Did you have a fight with your parents?" He asks, eyes glancing to the doors. Doors that are covered heavily by curtains and blurred heavily, decadent music passing through in muffled sounds. He shifts himself away from the light. "You only spend that much money when they've pissed you off."

Sam's chewing stops, and her annoyed expression falters into one Danny knows well -- hurt, furrowed brows, a small frown, disappointment -- and she turns her head away from him. She swallows. "Yeah." she says, quiet.

Oh.

Danny knows that tone too.

Guilt settles like a rock in his chest. He leans forward, "Was it about me again?" He wasn't blind to the disdain Sam's parents had for him, far from it. This wasn't the first time Sam had gotten into a fight with them over her friendship with him and Tucker. But especially him. He unsettled people, even after years of observing his age-mates and trying to mimic their behavior, and anyone who knew him in middle school knew it was an act.

Sam's silence gives him all the confirmation he needs, and the guilt heavies itself with the weight of the sky. Danny's never much cared about others' opinions of him -- he is (was?) an Al Ghul, they never heed to mind what the weight of a simpleton's thoughts.

But.. he cares a little a lot when it hurts his friends like this. He presses his lips together into a thin line, and forces the words out through his teeth. It sounds robotic. Al Ghul's do not apologize. "I... am sorry." But this one does. It doesn’t come easy.

Sam sighs through her nose, and turns to roll her eyes at him. "Don't apologize on their behalf when you won't even apologize for your own; their assholes." She says, and goes reaching for more fries.

It's a sign, a signal. A silent word for the conversation to move on, to change. A distraction. Danny grasps it with both hands, and makes an offended noise in the back of his throat. And like he has learned, puts a hand to his chest like a scandalized American southern lady. "I apologize! I apologize plenty."

She snorts. "Only when you think it matters." And pokes him in the ribs sharply with her fry. He withholds a wince and snatches it out of her hands. "You're about as unapologetic as they come, Danny J. Fenton. I've seen you look more sincere when you're trying to drive your sword between Vlad's ribs."

"Stabbing Masters is a very important task for me, Sam." Danny says in only partially faux-seriousness. Masters has yet to realize that Danny had no interest in becoming his son, but he had to (reluctantly) admire his persistence. "Of course I will apply myself to it as best as I can."

He grins triumphantly when Sam laughs, and she reaches over to shove him square in the chest. He barks out a laugh of his own as he grips onto the balcony railing and catches himself at an angle.

"Quit with your method actor talk," Sam retorts, grinning sharply while Danny twists himself back up elegantly. "I know you can talk like a normal person, I've literally seen you do it."

Danny sniffs, and snatches more fries from the carton as revenge. "I'm not entirely sure what you mean, Miss Sam." He says, grin-twisting when Sam rolls her eyes. "My speech has always been this way. This 'normal' you speak of, I do not know it."

She waves her hand dismissively at him. "Yeah, yeah, whatever. But if you keep talking like that, I'm pushing you off the balcony."

"Such violence, Sam."

He gets a laugh again, full of disbelief without any of the annoyance. "I'm gonna be the one that stabs you, oh my god. Pot meet kettle." She looks at him again, smiling.

Danny smiles back, and with a flick of his wrist pulls out a kunai from his sleeve. It was one of the few weapons Mother was able to pass on to him whenever she made her scarce visits. He cherishes it well, along with anything else she was capable of giving him.

He holds the handle out to her, and watches her face shift from disbelief to shock, then back to disbelief. "Then you're gonna need a weapon to do that."

"Of course you have a pointy object on you." She mutters, and takes the kunai and puts it in her purse. Danny makes a pleased hum, it resonates low in his core, and drops his hand. "When do you not have a pointy object on you?"

As if to make her point, Danny's hands twist near his side, and he holds his palms up to her, revealing the shobo he had also hidden on him. He gives her a shit-eating grin. "Never." He lowers his hand, and pockets the small weapon once again.

Sam huffs, "Of course," she repeats, "thanks. I was gonna bring a knife but..."

Danny finishes the sentence for her, kicking his feet idly and knowingly. "The security at the door?" He'd seen them on his flight over the building. It wouldn't do much in the face of the Rogues, but at least they were good at keeping appearances and keeping out the smaller threats.

He rolls his eyes and turns his head away, looking up to the ugly, smog-covered skies. There was no bat signal in the air, and while that was a good thing, Danny almost wished there was. He wanted to see it. "I saw, and I would’ve called Father foolish if he hadn’t hired help. He attracts trouble almost as badly as I do."

"Maybe it's hereditary," Sam jokes, laughing under her breath. With her fries finished, she started on her veggie burger. "At least your dad isn't a vigilante like you are."

Danny smiles wryly. It felt nice to be able to talk more freely about this. That he didn't have to hide the fact that his father was Bruce Wayne, now that Sam knew it from her own accord. Maybe he could have conversations like these more often. Even if it was limited to Bruce Wayne only.

(Even if it felt a little terrifying to know that his father was so close by, close enough that Danny could reach out and touch him. To speak to him. But how would he explain that? And with an audience?)

(He’s wanted to see him since he was a kid, and he still does. It clings onto him like a cough that doesn’t go away after the cold already has, and while it has faded over the years, it clings. His mother’s words still ring in his ears however; it’s not safe. It’s not safe.)

(And isn’t that why he faked his death in the first place? So that his little brother would be safe? Why he gave up the heirship, his home, his Mother, Damian, and his chance to meet his Father? Going to see Father, even now, would be throwing that all away. He has to stay away.)

(Why is Damian with Father if staying with Father was unsafe?)

He just needed to tell Tucker. Danny wouldn’t keep him out of the loop, he was just as much as his friend as Sam was. His eyes draw towards the door, where the golden glow of lights was still pouring through, where music was playing loudly. "Yeah, fortunately."

They fall into a comfortable silence after that, and Danny finally cracks open his thermos. The pipe Technus impaled him with was covered in a goo that Danny didn’t recognize, but whatever it was, his injury was taking its time healing. The ectoplasm was speeding it up.

He isn’t sure what the difference between the ectoplasm that Drs. Fenton collected and Grandfather’s Lazarus pools is, but there’s a difference. He swirls the thermos slowly, watching as the ectoplasm inside twists into a small whirlpool sluggishly.

When left alone, it thickens into a consistency similar to egg whites, or perhaps a thick smoothie, but reverts back into a water-like substance when moved and swirled. It was strange; unexplainable. He can understand, to an extent, why the Drs. Fenton are so obsessed with studying it and the dimension it comes from.

Sam watches him idly as he brings the thermos to his lips and drinks from it. The effect is instantaneous, a sense of relief washing over Danny as if someone had put a soothing balm onto an injury. It buzzes down to his fingertips, and when he lowers the thermos, he licks his lips and watches the tips of his fingers burn green like frostbite.

“Your hair turned white again.” Sam comments, her hand reaching out and touching the hair on the nape of his neck. While it’s not the first time Sam’s touched his hair, it still makes him tense up with her hand so close to his throat. Instinct. dan

He ignores the urge to bat her hand away, humming thoughtfully. “I’ve noticed it does that.” He says, pulling down his bangs to see if they’ve also turned white. No, still black. He lets go. “Let me guess; my eyes are green too?” He lifts the thermos again and peers into the chrome casing.

Sam nods, “Yep, but it’s only the, uh.” She makes a circle around her eyes with her finger. “The iris part. Everything else is fine.”

Danny can see that. The faint reflection on the chrome casts back an intense green. He takes another sip. It chills the back of his teeth, and he can feel his canines warp and sharpen. He runs his tongue over them, and swallows.

Sam is still watching him, her fingers drumming against the balcony railing. “What’s it taste like?”

“Carbonated.” He says dryly, before taking a large swig. He couldn’t name a specific flavor if he tried, it changed every time he took a sip. The only thing that stayed consistent was that it tasted carbonated. And slightly sweet. When he pulls the thermos away, Danny twists his body towards her and offers it out, wiping his mouth on his sleeve. “Want to try?”

Her reaction is immediate. Sam’s nose scrunches up and her mouth twists into a smile, and she makes a huffing-laugh sound. “No, thank you.” She pushes it away lightly with her fingers, “I don’t know how to explain to my parents why my hair is white.”

Right. Danny pulls the thermos away and puts it down beside him, straining his eyes to see if the rest of his hair has changed colors. Even just his first sip would take half an hour to fade back to its normal black, and he was a halfa. He had no idea how long it’d take to fade on Sam, who was human.

There’s movement from the corner of his eye, and Danny snaps his head towards the source. There’s a figure, small, a boy, trying to hide behind one of the curtains at the door. His form just barely peeking out from the angle Danny was sitting at. He wouldn’t have seen him if the boy hadn’t moved.

His fingers curl tightly into the railing, and he breathes in sharp. Sam’s smile crumbles away and she turns to see what he’s looking at. “I should go.” He says, and reaches for his thermos. “There’s someone spying on us. Don’t say anything, just look at me.”

Sam’s expression warps, twists. Her eyes widen, her jaw starts to drop before fixing itself into place, and her shoulders curl up and tense. She forces it all to smooth over, and she leans casually against the railing. There’s a tick in her jaw. “I see.” Her voice comes through teeth. “Do you think they saw you?”

“I am not sure.” Danny says. He keeps an eye on the figure as he twists himself over and grabs the Nasty Burger bag and the container. He tries not to look like he’s rushing. He is. How long has that boy been there? How much did he see? Did he hear anything?

“Father, fortunately, has privacy films on the glass. Nobody should have seen me unless they’re specifically trying to peep through the door.” He says. The boy seems to realize that Danny was starting to leave. And, his heart beginning to sink, instead of leaving, moves to grab the door handle instead.

No. No, no, no, no, no.

Danny’s breath catches in his throat, he’s hoping that isn’t who he think it is. But how else would he have not noticed an eavesdropper on their conversation unless it was someone who was capable of bypassing those skills? He told himself that he wouldn’t fool himself into thinking that his siblings’ had poor stealth. He got distracted.

Five years, five years. He refuses to let that go down the drain. He zips up the container and throws his legs over the other side of the railing, his back facing the door. He hears the doorknob click, and without a word to Sam, slips off down the side and down to the ground below.

Just in time. The once muffled music now sounds blaring as the door presumably is thrown open and the pull of invisibility washes over him like a second skin. He doesn't stay to see who it is.

#dpxdc #danny fenton is not the ghost king #dp x dc #dp x dc crossover #dpdc #dpxdc crossover #danyal al ghul au #older brother danny #first danny pov of the au! whoo!#danny's hair turns white if he drinks ectoplasm brrrrr and his eyes turn green. good for him #this sat in my drafts for the last few days until i finally finished it during class #it was a math class and i already knew the material so tis fiiiine. now i just need to finish my CFAU post rewrite :)#ectoplasm tastes like that time i went to go get pepsi from the soda machine and it was all out of the pepsi flavoring so instead i got a #cup full of carbonated liquid. it was disgusting. ectoplasm kinda tastes like that. sometimes.#danny smiles in this more than i thought he would but yk it fits. he IS more smiley around his friends and family.#ectoplasm is a weird non-newtonion fluid and danny is fascinated. its got the consistency of egg whites one minute and then water the next #its a water slime and then suddenly its as brittle as annealed glass. it heats up and rots like milk or it heats up and boils like water #it congeals. it thickens. it boils. it solidifies. it does whatever it wants. it gels and melts into a tar-like substance #how long has damian been standing there? good question. :) i almost had him open the door and make eye contact with damian before falling #backwards. i also almost had it be *bruce* and damian opening the door bc bruce found out that damian pulled a knife on sam and was gonna #have him come apologize. that would be a fun scene. prolonged eye contact prolonged eye contact prolonged eye contact #imagery brrrr. had fun playing with how danny's ghost form works. if anyone has seen a video of steel wool burning thats how i imagine #danny's ghost transformation to be like.#also ayyy balancing danny's dialogue be like “how fancy should he sound and how Normal Teenager Should He Sound”#when sam gets home she catches tucker up to speed about everything including the convos with the waynes she had and they both form the #'“Fuck Them Waynes” squad. Sam has jumped to the entirely wrong conclusion about danny's separation from his family but in her defense.#it is a pretty sound conclusion to jump to considering the lack of context she has from danny's prior home life. which is almost none at al #so to her it looks like danny got abandoned by bruce wayne

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eyrieofsynapses · 4 months

Text

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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