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grandquest · 3 months

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Me: I don’t have any real inspo or ideas for ace attorney ocs/fankids lol

Also me: skyemadhi fankid who ive been brewing up since last march

#her name is abha :)#ace attorney #gyakuten saiban #ace attorney spoilers #ema skye #nahyuta sahdmadhi #skyemadhi #klavier gavin #houzuki akane #garyuu kyouya #fankid #nextgen #my stuff

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calamitousidyll · 1 year

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Por Siempre Mi Amor

Fan Fiction Mood Board

https://archiveofourown.org/works/43337496/chapters/108938397

Chapter 5: Con La Brisa

Rated: Explicit

Shuri’s bronze jumpsuit when she returns to Wakanda from Haiti.

Shuri’s Portable Home “ekhaya” by the River.

Several options for whatever suits the reader.

Fincube, Coodo, Alpicool E7

Elephants, Fire, River, Namor & Shuri see each other again.

Scene Excerpt Below

An hour gone by, sitting in front of the fire, the flames high. Her heart skips as Namor ascends from the cold waters, his wing healed, swimming in the sky.

Shuri sadly smiles, gripping the blanket on her shoulders, remembering their fight.

Impaled. The pain steering pain and thoughts of rage. Her will to live, and see him beg.“What I want is Namor dead!” She pulled her body off of the spear, shards of wood splintering through her intestines.

His feet on the wet surface of the riverbanks, wings fluttering. Shuri looks to him as he tentatively approaches.

Memories. So many. Sweltering in the desert sun. “It could’ve been different.” Namor stumbling, drying, dying. Shuri leading an attack against Talokan.

Hurting.

He had thought their souls were identical, that breaking her like he had been broken would force her to see the truth about the surface and endless cycle of exploitation. It had, only he was on the receiving end of her hatred.

You are queen now.” – a warm breeze flows between them.

His decision to avenge Abha and Xelha had led him to break the woman with whom he had once shared intimacy, who looked at him with admiration, understanding and empathy – he had unintentionally made her his enemy, and in her grief, she had become the Black Panther, a vengeful goddess, ready to destroy him unless he destroy her first.

He sees her tear-streaked cheeks in the firelight as she lays her blanket on the sand, standing to greet him. Her hands crossing over her chest in an x. She is wearing his mother's bracelet on her wrist.

His heart warms, proud, hopeful she will keep it, but uncertainty of her feelings ground him as he returns her greeting with his own, Líik'ik Talokan.

“Princess…” he gently speaks “Yield.” Her words forever in his ear. “I spared your life in the desert when you wouldn’t have done the same for me.”

Her sentiments only partly true. If she knew...

“I see you,” his eyes staring into her soul… their hands exploring….

“Shuri,” she says her name, almost a whisper, closing the distance, holding his hands in hers, placing them on her tiny bump – their baby.

Namor presses his forehead to Shuri’s. They breathe heavily, panting, yearning, starving for the other. Her lips wanting, hands roaming.

“…you… do not know love.”

His heart aching. “Shuri,” he moans, her lips brushing his. Touching.

“I love you, too, Namor,” she confesses – the wind singing.

Two souls colliding. Kisses, soft and gentle; consuming. Shuri’s body firmly against his. Namor’s hands on her stomach, sides – her breasts. Groping.

Her fingers tangle in his hair, his hands knead her ass. Bast. She moans into his ear, lusty, lovingly. “I want you.”

#namor x shuri #shuri x namor #namuri #nashuri #seaprincess #fanfiction #porsiempremiamorfanfiction #calamitousidyllstories

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ssj2hindudude · 2 years

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Headcanon: 2nd Gen Pandavas

It’s been years since the amrita was spread throughout the multiverse. The Potatoes think everything is over and they finally have their happily ever after. However, on the fifteenth anniversary of the war, Hanuman and Urvashi show up to the party. At first, the Potatoes think it’s just a visit, but they are quickly told that the next generation of heroes have been born and it’s time to give their children several tests.

Aru and Aiden had a little girl named Abha who’s main interest is solving things. She’s always wanted to be a detective and her father (after some pushing by her mom) lent her his camera so she can practice looking for clues, which she picks up right away. Her intuition is so great, she ends up spoiling every movie she watches, which is why her mom banned her from movie night (but not really). One of her favorite things to do is solve puzzles, especially mazes. To test her, Hanuman hands her a puzzle box that’s nearly impenetrable. She solves it right away and when it opens, a small glow appears and out comes one of the most majestic-looking swords she’s ever seen. She is the reincarnation of Abhimanyu, Arjuna’s son who not only was a warrior almost as famous as his father, but also the only one born with the knowledge to break the Chakravyuha military formation.

Mini and Rudy had two children: an elder daughter named Priya and a younger son named Suru (and no, they did not hatch from eggs).

Priya has always had a sharp eye, noticing every detail but also taking quite an interest in FPS video games. She’s played everything from the original Atari light gun to the latest COD and Halo. Even with her mom scolding her about the eye strain from playing too long, most of the time she would spend hours single handedly demolishing teams with shots that should’ve been impossible. She’s very knowledgeable of various guns and how they work, even having a little kit full of parts that she collected to make upgrades to whatever she finds. To keep her mom from having a panic attack, she tells her she wants to be an engineer (she just doesn’t know it’s for the military yet). Her test was to take an old, broken down bow and fire a bent, twisted arrow at a faraway target. Using her kit to turn it into a crossbow, she does it on the first try and the bow changes into a brilliant, shining one that she quickly asks to trade for a gun, which it then changes into before her parents freak out and it turns back into a bow. (She’ll use the gun feature later on). She is the reincarnation of the eldest Upapandava, Prativindhya. Everyone has seen her get along best with BB (now a fully-grown phoenix who she’s ridden several times), which is why she was the most shocked to find out that in a past life, she had faced Shakuni in battle during the Kurukshetra war.

Meanwhile, Suru was always a snake in the grass, so to speak. He was born with autism and he inherited a snake form from his father that he took on more often than his human one. Things just made more sense for him whenever he was a snake and whenever things would get too intense for him, that’s the form he chose (It was almost a kind of stimming). He wanted to be with his family, but sometimes it just felt like forces outside his control were separating them. Luckily, he had a good home to go back to. His mom had experience with both fear and snake health (after years with his father), and his dad knew what it was like to feel like an outcast. His test was simple. Choose one of two birds: a parrot and a peacock. He chose the peacock who then left a glowing feather. When dipped in ink, it was capable of writing even his most complex thoughts in a way that was simple to understand, be them ideas or philosophies. He is the reincarnation of Suthanu, Yudhisthira’s daughter and Prativindhya’s sister who was left behind when her brother and father went to war. She was married to Krishna’s son, Bhanu.

Brynne and Hira eloped (because Brynne thought weddings were overrated and Hira thought it would be romantic) and adopted a little rakshasi named Ghata from the Otherworld orphanage. She caught their eye because as playful as she was, she was also strong and wild, like a little typhoon. However, as strong as she was and as much as she loved to wrestle, she was a pacifist and didn’t like violence. In fact, it was Brynne who objected to having her be tested in the first place as she didn’t want her to have the dangerous life they did. Knowing her duty, however, the daughter accepted the test anyway. Her test was to wrestle Hanuman...yeah that was a struggle. At first He went easy on her but half an hour later they were both Kaiju sized and she managed to pull through. It wasn’t until after she helped her uncle up that her weapon appeared upon her showing a strong sense of honor. She got a mace just like her mom’s only it was smaller at the head, longer, more spearlike and precise, as though to give off the message “Pick your battles.” She is the reincarnation of Bhima’s half-rakshasa son Ghatotkacha, the first child of any of the Pandavas and one of the most powerful on the battlefield.

After that was settled, the kids would move on to meet their mentors: a certain pair of twins who had just mastered their own weapons. One would be strict, ensure they looked good whenever they went out, and would start out as that aunt who doesn’t care but would then proceed to maul anyone who even thought of touching her new babies. The other would be the one they will turn to for wisdom and more importantly, the prophecies they will need when they start their missions.

And that’s what I think a spinoff series featuring the next generation of Potatoes would look like. I take all criticism as long as it’s more constructive than “this sucks.” Let me know what you think and feel free to expand on this!

Part 2

#aru shah headcanon #aru shah headcanons #aruden #aru shah #aru x aiden #aiden x aru #roshani chokshi #mini x rudy #rudy x mini #brynne tvarika lakshmi balamuralikrishna rao #yamini kapoor mercado lopez #brynne x hira #hira x brynne #the pandava quintet #the potatoes

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tricos-here · 1 year

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I think you always have such cool gw2 characters, is there any you wanted to talk about?

och thank you 🧘 uhm... I suppose I haven't really talked about nikita and aki a whole lot, nikita being his younger sister

they were elonian nobles whose family was cut down by joko because they were sunspear sympathizers, nikita and aki managed to survive the attack thanks to the help of some guards though they were separated, supposedly for their own safety. aki ended up being raised in a farm in kourma while nikita was raised in a temple of balthazar, where she became a priestess for him

aki would at some point join the order of shadows where he'd quickly raise through the ranks and become a redeemer and during s4 would form a special task force in which they'd utilize the newly discovered skyscales

nikita for her part would've joined the zhaishen order where she met and became friends with zafirah. during the events of path of fire, she'd question balthazar's actions and even renounce him, but she still followed zafirah and even helped her carry out his will, however reluctant

aki and nikita reunited just before pof after years of being raised apart and though their familial bond held still, they didn't really see eye to eye, mostly due to the disdain of nikita towards the order of shadows and their cowardly conduct of keeping the status quo instead of helping people

uhm other lil tidbits, aki's skyscale is named abha, and nikita had a tigris griffon named na'ilah as well as a tiger named raafe. aki is a deadeye thief and nikita is a spellbreaker warrior

I only have crusty outdated screenshots of them because I'm on my phone but one day.... I'll draw them properly

#I bet I'm forgetting things but 🙇#thank you for asking nonetheless #aki adeoye #nikita adeoye #if you remember og ranger nikita you get a cookie

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woman-loving · 2 years

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"Single Women" as a WLW-Inclusive Political Category in India

As I was reading about sexuality in India, I came across the political category of "single women," which some women-loving women opted to use in the 80s and 90s. I'm posting two quotes that touch on the topic. I don't know what the status of that category is today (one of the authors I quote here denounces this strategy in retrospect), but I thought it was interesting to see what kinds of coalitions and identities women-loving women have attempted to pursue.

[Selection from “Rescaling Transnational “Queerdom”: Lesbian and “Lesbian” Identitary-Positionalities in Delhi in the 1980s,” by Paola Bacchetta, in Antipode Special Issue, “Queer Patriarchies, Queer Racisms, International”, Vol. 34, No. 5, November 2002.]

Abha positions herself politically as a single woman. In the 1980s, she had been living with a woman for over ten years. She has been an IWM [Indian Women's Movement] activist since the inception of this wave. She was briefly in the Delhi Group, but her main work has been with IWM single women across classes and religions.

According to Abha (personal communication, 13 February 1998), during the 1980s events outlined above, in the context of IWM organizing:

“[W]e were raising the issue of women’s status outside the heterosexual institution of marriage and family. As we went along, we were not only able to form strong collectives of single women but also explore a whole range of erotic, sexual, affectionate interaction between women. I have, along with basti (urban slum settlement) women, resisted the definitions and prescriptions that homogenize women’s sexual expressions and experiences. Naming a group of people or the issue is a political act.”

The term “single woman” was formulated in the context of building broad alliances across classes, religions, castes, regions, and now sexualities and asexualities. It was designed to be inclusive of all women who have ruptured with the heterosexual matrix: “lesbians”; celibates; ascetics; unmarried women; divorced women; widows. For Abha, single women disrupt patriarchal genealogies while establishing lineage with women within and outside their families who may or may not have been “lesbian": “an unmarried aunt; unmarried activists in movements; ascetics or nuns” (Interview with Abha). This autonomous, non-sanguinal female connection disempowers male sanguinal kin who might otherwise expect to exercise control over no-longer married or unmarried women kin, including through corporal/ erotic policing.

Abha feels that the term lesbian, while enabling in the West, is not politically useful to her struggles. Most of the women she works with have little access to English and have never heard the word “lesbian.” For Abha, what constitutes woman-to-woman relations and the notion of visibility itself signify disjointedly in “Western” and Indian contexts. She feels the “gender segregation” that is normative in India paradoxically has historically both concealed same-sex love and provided a space for its expression in multiple forms. Announcing woman-to-woman sexuality (as lesbian or in other terms) would isolate sexuality from its wider erotic/affective continuum, thereby reducing it while constituting a threat to the space of its expression. For Abha, giving up that female-only space would be counterproductive. Further, introducing the English term “lesbian" would unnecessarily impose diversionary debates about Westernization. It would mean grappling with the national/alien binary–with lesbophobic exile–instead of getting on with the work of construction of autonomous female collectivity.

The term “single woman” inadvertently interrogates the place reserved for “lesbians” in the hetero/homo binary: as part of a separate, bounded category; forcibly assigned what Martin (1993) terms a “totalizing identification”; as condemned to be a numerical minority. The term “single woman" positions “lesbians” elsewhere: beyond a totalizeable sexual identity, within an autonomous female potential majority that could destabilize the binary‘s dominant term by shrinking it (even heterosexually married women can divorce or become widows). Under the rubric of “single women,” lesbianism is not isolatable; the “lesbian” potential in all women‘s relations can be recognized.

In her praxis, Abha links the classed, gendered, and sexuated spatiopolitics of the basti to single women’s struggles for total autonomy. As an urban territory spontaneously squatted, often by subaltern rural exodussed subjects, a basti is vulnerable to landowner and state invasions and evictions; it is an unhomeable home in the world. Basti based IWM women have self-organized for a very long time. They have collectively demanded state-supplied water and electricity, unionized trades such as sweeping, spread health information, and supported the decisions of battered women to divorce. The construction of single-woman collectivities radicalizes women‘s struggles against male dependency across scale.

In their organizing praxis, single women from Delhi and elsewhere have agitated openly against lesbophobia and homophobia across scales, within India and beyond. They propelled IWM prolesbian stances on the suicides and marriages cited above. They organized the first workshop (called “Single Women”) in which “lesbian” relations were discussed at an annual national IWM conference, in 1990 in Calicut. They led the first passage of a national IWM resolution stating that all women have the right to sexual choice (1994, Tirupathi). They confronted the state in agitations against IPC 377. And they inserted their politics transnationally in a public statement against “the assumption of heterosexuality and the marginalization of lesbians” at the Indian preparatory assembly for the1995 World Conference on Women in Beijing (Abha, personal communication, 13 February 1998). Single women insist on autonomy from gay men but demonstrate solidarity with them. For example, during a 1993 ABVA/Sakhi seminar, single women critiqued ABVA sexism and demanded a womanonly space therein (Jagori 1992 – 1993). But in 1994, when Vimla Farooqi, a leader of the Communist Party‘s National Federation of Indian Women, asked the Prime Minister to ban a gay men‘s conference in Mumbai, single women organized a nationwide IWM protest (Jagori 1994-1995). Finally, single women contributed to IWM support for lesbian rights when these rights were publicly attacked in 1998 by Hindu nationalists in the controversy over Deepa Mehta’s lesbian film, Fire.

[Selection from Loving Women: Being Lesbian in Unprivileged India, by Maya Sharma, 2015.]

In contrast to the mass-based women's groups, the autonomous women's groups have had a somewhat different response to the issue of lesbian rights. Between 1989–-91, a new articulation had been shaped: 'single woman' was beginning to be recognised as a valid, self-chosen identity. Lesbians were seen as belonging to this category. At the Autonomous Women's Movement Conference held in Calicut in 1990 an informal session on single women was held, and perhaps for the first time the word 'lesbian' was used. A middle-class woman identified herself as a lesbian in that meeting. After the Calicut conference, the woman's group Jagori began research on single women, but did not openly address lesbian issues within these parameters. It mentions lesbians as one of the categories of single women but it did not openly address lesbian issues within these parameters. Nor did the category 'single women' accommodate more complex positions, such as those of married lesbians with or without children. The Northern Regional Conference of the Women's Movement held in Kanpur in 1993 had a session on sexuality, but women standing outside the room predicted dismissively that such a session would contain 'nothing more than lesbianism'. Anticipating such comments, we who were organising the workshop on behalf of Jagori had committed to a strategy: to avoid a predominant focus on lesbian issues, and in order not to detract/distract from more general issues, we ordained that women who were not 'out' but did self-identify as lesbians would keep a low profile during the discussions. Also, in the interest of ensuring that this strategy was not interrogated, we excluded an out lesbian who we felt would not comply with our plan. Ironically, during the session someone asked about women who did not marry, 'What about their sexual desire?' We had created a space where such issues could be interrogated, yet lesbian issues could not. Today in retrospect we are aghast that we thought of raising the issue of lesbian sexuality in the session on single women, and we acknowledge the extent of internal and external homophobia that compelled us to strategise in this questionable manner.

#india #lgbtq history #lesbian history #single women #already posted one of these as part of a longer selection but i wanted to put them together

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listenzaheer · 2 years

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OTT Boldest Actress: She is the boldest actress of OTT, has broken the limit 5 times on social media too

OTT Boldest Actress: In OTT, many beauties made such a splash of boldness that greater than the net collection, her daring scenes made quite a bit of headlines. One of these actresses is named Aabha Paul. Apart from ‘Gandi Baat’, Abha Paul has added boldness and hotness to the ‘Mastram’ net collection. But are you aware that even in actual life, Abha Paul has broken all the limits on social…

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bloseroseone · 1 month

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Unlocking Success: Bluerose Publisher's Best Amazon KDP Books

In the ever-expanding landscape of self-publishing, the Amazon (KDP) platform has emerged as a powerful tool for authors to bring their works to the world. Bluerose Publishers, a prominent name in the publishing industry, has curated a selection of remarkable titles on Amazon KDP that exemplify literary excellence and entrepreneurial spirit.

Among these gems are five standout books that have garnered attention and acclaim: “Whispers Wanderers” by Shubham Natu, “She for Her” by Rashmi Trivedi, “Checkmate” by Abha Jha, “Aumnism – The First Ray of Dawn” by Swapnil Arora and Shyamiva, and “Unique Thinking” by Srilekha Kaluvakunta.... Read more

#amazon #book #kdp #publishing #book publishing

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kulcareindia · 2 months

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Enhancing Healthcare Access: From the Registration Guide: How to Register for Abha Card with Kulcare

Today, excellent healthcare quality is of primary importance in the cutthroat world. Kulcare acknowledgesthis necessity and developed a convenient platform to be used by individuals when registering for an Abha Card. Here, we have a detailed manual that will lead you through the process of registration for Abha Card with Kulcare and explain beneficial features and steps.

Understanding the Abha Card

Among the facilitators of health care services is the Abha Card which gives persons access to a myriad of

health care services. It is her unique mark and guides her in accessing medical services at any affiliated hospitals, clinics, and pharmacies.

Benefits of Abha Card Registration with Kulcare

1. Convenience: It is easy and fast process to sign up for an Abha Card Registration via kulcare. This can be done through the internet at any time, and no need to pay a physical visit to a healthcare facility. User registration starting from home has multiple advantages of saving time and reducing the effort.

2. Access to a Network of Healthcare Providers: Kulcare has partnered with a large number of healthcare providers, guaranteeing that people are able to access high-quality care even when they are not in their desired location. This system includes hospitals, clinics, and pharmacies, hence offering integrated healthcare services.

3. Efficient Healthcare Management: The Abaha Card is a tool for handling healthcare services. Appointments can be booked, medicines can be ordered and medical records can be accessed via the Kulcare platform, merging complex healthcare processes.

4. Peace of Mind: With the Abha Card, an individual is at ease to get healthcare with a surety that all the expenses incurred are covered. Whether it’s a low-key appointment or a life-threatening emergency, the Abha Card guarantees that individuals can receive care without time delays.How to Register for an Abha Card with Kulcare

Step-by-Step Process to Get an Abha Card through kulcare.

1. Visit the Kulcare Website: To start Kulcare registration, users can either visit the Kulcare website or download the Kulcare app on their smartphones.

2. Provide Basic Information: Users will be required to give their names, phone numbers, and health history We need this data during the registration process.

3. Choose a Plan: The users of Kulcare can choose from different plans on offer dealing with a range of needs and budgets.

4. Complete the Registration Process: After the required information has been gathered and it has been selected hence, the user can proceed to the registration process. They are going to be issued their Abha Cards soon thereafter.

Conclusion

To conclude, getting Abha Cards with Kulcare can guarantee tradespeople security, smooth patient management, access to a network of health care providers, and convenience. We have simplified the process, which is completed on the internet so that healthcare access is easier than it has ever been before. From now on, you take the lead in your own healthcare so be it to obtain an Abha Card from Kulcare.

#Abha Cards

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marwahstudios · 5 months

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7th Dr Sarojini Naidu International Awards Honor One Hundred Outstanding Women at Marwah Studios

Noida: In a remarkable celebration of the achievements and contributions of women, one hundred exceptional working women from India and abroad were recognized and celebrated with the prestigious 7th Dr. Sarojini Naidu International Awards. The gala event took place at Marwah Studios in Film City, Noida, under the auspices of Dr. Sandeep Marwah, Chair for the Dr. Sarojini Naidu International Awards.

Dr. Sandeep Marwah, the visionary behind these awards, emphasized the importance of encouraging women and recognizing their immense contributions across various fields. He noted, “It is not only necessary but essential to encourage women; their contribution is immense and can rise to many folds if women are encouraged to come and work at every platform.”

The chief guest of the evening, H.E. Lalatianna Accouche, High Commissioner of Seychelles, graciously accepted her award and shared motivational words with the gathered audience of women. She stated, “Any work with a clear intention is going to bring back results.” Her presence and words served as an inspiration to the other one hundred women honored during the ceremony.

The First Secretary of the Embassy of Gambia, Aji Fatou Joof, also received an award and expressed her appreciation for Dr. Marwah’s initiative in starting these remarkable awards. She highlighted the profound impact of recognizing and appreciating the efforts of women and emphasized how such awards play a significant role in supporting and motivating women.

An alumna of the Asian Academy of Film and Television (AAFT) and Chair of the Women Commission in the Government of Haryana Renu Bhatia was presented with Life Membership of International Women’s Film Forum. She eloquently pointed out that women do not need empowerment as they are already empowered. Instead, they need encouragement and support to create their own paths and shape their destinies.

The awards were presented to one hundred remarkable women from various backgrounds, including business, different professions like art, culture, fashion, law, media, cinema, management, administration, poetry, writing, science, research, event management, education, and social work. Each awardee’s name is a testament to their individual accomplishments and dedication to society.

The esteemed recipients of the 7th Dr. Sarojini Naidu International Awards included Aarti Agarwal, Abhilasha Pattnaik, Rekha Shukla, Seema Patnaha, Anjali Rohan, Anju Malhotra, Annu Kalra, Anupma Bhardhwaj, Aparna Singh, Archana Singh, Bharti Kakwani, Chanchal Bhargava, Deepali Gupta, Deepali Roongta, Deepanshi Nandi, Deepti Gupta, Divya Bhatia, Dr. APS Gandhimathy, Aarti Agarwal, Abha Yadav, Anita Sharma, Anju Malik, Divya Goel, Divya Kirti Gupta, Geeti Sharma, Hemlata Gandhi, Keerthi Bollineni, Komal Jain, Kuljeit Uppal Mala Bhandari, Mamta Singh, Mamta Rani Kaushik, Mamta Singla, Namrata Kothari, Nidhi Menon, Payal Anwar, Priyambada Sarangi, Pulin Saluja, Radha Maddisetty, Rajshree Katke, Rakhi Singh, Ranjana Kaul, Richa Choudhary, Sarika Takhar, Seema Aseem Saxena, Shelly Bisht, Shernaaz Cama, Parul Purohit, Geet Mala Jalota, Gouri Kalra, Gouri Sahni, Harisoa Lalatina, Hema Paul, Hemangini Sudhir Patankar, and many more.

This illustrious event celebrated the accomplishments of women across a multitude of fields, reinforcing the message that women are powerful contributors to society and deserve recognition for their invaluable work. The event was supported by AAFT University, International Chamber of Media and Entertainment Industry, International Women’s Film Forum, Asian Academy of Arts and World Peace Development and Research Foundation.

#Chancellor Sandeep Marwah Presenting Sarojni Naidu Awards to Working Women #Dr. Sandeep Marwah President of Marwah Studios

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doeroneforall · 6 months

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Abha Singhal: From Adversity to a Rs 50 Crore “Khichdi Empire.”

Abha Singhal: Crafting Success from Adversity in the "Khichdi Empire"

In the heart of culinary excellence and business acumen, Abha Singhal's journey shines as an inspiring story of resilience and innovation. With a profound passion for food and an unwavering spirit, she has carved a niche for herself in the ever-evolving world of Indian cuisine. Abha Singhal, the culinary virtuoso, is the creative genius behind the remarkable "Khichdi Empire."

A Taste of Tradition

Khichdi, the quintessential Indian comfort food, has transcended generations with its simple yet delicious flavors. While it has been a staple in Indian households for centuries, Abha Singhal had a vision to elevate this homely dish to new culinary heights.

Rising from Adversity

Abha's journey to culinary prominence is marked by her remarkable ability to transform adversity into opportunity. Her life took an unexpected turn when she faced a personal crisis. It was during these challenging times that she found solace in cooking and embarked on a journey that would eventually lead her to a multi-crore culinary empire.

The Birth of Khichdi Empire

Abha's culinary expedition began humbly, with an aspiration to offer the world a taste of tradition with a twist. The Khichdi Empire was born from this vision. Abha ingeniously combined age-old recipes with modern flavors, creating an enticing fusion of taste and health. Her journey was fueled by the desire to make khichdi not only delicious but also a nutritious, wholesome meal that catered to contemporary palates.

A Recipe for Success

The Khichdi Empire quickly garnered a loyal following, thanks to Abha's culinary innovations. The menu expanded beyond the classic khichdi, offering a wide range of delectable variations, including regional and international twists. From exotic ingredients to creative plating, Abha's creations showcased khichdi in a new light, pleasing the taste buds of customers worldwide.

Scaling New Heights

What began as a small kitchen operation soon expanded into a restaurant, and then a chain of restaurants. Abha's commitment to quality and innovation was unwavering, and this dedication led her to reach new heights. With her indomitable spirit and relentless pursuit of culinary excellence, the Khichdi Empire's annual revenue crossed the remarkable Rs 50 crore mark.

Embracing Tradition and Innovation

Abha's success goes beyond numbers; it's a testament to the fusion of tradition and innovation. She has celebrated the roots of Indian cuisine while embracing contemporary culinary trends. Her ability to balance flavors and adapt to the ever-changing tastes of her audience has been her recipe for sustained success.

Empowering Others

Abha Singhal's journey is not only about her personal triumph but also about empowering others. Her entrepreneurial spirit has provided employment opportunities for countless individuals who share her passion for food. She has not only built a culinary empire but also nurtured a community of food enthusiasts.

A Taste of Inspiration

Abha Singhal's story is a reminder that success can rise from adversity, and a simple dish like khichdi can be transformed into an empire. Her journey exemplifies the spirit of perseverance, innovation, and the incredible potential that lies within us all.

Conclusion

Abha Singhal's "Khichdi Empire" isn't just a culinary destination; it's a testament to the power of determination and creativity. Her journey inspires us to embrace our passions, overcome adversity, and turn our dreams into reality. In every plate of khichdi served at the Khichdi Empire, there's a story of courage, vision, and a taste of tradition, reinvented for the modern world.

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thebobby1432world · 1 year

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Dunali 2 Part 3 Web Series Ullu Cast, Release Date, Real Names

Dunali 2 Part 3 Web Series Ullu Cast: Dunali 2 Part 3 is the latest web series by Ullu. The web series was released on 24 June 2022. It is available to watch online on the official website and the Ullu app. Shubham Devrukhkar (Sameer), Kabir Makhija (Rohan), Rekha Mona Sarkar (Aabha), Nehal Vadoliya (Sakshi), Babul Bhavsar (Parsi), Neha Parik (Natasha) play the lead in the series. The audience loves the web series. The series received good responses from the audience.

Dunali 2 Part 3 Web Series Ullu Cast/ Image Credit: Ullu Dunali 2 Part 3 Web Series Ullu CastDunali 2 Part 3 Web Series Ullu Story Dunali 2 Part 3 Web Series Ullu Dunali 2 Part 3 Web Series Ullu All Details

Dunali 2 Part 3 Web Series Ullu Cast

- Shubham Devrukhkar (Sameer) - Kabir Makhija (Rohan) - Rekha Mona Sarkar (Aabha) - Nehal Vadoliya (Sakshi) - Babul Bhavsar (Parsi) - Neha Parik (Natasha) Dunali 2 Part 3 Web Series Ullu Story The story is about Sameer preparing to tie the knot with his beloved Natasha, but unfortunately, Abha and Bandookwala are unhappy about their impending nuptials. The duo attempt to sow discord between the couple, but their efforts prove futile as the love between Sameer and Natasha prevails. However, Sameer's joy is short-lived when he discovers that Natasha is the daughter of Chandni, the notorious mafia queen of the state. This revelation turns Sameer's elation into terror, as he now faces the greatest challenge of his life. Fearing for his safety, Sameer decides to flee, hoping to evade the wrath of Chandni and her criminal empire. Dunali 2 Part 3 Web Series Ullu GenreDramaCastShubham Devrukhkar (Sameer),Kabir Makhija (Rohan),Rekha Mona Sarkar (Aabha),Nehal Vadoliya (Sakshi),Babul Bhavsar (Parsi),Neha Parik (Natasha)OTTUlluRelease Date24 June 2022CategoryWeb Series Dunali 2 Part 3 Web Series Ullu All Details - Genre: Drama, Romance - Release Date: 24 June 2022 - Director: Yatendra Rawat - Language: Hindi - OTT Platform: Ullu Disclaimer: The above information is for general informational purposes only. All information on the Site is provided in good faith. However, we make no representation or warranty of any kind, express or implied, regarding the accuracy, adequacy, validity, reliability, availability, or completeness of any information on the Site. Read the full article

#Dunali #Dunali2Part3WebSeries #Dunali2Part3WebSeriesUllu #Dunali2Part3WebSeriesUlluCast #Ullu #ulluwebseries #WebSeries

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missworldnepal · 1 year

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The Art of Advertising: How AI and Machine Learning Are Changing the Industry

In recent years, AI and machine learning have grown significantly across various industries, and the advertising industry is no exception. With the help of AI-generated models, companies can now create highly targeted, personalized ads that can dramatically improve their marketing strategies.

As an AI enthusiast and photography enthusiast, I have explored the potential of AI models to produce art, and my journey led me to Stable Diffusion at the end of 2022. Stable Diffusion is an educational deep text-to-speech model that can be installed on a desktop with a compatible GPU, and is open-source, making it accessible to anyone.

Using Stable Diffusion, I have experimented with creating realistic portraits of people, and the results have been consistent and impressive. The potential for using AI-generated images in advertising is huge. Companies can use the collected user data to create and deliver highly targeted ads with real-time AI-generated graphics that match their customers’ preferences photographs have been displayed at planned locations.

Imagine seeing an ad on your phone with an artist who looks like you in a partner, wearing clothes that match what you were looking for, offering a product that someone in your family had viewed online are using, and a place you plan to visit on vacation. With AI-generated models, that level of personalization and targeting is becoming more accessible than ever.

As for the AI model I created, her name is Abha. Abha represents my tribe, Nepali. You can find her on Instagram at @nepaligirl.ai. Abha is an example of how AI-generated models can be used to promote diversity and inclusion in advertising, represent underrepresented groups and create more representation in the media.

In conclusion, the use of AI-powered devices in advertising is evolving rapidly and will continue to change the future of the industry. With the ability to create highly personalized and targeted ads, AI-generated images will help companies improve their marketing strategies, increase sales, and increase variety variety and included in advertising.

#ai #artificial intelligence #advertising #art #media news

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love-bookrelease · 2 years

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Dai Maa by Smt. Sarojini M. Kavale

About the book

With immense pleasure, I am handing over this collection of stories named ' Dai- Maa' hope you all will enjoy each and every character of my anecdote. I met with' Dai- Maa' the important character of my storyline in WCL officer’s colony A medium stature beautiful, cheerful lady, I think mother? She came along with the newly married daughter-in-law from Bihar. to a house just next to my residence.

'A `soft-spoken lady like a slow gust of wind.'

The mother seems to be terrified in the presence of her son, very strange! What I heard was more astonishing was that the son used to call her 'Dai' daughter-in-law revealed this story which is actually heart-touching.

The story ‘Ghunghat’ gives a brief overview of a small village. I tried my best to acquaint the village life to my dear urban people.

You may find yourself as the protagonist of the story ' Maine Kahan’ as somewhere this story revolves around your own life.

The hero of ' Aaina'

Has used his experience and knowledge to tackle crises and challenges of life.

Though I tried my best to make this book free of errors, I apologize if any error is found and would like to thank my family members for their support to accomplish my work.

Author's word

At the hands of her son.

About the author

Mrs. Sarojini Kavale (M.A., History)lives in Betul, the heart of Madhya Pradesh, in the beautiful valleys of Satpura.

She is a renowned writer of Hindi and Marathi.

Following are her remarkable achievements-

Publication of 'Bhor', 'Sanchayini', and 'Abha' in Akhil Bhartiya Kavya Sangrah-Nari Chetna Ki Awaaz

'Tasvir ka dusra Rukh', 'Maharashtra Mein Mahalaxmi Puja' and 'Hare aur Lal Rang Mein Antar' articles in National Newspaper Dainik Bhaskar.

Articles like 'Dhuri' and 'Maharashtra Bahar Marathi in newspaper Lokmat, Nagpur.

Time to time presentation in Aakash Vani Betul Madhya Pradesh.

In the year 2017, Mrs. Sarojini was honored in National Kavi Sammelan 'Shourya'.

In the year 2022, She got special honor in Varanasi Kavi Sammelan- organized by Kalamputra Kavya manchan Meerut.

Shop now from Amazon, Flipkart, and BlueRose online.

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sunshinewarrior11 · 4 years

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Heya, just a post about race and ethnicity in the Middle East.

So, I am realising, people think Turks, Arabs and Persians are the same. We are not, please don’t write as so. We speak different languages, are different ethnicities. And the Turks were our (Arabs and Persians) colonisers FOR CENTURIES. The Turkish stuff you think is arabesque is because it was stolen by them.

Please don’t write non conspicuous desert people as Turks, they don’t have a desert. At all. Also, ethnically speaking (not nationality as they do have diversity thanks to colonisations) but Turks are closer to Balkans peoples, Greeks, Hungarians and Mongolians.

Arabs that are pale with light hair and eyes will often tell you, ‘oh yeah I have Turkish in me from the occupancy’. This being said, the Middle East is possible one of the most diverse regions of the world where you will find every combination of skin tone, eye shape and colour, and hair colour and type. Though blonde/red hair is rare, as is light eyes. In my family alone, we got short women barely hitting 5 feet and uncles about 6’5. And all my cousins and I range in skin shade from pale to olive to mixed black. My dad is one of 8 siblings. Both parents brown hair brown eyes, same as his siblings. He had blonde hair and has blues eyes. (We did a dna test as well just to confirm and he came back as 76% pure arab). So you can have fun with how you draw up, but we aren’t white.

Also important point. We (Arabs and Persians) ain’t white, unless your mixed with something (being pale doesn’t count, that’s just white passing). I s2g the only reason we were given that status was so white people could claim Jesus.

Also this is specifically ATLA related. Wa Shi Tongs library being in the desert was ingenious, why? Bc places like Bagdad, Alexandria and various other Arab and Persian cities were hubs of education in the Middle East. With the first university, ever to be opened by a woman in North Africa. Men and Women were (for the most part) educated about the same amount as children. We had some of the most advanced mathematics, sciences, medicines and poets and theologists in the world. This stopped with the Ottomans. They stopped our education systems (that were probably the most advanced in the world before the Ottoman Empire colonised us and we believed in education for all). So, please don’t write Sand Benders as Turks, with Turkish names or any of that.

We are also not south Asian and what happened with the Disney Live Action of Aladdin was abhorrent bc the basically set arabesque orientalism for a theme. I was so happy when they cast an Egyptian to play Aladdin but disheartened learning a south Asian was cast as Jasmine and even saddened more to see that they dressed her in south Asian clothes and did all the Bollywood dance numbers. The story is from the levant and persia. If you wanna tell an Indian story, please do they have a beautiful culture. But the only arab clothes I saw were the rags Aladdin wears. We have such beautiful colourful clothing of our own.

In conclusion, Arabs and Persians are a rainbow of colours. Please please feel free to contact me with any questions you may have, but know I can only speak for where I’m from and even then I’m mixed and grew up away from my heritage. But don’t depict us as South Asian or Turkish because it’s just wrong. Both of those have beautiful

Some clothing references from Abha, Saudi Arabia:

#psa #writing arab characters #arabs #atla #sandbenders #Persians #don’t make these mistakes

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horsesarecreatures · 3 years

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i love my paint to death, but for the past two years i've been questioning if he's really the right horse for me. i want to switch to dressage bc its safer. but he's not taking to it. he's downhill as heck & has no reach. a guilty part of me wants to trade him for an english horse. but i can't afford most of 'em. would i have shot with a arab? i'm at 1st level but hope to get to at least 3rd.

It really comes down to the conformation of the individual. But I will say that of the non-traditional breeds, Arabians in general have an advantage over others like paints, quarter horses, and draft/draft crosses because they're naturally forward and it's easy to harness their energy to create impulsion. Compared to tbs, they're also more likely to have springy, cadenced gaits (but beware of the leg movers bred for saddleseat that have lift but no reach).

Historically, there have been Arabians that competed in dressage at the Olympics, and many partbreds. And recently there seems to be a preponderance competing at psg/fei level. Just off the top of my head, I can name FCF Oberon's Vanity, Echo Apollo, Beymoon Zela, Exquisite's Fantasy, Ea Cyngus, Edykt's Enchantress, Tuxedo Thyme, Abha Mahdi, OKW Entrigue, etc.

This is a pretty good article. Getting to third level on an Arabian is definitely not infeasible, but there are some things to consider. Some points the article makes -

“'One of the biggest limitations of the Arabian sport horse is the trainer,' says Karla Stanley. Arabs’ intellect helps them retain lessons and learn quickly, but most do not respond well to a rider who drills exercises repeatedly. Arabian trainers report that as their horses go up the levels, they often learn new skills faster than their bodies can execute properly, so upper-level Arabians require careful conditioning."

“The important part of the horse is behind the saddle,” she says. While praising the front-end motion and elegant arching neck of the Arabian, Longacre believes too many Arabians do not have the hindquarters the sport demands. ‘Years of breeding for the tabletop topline left the pelvis and hocks behind,’ says Longacre. ‘It was counterproductive because they lost that strong back, loin and hindquarter connection.’

I will push back on this point a bit by saying that while it's true that too many Arabians are being bred for exaggeratedly flat croups, there are a few horses on the list I mentioned that still overcame it. Abha Mahdi, for example, is sired by Marwan Al Shaqab, who is arguably the most famous halter sire still standing. While I would avoid a horse with an inverted croup at all costs, with careful and proper conditioning a horse with a flat croup is not necessarily going to fail. It would be great if you could find an Arabian with more powerful hindquarters, but unfortunately they're not the majority these days.