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#he’s not really one of my faves to write bc his characterization kind of throws me for a loop
demonsfate · 2 years
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Hi again! "Not only the whole "IF A MERE FATHER-SON QUARREL IS ENOUGH TO DESTROY THE WORLD, THEN SO BE IT" ---> I'm glad I'm not the only one who thought this sounded weird from Jin's part. I completely agree that was his T6 personality. I truly hope we see good Jin again in T8 because I can't deal with another character assassination. I totally understand what you say about Xiao and Alisa's interactions, at times it seemed like ok this is important for the plot but how much of it do we need? Is not that I don't enjoy these two characters (Xiao is one of my faves), but I think the writing was just plain bad and all over the place. I can’t even remember what was the whole point of them spending so much time together 💀. Other than fighting over Shin(?) And yeah, Jin didn't care about hurting her which, again, kind of strange when you see him being so protective of her in the past??? Like you can be an ass but you can also care about your friends. Tek writers said NAH he's an ass with *everyone* and gives no fucks! Imo, I think his design in Blood Vengeance is a little weird. He looks young and grown at the same time. His neck area throws me off lol
Really, it felt like Blood Vengeance didn't really know what it wanted to be. With the whole Alisa and Xiao thing - it felt like they just wanted a cutesy slice of life high school thing with the beloved cutesy girls of the series - especially with fuckin LEE being like a teacher at the school??? And... g... Ganryu being the principal or something??? IIRC??? Which I wouldn't have mind if they did just create a full on silly Slice of Life thing that meant nothing but only for fun. But it felt like they also thought, "well... this is Tekken. We can't just do THAT, people want ACTION, and they want the Mishimas fighting" so they just came up with a contrived plot to get that rolling, and just to get some forced fight scenes going. And it all just became a boring mess and had the viewer wondering why they're even watching it or what's even really the plot of the movie.
I ADORE Xiao - a lot tbh. And tbh, I also liked her much better in Blood Vengeance than the anime, Bloodline. Whenever I complain about Xiao's characterization in Bloodline - people get critical of me and say "well we can't have her be a naive bimbo school girl!! that would look bad!!" And I could get into why I don't agree with that statement itself but it's not just that I didn't like that Xiao wasn't nearly as bubbly/cutesy in Bloodline - it's other parts of her characterization I didn't care for. And Blood Vengeance did her better and I'll say how -
in Bloodline, Xiao was able to DEFEAT fuckin Nina Williams - all on her own. A 16 year old VS a trained assassin. And yes, Xiao is trained, too - but not to kill, I'm sure not as harshly, and also not as experienced. In Blood Vengeance, Xiao struggled against Anna. This is much more realistic. As Anna is quite similar to Nina - trained assassin, more experience, and all that. And many argue that Anna is supposed to be the inferior sister in terms of combat skills. So, it shows just how fierce these sisters are against Xiao (who's 18-19 now, but still) Now this might be nitpicky as hell - but the scene where Xiao "attacks" Jin when they're walking to (or from) school. I guess because she didn't like how injured he looked, and he wasn't talking to her? But it just felt like an example of trying to make Xiao just a "cool female character who takes no shit!11!!" trope. Just because in Blood Vengeance, XIao was a very soft person who understood ppl and never pushed them around just bc she got upset. And in the games, she was also very caring of Jin and wouldn't do that. (hell, in the Pachinkos - she's even very gentle with Devil Jin, going as far to softly touching his face - she only attacks him in self defense.) Anyways - my point is, even if it is just a mere joke and nothing more - it felt very out of character for Xiao, and very forced. And one last example is that Xiao actually showed way more emotion for Alisa's "death" in Blood Vengeance than she did for Jin's death in Bloodline LMAO. Like she screamed, but afterwards - she just sounded more... angry at Heihachi than anything. In Blood Vengeance, Xiao showed she was angry at both Jin and Kazuya for why Alisa had to die. But you could really see her tear up, and crying about Alisa - as well as being gentle with her, and holding her mutilated body. There was a lot more emotion that could pull at your heart strings with Xiao experiencing Alisa's death vs Xiao experiencing her best friend's (and potential crush)'s death.
So, whilst I'd still rather watch Bloodline even if I did think Xiao was a better character in it - because whilst it was boring to me, it wasn't as boring as Blood Vengeance was. Nor did it feel as contrived - it just suffered from expositions and stupid writing choices.
I think the whole fighting for Shin thing was actually just an elaborate plan by Heihachi to get Kazuya and Jin together so he can kill them both and take the power of the Devil Gene for himself, as well as get back the Mishima Zaibatsu. Yes, you see - Shin had an elaborate plan and was playing 4D chess, but Heihachi had an EVEN MORE elaborate plan and was playing 5D CHESS. The thing about Jin in Blood Vengeance is that sometimes he looked fine. But many times he did kinda resemble more of a teenager in the face than his game counterpart does. It's hard to explain, I guess he just looked... more baby-faced, meanwhile Jin in games is "rougher" in the face. I rly don't know how to explain it SDSGJNDFGN.
The thing about Jin being an "ass" before is that whenever he was standoffish to his friends - it wasn't because he's just a jerk, it's because he genuinely cared about them. He apologizes to Hwoarang if he felt he broke a promise they made - he showed concern to Xiao by telling her the tournament is dangerous, and told her to go home. (And in Xiao's TK4 ending, he told her to follow her dreams and make them a reality) Jin may seem cold, but he really shows that he cares for his friends (and his coldness is also just another way to care because he doesn't want them hurt by his dangerous life, or his devil - who wasn't even really in Blood Vengeance lmao)
A good example of just how awful his character has become is in TK6 when he says this to Hwoarang -
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or in King of Fighters mobile crossover when he said this...
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(annoying little brat - they're literally the same age lmao - nearly the same height iirc) When in TK5, when Hwoarang got offended, and suspected Jin thought he'd found a stronger opponent - which Jin is quick to deny this.
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Instead, just telling Hwoarang the truth - life has gotten too busy for him and he can't keep his promise of a rematch (which Jin apologizes for that - twice.) Had this been the Jin in TK6 / other medias, he wouldn't have apologized nor would he have denied Hwoarang's claims. He would've mocked him here. But no - Jin doesn't here because not only does he care about Hwoarang, but because he was also a good person. (Altho not gonna give TK5 all the credit, as they did kinda kickstart TK6 Jin - but who knows if TK6 was actually really planned)
But yeah - I'm just really hoping we see the compassionate, and caring Jin who struggles with his morality instead of the jerk Jin who doesn't give a fuck about anyone else or the world for no reason. He definitely seemed to be better in TK7. Because again, whilst it's hard to really say as he wasn't really in it much. But there was Miguel's ending where he showed remorse, and even wanted Miguel to kill him. (Whereas in TK6 when Miguel confronts him, Jin says "I don't need forgiveness from someone who's about to die.) And whilst they kept his "power is everything" (🙄) and "you're a joke" animations - they did remove his "fear the wrath of god" as well as the smirk pre battle ones. And of course, his determination to kill Kazuya in the end of TK7 for what seems like the better good. So I do strongly believe in TK7, they were already trying to do damage control, and make Jin back to being Better. I just hope in TK8 we get the full on good guy Jin we've always known. The actual Jin, not the cheap Kazuya clone LOL.
Tho I'm also hoping TK8 retcons TK6. At least Jin's involvement in TK6 - so therefore there can be something that can excuse his behavior, and ppl can STFU about him being a villain. Either go with my idea that it wasn't Jin, but just Devil Jin who had completely consumed Jin at the time - and everything he said about "helping the world" was just his way of trying to manipulate good people into siding with him on the war. Or, as I've had someone on here tell me before - have it that Azazel just practically brainwashed Jin. (Similar to how Ogre brainwashed Nina in TK3)
Anyways, this went on for toooooo long - but I tend to get rambly when it comes to Tekken SJNDFJGN
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saintshigaraki · 3 years
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love as consumption but apply it to gojou
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wistfulrat · 3 years
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a 4-part rec list of my fave drarry fics - the thrillers, dramas, soft bois, and wankbanks getting me through 2020′s shitstorm
[the soft boi list is here and truly i’m not surprised this rec is going to be the longest bc if there’s one thing a bitch is going to do, it’s yearn.
as always! if you love a fic, follow the authors, leave kudos & comments, send them nice msgs bc free art is still labor xoxo]
part 3: soft bois
mood: for when I need respite, a balm to the all-consuming shittiness of life
includes: fluff, comfort, low-stakes, slow-burn fics. a wistful look, a rainy morning, an unexpected grace, a stupidly disarming joke. i could live inside these fics. the smallness of human lives removed from the site of that which hurts & irreparably changes. the story-equivalent of a deep breath after a long day. pregnant silences & pensive mundanity & shy smiles. banter with bite but without the cruelty. the color lavender. weirdly whimsical. soft fics are not necessarily conflict-averse (no drarry fic rly can be, considering the context) but, they offer the reader a generous distance from the initial harm. they’re the quiet cleaning up after a storm. sometimes healing is an exacting surgical knife and other times it’s a slow scabbing. you read these fics to be reassured that the way forward is not always ruthless. and honestly?? they deserve a semblance of peace godDAMmit.
The Way Down by @letteredlettered - 65k - T “and I thought that if someone talked to you as though you were a human being you might—maybe you could act like one” --the way i think about this line daily. the characterization of draco in this fic is one my favorites bc he’s earnest and neurotic and tired of harry’s shit. which is to say, he cares so so much. and harry doesn’t know what to do with that bc he’s got a monster in his chest and lives as a recluse. but they both humanize each other in ways no one else can. “you’re just a person” has to be some kind of drarry ethics of belonging and it makes me CRY. -
Little Deaths and How to Avoid Them by @greaseonmymouth and dustmouth - 96k - T “Maybe it’s not about deserving it? Maybe you just get to have it anyway. . .I’m allowing myself to want something and to let myself have it and to fight for it.” --harry runs a daycare and also works at a library. draco spends a lot of time in said library. they bond over sci-fi books and therapy anecdotes and quiet philosophical conversations held over cafeteria soup. and harry’s struggling to understand his asexuality. draco’s learning how to live with anxiety and depression. they both want to be deserving of love. incredible fic with beautiful art by dustmouth. - 
Open for Repairs by @drarrytrash - 35k - T “A few leaves rustle in the gutter and the muggle world pays no mind to them, to two lost boys holding on for dear life.” --all of their fics feel exactly like this. like you’ve been allowed to look at something private, tender, unexpected. draco, known abba fan, is a repairman in the muggle world & harry can’t stop breaking thrifted things in order to see him? say less, i'm thERE. also “I think I have a crush on you” goddddd  - other faves by them: Counting Down By Ten - 2k - T: draco’s stepped outside of the party for a smoke. harry follows him bc of course he does. i could read this 100 times and not get tired of it. - Clouds That Veil the Midnight Moon - 36k - E: FUCKING HILARIOUS I CACKLED THROUGH THE WHOLE THING. draco’s wolfy problem and harry helping him and harry being flustered by how much he likes draco and draco’s hot heroic moment. shutup it’s perfect. “He almost asks if Draco ever gets tired of being a miserable complaining shit all the time, but he knows that he, personally, never ever gets tired of being a miserable complaining shit.” and “It’s the traumas,” Harry says gravely” --lines that live rent free in my head -
Harry Potter and the Future He Doesn't Really Want, Thanks by seefin - 70k - E “That was the only logical thing to do here, wasn’t it? It was the next step, it was the end of hurting each other and the beginning of the exact opposite.” --harry lives with luna and neville and also he dreams about the future sometimes? and he keeps running into draco. draco thinks this is sus as hell, until he doesn’t. feat. taxi rides, museums, cinemas, rooftop conversations beneath a lunar eclipse, mid-sex innocuous banter, draco and harry discussing nicki minaj. this fic charmed my ass off. seefin writes the most effortlessly hilarious dialogues. i smiled at my phone like an idiot at least 7 times. -  other faves by them: Wild - 93k - E: “he liked feeling needed, for the things that he was needed for back at the house in Ireland. For cooking and gardening and driving. Easy things.” --this shit makes me cry it’s so good. harry lives in Ireland with these three brilliant, hilarious, wandless witches and draco’s a potions student who's come to study under one of the housemates and the boys have so much shit to work through but their love becomes so tender and honest. draco yells at harry a lot and harry lets him and they both keep each other grounded in something real and fuCK.  - Divination for Dickheads - 7k - G: “I’m terrible at having crushes. I’ve never played anything cool a day in my life.” -- oh harry, we knOW. a bus ride, a fortune teller, an aquarium birthday party. god i love this fic. -
Modern Love by @tackytigerfic​ - 61k - E “But we’ve worked so hard at this, haven’t we? Yeah, I know it’s a horror to have to talk about it, but fuck it. We’re friends now, but it took so long to get here. Have you ever had to work so hard at something before?" --the steady blossoming of their friendship in this fic is so goddamn beautiful i want to yell. it’s draco and harry learning to trust each other and the whole thing unfolds so slowly, in this whimsical mix of london streets, wizarding politics, church halls feat. a Hot vicar, and a magical antique shop owner who’s married to literal poseidon?? goD the environment of this fic. immaculate. [also there’s a tender shower scene that makes me cry every single fucking time so if you read this fic pls dm me so we can be embarrassing about it together tbh] -
Nice Things by aideomai - 22k - M “He kept waiting for the weird shock of touch to not knock him clean out of his head, leave him quiet and warm and happy.” --8th year. harry forms an unlikely friendship with draco that begins with smoking weed on a windowsill. harry is touch-starved and draco touches him like he touches all his close friends - like it’s easy. the quiet affection in this fic, the way harry burrows himself into touch bc he’s been without it for his entire life. reading this is like being held. -
Running On Air by @tinyhistory​ - 74k - T “do you remember when we were eleven?” --alexa play coldplay’s the scientist it’s sad girl hours and we’re about to fucking yearn. you’ve seen this fic rec on every drarry list under the sun and i'm here to be redundant. the hype is so goddamn real. this story is a lyrical masterpiece held together by lines that act as refrains that will rattle around your brain until you die, probably. draco’s been missing for 3yrs. harry goes to find him. it’s their odyssey of homecoming. -
Title of Their Sex Tape by @cibeewastaken - 12k - T “But Draco, Draco was everything but boring. Draco made sitting in the rain watching an empty house fun.” --auror partners pining and draco being eccentric and harry being very earnestly gay about draco’s eccentricities!! god this fic is so genuinely fun skskd feat. undercover missions, murderous faeries, a book heist, a stunning navy dress, harry’s eyelashes. -
How We Throw Our Shadows Down by @thistle-verse - 14k - T “Draco is about to say something else— to thank Potter for what he’d done, however poorly— but Harry is smiling at him again, and it’s so soft and perfect that Draco holds in any inadequate words, lest he spoil it.” --draco collects tea cozies and of course harry has the one he wants. the sad and tender gays are at it again feat. conversations in the rain at a train station, melancholy Blaise, muggle photos, wizarding e-bay, the Dursleys.  -
Helix by Saras_Girl - 92k - E “Draco sighs in his sleep and Harry clings on to consciousness, needing to hold on, to give this tiny, insignificant moment the attention it deserves” --I think maybe you can describe every soft Saras_Girl story as giving tiny, insignificant moments the attention they deserve. like, this is an 8th year fic about snails and it’s full of whimsy, grief, compassion, and easy humor. an absolute must-read author in this genre if you want languorous, episodic fics full of distinct OCs and affectionate creatures. - other faves by them: Light up the Night Sky - 98k - M “Draco, sometimes you make my head feel like soup” --the one where harry is a fireworks artist and has a pet chameleon named ken. draco is on the wizarding arts council. they both pine like hell. - Headlights in the Snow - 71k - M “they stare at each other in silence, Harry’s heart beating so loud in his chest that he thinks the biddies must be able to hear it over the sound of their card game.” --the one where draco drives the knight bus and carts around the biddy club, a group of rambunctious old ladies who knit and drink tea and gossip. harry can’t help but fall in love with the everything about this. -
Follow the Water by @xanthippe74 - 38k - T “Harry’s heavy thoughts lift at the sight, like dark clouds blown away from the sun by the wind. The tent doesn’t feel so cramped and stifling now. It feels cozy. And safe. It’s the same feeling that Harry gets when he’s at the Burrow for Sunday roasts, when a group of people who care for each other deeply are crammed into too-small a space.” --harry wanders to the lovegood house on a sunday afternoon. he’s baffled to see that luna’s taken pansy, greg, and draco under her wing. what follows is a summer of forest walks, scavenger hunts, gardening, water fights, odd cakes, faerie rings, and picnics. so many picnics. i love the pace of this fic, the innocent return to childhood things, the way luna brings out the best in all her friends. reluctantly soft slytherins are just *chefs kiss*!! -
Going Postal (A 125pg comic) by dustmouth - T what. a. beautiful. ass. comic. the wizarding fashion, the textures, the character design!! harry travels a lot for his job as a resourcer. draco works in the regulations dept. they pine like a bunch of lovesick idiots via field report notes. god i love dustmouth’s art. -
All the Earnest Young Men by @tepre​ - 29k - E “Draco is twenty-seven layers of personality wrapped up in drama and humour, and a wit so sharp it still stings when he doesn’t see it coming. But there is something below that, too. Something that makes Harry ache just looking at him.” --the way i would lay down my little life for tepre’s characterization of draco, whom invented the word earnest. he’s a magical art theory expert and portraits are disappearing all over London and harry’s the auror assigned to this case. and well. they’re both so very avoidant about how gay they are for each other and it’s like!! shutup and kiss!! which they do in fact, shutup and kiss.  -
Trenches by sara_holmes - 3k - M “Somewhere in the distant part of his mind that hasn't frozen solid, he thinks that maybe he and Draco are about to become more than auror partners, smoking buddies, wine-mates and co-inhabitants of a snow filled trench somewhere in western Scotland.” --the plot line here is literally “it’s cold and i need a fucking cigarette” but let me tell you how I never tire of the shared loaded-silences of two emotionally repressed gays. -
The Years Before Love by lomonaaeren - 13k - M “That’s one of the meanings of peace, he thinks, as Hermione hugs him...That he can do things slowly, softly, without worrying that they won’t be there tomorrow.” --andromeda taking harry under her wing and harry finding solace in teddy. narcissa and draco showing up and the tentative relationships that slowly develop in the quiet calm of andromeda’s house. found families and kisses in the snow and special xmas gifts ugh what’s not to love -
The Moon Looks Lovely Tonight by Omi_Ohmy - 35k - M “I want this to be a house where people are welcome, where they don’t have to be any one way or another” --in which harry collects lost things--owls, best friends, inept bakers, potions experimenters--and turns the mausoleum that is grimmauld place into a home. feat. your fave drarry tropes like shared-beds and reluctant waltzing partners. -
[part 1: thrillers | part 2: dramas | part 3: soft bois | part 4: wankbanks]
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red-hood-vigilante · 3 years
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more hbo spn rambles, thoughts, drabbles etc. long long post.
part 1 here
there’s some things i’ve omitted here bc others have already posted about those things, certain headcanons and characterizations and stuff. those posts are in my likes somewhere (and i’ll reblog them someday), and there’s some posts i’ve read but not liked, which i now can only vaguely remember, which is why some ideas/thoughts are similar
ALSO most of these follow the model i talked about in part one: how s1-5 will stay more or less how they are but s6-10 is changed (some things are cut out entirely, some things are tweaked and some characters + arcs are more fleshed out. more focus on sam’s trauma and post-cage adaptation to the real world as well as dean letting his rage and control issues consume him and how he’d recover and redeem himself)
as i typed these paragraphs, i realized i really have 10 seasons mapped out and ready to go. hbo hire me!!
alright go:
sam and dean get wearier as the show progresses (second half), and eventually they stop putting so much care and thought in the people they save. like...hm how do i say this, like as long as a victim/victims are saved, they don’t care about how that happens or how those people suffer potential consequences, like if the victims lose a limb or have their homes burned down because of the monster, then sam and dean don’t really care. they saved your life, now they’ll leave you with your life in potential shambles and not care because all that matters is that they saved your life, not how it is afterwards. they still care about saving that one person, but eventually it pales a little in comparison to a war between heaven and hell, being the vessels etc. ---> saving people becomes less about making sure they’re actually alright and healing from horrific events and more about just making sure they have a pulse before they move on
when angels lose their wings they are either burned off in the actual fall or ripped off of them in their vessels, which leaves pretty nasty scars on the vessel
ed and harry are so young and bright eyed about the whole hunting thing; sam and dean as kids, idolizing it, finding it exciting and intriguing when they shouldn’t. sam and dean try to get them out of the business before they too are too traumatized and desensitized to do anything but hunt. neither sam or dean will say it but they are jealous of ed and harry and their freedom to leave, and hate them for choosing this voluntarily instead of being dragged into it by tragedy
hbo spn is a slow burn. there’s a lot more shots of sam and dean in silence just sitting together after a hunt, exhausted and too tired to move yet. they’re covered in blood and guts on the side of the road after killing or covered with dirt in a graveyard after burning bones, sitting next to the fire, just watching it. the times they park the car and watch the stars? we get to see it. 
dean wears rings and the amulet all the time in the beginning, for the first five seasons. the rings vary; first they’re some of john’s old ones and stuff he finds in thrift stores. then later on he begins wearing rings from people they’ve saved/haven’t saved as a keepsakes etc. when he begins his descent to the holy murderer in s6-10 he wears less and less rings. they don’t matter anymore -> symbolically shedding who he was and what mattered to him
the only accessories sam has is a rosary/cross around his neck. he has jess’ engagement ring in his pocket/wallet. after the cage he vaguely remembers why the ring was there and who jessica was (more on this further down)
the four horsemen are manifestations of different aspects of human nature at its most grotesque and strongest, can’t be killed as long as humans live. war is conflict, famine is desire, pestilence is physical and mental illnesses.
(the seven sins are like the horsemen, tulpas of human nature instead of demons)
death isn’t a concentration of an existing aspect of humans as much as it is the end of life, the antithesis of life. death the oldest of the horsemen and has existed since the beginning of any life, organism, cell and atom. the opposite of life and light, the other half of god (as i’m typing this i’m confused as to why  amara was the opposite of god instead of death). death isn’t evil or good, remains 100% objective. doesn’t care for sam or dean at all, but has a begrudging respect for their stubbornness and entertainment they provide due to their flat out refusal to do as they’re told by celestial bodies when anyone else would crumble
by including death i feel like it very naturally begs questions of who decides when someone dies, when someone lives, why would death follow these guides instead of reaping whomever whenever, what happens if a life isn’t reaped at the right time etc. the reader in me adore the idea of death having a library with books and records of everyone who has ever lived and died and how they died - but then, who writes these books and why? do they decide, and if in that case, how? these questions are above my paygrade but you know what i mean? like there has to be some sort of system right, god created everything, death executes to maintain order, some third party deity writes the laws and the books. the three branches of government. ok but it’s hbo so again, i think we shouldn’t dive this deep into things, like as much as these topics intrigue me i don’t want to stray too much from the dirt road trip aesthetic
shapeshifters are extremely rare because they don’t require any kind of human blood or organs/sacrifice to live
i want more exploration of how magic is like science, like it just needs the right ingredients and right conditions. sam thinks of magic as an obscure branch of science; it just requires research and knowledge and clear intentions because science can be controlled and do a lot of good when used responsibly. dean doesn’t like it. he doesn’t trust the unpredictable elements and he’s seen enough to know it never goes well. magic is a force that can’t be controlled by anyone.
sam and dean have full on fist fights regularly. to practice and keeping each other sharp, but also because they’re siblings. they’re feral, insane and unhinged with each other and they get on each other’s nerves A LOT. it’s petty and childish and sometimes it can get a lil ugly but it becomes their way of family therapy. after a fight the next scene cuts to sam and dean with ruffled clothes, nosebleeds and swollen lips at a diner eating silently after beating each other up. either they sit in silence because they’re tired or both are harping on the other’s openings and weaknesses
sometimes they’ll fight a little dirty but they do so in different ways; dean will pull the old ‘look!’ and point to something and then tackle sam when he turns to look while sam will just cry out in fake pain which makes dean stop dead in his tracks before sam headbutts him or kicks him in the groin
we, the audience get used to these fights, they’re sometimes funny and for comic relief, sometimes for narrative purposes (like tricking a monster they’re fighting each other when they’re really not) BUT. then comes the times when sam and dean are actually fighting without holding back and we see how much they are capable of hurting each other or how heartbreaking and difficult it can be to watch when of them are incapable of fighting back/doesn’t defend himself -> swan song when dean doesn’t fight back against possessed sam, or when dean beats soulless sam unconscious
sam and dean also just verbally bully each other constantly but they do have their odd ways of expressing affection and care. they get the other person their fave snack whenever they go grocery shopping without being asked to and are the only other one they truly trust to have their back in hunts. have a cup of coffee ready before the other asks for one. brothers and each other’s best friend. nightmare duo but in a sweet way. the cooperation of ‘the usual suspects’ when they’re in different interrogation rooms but still has the cover story down to a t. code words and code names and cover stories, they know it all
when sam and dean fight together against a common enemy they’re a damn nightmare - because they know each others weaknesses and habits, they cover each other perfectly and in complete silence. they’ve been at it together since they were kids and read each other’s nonverbal cues like a picture book
to build off of what i said in part 1; the winchesters are pretty hated in the hunter’s community. even the people sam and dean frequently work with (bobby, ellen, jo, ash, rufus, bela, kevin, charlie, castiel etc) roasts them all the time and don’t hesitate with calling them out on their self-pitying crap when it get’s too much (spn was just objectively better when characters weren’t afraid of dragging sam and dean through the mud for being selfish and stupid) and this WILL persist in hbo spn. the only reason people continue working with sam and dean is because they know deep down a lot of the things that happens aren’t sam and dean’s fault - but they still blame them for it. doesn’t make it easier how sam or dean sometimes start crap on purpose to save the other
the winchesters are terrifying and people for sure tell stories about them, but not like ‘they’re heroes’, more like ‘they’re insane and dangerous. stay the fuck away from them’. some stories are true, like how they’ve worked with demons, but some are just game of telephone. (dean has apparently a ghost he is frequently possessed by while sam is actually a mutant vampire). hunters hate and are scared of the winchesters. sam and dean are never invited to hunter stuff (burials, memorials etc) but crash them nonetheless even though the hunters do NOT want them there.
you know what drives me insane when i think about it? how some characters in spn already are their hbo spn counterparts; john. mary. adam. maybe kevin?
other things that already are their hbo spn counterparts: dean throwing away the amulet right in front of sam. eyes burning when angels are seen. how ghosts are just tragedies, stuck in a loop they can’t leave. how a lot of the monsters they meet are just victims or their circumstances or the first victim of a curse. the impala being sam and dean’s home. dean not knowing how to comfort sam when he’s upset other than trying to do things for sam that usually brings dean comfort (driving the impala, listening to rock music etc). the roadhouse. heaven being an eternal version of the memories that made you the happiest even though it’s not real. sam wanting independence and freedom but never fully having it. dean fearing being alone more than anything else and that’s where he always ends up. sam has an eating disorder after the demon blood and dean has an alcohol problem he refuses to see as a problem. dean saying “i’d do it again” without an ounce of regret and pouring himself a drink when sam tells him it was fucked up to lie to him about gadreel
the demon/angel hybrid: THIS could be sooo interesting to explore. an angel and demon hybrid are you kidding me?? not to toot my own horn too much but i’m so clever. i should write this story myself. SO. does this creature have parents who fucked in their vessels or was this an experiment by god (yes i love the ‘mad scientist’ idea, that really should’ve been played up way more) or did a pre-existing creature (human or otherwise) drink demon blood and angel grace at the same time so that it created itself? so much potential for some really intriguing storytelling and character exploration - not only the creature itself and what they would be like, but also for the people around; sam, dean, castiel, jack etc. how would they react to this thing that is the very definition of defying heaven and hell and all the natural laws? does it exist before the show starts or will we see its birth?
the powers of the demon/angel hybrid would be tricky; a mix of holy and defiant, grotesque and beautiful. unconsciously forces people to tell the truth when talking to them. poisons whatever they touch. eyes of a demon, wings of an angel. can smite but skin will burn when touching iron. can do deals but will require a sacrifice in return, not a soul, usually a body part taken then and there (the hybrid eats it. it favours eyeballs and the liver - angels like raw meat). lights always flicker. makes things explode when angry (esp people and cars). can manipulate feelings, thoughts and memories. can travel to both heaven and hell, not welcome in either places. + standard stuff like telekinesis, teleportation, mind reading, super strength etc. 
sam and dean’s wardrobe are pretty much the same; whatever’s cheap and not covered in blood. however, they do have stylistic differences. sam thinks graphic tees are funny, dean uses whatever’s black combined with john’s leather jacket. their wardrobe melds as they stop thinking of themselves as individuals and more of “me and my brother,”. their clothes are tattered and torn to shreds all the time. hand me downs, hand me ups. when they stray off their “path” and do things that are the crux of a storyline/character arc, this would reflect in their clothes. when sam is with ruby and becomes more and more “evil” he wears more and more red, a colour he has stated in the past he doesn’t really like. when dean is dead, sam starts to wear his rings and john’s and dean’s leather jacket. when dean decides he’s going to say yes to michael he dresses in white, when sam is dead dean takes off every piece of jewelry except the amulet. he holds it clenched in his fists when he’s whispering what comes close to a prayer
logically the amulet should have a backstory but you know what? i love that it’s hinted to be just a piece of cheap jewelry sam found in a thrift store he decided to give to dean. but narratively it should be explained so... idk. what could be logical solution as to why it would react to GOD himself? maybe god wore it once cuz he thought it was neat but he sold it for three dollars because he wanted coffee and then sam found it a week later
i would prefer it if god didn’t show up at all (absent father number one) but if he DID he’s not all powerful just a true neutral (like death, 100% objective) who created a thing that just took a life of its own, much like a parent and a child - the parent helps the child but can’t control it. the times he did intervene or tried to do something it didn’t really have any real long lasting effect so he gave up on trying a while ago. 
@spneveryseason talked about this, how the storyline of sam being possessed by gadreel would be horrifying if we saw everything from sam’s perspective instead of dean’s (her fic is wonderful). in the ‘dean slowly descends into a righteous murderer to become holy’ idea i have this tracks so damn well because again, if dean believes something is right, it is right, no questions about it. everyone around him is like “that’s really fucked up and you should make amends” but dean doesn’t see any reasons for why - sam is alive isn’t he? and seeing it from sam’s pov would really underline how horrifying, dehumanizing and belittling that experience was
john and mary are adam and eve. sam and dean are cain and abel are michael and lucifer. time is a flat circle. history never stops repeating itself. 
sam is the villain of s4. he is manipulated and key information is withheld from him but in the end... would it made a difference? it crossed his mind, that he could be tricked because ruby is a demon after all, but maybe he likes the power, the feeling of freedom, that he wasn’t just the baby, the one who always needs permission to do things. if he has to drain possessed people to get that power... so be it. and it’s for a good purpose, until it isn’t. he’s hungry for more, to be feared and respected. he’s enticed by lucifer’s sweet words, the potential of all that power and the idea of ruling two out of three realms. dean manages to pull him back from the brink because sam decides he doesn’t want to be what john thought he was and fail dean and himself like that.
dean is the villain in s9. he is controlling, the mark of cain without the mark. what he says goes - it’s not a democracy, it’s a dictatorship. he doesn’t see how much pain, doubt and fear he causes the people around him. if some victims or civilians die on his watch that doesn’t matter - just some collateral damage. sam can’t make dean listen to him because dean is the older one, the one who’s always called the shots. dean is the angelic one, heaven’s chosen warrior, he is untouchable and unkillable. he’s is an excellent killer, filling the void with blood and rage which is better than the crippling fear of loneliness carved into his bones. 'i butcher for love, to protect,’ he tells himself. ‘why shouldn’t i exterminate, regardless of the cost? i’ve followed the rules, i’ve always sacrificed. now i call the shots. it’s my right.’
sam’s hell trauma is never magically removed. he’s stuck with the memories and the nightmares and the occasional hallucinations. castiel can’t do anything but offers to wipe his memory completely, but sam says no, he is still doing penance. 
after dean comes back from hell he starts calling himself old man and jokes a lot about he’s 40 years older now (after he’s more comfortable about speaking about hell) 
when sam comes back he feels ancient (he’s over 900 years old at least but he lost count), weary, tired and so so so out of place in this world. he’s forgotten how to put gas in a car, how to drive, how to use a credit card, all the song lyrics he and dean used to yell together, the faces of people he knew before he fell, the softness of a bed, the schools he went to, most of the hunts he and dean, how john died, who mary is, the initials carved into the impala, the taste of food that isn’t raw meat. it’s so much he’s forgotten that he has to relearn. he prefers figuring things out with castiel instead of dean because castiel doesn’t silently resent him for everything he’s forgotten
sam doesn’t laugh anymore. despite dean’s many and castiel’s few awkward attempts, it’s more like quick smile and a quiet “hmm”. on some days he recoils when he sees blood and guts, on other days he’s so apathetic it’s unnerving
sam sympathizes with the brought back mary and castiel more than ever. dean tries to get sam to remember things he’s forgotten from his childhood but sam can’t connect with it anymore. he stopped being that sam a long time ago. dean doesn’t know what else to do than try to force this connection to be revitalized and he fails. sam isn’t that person anymore and this wedge in their relationship becomes a central factor in dean’s s6-10 desperation and isolation. sam is here and safe but it’s not really sam, not the sam dean grew up with
while sam has forgotten how to make coffee, he now knows everything about angels, effective torture tricks, a bunch of lore + biblical history, how to navigate hell, the most powerful and influential demons, rare and powerful spells as well as perfect enochian (he will speak enochian without realizing and it feels more natural than english). lucifer and michael were surprisingly talkative (raging about the unfairness) when taking their anger and hatred out on sam and adam and each other. sam had access to all of lucifer’s memories and knowledge for the time he was the one in control. walking library and encyclopedia of biblical lore.
he still has some muscle memory from hunting and sparring, but sam is ghostly thin and very rusty. even though he’s an expert on lore, he’s not fit to go on hunts anymore and he knows it. 
sam remembers adam and swears he’ll try to get him out, but he can’t. just thinking about the cage makes him vomit. he can’t talk about it, much less go near it. after a while sam thinks it might be better to let adam stay down there than let him come back up and feel this crushing emptiness and loss of direction
sam’s trials take place in s9 instead of 8; coinciding with dean’s villain arc. for sam the trials are a chance to redeem himself again, this time for good by closing hellgates forever. they’re scrubbing him clean of the demon blood and his sins and they give him a sense of purpose again now that he can’t join hunts anymore. it doesn’t matter if he dies because of it. it would be nice with a permanent and peaceful death that did something good. dean is taken aback by sam’s devotion to repent for something that happened years ago and for something sam has already paid for a thousand times over. dean realizes how messed up he himself has become and how he’s helped put sam here, on the cusp of self sacrifice again because of sickening guilt and self hatred. dean begs sam to not complete the trials at the cost of his own life and swears he’ll better himself, be a friend and a brother, not a jailer, dictator or a murderer. ‘if you won’t give yourself or life another chance, please give me one.’ ---> s10 pacifist dean learning to let go of the control, the violent tendencies and the rage
oh wait what if gadreel still possessed sam after the trials to heal him but sam is the one who invites the angel in? he’ll keep his promise to dean about staying alive, as well as heal from the inside and have breaks from the world when he doesn’t want to be present, like he and gadreel will alternate being the one in control. he keeps it a secret from dean and helps gadreel imitate him so dean won’t notice. it’s not so bad, being possessed by this angel - sam can say no anytime and gadreel is a nice guy. since they alternate on who’s present they can access each other’s memories, which is terrifying and embarrassing at first, but since gadreel and sam have been tricked and used by lucifer and been punished for it for far too long, they understand each other. now another creature knows their trauma and terrors without the need for verbal explanation. also having an angel residing in his body makes sam feel like he can hunt properly again because gadreel can heal him and take over in situations sam’s overpowered. this could show how messed up sam has come to view himself and his body. 
dean is conflicted when he finds out; sam lied but gadreel does help sam heal, sam’s traumatized and his self-worth is fucked up and dean has contributed to that. dean convinces sam to push gadreel out, that sam is still valuable, loved and a good person who shouldn’t be in a place where he views his body and mind like a property to be occupied. sam’s faith begins to come back bit by bit, not in god, but in himself, his brother, in the good things in life. they build their little family; sam, dean, castiel, the hybrids, whomever of their allies that are alive at this point.
castiel can heal sam and dean’s wounds but they are never completely gone; they leave scars and phantom pains. the brothers have SO many scars over the years. dean flaunts them to impress people because he likes the questions and the fearful admiration, the attention and the nods of approval. sam hides them.
when dean is in a bad mood or needs to get his mind off of things, sam just drops something like ‘i don’t get the deal with led zeppelin. one of the most overrated bands of all time’ and dean will go OFF every single time about the entire led zeppelin history, their discography and how they’ve shaped rock music. this will go on for hours and sam will zone out after 1 minute. but dean rants nonsensically the entire drive and it does get him to think about something else for a little bit. they stop at a motel and dean is STILL ranting while brushing his teeth. stops when going to sleep but without fail picks up where he left off the morning after and is so into it he doesn’t notice sam not paying attention at all. we could see this once in s1 when they’re searching for john, another in s3 when dean is anxious about his deal coming to an end and then again in a later season, when sam doesn’t remember to ask/doesn’t have the patience or mental capability, so they’ll sit there in tense silence, showing how much they’ve changed.
---> i can see this SO clearly in my head, how they’ll get in the car and we, the audience, will recognize the camera angle, the same lines and dean’s grumpy mood, and we’ll anticipate what comes next. but sam isn’t that kid anymore and he’s not peeking at dean to gauge what his mood is and how much of a shit eating grin he should wear when being an annoying little brother to cheer dean up. now he’s looking out the window, leaned back, they’re not looking at each other. this shot is a minute or two long, uninterrupted. dean turns on music but neither are singing along or doing anything to lighten the mood. 
s1-5: sam gets hooked on demon blood, dean has an alcohol problem. when sam goes through withdrawals, dean decides to quit drinking and joins him because he wants to be supportive, and he realizes that when he drinks two beers for breakfast there’s a problem
s6-10: sam takes painkillers, anti depressants and anti psyhosis meds to numb himself from the phantom pains and reduce post-cage effects. dean started drinking again after sam jumped and still does, but started smoking in addition because he still drives a lot and doesn’t want to die in something as pathetic as a car crash. 
there a scene in an episode in the first half of s8, when sam has decided to stay with dean instead of amelia, and dean has rejected benny in favor of sam, and then the brothers sit in a couch watching tv while drinking beer and neither of them look particularly happy about it - that’s how their relationship is a lot of the time. they know they’re fucked up and neither of them will ever be truly happy when the other’s around, but they owe each other so much and they don’t have to explain themselves to each other the way they do to others. they know each other so well, each other’s traumas and the things they’ve done, it feels fake and exhausting to try to be something other than the veteran hunters they are. misery loves company; they are miserable together but would be far more miserable apart and living a normal life. they do love each other, but neither of them are particularly happy as the show progresses. family is hell and so is the lack of it. 
OK OK i mentioned it in part one, how i had my own very specific idea about how jack should come to be and here it is. long winded but (might just write a damn fic): 
after lucifer was cast back into the cage, he is stronger than he has been in a long time (being in his true vessel helped him stretched muscles he forgot he had. and fresh air.) sam is pulled out of the cage and it leaves a rift in the magic and chains - the binding is weaker and lucifer must act fast to get out before it heals. the cage is still strong enough to hold two archangels, so lucifer has to become weaker somehow to slip out through the cracks. he can’t get out of the cage, but souls can come in. demons bring themselves and human souls as tools for lucifer to use. there’s not much he can do here - consuming them, eating them, touching them, dissecting them doesn’t give him what he wants
eventually lucifer realizes he must do like azazel and create something new of two halves, like when he created demons. he begins melding his archangel grace with a human soul. he tries with demons, but his archangel grace automatically purifies them and leaves them too weak. he must try with a human soul who is good. he finds the soul of kelly kline, who sold her soul to save a loved one. with her, the merging, works. 
he has another self, a twin, a son, who’s half human and half archangel. half lucifer. the old lucifer will die but that’s ok, his desires, presence and self will live on in his new creation. the new lucifer barely makes it out of the cage, only able to due to its human side. on earth it creates a body for itself and takes shape, no longer a form of pure power and energy akin to the sun itself but now a person, reminiscent of kelly kline on earth and lucifer in heaven. they name themselves jack. jack searches for familiarity and finds it in sam, their old self’s perfect tool and another hybrid. jack finds a mentor in castiel, a younger brother and fellow angel with human elements. they do not find anything in dean, the key to his former self’s doom.
jack’s powers: their powers are like and unlike the angels because he is half archangel. jack has wings but sometimes they don’t work, or they’ll end up somewhere else entirely. their body is their own, not a vessel, so jack can’t possess people. doesn’t talk but people “know” what they’re saying or want because jack emits their emotions and thoughts to people they’re talking to like a radio tower. jack can also have this empathic connection and communication with animals. his mood affects the weather. immortal. reads minds. can remove a soul from a body and send it to heaven/hell by touching it, with practice they don’t need to touch a body. 
other stuff about jack: the human/archangel nature means jack only need sleep and food once a week or so. eats only nougat and raw meat. because jack is a kid they nap a lot. levitates when sleeping. never blinks, stares intensely at everything. their eye colour changes based on their mood. eyes glow in the dark. normal humans who look at jack for too long experience memory loss, fainting spells or migraines and eye contact for more than 10 seconds give vivid hallucinations of their worst nightmares. always barefoot, often floats like 10 cm off the ground because they find it more enjoyable than walking. wears the wildest clothes they can find, nothing matches and nothing is weather appropriate
i have a very specific image of jack in my mind; they look like delirium from the sandman comics with the hair that looks like it’s underwater and the fishes floating around their head, here and here are examples. in live action this would look not good or maybe even ridiculous for sure but in animation... endless potential for angels and monsters to have super interesting designs sigh
castiel’s arc should end with him going from blind soldier, to the unwilling ruler of heaven, finding a place on earth with sam and dean, becoming closer with humanity and eventually a father of three (the hybrids). 
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ambitionsource · 4 years
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also 001 zc im springing it all on u
spring it all on me baybee. i’m ready. i’m thrivin
Zay & Charlie
When I started shipping it if I did: oh if i were a viewer, i think i’d be sniffing out this storyline EARLY. literally from the moment charlie leaps up to volunteer to tutor him in 103 and then is all “you’re so unapologetically yourself” with all that Awe i’d be like... mhm. okay. mhm ok mhm mhm mhm right mhm....... although i think i would be skeptical. i would be kinda like (as i think some of you were) are they actually going to go through with this...... are they playing me 4 a fool.... but then when you watch 112 after so much build and theres the RUNNING ACROSS THE CITY TO GET TO THE AUDITION AND AINT NOOOO AWWWYWYWYWYWYAAYWAAYYYYY AND THE LOUVRE KISS LIKE WAHAHAHWAHWAHHHHHHH AHHHHHHHHH -- yeah i’d be in it from there. you don’t see it coming going INTO the first season, but to be honest zc kind of Owned the first season in the later half there. they were subtle in some ways but then they really just brought the mf PUNCH
My thoughts: so. clearly. i love them. fdkjshgkjsg i think i have a lot of fondness for them because they really organically blossomed in the first season in a way i wasn’t expecting. as y’all know, we broke the story for the second season first and then backtracked to s1, and i will be candid... charlie was like... not a person when we first outlined s2 JFGDSKLGKDFGKLFDH. he was in a relationship with zay, and it was supposed to be this big surprise going into the second season, but otherwise we really didn’t like... know what to do with him or honestly had THOUGHT about it. but then as we started working on s1, he just kind of... emerged, as well as their storyline of barely acquaintances to friends to unexpected lovers. and i really really love what they grew to be. they’ve been one of the best parts of writing the show tbh and i have so much fun writing their scenes, even when they’re challenging (cough 208 cough, one of the most difficult scenes i’ve ever written in anything ever)
What makes me happy about them: i love how they see the other person for who they actually are, how they can cut through the bullshit and see the other for how they wish they could be seen (charlie seeing zay as more than the popular “cool” kid that he has to put on as a sort of defense to survive at aaa, and zay seeing charlie for who he actually is beneath all of the facades he’s created to please the rest of the world) and how that allows them the courage to try and actually BE those things. like. charlie may not have ever gotten to a point of really considering accepting his own sexuality if it weren’t for zay, i think -- especially since zay then gave him this incredibly SAFE space to figure it out AND loved him at the same time. i love how they demonstrate such a Balance for one another (there’s that key word again!), like how in s1 a core part of their friendship is the fact that charlie seems to be the only person zay really has who cares about all the things he cares about but also isn’t... a crazy monster the way everyone at aaa is fDJSKFLDG. and zay brings balance to charlie in showing him its okay to have fun, to be imperfect, to throw a swear word around or not give a damn sometimes or do things just because he wants to. and that’s important! that’s major! and then i just love love love how they’re playful with one another but it comes from this very sincere fond place. their dynamic would not be what it is without their sort of teasing nature, but it NEVER feels like it’s coming from a place of animosity, it’s always this affectionate kind of banter. i’m really picky about how teasing translates into romance, and i think the way they make it work is a fave thing about them for me. i’m forgetting like 4324325 things i wanna say here but i love them MUCHO
What makes me sad about them: so. hm. yeah. you know how there are those otp ask games or gif memes and there’s always that category that’s like “it’s right, just not right now” ships? i have always disliked that category bc i think people constantly misinterpret it (or its just a poor label to apply to a ship lmao), but i think they are actually a perfect example of what i think that label is supposed to represent. charlie and zay are 100% right, but not right now. they can’t be right when charlie is still trying to figure out so much of his sexuality and his sense of acceptance, because no matter how much they love each other it’s just not fair to zay to have all these conditions on their relationship. like, it’s great that he likes him enough to be okay with it, but it shouldn’t be that way in a truly healthy situation. yknow? and when the rules keep changing or grow to be confusing (i.e. how charlie seemed to be improving in 207 but then backslid majorly in 208), you end up with like... well, miscommunications like 208. and those can be brutal.
Things done in fanfic that annoys me: again, i’m just projecting based on my experience in fandom and observing fandom, but here are a handful of things i think would be common in zc fic that would drive me up the wall. 1) babying and/or pandering charlie to the point that he’s just like... this uwu baby gay that completely strips him of his complexity, surprisingly sharp sarcasm, all his uneven edges and quirks, etc. 2) fetishizing of them both or more specifically, racism surrounding the portrayal of zay 3) a complete bashing of charlie’s faith, as that goes against how he’s written + his arc as a character [ like if you gotta work thru ur own grievances with organized religion then by all means, but it would probably bother me bc of his characterization and im literally not even religious lmao ] 4) banter that crosses the line and goes into that territory of lowkey bullying or tasteless that is a squick for me
Things I look for in fanfic: so of course, characterization that allows for the complexity of both of their characters would be A1 from day one as usual. would always love something that highlights the dance thing since that is... so important to their relationship in the show lmao. people who could capture their delicate balance of banter would be whew!!!! also random but i thought about it earlier today -- when winter olympics rolls around again, who is gonna write the ice skating au? it’s only a step or two away from dance y’all, let’s SEE IT!!!
Who I’d be comfortable them ending up with, if not each other: zay would make the best of any relationship he gets into, but he and riley could be cute as i have mentioned before (altho i naturally prefer them as best friends, but they would treat each other the way they deserve which is important). there’s a character coming in s4 who i actually really enjoy with zay, but that’s a spoiler and neither here nor there... as for charlie, i again will make my vague comment about appreciating lucas x charlie... and that’s all i can say on that.............
My happily ever after for them: god i just. i want them to be happy and in love. and i mean that in that they’re happy with themselves, so they can be happy with one another. like, TRULY happy without all these conditions or strings attached. and to be able to be happy together IN PUBLIC. literally can you imagine. CAN YOU IMAGINE??
Who is the big spoon/little spoon: hmmmmmm again, i think it would vary. but i think my inclination is that typically zay is the big spoon, although i will say i think charlie is overall more cuddly (not that you’d ever assume so in public bc he’s so repressed DSJKFJDSKLGFDLKG)
What is their favorite non-sexual activity: i assume we wanna discuss the ones... that aren’t dance DJSKLFJDKGJFDLKJGKDJHLKDH. aside from the obvious, i really do think zay and charlie like to go out and explore together and just like... share experiences. like going to art museums is a big one, and seeing live performances. art is something that really connects them and i don’t think that can be understated, and one of their favorite things is experiencing art together and then getting the other to talk about their opinions on it. i also do think that while zay isn’t big on literature, he can be swayed if charlie reads to him. art completely aside, i think they like to go to the grand central market and browse / try new things. they also like window shopping, but that’s kind of funny bc their styles are so different so they’ll be like ooh and the other will be like rly. FDNSJKFDJSLGJDSG. omg they should have a day where they just get to dress the other person up all day in different stores... THERES a fun activity... zay is dressed head to toe in GAP and he’s like please set me on fire fJDSKFJDSKLGJKDLFG
send some winter hiatus asks !! or try this one
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roominthecastle · 5 years
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I can't help but think you're being a bit too hard on Eleanor because of ship bias. I mean, why would you called her 'her worst self' and 'selfish' when she's always been one to throw stuff to get in heaven (even with the character development)? But suddenly she's being sappy and depending on someone who isn't Michael and the whole M/E fandom is at her throat. I'm as unconfortable as the next shipper with all the C/E scenes but is it really Eleanor and her characterization that's at fault?
Yes, of course I am biased (to a certain degree). When the show caters to my preferences, I’m more docile and much less likely to nitpick and complain, when it doesn’t and it drops the ball to boot, I get grumpy. So I’m your garden variety fan, basically. But I don’t believe I’m “at Eleanor’s throat”. Her and Chidi being together doesn’t make me uncomfortable bc it’s her and Chidi and not her and Michael (+ I often see things popping up in the C/E dynamic that can have potentially interesting implications for Michael’s development and for M/E, too. Generally speaking, the three of them make up a curious whole for me).
I know the chances of (2-sided) M/E happening are somewhere btw zero and never, so I’m not exactly eyeballing C/E as some kind of obstacle to my personal shipper nirvana, jumping at any chance to “punish” Eleanor for choosing the “wrong” partner. But I do feel uncomfortable with the way the C/E romance is written this season. “They are sidelining my no. 1 dynamic”, while frustrating, is not the reason for this, it’s not why I’m not crazy about Eleanor’s behavior and Chidi’s OOC-ness.
Eleanor + character development always resulted in stuff like her being emotional and vulnerable w/o getting aggressive and demanding, her accepting it when Chidi turned her down w/ dignity despite feeling heartbroken, and her being considerate of others to the point of volunteering to go to the Bad Place to save them. This is where she was a year ago and the year before that at the end of each season. This is not where she is now. I’m not saying being selfish and throwing stuff is not in her character make up or her problem-solving toolbox. Her overcoming these impulses, however, is the very point of her character development (made blindingly obvious last season when she lied about passing the Judge’s test and refused to go through the portal to TGP). What we have (currently! so it can change any time) in S3 is the opposite (see the in-your-face door to TGP that won’t open for her), it’s her completely giving in to these impulses to the point of seriously endangering everyone, meaning that she has, in fact, regressed. I suspect it is a point the show is trying to make but we’ll have to wait and see.
In “Janets”, all Janet asks is that they stay put until she and Michael deal w/ accounting. Eleanor works herself into a state over Chidi not opening up to her on command, putting Janet through hell and almost erasing her friends from existence while her own self is also disintegrating. Despite the serious consequences, this harmful behavior carries right over into the next ep where all Michael asks is that they lay low bc folks in TGP are so rule obsessed, they can send all of them right back to TBP. Eleanor immediately smashes stuff at the door to TGP bc it doesn’t open up for her when she demands it. It’s her bullying of Chidi from the previous ep all over again, only in a vase-meets-door form. Even Chidi has to be all about her now as he magically turns into a grossly idealized version of himself (see in S2 how she rejected a similar “fake Chidi”), spending the entire ep trying to prevent her from blowing up again while the rest of the team is cleaning up the mess in the mail room and Michael is away trying to fix the calculation issue. Despite the crazy-intense circumstances, everybody is trying to do something for somebody else except her - she is still hyper-focused on herself and it stands out to me bc this is a version of her I’ve never seen before and it’s def not the best one.
Again, it’s not because she is w/ Chidi but the issues become especially apparent within that dynamic since the second Michael showed her those memories, she just latched onto Chidi, expecting him to fill the void left by her screwed up upbringing that’s been freshly dredged up thanks to her not-dead mother. They made her lurch from “I’m incapable of love” to “I’m madly in love and nothing else matters”, hand-waving determinism while failing to provide any other reason why these 2 are suddenly together again. They are trying to play it as romantic/funny but it’s not romantic when someone’s whole identity has to be propped up by another person and it’s not funny how that other person has to repress his own identity/issues to be able to do this. It’s a suffocating, unsustainable interplay. Or if it’s meant to be interpreted as “love cures mental illness and erases every character flaw in 5 minutes, so you can finally be the proper romantic partner”, then it’s even worse. You don’t have to be a shipper of another ship or look too deep into this story to see these (imo) legitimate problems (but it helps, yes, since it’s natural to be more critical of sth you’re not emotionally invested in and gloss over stuff to preserve the fun potential when it’s your OTP or sth, I do give you that).
Eleanor having to coerce love and attention out of Chidi will never be cute, either, or proof that those feelings were there all along. People pushed some quotes from WJH into my face about how Chidi calms down bc he finally has what he always wanted - interesting choice of words, btw, given the pin Michael gave Eleanor - but 1) an actor’s opinion will not automatically replace my own (no, not even if it’s Ted’s or some other big fave’s) and 2) how exactly were we supposed to glean that Chidi wanted to be with her so much in this reboot? Was it when he went steady w/ another woman despite Eleanor being an option all along? was it when he refused to give private lessons to her bc he was just too busy? or was it when he - despite witnessing her meltdown - sent her packing bc they already had enough material for his study? For some reason the writers missed every opportunity to build this up properly and make this extremely syrupy display stick, but I’ve already said everything about that in another post.
This whole idea of “he felt this way all along, he just didn’t actually show it, so we can skip actual development” is a lazy, corner-cutting approach which reminds me of the worst kind of fanservice attempts I’ve had the misfortune of experiencing with several of my favorite shows recently. I have very low tolerance for that stuff now bc it never ends well. I did not expect to see this particular brand on this particular show, but here we are, I guess. Or if it’s a case of creative exhaustion/boredom where this billion times rebooted couple is concerned, then maybe it’s time to park them and give a not yet over-explored dynamic some attention instead to keep things fresh and fluid as opposed to stale and forced - again, not an unreasonable request, even if it comes from someone who is invested in another dynamic, given the lack of care that was apparently put into developing C/E this season.
I don’t like not liking things on this show (and it’s not Eleanor I don’t like, it’s the way they deconstructed her in order to write her back into a relationship as if she couldn’t exist w/o it), and I am sorry if I disappointed or offended bc it was not my intention. I hope they flip things or introduce a new angle that will make me re-evaluate. I am always open to that whenever new material arrives and I honestly hope they will make me eat my words soon. I will merrily absorb the suckerpuches. But for now, this is my opinion and “you just don’t like that she is not with your fave” - while a natural factor - is not the main reason why I made my comments.
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